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Sonny Rollins Sonny Rollins On Impulse! LP (Vinyl)

$ 29.09 ~~$ 29.99~~

& lt;header & gt; & lt;p & gt; & lt;strong & gt;Numbered, Limited Edition 60th Anniversary Deluxe 4LP Box Set! & lt;br & gt; Featuring John Coltrane, Quincy Jones, Charles Mingus & amp; Many More Legendary Impulse Artists! & lt;br & gt; Includes Booklet & amp; Vinyl Slip Mat! & lt;br & gt; Pressed at QRP! & lt;/strong & gt; & lt;/p & gt; & lt;/header & gt; & lt;p & gt;Celebrating 60 years of Impulse Records. A Deluxe 4-LP Box Set with tracks by John Coltrane, Quincy Jones, Charles Mingus, Oliver Nelson, Pharoah Sanders, Archie Shepp and other legendary Impulse Artists. This release includes liner notes by Greg Tate and A.B. Spellman. The LP box is housed in a high-quality archival portfolio cast with a museum drop front, includes a magazine style booklet featuring original impulse! ads and artist photos, as well as an impulse! vinyl slip mat. & lt;/p & gt; & lt;p & gt;Orange and black. Fire and ebony. Fury and pride. Wearing its signature colors proudly and raising its exclamation point high, Impulse! Records was the go-to label for music that harnessed the searching and political stand-taking of the Sixties. Launched in 1961, Impulse grew to become an inherent part of the era's velocity as well as its volume, pulling jazz into the age of Black Power, Afrocentricity, and Spiritual Expansion. In its balance of tradition and transition, it bridged the golden age of jazz, that brief window from the late Fifties to the Seventies when players representing every jazz era were alive and active - from Louis Armstrong to Albert Ayler, from the legends of lore to a new generation of energy players. Impulse treated all its musicians as innovators, revolutionaries even - from swing and bebop, to free and Afrofuturist. & lt;/p & gt; & lt;p & gt;The performances on Impulse Records: Music, Message and the Moment draw their staying power from a wide embrace of styles and sounds, as well as a tight focus on a historic moment when the promise of change was in the air and the message of racial harmony was in the music. Today that music has lost none of its relevance: the promise still deferred, the message still on time. & lt;/p & gt; & lt;blockquote cite= & quot;quote source & quot; & gt; ...A collection celebrating Impulse's deep-digging support of artists who scored We The People's SingFight-ing for social political and artists' self-determination in a critical time of beatdowns, breakthroughs and cosmically-centered aspirations. & lt;footer & gt; -Musician/Essayist Greg Tate & lt;/footer & gt; & lt;/blockquote & gt; & lt;blockquote cite= & quot;quote source & quot; & gt; In many ways, this collection is a mural in sound of the activist's stimulation of the Sixties and Seventies...we need this scope of sound again: We need the horns to scream of stout resistance, and we need the bands to sing to us of the righteous beauty of our souls. & lt;footer & gt; -Journalist/Author A.B. Spellman & lt;/footer & gt; & lt;/blockquote & gt; & lt;section id= & quot;features & quot; & gt; & lt;h3 & gt;Features & lt;/h3 & gt; & lt;ul & gt; & lt;li & gt;Numbered, Limited Edition & lt;/li & gt; & lt;li & gt;Deluxe 4LP Box Set & lt;/li & gt; & lt;li & gt;Liner Notes by Greg Tate & amp; A.B. Spellman & lt;/li & gt; & lt;li & gt;LP Box Housed in a High-Quality Archival Portfolio Cast With Museum Drop Front & lt;/li & gt; & lt;li & gt;Magazine-Style Booklet - Original Impulse! Ads & amp; Artist Photos & lt;/li & gt; & lt;li & gt;Impulse! Slip Mat & lt;/li & gt; & lt;li & gt;Pressed at Quality Record Pressings & lt;/li & gt; & lt;/ul & gt; & lt;/section & gt; & lt;section id= & quot;selections & quot; & gt; & lt;h3 & gt;Selections & lt;/h3 & gt; & lt;h4 & gt;LP1 & lt;/h4 & gt; & lt;h5 & gt;Side One: & lt;/h5 & gt; & lt;ol & gt; & lt;li & gt;The John Coltrane Quartet - Africa & lt;/li & gt; & lt;/ol & gt; & lt;h5 & gt;Side Two: & lt;/h5 & gt; & lt;ol & gt; & lt;li & gt;Max Roach - Garvey's Ghost & lt;/li & gt; & lt;li & gt;Quincy Jones and his Orchestra - Hard Sock Dance & lt;/li & gt; & lt;li & gt;John Coltrane - Up 'Gainst the Wall & lt;/li & gt; & lt;li & gt;Elvin Jones/Jimmy Garrison Sextet - Just Us Blues & lt;/li & gt; & lt;/ol & gt; & lt;h4 & gt;LP2 & lt;/h4 & gt; & lt;h5 & gt;Side One: & lt;/h5 & gt; & lt;ol & gt; & lt;li & gt;John Coltrane - Alabama & lt;/li & gt; & lt;li & gt;Charles Mingus - Better Get Hit in Yo' Soul & lt;/li & gt; & lt;li & gt;Shirley Scott Trio - Freedom Dance & lt;/li & gt; & lt;li & gt;Yusef Lateef - Sister Mamie & lt;/li & gt; & lt;/ol & gt; & lt;h5 & gt;Side Two: & lt;/h5 & gt; & lt;ol & gt; & lt;li & gt;Archie Shepp - Malcolm, Malcolm - Semper Malcolm & lt;/li & gt; & lt;li & gt;Stanley Turrentine - Good Lookin' Out & lt;/li & gt; & lt;li & gt;Earl Hines - Black and Tan Fantasy & lt;/li & gt; & lt;li & gt;Oliver Nelson - The Rights of All & lt;/li & gt; & lt;/ol & gt; & lt;h4 & gt;LP3 & lt;/h4 & gt; & lt;h5 & gt;Side One: & lt;/h5 & gt; & lt;ol & gt; & lt;li & gt;Pharoah Sanders - The Creator Has a Master Plan (edit) & lt;/li & gt; & lt;li & gt;John Coltrane & amp; Alice Coltrane - Reverend King & lt;/li & gt; & lt;/ol & gt; & lt;h5 & gt;Side Two: & lt;/h5 & gt; & lt;ol & gt; & lt;li & gt;The Ahmad Jamal Trio - The Awakening & lt;/li & gt; & lt;li & gt;Albert Ayler - Music Is the Healing Force of the Universe & lt;/li & gt; & lt;li & gt;Charlie Haden - We Shall Overcome & lt;/li & gt; & lt;/ol & gt; & lt;h4 & gt;LP4 & lt;/h4 & gt; & lt;h5 & gt;Side One: & lt;/h5 & gt; & lt;ol & gt; & lt;li & gt;Alice Coltrane - Blue Nile & lt;/li & gt; & lt;li & gt;Pharoah Sanders - Astral Traveling & lt;/li & gt; & lt;li & gt;Archie Shepp - Blues for Brother George Jackson & lt;/li & gt; & lt;li & gt;Michael White - Lament (Mankind) & lt;/li & gt; & lt;/ol & gt; & lt;h5 & gt;Side Two: & lt;/h5 & gt; & lt;ol & gt; & lt;li & gt;Dewey Redman - Imani & lt;/li & gt; & lt;li & gt;Marion Brown - Bismillahi 'Rrahmani 'Rrahim & lt;/li & gt; & lt;li & gt;John Handy - Hard Work & lt;/li & gt; & lt;/ol & gt; & lt;/section & gt;

Impulse Records: Music, Message And The Moment Numbered Limited Edition 4LP Box Set (Vinyl)

$ 159.59 ~~$ 167.99~~

John Coltrane Ascension LP (Vinyl)

$ 28.49 ~~$ 29.99~~

& lt;font color= & quot;#FF0000 & quot; & gt; & lt;b & gt;Double LP! & lt;/b & gt; & lt;/font & gt; & lt;br & gt; & lt;br & gt; & lt;p & gt; & lt;strong & gt;2021 Stereophile Magazine Record to Die For! & lt;/strong & gt; & lt;/p & gt; Sons of Kemet is the iconoclastic mix of tenor sax, tuba and double drums. On this third studio album, they bring a genre defying approach that celebrates the restless exploration of identity within the Caribbean diaspora within the U.K. & lt;br & gt; & lt;br & gt; The genre defying album, Your Queen is a Reptile, was recorded in London with a host of guests spanning the breadth of the U.K. scene including jungle legend Congo Natty and poet Joshua Idehen. & lt;br & gt; & lt;br & gt; & lt;blockquote cite= & quot;www.stereophile.com & quot; & gt; Young British saxophonist/bandleader Shabaka Hutchings is the main force behind these incendiary Sons of Kemet compositions, which are intended to remind listeners how British history reflects classist hierarchies and not the diasporic experience of its black immigrants. The album's title alludes humorously to the Reptilian conspiracy theory, but track titles allude humorlessly to who the Queen of England is not. The compositions, which are anchored in Afro-Caribbean rhythms, suggest in their titles alternative queens like Harriet Tubman and Angela Davis. If you have big speakers, my favorite track, 'My Queen Is Nanny of the Maroons,' will pound your room with wall-bending deep bass. & lt;footer & gt; -Herb Reichert, Stereophile Magazine Record To Die For 2021 & lt;/footer & gt; & lt;/blockquote & gt; & lt;b & gt;Features: & lt;/b & gt; & lt;br & gt; Double LP & lt;br & gt; Gatefold jacket & lt;br & gt; Limited time digital download card & lt;br & gt; & lt;br & gt; & lt;b & gt;Musicians: & lt;/b & gt; & lt;br & gt; Shabaka Hutchings, saxophone & lt;br & gt; Theon Cross, tuba & lt;br & gt; Tom Skinner, drums & lt;br & gt; Eddie Hick, drums & lt;br & gt; & lt;br & gt; & lt;b & gt;Selections: & lt;br & gt; Side A: & lt;/b & gt; & lt;br & gt; 1. My Queen is Ada Eastman & lt;br & gt; 2. My Queen is Mamie Phipps Clark & lt;br & gt; & lt;b & gt;Side B: & lt;/b & gt; & lt;br & gt; 1. My Queen is Harriet Tubman & lt;br & gt; 2. My Queen is Anna Julia Cooper & lt;br & gt; 3. My Queen is Angela Davis & lt;br & gt; & lt;b & gt;Side C: & lt;/b & gt; & lt;br & gt; 1. My Queen is Nanny of The Maroons & lt;br & gt; 2. My Queen is Yaa Asantewaa & lt;br & gt; & lt;b & gt;Side D: & lt;/b & gt; & lt;br & gt; 1. My Queen is Albertina Sisulu & lt;br & gt; 2. My Queen is Doreen Lawrence

