Carl Martin Paraloop Guitar Effects Pedal
Many guitarists find that, while an effects pedal can be helpful with creating and using innovative sounds, sometimes the natural sound of the instrument is compromised. Thanks to the Carl Martin Paraloop effects pedal, that digital sound can be controlled. The Paraloop is a single loop box with a mix control, designed for most amplifiers' serial loops. When used in conjunction with digital multi effects processors, the Carl Martin pedal brings out the guitar's natural analog tone. By simply running an effects pedal all wet (with effects engaged), then blending it with the Paraloop pedal's wet/dry control, the result is a more natural and blended tone, giving guitarists a balanced sound with added control over the effects. The Carl Martin Paraloop single loop effect pedal allows you to mix your dry analog tone with the digitally processed sounds of a multi effects processor, so that the guitar sounds more natural and less digitized.
Carl Martin Match Box Line Selector
You're at a gig and you've brought both an acoustic guitar and an electric guitar, but don't want to keep plugging and unplugging your instruments. Carl Martin's Match Box line selector has got you covered. Two instruments go through this one amp selector for seamless instrument transition. With it's select switch, you can simply route either of the instruments through the amp's gain circuitry, so not only can you shift between the two instruments. The line selectors can also adjust the gain in the Carl Martin Match Box, so you don't have to adjust gain on your amp every time you change instruments.
Carl Martin Rock Bug Headphone Guitar Amp and Speaker Simulator
The Carl Martin Rock Bug is an amp speaker simulator and headphone rehearsal unit that operates on a single 9v battery. Just plug your guitar (with or without pedals) into the headphone amp's unbalanced 1/4" input, plug your favorite headphones into the unbalanced 1/4" output and off you go. Adjust your guitar's volume with the headphone amp's Guitar knob, select an open cabinet or closed cabinet simulation with the mini-toggle switch, and wail away through the privacy of your headphones. If you like, use the Carl Martin Rock Bug's AUX stereo inputs with an MP3, CD or DAT player, and either play along or add a personal touch to your prerecorded backing tracks. Thanks to the balanced XLR output, you can connect your Carl Martin Rock Bug headphone amp to a mixing console for recording, solo gigs accompanying prerecorded music, or as a DI for live performance if you're packing light or your amp goes down.
Carl Martin Heavy Drive
Dimensions (Overall): 5.2 inches (L), 2.6 inches (H) x 4.3 inches (W) x 5.2 inches (D)Weight: .85 poundsEffect Type: Distortion, Fuzz, and OverdriveWarranty: No Applicable Warranty. To obtain a copy of the manufacturer's or supplier's warranty for this item prior to purchasing the item, & bull; Loads of maximum gain & bull; Responds to delicate playing techniques & bull; Attack and edge controls give access to radical changes in tonality without limiting the sonic quality & bull; High-quality switch & bull; True bypassThe Heavy Drive offers the player the most gain and is voiced with emphasis on the lows. This makes it the perfect choice for getting that "heavy rock" sound. It also responds well to the guitarist's most delicate playing techniques without altering the basic tone of the guitar. Attack and edge controls give access to radical changes in tonality without limiting the sonic quality. High-quality switch. True bypass. 9V battery powered. AC adapter plug.
Carl Martin Boost Kick
Dimensions (Overall): 5.9 inches (L), 3.1 inches (H) x 5.0 inches (W) x 5.9 inches (D)Weight: .7 poundsEffect Type: Distortion, Fuzz, and OverdriveWarranty: No Applicable Warranty. To obtain a copy of the manufacturer's or supplier's warranty for this item prior to purchasing the item, & bull; Gives extra boost needed for a good solo & bull; Level control determines the amount of boost & bull; Punch, attack, and edge controls function as an EQ section, allowing the creation of a full and varied range of solo sounds without limiting overall sonic quality & bull; A remote jack allows connection of the unit to a remote footswitch if required & bull; High-quality switchDesigned to give that extra boost needed for a good solo. The level control determines the amount of boost (up to 20dB). Punch, attack, and edge controls function as an EQ section. They allow the creation of a full and varied range of solo sounds that can cut through the mix. High-quality switch. True bypass. External AC adapter plug. A remote jack allows connection of the unit to a remote footswitch if required.
