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Nathan Milstein Encores 180g Import LP (Vinyl)

& lt;font color= & quot;#FF0000 & quot; & gt; & lt;b & gt;Audiophile 180g Virgin Vinyl LP! & lt;br & gt; Mastered from the Original Masters of Universal Music! & lt;br & gt; Pressed at Pallas! & lt;/b & gt; & lt;/font & gt; & lt;br & gt; & lt;br & gt; Violinist Nathan Milstein performs compositional works by by Kreisler, Schumann, Handel & amp; more. He is accompanied by pianist Leon Pommers. & lt;br & gt; & lt;br & gt; What the short story is to the novel, the 'encore' is to the standard work in the concert repertoire. It's plot, so to speak, is simple, its content concise, its point quickly made. And among its attributes is the fact, well illustrated by Milstein's choices here, that it may be drawn from almost anywhere. It may be one movement of a longer work for the instrument, or a transcription of a piece originally composed for another instrument, or it may be - as in the curious case of the Kreiser & quot;Classical Manuscripts & quot; - what has been delicately termed an & quot;impersonation & quot;. & lt;br & gt; & lt;br & gt; Among other things, a collection of encores offers a bird's eye view of a performer's capabilities. In the case of Nathan Milstein, of course, any need for an evaluation of that kind has long since become superfluous. A recital such as the present one simply creates the opportunity of enjoying old favorites played by one of the great violists of our time. & lt;br & gt; & lt;br & gt; & lt;b & gt; & quot;The execution is without doubt superb. Milstein here is on top of his form, playing with a verve, sparkle and studied virtuosity that is most invigorating. The recording in both mono and stereo versions is excellent, with very forward violin tone – sufficiently forward for one to feel that in all probability one will never get physically closer to Milstein’s violin in one’s life. & quot; & lt;/b & gt; — Gramophone & lt;br & gt; & lt;br & gt; & lt;b & gt;Features: & lt;/b & gt; & lt;br & gt; & amp;bull; Audiophile 180g Virgin Vinyl & lt;br & gt; & amp;bull; Pressed at Pallas GmbH in Germany & lt;br & gt; & amp;bull; Audiophile analogue mastering by Rainer Maillard at Emil Berliner Studios in Berlin & lt;br & gt; & amp;bull; Mastered from the Original Masters of Universal Music & lt;br & gt; & amp;bull; Analogphonic release & lt;br & gt; & lt;br & gt; & lt;b & gt;Musicians: & lt;/b & gt; & lt;br & gt; Nathan Milstein, violin & lt;br & gt; Leon Pommers, piano & lt;br & gt; & lt;br & gt; & lt;b & gt;Selections: & lt;br & gt; Side 1: & lt;br & gt; Fritz Kreisler (1875-1962) & lt;/b & gt; & lt;br & gt; 1. Praeludium And Allegro ( & quot;In the style of Pugnani & quot;) & lt;br & gt; & lt;b & gt;Robert Schumann (1810-1856) & lt;/b & gt; & lt;br & gt; 2. Abendlied & lt;br & gt; & lt;b & gt;Karol Szymanowski (1882-1937) & lt;/b & gt; & lt;br & gt; 3. Nocturne And Tarantella & lt;br & gt; & lt;b & gt;Side 2: & lt;br & gt; George Frideric Handel (1685-1759) & lt;/b & gt; & lt;br & gt; 1. Larghetto & lt;br & gt; & lt;b & gt;Jean-Marie Leclair (1697-1764), Arr. Kreisler & lt;/b & gt; & lt;br & gt; 2. Tambourin & lt;br & gt; & lt;b & gt;Fritz Kreisler & lt;/b & gt; & lt;br & gt; 3. Siciliano And Rigaudon ( & quot;In the style of Francoeur & quot;) & lt;br & gt; & lt;b & gt;Felix Mendelssohn (1809-1847), Arr. Kreisler & lt;/b & gt; & lt;br & gt; 4. Song Without Words & lt;br & gt; & lt;b & gt;Brahms (1833-1897) & lt;/b & gt; & lt;br & gt; 5. Waltz In A Major & lt;br & gt; & lt;b & gt;Poldini (1869-1957), Arr. Kreisler & lt;/b & gt; & lt;br & gt; 6. Dancing Doll & lt;br & gt; & lt;br & gt; Recorded March & amp; April 1959 at Capitol Studio A, New York.

Mischa Elman Encores 180g Import LP (Vinyl)

& lt;font color= & quot;#FF0000 & quot; & gt; & lt;b & gt;Audiophile 180g Virgin Vinyl LP! & lt;br & gt; Mastered from the Original Masters of Universal Music! & lt;br & gt; Pressed at Pallas! & lt;/b & gt; & lt;/font & gt; & lt;br & gt; & lt;br & gt; Violinist Mischa Elman performs compositional works by Dvorak, Mendelssohn, Smetana and more, accompanied by Joseph Seiger at the piano. & lt;br & gt; & lt;br & gt; Mischa Elman, who was born at Talnoy, Kiev, made his first public appearance as a violinist at a village concert when he was five years old. His prodigious talents soon came to the notice of Leopold Auer, who adopted him as a pupil at St. Petersburg in 1901. Elman's Berlin debut took place in 1904, with immediate and outstanding success, which was repeated in the following year on his first appearance in London when he played the Tchaikovsky concerto at the Queen's Hall. With this same concerto, three years later, he introduced himself to America (New York, December 1908). Since then he has been recognized as one of the world's foremost violinists, and is particularly renowned for his beautiful tone and technical mastery. In the present recording, Mischa Elman presents some of the shorter pieces with which he has captivated audiences all over the world. & lt;br & gt; & lt;br & gt; & lt;b & gt; & quot;Elman still plays with charm and elegance... In this batch of pieces, where the encore wags the concert, so to speak, Elman and Seiger combine war-horses and novelties in captivating manner. I was charmed by the exotic From San Domingo, by Arthur Benjamin, with its echoes of guitars and popular songs. Charles Miller’s Cubanaise... (its) vivacious rhythms and sonorous middle section are most appealing. Perhaps the item that most listeners will fall for is Elman’s arrangement of the so-called Canto Amoroso by Sammartini, an encore which Elman has made peculiarly his own. & quot; & lt;/b & gt; - Gramophone & lt;br & gt; & lt;br & gt; & lt;b & gt;Features: & lt;/b & gt; & lt;br & gt; & amp;bull; Audiophile 180g Virgin Vinyl & lt;br & gt; & amp;bull; Pressed at Pallas GmbH in Germany & lt;br & gt; & amp;bull; Audiophile analogue mastering by Rainer Maillard at Emil Berliner Studios in Berlin & lt;br & gt; & amp;bull; Mastered from the Original Masters of Universal Music & lt;br & gt; & amp;bull; Analogphonic release & lt;br & gt; & lt;br & gt; & lt;b & gt;Musicians: & lt;/b & gt; & lt;br & gt; Mischa Elman, violin & lt;br & gt; Joseph Seiger, piano & lt;br & gt; & lt;br & gt; & lt;b & gt;Selections: & lt;br & gt; Side 1: & lt;br & gt; Antonin Dvorak (1841-1904), Arr. Fritz Kreisler (1875-1962) & lt;/b & gt; & lt;br & gt; 1. Slavonic Fantasia & lt;br & gt; & lt;b & gt;Felix Mendelssohn (1809-1847) - Fritz Kreisler & lt;/b & gt; & lt;br & gt; 2. Song Without Words, Op. 62, No. 1 & quot;May Breezes & quot; & lt;br & gt; & lt;b & gt;Charles Miller (1899-1985) & lt;/b & gt; & lt;br & gt; 3. Cubanaise & lt;br & gt; & lt;b & gt;Fritz Kreisler & lt;/b & gt; & lt;br & gt; 4. Liebesleid & lt;br & gt; & lt;b & gt;Mischa Elman (1891-1967) & lt;/b & gt; & lt;br & gt; 5. Tango & lt;br & gt; & lt;b & gt;Side 2: & lt;br & gt; Cesar Espejo (1892-1988) & lt;/b & gt; & lt;br & gt; 1. Airs Tsiganes & lt;br & gt; & lt;b & gt;Giuseppe Sammartini (c.1693-c.1750) - Mischa Elman & lt;/b & gt; & lt;br & gt; 2. Canto Amoroso & lt;br & gt; & lt;b & gt;Mazurka / Henryk Wieniawski (1835-1880) & lt;/b & gt; & lt;br & gt; 3. Chanson Polonaise & lt;br & gt; & lt;b & gt;Arthur Benjamin (1893-1960) & lt;/b & gt; & lt;br & gt; 4. From San Domingo & lt;br & gt; & lt;b & gt;Bedrich Smetana (1824-1884) & lt;/b & gt; & lt;br & gt; 5. From My Homeland No. 2

Dvorak String Quartets 180g Import LP (Vinyl)

& lt;font color= & quot;#FF0000 & quot; & gt; & lt;b & gt;Audiophile 180g Virgin Vinyl LP! & lt;br & gt;Mastered from the Original Masters of Universal Music! & lt;br & gt; Pressed at Pallas! & lt;/b & gt; & lt;/font & gt; & lt;br & gt; & lt;br & gt; The Janacek Quartet performs String Quartets by Dvorak for this audiophile recording. & lt;br & gt; & lt;br & gt; & lt;b & gt; & quot;The Janácek’s bring us the finest and best recorded performance so far of the F major (American). The D minor gains greatly from the better balanced recording, especially in the slow movement... this is a distinguished and idiomatic performance. I warmly recommend this disc. The Janácek’s performance seemed to me the best we had ever had and it is not surpassed. & quot; & lt;/b & gt; - Gramophone & lt;br & gt; & lt;br & gt; & lt;b & gt;Features: & lt;/b & gt; & lt;br & gt; & amp;bull; Audiophile 180g Virgin Vinyl & lt;br & gt; & amp;bull; Pressed at Pallas GmbH in Germany & lt;br & gt; & amp;bull; Audiophile analogue mastering by Rainer Maillard at Emil Berliner Studios in Berlin & lt;br & gt; & amp;bull; Mastered from the Original Masters of Universal Music & lt;br & gt; & amp;bull; Analogphonic release & lt;br & gt; & lt;br & gt; & lt;b & gt;Musicians: & lt;/b & gt; & lt;br & gt; The Janacek Quartet: & lt;br & gt; Jiri Travnicek, violin & lt;br & gt; Adolf Sykora, violin & lt;br & gt; Jiri Kratachvil, viola & lt;br & gt; Karel Krafka, cello & lt;br & gt; & lt;br & gt; & lt;b & gt;Selections: & lt;br & gt; Side One: & lt;br & gt; Antonin Dvorak (1841-1904) & lt;br & gt; String Quartet In F Major, Op. 96 (American) & lt;/b & gt; & lt;br & gt; 1. Allegro Ma Non Troppo & lt;br & gt; 2. Lento & lt;br & gt; 3. Molto Vivace & lt;br & gt; 4. Finale & lt;br & gt; & lt;b & gt;Side Two: & lt;br & gt; String Quartet In D Minor, Op. 34 & lt;/b & gt; & lt;br & gt; 1. Allegro & lt;br & gt; 2. Alla Polka - Allegretto Scherzando & lt;br & gt; 3. Adagio & lt;br & gt; 4. Finale. Poco Allegro