Sons of Kemet Your Queen Is A Reptile 2LP (Vinyl)

$ 26.76 ~~$ 27.59~~

& lt;font color= & quot;#FF0000 & quot; & gt; & lt;b & gt;Celebrate 50th Anniversary Of A Love Supreme With Expanded 3LP Set! & lt;br & gt;Unreleased Sextet Recordings From Coltrane's Personal Tapes! & lt;br & gt;20 Page Booklet With Artist's Musical Notations and Rare Images! & lt;br & gt;Rolling Stone 500 Greatest Albums of All Time - Rated 47/500! & lt;/b & gt; & lt;/font & gt; & lt;br & gt; & lt;br & gt; Originally released in 1965, A Love Supreme changed music history, cementing the saxophonists reputation as one of the most groundbreaking musicians in music, and was subsequently ranked No. 47 in Rolling Stones 500 Greatest Albums Of All Time. Until now, the complete picture of what happened during the albums recording session, held on December 9th 1964, has never been revealed. The Complete Masters celebrates the 50th anniversary of the original album release, and finally collects all the previously unavailable outtakes, overdubs, and studio chatter from the session. & lt;br & gt; & lt;br & gt; Recorded over two days at the Van Gelder Studio in New Jersey in December 1964, the sessions included Coltrane's quartet of Elvin Jones on drums, Jimmy Garrison on bass, and McCoy Tyner on piano. Archie Shepp and Doctor Art Davis joined Coltrane on the second day to re-record the opening part of the suite. The various takes, alternative versions and overdubs from those sessions make up this release. & lt;br & gt; & lt;br & gt; & lt;b & gt;Features: & lt;/b & gt; & lt;br & gt; 3LP Set & lt;br & gt; Unreleased sextet recordings from Coltrane's personal tapes & lt;br & gt; 20 page booklet with artist's musical notations & lt;br & gt; Rare image and essay by Ashley Kahn & lt;br & gt; & lt;br & gt; & lt;b & gt;Selections: & lt;br & gt; LP 1 & lt;br & gt; Side A: & lt;/b & gt; & lt;br & gt; 1.A Love Supreme, Pt. I Acknowledgement & lt;br & gt; 2.A Love Supreme, Pt. II - Resolution & lt;br & gt; & lt;b & gt;Side B: & lt;/b & gt; & lt;br & gt; 1.A Love Supreme, Pt. III - Pursuance & lt;br & gt; 2.A Love Supreme, Pt. IV - Psalm & lt;br & gt; & lt;br & gt; & lt;b & gt;LP 2 & lt;br & gt; Side C: & lt;/b & gt; & lt;br & gt; 1.A Love Supreme, Pt. III - Pursuance & lt;br & gt; 2.A Love Supreme, Pt. IV - Psalm & lt;br & gt; & lt;b & gt;Side D: & lt;/b & gt; & lt;br & gt; 1.A Love Supreme, Pt. I - Acknowledgement & lt;br & gt; 2.A Love Supreme, Pt. I - Acknowledgement & lt;br & gt; 3.A Love Supreme Pt. II - Resolution [Take 4/Alternate] & lt;br & gt; 4.A Love Supreme Pt. II - Resolution [Take 6/Breakdown] & lt;br & gt; 5.A Love Supreme, Pt. IV - Psalm & lt;br & gt; & lt;br & gt; & lt;b & gt;LP 3 & lt;br & gt; Side E: & lt;/b & gt; & lt;br & gt; 1.A Love Supreme Pt. I - Acknowledgement & lt;br & gt; 2.A Love Supreme Pt. I - Acknowledgement & lt;br & gt; 3.A Love Supreme Pt. I - Acknowledgement & lt;br & gt; & lt;b & gt;Side F: & lt;/b & gt; & lt;br & gt; 1.A Love Supreme Pt. I - Acknowledgement & lt;br & gt; 2.A Love Supreme Pt. I - Acknowledgement & lt;br & gt; 3.A Love Supreme Pt. I - Acknowledgement

John Coltrane A Love Supreme: The Complete Masters 3LP (Vinyl)

$ 52.43 ~~$ 55.19~~

& lt;font color= & quot;#FF0000 & quot; & gt; & lt;b & gt;Double LP! & lt;/b & gt; & lt;/font & gt; & lt;br & gt; & lt;br & gt; Charlie Watts meets the Danish Radio Big Band is the kind of album that many jazz fans had probably given up hope of hearing. In the glory days of big band jazz and arrangers like Oliver Nelson coming up with brilliant music, albums like this were, if not commonplace, at least more readily available. The truth is there is nothing commonplace about this album, it is a sheer delight. & lt;br & gt; & lt;br & gt; In 2010, Gerard Presencer arranged a 50th year reunion of sorts of drummer Charlie Watts and Copenhagen. After only 4 days rehearsal, Watts and The Danish Radio Big Band played a concert at the newly opened Danish Radio Concert Hall in Copenhagen - this concert was recorded for broadcast by the Danish National Radio. & lt;br & gt; & lt;br & gt; Charlie Watts and the band were joined by Watts' long-time friend and bassist Dave Green, which turned out to be an essential ingredient since the two had a psychic connection while playing. & lt;br & gt; & lt;br & gt; The album contains seven tracks including Presencer arrangements of two songs composed by Mick Jagger and Keith Richards, & quot;Paint It Black & quot; and & quot;You Can't Always Get What You Want & quot;. & quot;Faction & quot; is based on another classic by the Rolling Stones. & lt;br & gt; & lt;br & gt; & lt;b & gt;Features: & lt;/b & gt; & lt;br & gt; Double LP & lt;br & gt; Made in the Czech Republic & lt;br & gt; & lt;br & gt; & lt;b & gt;Selections: & lt;br & gt; LP 1 & lt;br & gt; Side 1: & lt;/b & gt; & lt;br & gt; 1. Elvin Suite - Part 1 & lt;br & gt; 2. Elvin Suite - Part 2 & lt;br & gt; & lt;b & gt;Side 2: & lt;/b & gt; & lt;br & gt; 1. (Satis) Faction & lt;br & gt; 2. I Should Care & lt;br & gt; & lt;br & gt; & lt;b & gt;LP 2 & lt;br & gt; Side 1: & lt;/b & gt; & lt;br & gt; 1. You Can't Always Get What You Want & lt;br & gt; 2. Paint It Black & lt;br & gt; & lt;b & gt;Side 2: & lt;/b & gt; & lt;br & gt; 1. Molasses

Charlie Watts Meets the Danish Radio Big Band 2LP (Vinyl)

$ 29.63 ~~$ 31.19~~

& lt;font color= & quot;#FF0000 & quot; & gt; & lt;b & gt;Vinyl LP! & lt;/b & gt; & lt;/font & gt; & lt;br & gt; & lt;br & gt; & lt;font color= & quot;#FF0000 & quot; & gt; & lt;b & gt;Rolling Stone 500 Greatest Albums of All Time - Rated 47/500! & lt;/b & gt; & lt;/font & gt; & lt;br & gt; & lt;br & gt; Right from the very first hearing, absolutely every single jazz critic shared the same opinion - & quot;A Love Supreme & quot; is John Coltrane's most important recording. And the rave reviews which appeared in the magazines Downbeat, Jazz Hot, Jazz Podium and Swingjournal reflected this: critics all over the world, in America, Europe and Japan recognized that Coltrane's deep religious belief had influenced both his approach to life and his music-making. It not only enabled him to express himself with great intensity but also lent him the necessary inner peace to conceive a work of almost 40 minutes in length and to lead his quartet along the same path as himself. & lt;br & gt; & lt;br & gt; A Love Supreme is considered John Coltrane's most important recording. Critics all over the world recognized that his deep religious belief had influenced both his approach to life and his music making. This work of great discipline and spiritual beauty forever changed the face of jazz. & lt;br & gt; & lt;br & gt; & lt;b & gt; & quot;Two important things happened to Coltrane in 1957: The saxophonist left Miles Davis' employ to join Thelonious Monk's band and hit new heights in extended, ecstatic soloing. Coltrane also kicked heroin addiction, a vital step in a religious awakening that climaxed with this legendary album-long hymn of praise. The indelible four-note theme of the first movement, & quot;Acknowledgment, & quot; is the humble foundation of the suite. But Coltrane's majestic, often violent blowing (famously described as & quot;sheets of sound & quot;) is never self-aggrandizing. Aloft with his classic quartet (pianist McCoy Tyner, bassist Jimmy Garrison, drummer Elvin Jones), Coltrane soars with nothing but gratitude and joy. You can't help but go with him. & quot; & lt;/b & gt; - www.rollingstone.com & lt;br & gt; & lt;br & gt; Includes McCoy Tyner, Jimmie Garrison and Elvin Jones. John Coltrane was an instrumentalist of such overwhelming emotional force and virtuosity that although he died in 1967 his musical legacy remains virtually undiminished over 20 years. & lt;br & gt; & lt;br & gt; & lt;b & gt;Features: & lt;/b & gt; & lt;br & gt; & amp;bull; Vinyl LP & lt;br & gt; & lt;br & gt; & lt;b & gt;Musicians: & lt;/b & gt; & lt;br & gt; John Coltrane, tenor sax & lt;br & gt; McCoy Tyner, piano & lt;br & gt; Jimmy Garrison, bass & lt;br & gt; Elvin Jones, drums & lt;br & gt; & lt;br & gt; & lt;b & gt;Selections: & lt;/b & gt; & lt;br & gt; 1. Part I: Acknowledgement & lt;br & gt; 2. Part II: Resolution & lt;br & gt; 3. Part III: Pursuance & lt;br & gt; 4. Part IV: Psalm

