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The National High Violet 180g 2LP (Vinyl)

$ 34.44 ~~$ 34.79~~

& lt;font color= & quot;#FF0000 & quot; & gt; & lt;b & gt;Reissued On Vinyl LP! & lt;/b & gt; & lt;/font & gt; & lt;br & gt; & lt;br & gt; Dead Can Dances fourth album, The Serpents Egg (1988), came during a prolific period for the band, being released just four years after their debut. It was also the first they made at their own studio which, according to Brendan Perry, allowed them to continue to grow in their own self-proclaimed direction. A minimal yet rather grandiose record which includes fan favorites The Host Of Seraphim and Ullyses, The Serpents Egg is a triumph and perhaps the finest example of where Brendan and Lisas diametrically different influences were overcome to form a new, almost synaesthetic whole. & lt;br & gt; & lt;br & gt; Formed in Australia in the early '80s by Lisa Gerrard and Brendan Perry, Dead Can Dance had veered away from the punk explosion towards a more non-conformist style. But finding the music scene unreceptive they moved to London, landed a record deal with 4AD and embarked on a career with the label that would last seventeen years. & lt;br & gt; & lt;br & gt; Highly respected artists with a loyal global fanbase, Gerrard and Perry consistently made music full of integrity and passion. Both immensely talented vocalists - Gerrard with her inimitable, mesmeric style and Perrys haunting baritone - they were also gifted, instinctive musicians and their melding of traditional instruments with samplers created a bridge between ancient and modern music. & lt;br & gt; & lt;br & gt; & lt;b & gt;Features: & lt;/b & gt; & lt;br & gt; Vinyl LP & lt;br & gt; & lt;br & gt; & lt;b & gt;Selections: & lt;br & gt; Side A: & lt;/b & gt; & lt;br & gt; 1. The Host Of Seraphim & lt;br & gt; 2. Orbis De Ignis & lt;br & gt; 3. Severance & lt;br & gt; 4. The Writing On My Father's Hand & lt;br & gt; 5. In The Kingdom Of The Blind The One-Eyed Are Kings & lt;br & gt; & lt;b & gt;Side B: & lt;/b & gt; & lt;br & gt; 6. Chant Of The Paladin & lt;br & gt; 7. Song Of Sophia & lt;br & gt; 8. Echolalia & lt;br & gt; 9. Mother Tongue & lt;br & gt; 10. Ullyses & lt;br & gt;

The Dead Can Dance The Serpent's Egg LP (Vinyl)

$ 25.07 ~~$ 26.39~~

& lt;font color= & quot;#FF0000 & quot; & gt; & lt;b & gt;Double LP! & lt;/b & gt; & lt;/font & gt; & lt;br & gt; & lt;br & gt; Planetarium is a concept album that occasionally gives way to ambient interludes and majestic brass chorales, buttressed by a percussive drive that keeps the momentum skyward. In spite of all the experimentation in sound and style, Sufjans vocals provide a clear and coherent center of gravity. The album includes some of his most diverse vocal performances to date (from soft hush to guttural scream), and whether hes singing through effects pedals, vocoders, auto-tune or not, his voice delivers an ambitious flight map through the cosmos. Planetarium is an album co-composed by four musicians: Bryce Dessner, James McAlister, Nico Muhly, and Sufjan Stevens. Flanked by a string quartet and a consort of seven trombones, this unique collaborative ensemble has assembled an expansive song cycle that explores the Sun, the Moon, the planets and other celestial bodies of our solar system (and beyond) through soundscape, song, science and myth. The result of this creative alliance is a musical and aesthetic journey as far-reaching as its subject: from lush piano ballads to prog-rock political anthems, curious electronic back-beats to classical cadenzas, the vast musical styles seek to explore the diversity and mystery of our cosmos. The subject of the album is not just the wilderness of outer space, but the interior space of human consciousness and how it engages. & lt;br & gt; & lt;br & gt; & lt;b & gt;Features: & lt;/b & gt; & lt;br & gt; Double LP & lt;br & gt; & lt;br & gt; & lt;b & gt;Selections: & lt;/b & gt; & lt;br & gt; 1. Neptune & lt;br & gt; 2. Jupiter & lt;br & gt; 3. Halleys Comet & lt;br & gt; 4. Venus & lt;br & gt; 5. Uranus & lt;br & gt; 6. Mars & lt;br & gt; 7. Black Energy & lt;br & gt; 8. Sun & lt;br & gt; 9. Tides & lt;br & gt; 10. Moon & lt;br & gt; 11. Pluto & lt;br & gt; 12. Kuiper Belt & lt;br & gt; 13. Black Hole & lt;br & gt; 14. Saturn & lt;br & gt; 15. In The Beginning & lt;br & gt; 16. Earth & lt;br & gt; 17. Mercury

Sufjan Stevens Planetarium 2LP (Vinyl)

$ 35.27 ~~$ 35.99~~

& lt;font color= & quot;#FF0000 & quot; & gt; & lt;b & gt;180g Vinyl LP! & lt;br & gt; Pressed at Pallas in Germany! & lt;/b & gt; & lt;/font & gt; & lt;br & gt; & lt;br & gt; The Breeders announce their return to 4AD with the infectious album All Nerve. This is the first time the classic Last Splash album lineup has been together since 1993. & lt;br & gt; & lt;br & gt; & lt;b & gt; & quot;a blurt of jolting joy & quot; & lt;/b & gt; - NPR & lt;br & gt; & lt;br & gt; & lt;b & gt; & quot;a classic Breeders bruiser, packed with punchy drums, sugar-rush power chords and lead riffs & quot; & lt;/b & gt; - Rolling Stone & lt;br & gt; & lt;br & gt; & lt;b & gt; & quot;'Wait In the Car' runs through all the hallmarks of a classic Breeders song: layered harmonies that manage to sound both euphoric and weary, vacillating between power chords, and a sneering Kim mandate. Though it has been 24 years since these four last recorded together, 'Wait In the Car' effortlessly brushes away time. & quot; & lt;/b & gt;- Pitchfork & lt;br & gt; & lt;br & gt; & lt;b & gt;Features: & lt;/b & gt; & lt;br & gt; 180g Vinyl & lt;br & gt; Full art insert & lt;br & gt; Vinyl mastered by Bob Weston at Chicago Mastering Service, Chicago & lt;br & gt; Manufactured by Pallas GmbH, Germany & lt;br & gt; & lt;br & gt; & lt;b & gt;Musicians: & lt;/b & gt; & lt;br & gt; Kim Deal, vocals, guitar & lt;br & gt; Kelley Deal, guitar, vocals & lt;br & gt; Josephine Wiggs, bass & lt;br & gt; Jim Macpherson, drums & lt;br & gt; & lt;br & gt; & lt;b & gt;Selections: & lt;br & gt; Side A: & lt;/b & gt; & lt;br & gt; 1. Nervous Mary & lt;br & gt; 2. Wait In The Car & lt;br & gt; 3. All Nerve & lt;br & gt; 4. Metagoth & lt;br & gt; 5. Spacewoman & lt;br & gt; 6. Walking With A Killer & lt;br & gt; & lt;b & gt;Side B: & lt;/b & gt; & lt;br & gt; 7. Howl At The Summit & lt;br & gt; 8. Archangel's Thunderbird & lt;br & gt; 9. Dawn: Making An Effort & lt;br & gt; 10. Skinhead #2 & lt;br & gt; 11. Blues At The Acropolis

The Breeders All Nerve 180g LP (Vinyl)

$ 29.09 ~~$ 29.99~~

The Red House Painters Red House Painters (Bridge) LP (Vinyl)

$ 25.33 ~~$ 26.39~~

& lt;font color= & quot;#FF0000 & quot; & gt; & lt;b & gt;1984 Album Reissued On Vinyl LP! & lt;/b & gt; & lt;/font & gt; & lt;br & gt; & lt;br & gt; The uncompromising eponymous debut, Dead Can Dance (1984), harnessed a bewitching barrage of sounds (including the distinct sound of the yangqin) with the then five-piece interchanging instruments to leave the vocals of Lisa Gerrard and Brendan Perry as the only constant. & lt;br & gt; & lt;br & gt; The albums cover was important as an introduction too, a Papua New Guinean mask that some believe when worn, a life force can be put into the inanimate wood - the dead can dance. & lt;br & gt; & lt;br & gt; Formed in Australia in the early 80s by Lisa Gerrard and Brendan Perry, Dead Can Dance had veered away from the punk explosion towards a more non-conformist style. But finding the music scene unreceptive they moved to London, landed a record deal with 4AD and embarked on a career with the label that would last seventeen years. & lt;br & gt; & lt;br & gt; Highly respected artists with a loyal global fanbase, Gerrard and Perry consistently made music full of integrity and passion. Both immensely talented vocalists - Gerrard with her inimitable, mesmeric style and Perrys haunting baritone - they were also gifted, instinctive musicians and their melding of traditional instruments with samplers created a bridge between ancient and modern music. & lt;br & gt; & lt;br & gt; & lt;b & gt; & quot;Bearing much more resemblance to the similarly gripping, dark early work of bands like the Cocteau Twins and The Cure than to the later fusions of music that would come to characterize the duo's sound, Dead Can Dance is as goth as it gets in many places. & quot; & lt;/b & gt; - allmusic.com & lt;br & gt; & lt;br & gt; & lt;b & gt;Selections: & lt;br & gt; Side A: & lt;/b & gt; & lt;br & gt; 1. The Fatal Impact & lt;br & gt; 2. The Trial & lt;br & gt; 3. Frontier & lt;br & gt; 4. Fortune & lt;br & gt; 5. Ocean & lt;br & gt; & lt;b & gt;Side B: & lt;/b & gt; & lt;br & gt; 1. East of Eden & lt;br & gt; 2. Threshold & lt;br & gt; 3. A Passage In Time & lt;br & gt; 4. Wild In the Woods & lt;br & gt; 5. Musica Eterna

The Dead Can Dance Dead Can Dance LP (Vinyl)