Schubert & Bridge Sonatas 180g Import LP (Vinyl)

& lt;font color= & quot;#FF0000 & quot; & gt; & lt;b & gt;Audiophile 180g Virgin Vinyl LP! & lt;br & gt;Mastered from the Original Masters of Universal Music! & lt;br & gt;Pressed at Pallas! & lt;/b & gt; & lt;/font & gt; & lt;br & gt; & lt;br & gt; Cellist Mstislav Rostropovich and pianist Benjamin Britten perform Sonatas by Franz Schubert and Frank Bridge. & lt;br & gt; & lt;br & gt; & lt;b & gt; & quot;Few people will be able to resist the big climax when bowed with the intensity Rostropovich brings to it (the Bridge) here... It is supremely beautiful playing from both cellist and pianist (in the Schubert), with never a dead note in even the most incidental bit of figuration, and I suppose we really ought to be grateful that such a humble (albeit charming) little work comes in for so much love. The engineering is superb: the sound is glorious, and so true to life that if you shut your eyes you can imagine the players in your own room. & quot; & lt;/b & gt;— Gramophone & lt;br & gt; & lt;br & gt; & lt;b & gt;Features: & lt;/b & gt; & lt;br & gt; & amp;bull; Audiophile 180g Virgin Vinyl & lt;br & gt; & amp;bull; Pressed at Pallas GmbH in Germany & lt;br & gt; & amp;bull; Audiophile analogue mastering by Rainer Maillard at Emil Berliner Studios in Berlin & lt;br & gt; & amp;bull; Mastered from the Original Masters of Universal Music & lt;br & gt; & amp;bull; Analogphonic release & lt;br & gt; & lt;br & gt; & lt;b & gt;Musicians: & lt;/b & gt; & lt;br & gt; Mstislav Rostropovich, cello & lt;br & gt; Benjamin Britten, piano & lt;br & gt; & lt;br & gt; & lt;b & gt;Selections: & lt;br & gt; Side One: & lt;br & gt; Franz Schubert (1797-1828) & lt;br & gt; Sonata in A minor for Arpeggione and Piano & lt;/b & gt; & lt;br & gt; 1. First Movement: Allegro moderato & lt;br & gt; 2. Second Movement: Adagio & lt;br & gt; 3. Third Movement: Allegretto & lt;br & gt; & lt;b & gt;Side Two: & lt;br & gt; Frank Bridge (1879-1941) & lt;br & gt; Sonata for Cello and Piano & lt;/b & gt; & lt;br & gt; 1. First Movement: Allegro ben moderato & lt;br & gt; 2. Second Movement: Adagio ma non troppo ' Molto allegro e agitato

Paganini 24 Caprices 180g Import 2LP (Vinyl)

& lt;font color= & quot;#FF0000 & quot; & gt; & lt;b & gt;Audiophile 180g Virgin Vinyl Double LP! & lt;br & gt; Mastered from the Original Masters of Universal Music! & lt;br & gt; Pressed at Pallas! & lt;/b & gt; & lt;/font & gt; & lt;br & gt; & lt;br & gt; Violinist Ruggiero Ricci performs Paganini's 24 Caprices for this audiophile recording. & lt;br & gt; & lt;br & gt; & lt;b & gt; & quot;Ricci’s (1959 recording of Paganini Caprices) survives as the basic and essential version. To listen yet again to his impregnable virtuosity, mercurial fire and lyrical intensity is to be reminded of what a revelation it was to hear Ricci play these Caprices on the old BBC Third Programme back in the 1950s, enabling one to understand for the first time many things which hitherto had only been glimpsed dimly from reading the music by oneself. Decca’s recording of Ricci was outstanding for 1960 and still is remarkable for its clarity, dynamic range, sheer immediacy: the music smoulders and icily glitters by turns. & lt;/b & gt; & quot; - The Grammophone Magazine & lt;br & gt; & lt;br & gt; & lt;b & gt;Features: & lt;/b & gt; & lt;br & gt; • Audiophile 180g Virgin Vinyl & lt;br & gt; • Double LP & lt;br & gt; • Gatefold jacket & lt;br & gt; • Pressed at Pallas GmbH in Germany & lt;br & gt; • Audiophile analogue mastering by Rainer Maillard & lt;br & gt; • Cutting to lacquers at Emil Berliner Studios in Berlin & lt;br & gt; • Mastered from the Original Masters of Universal Music & lt;br & gt; • Analogphonic release & lt;br & gt; • Very first 2-vinyl set release for enhanced sound reproduction & lt;br & gt; & lt;br & gt; & lt;b & gt;Musicians: & lt;/b & gt; & lt;br & gt; Ruggiero Ricci, violin & lt;br & gt; & lt;br & gt; & lt;b & gt;Selections: & lt;br & gt; Niccolo Paganini (1782-1840) & lt;br & gt; 24 Caprices, Op. 1 & lt;br & gt; Side One: & lt;/b & gt; & lt;br & gt; 1. No. 1 in E Major & quot;Arpeggios & quot; (Andante) & lt;br & gt; 2. No. 2 in B minor (Moderato) & lt;br & gt; 3. No. 3 in E minor & quot;Octaves & quot; (Sostenuto - Presto - Sostenuto) & lt;br & gt; 4. No. 4 in C minor & quot;Thirds & quot; (Maestoso) & lt;br & gt; 5. No. 5 in A minor (Agitato) & lt;br & gt; 6. No. 6 in G minor & quot;The Trill / Tremolo & quot; (Lento) & lt;br & gt; & lt;b & gt;Side Two: & lt;/b & gt; & lt;br & gt; 7. No. 7 in A minor (Posato) & lt;br & gt; 8. No. 8 in E-flat Major (Maestoso) & lt;br & gt; 9. No. 9 in E Major & quot;The Hunt / La chasse & quot; (Allegretto) & lt;br & gt; 10. No. 10 in G minor (Vivace) & lt;br & gt; 11. No. 11 in C Major (Andante - Presto - Andante) & lt;br & gt; 12. No. 12 in A-flat Major (Allegro) & lt;br & gt; & lt;b & gt;Side Three: & lt;/b & gt; & lt;br & gt; 13. No. 13 in B-flat Major & quot;The Devil's Laughter & quot; (Allegro) & lt;br & gt; 14. No. 14 in E-flat Major (Moderato) & lt;br & gt; 15. No. 15 in E minor (Posato) & lt;br & gt; 16. No. 16 in G minor (Presto) & lt;br & gt; 17. No. 17 in E-flat Major (Sostenuto - Andante) & lt;br & gt; 18. No. 18 in C Major (Corrente - Allegro) & lt;br & gt; & lt;b & gt;Side Four: & lt;/b & gt; & lt;br & gt; 19. No. 19 in E-flat Major (Lento - Allegro assai) & lt;br & gt; 20. No. 20 in D Major (Allegretto) & lt;br & gt; 21. No. 21 in A Major (Amoroso - Presto) & lt;br & gt; 22. No. 22 in F Major (Marcato) & lt;br & gt; 23. No. 23 in E-flat Major (Posato - Minore - Posato) & lt;br & gt; 24. No. 24 in A minor (Tema. Quasi presto - Variazioni I-XI-Finale)

Sarasate Eight Spanish Dances, Navarra 180g Import LP (Vinyl)

& lt;font color= & quot;#FF0000 & quot; & gt; & lt;b & gt;Audiophile 180g Virgin Vinyl LP! & lt;br & gt;Mastered from the Original Masters of Universal Music! & lt;br & gt; Pressed at Pallas! & lt;/b & gt; & lt;/font & gt; & lt;br & gt; & lt;br & gt; Violinist Alfredo Campoli performs compositional works by Pablo de Sarasate, accompanied by pianist Daphne Ibbott, as well as violinist Belinda Bunt for Navarra for 2 Violins. & lt;br & gt; & lt;br & gt; & lt;b & gt; & quot;Campoli, who is excellently recorded, is on precisely the right wavelength, leaving us in no doubt of how difficult these works are to play and yet, paradoxically, making it all sound easy. Opus 23 No. 2, a zapateado and probably the least unfamiliar piece here, is a fine example, although so also is No. 2 of op. 21, a gracefully swaying habanera whose complex filigree is thrown off with the seeming casualness which is the essence of this sort of virtuosity. What is consistent throughout all nine items is the high, and memorable, quality of the melodies. Opus 22 No. 1, an Andalucian ballad, is fully of lovely tunes, as is the first piece of Op. 23, a playera, with its sorrowful cadences. Occasionally, as in Op. 26 No. 1, a kind of fandango and the longest item here, this is done in the grand manner, yet never too much so. In the exhilarating Navarra Bunt matches Campoli well, and Ibbott is a good accompanist; but all the interest is in the violin throughout. & quot; & lt;/b & gt; - The Gramophone Magazine & lt;br & gt; & lt;br & gt; & lt;b & gt;Features: & lt;/b & gt; & lt;br & gt; • Audiophile 180g Virgin Vinyl & lt;br & gt; • Pressed at Pallas GmbH in Germany & lt;br & gt; • Audiophile analogue mastering by Rainer Maillard & lt;br & gt; • Cutting to lacquers at Emil Berliner Studios in Berlin & lt;br & gt; • Mastered from the Original Masters of Universal Music & lt;br & gt; • Analogphonic release & lt;br & gt; & lt;br & gt; & lt;b & gt;Musicians: & lt;/b & gt; & lt;br & gt; Alfredo Campoli, violin & lt;br & gt; Daphne Ibbott, piano & lt;br & gt; Belinda Bunt, violin (Side 2, Track 4) & lt;br & gt; & lt;br & gt; & lt;b & gt;Selections: & lt;br & gt; Pablo de Sarasate (1844-1908) & lt;br & gt; Side 1: & lt;br & gt; Eight Spanish Dances & lt;/b & gt; & lt;br & gt; 1. No. I Malaguena, Op. 21, No. 1 & lt;br & gt; 2. No. II Habanera, Op. 21, No. 2 & lt;br & gt; 3. No. III Romanza Andaluza, Op. 22, No. 1 & lt;br & gt; 4. No. IV Jota Navarra, Op. 22, No. 2 & lt;br & gt; 5. No. V Playera, Op. 23, No. 1 & lt;br & gt; & lt;b & gt;Side 2: & lt;/b & gt; & lt;br & gt; 1. No. VI Zapateado, Op. 23, No. 2 & lt;br & gt; 2. No. VII Op. 26, No. 1 & lt;br & gt; 3. No. VIII Op. 26, No. 2 & lt;br & gt; 4. Navarra for 2 Violins, Op. 33