John Coltrane A Love Supreme LP (Vinyl)

$ 29.63 ~~$ 31.19~~

Johnny Hartman I Just Dropped By To Say Hello LP (Vinyl)

$ 28.49 ~~$ 29.99~~

Keith Jarrett Treasure Island LP (Vinyl)

$ 29.39 ~~$ 29.99~~

Gabor Szabo The Sorcerer LP (Vinyl)

$ 29.09 ~~$ 29.99~~

Alice Coltrane Alice Coltrane With Strings World Galaxy LP (Vinyl)

$ 29.09 ~~$ 29.99~~

Albert Ayler In Greenwich Village Recorded Live At the Village Vanguard LP (Vinyl)

$ 28.79 ~~$ 29.99~~

& lt;font color= & quot;#FF0000 & quot; & gt; & lt;b & gt;Double LP Features Melody Gardot, Madeleine Peyroux & amp; More! & lt;/b & gt; & lt;/font & gt; & lt;br & gt; & lt;br & gt; On this impulse! release, Charlie Parkers music is uniquely re-imagined by living legends of the modern jazz scene. Produced by Larry Klein, and including artists like & lt;b & gt;Ben Monder, Madeleine Peyroux, Melody Gardot, & lt;/b & gt; and & lt;b & gt;Gregory Porter & lt;/b & gt;, this musical play follows the narrative arc of Birds life. This release aims to sound & lt;b & gt; & quot;like something that outlines the shape of what Bird might be doing in this time, were he still alive and playing these songs & quot;. & lt;/b & gt; & lt;br & gt; & lt;br & gt; & lt;b & gt;Features: & lt;/b & gt; & lt;br & gt; Double LP & lt;br & gt; Gatefold jacket & lt;br & gt; Made in Czech Republic & lt;br & gt; & lt;br & gt; & lt;b & gt;Selections: & lt;br & gt; LP One & lt;br & gt; Side 1: & lt;/b & gt; & lt;br & gt; 1. Meet Charlie Parker (Chan's Overture) [Vocal Version Of & quot;Ornithology & quot;] - Featured Vocalist, Madeleine Peyroux & lt;br & gt; 2. The Epitaph Of Charlie Parker (The Funeral) [Vocal Version Of & quot;Visa & quot;] - Featured Vocalist, Barbara Hannigan & lt;br & gt; 3. Yardbird Suite (A Genius In His Youth) [Vocal Version] - Featured Vocalist, Gregory Porter & lt;br & gt; & lt;b & gt;Side 2: & lt;/b & gt; & lt;br & gt; 1. So Long (ExodusTo New York City) [Vocal Version Of & quot;K.C. Blues & quot;] - Featured Vocalist, Jeffrey Wright & lt;br & gt; 2. Every Little Thing (The Song Of The Acolyte) [Vocal Version Of & quot;Bloomdido & quot;] - Featured Vocalist, Luciana Souza & lt;br & gt; 3. Central Avenue (A Dark Journey To Los Angeles) [Interlude] & lt;br & gt; & lt;br & gt; & lt;b & gt;LP Two & lt;br & gt; Side 1: & lt;/b & gt; & lt;br & gt; 1. Los Angeles (The Dealer's Song) [Vocal Version Of & quot;Moose The Mooche & quot;] - Featured Vocalist, Kurt Elling & lt;br & gt; 2. Live My Love For You (Chan's Love Song) [Vocal Version Of & quot;My Little Suede Shoes & quot;] - Featured Vocalist, Kandace Springs & lt;br & gt; 3. Fifty Dollars (Angels And Demons) [Vocal Version Of & quot;Segment & quot;] - Featured Vocalist, Jeffrey Wright & lt;br & gt; & lt;b & gt;Side 2: & lt;/b & gt; & lt;br & gt; 1. The King Of 52nd Street (Chan's Declaration) [Vocal Version Of & quot;Scrapple From The Apple & quot;] - Featured Vocalist, Melody Gardot & lt;br & gt; 2. Salle Pleyel (The Journey To Paris) [Interlude] & lt;br & gt; 3. Après Vous (The Apotheosis Of Charlie Parker) [Vocal Version Of & quot;Au Privave & quot;] (Lyric by Camille Bertault) - Featured Vocalist, Camille Bertault

The Passion of Charlie Parker 2LP (Vinyl)

$ 30.88 ~~$ 31.19~~

Dizzy Gillespie Swing Low, Sweet Cadillac LP (Mono) (Vinyl)

$ 30.88 ~~$ 31.19~~

Benny Carter & His Orchestra Further Definitions LP (Vinyl)

$ 29.94 ~~$ 31.19~~

& lt;font color= & quot;#FF0000 & quot; & gt; & lt;b & gt;Vinyl LP Reissue! & lt;/b & gt; & lt;/font & gt; & lt;br & gt; & lt;br & gt; Recorded at the Van Gelder Studio in May 1962, this classic quartet album features Roland Kirk on saxophones and several famous Haynes drum solos, most notably on his own composition Snap Crackle. & lt;br & gt; & lt;br & gt; & lt;b & gt; & quot;Out of the Afternoon is a splendid sounding 1962 set from the Roy Haynes Quartet -- which, at the time, consisted of Haynes, Henry Grimes on bass, Tommy Flanagan on piano, and Roland Kirk on saxes, manzello, stritch, and flutes. The album is a delightful mix of techniques in arrangement and performance, with all of the musicians delivering terrific work. Haynes' drumming is absolutely wonderful here, lightly dancing around the other instruments; Flanagan's piano playing is equally light and delicate; Grimes' bass work is outstanding (during 'Raoul' you have a chance to hear one of the few bowed bass solos on records of that era); and there's no more to be said about Kirk's sax and flute work that hasn't been said a hundred times, apart from the fact that the flute solos on 'Snap Crackle' help this cut emerge as particularly outstanding. & quot; & lt;/b & gt; - AllMusic & lt;br & gt; & lt;br & gt; & lt;b & gt;Features: & lt;/b & gt; & lt;br & gt; & amp;bull; Vinyl LP & lt;br & gt; & amp;bull; Vital Vinyl series: Original label, original tapes, original sound & amp; design & lt;br & gt; & amp;bull; Made in Czech Republic & lt;br & gt; & lt;br & gt; & lt;b & gt;Musicians: & lt;/b & gt; & lt;br & gt; Roy Haynes, drums & lt;br & gt; Henry Grimes, bass & lt;br & gt; Tommy Flanagan, piano & lt;br & gt; Roland Kirk, tenor saxophone, flute & lt;br & gt; & lt;br & gt; & lt;b & gt;Selections: & lt;br & gt; Side A: & lt;/b & gt; & lt;br & gt; 1. Moon Ray & lt;br & gt; 2. Fly me To The Moon & lt;br & gt; 3. Raoul & lt;br & gt; & lt;b & gt;Side B: & lt;/b & gt; & lt;br & gt; 1. Snap Crackle & lt;br & gt; 2. If I Should Lose You & lt;br & gt; 3. Long Wharf & lt;br & gt; 4. Some Other Spring & lt;br & gt; & lt;br & gt; Recorded May 16 & amp; 23, 1962 at the Van Gelder Studio, Englewood Cliffs, New Jersey.

The Roy Haynes Quartet Out of The Afternoon LP (Vinyl)

$ 29.69 ~~$ 29.99~~

& lt;font color= & quot;#FF0000 & quot; & gt; & lt;b & gt;Vinyl LP Reissue! & lt;/b & gt; & lt;/font & gt; & lt;br & gt; & lt;br & gt; There's nothing else in jazz quite like this collection recorded astonishingly in just one session on January 20, 1963. With liner notes written by Mingus's psychotherapist, the album uses ornate ensemble orchestration to produce a sound somewhere between jazz and folk. & lt;br & gt; & lt;br & gt; & lt;b & gt;Features: & lt;/b & gt; & lt;br & gt; & amp;bull; Vinyl LP & lt;br & gt; & amp;bull; Vital Vinyl series: Original label, original tapes, original sound & amp; design & lt;br & gt; & amp;bull; Made in Czech Republic & lt;br & gt; & lt;br & gt; & lt;b & gt;Musicians: & lt;/b & gt; & lt;br & gt; Charles Mingus, double bass, piano & lt;br & gt; Jerome Richardson, soprano and baritone saxophone, flute & lt;br & gt; Charlie Mariano, alto saxophone & lt;br & gt; Dick Hafer, tenor saxophone, flute & lt;br & gt; Rolf Ericson, trumpet & lt;br & gt; Richard Williams, trumpet & lt;br & gt; Quentin Jackson, trombone & lt;br & gt; Don Butterfield, tuba, contrabass trombone & lt;br & gt; Jaki Bayard, piano & lt;br & gt; Jay Berliner, classical guitar & lt;br & gt; Dannie Richmond, drums & lt;br & gt; & lt;br & gt; & lt;b & gt;Selections: & lt;br & gt; Side 1: & lt;/b & gt; & lt;br & gt; & lt;b & gt;Track A: & lt;/b & gt;Solo Dancer (Stop! Look! And Listen, Sinner Jim Whitey!) & lt;br & gt; & lt;b & gt;Track B: & lt;/b & gt;Duet Solo Dancers (Heart's Beat And Shades In Physical Embraces & lt;br & gt; & lt;b & gt;Track C: & lt;/b & gt;Group Dancers (Soul Fusion) [Freewoman And Oh, This Freedom's Slave Cries] & lt;br & gt; & lt;b & gt;Side 2: & lt;/b & gt; & lt;br & gt; & lt;b & gt;Mode D: & lt;/b & gt;Trio And Group Dancers (Stop! Look! And Sing Songs Of Revolutions!) & lt;br & gt; & lt;b & gt;Mode E: & lt;/b & gt;Single Solos And Group Dance (Saint And Sinner Join In Merriment On Battle Front) & lt;br & gt; & lt;b & gt;Mode F: & lt;/b & gt; Group And Solo Dance (Of Love, Pain, And Passioned Revolt, Then Farewell, My Beloved, 'Til It's Freedom Day)