$ 26.13 ~~$ 26.39~~

& lt;font color= & quot;#FF0000 & quot; & gt; & lt;b & gt;Reissued On Vinyl LP! & lt;/b & gt; & lt;/font & gt; & lt;br & gt; & lt;br & gt; With the industrial textures of their eponymous debut behind them, the fifth album from Dead Can Dance (Aion, released in 1990) is perhaps the most focused and concise of their albums. Predominately recorded at their own studio in Southern Ireland, it features guest vocals from soprano David Navarro Sust. His vocals add to Brendan and Lisas opposing yet complimentary styles. The Middle Ages and the early Renaissance are a core influence for Aion; an atmosphere only amplified by the albums cover, a section from the Earth phase of Dutch painter Hieronymus Boschs famed triptych, The Garden of Earthly Delights. & lt;br & gt; & lt;br & gt; Formed in Australia in the early 80s by Lisa Gerrard and Brendan Perry, Dead Can Dance had veered away from the punk explosion towards a more non-conformist style. But finding the music scene unreceptive they moved to London, landed a record deal with 4AD and embarked on a career with the label that would last seventeen years. & lt;br & gt; & lt;br & gt; Highly respected artists with a loyal global fanbase, Gerrard and Perry consistently made music full of integrity and passion. Both immensely talented vocalists - Gerrard with her inimitable, mesmeric style and Perrys haunting baritone - they were also gifted, instinctive musicians and their melding of traditional instruments with samplers created a bridge between ancient and modern music. & lt;br & gt; & lt;br & gt; & lt;b & gt;Features: & lt;/b & gt; & lt;br & gt; Vinyl LP & lt;br & gt; & lt;br & gt; & lt;b & gt;Selections: & lt;br & gt; Side A: & lt;/b & gt; & lt;br & gt; 1. The Arrival And The Reunion & lt;br & gt; 2. Saltarello (Instrumental Danse - Anonymous - Italian 14th Century) & lt;br & gt; 3. Mephisto & lt;br & gt; 4. The Song Of The Sibyl (Traditional Version - Catalan - 16th Century) - Dedicated To The Memory Of Jamie Salas & lt;br & gt; 5. Fortune Presents Gifts Not According To the Book (Words By Luis De Gongora) & lt;br & gt; 6. As the Bell Rings The Maypole Spins & lt;br & gt; & lt;b & gt;Side B: & lt;/b & gt; & lt;br & gt; 7. The End Of Words & lt;br & gt; 8. Black Sun & lt;br & gt; 9. Wilderness & lt;br & gt; 10. The Promised Womb & lt;br & gt; 11. The Garden of Zephirus & lt;br & gt; 12. Radharc & lt;br & gt;

The Dead Can Dance Aion LP (Vinyl)

$ 25.86 ~~$ 26.39~~

& lt;font color= & quot;#FF0000 & quot; & gt; & lt;b & gt;TAS Super LP List! Special Merit: Informal & lt;/b & gt; & lt;/font & gt; & lt;br & gt; & lt;br & gt; & lt;font color= & quot;#FF0000 & quot; & gt; & lt;b & gt; Debut Album! & lt;br & gt; Matt Berniger From The National! & lt;/b & gt; & lt;/font & gt; & lt;br & gt; & lt;br & gt; The National's Matt Berninger and Menomena/Ramona Falls' Brent Knopf have teamed up for a collaborative LP under the alias EL VY. & lt;br & gt; & lt;br & gt; EL VY (pronounced like a plural of Elvis; rhymes with hell pie) is the musical collaboration between Matt Berninger, vocalist and lyricist of The National, and Brent Knopf, the Portland musician and producer best known for his work in Menomena and his more recent band, Ramona Falls. Their debut album Return To The Moon will be released on October 30th via 4AD. & lt;br & gt; & lt;br & gt; The album is a project Berninger and Knopf have been thinking about for years. Their friendship spans nearly a decade, starting back when the National and Menomena played small half- empty clubs along Americas west coast. Feeling an immediate musical kinship, the pair kept in touch, Brent sending Matt occasional rough sketches of music and Matt responding with melodies and lyrics. Finally, in the winter and spring of 2014-15, they actually got together to make an album. & lt;br & gt; & lt;br & gt; & lt;b & gt;Features: & lt;/b & gt; & lt;br & gt; Vinyl LP & lt;br & gt; Includes limited time MP3 coupon & lt;br & gt; & lt;br & gt; & lt;b & gt;Selections: & lt;/b & gt; & lt;br & gt; & lt;b & gt;Side A: & lt;/b & gt; & lt;br & gt; 1. Return To The Moon (Political Song for Didi Bloome to Sing, with Crescendo) & lt;br & gt; 2. I'm The Man To Be & lt;br & gt; 3. Paul Is Alive & lt;br & gt; 4. Need A Friend & lt;br & gt; 5. Silent Ivy Hotel & lt;br & gt; & lt;br & gt; & lt;b & gt;Side B & lt;/b & gt; & lt;br & gt; 6. No Time To Crank The Sun & lt;br & gt; 7. It's A Game & lt;br & gt; 8. Sleeping Light & lt;br & gt; 9. Sad Case & lt;br & gt; 10. Happiness, Missouri & lt;br & gt; 11. Careless

EL VY Return To The Moon LP (Vinyl)

$ 26.49 ~~$ 27.59~~

The Breeders Title TK LP (Vinyl)

$ 26.49 ~~$ 27.59~~

& lt;p & gt; & lt;strong & gt;TAS Super LP List! Special Merit: Informal & lt;/strong & gt; & lt;/p & gt; & lt;font color= & quot;#FF0000 & quot; & gt; & lt;b & gt;1993 Album Reissued On Double LP With New Artwork & amp; Altered Track Sequence! & lt;/b & gt; & lt;/font & gt; & lt;br & gt; & lt;br & gt; Released in 1993, Into The Labyrinth is Dead Can Dances sixth album. One of their most successful releases, its title is a reference to the Greek legend of Theseus going into the Labyrinth to slay the Minotaur. It came when Brendan Perry and Lisa Gerrard had embarked on more individual personal paths, now writing their songs independent of one another, and on separate continents. Engineered and produced by Brendan at his Quivvy Church studio in Ireland, the album is an audiophile benchmark and also noted for being their first without any guests, instead they played all the instruments. & lt;br & gt; & lt;br & gt; The 2016 LP version is also a double LP like the original release, but comes with brand new artwork and an altered track sequence. & lt;br & gt; & lt;br & gt; Formed in Australia in the early 80s by Lisa Gerrard and Brendan Perry, Dead Can Dance had veered away from the punk explosion towards a more non-conformist style. But finding the music scene unreceptive they moved to London, landed a record deal with 4AD and embarked on a career with the label that would last seventeen years. & lt;br & gt; & lt;br & gt; Highly respected artists with a loyal global fanbase, Gerrard and Perry consistently made music full of integrity and passion. Both immensely talented vocalists - Gerrard with her inimitable, mesmeric style and Perrys haunting baritone - they were also gifted, instinctive musicians and their melding of traditional instruments with samplers created a bridge between ancient and modern music. & lt;br & gt; & lt;br & gt; & lt;b & gt;Features: & lt;/b & gt; & lt;br & gt; Double LP reissue & lt;br & gt; New artwork & lt;br & gt; Altered Track Sequence & lt;br & gt; Gatefold Jacket & lt;br & gt; & lt;br & gt; & lt;b & gt;Selections: & lt;br & gt; LP 1 & lt;br & gt; Side A: & lt;/b & gt; & lt;br & gt; 1. Yulunga (Spirit Dance) & lt;br & gt; 2. The Ubiquitous Mr. Lovegrove & lt;br & gt; 3. The Wind That Shakes The Barley & lt;br & gt; & lt;b & gt;Side B: & lt;br & gt; & lt;/b & gt; 4. The Carnival Is Over & lt;br & gt; 5. Ariadne & lt;br & gt; 6. Saldek & lt;br & gt; 7. Towards The Within & lt;br & gt; & lt;br & gt; & lt;b & gt;LP 2 & lt;br & gt; Side C: & lt;br & gt; & lt;/b & gt; 1. Tell Me About The Forest (You Once Called Home) & lt;br & gt; 2. The Spider's Stratagem & lt;br & gt; 3. Emmeleia & lt;br & gt; 4. How Fortunate The Man With None & lt;br & gt; & lt;b & gt;Side D: & lt;br & gt; & lt;/b & gt; 5. Bird & lt;br & gt; 6. Spirit

The Dead Can Dance Into The Labyrinth 2LP (Vinyl)

$ 30.77 ~~$ 32.39~~

& lt;font color= & quot;#FF0000 & quot; & gt; & lt;b & gt;Finally Back on Black Vinyl After 20+ Years! & lt;/b & gt; & lt;/font & gt; & lt;br & gt; & lt;br & gt; Just one year on from their brilliant debut, Red House Painters were back with not one, but two albums. Both eponymously titled and released just months apart in 1993, the first of which was this ambitious double album. With a rollercoaster on the cover to give it its unofficial title, its now seen as one of Mark Kozelek's most realized collections, containing career highlights like Grace Cathedral Park, Katy Song, and Mistress. & lt;br & gt; & lt;br & gt; & lt;b & gt; & quot;...a sprawling, remarkable set distinguished by Mark Kozelek's continuing maturation as a songwriter...Red House Painters offers an expansion of both emotional and musical possibilities...the record moves through a shifting, impressionistic backdrop of textures and sounds; from the luminous folk-pop of & quot;Grace Cathedral Park & quot; to the epic dissonance of the gut-wrenching & quot;Strawberry Hill, & quot; the songs resonate with depth and poignancy... & quot; & lt;/b & gt; -Jason Ankeny, allmusic.com & lt;br & gt; & lt;br & gt; & lt;b & gt;Features: & lt;/b & gt; & lt;br & gt; Black Vinyl & lt;br & gt; Double LP & lt;br & gt; Includes limited time MP3 coupon & lt;br & gt; & lt;br & gt; & lt;b & gt;Selections: & lt;br & gt; LP 1 - Side A: & lt;/b & gt; & lt;br & gt; 1. Grace Cathedral Park & lt;br & gt; 2. Down Through & lt;br & gt; 3. Katy Song & lt;br & gt; 4. Mistress & lt;br & gt; & lt;b & gt;LP 1 - Side B: & lt;/b & gt; & lt;br & gt; 1. Things Mean A Lot & lt;br & gt; 2. Funhouse & lt;br & gt; 3. Take Me Out & lt;br & gt; 4. Rollercoaster & lt;br & gt; & lt;br & gt; & lt;b & gt;LP 2 - Side C: & lt;/b & gt; & lt;br & gt; 1. New Jersey & lt;br & gt; 2. Dragonflies & lt;br & gt; 3. Mistress (Piano Version) & lt;br & gt; & lt;b & gt;LP 2 - Side D: & lt;/b & gt; & lt;br & gt; 1. Mother & lt;br & gt; 2. Strawberry & lt;br & gt; 3. Brown Eyes