Brahms Symphony No. 1 in C Minor 180g Import LP (Vinyl)

& lt;font color= & quot;#FF0000 & quot; & gt; & lt;b & gt;Audiophile 180g Vinyl LP! & lt;br & gt; Mastered from the Original Masters of Universal Music! & lt;br & gt;Pressed at Pallas! & lt;/b & gt; & lt;/font & gt; & lt;br & gt; & lt;br & gt; Karl Bohm conducts the Berliner Philharmoniker for this recording of Brahms' First Symphony. & lt;br & gt; & lt;br & gt; & lt;b & gt; & quot;This performance of the (Brahms) First Symphony is formidable competition for even the best that the current catalogue can offer. Böhm’s (Brahms Symphony No.1) is a performance of wonderfully rich detail, the woodwind soli full of character, the orchestral colouring beautifully judged: where Karajan presents a blended totality of sound, Böhm is intent that we should see both the wood and the trees. Böhm’s view of the Symphony is urgent and vigorous: though he does not miss the broad strength of the introduction, the ensuing allegro has a purposeful athleticism that contrasts most strikingly with the heavy grimness of Karajan’s reading. The introduction to the finale is also an instructive comparison: Karajan sees it as an eloquent lament, Böhm as a transition of unbearable tension – one almost dreads that the great C major theme will not, after all, arrive. This is a noble performance that no Brahmsian should miss hearing, regardless of his current preferences; it is excellently recorded. & quot; & lt;/b & gt; - The Gramophone Magazine & lt;br & gt; & lt;br & gt; & lt;b & gt;Features: & lt;/b & gt; & lt;br & gt; • Audiophile 180g Vinyl & lt;br & gt; • Pressed at Pallas GmbH in Germany & lt;br & gt; • Audiophile analogue mastering by Rainer Maillard & lt;br & gt; • Cutting to lacquers at Emil Berliner Studios in Berlin & lt;br & gt; • Mastered from the Original Masters of Universal Music & lt;br & gt; • Analogphonic release & lt;br & gt; & lt;br & gt; & lt;b & gt;Musicians: & lt;/b & gt; & lt;br & gt; Berliner Philharmoniker & lt;br & gt; Karl Bohm, conductor & lt;br & gt; Michel Schwalbe, violin solo & lt;br & gt; & lt;br & gt; & lt;b & gt;Selections: & lt;br & gt; Johannes Brahms (1833-1897) & lt;br & gt; Symphony No. 1 in C minor, Op. 68 & lt;br & gt; Side A: & lt;/b & gt; & lt;br & gt; 1. Satz: Un poco sostenuto - Allegro - Meno Allegro & lt;br & gt; 2. Satz: Andante Sostenuto & lt;br & gt; & lt;b & gt;Side B: & lt;/b & gt; & lt;br & gt; 3. Satz: Un Poco Allegretto e graziozo attacca & lt;br & gt; 4. Satz: Adagio - Piu Andante - Allegro non troppo, ma con brio - Piu Allegro

Brahms Symphonies Nos. 1-4 (Die Symphonien) 180g 4LP Box Set (Vinyl)

& lt;font color= & quot;#FF0000 & quot; & gt; & lt;b & gt;180g Vinyl 4LP Box Set! & lt;br & gt; Mastered From Original Analogue Master Tapes! & lt;br & gt; Pressed at Pallas in Germany! & lt;br & gt; First Ever Complete Box Set Edition! & lt;/b & gt; & lt;/font & gt; & lt;br & gt; & lt;br & gt; Herbert von Karajan conducts the Berliner Philharmoniker for these recordings of Brahms' First through Fourth Symphonies. & lt;br & gt; & lt;br & gt; & lt;b & gt; & quot;Karajan's interpretations are orthodox and exemplary. He has intellectual mastery over every symphony, even the difficult Third, which clearly presents him with no difficulties at all... the performance of the Second Symphony has a beautifully lyrical, golden quality, with rich, warm phrasing, and plenty of vigour in the last movements. & quot; & lt;/b & gt; - Gramophone & lt;br & gt; & lt;br & gt; & lt;b & gt;Features: & lt;/b & gt; & lt;br & gt; • 180g Audiophile Virgin Vinyl 4LP Box Set & lt;br & gt; • First time released as complete box set edition & lt;br & gt; • Mastered from original Universal Music analogue master tapes & lt;br & gt; • Audiophile analogue mastering by Raillner Maillard at Emil Berliner Studios & lt;br & gt; • Pressed at Pallas GmbH in Germany & lt;br & gt; • All the original cover jackets included & lt;br & gt; & lt;br & gt; & lt;b & gt;Musicians: & lt;/b & gt; & lt;br & gt; Berliner Philharmoniker & lt;br & gt; Herbert von Karajan, conductor & lt;br & gt; & lt;br & gt; & lt;b & gt;Selections: & lt;br & gt; Johannes Brahms (1833-1897) & lt;br & gt; Symphony no. 1 in C minor, op. 68 & lt;br & gt; Side 1: & lt;/b & gt; & lt;br & gt; 1. Un poco sostenuto - Allegro & lt;br & gt; 2. Andante sostenuto & lt;br & gt; & lt;b & gt;Side 2: & lt;/b & gt; & lt;br & gt; 3. Un poco Allegretto e grazioso & lt;br & gt; 4. Adagio - Piu Andante - Allegro non troppo, ma con brio & lt;br & gt; & lt;br & gt; & lt;b & gt;Symphony No. 2 in D major, op. 73 & lt;br & gt; Side 1: & lt;/b & gt; & lt;br & gt; 1. Allegro non troppo & lt;br & gt; 2. Adagio non troppo - L'istesso tempo, ma grazioso & lt;br & gt; & lt;b & gt;Side 2: & lt;/b & gt; & lt;br & gt; 3. Allegretto grazioso (Quasi Andantino) - Presto ma non assai & lt;br & gt; 4. Allegro con spirito & lt;br & gt; & lt;br & gt; & lt;b & gt;Symphony no. 3 in F major, op. 90 & lt;br & gt; Side 1: & lt;/b & gt; & lt;br & gt; 1. Allegro con brio & lt;br & gt; 2. Andante & lt;br & gt; 3. Poco Allegretto & lt;br & gt; & lt;b & gt;Side 2: & lt;/b & gt; & lt;br & gt; 4. Allegro & lt;br & gt; & lt;b & gt;Tragic Overture, op. 81 & lt;/b & gt; & lt;br & gt; 5. Allegro non troppo - Motto piu moderato - Tempo primo - un poco sostenuto - in tempo & lt;br & gt; & lt;br & gt; & lt;b & gt;Symphony no. 4 in E minor, op. 98 & lt;br & gt; Side 1: & lt;/b & gt; & lt;br & gt; 1. Allegro non troppo & lt;br & gt; 2. Andante moderato & lt;br & gt; & lt;b & gt;Side 2: & lt;/b & gt; & lt;br & gt; 3. Allegro giocoso - Poco meno presto - Tempo I & lt;br & gt; 4. Allegro energico e passionato - Piu Allegro

Beethoven Five Sonatas for Cello and Piano 180g 3LP Box Set (Vinyl)