Charles Mingus The Black Saint And The Sinner Lady LP (Vinyl)

$ 30.25 ~~$ 31.19~~

& lt;font color= & quot;#FF0000 & quot; & gt; & lt;b & gt;Lost 1963 Recording Finally Released On Vinyl LP! & lt;br & gt; Includes 2 Never Before Heard Tracks! Pressed at QRP! & lt;/b & gt; & lt;/font & gt; & lt;br & gt; & lt;br & gt; In 1963, John Coltrane recorded a studio album that has remained unknown and unheard until now. The album was recorded at Van Gelder Studios, the & quot;Abbey Road & quot; of Jazz, with Coltranes Classic Quartet and at the height of his career. The music on this album represents one of the most influential groups in music history performing in a musical style it had perfected and reaching in new, exploratory directions that would affect the trajectory of jazz from then on. In short, this is the holy grail of jazz. & lt;br & gt; & lt;br & gt; Unknown until 2004 and unheard until now, these recordings by the John Coltrane Quartet are, as Sonny Rollins says in the liner notes, & quot;like finding a new room in the Great Pyramid. & quot; Featuring the Classic Quartet John Coltrane, McCoy Tyner, Jimmy Garrison and Elvin Jones and recorded at the end of a two-week run at Birdland, the music on this album represents one of the most influential groups in music history both performing in a musical style it had perfected. & lt;br & gt; & lt;br & gt; & lt;b & gt; & quot;If you heard the John Coltrane Quartet live in the early-to-mid-1960s, you were at risk of having your entire understanding of performance rewired. This was a ground-shaking band, an almost physical being, bearing a promise that seemed to reach far beyond music. The quartet's relationship to the studio, however, was something different. In the years leading up to A Love Supreme, his explosive 1965 magnum opus, Coltrane produced eight albums for Impulse! Records featuring the members of his so-called classic quartet - the bassist Jimmy Garrison, the drummer Elvin Jones and the pianist McCoy Tyner - but only two of those, Coltrane and Crescent, were earnest studio efforts aimed at distilling the band's live ethic. But now that story needs a major footnote. On Friday, Impulse! will announce the June 29 release of 'Both Directions at Once: The Lost Album,' a full set of material recorded by the quartet on a single day in March 1963, then eventually stashed away and lost. The family of Coltrane's first wife, Juanita Naima Coltrane, recently discovered his personal copy of the recordings, which she had saved, and brought it to the label's attention. There are seven tunes on this collection, a well-hewed mix that clearly suggests Coltrane had his sights on creating a full album that day. From the sound of it, this would have been an important one. & quot; & lt;/b & gt; - The New York Times & lt;a href= & quot;https://www.nytimes.com/2018/06/07/arts/music/john-coltrane-lost-album-both-directions-at-once.html & quot; & gt; & lt;b & gt; & lt;font color= & quot;#0000FF & quot; & gt;Read more! & lt;/font & gt; & lt;/b & gt; & lt;/a & gt; & lt;br & gt; & lt;br & gt; & lt;b & gt; & quot;Considering the mileage that Coltrane's labels have gotten churning through his well-documented discography, any unheard material from this legendary artist would be newsworthy enough. But these early takes on tracks that would end up on later albums and the untitled, never-before-issued tunes are remarkable, and a continued exploration of the modal jazz ideas that would mark his classics Impressions and My Favorite Things. This collection is another brilliant and colorful flash from a quartet that was creating lightning with no small of sweat and gritted teeth exertion. & quot; & lt;/b & gt; - Paste Magazine & lt;br & gt; & lt;br & gt; & lt;b & gt;Features: & lt;/b & gt; & lt;br & gt; & amp;bull; Vinyl LP & lt;br & gt; & amp;bull; Pressed at Quality Record Pressings & lt;br & gt; & amp;bull; Newly discovered studio recording & lt;br & gt; & amp;bull; LP jacket features die-cut front and back cover, with debossed lettering on front and back & lt;br & gt; & lt;br & gt; & lt;b & gt;Musicians: & lt;/b & gt; & lt;br & gt; John Coltrane & lt;br & gt; McCoy Tyner & lt;br & gt; Jimmy Garrison & lt;br & gt; Elvin Jones & lt;br & gt; & lt;br & gt; & lt;b & gt;Selections: & lt;br & gt; Side A: & lt;/b & gt; & lt;br & gt; 1. Untitled Original 11383 & lt;br & gt; 2. Nature Boy & lt;br & gt; 3. Untitled Original 11386 & lt;br & gt; 4. Vilia & lt;br & gt; & lt;b & gt;Side B: & lt;/b & gt; & lt;br & gt; 1. Impressions & lt;br & gt; 2. Slow Blues & lt;br & gt; 3. One Up, One Down

John Coltrane Both Directions At Once: The Lost Album LP (Vinyl)

$ 30.25 ~~$ 31.19~~

& lt;header & gt; & lt;p & gt; & lt;strong & gt;Previously Unreleased 1964 Recording On Vinyl LP! & lt;br & gt; Pressed at Quality Record Pressings! & lt;/strong & gt; & lt;/p & gt; & lt;/header & gt; & lt;p & gt;This unreleased and never-before-heard 1964 recording by John Coltrane and his Classic Quartet, Blue World, features new recordings of earlier works which, in an almost unprecedented move, they reinterpreted for this session, recorded at Van Gelder Studios. & lt;/p & gt; & lt;p & gt;The recordings were made in June 1964, in between the sessions for Crescent and A Love Supreme. Coltrane had been approached by a filmmaker in Quebec, Gilles Groux, who was planning to make his film Le chat dans le sac, a love story set in Montreal that had political overtones. Groulx was a devoted Coltrane aficionado, and via his connection with bassist Jimmy Garrison, he approached the great jazz figurehead with the idea of Coltrane recording the film's soundtrack. Remarkably, he agreed. & lt;/p & gt; & lt;p & gt;So it was that he went into the studio with Garrison, Elvin Jones and McCoy Tyner to revisit and reinterpret some of Coltrane's earlier works. The session was recorded on quarter-inch analog mono tape and mixed by the great jazz engineer Rudy Van Gelder on 24 June. Groulx, who had been present at the session, took the masters to Canada to use in Le chat dans le sac, but only included ten minutes from the 37-minute recording. Devotees and new admirers will hear both Coltrane's creative progression and the consistent, interactive sound that had become the signature of the Classic Quartet by 1964. The album is also a window into a fascinating and hugely significant period in Coltrane's musical evolution, set in between two of his most transcendent recordings. Crescent was released in July, and A Love Supreme the following January. & lt;/p & gt; & lt;p & gt;Kevin Reeves at Universal Music Mastering in New York has now remastered Blue World from the original analog tape. The lacquers for the new release were cut at Capitol Studios by Ron McMaster. & lt;/p & gt; & lt;blockquote cite= & quot;www.analogplanet.com & quot; & gt; Both Directions At Once captured Coltrane in 1963, one day before the John Coltrane & amp; Johnny Hartman session. On that release, there are several takes of his current compositions such as 'Impressions' as well as two untitled, previously unreleased compositions. In my review, I found it to be a decent enough album, but one that didnt live up to the hype. Blue World, however, may not be hyped enough... On this set, Coltrane's 'Classic Quartet' of himself, pianist McCoy Tyner, bassist Jimmy Garrison, and drummer Elvin Jones is in top form; although not significantly breaking new ground, at every turn they offer fresh innovations on the older material. Whereas Coltrane's Atlantic sessions, especially in the first half of his tenure there, featured whichever musicians were available, the Classic Quartet had been together for two years prior to the Blue World session. Inevitably, it was a far tighter unit than Trane's previous groups; they sensed each other's forthcoming moves and musically pushed each other forward. While that excellent cohesion has always been easily recognized, comparing the Blue World takes (specifically those of 'Naima,' one of his most performed, and therefore altered, songs) to the compositions' original recordings truly highlights its importance in Coltrane's Impulse!-era sound, specifically his musical boundary-breaking... The LP, despite being sourced from a mono mix intended for an optical film soundtrack sounds excellent. Cut from the Kevin Reeves-mastered 192/24 file by Ron McMaster, the sound is three-dimensional, clean, and lively. Coltrane's tenor comes through clearly and fluidly, Jimmy Garrison's bass is appropriately thick and muscular, Elvin Jones' drums create a large reverberation through Van Gelder Studios, and while not miked the best, McCoy Tyner's piano sound gets the job done... Overall, this archival session's release is a win for Ume's recently revitalized Impulse! sector. & lt;footer & gt; -Malachi Lui, Analog Planet, Music 9/11, Sound 9/11 & lt;/footer & gt; & lt;/blockquote & gt; & lt;blockquote cite= & quot;quote source & quot; & gt; It is remarkable to hear, 52 years after his death on July 17, 1967, a 'new' studio recording by legendary tenor saxophonist John Coltrane and his fabled quartet with pianist McCoy Tyner, bassist Jimmy Garrison, and drummer Elvin Jones. But for Trane fans and completists, this is a veritable treasure trove... While the group's renditions of 'Naima' and 'Village Blues' convey a warm, relaxed feel, the expansive 'Traneing In' (the oldest cut here, being the title track from Coltrane's 1957 Prestige album with the Red Garland Trio) really takes off in scintillating fashion. Following a lengthy opening bass solo by Garrison, the band kicks in at the 2:51 mark, triggering some mid-tempo, swinging interaction from Garrison, Tyner and Jones until the leader enters at the 5:05 mark, his robust tenor tones filling the air in gutsy, glorious fashion for the next 2:33. The calm after that invigorating storm is their second take on the serene 'Naima,' named for the saxophonist's first wife. Drummer Jones offers some rhythmic variation from his usual alluring brushwork on this tune by switching to sticks and turning the beat around in eccentric ways at the outset, offering some atypical tension and uncharacteristic swinging energy on this otherwise sublime anthem... The title track, Coltrane's moody, modal contrafact on Harold Arlen's 'Out of This World,' is essentially the same heightened treatment that the sax great delivered on his stunning re-imaginings of 'My Favorite Things' and 'Chim Chim Cher-ee,' and provides some of the most freewheeling, pulse-quickening stretching of the set while offering a portend of thigns to come on A Love Supreme. While this lone track would no doubt be readily embraced by ardent fans of avant-garde jazz, the others on this exceptional set, especially all three takes of the earthy 'Village Blues' and 'Traneing In,' might be more palatable to mainstream fans. & lt;footer & gt; -Bill Milkowski, The Absolute Sound, January 2020 , Music 4.5/5, Sonics 4.5/5 & lt;/footer & gt; & lt;/blockquote & gt; & lt;section id= & quot;features & quot; & gt; & lt;h3 & gt;Features & lt;/h3 & gt; & lt;ul & gt; & lt;li & gt;Vinyl LP & lt;/li & gt; & lt;li & gt;All tracks previously unreleased & lt;/li & gt; & lt;li & gt;Recorded, mixed & amp; mastered by Rudy Van Gelder at Van Gelder Studios on June 24, 1964 & lt;/li & gt; & lt;li & gt;Re-mastered from the original analog tape by Kevin Reeves at Universal Music Mastering & lt;/li & gt; & lt;li & gt;Original 1/4 & quot; analog mono tapes were used for all tracks & lt;/li & gt; & lt;li & gt;Lacquers cut by Ron McMaster at Capitol Studios & lt;/li & gt; & lt;li & gt;Pressed at Quality Record Pressings & lt;/li & gt; & lt;/ul & gt; & lt;/section & gt; & lt;section id= & quot;musicians & quot; & gt; & lt;h3 & gt;Musicians & lt;/h3 & gt; & lt;table & gt; & lt;tr & gt; & lt;th & gt;John Coltrane & lt;/th & gt; & lt;td & gt;tenor saxophone & lt;/td & gt; & lt;/tr & gt; & lt;tr & gt; & lt;th & gt;McCoy Tyner & lt;/th & gt; & lt;td & gt;piano & lt;/td & gt; & lt;/tr & gt; & lt;tr & gt; & lt;th & gt;Jimmy Garrison & lt;/th & gt; & lt;td & gt;bass & lt;/td & gt; & lt;/tr & gt; & lt;tr & gt; & lt;th & gt;Elvin Jones & lt;/th & gt; & lt;td & gt;drums & lt;/td & gt; & lt;/tr & gt; & lt;/table & gt; & lt;/section & gt; & lt;section id= & quot;selections & quot; & gt; & lt;h3 & gt;Selections & lt;/h3 & gt; & lt;h4 & gt;Side A: & lt;/h4 & gt; & lt;ol & gt; & lt;li & gt;Naima (Take 1) & lt;/li & gt; & lt;li & gt;Village Blues (Take 2) & lt;/li & gt; & lt;li & gt;Blue World & lt;/li & gt; & lt;li & gt;Village Blues (Take 1) & lt;/li & gt; & lt;/ol & gt; & lt;h4 & gt;Side B: & lt;/h4 & gt; & lt;ol & gt; & lt;li & gt;Village Blues (Take 3) & lt;/li & gt; & lt;li & gt;Like Sonny & lt;/li & gt; & lt;li & gt;Traneing In & lt;/li & gt; & lt;li & gt;Naima (Take 2) & lt;/li & gt; & lt;/ol & gt; & lt;/section & gt;