The Red House Painters Red House Painters (Roller Coaster) 2LP (Vinyl)

$ 34.55 ~~$ 35.99~~

& lt;font color= & quot;#FF0000 & quot; & gt; & lt;b & gt;Reissued On Double LP! & lt;/b & gt; & lt;/font & gt; & lt;br & gt; & lt;br & gt; Spiritchaser, Dead Can Dances seventh album, was released in 1996 and was the final studio album the band released with 4AD (it was to be another 16 years until they reconvened to make their eighth, Anastasis). Again recording at Brendans Quivvy Church in Ireland and as hinted at by the albums title, the band had moved their focus away from the traditional medieval and Eastern sound of their middle albums to work with African and Caribbean tribal rhythms. Still unmistakably Dead Can Dance, percussion is at the forefront throughout Spiritchaser and despite contributions from Ronan OSnodaigh, Renaud Pion, Lance Hogan, Robert Perry and Peter Ulrich on a few tracks, the album is mostly just Perry and Gerrard. In fine voice throughout, like their whole careers work, their strong singing remains the centerpiece. & lt;br & gt; & lt;br & gt; Formed in Australia in the early '80s by Lisa Gerrard and Brendan Perry, Dead Can Dance had veered away from the punk explosion towards a more non-conformist style. But finding the music scene unreceptive they moved to London, landed a record deal with 4AD and embarked on a career with the label that would last seventeen years. & lt;br & gt; & lt;br & gt; Highly respected artists with a loyal global fanbase, Gerrard and Perry consistently made music full of integrity and passion. Both immensely talented vocalists - Gerrard with her inimitable, mesmeric style and Perrys haunting baritone - they were also gifted, instinctive musicians and their melding of traditional instruments with samplers created a bridge between ancient and modern music. & lt;br & gt; & lt;br & gt; & lt;b & gt;Features: & lt;/b & gt; & lt;br & gt; Vinyl Double LP & lt;br & gt; & lt;br & gt; & lt;b & gt;Selections: & lt;/b & gt; & lt;br & gt; 1. Nierika & lt;br & gt; 2. Song Of The Stars & lt;br & gt; 3. Indus & lt;br & gt; 4. Song Of The Dispossessed & lt;br & gt; 5. Dedicace Outo & lt;br & gt; 6. The Snake And The Moon & lt;br & gt; 7. Song Of The Nile & lt;br & gt; 8. Devorzhum

The Dead Can Dance Spiritchaser 2LP (Vinyl)

$ 31.09 ~~$ 32.39~~

The Dead Can Dance Spleen And Ideal LP (Vinyl)

$ 25.60 ~~$ 26.39~~

& lt;font color= & quot;#FF0000 & quot; & gt; & lt;b & gt;TAS Super LP List! Special Merit: Informal & lt;/b & gt; & lt;/font & gt; & lt;br & gt; & lt;br & gt; & lt;font color= & quot;#FF0000 & quot; & gt; & lt;b & gt;2018 Grammy Award Winner! & lt;br & gt; Best Alternative Music Album: Sleep Well Beast & lt;/b & gt; & lt;/font & gt; & lt;br & gt; & lt;br & gt; & lt;font color= & quot;#FF0000 & quot; & gt; & lt;b & gt;White Vinyl Double LP! & lt;br & gt; One of Rolling Stone's 50 Best Albums of 2017! & lt;/b & gt; & lt;/font & gt; & lt;br & gt; & lt;br & gt; The National are pleased to announce their 7th studio album, Sleep Well Beast on the 4AD record label. & lt;br & gt; & lt;br & gt; Sleep Well Beast was produced by member Aaron Dessner with additional production by Matt Berninger and Bryce Dessner. The album was mixed by Peter Katis and recorded at Aaron Dessners Hudson Valley, New York studio, Long Pond. & lt;br & gt; & lt;br & gt; & lt;b & gt; & quot;The National might be the closest thing America has ever had to The Smiths: a dexterous guitar band with a magnetically morose frontman who's able to complain about the government and his love life in the same breath with the same eloquence and the same dark humor. Sleep Well Beast certainly takes the air out of the hopeful balloon that swelled on Trouble Will Find Me, but if there's ever been a time to wallow in lush, masculine melancholy, it's now. This beast isn't going anywhere. & quot; & lt;/b & gt; - Sasha Geffen, Consequence Of Sound & lt;br & gt; & lt;br & gt; & lt;b & gt; & quot;Sleep Well Beast feels musically like one of the band's richest, most interestingly-textured albums to date. Alongside some bar-room piano ('Carin') and seriously moreish guitar riffs ('The System') is a constant swirl, pulse, shimmer of assorted synths and swooping electronic tones puncturing and breaking through the density of the sound. This is unquestionably one of those albums that merits headphone listening, with so many brilliant little details musical doodles and squiggles that emerge over time and with the kind of close listening that it demands. & quot; & lt;/b & gt;- Jude Clarke, Drowned In Sound & lt;br & gt; & lt;br & gt; & lt;b & gt; & quot;Where the Ohio-bred, Brooklyn-forged band makes its leap from admirable indie-rock high achievers to mainstream contenders, not via marketplace pandering but, rather, the old fashioned way: upping its musical and lyrical game. The band's trademark Joy Division gloom gets cut with sexiness and dark humor, abetted by co-writer Carin Besser (singer Matt Berninger's wife) plus backing singers Lisa Hannigan and Justin 'Bon Iver' Vernon. The soundscapes, meanwhile, are more striking than ever, with prominent electronics, edgy string arrangements and lancing guitar ('The System Only Dreams in Total Darkness'). It's a rock record that rages against our freakish cultural moment not by sloganeering but by turning inward, circling wagons, taking stock of beauty and love and gathering strength for what lies ahead. & quot; & lt;/b & gt; - Rolling Stone, 50 Best Albums of 2017 & lt;br & gt; & lt;br & gt; & lt;b & gt;Features: & lt;/b & gt; & lt;br & gt; White Vinyl & lt;br & gt; Double LP & lt;br & gt; Gatefold jacket & lt;br & gt; Limited time download of the album & lt;br & gt; & lt;br & gt; & lt;b & gt;Selections: & lt;/b & gt; & lt;br & gt; 1. Nobody Else Will Be There & lt;br & gt; 2. Day I Die & lt;br & gt; 3. Walk It Back & lt;br & gt; 4. The System Only Dreams In Total Darkness & lt;br & gt; 5. Born To Beg & lt;br & gt; 6. Turtleneck & lt;br & gt; 7. Empire Line & lt;br & gt; 8. I'll Still Destroy You & lt;br & gt; 9. Guilty Party & lt;br & gt; 10. Carin At The Liquor Store & lt;br & gt; 11. Dark Side Of The Gym & lt;br & gt; 12. Sleep Well Beast

The National Sleep Well Beast 2LP (White Vinyl)

$ 32.58 ~~$ 33.59~~

The Dead Can Dance Garden of The Arcane Delights & Peel Sessions 2LP (Vinyl)

$ 32.07 ~~$ 32.39~~

The Red House Painters Down Colorful Hill LP (Vinyl)

$ 26.13 ~~$ 26.39~~

The Dead Can Dance Toward The Within 2LP (Vinyl)

$ 31.42 ~~$ 32.39~~

& lt;font color= & quot;#FF0000 & quot; & gt; & lt;b & gt;4th Studio Album On Vinyl LP! & lt;/b & gt; & lt;/font & gt; & lt;br & gt; & lt;br & gt; 4AD happily reissues The Breeders' four albums which preceded the 2018 released All Nerve. The albums are issued on vinyl. Those 4 albums are Pod, Last Splash, Title TK, and Mountain Battles. & lt;br & gt; & lt;br & gt; By turns goofy, groovy, melancholy, strung-out, catchy, atmospheric and - at times - impossibly lovely, Mountain Battles underlines that Kim Deal is a songwriter and a musician of rare intuition. Her songs move from offhand charm to emotional truth with casual grace, balancing scuffed-up noise against fraught silence; timeless structures against strange new shapes. And throughout, of course, there's Kim's unique voice - languid, urgent, bruised and beautiful. & lt;br & gt; & lt;br & gt; In short, Mountain Battles captures all the bittersweet electricity of classic Breeders records like Pod and Last Splash, and still manages to break new ground. & lt;br & gt; & lt;br & gt; Mountain Battles was recorded by Steve Albini at Electrical Audio in Chicago, Erika Larson at Stagg Street, Manny Nieto at Manny's Studio, at Refraze in Dayton and by Ben Mumphrey in the Basement. & lt;br & gt; & lt;br & gt; & lt;b & gt;Features: & lt;/b & gt; & lt;br & gt; & amp;bull; Vinyl LP & lt;br & gt; & amp;bull; Recorded All Wave & lt;br & gt; & lt;br & gt; & lt;b & gt;Musicians: & lt;/b & gt; & lt;br & gt; Kim Deal & lt;br & gt; Kelley Deal & lt;br & gt; Jose Medeles & lt;br & gt; Mando Lopez & lt;br & gt; & lt;br & gt; & lt;b & gt;Selections: & lt;br & gt; Side A: & lt;/b & gt; & lt;br & gt; 1. Overglazed & lt;br & gt; 2. Bang On & lt;br & gt; 3. Night Of Joy & lt;br & gt; 4. We're Gonna Rise & lt;br & gt; 5. German Studies & lt;br & gt; 6. Spark & lt;br & gt; 7. Istanbul & lt;br & gt; & lt;b & gt;Side B: & lt;/b & gt; & lt;br & gt; 1. Walk It Off & lt;br & gt; 2. Regalame Esta Noche & lt;br & gt; 3. Here No More & lt;br & gt; 4. No Way & lt;br & gt; 5. It's The Love & lt;br & gt; 6. Mountain Battles [No Wave]

The Breeders Mountain Battles LP (Vinyl)

$ 29.69 ~~$ 29.99~~

Frank Black Frank Black LP (Vinyl)