& lt;font color= & quot;#FF0000 & quot; & gt; & lt;b & gt;180g Vinyl 3LP Box Set! & lt;br & gt; Mastered From Original Analogue Master Tapes! & lt;br & gt; Pressed at Pallas in Germany! First Release on 3LP Version! & lt;/b & gt; & lt;/font & gt; & lt;br & gt; & lt;br & gt; Renowned cellist Daniil Shafran and pianist Anton Ginsburg perform sonatas for cello and piano by Beethoven. & lt;br & gt; & lt;br & gt; Daniil Shafran (1923-1997) was one of the world’s best known concert cellists for many years. Many musicians consider him one of the most interesting phenomena of not only cello performing art but also the entire music culture of the 20th century. As many researchers note, Shafran's performance combined intellect and poetic inspiration, an impeccable taste and technique, in-depth interpretation of the author’s idea and originality in revealing the contents of works. & lt;br & gt; & lt;br & gt; Anton Ginsburg (1930-2002) was an outstanding pianist, pupil of Heinrich Neuhaus and winner of the Prague Spring International Competition. He was best known as an ensemble musician performing with Daniil Shafran, Mikhael Khomitzer and Igor Oistrakh. Many critics noted the pianist’s creative initiatives, temperament and keen musicality. & lt;br & gt; & lt;br & gt; & lt;b & gt; & quot;Daniil Shafran is one of the highest level cellists by his performing manner, by his musical inclinations, and by the wealth and diversity of musical shades. & quot; & lt;/b & gt; - Carlo Zecchi & lt;br & gt; & lt;br & gt; & lt;b & gt; & quot;The Russian cellist extraordinaire, Daniil Shafran whimsical, tripping, intense, sensual, refined and intelligent... a rich source of fascination and stimulation for anyone with an open musical mind. One thing’s for sure: no one plays this music quite like Shafran did. & quot; & lt;/b & gt; - The Gramophone Magazine & lt;br & gt; & lt;br & gt; & lt;b & gt;Features: & lt;/b & gt; & lt;br & gt; • 180g Audiophile Virgin Vinyl & lt;br & gt; • First time released on 3LP Box Set edition & lt;br & gt; • Mastered from original analogue master tapes of Firma Melodiya & lt;br & gt; • Audiophile analogue mastering by Daniel Krieger & lt;br & gt; • Cutting to lacquers at Schallplaten Schneid Technik GmbH in Germany & lt;br & gt; & lt;br & gt; & lt;b & gt;Musicians: & lt;/b & gt; & lt;br & gt; Daniil Shafran, cello & lt;br & gt; Anton Ginsburg, piano & lt;br & gt; & lt;br & gt; & lt;b & gt;Selections: & lt;br & gt; Ludwig van Beethoven (1770-1827) & lt;br & gt; Side A: & lt;br & gt; Cello Sonata No. 1 in F major, Op. 5 No. 1 & lt;/b & gt; & lt;br & gt; 1. I. Adagio sostenuto. Allegro & lt;br & gt; & lt;b & gt;Side B: & lt;/b & gt; & lt;br & gt; 1. II. Rondo. Allegro vivace & lt;br & gt; & lt;b & gt;Cello Sonata No. 2 in G minor, Op. 5 No. 2 & lt;/b & gt; & lt;br & gt; 2. I. Adagio sostenuto ed espressivo. Allegro molto piu tosto presto & lt;br & gt; & lt;b & gt;Side C: & lt;/b & gt; & lt;br & gt; 1. II. Rondo. Allegro & lt;br & gt; & lt;b & gt;Cello Sonata No. 3 in A major, Op. 69 & lt;/b & gt; & lt;br & gt; 2. I. Allegro, ma non tanto & lt;br & gt; & lt;b & gt;Side D: & lt;/b & gt; & lt;br & gt; 1. II. Scherzo. Allegro molto & lt;br & gt; 2. III. Adagio cantabile - Allegro vivace & lt;br & gt; & lt;b & gt;Side E: & lt;br & gt; Cello Sonata No. 4 in C major, Op. 102 No. 1 & lt;/b & gt; & lt;br & gt; 1. I. Andante - Allegro vivace & lt;br & gt; 2. II. Adagio - Allegro vivace & lt;br & gt; & lt;b & gt;Side F: & lt;br & gt; Cello Sonata No. 5 in D major, Op. 102 No. 2 & lt;/b & gt; & lt;br & gt; 1. I. Allegro con brio & lt;br & gt; 2. II. Adagio con molto sentimento d'affetto & lt;br & gt; III. Allegro & lt;br & gt; & lt;br & gt; Recorded in 1971

Nathan Milstein Vignettes 180g Import LP (Vinyl)

& lt;font color= & quot;#FF0000 & quot; & gt; & lt;b & gt;Audiophile 180g Virgin Vinyl LP! & lt;br & gt;Mastered from the Original Masters of Universal Music! & lt;br & gt; Pressed at Pallas! & lt;/b & gt; & lt;/font & gt; & lt;br & gt; & lt;br & gt; Violinist Nathan Milstein performs compositional works by Falla, Wieniawski, Ravel, Sarasate, Schumann, Novacek, J.S. Bach, Tchaikovsky and Debussy. Pianist Leon Pommers provides accompaniment. & lt;br & gt; & lt;br & gt; & lt;b & gt; & quot;At his best Milstein is superb; for instance in the Wieniawski pieces, Träumerei, and the delightful Sarasate dance. He seems right on top of the listener; one can hear him breathing... and Novácek Perpetuum mobile is magically played. & quot; & lt;/b & gt; - The Gramophone Magazine & lt;br & gt; & lt;br & gt; & lt;b & gt; & quot;Milstein recorded many of these pieces more than once; and although his stylings remained remarkably consistent, these recordings, made in 1957, when Milstein was in his early fifties, are the locus classicus. There's no release of any kind I've more eagerly awaited, and none that I could recommend more highly. When all's said and done,...it would come as no surprise to me if Milstein were to be recognized as the premiere violinist of the 20th century. If anything can hasten that judgment, these recordings can. & quot; & lt;/b & gt; - Fanfare & lt;br & gt; & lt;br & gt; & lt;b & gt;Features: & lt;/b & gt; & lt;br & gt; • Audiophile 180g Virgin Vinyl & lt;br & gt; • Pressed at Pallas GmbH in Germany & lt;br & gt; • Audiophile analogue mastering by Rainer Maillard & lt;br & gt; • Cutting to lacquers at Emil Berliner Studios in Berlin & lt;br & gt; • Mastered from the Original Masters of Universal Music & lt;br & gt; • Analogphonic release & lt;br & gt; & lt;br & gt; & lt;b & gt;Musicians: & lt;/b & gt; & lt;br & gt; Nathan Milstein, violin & lt;br & gt; Leon Pommers, piano & lt;br & gt; & lt;br & gt; & lt;b & gt;Selections: & lt;br & gt; Side One: & lt;/b & gt; & lt;br & gt; 1. Polonaise in D Major, Op. 4 (Wieniawski) & lt;br & gt; 2. Asturiana / Jota (Falla) & lt;br & gt; 3. Berceuse On The Name Of Gabriel Faure (Ravel) & lt;br & gt; 4. Romanza Andaluza (Sarasate) & lt;br & gt; 5. Traumerei (Schumann) & lt;br & gt; & lt;b & gt;Side Two: & lt;/b & gt; & lt;br & gt; 1. Air (J.S. Bach) & lt;br & gt; 2. Perpetuum Mobile (Novacek) & lt;br & gt; 3. Melodie, Op. 42, No. 3 (Tchaikovsky) & lt;br & gt; 4. The Maid With The Flaxen Hair (Debussy) & lt;br & gt; 5. Scherzo - Tarantelle, Op. 16 (Wieniawski)

The Handmaiden Soundtrack 180g Import 2LP (Vinyl)

& lt;font color= & quot;#FF0000 & quot; & gt; & lt;b & gt;Audiophile 180g Vinyl Double LP! & lt;br & gt; Mastered from the Original Masters of Universal Music! & lt;/b & gt; & lt;/font & gt; & lt;br & gt; & lt;br & gt; Original soundtrack to the 2016 South Korean psychological thriller directed by Park Chan-wook. The film was inspired from the novel Fingersmith by Welsh author Sarah Waters, with the setting changed from Victorian era Britain to 1930s Korea under Japanese colonial rule. & lt;br & gt; & lt;br & gt; There are 38 songs that were used in the shining moments of the characters in the movie, including & quot;Imi Oneun Sori (The Footsteps of My Dear Love) & quot; which was introduced at the 69th Cannes Film Festival, and the title song & quot;The Tree From Mount Fuji & quot;. The soundtrack also includes the film's most famous dialogue such as & quot;My saviour who ruined my life & quot; and & quot;The doll of a maid & quot;. & lt;br & gt; & lt;br & gt; & lt;b & gt; & quot;Keeping the suspense formed in the collision of four people, but focusing on balancing the two big flows so that the lady and maid's melody do not fade. & quot; & lt;/b & gt; - Cho Young-wook, Music Director of The Handmaiden & lt;br & gt; & lt;br & gt; & lt;b & gt; & quot;OST, created by Park Chan-wook and music director Cho Young-wook, really dazzles audiences and music further heitens the thriller aspect of the movie & quot; & lt;/b & gt; - theplaylist.net & lt;br & gt; & lt;br & gt; & lt;b & gt; & quot;Almost all frames are decorated with extremely clear and beautiful music! & quot; & lt;/b & gt; - indiewire.com & lt;br & gt; & lt;br & gt; & lt;b & gt;Features: & lt;/b & gt; & lt;br & gt; • Audiophile 180g Vinyl & lt;br & gt; • Double LP & lt;br & gt; • Pressed in Germany & lt;br & gt; • Gatefold Tip-on cover with Printed Inner Sleeves & lt;br & gt; • Special artwork for vinyl version & lt;br & gt; • Analogphonic release & lt;br & gt; & lt;br & gt; & lt;b & gt;Selections: & lt;br & gt; Side 1: & lt;/b & gt; & lt;br & gt; 1. The Tree From Mount Fuji & lt;br & gt; 2. Old Scars and Fresh Pink Wounds & lt;br & gt; 3. The Duchess Juliette & lt;br & gt; 4. My Name is Nam Sookee & lt;br & gt; 5. A Western-style Wing Designed by an English Architect & lt;br & gt; 6. So This Was the Scent (dialogue track) & lt;br & gt; 7. You Are My Baby Miss & lt;br & gt; 8. Each Night In Bed I Think of Her Assets & lt;br & gt; 9. She's Beautiful, Quite the Charmer & lt;br & gt; 10. Spellbindingly Beautiful & lt;br & gt; 11. Rope and Mustache & lt;br & gt; 12. It Was Wrong To Come Here & lt;br & gt; & lt;b & gt;Side 2: & lt;/b & gt; & lt;br & gt; 13. Bounds of Knowledge & lt;br & gt; 14. Losing Her Heart To A Fake & lt;br & gt; 15. Ladies Are the dolls of Maids (dialogue track) & lt;br & gt; 16. The Sweet Things Within & lt;br & gt; 17. Feels Just Fine & lt;br & gt; 18. Wedding & lt;br & gt; 19. Shall We Play Maid? & lt;br & gt; 20. A Week Here... Then Finally! & lt;br & gt; 21. Wish I Had Never Been Born & lt;br & gt; 22. Let Me Tell You About Our Miss Hideko & lt;br & gt; & lt;b & gt;Side 3: & lt;/b & gt; & lt;br & gt; 23. I Was Going A Big Crazy Back Then & lt;br & gt; 24. What's With Her? & lt;br & gt; 25. Don't You Ever Think of Running & lt;br & gt; 26. She's Totally Illiterate & lt;br & gt; 27. You Must Be A Natural & lt;br & gt; 28. Segimalui Norae (The Song at The End of The Century) & lt;br & gt; 29. Thousand Woes Under the Blue Sky & lt;br & gt; 30. The Saviour Who Came to Tear My Life Apart (dialogue track) & lt;br & gt; 31. My Tamako, My Sookee & lt;br & gt; & lt;b & gt;Side 4: & lt;/b & gt; & lt;br & gt; 32. Fire! & lt;br & gt; 33. Three White Cigarettes & lt;br & gt; 34. The Greatest Pleasure & lt;br & gt; 35. Five Books That I Used to Cherish & lt;br & gt; 36. Four Small Silver Balls (dialogue track) & lt;br & gt; 37. Sea of Bells & lt;br & gt; 38. Im Oneun Sori (The Footsteps of My Dear Love)