John Coltrane Blue World LP (Vinyl)

$ 29.94 ~~$ 31.19~~

& lt;header & gt; & lt;p & gt; & lt;strong & gt;Unheard 1968 Palo Alto High School Concert On Vinyl LP! & lt;/strong & gt; & lt;/p & gt; & lt;/header & gt; & lt;p & gt;After the assassination of Dr. Martin Luther King, Jr., in 1968, racial tensions across the country rose. Palo Alto, a largely white college town in California, was not immune to the events of the day. Danny Scher, a rising junior at Palo Alto High School, had a dream to bring Thelonious Monk to Palo Alto to perform and help bring about racial unity in his community as well as raise funds for his school's International Committee. After somehow securing Monk's services to perform on Sunday, October 27, Scher initially had trouble selling tickets and convincing people that Monk was even going to show up. With many twists and turns along the way and several hundred people in the school's parking lot awaiting Monk's arrival before purchasing tickets, the concert eventually happened and was a triumph in more ways than Monk or Scher could have imagined. This is a recording of that historic event. & lt;/p & gt; & lt;p & gt;Now available on Vinyl - includes 2 booklets and a poster. & lt;/p & gt; & lt;p & gt; & lt;strong & gt; & quot;Monk's quartet gave the racially mixed, near-capacity audience an excellent show. They played for over an hour. Monk was called back by thunderous applause to play an encore - a solo piano rendition of 'Sweetheart Of All My Dreams' - and then graciously apologized for not playing another one: 'I gotta play in the city tonight, dig?'... Neither Thelonious nor sixteen-year-old Danny Scher fully grasped what this concert meant for race relations in the area. For one beautiful afternoon, blacks and whites, Palo Alto and East Palo Alto, buried the hatchet and gathered together to hear 'Blue Monk,' 'Well You Needn't,' and 'Don't Blame Me.' & quot; & lt;/strong & gt; - Excerpt from Thelonious Monk: The Life and Times of an American Original by Robin Kelley & lt;/p & gt; & lt;blockquote cite= & quot;quote source & quot; & gt; 'Palo Alto' captures a band hitting a high note. & lt;footer & gt; -New York Times & lt;/footer & gt; & lt;/blockquote & gt; & lt;blockquote cite= & quot;www.pitchfork.com & quot; & gt; This is exuberant, abundant music, made by and performed for people whose lives often felt anything but. & lt;footer & gt; -Marty Sartini Garner, Pitchfork, 9.1/10 & lt;/footer & gt; & lt;/blockquote & gt; & lt;a name= & quot;SS & quot; & gt; & lt;/a & gt; & lt;iframe width= & quot;560 & quot; height= & quot;315 & quot; src= & quot;https://www.youtube.com/embed/5gQvoinczlw & quot; frameborder= & quot;0 & quot; allowfullscreen & gt; & lt;/iframe & gt; & lt;br & gt; & lt;br & gt; & lt;section id= & quot;features & quot; & gt; & lt;h3 & gt;Features & lt;/h3 & gt; & lt;ul & gt; & lt;li & gt;Vinyl LP & lt;/li & gt; & lt;li & gt;Gatefold jacket & lt;/li & gt; & lt;li & gt;Replicas of the original concert program and poster & lt;/li & gt; & lt;li & gt;Hi-res rare images of Monk and band & lt;/li & gt; & lt;/li & gt; & lt;/ul & gt; & lt;/section & gt; & lt;section id= & quot;musicians & quot; & gt; & lt;h3 & gt;Musicians & lt;/h3 & gt; & lt;table & gt; & lt;tr & gt; & lt;th & gt;Thelonious Monk & lt;/th & gt; & lt;td & gt;piano & lt;/td & gt; & lt;/tr & gt; & lt;tr & gt; & lt;th & gt;Charlie Rouse & lt;/th & gt; & lt;td & gt;tenor saxophone & lt;/td & gt; & lt;/tr & gt; & lt;tr & gt; & lt;th & gt;Larry Gales & lt;/th & gt; & lt;td & gt;bass & lt;/td & gt; & lt;/tr & gt; & lt;tr & gt; & lt;th & gt;Ben Riley & lt;/th & gt; & lt;td & gt;drums & lt;/td & gt; & lt;/tr & gt; & lt;/table & gt; & lt;/section & gt; & lt;section id= & quot;selections & quot; & gt; & lt;h3 & gt;Selections & lt;/h3 & gt; & lt;h4 & gt;Side A: & lt;/h4 & gt; & lt;ol & gt; & lt;li & gt;Ruby, My Dear & lt;/li & gt; & lt;li & gt;Well, You Needn't & lt;/li & gt; & lt;/ol & gt; & lt;h4 & gt;Side B: & lt;/h4 & gt; & lt;ol & gt; & lt;li & gt;Don't Blame Me & lt;/li & gt; & lt;li & gt;Blue Monk & lt;/li & gt; & lt;li & gt;Epistrophy & lt;/li & gt; & lt;li & gt;I Love You Sweetheart Of All My Dreams & lt;/li & gt; & lt;/ol & gt; & lt;/section & gt;

Thelonious Monk Palo Alto LP (Vinyl)

$ 29.63 ~~$ 31.19~~

& lt;header & gt; & lt;p & gt; & lt;strong & gt;Pivotal Year, Pivotal Tracks In One 5LP Box Set! & lt;br & gt; Every Coltrane Impulse! Recording From 1963, In The Order They Were Recorded! & lt;/strong & gt; & lt;/p & gt; & lt;/header & gt; & lt;header & gt; & lt;p & gt; & lt;strong & gt;2020 Grammy Award Nominee: & lt;/strong & gt; & lt;br & gt; & amp;#8226; Best Boxed Or Special Limited Edition Package: 1963: New Directions & lt;/p & gt; & lt;/header & gt; 1963: New Directions showcases all of the music John Coltrane recorded throughout this historic year. This 5LP box set highlights everything Coltrane recorded in 1963 in the order these songs were recorded. This is a must have for any Coltrane fan interested in hearing the amazing progression of this jazz giant in a pivotal year in his illustrious career. & lt;br & gt; & lt;br & gt; & lt;b & gt;Features: & lt;/b & gt; & lt;br & gt; & amp;bull; 5LP Box Set & lt;br & gt; & amp;bull; Die Cut Box Sleeve & lt;br & gt; & lt;br & gt; & lt;b & gt;Selections: & lt;br & gt; LP 1 & lt;br & gt; Side A: & lt;/b & gt; & lt;br & gt; 1. Vilia [Take 3] & lt;br & gt; 2. Vilia [Take 5] & lt;br & gt; 3. Untitled Original 11383 & lt;br & gt; 4. Nature Boy & lt;br & gt; & lt;b & gt;Side B: & lt;/b & gt; & lt;br & gt; 1. Impressions [Take 1] & lt;br & gt; 2. Impressions [Take 2] & lt;br & gt; 3. Impressions [Take 3] & lt;br & gt; 4. Impressions [Take 4] & lt;br & gt; & lt;br & gt; & lt;b & gt;LP 2 & lt;br & gt; Side A: & lt;/b & gt; & lt;br & gt; 1. Untitled Original 11386 [Take 1] & lt;br & gt; 2. Untitled Original 11386 [Take 2] & lt;br & gt; 3. Untitled Original 11386 [Take 5] & lt;br & gt; & lt;b & gt;Side B: & lt;/b & gt; & lt;br & gt; 1. One Up, One Down [Take 1] & lt;br & gt; 2. One Up, One Down [Take 6] & lt;br & gt; 3. Slow Blues & lt;br & gt; & lt;br & gt; & lt;b & gt;LP 3 & lt;br & gt; Side A: & lt;/b & gt; & lt;br & gt; 1. They Say It's Wonderful & lt;br & gt; 2. Lush Life & lt;br & gt; 3. My One And Only Love & lt;br & gt; 4. Autumn Serenade & lt;br & gt; 5. Dedicated To You & lt;br & gt; & lt;b & gt;Side B: & lt;/b & gt; & lt;br & gt; 1. You Are Too Beautiful & lt;br & gt; 2. After The Rain & lt;br & gt; 3. Dear Old Stockholm & lt;br & gt; 4. I Want To Talk About You & lt;br & gt; & lt;br & gt; & lt;b & gt;LP 4 & lt;br & gt; Side A: & lt;/b & gt; & lt;br & gt; 1. My Favorite Things & lt;br & gt; & lt;b & gt;Side B: & lt;/b & gt; & lt;br & gt; 1. Impressions & lt;br & gt; & lt;br & gt; & lt;b & gt;LP 5 & lt;br & gt; Side A: & lt;/b & gt; & lt;br & gt; 1. The Promise & lt;br & gt; 2. I Want To Talk About You & lt;br & gt; & lt;b & gt;Side B: & lt;/b & gt; & lt;br & gt; 1. Afro Blue & lt;br & gt; 2. Your Lady & lt;br & gt; 3. Alabama