$ 26.49 ~~$ 27.59~~

& lt;font color= & quot;#FF0000 & quot; & gt; & lt;b & gt;30th Anniversary Edition Bronze Vinyl 3LP Set! & lt;br & gt; Includes Debut EP & amp; Album + Bonus 1986 Radio Concert & quot;Live From The Fallout Shelter & quot;! & lt;/b & gt; & lt;/font & gt; & lt;br & gt; & lt;br & gt; It's been thirty years since the release of Surfer Rosa a record made up of rage, religion, gore, incest and superheroes named Tony a debut album so good that it's since seen as a masterpiece. A year prior came Come On Pilgrim, an eight-track mini-album released in 1987 which contained cuts culled from their first ever studio session, where they famously recorded seventeen tracks in just three days (in full, this session makes up the band's much bootlegged and now officially released The Purple Tape). & lt;br & gt; & lt;br & gt; These formative records showed the Pixies to be an alien breed; four oddball outsiders from Boston blending US underground thrash rock, indie surf pop and Spanish-language flamenco with the Biblical mythology of Francis's childhood. They would go on to record another masterpiece in 1989's Doolittle but it's the gruesome glory of Surfer Rosa, and the ruined sexuality of its cover image (a topless flamenco dancer in a crumbling Mexican bar) that set a fresh blueprint for an indie rock dynamism that not only planted the seeds of grunge (Kurt Cobain would admit that he was trying to imitate the record while writing Nevermind) but of much of the best rock music made since. & lt;br & gt; & lt;br & gt; To celebrate this milestone, Pixies are playing five sold-out intimate shows at Londons Roundhouse this October and preceding them is the release of Come On Pilgrim It's Surfer Rosa, the thirtieth anniversary edition which contains Come On Pilgrim, Surfer Rosa and Live From The Fallout Shelter, a concert-cum-session that first aired in late-1986 on WJUL in Lowell, MA. & lt;br & gt; & lt;br & gt; & lt;b & gt; & quot;An unparalleled example of rule-smashing innovation in independent music. & quot; & lt;/b & gt; - Pitchfork & lt;br & gt; & lt;br & gt; & lt;b & gt; & quot;Smack in between hardcore punk and alternative, their secret weapon was leaping from sweet to screaming, driving a spike into Eighties rock. & quot; & lt;/b & gt; - Rolling Stone & lt;br & gt; & lt;br & gt; & lt;b & gt; & quot;Surfer Rosa quickly cemented itself as a must-have album (and) 30 years on, its aged into timelessness rather than becoming a period piece. & quot; & lt;/b & gt; - The Quietus & lt;br & gt; & lt;br & gt; & lt;b & gt;Features: & lt;/b & gt; & lt;br & gt; & amp;bull; 30th Anniversary Edition & lt;br & gt; & amp;bull; 3LP & lt;br & gt; & amp;bull; Bronze Vinyl & lt;br & gt; & amp;bull; Wide spine & lt;br & gt; & amp;bull; Come On Pilgrim EP & lt;br & gt; & amp;bull; Surfer Rosa LP & lt;br & gt; & amp;bull; Live From The Fallout Shelter radio concert LP & lt;br & gt; & amp;bull; New artwork reimagined by original designer Vaughan Oliver & lt;br & gt; & amp;bull; Explicit content & lt;br & gt; & amp;bull; Limited time download card & lt;br & gt; & lt;br & gt; & lt;b & gt;Selections: & lt;br & gt; Come On Pilgrim EP & lt;br & gt; Side A: & lt;/b & gt; & lt;br & gt; 1. Caribou & lt;br & gt; 2. Vamos (pilgrim) & lt;br & gt; 3. Isla De Encanta & lt;br & gt; 4. Ed Is Dead & lt;br & gt; & lt;b & gt;Side B: & lt;/b & gt; & lt;br & gt; 1. The Holiday Song & lt;br & gt; 2. Nimrod's Son & lt;br & gt; 3. I've Been Tired & lt;br & gt; 4. Levitate Me & lt;br & gt; & lt;br & gt; & lt;b & gt;Surfer Rosa LP & lt;br & gt; Side A: & lt;/b & gt; & lt;br & gt; 1. Bone Machine & lt;br & gt; 2. Break My Body & lt;br & gt; 3. Something Against You & lt;br & gt; 4. Broken Face & lt;br & gt; 5. Gigantic & lt;br & gt; 6. River Euphrates & lt;br & gt; & lt;b & gt;Side B: & lt;/b & gt; & lt;br & gt; 1. Where Is My Mind? & lt;br & gt; 2. Cactus & lt;br & gt; 3. Tony's Theme & lt;br & gt; 4. Oh My Golly! & lt;br & gt; 5. Vamos (Surfer Rosa) & lt;br & gt; 6. I'm Amazed & lt;br & gt; 7. Brick Is Red & lt;br & gt; & lt;br & gt; & lt;b & gt;Live From The Fallout Shelter LP & lt;br & gt; Side A: & lt;/b & gt; & lt;br & gt; 1. Holiday Song & lt;br & gt; 2. I'm Amazed & lt;br & gt; 3. Rock A My Soul & lt;br & gt; 4. Isla De Encanta & lt;br & gt; 5. Caribou & lt;br & gt; 6. Broken Face & lt;br & gt; 7. Subbacultcha & lt;br & gt; 8. Build High & lt;br & gt; & lt;b & gt;Side B: & lt;/b & gt; & lt;br & gt; 1. Ed Is Dead & lt;br & gt; 2. Nimrod's Son & lt;br & gt; 3. Down To The Well & lt;br & gt; 4. I've Been Tired & lt;br & gt; 5. Boom Chicka Boom & lt;br & gt; 6. Vamos & lt;br & gt; 7. In Heaven

The Pixies Come On Pilgrim... It's Surfer Rosa 3LP (Bronze Vinyl)

$ 59.39 ~~$ 59.99~~

& lt;font color= & quot;#FF0000 & quot; & gt; & lt;b & gt;Debut Album Remastered On Vinyl LP! & lt;/b & gt; & lt;/font & gt; & lt;br & gt; & lt;br & gt; The inspiration of Ivo Watts-Russell, This Mortal Coil emerged in the early-'80s when the post-punk scene was splintering in exciting new ways and Ivo's then-fledgling record label 4AD was in the thick of it all. This Mortal Coil were not a band per se, never performing live, rather a collaboration of musicians, with both Ivo and co-producer John Fryer the only constant while the cast rotated. Experimentation was rife over three albums, they produced a heady mix of original works, musical links and reinterpretations of impeccably curated songs; helping to introduce a new audience to the talents of a previous generation, including Big Star, Tim Buckley, Roy Harper, Spirit, Gene Clark, Dino Valenti, Rain Parade, Emmylou Harris, Syd Barrett and Colin Newman, amongst others. Intriguing, almost amorphous, the ethereal qualities of This Mortal Coil were further enhanced by the stunning artwork that ran throughout the project -- with the mysterious figure of Pallas Citroën adorning each album cover, making her the project's de facto face. & lt;br & gt; & lt;br & gt; The debut album, It'll End In Tears (1984) forged the template for This Mortal Coil, whilst also helping to crystallize 4AD's emerging signature sound and shining a light on some of their stable with Cocteau Twins, Colourbox and Dead Can Dance all involved (the line-up was completed by Howard Devoto of Buzzcocks / Magazine fame and Cindytalks Gordon Sharp). An important record of its time, Pitchfork recently named it one of the best Dream Pop albums ever, a moment they commented which & lt;b & gt; & quot;catalyzed 4AD's ascendance from the stilted poetics of goth rock to the kings of gauzy transcendence. & quot; & lt;/b & gt; & lt;br & gt; & lt;br & gt; Using remasters made from the original analogue studio tapes by the late, great John Dent at Loud Mastering, this reissue comes housed in a beautiful, hand finished and high-gloss gatefold sleeve with reimagined artwork by Ivo Watts-Russell and Vaughan Oliver, 4AD's long-time visual partner. & lt;br & gt; & lt;br & gt; & lt;b & gt;Features: & lt;/b & gt; & lt;br & gt; & amp;bull; Vinyl LP & lt;br & gt; & amp;bull; Immaculately remastered from the original analogue master tapes by band and 4AD founder Ivo Watts-Russell & lt;br & gt; & amp;bull; Hand finished high-gloss gatefold sleeve & lt;br & gt; & amp;bull; Printed inner sleeve & lt;br & gt; & amp;bull; Reimagined artwork by Ivo Watts-Russell and Vaughan Oliver & lt;br & gt; & lt;br & gt; & lt;b & gt;Selections: & lt;br & gt; Side A: & lt;/b & gt; & lt;br & gt; 1. Kangaroo & lt;br & gt; 2. Song To The Siren & lt;br & gt; 3. Holocaust & lt;br & gt; 4. Fyt & lt;br & gt; 5. Fond Affections & lt;br & gt; 6. The Last Ray & lt;br & gt; & lt;b & gt;Side B: & lt;/b & gt; & lt;br & gt; 1. Another Day & lt;br & gt; 2. Waves Become Wings & lt;br & gt; 3. Barramundi & lt;br & gt; 4. Dreams Made Flesh & lt;br & gt; 5. Not Me & lt;br & gt; 6. A Single Wish

This Mortal Coil It'll End In Tears LP (Vinyl)