Carl Martin Compressor/Limiter Pedal
Dimensions (Overall): 7.2 inches (L), 2.8 inches (H) x 4.4 inches (W) x 7.2 inches (D)Weight: 1.45 poundsEffect Type: CompressorWarranty: No Applicable Warranty. To obtain a copy of the manufacturer's or supplier's warranty for this item prior to purchasing the item, The Carl Martin Compressor/Limiter Pedal was specially developed to incorporate the same features and sonic clarity found in high-quality professional studio compressors. To achieve this Carl Martin incorporates a variable threshold, compression ratio, and attack/release controls and of course, a gain level. General Guidelines on the use of the Compressor/Limiter: Threshold: Working anti clockwise, determines how much of the signal will be compressed. This is also dependent on how much signal is fed from the instrument. Comp: Working clockwise, determines how much compression is applied to the signal allowed by the threshold setting. Resp: Working clockwise, determines the attack/release times, going from slow to fast. In general, if want to hear the compressor working with a crisp attack should use slow times. If require silent limiting, should use fast times. Gain: Working clockwise, sets the overall gain. Busy: Indicates the amount of compression being applied, even in bypass mode. The brighter it gets, the more compression is being applied. The Carl Martin Compressor/Limiter Pedal is ruggedly built by hand in Denmark.
Carl Martin Plexitone Overdrive Pedal
Dimensions (Overall): 10.3 inches (L), 2.7 inches (H) x 5.6 inches (W) x 10.3 inches (D)Weight: 2.25 poundsEffect Type: Distortion, Fuzz, and OverdriveWarranty: No Applicable Warranty. To obtain a copy of the manufacturer's or supplier's warranty for this item prior to purchasing the item, & bull; 3-channel overdrive pedal & bull; Clean 20dB boost & bull; Crunch channel & bull; High-gain channel & bull; Tone and level knobsWith the Carl Martin Plexitone Overdrive Effects Pedal, get a crunch channel, a high gain channel, and a 20dB clean boost channel for every tone want: subtle overdrive, hard-rock crunch, high-gain shred, or bass-heavy grunge. An integrated regulated power supply gives all the headroom 'll need.
Carl Martin Panama Overdrive Effects Pedal
Dimensions (Overall): 5.5 inches (L), 2.55 inches (H) x 3.25 inches (W) x 5.5 inches (D)Weight: .8 poundsEffect Type: Distortion, Fuzz, and OverdriveWarranty: No Applicable Warranty. To obtain a copy of the manufacturer's or supplier's warranty for this item prior to purchasing the item, & bull; Power requirement: 9v 200mA external power supply & bull; Controls: Damping, gain level, tone & bull; Top-mounted IOPicture self on stage, in the middle of a set, going for that classic vintage '80s overdriven guitar sound. Every time crank up the OD, tone gets a bit spongy and woofy. But the Panama Overdrive pedal from Carl Martin comes with a Damping control. switch over to the Panama, crank the Gain, increase the damping and distortion becomes even more aggressive, more cutting and clear. Decrease the damping, and distortion becomes deeper, thicker with more bass dynamics. In other words, have an amazing overdrive pedal that can customize on the fly. And it’s analog!The Carl Martin Panama Overdrive, cool anodized case and that awesome Carl Martin DC/DC converter circuitry which allows the pedal to run with +-12V internally (this means better parts and better sound) while still being powered by a regular 9v 200mA external power supply. Check it out self — Gain Level and Tone controls along with the new Damping control, head mounted input/outputs and the new small footprint. Bigger sound, bigger tone, all analog, all Carl Martin!