John Coltrane 1963: New Directions 5LP Box Set (Vinyl)

$ 174.59 ~~$ 179.99~~

& lt;header & gt; & lt;p & gt; & lt;strong & gt;Acclaimed Jazz Drummer On Vinyl LP Featuring Andrew D'Angelo, Blake Mills & amp; Andrew Bird! & lt;br & gt; Plated & amp; Pressed at QRP! & lt;/strong & gt; & lt;/p & gt; & lt;/header & gt; & lt;p & gt;You Already Know, the New Deal/Impulse! debut from the acclaimed drummer Ted Poor - & quot;a trustworthy engine in countless modern-jazz settings, & quot; per the New York Times - isn't your typical jazz drummer's recording, almost defiantly so. But if you're at all familiar with the Seattle-based Poor's explorative career - or the wide-ranging work of his principal collaborators here, the deeply influential guitarist-producer & lt;strong & gt;Blake Mills & lt;/strong & gt; and the saxophonist & lt;strong & gt;Andrew D'Angelo & lt;/strong & gt; - this should come as no surprise. & lt;/p & gt; & lt;p & gt;After all, Poor has proven equally brilliant in bands led by the visionary avant-jazz trumpeter Cuong Vu and the lauded indie singer-songwriter & lt;strong & gt;Andrew Bird & lt;/strong & gt;. Whether he's on a club bandstand alongside a generation-defining improviser like the guitarist Ben Monder, or onstage at New York's historic Town Hall, backing Paul Simon as part of Chris Thile's trusted Live From Here band, Poor is a music-first drummer. His tremendous technical abilities behind the kit are inarguable - and no doubt serve him well as the Assistant Professor of Jazz Studies at the University of Washington in Seattle - but he places color, texture, sound and especially melody atop chops. & lt;strong & gt; & quot;The songs that I write, and certainly the songs that appear on this record, are songs you can sing, & quot; & lt;/strong & gt; Poor says, explaining how his time in the employ of renowned singer-songwriters has informed his own composing. & lt;strong & gt; & quot;These are the songs I sing to myself as well. & quot; & lt;/strong & gt; & lt;/p & gt; & lt;p & gt;For that reason, the minimalist You Already Know is a supremely listenable improviser's album, with an artful crossover appeal. It's easy to imagine it existing on the same inquisitive music fan's record shelf alongside LPs by other Poor collaborators - say, the keyboardist-producer Mitchell Froom, or the singer-songwriter wunderkind Madison Cunningham, whose recent Verve Forecast release, Who Are You Now, features Poor. & lt;/p & gt; & lt;p & gt;Take Poor's & quot;Only You, & quot; which boasts a loosely propulsive, almost trip-hoppy rhythm - & quot;my beat, & quot; as Poor calls it, chuckling - and long, true streams of melody from D'Angelo. (A critic's favorite among current jazz alto saxophonists, D'Angelo is no doubt an Ornette Coleman disciple, and that influence is communicated beautifully and directly here.) & quot;It is very repetitive; it's very simple, & quot; Poor says of & quot;Only You & quot;. & quot;But there is a form and attention and emotion that grows out of that. And I love how all of the details - in the way that Andrew articulates his melody, and the intricacies of the drum part - have no choice but to be vaulted to the forefront of the sound. & quot; & lt;/p & gt; & lt;p & gt;D'Angelo's composition & quot;New Wonder & quot; is another highlight among the album's nine tracks, touting a & quot;drum melody in which the beat has a form itself, & quot; Poor explains. Again, D'Angelo's elegant delivery of an infectious melody is remarkably slippery; you don't realize how meticulous his approach is because the sheer tunefulness of his playing strikes first. & quot;Andrew is such a dynamic player, & quot; says Poor, who met the saxophonist around 15 years ago, when both were stalwarts on New York's avant-jazz scene. & quot;His relationship to rhythm is so personal and special. & quot; & lt;/p & gt; & lt;p & gt; & quot;New Wonder & quot; is also indicative of the stealthy sonic inventiveness that runs throughout You Already Know. During the album's sessions at Los Angeles' legendary Sound City Studios, Poor recorded D'Angelo's melody on piano via the studio's echo chamber but then removed the actual piano sound later on; the results resembled what Poor calls a & quot;shimmery halo & quot; of reverb and space. One of the project's most affecting tracks, & quot;To Rome & quot;, homes in on Poor's melodic ingenuity behind the kit (and piano), and features Andrew Bird on violin and Blake Mills on guitar. On & quot;United & quot;, a judiciously used overdubbed string section, courtesy of Rob Moose, fleshes out the duo ambience, and that newfound orchestral dimension pushes the album closer to chamber pop or contemporary classical than to any jazz-with-strings exercise. Throughout, inspired mixing by David Boucher (Andrew Bird, Randy Newman, Pixar) and mastering by Eric Boulanger (Neil Young, Rufus Wainwright, Green Day) grant the jazz-inspired project new angles in sound that come only with adventurous rock and pop studio experience. & lt;/p & gt; & lt;p & gt;An invaluable part of the album's smart, streamlined design can be attributed to producer Mills, the 33-year-old polymath and an heir to super-producer-musicians like Ry Cooder and Don Was. In fact, the very existence of You Already Know belongs to Poor's relationship with Mills. The two met and clicked in 2014, during the sessions for Bird's album Are You Serious, and began hanging out and playing together whenever Poor would visit Los Angeles. During one of those hangs, Poor played some working recordings of his duets with D'Angelo, and Mills was thrilled by them. The inception of New Deal, Mills' own imprint through Verve/Universal Music, set the wheels in motion. & quot;I was really appreciative of how reserved Blake was in his choices as a producer, & quot; Poor says. & quot;There would often be times where I wanted to do more and more, or leave an element in longer, such as the strings or the piano. And Blake was very conscious of keeping the ear's focus on the main two instruments, and to get in and out as quickly as possible with the other stuff. & quot; & lt;/p & gt; & lt;p & gt;In some fashion, You Already Know is no different than the many gorgeous folk- and Americana-tinged singer-songwriter albums Mills has helmed. It's a folk album, but & quot;not the genre of folk, & quot; Poor says. & quot;It's more the idea of music as oral tradition - music as song. & quot; & lt;/p & gt; & lt;a name= & quot;SS & quot; & gt; & lt;/a & gt; & lt;iframe width= & quot;560 & quot; height= & quot;315 & quot; src= & quot;https://www.youtube.com/embed/yrapn_9a1kM & quot; frameborder= & quot;0 & quot; allowfullscreen & gt; & lt;/iframe & gt; & lt;br & gt; & lt;br & gt; & lt;section id= & quot;features & quot; & gt; & lt;h3 & gt;Features & lt;/h3 & gt; & lt;ul & gt; & lt;li & gt;Vinyl LP & lt;/li & gt; & lt;li & gt;Plated and pressed at Quality Record Pressings & lt;/li & gt; & lt;/ul & gt; & lt;/section & gt; & lt;section id= & quot;musicians & quot; & gt; & lt;h3 & gt;Musicians & lt;/h3 & gt; & lt;table & gt; & lt;tr & gt; & lt;th & gt;Ted Poor & lt;/th & gt; & lt;td & gt;drums, percussion, piano, harmonium & lt;/td & gt; & lt;/tr & gt; & lt;tr & gt; & lt;th & gt;Andrew D'Angelo & lt;/th & gt; & lt;td & gt;alto saxophone & lt;/td & gt; & lt;/tr & gt; & lt;tr & gt; & lt;th & gt;Blake Mills & lt;/th & gt; & lt;td & gt;guitar, acoustic bass, piano, harmonium & lt;/td & gt; & lt;/tr & gt; & lt;tr & gt; & lt;th & gt;Sebastian Steinberg & lt;/th & gt; & lt;td & gt;acoustic bass & lt;/td & gt; & lt;/tr & gt; & lt;tr & gt; & lt;th & gt;Paul Kowert & lt;/th & gt; & lt;td & gt;acoustic bass & lt;/td & gt; & lt;/tr & gt; & lt;tr & gt; & lt;th & gt;Andrew Bird & lt;/th & gt; & lt;td & gt;violin & lt;/td & gt; & lt;/tr & gt; & lt;tr & gt; & lt;th & gt;Rob Moose & lt;/th & gt; & lt;td & gt;violin, viola, cello & lt;/td & gt; & lt;/tr & gt; & lt;/table & gt; & lt;/section & gt; & lt;section id= & quot;selections & quot; & gt; & lt;h3 & gt;Selections & lt;/h3 & gt; & lt;h4 & gt;Side A: & lt;/h4 & gt; & lt;ol & gt; & lt;li & gt;Emilia & lt;/li & gt; & lt;li & gt;Only You & lt;/li & gt; & lt;li & gt;Kasia & lt;/li & gt; & lt;li & gt;To Rome & lt;/li & gt; & lt;/ol & gt; & lt;h4 & gt;Side B: & lt;/h4 & gt; & lt;ol & gt; & lt;li & gt;New Wonder & lt;/li & gt; & lt;li & gt;At Night & lt;/li & gt; & lt;li & gt;United & lt;/li & gt; & lt;li & gt;Push Pull & lt;/li & gt; & lt;li & gt;Reminder & lt;/li & gt; & lt;/ol & gt; & lt;/section & gt;