$ 30.88 ~~$ 31.19~~

& lt;font color= & quot;#FF0000 & quot; & gt; & lt;b & gt;Second Album Remastered On Double LP! & lt;/b & gt; & lt;/font & gt; & lt;br & gt; & lt;br & gt; The inspiration of Ivo Watts-Russell, This Mortal Coil emerged in the early-'80s when the post-punk scene was splintering in exciting new ways and Ivo's then-fledgling record label 4AD was in the thick of it all. This Mortal Coil were not a band per se, never performing live, rather a collaboration of musicians, with both Ivo and co-producer John Fryer the only constant while the cast rotated. Experimentation was rife over three albums, they produced a heady mix of original works, musical links and reinterpretations of impeccably curated songs; helping to introduce a new audience to the talents of a previous generation, including Big Star, Tim Buckley, Roy Harper, Spirit, Gene Clark, Dino Valenti, Rain Parade, Emmylou Harris, Syd Barrett and Colin Newman, amongst others. Intriguing, almost amorphous, the ethereal qualities of This Mortal Coil were further enhanced by the stunning artwork that ran throughout the project -- with the mysterious figure of Pallas Citroën adorning each album cover, making her the project's de facto face. & lt;br & gt; & lt;br & gt; Released two years after their debut album, This Mortal Coil's Filigree & amp; Shadow (1986) was no less ornate than its predecessor. A double album with no defined breaks between tracks so each of its four sides became a self-contained unit. The core expanded to add Simon Raymonde (Cocteau Twins) and arranger Martin McCarrick, backing (with the help of members of Dif Juz and The Wolfgang Press) a variety of new singers Ivo handpicked including Alison Limerick, Dominic Appleton (Breathless), sisters Deirdre and Louise Rutkowski, Caroline Seaman (Heavenly Bodies) and Richenel. An intense record, The Quietus called it & lt;b & gt; & quot;tortured yet oddly euphoric... (music which) could easily rip flimsy souls apart. & quot; & lt;/b & gt; & lt;br & gt; & lt;br & gt; Using remasters made from the original analogue studio tapes by the late, great John Dent at Loud Mastering, this reissue comes housed in a beautiful, hand finished and high-gloss gatefold sleeve with reimagined artwork by Ivo Watts-Russell and Vaughan Oliver, 4AD's long-time visual partner. & lt;br & gt; & lt;br & gt; & lt;b & gt;Features: & lt;/b & gt; & lt;br & gt; & amp;bull; Double LP & lt;br & gt; & amp;bull; Immaculately remastered from the original analogue master tapes by band and 4AD founder Ivo Watts-Russell & lt;br & gt; & amp;bull; Hand finished high-gloss gatefold sleeve & lt;br & gt; & amp;bull; Printed inner sleeve & lt;br & gt; & amp;bull; Reimagined artwork by Ivo Watts-Russell and Vaughan Oliver & lt;br & gt; & lt;br & gt; & lt;b & gt;Selections: & lt;br & gt; Side A: & lt;/b & gt; & lt;br & gt; 1. Velvet Belly & lt;br & gt; 2. The Jeweller & lt;br & gt; 3. Ivy And Neet & lt;br & gt; 4. Meniscus & lt;br & gt; 5. Tears & lt;br & gt; 6. Tarantula & lt;br & gt; & lt;b & gt;Side B: & lt;/b & gt; & lt;br & gt; 1. My Father & lt;br & gt; 2. Come Here My Love & lt;br & gt; 3. At First, And Then & lt;br & gt; 4. Strength Of Strings & lt;br & gt; 5. Morning Glory & lt;br & gt; & lt;b & gt;Side C: & lt;/b & gt; & lt;br & gt; 1. Inch-Blue & lt;br & gt; 2. I Want To Live & lt;br & gt; 3. Mama K (1) & lt;br & gt; 4. Filigree & amp; Shadow & lt;br & gt; 5. Firebrothers & lt;br & gt; 6. Thais (1) & lt;br & gt; 7. I Must Have Been Blind & lt;br & gt; 8. A Heart Of Glass & lt;br & gt; & lt;b & gt;Side D: & lt;/b & gt; & lt;br & gt; 1. Alone & lt;br & gt; 2. Mama K (2) & lt;br & gt; 3. The Horizon Bleeds And Sucks Its Thumb & lt;br & gt; 4. Drugs & lt;br & gt; 5. Red Rain & lt;br & gt; 6. Thais (2)

This Mortal Coil Filigree & Shadow 2LP (Vinyl)

$ 38.80 ~~$ 39.59~~

& lt;font color= & quot;#FF0000 & quot; & gt; & lt;b & gt;Conclusion To Trilogy Remastered On Double LP! & lt;/b & gt; & lt;/font & gt; & lt;br & gt; & lt;br & gt; The inspiration of Ivo Watts-Russell, This Mortal Coil emerged in the early-'80s when the post-punk scene was splintering in exciting new ways and Ivo's then-fledgling record label 4AD was in the thick of it all. This Mortal Coil were not a band per se, never performing live, rather a collaboration of musicians, with both Ivo and co-producer John Fryer the only constant while the cast rotated. Experimentation was rife over three albums, they produced a heady mix of original works, musical links and reinterpretations of impeccably curated songs; helping to introduce a new audience to the talents of a previous generation, including Big Star, Tim Buckley, Roy Harper, Spirit, Gene Clark, Dino Valenti, Rain Parade, Emmylou Harris, Syd Barrett and Colin Newman, amongst others. Intriguing, almost amorphous, the ethereal qualities of This Mortal Coil were further enhanced by the stunning artwork that ran throughout the project -- with the mysterious figure of Pallas Citroën adorning each album cover, making her the project's de facto face. & lt;br & gt; & lt;br & gt; Landing at the start of a new decade, after much had happened in both producer Ivo Watts-Russell's life and with his 4AD label, the final part of the This Mortal Coil Trilogy, Blood (1991), felt like a perfect conclusion. Blood is meticulously orchestrated, a cogent double album that feels like the most & quot;band-like & quot; of their works. Vocalists Alison Limerick, Deirdre and Louise Rutkowski returned with Caroline Crawley (Shelleyan Orphan / Babacar) and 4AD signees Heidi Berry, Kim Deal (Pixies / The Breeders), Tanya Donnelly (Throwing Muses / Belly) and Pieter Nooten joining the cast. & lt;br & gt; & lt;br & gt; & lt;b & gt; & quot;The 4AD supergroup's sound opened up, shed some of its chillier post-punk components, blossoming into material as airy and gorgeous as Gene Clark's 'With Tomorrow', as haunting as Pieter Nooten's 'Several Times', and as sweet as Kim Deal's guest spot on 'You and Your Sister'. Covers many from the psychedelic era still dominate the material, but they are largely indistinguishable from the originals, so seamless is Blood's indelible tone. To borrow a Cocteau Twins title, Blood is a treasure. & quot; & lt;/b & gt; - Consequence Of Sound & lt;br & gt; & lt;br & gt; Using remasters made from the original analogue studio tapes by the late, great John Dent at Loud Mastering, this reissue comes housed in a beautiful, hand finished and high-gloss gatefold sleeve with reimagined artwork by Ivo Watts-Russell and Vaughan Oliver, 4AD's long-time visual partner. & lt;br & gt; & lt;br & gt; & lt;b & gt;Features: & lt;/b & gt; & lt;br & gt; & amp;bull; Double LP & lt;br & gt; & amp;bull; Immaculately remastered from the original analogue master tapes by band and 4AD founder Ivo Watts-Russell & lt;br & gt; & amp;bull; Hand finished high-gloss gatefold sleeve & lt;br & gt; & amp;bull; Printed inner sleeve & lt;br & gt; & amp;bull; Reimagined artwork by Ivo Watts-Russell and Vaughan Oliver & lt;br & gt; & lt;br & gt; & lt;b & gt;Selections: & lt;br & gt; Side A: & lt;/b & gt; & lt;br & gt; 1. The Lacemaker & lt;br & gt; 2. Mr. Somewhere & lt;br & gt; 3. Andialu & lt;br & gt; 4. With Tomorrow & lt;br & gt; 5. Loose Joints & lt;br & gt; 6. You And Your Sister & lt;br & gt; & lt;b & gt;Side B: & lt;/b & gt; & lt;br & gt; 1. Nature's Way & lt;br & gt; 2. I Come And Stand At Every Door & lt;br & gt; 3. Bitter & lt;br & gt; 4. Baby Ray Baby & lt;br & gt; 5. Several Times & lt;br & gt; & lt;b & gt;Side C: & lt;/b & gt; & lt;br & gt; 1. The Lacemaker II & lt;br & gt; 2. Late Night & lt;br & gt; 3. Ruddy And Wretched & lt;br & gt; 4. Help Me Lift You Up & lt;br & gt; 5. Carolyn's Song & lt;br & gt; 6. D. D. And E. & lt;br & gt; & lt;b & gt;Side D: & lt;/b & gt; & lt;br & gt; 1. 'Til I Gain Control Again & lt;br & gt; 2. Dreams Are Like Water & lt;br & gt; 3. I Am The Cosmos & lt;br & gt; 4. (Nothing But) Blood

This Mortal Coil Blood 2LP (Vinyl)

$ 38.01 ~~$ 39.59~~

& lt;header & gt; & lt;p & gt; & lt;strong & gt;1974 Masterpiece On Vinyl LP! & lt;br & gt; Remastered at Abbey Road Studios! & lt;/strong & gt; & lt;/p & gt; & lt;/header & gt; & lt;p & gt;On the eve of what would have been American singer-songwriter and Byrds founding member Gene Clark's 75th birthday comes the reissue of one of his finest works, No Other. Released in 1974 on Asylum Records, a year after the Byrds short-lived reunion, Gene reached for the stars with No Other; a psychedelic rock, folk, country and soul record that famously cost a small fortune to make. Although received warmly by critics, it flopped and was soon deleted, a failure Gene never came to terms with. However, as The New York Times wrote around the record's 40th anniversary in 2014, & lt;strong & gt; & quot;hindsight has burnished No Other, as it has redeemed other albums that went on to be reconstructed as rock repertory, like Big Star's Third/Sister Lovers and Lou Reed's Berlin, & quot; & lt;/strong & gt; with the album now being increasingly recognized as one of the greatest of its time, if not all time. & lt;/p & gt; & lt;p & gt;45 years on and recently remastered at Abbey Road, 4AD are giving No Other the reappraisal it deserves. & lt;/p & gt; & lt;blockquote cite= & quot;quote source & quot; & gt; One of the greatest albums ever made. Initially celebrated for its obscurity, No Other is now celebrated for its magnificence. It was in every way a magnum opus: epic, sprawling, poetic, choral, rococo. & lt;footer & gt; -The Guardian UK & lt;/footer & gt; & lt;/blockquote & gt; & lt;section id= & quot;features & quot; & gt; & lt;h3 & gt;Features & lt;/h3 & gt; & lt;ul & gt; & lt;li & gt;Vinyl LP & lt;/li & gt; & lt;li & gt;Remastered at Abbey Road & lt;/li & gt; & lt;li & gt;Poster & lt;/li & gt; & lt;/ul & gt; & lt;/section & gt; & lt;section id= & quot;selections & quot; & gt; & lt;h3 & gt;Selections & lt;/h3 & gt; & lt;h4 & gt;Side A: & lt;/h4 & gt; & lt;ol & gt; & lt;li & gt;Life's Greatest Fool & lt;/li & gt; & lt;li & gt;Silver Raven & lt;/li & gt; & lt;li & gt;No Other & lt;/li & gt; & lt;li & gt;Strength Of Strings & lt;/li & gt; & lt;/ol & gt; & lt;h4 & gt;Side B: & lt;/h4 & gt; & lt;ol & gt; & lt;li & gt;From A Silver Phial & lt;/li & gt; & lt;li & gt;Some Misunderstanding & lt;/li & gt; & lt;li & gt;The True One & lt;/li & gt; & lt;li & gt;Lady Of The North & lt;/li & gt; & lt;/ol & gt; & lt;/section & gt;