Martha Argerich Saint-Saens Carnaval des Animaux 180g Direct Metal Master Import 2LP (Vinyl)

& lt;font color= & quot;#FF0000 & quot; & gt; & lt;b & gt;Audiophile 180g Virgin Vinyl Direct Metal Master LP! & lt;br & gt; Mastered from the Original Masters of Universal Music! & lt;br & gt; Analogue Mastering by by Hans-Jorg Mauksch! & lt;br & gt; Pressed at Pallas! & lt;/b & gt; & lt;/font & gt; & lt;br & gt; & lt;br & gt; Noted pianist Martha Argerich, alongside pianist Nelson Freire, perform Saint-Saens' Carnival of The Animals for this audiophile recording. Other compositions performed include Ferdinand and Little Sad Sound by Alan Ridout and Tier Gebete by Frieder Meschwitz. Among the performers are violinist Gidon Kremer, pianist Elena Bashkirova, and double bassist Alois Posch. & lt;br & gt; & lt;br & gt; & lt;b & gt; & quot;Everything is clear. Rhythms spring. Individuals get to leave their cherry bombs on the doorstep or to sing beautifully. Argerich and Freire, for example, outrageously mug up & quot;Pianistes, & quot; rhythmically pulling the pianos ever more wildly out of sync, and then bringing them back together with a bang at the & quot;coda. & quot; Irena Grafenauer's flute chirps merrily in & quot;Volieres. & quot; Eduard Brunner on clarinet emits the cuckoo's cry from the middle of the deep woods. I've rarely heard it sound so lonely. Overall, the performance blends extremely high musicianship with kiddie rough-house. & quot; & lt;/b & gt; - Classical.net & lt;br & gt; & lt;br & gt; & lt;b & gt;Features: & lt;/b & gt; & lt;br & gt; • Audiophile 180g Virgin Vinyl & lt;br & gt; • Special 2LP version for enhanced sound reproduction & lt;br & gt; • Direct Metal Mastering & lt;br & gt; • Pressed at Pallas GmbH in Germany & lt;br & gt; • Audiophile analogue mastering by Hans-Jorg Mauksch & lt;br & gt; • Cutting to copperplate at Pauler Acoustics & lt;br & gt; • Mastered from the Original Masters of Universal Music & lt;br & gt; • Analogphonic release & lt;br & gt; • Gatefold jacket & lt;br & gt; & lt;br & gt; & lt;b & gt;Musicians: & lt;/b & gt; & lt;br & gt; Le Carnaval des Animaux: & lt;br & gt; Martha Argerich, piano & lt;br & gt; Nelson Freire, piano & lt;br & gt; Gidon Kremer, violin & lt;br & gt; Isabelle van Keulen, violin & lt;br & gt; Tabea Zimmermann, viola & lt;br & gt; Mischa Maisky, violoncello & lt;br & gt; Georg Hortnagel, double-bass & lt;br & gt; Irena Grafenauer, flute & lt;br & gt; Eduard Brunner, clarinet & lt;br & gt; Markus Steckeier, xylophone & lt;br & gt; Edith Salmen-Weber, Glockenspiel & lt;br & gt; Ferdinand: & lt;br & gt; Elena Bashkirova, speaker & lt;br & gt; Gidon Kremer, violin & lt;br & gt; Tier-Gebete: & lt;br & gt; Elena Bashkirova, speaker, piano & lt;br & gt; Gidon Kremer, speaker & lt;br & gt; Little Sad Sound: & lt;br & gt; Gidon Kremer, speaker & lt;br & gt; Alois Posch, double-bass & lt;br & gt; & lt;br & gt; & lt;b & gt;Selections: & lt;br & gt; Side 1: & lt;br & gt; Camille Saint-Saens (1835-1921) & lt;br & gt; Le Carnaval des Animaux & lt;/b & gt; & lt;br & gt; 1. Introduction et Marche royale du Lion & lt;br & gt; 2. Poules et Coqs & lt;br & gt; 3. Hemiones (Animaux veloces) & lt;br & gt; 4. Tortues & lt;br & gt; 5. L'Elephant & lt;br & gt; 6. Kangourous & lt;br & gt; 7. Aquarium & lt;br & gt; 8 Personnages a longues oreilles & lt;br & gt; 9. Le coucou au fond des bois & lt;br & gt; 10. Volieres & lt;br & gt; 11. Pianistes & lt;br & gt; 12. Fossiles & lt;br & gt; 13. Le Cygne & lt;br & gt; 14. Final & lt;br & gt; & lt;b & gt;Side 2: & lt;br & gt; Alan Ridout (b. 1934) & lt;br & gt; Ferdinand & lt;br & gt; Side 3: & lt;br & gt; Frieder Meschwitz (b. 1936) & lt;br & gt; Tier-Gebete & lt;/b & gt; & lt;br & gt; 1. Gebet des Ochsen & lt;br & gt; 2. Gebet der Maus & lt;br & gt; 3. Gebet der Katze & lt;br & gt; 4. Gebet des Hundes & lt;br & gt; 5. Gebet der Ameise & lt;br & gt; 6. Gebet der Elefanten & lt;br & gt; 7. Gebet der Schildkrote & lt;br & gt; 8. Gebet der Giraffe & lt;br & gt; 9. Gebet des Affen & lt;br & gt; 10. Gebet des Hahnes & lt;br & gt; 11. Gebet des alten Gaules & lt;br & gt; 12. Gebet des Schmetterlings & lt;br & gt; & lt;b & gt;Side 4: & lt;br & gt; Alan Ridout & lt;/b & gt; & lt;br & gt; & lt;b & gt;Little Sad Sound & lt;/b & gt;

Pierre Fournier Rendezvous Musical 180g 45rpm Import 2LP (Vinyl)

& lt;font color= & quot;#FF0000 & quot; & gt; & lt;b & gt;Audiophile 180g 45rpm Virgin Vinyl Double LP! & lt;br & gt; Mastered from the Original Masters of Universal Music! & lt;br & gt; Analogue Mastering by Rainer Maillard at Emil Berliner Studios! & lt;br & gt; Pressed at Pallas! & lt;/b & gt; & lt;/font & gt; & lt;br & gt; & lt;br & gt; Cellist Pierre Fournier is accompanied by pianist Lamar Crowson for compositional works written for the cello by such composers as Haydn, Weber, Chopin, Tchaikovsky, Brahms, Saint-Saens and more. & lt;br & gt; & lt;br & gt; & lt;b & gt; & quot;Fournier’s tone is a constant delight, warmly lyrical yet with a plangent edge that does wonders for the more pleading episodes of Dvorak’s Rondo — a work written for the cello, and making the fact very clear. His phrasing is beautifully shapely in cantabile. And when scurrying around in Francoeur’s Allegro vivo, Rimsky-Korsakov’s Bumble-bee and Popper’s Elfentanz, he brings a bite to the accentuation which keeps the rhythm both tingling and disciplined. The Weber is a pleasant surprise, but I particularly enjoyed the Dvorak, the Schumann (meant for the horn but with cello as an op-tional alternative) and the Brahms... Brahms’s particular brand of deep-hued sentiment is wholly at one with the soul of the cello. & quot; & lt;/b & gt; - Gramophone & lt;br & gt; & lt;br & gt; & lt;b & gt;Features: & lt;/b & gt; & lt;br & gt; • Audiophile 180g Virgin Vinyl & lt;br & gt; • Special 45rpm 2LP version for enhanced sound reproduction & lt;br & gt; • Pressed at Pallas GmbH in Germany & lt;br & gt; • Audiophile analogue mastering by Rainer Maillard at Emil Berliner Studios & lt;br & gt; • Mastered from the Original Masters of Universal Music & lt;br & gt; • Analogphonic release & lt;br & gt; • Gatefold jacket & lt;br & gt; • Unreleased bonus track & lt;br & gt; & lt;br & gt; & lt;b & gt;Musicians: & lt;/b & gt; & lt;br & gt; Pierre Fournier, cello & lt;br & gt; Lamar Crowson, piano & lt;br & gt; & lt;br & gt; & lt;b & gt;Selections: & lt;br & gt; Side 1: & lt;br & gt; Francois Francoeur (1698-1787) & lt;/b & gt; & lt;br & gt; 1. Adagio Cantabile - Allegro Vivo & lt;br & gt; & lt;b & gt;Joseph Haydn (1732-1809) & lt;/b & gt; & lt;br & gt; 2. Tempo di Minuetto & lt;br & gt; & lt;b & gt;Carl Maria Von Weber (1786-1826) & lt;/b & gt; & lt;br & gt; 3. Larghetto - Rondo & lt;br & gt; & lt;b & gt;Frederic Chopin (1810-1849) & lt;/b & gt; & lt;br & gt; 4. Nocturne Op. 9, No. 2 & lt;br & gt; & lt;b & gt;Side 2: & lt;br & gt; Nikolai Rimsky-Korsakov (1844-1908) & lt;/b & gt; & lt;br & gt; 1. Hymne an die Sonne & lt;br & gt; 2. Hummelflug & lt;br & gt; & lt;b & gt;Robert Schumann (1810-1856) & lt;/b & gt; & lt;br & gt; 3. Adagio und Allegro Op. 70 & lt;br & gt; & lt;b & gt;Side 3: & lt;br & gt; Charles Gounod (1818-1893) & lt;/b & gt; & lt;br & gt; 1. Ave Maria (Meditation) & lt;br & gt; & lt;b & gt;Pyotr Ilyich Tchaikovsky (1840-1893) & lt;/b & gt; & lt;br & gt; 2. Valse Sentimentale Op. 51, No. 6 & lt;br & gt; & lt;b & gt;Johannes Brahms (1833-1897) & lt;/b & gt; & lt;br & gt; 3. Feldeinsamkeit Op. 86, No. 2 & lt;br & gt; & lt;b & gt;David Popper (1843-1913) & lt;/b & gt; & lt;br & gt; 4. Elfentanz Op. 39 (Dance of The Elves) & lt;br & gt; & lt;b & gt;Antonin Dvorak (1841-1904) & lt;/b & gt; & lt;br & gt; 5. Rondo Op. 94 & lt;br & gt; & lt;b & gt;Side 4: & lt;br & gt; Camille Saint-Saens (1835-1921) & lt;/b & gt; & lt;br & gt; 1. Der Schwan & lt;br & gt; & lt;b & gt;Niccolo Paganini (1782-1840) & lt;/b & gt; & lt;br & gt; 2. Variationen Uber Ein Thema Aus der Oper & lt;br & gt; & lt;b & gt;Bonus Track - previously unreleased: & lt;br & gt; Pyotr Ilyich Tchaikovsky & lt;/b & gt; & lt;br & gt; 3. Pezzo Cappriccioso Op. 62 & lt;br & gt; & lt;br & gt; Recorded January 8-10, 1969