Carl Martin Paraloop Guitar Effects Pedal
Dimensions (Overall): 7.0 inches (L), 2.7 inches (H) x 4.4 inches (W) x 7.0 inches (D)Weight: 1.0 poundsEffect Type: Multiple EffectsWarranty: No Applicable Warranty. To obtain a copy of the manufacturer's or supplier's warranty for this item prior to purchasing the item, & bull; Inputoutput & bull; Sendreturn & bull; DryMixWet control & bull; Bypass footswitch & bull; LED indicatorMany guitarists find that, while an effects pedal can be helpful with creating and using innovative sounds, sometimes the natural sound of the instrument is compromised. Thanks to the Carl Martin Paraloop effects pedal, that digital sound can be controlled. The Paraloop is a single loop box with a mix control, designed for most amplifiers' serial loops. When used in conjunction with digital multi effects processors, the Carl Martin pedal brings out the guitar's natural analog tone. By simply running an effects pedal all wet (with effects engaged), then blending it with the Paraloop pedal's wet/dry control, the result is a more natural and blended tone, giving guitarists a balanced sound with added control over the effects. The Carl Martin Paraloop single loop effect pedal allows to mix dry analog tone with the digitally processed sounds of a multi effects processor, so that the guitar sounds more natural and less digitized.
Carl Martin Match Box Line Selector
Dimensions (Overall): 7.0 inches (L), 2.7 inches (H) x 4.4 inches (W) x 7.0 inches (D)Weight: .7 poundsEffect Type: Multiple EffectsWarranty: No Applicable Warranty. To obtain a copy of the manufacturer's or supplier's warranty for this item prior to purchasing the item, & bull; Input 1 and 2 & bull; Instrument 1 and 2 gain knobs & bull; Instrument select footswitch & bull; Output're at a gig and 've brought both an acoustic guitar and an electric guitar, but don't want to keep plugging and unplugging instruments. Carl Martin's Match Box line selector has got covered. Two instruments go through this one amp selector for seamless instrument transition. With it's select switch, can simply route either of the instruments through the amp's gain circuitry, so not only can shift between the two instruments. The line selectors can also adjust the gain in the Carl Martin Match Box, so don't have to adjust gain on amp every time change instruments.
Carl Martin Blue Ranger Guitar Effects Pedal
Dimensions (Overall): 7.0 inches (L), 2.7 inches (H) x 4.7 inches (W) x 7.0 inches (D)Weight: 1.1 poundsEffect Type: Distortion, Fuzz, and OverdriveWarranty: No Applicable Warranty. To obtain a copy of the manufacturer's or supplier's warranty for this item prior to purchasing the item, & bull; Texas style tones & bull; Level, Drive and Tone controls & bull; Diecast housing with mini-knobs & bull; Retro looks and colorWhile staring at Stevie Ray's statue in Austin, Carl decided to add a Texas style overdrive to the Vintage lineup. Equally suited to single coils or humbuckers and with a True Bypass Switch, the Blue Ranger also incorporates a ˜dual-clip' circuit to keep the sound un-muffled and clear at all levels. The overly simple controls (Level for overall volume, Gain for the amount of overdrive, and Tone for fine tuning sound) quickly take from big open Hendrix-y chords to saturated SRV type leads, and beyond! The Blue Ranger will actually cross the border into Fuzz with the Gain full out. Housed in the cool new diecast housing with mini-knobs and cool retro color, Blue Ranger can be powered by a 9v battery, but it's recommended to use a regulated power supply for optimum response!