Gene Clark No Other LP (Vinyl)

$ 26.49 ~~$ 27.59~~

& lt;header & gt; & lt;p & gt; & lt;strong & gt;Debut Album Reissued On Vinyl LP! & lt;br & gt; Remastered From Original Analogue Tapes! & lt;/strong & gt; & lt;/p & gt; & lt;/header & gt; & lt;p & gt;Garlands was the Cocteau Twins' debut album, released in the early Fall of 1982. It was the only album they made with original bassist Will Heggie. Describing it as & quot;haunting & quot;, & quot;spellbound & quot;, & quot;diaphanous & quot;, and discerning a & quot;frosting of sweetness & quot;, the critics wore out their adjectives; this was rock music - just - but it was conjured in the unlikeliest environment from the strangest of material. & lt;/p & gt; & lt;p & gt;This is Garlands' first vinyl pressing in over ten years. & lt;/p & gt; & lt;blockquote cite= & quot;www.pastemagazine.com & quot; & gt; Working with the original analog master tapes has brought new life to every shimmer and filigree... & lt;footer & gt; -Robert Ham, Paste Magazine & lt;/footer & gt; & lt;/blockquote & gt; & lt;section id= & quot;features & quot; & gt; & lt;h3 & gt;Features & lt;/h3 & gt; & lt;ul & gt; & lt;li & gt;Vinyl LP & lt;/li & gt; & lt;li & gt;33rpm & lt;/li & gt; & lt;li & gt;Remastered from original analogue tapes & lt;/li & gt; & lt;li & gt;24bit HD & lt;/li & gt; & lt;li & gt;First vinyl pressing in over 10 years & lt;/li & gt; & lt;/section & gt; & lt;section id= & quot;selections & quot; & gt; & lt;h3 & gt;Selections & lt;/h3 & gt; & lt;h4 & gt;Side 1: & lt;/h4 & gt; & lt;ol & gt; & lt;li & gt;Blood Bitch & lt;/li & gt; & lt;li & gt;Wax And Wane & lt;/li & gt; & lt;li & gt;But I'm Not & lt;/li & gt; & lt;li & gt;Blind Dumb Deaf & lt;/li & gt; & lt;/ol & gt; & lt;h4 & gt;Side 2: & lt;/h4 & gt; & lt;ol & gt; & lt;li & gt;Shallow Then Halo & lt;/li & gt; & lt;li & gt;The Hollow Men & lt;/li & gt; & lt;li & gt;Garlands & lt;/li & gt; & lt;li & gt;Grail Overfloweth & lt;/li & gt; & lt;/ol & gt; & lt;/section & gt;

Cocteau Twins Garlands LP (Vinyl)

$ 28.79 ~~$ 29.99~~

& lt;header & gt; & lt;p & gt; & lt;strong & gt;Fourth Album Reissued On Vinyl LP! & lt;br & gt; Remastered From Original Analogue Tapes! & lt;/strong & gt; & lt;/p & gt; & lt;/header & gt; & lt;p & gt;Victorialand, Cocteau Twins' fourth album, was released in the spring of 1986. The largely acoustic, non-percussive album was made with Elizabeth Fraser and Robin Guthrie, while Simon Raymonde was working on This Mortal Coil's second album. Dif Juz label mate Richard Thomas guested on tabla and saxophone. Guardian UK said, & lt;strong & gt; & quot;It's not quite ambient, but it's definitely not rock'n'roll even by the Cocteaus' standards, building on the moments of guitar shimmer from the previous years' EPs, while also stripping back at points to where it's nothing but a Guthrie guitar line and Fraser's voice. & quot; & lt;/strong & gt; & lt;/p & gt; & lt;p & gt;This is Victorialand's first vinyl pressing since the '80s, with this version cut at 33 1/3 RPM. & lt;/p & gt; & lt;blockquote cite= & quot;www.pastemagazine.com & quot; & gt; Working with the original analog master tapes has brought new life to every shimmer and filigree... & lt;footer & gt; -Robert Ham, Paste Magazine & lt;/footer & gt; & lt;/blockquote & gt; & lt;section id= & quot;features & quot; & gt; & lt;h3 & gt;Features & lt;/h3 & gt; & lt;ul & gt; & lt;li & gt;Vinyl LP & lt;/li & gt; & lt;li & gt;33rpm & lt;/li & gt; & lt;li & gt;Remastered from original analogue tapes & lt;/li & gt; & lt;li & gt;24bit HD & lt;/li & gt; & lt;/section & gt; & lt;section id= & quot;selections & quot; & gt; & lt;h3 & gt;Selections & lt;/h3 & gt; & lt;h4 & gt;Side A: & lt;/h4 & gt; & lt;ol & gt; & lt;li & gt;Lazy Calm & lt;/li & gt; & lt;li & gt;Fluffy Tufts & lt;/li & gt; & lt;li & gt;Throughout The Dark Months Of April And May & lt;/li & gt; & lt;li & gt;Whales Tails & lt;/li & gt; & lt;/ol & gt; & lt;h4 & gt;Side B: & lt;/h4 & gt; & lt;ol & gt; & lt;li & gt;Oomingmak & lt;/li & gt; & lt;li & gt;Little Spacey & lt;/li & gt; & lt;li & gt;Feet-Like Fins & lt;/li & gt; & lt;li & gt;How To Bring A Blush To The Snow & lt;/li & gt; & lt;li & gt;The Thinner The Air & lt;/li & gt; & lt;/ol & gt; & lt;/section & gt;

Cocteau Twins Victorialand LP (Vinyl)

$ 26.21 ~~$ 27.59~~

& lt;header & gt; & lt;p & gt; & lt;strong & gt;Vinyl LP Produced by John Parish & amp; Featuring Guest Vocals From Perfume Genius' Mike Hadreas! & lt;/strong & gt; & lt;/p & gt; & lt;/header & gt; & lt;p & gt; & lt;strong & gt;2018 Stereophile Magazine Record to Die For! & lt;/strong & gt; & lt;/p & gt; & lt;p & gt;An artist of rare calibre, Aldous Harding does more than sing; she conjures a singular intensity. Her body and face a weapon of theatre, Harding dances with steeled fervor, baring her teeth like a Bunraku puppet's gnashing grin. & lt;/p & gt; & lt;p & gt;Her debut release with 4AD, Party, produced with the award-winning & lt;strong & gt;John Parish & lt;/strong & gt; (PJ Harvey, Sparklehorse), introduces a new pulse to the stark and unpopulated dramatic realm where the likes of Kate Bush and Scott Walker reside. & lt;/p & gt; & lt;p & gt;Comprising a formidable clutch of songs, 2017's Party sees Harding shape-shift through a variety of roles: chanteuse, folk singer and balladeer - all executed with her twisted touch of humor, hubris and quiet horror. In other words, she's having a good time. Stretching her limbs with playful cunning; every note, word and arrangement posed with intellect and inventiveness. & lt;/p & gt; & lt;p & gt;Alongside such special guests as & lt;strong & gt;Perfume Genius' Mike Hadreas & lt;/strong & gt; (having worked with Parish and toured with Aldous, it only took asking once), there is an exhilarating sense of risk throughout the record as Harding's muscular wingspan extends. Teased out with inflections of experimental instrumentation and arrangements, Party is always anchored by Aldous's intimidating command of her own songs. & lt;/p & gt; & lt;p & gt;First single & quot;Horizon & quot; is a lover's call to arms, powerful for its brutal simplicity and rawness of feeling, love and loathing colliding to devastating effect. & lt;strong & gt; & quot;Aldous Harding repeats the line as a mantra, as a truth, as a reality. It's as if the gift of life is right here, with all its beauty and its limitations, & quot; & lt;/strong & gt; said NPR. & lt;/p & gt; & lt;p & gt; & quot;Imagining My Man & quot; commands an air of delicacy as Aldous explores the curiosity of a lover's idiosyncrasies; steering listeners into a state of intense intimacy laced with hyperactive shots, dirgey saxophone and Harding's aching voice. The track is one of two that Mike Hadreas lends his inimitably sultry vocals to, the other being the intimate Party closer & quot;Swell Does The Skull & quot;. & lt;/p & gt; & lt;p & gt; & quot;Blend & quot; sensitively ushers the mood of Harding's flourishment throughout Party. Its opening lines a nod to the mood of Harding's last record, sameness is quickly quashed with an electronic drumbeat and the announcement of Aldous Harding as an artist of stirring ambition and trajectory. & lt;/p & gt; & lt;p & gt;The album's eponymous single & quot;Party & quot; harks to Aldous' earlier work; delicately pulling at the threads of a seemingly late-night love affair. Again, it's not long until the rug is pulled out, with a searing chorus - Harding's electrifying vocal accompanied by a choir of women and waves of percussive bass clarinet - piercing the balloon of expectations around Harding's new record with effortless vigor. & lt;/p & gt; & lt;blockquote cite= & quot;www.allmusic.com & quot; & gt; Built on a foundation that's pure Nico-esque chanteuse baritone, Harding's voice manages to come off as both distinct and mercurial, reserved and whispery, & amp;#224; la Vashti Bunyan one minute and full-throated PJ Harvey the next. The simplicity of the arrangements casts its own spell, with Harding switching pretty evenly between fingerpicked guitar and melancholy-wet piano throughout the just-under-40-minute set... Party finds the sweet spot between raw and refined, and in doing so, feels very real. & lt;footer & gt; -AllMusic & lt;/footer & gt; & lt;/blockquote & gt; & lt;blockquote cite= & quot;www.stereophile.com & quot; & gt; The albums' title is perhaps misleading. There are no brightly colored balloons or crepe-paper streamers here. Aldous Harding is demented. Her voice is a tiny bird on fire, then a playful poltergeist - sometimes terrifying, always enchanting... Producer John Parish's expert touch is all over the place. The sound is clear, bold, and often intoxicating. Harding sings exquisitely, plays gentle guitar, and knows exactly when to release her many monsters. & lt;footer & gt; -Stephen Mejias, Stereophile Magazine Record To Die For 2018 & lt;/footer & gt; & lt;/blockquote & gt; & lt;a name= & quot;SS & quot; & gt; & lt;/a & gt; & lt;iframe width= & quot;560 & quot; height= & quot;315 & quot; src= & quot;https://www.youtube.com/embed/xE-A0cNSLmc & quot; frameborder= & quot;0 & quot; allowfullscreen & gt; & lt;/iframe & gt; & lt;br & gt; & lt;br & gt; & lt;a name= & quot;SS & quot; & gt; & lt;/a & gt; & lt;iframe width= & quot;560 & quot; height= & quot;315 & quot; src= & quot;https://www.youtube.com/embed/m4dVkoOMjLo & quot; frameborder= & quot;0 & quot; allowfullscreen & gt; & lt;/iframe & gt; & lt;br & gt; & lt;br & gt; & lt;section id= & quot;features & quot; & gt; & lt;h3 & gt;Features & lt;/h3 & gt; & lt;ul & gt; & lt;li & gt;Vinyl LP & lt;/li & gt; & lt;li & gt;Made in North America & lt;/li & gt; & lt;/ul & gt; & lt;/section & gt; & lt;section id= & quot;selections & quot; & gt; & lt;h3 & gt;Selections & lt;/h3 & gt; & lt;ol & gt; & lt;li & gt;Blend & lt;/li & gt; & lt;li & gt;Imagining My Man & lt;/li & gt; & lt;li & gt;Living The Classics & lt;/li & gt; & lt;li & gt;Party & lt;/li & gt; & lt;li & gt;I'm So Sorry & lt;/li & gt; & lt;li & gt;Horizon & lt;/li & gt; & lt;li & gt;What If Birds Aren't Singing They're Screaming & lt;/li & gt; & lt;li & gt;The World Is Looking For You & lt;/li & gt; & lt;li & gt;Swell Does The Skull & lt;/li & gt; & lt;/ol & gt; & lt;/section & gt;