Bach Samtliche Suiten fur Violoncello Allein (The 6 Cello Suites) 180g Import 3LP Box Set (Vinyl)

& lt;font color= & quot;#FF0000 & quot; & gt; & lt;b & gt;Audiophile 180g Virgin Vinyl 3LP Box Set! & lt;br & gt; Mastered from the Original Masters of Universal Music! & lt;br & gt; Analogue Mastering at Emil Berliner Studios! & lt;br & gt; Pressed at Pallas! & lt;/font & gt; & lt;/b & gt; & lt;br & gt; & lt;br & gt; Legendary French cellist Maurice Gendron, widely considered to be one of the great cellists of the 20th century, performs Bach's 6 Cello Suites. & lt;br & gt; & lt;br & gt; The six Cello Suites, BWV 1007-1012, for unaccompanied cello by Johann Sebastian Bach are some of the most frequently performed and recognizable solo compositions ever written for cello. Considered to be among the most profound of all classical music works, the English music critic, musicologist and composer Wilfrid Mellers described them in 1980 as & quot;Monophonic music wherein a man has created a dance of God. & quot; Due to the works' technical demands, étude-like nature, and difficulty in interpretation because of the non-annotated nature of the surviving copies, the cello suites were little known and rarely publicly performed until they were revived and recorded by Pablo Casals in the early 20th century. They have since been performed and recorded by many renowned cellists and have been transcribed for numerous other instruments; they are considered some of Bach's greatest musical achievements. & lt;br & gt; & lt;br & gt; 180g Audiophile Vinyl pressed by Pallas GmbH in Germany. Analogue mastering from the original master tapes of Universal Music. Vinyl cutting and analogue mastering at Emil Berliner Studios. Original liner notes by Derek Jole (English/French/German/Korean). & lt;br & gt; & lt;br & gt; & lt;b & gt; & quot;Maurice Gendron is the glory of my career as a teacher! & quot; & lt;/b & gt; - Jean Mangot & lt;br & gt; & lt;br & gt; & lt;b & gt; & quot;Maurice Gendron stands at the height of his fame as one of the world's greatest cellists. & quot; & lt;/b & gt;- Derek Jole & lt;br & gt; & lt;br & gt; & lt;b & gt;Features: & lt;/b & gt; & lt;br & gt; • Audiophile 180g Vinyl & lt;br & gt; • 3LP Box Set & lt;br & gt; • Pressed at Pallas GmbH in Germany & lt;br & gt; • Vinyl cutting and analogue mastering at Emil Berliner Studios & lt;br & gt; • Mastered from the Original Masters of Universal Music & lt;br & gt; • Analogphonic release & lt;br & gt; • Original liner notes by Derek Jole (English/French/German/Korean) & lt;br & gt; & lt;br & gt; & lt;b & gt;Musicians: & lt;/b & gt; & lt;br & gt; Maurice Gendron, cello & lt;br & gt; & lt;br & gt; & lt;b & gt;Selections: & lt;br & gt; J.S. Bach (1685-1750) & lt;br & gt; Side A: & lt;br & gt; Suite No. 1 In G Major, BWV 1007 & lt;/b & gt; & lt;br & gt; 1. Prelude & lt;br & gt; 2. Allemande & lt;br & gt; 3. Courante & lt;br & gt; 4. Sarabande & lt;br & gt; 5. Menuet I-II & lt;br & gt; 6. Gigue & lt;br & gt; & lt;b & gt;Side B: & lt;br & gt; Suite No. 2 In D Minor, BWV 1008 & lt;/b & gt; & lt;br & gt; 1. Prelude & lt;br & gt; 2. Allemande & lt;br & gt; 3. Courante & lt;br & gt; 4. Sarabande & lt;br & gt; 5. Menuet I-II & lt;br & gt; 6. Gigue & lt;br & gt; & lt;b & gt;Side C: & lt;br & gt; Suite No. 3 In C Major BWV 1009 & lt;/b & gt; & lt;br & gt; 1. Prelude & lt;br & gt; 2. Allemande & lt;br & gt; 3. Courante & lt;br & gt; 4. Sarabande & lt;br & gt; 5. Bourrees I-II & lt;br & gt; 6. Gigue & lt;br & gt; & lt;b & gt;Side D: & lt;br & gt; Suite No. 4 In E Flat Major, BWV 1010 & lt;/b & gt; & lt;br & gt; 1. Prelude & lt;br & gt; 2. Allemande & lt;br & gt; 3. Courante & lt;br & gt; 4. Sarabande & lt;br & gt; 5. Bourree I-II & lt;br & gt; 6. Gigue & lt;br & gt; & lt;b & gt;Side E: & lt;br & gt; Suite No. 5 In C Minor BWV 1011 & lt;/b & gt; & lt;br & gt; 1. Prelude & lt;br & gt; 2. Allemande & lt;br & gt; 3. Courante & lt;br & gt; 4. Sarabande & lt;br & gt; 5. Gavottes I-II & lt;br & gt; 6. Gigue & lt;br & gt; & lt;b & gt;Side F: & lt;br & gt; Suite No. 6 In D Major BWV 1012 & lt;/b & gt; & lt;br & gt; 1. Prelude & lt;br & gt; 2. Allemande & lt;br & gt; 3. Courante & lt;br & gt; 4. Sarabande & lt;br & gt; 5. Gavottes I-II & lt;br & gt; 6. Gigue

Schubert Songs Without Words 180g Direct Metal Master Import 2LP (Vinyl)

& lt;font color= & quot;#FF0000 & quot; & gt; & lt;b & gt;180g Audiophile Virgin Vinyl Direct Metal Master Double LP! & lt;br & gt; Mastered From Original Masters! & lt;br & gt; Audiophile Analogue Mastering by Hans-Jorg Mauksch! & lt;br & gt; Pressed at Pallas in Germany! First Time On Vinyl! & lt;/b & gt; & lt;/font & gt; & lt;br & gt; & lt;br & gt; Cellist Mischa Maisky and pianist Daria Hovora perform compositional works by Franz Schubert. & lt;br & gt; & lt;br & gt; & lt;b & gt; & quot;Here cellist Mischa Maisky and pianist Daria Hovora turn in a beautiful version of Schubert’s songful Arpeggione Sonata, as well as instrumental takes on some of the composer’s most beloved lieder. Music doesn’t get any more intimate or heartbreaking than & quot;Ständchen & quot; or & quot;Der Müller Und Der Bach & quot;, and it’s hard to imagine any voice more emotionally eloquent than Mischa Maisky’s plangent tone. & quot; & lt;/b & gt; - Billboard & lt;br & gt; & lt;br & gt; & lt;b & gt; & quot;...Maisky's Arpeggione is warm, effortless and, for the most part, judiciously phrased. Daria Hovora remains discreetly in the background (as a musical personality, that is, not as a physical presence) and although I found some of the Allegretto's rubato just a mite contrived, the performance is a good one... & lt;br & gt; & lt;br & gt; & quot;...Maisky makes a lovely sound, especially in, say, An die Musik, where the cello's upper registers project with great warmth of tone... & quot; & lt;/b & gt; - Gramophone & lt;br & gt; & lt;br & gt; & lt;b & gt;Features: & lt;/b & gt; & lt;br & gt; • 180g Audiophile Virgin Vinyl & lt;br & gt; • Direct Metal Master Double LP & lt;br & gt; • Mastered from original Universal Music analogue master tapes & lt;br & gt; • Audiophile analogue mastering by Hans-Jorg Mauksch & lt;br & gt; • Cutting to copperplate at Pauler Acoustics & lt;br & gt; • Pressed at Pallas GmbH in Germany & lt;br & gt; • The first time ever on vinyl & lt;br & gt; & lt;br & gt; & lt;b & gt;Musicians: & lt;/b & gt; & lt;br & gt; Mischa Maisky, cello & lt;br & gt; Daria Hovora, piano & lt;br & gt; & lt;br & gt; & lt;b & gt;Selections: & lt;br & gt; Franz Schubert (1797-1898) & lt;br & gt; Side 1: & lt;br & gt; Songs Without Words & lt;/b & gt; & lt;br & gt; 1. Der Neugerige & lt;br & gt; 2. Lied der Mignon (Nur wer die Sehnsucht kennt) & lt;br & gt; 3. Tauschung & lt;br & gt; 4. Der Leiermann & lt;br & gt; 5. Nacht und Traume & lt;br & gt; 6. Am Meer & lt;br & gt; & lt;b & gt;Side 2: & lt;/b & gt; & lt;br & gt; 7. An die Musik & lt;br & gt; 8. Die Forelle & lt;br & gt; 9. Standchen (Leise flehen meine Lieder) & lt;br & gt; 10. Der Einsame & lt;br & gt; 11. Der Muller und der Bach & lt;br & gt; 12. Heidenroslein & lt;br & gt; & lt;b & gt;Side 3: & lt;/b & gt; & lt;br & gt; 13. Litanei auf das Fest Allerseelen & lt;br & gt; 14. Du bist die Ruh & lt;br & gt; & lt;b & gt;Sonate fur Arpeggione und Klavier a-moll, D.821 & lt;/b & gt; & lt;br & gt; 15. Allegro Moderato & lt;br & gt; & lt;b & gt;Side 4: & lt;/b & gt; & lt;br & gt; 16. Adagio & lt;br & gt; 17. Allegretto

Kyung-Wha Chung Bach Partita & Sonata 180g Import LP (Vinyl)