Carl Martin EchoTone Delay Guitar Effects Pedal
Dimensions (Overall): 10.0 inches (L), 2.75 inches (H) x 5.5 inches (W) x 10.0 inches (D)Weight: 2.25 poundsEffect Type: Delay and ReverbWarranty: No Applicable Warranty. To obtain a copy of the manufacturer's or supplier's warranty for this item prior to purchasing the item, & bull; Input & bull; Output & bull; Trail switch & bull; Echo dial & bull; Feedback dialThe Carl Martin Echotone delay guitar effects pedal may just be the only delay pedal ever need. Imagine switching from a Manual time setting to a Tap time setting right at feet, so can play with favorite slap-back echo on rhythm to a Tap (tempo), and set echo for that massive lead or solo. Combine this echo flavoring by installing a chorus, flange or even distortion pedal in the insert loop, and the switchable trail function at bypass and get an echo effect pedal of unbelievable sound and dimension. The Carl Martin delay pedal's Echo switch activates or bypasses the Echotone, indicated by the LED on the unit being activated. Please note the Echotone is not true bypass, it features a high-quality buffered bypass, to ensure long cabling without loss. The delay pedal's Select switch lets choose between the manual time setting and the Tap Tempo function. This function allows to shift between two presets easily. The Tap Tempo lets set the delay time simply by tapping the desired tempo on the Tempo switch with foot (tap a minimum of two times or more as the Carl Martin EchoTone guitar pedal will always set the tempo after the last two taps). With the Manual time function chosen on the select switch set the desired delay time on the chicken-head knob. Turning it clockwise creates faster delay time, while turning it counterclockwise produces longer delay. The Carl Martin EchoTone pedal's Echo knob lets mix between dry and wet; the Feedback knob lets choose the amount of echo want; and the Tone knob lets adjust the voicing on the repeats, from dark position in full counterclockwise to light in full clockwise. The tone will only affect the repeats, not the overall sound from the guitar. With the delay pedal's Loop can insert an external effect device, like a chorus, phase, overdrive pedal, or EQ. With this can either color or modulate the echo in a multitude of different ways with really cool results. Once again, the sounds produced in the loop only work on the repeats, not on the overall tone coming from the guitar. Inserting a modulation effect into the loop requires to regulate the echo and feedback to lesser settings, as the feedback can go into oscillation if left in the same setting without modulation. The delay pedal's Trail switch lets guitarists choose whether want trails on or off when in bypass mode. Trails are the echo ringing out when bypass the effect pedal, in off position the effect stops immediately when bypassed. As with all the Danish built Carl Martin effects, the Echotone delay pedal comes in a low-profile housing, coated in a stunning off-white color, with a built-in 12v (+/-) regulated power supply. The Carl Martin Echotone's built-in power supply has an attached power wall plug cord, to run only on main power, not 9V battery or 9V adapter.
Carl Martin Route Box Double A/B Footswitch
Dimensions (Overall): 7.0 inches (L), 2.7 inches (H) x 4.4 inches (W) x 7.0 inches (D)Weight: 1.15 poundsEffect Type: Multiple EffectsWarranty: No Applicable Warranty. To obtain a copy of the manufacturer's or supplier's warranty for this item prior to purchasing the item, & bull; Pedalboard inputoutput & bull; Instrument 1 and 2 input & bull; Amp 1 and 2 output & bull; Instrument select footswitch & bull; Amp select footswitchSo 're out on a gig playing both acoustic and electric guitar, and want to use the same effects pedal board, but don't want to keep plugging and unplugging instruments. The solution simple, thanks to the Carl Martin Route Box footswitch. The double A/B footswitch pedal routes 2 guitars to either of two amps. Simply connect the 2 guitars to the Carl Martin Route Box's instrument inputs, and plug the route box output into pedal board. Connect the pedal board into the Route Box input, and back out to amp. can even plug into an additional amplifier for even more control of each instrument's sound. The Carl Martin Route Box's amp select footswitch keeps the two instruments, two amps, and one pedal board routed and dedicated.