Ted Poor You Already Know LP (Vinyl)

$ 26.76 ~~$ 27.59~~

& lt;header & gt; & lt;p & gt;Coming January 28, 2022 pre-order your copy today! Orders with both pre-order and in stock items will have all in stock items shipped immediately! & lt;/p & gt; & lt;/header & gt; & lt;header & gt; & lt;p & gt; & lt;strong & gt;Ambitious New Album On Vinyl LP! & lt;/strong & gt; & lt;/p & gt; & lt;/header & gt; & lt;header & gt; & lt;p & gt; & lt;strong & gt;2022 Grammy Award Nominee: & lt;/strong & gt; & lt;br & gt; & amp;#8226; Best Engineered Album, Non-Classical: Notes With Attachments & lt;/p & gt; & lt;/header & gt; & lt;p & gt;This is Pino Palladino's first record of original music. Co-written and produced by Blake Mills, this album has no single sound. It showcases various styles of playing with an emphasis on ambitious composition and you can trace homages to J Dilla, Fela Kuti, and Roy Hargrove throughout. Other musicians include Chris Dave, Larry Goldings, Andrew Bird, Ted Poor, and more. This is being released as part of Blake's imprint, New Deal Records, under Verve and is part of our Impulse 60! 2021 campaign. & lt;/p & gt; & lt;blockquote cite= & quot;www.allmusic.com & quot; & gt; Notes with Attachments is a strange record, but it is also welcoming thanks to an unhurried pace, colorful yet economical production, and restrained dynamics, all carried by the canny, warmly humorous musical instincts of its creators. & lt;footer & gt; -Thom Jurek, AllMusic.com & lt;/footer & gt; & lt;/blockquote & gt; & lt;br & gt; & lt;br & gt; & lt;a name= & quot;SS & quot; & gt; & lt;/a & gt; & lt;iframe width= & quot;560 & quot; height= & quot;315 & quot; src= & quot;https://www.youtube.com/embed/dQTtUmmjqbI & quot; frameborder= & quot;0 & quot; allowfullscreen & gt; & lt;/iframe & gt; & lt;br & gt; & lt;br & gt; & lt;section id= & quot;features & quot; & gt; & lt;h3 & gt;Features & lt;/h3 & gt; & lt;ul & gt; & lt;li & gt;Part Of Impulse 60! 2021 Campaign & lt;/li & gt; & lt;li & gt;Vinyl LP & lt;/li & gt; & lt;!--More features go here in & lt;li & gt; tags-- & gt; & lt;/ul & gt; & lt;/section & gt; & lt;section id= & quot;selections & quot; & gt; & lt;h3 & gt;Selections & lt;/h3 & gt; & lt;h4 & gt;Side A: & lt;/h4 & gt; & lt;ol & gt; & lt;li & gt;Just Wrong & lt;/li & gt; & lt;li & gt;Soundwalk & lt;/li & gt; & lt;li & gt;Ekut & amp;#233; & lt;/li & gt; & lt;li & gt;Notes With Attachments & lt;/li & gt; & lt;/ol & gt; & lt;h4 & gt;Side B: & lt;/h4 & gt; & lt;ol & gt; & lt;li & gt;Djurkel & lt;/li & gt; & lt;li & gt;Chris Dave & lt;/li & gt; & lt;li & gt;Man From Molise & lt;/li & gt; & lt;li & gt;Off The Cuff & lt;/li & gt; & lt;/ol & gt; & lt;/section & gt;

Pino Palladino & Blake Mills Notes With Attachments LP (Vinyl)

$ 29.63 ~~$ 31.19~~

& lt;header & gt; & lt;p & gt; & lt;strong & gt;1982 Spiritual Jazz Album Reissued On Double LP! & lt;/strong & gt; & lt;/p & gt; & lt;/header & gt; & lt;p & gt;Alice Coltrane is the undeniable godmother of spiritual jazz and an acknowledged influence on everyone from Flying Lotus and Kamasi Washington to Solange and Radiohead. Recorded in 1981 and never shared in this form with the world at large, Kirtan: Turiya Sings is a stunning collection of nine devotional songs, featuring the never-before-heard combination of Alice Coltrane's voice and organ. & lt;/p & gt; & lt;p & gt;The original recording of these songs, Turiya Sings, was released exclusively on cassette in 1982 for the students of Alice's ashram. In addition to Alice's voice and organ, the recording included synthesizers, strings, and sound effects. In 2004, Alice's son and producer of this record, Ravi Coltrane, found mixes he'd never heard before of just Alice's voice and her Wurlitzer organ. & lt;/p & gt; & lt;p & gt;Though known by many as the musical partner and wife of John Coltrane, Alice Coltrane is revered for her groundbreaking contributions to spiritual jazz with her legendary Impulse! recordings Journey In Satchidananda and Ptah, The El Daoud, among others. Throughout the 1970s, in addition to maintaining the busy schedule of a recording and touring artist, Alice Coltrane was immersing herself in Eastern philosophies, mythologies, and Vedic religious practices. By the early 1980s, she had become a guru and spiritual teacher and began to make music exclusively for her community at The Vedantic Center, northwest of Los Angeles. & lt;/p & gt; & lt;blockquote cite= & quot;www.pitchfork.com & quot; & gt; These 1981 devotional recordings for voice and Wurlitzer, meant to guide meditation through chanting, offer an alternate version of the cosmic jazz visionary's synthesizer masterpiece, Turiya Sings... Like a great sacred text, the music of Kirtan: Turiya Sings is concentrated and rigorous, yet simple and full of ease. Like the original Turiya Sings, it's also a pleasure. & lt;footer & gt; -Jenn Pelly, Pitchfork, Best New Reissue, Rated: 8.5 & lt;/footer & gt; & lt;/blockquote & gt; & lt;section id= & quot;features & quot; & gt; & lt;h3 & gt;Features & lt;/h3 & gt; & lt;ul & gt; & lt;li & gt;Double LP & lt;/li & gt; & lt;li & gt;Gatefold jacket & lt;/li & gt; & lt;/ul & gt; & lt;/section & gt; & lt;section id= & quot;musicians & quot; & gt; & lt;h3 & gt;Musicians & lt;/h3 & gt; & lt;table & gt; & lt;tr & gt; & lt;th & gt;Alice Coltrane & lt;/th & gt; & lt;td & gt;harp, organ, piano, vocals & lt;/td & gt; & lt;/tr & gt; & lt;/table & gt; & lt;/section & gt; & lt;section id= & quot;selections & quot; & gt; & lt;h3 & gt;Selections & lt;/h3 & gt; & lt;h4 & gt;Side A: & lt;/h4 & gt; & lt;ol & gt; & lt;li & gt;Jagadishwar & lt;/li & gt; & lt;li & gt;Jai Ramachandra & lt;/li & gt; & lt;li & gt;Krishna Krishna & lt;/li & gt; & lt;/ol & gt; & lt;h4 & gt;Side B: & lt;/h4 & gt; & lt;ol & gt; & lt;li & gt;Rama Katha & lt;/li & gt; & lt;li & gt;Yamuna Tira Vihari & lt;/li & gt; & lt;/ol & gt; & lt;h4 & gt;Side C: & lt;/h4 & gt; & lt;ol & gt; & lt;li & gt;Charanam & lt;/li & gt; & lt;li & gt;Govinda Hari & lt;/li & gt; & lt;/ol & gt; & lt;h4 & gt;Side D: & lt;/h4 & gt; & lt;ol & gt; & lt;li & gt;Hara Siva & lt;/li & gt; & lt;li & gt;Pranadhana & lt;/li & gt; & lt;/ol & gt; & lt;/section & gt;

Alice Coltrane Kirtan: Turiya Sings 2LP (Vinyl)