& lt;font color= & quot;#FF0000 & quot; & gt; & lt;b & gt;Audiophile 180g Virgin Vinyl LP! & lt;br & gt; Mastered from the Original Masters of Universal Music! & lt;br & gt; Analogue Mastering by Rainer Maillard at Emil Berliner Studios! & lt;br & gt; Pressed at Pallas! & lt;/b & gt; & lt;/font & gt; & lt;br & gt; & lt;br & gt; Violinist Kyung-Wha Chung performs J.S. Bach's Sonata No. 3 and Partita No. 2 for this audiophile recording. & lt;br & gt; & lt;br & gt; & lt;b & gt; & quot;Miss Chung brings to the Bach the qualities of impeccable technique of bow and finger, and of a rich tone available in a wide range of dynamic. These are formidable qualities indeed, and the formidable music responds well to them. In Miss Chung’s elevated context... there are choices to be made in every bar about which notes to sustain and which to let go, as well as which parts to keep in tempo and which to make subsidiary. Many facets of her playing here will without doubt win the whole-hearted admiration of those colleagues as well as of the rest of us; and the disc is very well recorded indeed. & quot; & lt;/b & gt; - Gramophone & lt;br & gt; & lt;br & gt; & lt;b & gt;Features: & lt;/b & gt; & lt;br & gt; • Audiophile 180g Virgin Vinyl & lt;br & gt; • Pressed at Pallas GmbH in Germany & lt;br & gt; • Audiophile analogue mastering by Rainer Maillard & lt;br & gt; • Cutting to lacquers at Emil Berliner Studios in Berlin & lt;br & gt; • Mastered from the Original Masters of Universal Music & lt;br & gt; • Analogphonic release & lt;br & gt; & lt;br & gt; & lt;b & gt;Musicians: & lt;/b & gt; & lt;br & gt; Kyung-Wha Chung, violin & lt;br & gt; & lt;br & gt; & lt;b & gt;Selections: & lt;br & gt; Johann Sebastian Bach (1685-1750) & lt;br & gt; Side One: & lt;br & gt; Partita No. 2 in D minor for Solo Violin & lt;/b & gt; & lt;br & gt; 1. Allemanda & lt;br & gt; 2. Corrente & lt;br & gt; 3. Sarabanda & lt;br & gt; 4. Giga & lt;br & gt; 5. Ciaccona & lt;br & gt; & lt;b & gt;Side Two: & lt;br & gt; Sonata No. 3 in C Major for Solo Violin & lt;/b & gt; & lt;br & gt; 1. Adagio & lt;br & gt; 2. Fuga & lt;br & gt; 3. Largo & lt;br & gt; 4. Allegro Assai

Erica Morini Tartini Devil's Trill Sonata 180g Import LP (Vinyl)

& lt;font color= & quot;#FF0000 & quot; & gt; & lt;b & gt;Audiophile 180g Virgin Vinyl LP! & lt;br & gt; Mastered from the Original Masters of Universal Music! & lt;br & gt; Analogue Mastering by Rainer Maillard at Emil Berliner Studios! & lt;br & gt; Pressed at Pallas! & lt;/b & gt; & lt;/font & gt; & lt;br & gt; & lt;br & gt; Violinist Erica Morini is accompanied by pianist Leon Pommers for this album of music by Giuseppe Tartini. & lt;br & gt; & lt;br & gt; & lt;b & gt; & quot;Morini’s right arm was a model of smoothness, yet it was incisive when energy was required; her left hand was a miracle of pure intonation, using a narrow vibrato that never obscured the core of the note, producing a tone of bell-like clarity. Watching Morini play, one felt that she was completely oblivious to the outside world; she seemed mesmerized by her own sounds. & quot; & lt;/b & gt; - Boris Schwarz & lt;br & gt; & lt;br & gt; & lt;b & gt; & quot;Erica Morini is most successful on bringing all of Tartini’s technical and interpretative aims to fruition. Her performances are pure, strong, and affectingly simple and she is ably seconded by Pommers. The reproduction is clean without exaggeration in range. & quot; & lt;/b & gt; - High Fidelity & lt;br & gt; & lt;br & gt; & lt;b & gt;Features: & lt;/b & gt; & lt;br & gt; • Audiophile 180g Virgin Vinyl & lt;br & gt; • Pressed at Pallas GmbH in Germany & lt;br & gt; • Audiophile analogue mastering by Rainer Maillard at Emil Berliner Studios & lt;br & gt; • Mastered from the Original Masters of Universal Music & lt;br & gt; • Analogphonic release & lt;br & gt; & lt;br & gt; & lt;b & gt;Musicians: & lt;/b & gt; & lt;br & gt; Erica Morini, violin & lt;br & gt; Leon Pommers, piano & lt;br & gt; & lt;br & gt; & lt;b & gt;Selections: & lt;br & gt; Giusepe Tartini (1692-1770) & lt;br & gt; Side A: & lt;br & gt; 1. Sonata In G Minor (Devil's Trill) & lt;/b & gt; & lt;br & gt; Larghetto Affetuoso - Allegro, Grave - Allegro Assai & lt;br & gt; & lt;b & gt;2. Variations On A Theme Of Corelli & lt;br & gt; Side B: & lt;br & gt; 1. Sonata In G Minor (Didone Abbandonata) & lt;/b & gt; & lt;br & gt; Adagio - Non Troppo Presto - Largo - Allegro Commodo

Claudio Abbado Beethoven Symphony No. 9 180g Import 2LP (Vinyl)

& lt;font color= & quot;#FF0000 & quot; & gt; & lt;b & gt;Audiophile 180g Virgin Vinyl Double LP! & lt;br & gt; Mastered from the Original Masters of Universal Music! & lt;br & gt; Analogue Mastering by Rainer Maillard at Emil Berliner Studios! & lt;br & gt; Pressed at Pallas! & lt;br & gt; First Time On Vinyl! & lt;/b & gt; & lt;/font & gt; & lt;br & gt; & lt;br & gt; Claudio Abbado conducts the Berlin Philharmonic Orchestra for this recording of Beethoven's Ninth. & lt;br & gt; & lt;br & gt; & lt;b & gt; & quot;Abbado’s new (Beethoven Symphony) cycle is certainly different, quicker, lighter-toned, more ‘Italianate’ - the Ninth Symphony radically so ... By concentrating on pace, logic and transparent texturing Abbado effectively draws Beethoven into that distinguished circle of musical obsessives whose music he has always conducted as to the manner born. At best, the new technology produces sound of astonishing transparency, I have never heard the finale of the Ninth Symphony so astutely and lucidly performed and recorded, the inner part-writing, vocal and choral, crystal-clear ... it is the studio-made Fourth and the ‘live’ Ninth which currently stand clear in my memory. & quot; & lt;/b & gt; - Gramophone & lt;br & gt; & lt;br & gt; & lt;b & gt;Features: & lt;/b & gt; & lt;br & gt; • Audiophile 180g Virgin Vinyl & lt;br & gt; • Double LP & lt;br & gt; • Pressed at Pallas GmbH in Germany & lt;br & gt; • Audiophile analogue mastering by Rainer Maillard & lt;br & gt; • Cutting to lacquers at Emil Berliner Studios in Berlin & lt;br & gt; • Mastered from the Original Masters of Universal Music & lt;br & gt; • Analogphonic release & lt;br & gt; • First time ever on vinyl & lt;br & gt; • Gatefold jacket & lt;br & gt; & lt;br & gt; & lt;b & gt;Musicians: & lt;/b & gt; & lt;br & gt; Berlin Philharmonic Orchestra & lt;br & gt; Claudio Abbado, conductor & lt;br & gt; Karita Mattila, soprano & lt;br & gt; Violeta Urmana, mezzosoprano & lt;br & gt; Thomas Moser, tenor & lt;br & gt; Tomas Quasthoff, bass & lt;br & gt; Swedish Radio Choir & lt;br & gt; Eric Ericson Chamber Choir & lt;br & gt; Tonu Kaljuste, chorus master & lt;br & gt; & lt;br & gt; & lt;b & gt;Selections: & lt;br & gt; Ludwig van Beethoven (1770-1827) & lt;br & gt; Symphony No. 9 in d minor, Op. 125 & lt;br & gt; Side A: & lt;/b & gt; & lt;br & gt; 1. Allegro ma non troppo e un poco maestoso & lt;br & gt; & lt;b & gt;Side B: & lt;/b & gt; & lt;br & gt; 2. Molto vivace - Presto & lt;br & gt; & lt;b & gt;Side C: & lt;/b & gt; & lt;br & gt; 3. Adagio molto e cantabile - Andante moderato & lt;br & gt; & lt;b & gt;Side D: & lt;/b & gt; & lt;br & gt; 4. Presto - Allegro assai & lt;br & gt; & lt;br & gt; Recorded April 2000

Bach 6 Suites for Unaccompanied Cello 180g Import 4LP Box Set (Vinyl)