Carl Martin Comp Limiter Compressor Effects Pedal
Dimensions (Overall): 5.5 inches (L), 2.55 inches (H) x 3.25 inches (W) x 5.5 inches (D)Weight: .74 poundsEffect Type: CompressorWarranty: No Applicable Warranty. To obtain a copy of the manufacturer's or supplier's warranty for this item prior to purchasing the item, & bull; Power requirement: 9V & bull; Draw: 200mA & bull; Die-cast case & bull; Top-mounted IOCompression and limiting are very serious business when it comes to guitar players. These effects can take tone from being extremely musical to sounding like are playing through a crushed tin can. Sound familiar? The Carl Martin Comp Limiter has been developed by Carl on the request of several musicians who wanted studio-quality compression in a user-friendly yet versatile, board-friendly pedal that can be tweaked on the fly. In order to save space and knobs, and to make this super dynamic pedal easy to use, Carl pre-set the Threshold and Response controls, leaving only the Compression and Level controls to control how much compression and where it sits in the mix. All the same quality, clarity and performance of a studio-level compressor, but in a small footprint, super easy format! Remember, the Comp Limiter also incorporates the special CM developed DC/DC converter circuitry. This enables the pedal to run with +-12V internally (which is necessary in order to maintain the same sonic quality and headroom), while still using a regular 9V DC 200mA external power supply. Cool two-tone anodized die-cast body which heavy duty switch and head mounted Input/Output/9v. Bigger sound, bigger tone, all analog, all Carl Martin!
Carl Martin PlexiTone Single Channel Guitar Effects Pedal
Dimensions (Overall): 5.1 inches (L), 2.6 inches (H) x 3.3 inches (W) x 5.1 inches (D)Weight: .7 poundsEffect Type: Equalization and BoostWarranty: No Applicable Warranty. To obtain a copy of the manufacturer's or supplier's warranty for this item prior to purchasing the item, & bull; Designed in association with Pete Thorn & bull; Pedalboard friendly & bull; Tighter bottom-end and slightly softer high frequenciesThe new `single channel` Carl Martin PlexiTone was designed in association with Pete Thorn, and is housed in a small pedal-board friendly housing with 3 knobs and 1 switch. Apart from Pete's slight modifications that give this new pedal a tighter bottom-end and slightly softer high frequencies, it is exactly the same gain structure as the High Gain setting on the original Pro-Series PlexiTone. It just plays better with different amps. The single Plexi also incorporates the new DC-DC converter circuitry, so the pedal can be powered by a regulated 9V Power Supply but will still operate on the same +-12V level as the original AC powered PlexiTone. This allows Carl Martin to use the same high quality components which provide the same tone and headroom that make the CM Pro-Series stand out from the rest!
Carl Martin 3-Band Parametric EQ/Pre-amp
Dimensions (Overall): 7.0 inches (L), 3.4 inches (H) x 4.3 inches (W) x 7.0 inches (D)Weight: 1.6 poundsEffect Type: Equalization and BoostWarranty: No Applicable Warranty. To obtain a copy of the manufacturer's or supplier's warranty for this item prior to purchasing the item, & bull; Designed for use with acoustic instruments such as guitar, violin, and harmonica & bull; Real 3-band parametric EQ & bull; Balanced line driver & bull; Integrated regulated power supply & bull; XLR and 14" outputsThe Carl Martin 3-Band Parametric EQ/Pre-amp is designed specifically for use with such acoustic instruments as guitar, violin, and harmonica. These instruments sometimes use combo amps, which require a high-quality EQ (3-band parametric) and balanced line driver. These features have been integrated into a convenient stompbox format with both XLR and 1/4" outputs. The Carl Martin Parametric EQ/Pre-amp also works well for tweaking the sound of electric guitars, basses, and other electronic instruments in the studio. Integrated regulated power supply.