Aldous Harding Party LP (Vinyl)

$ 26.76 ~~$ 27.59~~

& lt;header & gt; & lt;p & gt;Coming February 11, 2022 pre-order your copy today! Orders with both pre-order and in stock items will have all in stock items shipped immediately! & lt;/p & gt; & lt;/header & gt; & lt;header & gt; & lt;p & gt; & lt;strong & gt;Sprawling Double LP Explores The Deepest Elements & amp; Possibilities Of Big Thief! & lt;br & gt; Includes The Song & quot;Time Escaping & quot;! & lt;/strong & gt; & lt;/p & gt; & lt;/header & gt; & lt;p & gt;To truly dig into all that the music of Adrianne Lenker, Max Oleartchick, Buck Meek and James Krivchenia desired in 2020, the band decided to write and record a rambling account of growth as individuals, musicians and chosen family over four distinct recording sessions. In upstate New York, Topanga Canyon, the Rocky Mountains, and Tucson, Arizona, Big Thief spent five months in creation and came out with 45 completed songs. The most resonant of this material was edited down into the 20 tracks that make up DNWMIBIY, a fluid and adventurous listen. The album was produced by drummer James Krivchenia who initially pitched the recording concept for DNWMIBIY back in late 2019 with the goal of encapsulating the many different aspects of Adrianne's songwriting and the band onto a single record. & lt;/p & gt; & lt;p & gt;In an attempt to ease back into life as Big Thief after a long stretch of Covid-19 related isolation, the band met up for their first session in the woods of upstate New York. They started the process at Sam Evian's Flying Cloud Recordings, recording on an 8-track tape machine with Evian at the knobs. It took a while for the band to realign and for the first week of working in the studio, nothing felt right. After a few un-inspired takes the band decided to take an ice-cold dip in the creek behind the house before running back to record in wet swimsuits. That cool water blessing stayed with Big Thief through the rest of the summer and many more intuitive, recording rituals followed. It was here that the band procured & quot;Certainty & quot; and & quot;Sparrow & quot;. & lt;/p & gt; & lt;p & gt;For the next session in Topanga Canyon, California, the band intended to explore their bombastic desires and lay down some sonic revelry in the experimental soundscape-friendly hands of engineer Shawn Everett. Several of the songs from this session lyrically explore the areas of Lenker's thought process that she describes as & quot;unabashedly as psychedelic as I naturally think, & quot; including & quot;Little Things & quot;, which came out of this session. The prepared acoustic guitars and huge stomp beat of & quot;Time Escaping & quot; create a matching, otherworldly backdrop for the subconscious dream of timeless, infinite mystery. When her puppy Oso ran into the vocal booth during the final take of the song, Adrianne looked down and spoke & quot;It's Music! & quot; to explain in the best terms possible the reality of what was going on to the confused dog. & quot;It's Music Oso! & quot; & lt;/p & gt; & lt;p & gt;The third session, high in the Colorado Rockies, was set up to be a more traditional Big Thief recording experience, working with UFOF and Two Hands engineer Dom Monks. Monks' attentiveness to song energies and reverence for the first take has become a huge part of the magic of Thief's recent output. One afternoon in the castle-like studio, the band was running through a brand new song & quot;Change & quot; for the first time. Right when they thought it might be time to do a take, Monks came out of the booth to let them know that he'd captured the practice and it was perfect as it was. & lt;/p & gt; & lt;p & gt;The final session, in hot-as-heaven Tucson, Arizona, took place in the home studio of Scott McMicken. The several months of recording had caught up to Big Thief at this point so, in order to bring in some new energy, they invited long-time friend Mat Davidson of Twain to join. This was the first time that Big Thief had ever brought in a fifth instrumentalist for such a significant contribution. His fiddle and vocals weave a heavy presence throughout the Tucson tracks. If the album's main through-line is its free-play, anything-is-possible energy, then this environment was the perfect spot to conclude its creation - filling the messy living room with laughter, letting the fire blaze in the backyard, and ripping spontaneous, extended jams as trains whistled outside. & lt;/p & gt; & lt;p & gt;All four of these sessions, in their varied states of fidelity, style, and mood, when viewed together as one album seem to stand for a more honest, zoomed-out picture of lived experience than would be possible on a traditional, 12 song record. This was exactly what the band hoped would be the outcome of this kind of massive experiment. When Max's mom asked on a phone call what it feels like to be back together with the band playing music for the first time in a year, he described to the best of abilities: & quot;Well it's like, we're a band, we talk, we have different dynamics, we do the breaths, and then we go on stage and suddenly it feels like we are now on a dragon. And we can't really talk because we have to steer this dragon. & quot; & lt;/p & gt; & lt;p & gt;The attempt to capture something deeper, wider and full of mystery, points to the inherent spirit of Big Thief. Traces of this open-hearted, non-dogmatic faith can be felt through previous albums, but here on Dragon New Warm Mountain I Believe In You lives the strongest testament to its existence. & lt;/p & gt; & lt;blockquote cite= & quot;www.pastemagazine.com & quot; & gt; There's plenty of magic on 'Time Escaping,' a free-flowing psych-folk jam elevated by dynamic percussion, subtle funk touches, and Lenker's characteristically serene vocals and natural-mystic lyricism. It's evidence that, even as Big Thief are cataloging their sound's defining qualities on Dragon New Warm Mountain I Believe In You, they're also pushing it in thrilling new directions. & lt;footer & gt; -Scott Russell, Paste Magazine & lt;/footer & gt; & lt;/blockquote & gt; & lt;a name= & quot;SS & quot; & gt; & lt;/a & gt; & lt;iframe width= & quot;560 & quot; height= & quot;315 & quot; src= & quot;https://www.youtube.com/embed/CkIvGej2WyI & quot; frameborder= & quot;0 & quot; allowfullscreen & gt; & lt;/iframe & gt; & lt;br & gt; & lt;br & gt; & lt;section id= & quot;features & quot; & gt; & lt;h3 & gt;Features & lt;/h3 & gt; & lt;ul & gt; & lt;li & gt;Double LP & lt;/li & gt; & lt;li & gt;Black Vinyl & lt;/li & gt; & lt;li & gt;Gatefold jacket & lt;/li & gt; & lt;/ul & gt; & lt;/section & gt; & lt;section id= & quot;selections & quot; & gt; & lt;h3 & gt;Selections & lt;/h3 & gt; & lt;ol & gt; & lt;li & gt;Change & lt;/li & gt; & lt;li & gt;Time Escaping & lt;/li & gt; & lt;li & gt;Spud Infinity & lt;/li & gt; & lt;li & gt;Certainty & lt;/li & gt; & lt;li & gt;Dragon New Warm Mountain I Believe In You & lt;/li & gt; & lt;li & gt;Sparrow & lt;/li & gt; & lt;li & gt;Little Things & lt;/li & gt; & lt;li & gt;Heavy Bend & lt;/li & gt; & lt;li & gt;Flower Of Blood & lt;/li & gt; & lt;li & gt;Blurred View & lt;/li & gt; & lt;li & gt;Red Moon & lt;/li & gt; & lt;li & gt;Dried Roses & lt;/li & gt; & lt;li & gt;No Reason & lt;/li & gt; & lt;li & gt;Wake Me Up To Drive & lt;/li & gt; & lt;li & gt;Promise Is A Pendulum & lt;/li & gt; & lt;li & gt;12,000 Lines & lt;/li & gt; & lt;li & gt;Simulation Swarm & lt;/li & gt; & lt;li & gt;Love Love Love & lt;/li & gt; & lt;li & gt;The Only Place & lt;/li & gt; & lt;li & gt;Blue Lightning & lt;/li & gt; & lt;/ol & gt; & lt;/section & gt;

Big Thief Dragon New Warm Mountain I Believe In You 2LP (Vinyl)