& lt;font color= & quot;#FF0000 & quot; & gt; & lt;b & gt;Audiophile 180g Vinyl 4LP Box Set! & lt;br & gt; Pressed at Pallas! & lt;/b & gt; & lt;/font & gt; & lt;br & gt; & lt;br & gt; Cellist Daniil Shafran performs 6 Suites for unaccompanied cello by J.S. Bach recorded 1969-1974. & lt;br & gt; & lt;br & gt; Daniil Shafran (1923-1997) was one of the world's best known concert cellists for many years. Many musicians consider him one of the most interesting phenomena of not only cello performing art but also the entire music culture of the 20th century. As many researchers note, Shafran's performance combined intellect and poetic inspiration, an impeccable taste and technique, in-depth interpretation of the author's idea and originality in revealing the contents of works. & lt;br & gt; & lt;br & gt; & lt;b & gt; & quot;Shafran's interpretation of Bach's cello suites is marked by his original approach to the music of the great composer, his bold and novel rendition. The musician is a stranger to retrospection, false adherence to tradition and museum-like restoration of Bach's music as well as to its unwarranted modernization. Skillfully making use of the rich expressive potentialities of the cello, of subtle shades of bow “touche” and vibrato technique and dynamizing the dance element of the pieces, he utilized diverse strokes and accentuation, ranging from well nigh indistinguishable emphasis to sharp and forceful bowing. Shafran seems to translate the logical language of Bach’s music into the language of our time. In the cellist's rendition we hear not the Bach of the clavichord and thorough-bass period but Bach as read by a contemporary musician. And listening to Shafran's playing we perceive these works as music full of life and fervency. & quot; & lt;/b & gt; - I. Yampolsky & lt;br & gt; & lt;br & gt; & lt;b & gt; & quot;Daniil Shafran is one of the highest level cellists by his performing manner, by his musical inclinations, and by the wealth and diversity of musical shades & quot; & lt;/b & gt; - Carlo Zecchi & lt;br & gt; & lt;br & gt; & lt;b & gt;Features: & lt;/b & gt; & lt;br & gt; & amp;bull; Audiophile 180g Virgin Vinyl & lt;br & gt; & amp;bull; 4LP Box Set & lt;br & gt; & amp;bull; Analogue mastering from original masters of Firma Melodiya & lt;br & gt; & amp;bull; Audiophile mastering by Maxim Pilipov & lt;br & gt; & amp;bull; Pressed at Pallas Group GmbH in Germany & lt;br & gt; & amp;bull; Box with lift-off lid and obi strip & lt;br & gt; & lt;br & gt; & lt;b & gt;Musicians: & lt;/b & gt; & lt;br & gt; Daniil Shafran, cello & lt;br & gt; & lt;br & gt; & lt;b & gt;Selections: & lt;br & gt; Johann Sebastian Bach (1685-1750) & lt;br & gt; Six Suites For Unaccompanied Cello, BWV 1007-1012 & lt;br & gt; Side 1: & lt;br & gt; Cello Suite No. 1 G Major, BWV 1007 & lt;/b & gt; & lt;br & gt; 1. I. Prelude & lt;br & gt; 2. II. Allemande & lt;br & gt; 3. III. Courante & lt;br & gt; 4. IV. Sarabande & lt;br & gt; 5. V. Menuett 1, 2 & lt;br & gt; 6. VI. Gigue & lt;br & gt; & lt;b & gt;Side 2: & lt;br & gt; Cello Suite No. 2 D Minor, BWV 1008 & lt;/b & gt; & lt;br & gt; 1. I. Prelude & lt;br & gt; 2. II. Allemande & lt;br & gt; 3. III. Courante & lt;br & gt; 4. IV. Sarabande & lt;br & gt; & lt;b & gt;Side 3: & lt;/b & gt; & lt;br & gt; 1. V. Menuett 1, 2 & lt;br & gt; 2. VI. Gigue & lt;br & gt; & lt;b & gt;Cello Suite No. 3 C Major, BWV 1009 & lt;/b & gt; & lt;br & gt; 3. I. Prelude & lt;br & gt; 4. II. Allemande & lt;br & gt; 5. III. Courante & lt;br & gt; & lt;b & gt;Side 4: & lt;/b & gt; & lt;br & gt; 1. IV. Sarabande & lt;br & gt; 2. V. Bourree 1, 2 & lt;br & gt; 3. VI. Gigue & lt;br & gt; & lt;b & gt;Cello Suite No. 4 E-Flat Major, BWV 1010 & lt;/b & gt; & lt;br & gt; 4. I. Prelude & lt;br & gt; 5. II. Allemande & lt;br & gt; & lt;b & gt;Side 5: & lt;/b & gt; & lt;br & gt; 1. III. Courante & lt;br & gt; 2. IV. Sarabande & lt;br & gt; 3. V. Bourree 1, 2 & lt;br & gt; 4. VI. Gigue & lt;br & gt; & lt;b & gt;Side 6: & lt;br & gt; Cello Suite No. 5 C Minor, BWV 1011 & lt;/b & gt; & lt;br & gt; 1. I. Prelude & lt;br & gt; 2. II. Allemande & lt;br & gt; 3. III. Courante & lt;br & gt; 4. IV. Sarabande & lt;br & gt; & lt;b & gt;Side 7: & lt;/b & gt; & lt;br & gt; 1. V. Gavotte 1, 2 & lt;br & gt; 2. VI. Gigue & lt;br & gt; & lt;b & gt;Cello Suite No. 6 D Major, BWV 1012 & lt;/b & gt; & lt;br & gt; 3. I. Prelude & lt;br & gt; 4. II. Allemande & lt;br & gt; & lt;b & gt;Side 8: & lt;/b & gt; & lt;br & gt; 1. III. Courante & lt;br & gt; 2. IV. Sarabande & lt;br & gt; 3. V. Gavotte 1, 2 & lt;br & gt; 4. VI. Gigue & lt;br & gt; & lt;br & gt; Recorded in 1970 (Suite No. 1) 1973 (Suite No. 2, 5) 1969 (Suite No. 3) 1974 (Suite No. 4, 6)

Kyung Wha Chung Saint-Saens, Chausson, Ravel 180g Import LP (Vinyl)

& lt;font color= & quot;#FF0000 & quot; & gt; & lt;b & gt;Audiophile 180g Virgin Vinyl LP! & lt;br & gt; Mastered from the Original Masters of Universal Music! & lt;br & gt; Pressed at Pallas! & lt;/b & gt; & lt;/font & gt; & lt;br & gt; & lt;br & gt; Violinist Kyung-Wha Chung is joined by the Royal Philharmonic Orchestra conducted by Charles Dutoit for this recording of compositional works by Saint-Saens, Chausson and Ravel. & lt;br & gt; & lt;br & gt; & lt;b & gt; & quot;These four pieces fit very well together; the more especially because the two Saint-Saëns contributions, very similar in style, are on separate sides. For this particular programme is it difficult to think of a more suitable soloist than Kyung-Wha Chung, whose finger-tips throw off the fireworks (or the approach shots to fireworks) with ease, and who affords the more melting passages (in better supply) a sweetness which suits them ideally. & quot; & lt;/b & gt; - Gramophone & lt;br & gt; & lt;br & gt; & lt;b & gt;Features: & lt;/b & gt; & lt;br & gt; & amp;bull; Audiophile 180g Virgin Vinyl & lt;br & gt; & amp;bull; Audiophile mastering by Rainer Maillard at & lt;br & gt; Emil Berliner Studios in Berlin & lt;br & gt; & amp;bull; Analogue mastering from the original masters of Universal Music & lt;br & gt; & amp;bull; Pressed at Pallas GmbH in Germany & lt;br & gt; & amp;bull; Obi strip & lt;br & gt; & lt;br & gt; & lt;b & gt;Musicians: & lt;/b & gt; & lt;br & gt; Khung-Wha Chung, violin & lt;br & gt; Royal Philharmonic Orchestra & lt;br & gt; Charles Dutoit, conductor & lt;br & gt; & lt;br & gt; & lt;b & gt;Selections: & lt;br & gt; Side One: & lt;br & gt; Ernest Chausson (1855-1899) & lt;/b & gt; & lt;br & gt; 1. Poeme For Violin And Orchestra, Op. 25 & lt;br & gt; & lt;b & gt;Camille Saint-Saens (1835-1921) & lt;/b & gt; & lt;br & gt; 2. Introduction And Rondo Capriccioso For Violin And Orchestra, Op. 28 & lt;br & gt; & lt;b & gt;Side Two: & lt;br & gt; Saint-Saens & lt;/b & gt; & lt;br & gt; 1. Havanaise For Violin And Orchestra, Op. 83 & lt;br & gt; & lt;b & gt;Maurice Ravel (1875-1937) & lt;/b & gt; & lt;br & gt; 2. Tzigane For Violin And Orchestra & lt;br & gt; & lt;br & gt; Recorded in the Kingsway Hall April 1977

Mischa Elman Bruch & Wieniawski Concertos 180g Import LP (Vinyl)

& lt;font color= & quot;#FF0000 & quot; & gt; & lt;b & gt;Audiophile 180g Virgin Vinyl LP! & lt;br & gt; Mastered from the Original Masters of Universal Music! & lt;br & gt; Pressed at Pallas! & lt;/b & gt; & lt;/font & gt; & lt;br & gt; & lt;br & gt; Violinist Mischa Elman is joined by the London Philharmonic Orchestra conducted by Sir Adrian Boult for this recording of concertos by Bruch and Wieniawski. & lt;br & gt; & lt;br & gt; & lt;b & gt; & quot;Elman treats the opening and closing movements of the Bruch expansively... this phrasing becomes more careful, more appropriate, and more interesting in the slow movement where the violinist seems more at home. Elman begins with reasonable liveliness, but slows down to project the lyrical second subject. Nevertheless, there is more flow and less choppiness here... The Romanze is particularly congenial to the violinist's talent; here he has a chance to sing with freedom of style and beauty of tone, and he takes full advantage of the opportunity. & quot; & lt;/b & gt; - High Fidelity & lt;br & gt; & lt;br & gt; & lt;b & gt;Features: & lt;/b & gt; & lt;br & gt; & amp;bull; Audiophile 180g Virgin Vinyl & lt;br & gt; & amp;bull; Audiophile mastering by Rainer Maillard at Emil Berliner Studios in Berlin & lt;br & gt; & amp;bull; Analogue mastering from the original masters of Universal Music & lt;br & gt; & amp;bull; Pressed at Pallas GmbH in Germany & lt;br & gt; & amp;bull; Obi strip & lt;br & gt; & lt;br & gt; & lt;b & gt;Musicians: & lt;/b & gt; & lt;br & gt; Mischa Elman, violin & lt;br & gt; London Philharmonic Orchestra & lt;br & gt; Sir Adrian Boult, conductor & lt;br & gt; & lt;br & gt; & lt;b & gt;Selections: & lt;br & gt; Side One: & lt;br & gt; Max Bruch (1838-1920) & lt;br & gt; Concerto No. 1 In G Minor For Violin And Orchestra, Opus 26 & lt;/b & gt; & lt;br & gt; 1. First Movement: Varspiel - Allegro Moderato & lt;br & gt; 2. Second Movement: Adagio & lt;br & gt; 3. Third Movement: Finale (Allegro Energico) & lt;br & gt; & lt;b & gt;Side B: & lt;br & gt; Henryk Wieniawski (1835-1880) & lt;br & gt; Concerto No. 2 In D Minor For Violin And Orchestra, Opus 22 & lt;/b & gt; & lt;br & gt; 1. First Movement: Allegro Moderato & lt;br & gt; 2. Second Movement: Romance (Andante Non Troppo) & lt;br & gt; 3. Third Movement: Allegro Con Fuoco - Allegro Moderato & lt;br & gt; & lt;br & gt; Recorded March 21-22, 1956 at Kingsway Hall