Carl Martin Surf Trem 2018 Tremolo Effects Pedal
Dimensions (Overall): 5.5 inches (L), 2.6 inches (H) x 3.25 inches (W) x 5.5 inches (D)Weight: .73 poundsEffect Type: Tremolo and VibratoWarranty: No Applicable Warranty. To obtain a copy of the manufacturer's or supplier's warranty for this item prior to purchasing the item, & bull; Power requirement: 9V & bull; Die-cast case & bull; Top-mounted IOThe Carl Martin Surf Trem has received a facelift from the boys in the back. The 2018 Surf Trem gets its circuitry from the famous Carl Martin TremO'vibe and takes back to those infamous American amplifier tremolos — but wider, deeper, yet smooth with no noise or coloration. Clean, transparent analog trem — just what would expect from Carl and the boys. The 2018 Carl Martin Surf Trem has head-mounted Input/Output/9v, a very cool small footprint two tone anodized diecast case, the same heavy duty switch and the awesome Carl Martin DC/DC converter circuitry that allows the pedal to run with +-12v internally while still being powered by a regular 9v 200mA external power supply. Bigger sound, bigger tone, all analog, all Carl Martin!
Carl Martin DC Drive 2018 Overdrive Effects Pedal
Dimensions (Overall): 5.5 inches (L), 2.55 inches (H) x 3.25 inches (W) x 5.5 inches (D)Weight: .75 poundsEffect Type: Distortion, Fuzz, and OverdriveWarranty: No Applicable Warranty. To obtain a copy of the manufacturer's or supplier's warranty for this item prior to purchasing the item, & bull; Power requirement: 9V & bull; Draw: 200mA & bull; Die-cast case & bull; Top-mounted IOWhen Carl decided to update the Vintage Series, it did not take long to decide on a drive pedal — the DC Drive. Super simple but extremely versatile, the DC Drive features Level, Tone and Drive controls which do the obvious, but it also has the Reg/Fat switch. This is where the magic begins. In the Reg setting get a traditional overdrive sound that is very quiet and adds no color to tone. Dial in just enough to put an edge on sound or crank it right up to full saturation, the DC Drive is pleasantly musical. Now switch over to the Fat setting and get more — much more. There's more drive, more mids, more bass, more natural compression, more sustain, and who wouldn't want more of that? The Fat setting is darker, and much more modern, so get two distinct drives in one pedal. Only the clean boost was dropped from the original pedal in order to save space. Check out the new look DC Drive — cool, anodized, smaller footprint, die-cast case, head-mounted input/output/9v and that awesome Carl Martin DC/DC converter circuitry which allows the pedal to run with +-12V internally (this means better parts and better sound), all while being powered by a standard 9v 200mA power supply. Bigger sound, bigger tone, all analog, all Carl Martin!
Carl Martin Buff Deluxe Boost Guitar Effects Pedal
Dimensions (Overall): 7.1 inches (L), 2.7 inches (H) x 4.6 inches (W) x 7.1 inches (D)Weight: 1.1 poundsEffect Type: Distortion, Fuzz, and OverdriveWarranty: No Applicable Warranty. To obtain a copy of the manufacturer's or supplier's warranty for this item prior to purchasing the item, & bull; Input 1 and 2 & bull; Output 1 and 2 & bull; Tuner out & bull; Mute footswitch & bull; LED On and Mute indicatorsThe Carl Martin Buff Deluxe boost pedal is designed to run in conjunction with large multiple effects boards with a lot of "true bypass" effects. The problem with "true bypass" is that it often still affects the instrument signal resulting in high note loss due the length of cables running from the guitar or bass to the pedal board and from board to amplifier. The Carl Martin Buff Deluxe works to avoid this loss of signal. The boost effect pedal has two buffers inside since many pedals have a tendency to drop high frequencies from the guitar signal, compromising the integrity of overall tone. The Buff Deluxe boost pedal is easy to use and effective. Simply run the guitar directly into the buffer, then out to the pedals. Run the last pedal in the chain back into the buffer, and then plug the buffer into amplifier. The result is stunning, with the guitar's original tone and feel intact. As an added bonus, the Carl Martin Buff Deluxe boost pedal's tuner out removes the tuner from the signal chain, while the mute switch provides silent and convenient guitar tuning so don't annoy the audience or anxious bandmates around .