$ 38.01 ~~$ 39.59~~

& lt;header & gt; & lt;p & gt; & lt;strong & gt;Vinyl LP Remastered At Abbey Road Studios! & lt;/strong & gt; & lt;/p & gt; & lt;/header & gt; & lt;p & gt;The National's second album, Sad Songs For Dirty Lovers (2003) proved a leap forward from 2001's eponymous debut, showing a band adept at delivering warm embraces and gutpunches in equal measure. With word of mouth now spreading on the band, critics proved equally enthusiastic. Pitchfork in their glowing review called it a & quot;Gorgeous train wreck & quot; that & quot;lives up to its blunt title (with) Matt Berninger's self-effacing barbs matched by the band's equally potent hooks, & quot; while Uncut also became early champions saying the album was & quot;A genuine treasure... Livid as a bruise, this is brave, desperate, beautiful music. & quot; & lt;/p & gt; & lt;p & gt;No longer a secret among those that know, Sad Songs For Dirty Lovers is an important record in The National's discography with this new remaster showing that it's more than standing the test of time. & lt;/p & gt; & lt;blockquote cite= & quot;www.drownedinsound.com & quot; & gt; Many have tried, almost as many have failed, but this is confirmation that The National can be considered as cherished loved ones over a host of significant others. & lt;footer & gt; -Adam, Drowned In Sound, 9/10 & lt;/footer & gt; & lt;/blockquote & gt; & lt;blockquote cite= & quot;www.pitchfork.com & quot; & gt; Each of the dozen laments on Sad Songs for Dirty Lovers balance catchy choruses, exquisite instrumental interludes, and the complex words of a man's grieving. & lt;footer & gt; -Brandon Stosuy, Pitchfork, 8.4/10 & lt;/footer & gt; & lt;/blockquote & gt; & lt;section id= & quot;features & quot; & gt; & lt;h3 & gt;Features & lt;/h3 & gt; & lt;ul & gt; & lt;li & gt;Vinyl LP & lt;/li & gt; & lt;li & gt;Remastered At Abbey Road Studios & lt;/li & gt; & lt;/ul & gt; & lt;/section & gt; & lt;section id= & quot;selections & quot; & gt; & lt;h3 & gt;Selections & lt;/h3 & gt; & lt;h4 & gt;Side 1: & lt;/h4 & gt; & lt;ol & gt; & lt;li & gt;Cardinal Song & lt;/li & gt; & lt;li & gt;Slipping Husband & lt;/li & gt; & lt;li & gt;90-Mile Water Wall & lt;/li & gt; & lt;li & gt;It Never Happened & lt;/li & gt; & lt;li & gt;Murder Me Rachael & lt;/li & gt; & lt;/ol & gt; & lt;h4 & gt;Side 2: & lt;/h4 & gt; & lt;ol & gt; & lt;li & gt;Thirsty & lt;/li & gt; & lt;li & gt;Available & lt;/li & gt; & lt;li & gt;Sugar Wife & lt;/li & gt; & lt;li & gt;Trophy Wife & lt;/li & gt; & lt;li & gt;Fashion Coat & lt;/li & gt; & lt;li & gt;Patterns Of Fairytales & lt;/li & gt; & lt;li & gt;Lucky You & lt;/li & gt; & lt;/ol & gt; & lt;/section & gt;

The National Sad Songs For Dirty Lovers (2021 Remaster) LP (Vinyl)

$ 26.21 ~~$ 27.59~~

The Dead Can Dance Within The Realm Of A Dying Sun LP (Vinyl)

$ 25.33 ~~$ 26.39~~

& lt;header & gt; & lt;p & gt; & lt;strong & gt;30th Anniversary Limited Edition Marbled Green Vinyl LP! & lt;/strong & gt; & lt;/p & gt; & lt;/header & gt; & lt;p & gt;Trompe Le Monde bookended a golden run of landmark records - a mini-album followed by four albums, released in quick succession - that cemented Pixies as one of the best for a generation. & lt;/p & gt; & lt;p & gt;Translated from French to mean & quot;fool the world & quot;, Trompe Le Monde showed the band still restless to push their sound forward. Recorded between Burbank, Paris, and London, with producer Gil Norton again at the controls, their fourth album is arguably their most playful, with Black Francis's lyrics on UFOs and conspiracy theories keeping things weird while power pop creeps in to amplify the space rock established on predecessor Bossanova. & lt;/p & gt; & lt;p & gt;Featuring singles & quot;Planet Of Sound & quot;, & quot;Alec Eiffel & quot;, & quot;Letter To Memphis & quot;, and a flawless cover of The Jesus and Mary Chain's & quot;Head On & quot;, Trompe Le Monde goes full throttle with 15 tracks coming in a quickfire 40-minute salvo. Receiving critical praise at the time and being supported by a huge tour that included playing stadiums with U2, it also proved to be the end of act one for the band, with them taking over a decade before returning to the stage together. & lt;/p & gt; & lt;p & gt;A brilliant record, Trompe Le Monde sounds just as fresh 30 years on with outlets such as Pitchfork concurring, retrospectively scoring it 9.3, they called it & lt;strong & gt; & quot;more aggressive than anything in their catalog but also more confident. They can handle this now, and they do. & quot; & lt;/strong & gt; & lt;/p & gt; & lt;blockquote cite= & quot;www.pastemagazine.com & quot; & gt; TLM was the beginning of the end of the first iteration of Pixies as bassist/vocalist Kim Deal was already pulling away to give attention to the Breeders, and the combo platter of exhaustion and tension within the group was becoming noxious. If that bled into the sessions, it's inaudible on the finished album. Working once again with Gil Norton, the quartet sounds as sleek and steely as a rocket as they crank through Black Francis' songs of space, sex, and Jefrey with one 'f.' It all sounds phenomenal on this colored vinyl pressing, with the bass, drums, and percussion cutting through the mix with authority. & lt;footer & gt; -Robert Ham, Paste Magazine & lt;/footer & gt; & lt;/blockquote & gt; & lt;section id= & quot;features & quot; & gt; & lt;h3 & gt;Features & lt;/h3 & gt; & lt;ul & gt; & lt;li & gt;30th Anniversary & lt;/li & gt; & lt;li & gt;Limited Edition & lt;/li & gt; & lt;li & gt;Marbled Green Vinyl & lt;/li & gt; & lt;/ul & gt; & lt;/section & gt; & lt;section id= & quot;selections & quot; & gt; & lt;h3 & gt;Selections & lt;/h3 & gt; & lt;h4 & gt;Side One: & lt;/h4 & gt; & lt;ol & gt; & lt;li & gt;Trompe Le Monde & lt;/li & gt; & lt;li & gt;Planet Of Sound & lt;/li & gt; & lt;li & gt;Alec Eiffel & lt;/li & gt; & lt;li & gt;The Sad Punk & lt;/li & gt; & lt;li & gt;Head On & lt;/li & gt; & lt;li & gt;U-Mass & lt;/li & gt; & lt;li & gt;Palace Of The Brine & lt;/li & gt; & lt;li & gt;Letter To Memphis & lt;/li & gt; & lt;/ol & gt; & lt;h4 & gt;Side Two: & lt;/h4 & gt; & lt;ol & gt; & lt;li & gt;Bird Dream Of the Olympus Mons & lt;/li & gt; & lt;li & gt;Space (I Believe In) & lt;/li & gt; & lt;li & gt;Subbacultcha & lt;/li & gt; & lt;li & gt;Distance Equals Rate Times Time & lt;/li & gt; & lt;li & gt;Lovely Day & lt;/li & gt; & lt;li & gt;Motorway To Roswell & lt;/li & gt; & lt;li & gt;The Navajo Know & lt;/li & gt; & lt;/ol & gt; & lt;/section & gt;

Pixies Trompe Le Monde LP (Marbled Green Vinyl)

$ 29.63 ~~$ 31.19~~

& lt;header & gt; & lt;p & gt; & lt;strong & gt;20th Anniversary Repress On Vinyl LP! & lt;br & gt; Remastered At Abbey Road Studios! & lt;/strong & gt; & lt;/p & gt; & lt;/header & gt; & lt;p & gt;Celebrating its 20th anniversary in 2021, The National's self-titled debut album of sozzled Americana is a thing of beauty, laden with heavy hints that this was a special band in the making. & lt;/p & gt; & lt;p & gt;Their first release, The National arrived two years after The National formed, a time when they were juggling bandlife with needing to hold down full-time jobs. And while nods to the alt.rock artists that inspired them (Pavement, Silver Jews) can be heard, so too are the beginnings of something all their own - Matt Berninger's stunning and unexpected lyrics being pinned to melodies that stop you in your tracks. The National marks the start point for one of the best bands of their generation with its new master helping elevate it to new levels. & lt;/p & gt; & lt;p & gt;A great primer to a great band. & lt;/p & gt; & lt;blockquote cite= & quot;www.allmusic.com & quot; & gt; This Ohio-based band strikes a lush, adorable balance between the country-pop of bands such as Jayhawks and Golden Smog and the gloomy, depressing crooning of Tom Waits....Throughout it all, the band manages not only to exceed their pigeonholed genres but gives a fresh perspective with brilliantly crafted numbers. & lt;footer & gt; -Jason MacNeil, Allmusic.com, 4/5 stars & lt;/footer & gt; & lt;/blockquote & gt; & lt;section id= & quot;features & quot; & gt; & lt;h3 & gt;Features & lt;/h3 & gt; & lt;ul & gt; & lt;li & gt;Vinyl LP & lt;/li & gt; & lt;li & gt;20th Anniversary Repress & lt;/li & gt; & lt;li & gt;Remastered At Abbey Road Studios & lt;/li & gt; & lt;/ul & gt; & lt;/section & gt; & lt;section id= & quot;selections & quot; & gt; & lt;h3 & gt;Selections & lt;/h3 & gt; & lt;h4 & gt;Side 1: & lt;/h4 & gt; & lt;ol & gt; & lt;li & gt;Beautiful Head & lt;/li & gt; & lt;li & gt;Cold Girl Fever & lt;/li & gt; & lt;li & gt;The Perfect Song & lt;/li & gt; & lt;li & gt;American Mary & lt;/li & gt; & lt;li & gt;Son & lt;/li & gt; & lt;li & gt;Pay For Me & lt;/li & gt; & lt;/ol & gt; & lt;h4 & gt;Side 2: & lt;/h4 & gt; & lt;ol & gt; & lt;li & gt;Bitters & amp; Absolut & lt;/li & gt; & lt;li & gt;John's Star & lt;/li & gt; & lt;li & gt;Watching You Well & lt;/li & gt; & lt;li & gt;Theory Of The Crows & lt;/li & gt; & lt;li & gt;29 Years & lt;/li & gt; & lt;li & gt;Anna Freud & lt;/li & gt; & lt;/ol & gt; & lt;/section & gt;

The National The National (2021 Remaster) LP (Vinyl)

$ 27.31 ~~$ 27.59~~

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The National The National (2021 Remaster) LP (Vinyl)