Carl Martin Classic Opto Compressor Guitar Effects Pedal
Dimensions (Overall): 9.0 inches (L), 3.0 inches (H) x 6.0 inches (W) x 9.0 inches (D)Weight: 1.75 poundsEffect Type: CompressorWarranty: No Applicable Warranty. To obtain a copy of the manufacturer's or supplier's warranty for this item prior to purchasing the item, & bull; Bypass footswitch & bull; Gain control & bull; Level control & bull; Comp control & bull; Attack controlAn optical compressor performs gain reduction control via a light source into a photosensitive cell. As the light source gets brighter, the photo-sensitive cell sends a signal to reduce dynamic range, or what becomes a compressed signal. The Classic Opto Compressor pedal's four controls (from left to right) are the Gain, which controls the 'pre-glow' of the optical circuit (the more turn this up, the fatter the sound); Level, which controls the overall volume of the compressor; Compression, which controls how hard or soft the compression is; and the Attack control, which takes the signal from transparent to outright total squeeze. The Bypass footswitch engages or bypasses the pedal. The red LED will be on when the compressor pedal is engaged. The Gain knob adjusts how much of the guitar signal load the circuitry with. If set the knob at left the compressor will not be very effective, the more turn right the more effective the compressor becomes. The Carl Martin compression pedal can go from a very mild soft compression to really hard, beefed-up compression at full right. The gain knob will be interactive with the rest of the knobs, so the harder load the circuitry, the more effective the Comp knob gets. The Carl Martin pedal's Level knob adjusts the output level from the pedal to match clean sound. This is helpful when are finished setting the gain, comp, and attack knobs, for the comp effect want. The level knob can go from below unity level to several dB boost, so can actually use the Carl Martin Classic Opto-Comp as a boost sustain pedal, to make singing lead cut through to the audience. When have set the gain knob to the right amount of signal want to be compressed, set the amount or degree of compression on the Comp knob, going from nearly nothing at full left, to extreme hard compression at full right. The efficiency of the knob depends on how the gain and attack knobs are set. The Carl Martin Classic Opto compressor pedal's Attack knob adjusts and sets how fast the attack/release time shall be. At full left, the attack is fast, giving the compression a more neutral limiter presence. At full right, the compression is much more effective, providing a setting more suitable for fingerpicking style. The Carl MArtin compressor pedal comes in a solid die-cast housing with cool chicken-head knobs, CM color and graphics and a 9v battery compartment.
Carl Martin Head Room Spring Reverb Guitar Effects Pedal
Dimensions (Overall): 12.3 inches (L), 3.8 inches (H) x 7.4 inches (W) x 12.3 inches (D)Weight: 3.2 poundsEffect Type: Delay and ReverbWarranty: No Applicable Warranty. To obtain a copy of the manufacturer's or supplier's warranty for this item prior to purchasing the item, & bull; Two channels of completely tweakable, "real spring" reverb each with Tone and Level controls & bull; Solid metal casing & bull; Vintage style chicken head knobs & bull; Double mounted springs to minimize stage feedback & bull; Remote jacks for Bypass and Channel SelectThe Carl Martin Headroom is the most simple to operate reverb pedal on the market with a couple extras. This purely analog 'real spring' reverb has two identical channels, each with tone and level controls to select the depth and tone of reverb. This allows to have a soft, small room reverb on Channel A and a much more dramatic and dark large-room reverb on Channel B (or vise versa) The two foot-controlled switches control which channel are in, and whether wish to bypass the effect completely. It is like having two separate reverbs in amp! Additional features on the Carl Martin Headroom include solid metal casing, cool vintage chicken head knobs, double mounted springs to minimize stage feedback, and remote jacks for Bypass and Channel Select (which allows to place the effect in rack or in the back of amp to save real-estate on pedal-board), as well as input and output jacks. Of course also get that famous Carl Martin quality that have come to expect at no extra charge. The Carl Martin Headroom runs on 9V DC, and as always, it's recommended use a regulated power supply for optimum performance.
Carl Martin Andy Timmons Signature Compressor/Limiter Guitar Pedal
Dimensions (Overall): 6.9 inches (L), 2.6 inches (H) x 4.6 inches (W) x 6.9 inches (D)Weight: 1.06 poundsEffect Type: CompressorWarranty: No Applicable Warranty. To obtain a copy of the manufacturer's or supplier's warranty for this item prior to purchasing the item, & bull; Two preset options for Compression and Level & bull; 2-Compression, 2-Level, Threshold and Response controls & bull; .25 in. jack for remote switching presets & bull; Powered by 9 V DC adapterJust like the Carl Martin Compressor/Limiter, this unit is one of the most musically useful guitar dynamics processors on the market. The Carl Martin Andy Timmons Signature Compressor/Limiter has been developed in cooperation with Andy Timmons to create a user-friendly yet versatile compressor/limiter with its two presets.Andy Timmons, long-time user and fan of the Carl Martin Compressor/Limiter, suggested to Carl to create a Compressor/Limiter with two presets, so that he had a preset for more subtle rhythm parts, and a preset with more hard compression and sustain for other parts as solos without having to take up real-estate on the board for two Compressor/Limiters. The result is a two-preset option for Compression Rate and Level. In order to save knobs and to be as userfriendly as possible, the Threshold and Response settings are fixed for both presets, leaving the pedal with only six knobs, the Threshold and Response being 6mm miniature knobs.Andy Timmons, long-time user and fan of the Carl Martin Compressor/Limiter, suggested to Carl to create a Compressor/Limiter with two presets, so that he had a preset for more subtle rhythm parts, and a preset with more hard compression and sustain for other parts as solos without having to take up real-estate on the board for two Compressor/Limiters. The result is a two-preset option for Compression Rate and Level. In order to save knobs and to be as user-friendly as possible, the Threshold and Response settings are fixed for both presets, leaving the pedal with only six knobs, the Threshold and Response being 6mm miniature knobs. As a useful extra feature we incorporated a ¼” jack for remote switching the presets (Latching).As something new, the Carl Martin Andy Timmons Signature Compressor/Limiter incorporates the newly developed DC/DC converter circuitry. This enables to run the pedal with +-12V internally, which is necessary in order to maintain the same sonic quality and headroom as on the “old” Compressor/Limiter using a regular 9V DC 200mA power supply.The Carl Martin Andy Timmons Signature Compressor/Limiter has been developed to incorporate the same features, sonic clarity, quietness, and performance of the best studio compressor/limiters.
Carl Martin Purple Moon V2 Vintage Fuzz and Vibe Effects Pedal
Dimensions (Overall): 5.5 inches (L), 2.55 inches (H) x 3.25 inches (W) x 5.5 inches (D)Weight: .8 poundsEffect Type: Distortion, Fuzz, and OverdriveWarranty: No Applicable Warranty. To obtain a copy of the manufacturer's or supplier's warranty for this item prior to purchasing the item, & bull; Power requirement: 9V & bull; Controls: Fuzz, depth, speed, level & bull; True bypassThe Carl Martin Purple Moon V2 has the Level Depth and Speed controls of the old model, and yes, it still has the silicon fuzz chip with Fuzz and Level controls that allow to add mind bending Fuzz to that sweeping vibe and yes, this is still the only analog, true bypass Vibe/Fuzz pedal that takes back to players like Hendrix, Trower, Gilmour or Anastasio — but it's smaller and cooler. Carl eliminated the second speed control in order to save space and reduce the footprint, but he packaged the new Purple Moon in a two-toned, anodized die-cast case with head mounted Input/Output/9v and the same heavy duty bypass switch that he uses on every pedal. The Carl Martin Purple Moon uses special CM developed DC/DC converter circuitry that enables us to run the pedal with +-12V internally (which is necessary to maintain quality and headroom) while still powering the unit with a standard 9v external power supply.