$ 32.58 ~~$ 33.59~~

& lt;header & gt; & lt;p & gt; & lt;strong & gt;Vinyl LP Reissue! & lt;/strong & gt; & lt;/p & gt; & lt;/header & gt; & lt;p & gt;The tenor firebrand and avant-garde hero's second Impulse! album, released in 1965, was an ensemble masterpiece featuring an original tune dedicated to Malcolm X ( & quot;Malcom, Malcolm Semper Malcolm & quot;) plus unique takes on Antonio Carlos Jobim ( & quot;The Girl From Ipanema & quot;) and Duke Ellington ( & quot;Prelude To A Kiss & quot;). & lt;/p & gt; & lt;section id= & quot;features & quot; & gt; & lt;h3 & gt;Features & lt;/h3 & gt; & lt;ul & gt; & lt;li & gt;Vinyl LP & lt;/li & gt; & lt;li & gt;Vital Vinyl series: Original label, original tapes, original sound & amp; design & lt;/li & gt; & lt;li & gt;Made in Czech Republic & lt;/li & gt; & lt;/ul & gt; & lt;/section & gt; & lt;section id= & quot;musicians & quot; & gt; & lt;h3 & gt;Musicians & lt;/h3 & gt; & lt;table & gt; & lt;tr & gt; & lt;th & gt;Archie Shepp & lt;/th & gt; & lt;td & gt;tenor saxophone & lt;/td & gt; & lt;/tr & gt; & lt;tr & gt; & lt;th & gt;Marion Brown & lt;/th & gt; & lt;td & gt;alto saxophone & lt;/td & gt; & lt;/tr & gt; & lt;tr & gt; & lt;th & gt;Ted Curson & lt;/th & gt; & lt;td & gt;trumpet & lt;/td & gt; & lt;/tr & gt; & lt;tr & gt; & lt;th & gt;Joseph Orange & lt;/th & gt; & lt;td & gt;trombone & lt;/td & gt; & lt;/tr & gt; & lt;tr & gt; & lt;th & gt;Reggie Johnson & lt;/th & gt; & lt;td & gt;bass (Side 1; Side 2: Tracks 2 & amp; 3) & lt;/td & gt; & lt;/tr & gt; & lt;tr & gt; & lt;th & gt;David Izenzon & lt;/th & gt; & lt;td & gt;bass (Side 2: Track 1) & lt;/td & gt; & lt;/tr & gt; & lt;tr & gt; & lt;th & gt;Joe Chambers & lt;/th & gt; & lt;td & gt;drums (Side 1; Side 2: Tracks 2 & amp; 3) & lt;/td & gt; & lt;/tr & gt; & lt;tr & gt; & lt;th & gt;J.C. Moses & lt;/th & gt; & lt;td & gt;drums (Side 2: Track 1) & lt;/td & gt; & lt;/tr & gt; & lt;/table & gt; & lt;/section & gt; & lt;section id= & quot;selections & quot; & gt; & lt;h3 & gt;Selections & lt;/h3 & gt; & lt;h4 & gt;Side 1: & lt;/h4 & gt; & lt;ol & gt; & lt;li & gt;Hambone & lt;/li & gt; & lt;li & gt;Los Olvidados & lt;/li & gt; & lt;/ol & gt; & lt;h4 & gt;Side 2: & lt;/h4 & gt; & lt;ol & gt; & lt;li & gt;Malcolm, Malcolm, Semper Malcolm & lt;/li & gt; & lt;li & gt;Prelude To A Kiss & lt;/li & gt; & lt;li & gt;The Girl From Impanema & lt;/li & gt; & lt;/ol & gt; & lt;/section & gt;

Archie Shepp Fire Music LP (Vinyl)

$ 30.57 ~~$ 31.19~~

The McCoy Tyner Trio Inception LP (Vinyl)

$ 29.63 ~~$ 31.19~~

& lt;font color= & quot;#FF0000 & quot; & gt; & lt;b & gt;Lost 1963 Recording Finally Released! Deluxe Edition Double LP! & lt;br & gt; Includes Every Take From The Session! Pressed at QRP! & lt;/b & gt; & lt;/font & gt; & lt;br & gt; & lt;br & gt; In 1963, John Coltrane recorded a studio album that has remained unknown and unheard until now. The album was recorded at Van Gelder Studios, the & quot;Abbey Road & quot; of Jazz, with Coltranes Classic Quartet and at the height of his career. The music on this album represents one of the most influential groups in music history performing in a musical style it had perfected and reaching in new, exploratory directions that would affect the trajectory of jazz from then on. In short, this is the holy grail of jazz. & lt;br & gt; & lt;br & gt; Unknown until 2004 and unheard until now, these recordings by the John Coltrane Quartet are, as Sonny Rollins says in the liner notes, & quot;like finding a new room in the Great Pyramid. & quot; Featuring the Classic Quartet John Coltrane, McCoy Tyner, Jimmy Garrison and Elvin Jones and recorded at the end of a two-week run at Birdland, the music on this album represents one of the most influential groups in music history both performing in a musical style it had perfected. & lt;br & gt; & lt;br & gt; Includes 7 alternate takes of the tracks from the standard edition. & lt;br & gt; & lt;br & gt; & lt;b & gt; & quot;If you heard the John Coltrane Quartet live in the early-to-mid-1960s, you were at risk of having your entire understanding of performance rewired. This was a ground-shaking band, an almost physical being, bearing a promise that seemed to reach far beyond music. The quartet's relationship to the studio, however, was something different. In the years leading up to A Love Supreme, his explosive 1965 magnum opus, Coltrane produced eight albums for Impulse! Records featuring the members of his so-called classic quartet - the bassist Jimmy Garrison, the drummer Elvin Jones and the pianist McCoy Tyner - but only two of those, Coltrane and Crescent, were earnest studio efforts aimed at distilling the band's live ethic. But now that story needs a major footnote. On Friday, Impulse! will announce the June 29 release of 'Both Directions at Once: The Lost Album,' a full set of material recorded by the quartet on a single day in March 1963, then eventually stashed away and lost. The family of Coltrane's first wife, Juanita Naima Coltrane, recently discovered his personal copy of the recordings, which she had saved, and brought it to the label's attention. There are seven tunes on this collection, a well-hewed mix that clearly suggests Coltrane had his sights on creating a full album that day. From the sound of it, this would have been an important one. & quot; & lt;/b & gt; - The New York Times & lt;a href= & quot;https://www.nytimes.com/2018/06/07/arts/music/john-coltrane-lost-album-both-directions-at-once.html & quot; & gt; & lt;b & gt; & lt;font color= & quot;#0000FF & quot; & gt;Read more! & lt;/font & gt; & lt;/b & gt; & lt;/a & gt; & lt;br & gt; & lt;br & gt; & lt;b & gt; & quot;Considering the mileage that Coltrane's labels have gotten churning through his well-documented discography, any unheard material from this legendary artist would be newsworthy enough. But these early takes on tracks that would end up on later albums and the untitled, never-before-issued tunes are remarkable, and a continued exploration of the modal jazz ideas that would mark his classics Impressions and My Favorite Things. This collection is another brilliant and colorful flash from a quartet that was creating lightning with no small of sweat and gritted teeth exertion. & quot; & lt;/b & gt; - Paste Magazine & lt;br & gt; & lt;br & gt; & lt;b & gt;Features: & lt;/b & gt; & lt;br & gt; & amp;bull; Deluxe Edition & lt;br & gt; & amp;bull; Double LP & lt;br & gt; & amp;bull; Pressed at Quality Record Pressings & lt;br & gt; & amp;bull; Newly discovered studio recording & lt;br & gt; & amp;bull; Contains every take from the session, including 7 alternate takes & lt;br & gt; & amp;bull; Gatefold jacket featuring a die-cut front and back cover, with debossed lettering on front and back & lt;br & gt; & lt;br & gt; & lt;b & gt;Musicians: & lt;/b & gt; & lt;br & gt; John Coltrane & lt;br & gt; McCoy Tyner & lt;br & gt; Jimmy Garrison & lt;br & gt; Elvin Jones & lt;br & gt; & lt;br & gt; & lt;b & gt;Selections: & lt;br & gt; LP1 & lt;br & gt; Side A: & lt;/b & gt; & lt;br & gt; 1. Untitled Original 11383 (Take 1) & lt;br & gt; 2. Nature Boy & lt;br & gt; 3. Untitled Original 11386 (Take 1) & lt;br & gt; 4. Vilia (Take 3) & lt;br & gt; & lt;b & gt;Side B: & lt;/b & gt; & lt;br & gt; 1. Impressions (Take 3) & lt;br & gt; 2. Slow Blues & lt;br & gt; 3. One Up, One Down (Take 1) & lt;br & gt; & lt;b & gt;LP 2 & lt;br & gt; Side A: & lt;/b & gt; & lt;br & gt; 1. Vilia (Take 5) & lt;br & gt; 2. Impressions (Take 1) & lt;br & gt; 3. Impressions (Take 2) & lt;br & gt; 4. Impressions (Take 4) & lt;br & gt; & lt;b & gt;Side B: & lt;/b & gt; & lt;br & gt; 1. Untitled Original 11386 (Take 2) & lt;br & gt; 2. Untitled Original 11386 (Take 5) & lt;br & gt; 3. One Up, One Down (Take 6)

John Coltrane Both Directions At Once: The Lost Album Deluxe Edition 2LP (Vinyl)

$ 41.03 ~~$ 43.19~~

The Gil Evans Orchestra Out of The Cool LP (Vinyl)

$ 29.69 ~~$ 29.99~~

Oliver Nelson The Blues and The Abstract Truth LP (Vinyl)

$ 30.57 ~~$ 31.19~~

& lt;p & gt; & lt;strong & gt;TAS Super LP List! Special Merit: Informal & lt;/strong & gt; & lt;/p & gt; & lt;header & gt; & lt;p & gt; & lt;strong & gt;All-Analog 180g Vinyl LP! & lt;br & gt; Remastered & amp; Pressed at Quality Record Pressings! & lt;br & gt; Mastered by Ryan K. Smith at Sterling Sound From Original Analog Tapes! & lt;/strong & gt; & lt;/p & gt; & lt;/header & gt; & lt;p & gt; & lt;strong & gt;Michael Fremer Rated 11/11 Music, 10/11 Sonics! & lt;/strong & gt; & lt;/p & gt; & lt;p & gt;A special Coltrane masterpiece recorded in December 1961. When asked why such an undertaking, Coltrane replied, & quot;variety. & quot; The recording captures the famed John Coltrane Quartet in a performance of timeless ballads. & lt;/p & gt; & lt;p & gt;Seeking to offer definitive audiophile grade versions of some of the most historic and best jazz records ever recorded, Verve Label Group and Universal Music Enterprises' new audiophile Acoustic Sounds vinyl reissue series utilizes the skills of top mastering engineers and the unsurpassed production craft of Quality Record Pressings. All titles are mastered from the original analog tapes, pressed on 180-gram vinyl and packaged by Stoughton Printing Co. in high-quality gatefold sleeves with tip-on jackets. & lt;/p & gt; & lt;p & gt; & lt;strong & gt; & quot;We are excited to launch our Acoustic Sounds series, & quot; & lt;/strong & gt; said Bruce Resnikoff, President & amp; CEO of UMe. & lt;strong & gt; & quot;Verve and UMe have one of the richest jazz catalogs ever recorded and our goal is to give vinyl and music lovers the best possible versions of classic albums. The Acoustic Sounds series is designed to appeal to today's most discriminating fans, and those discovering this treasured legacy for the first time, looking for the very finest in both artistic content and audio quality. & quot; & lt;/strong & gt; & lt;/p & gt; & lt;blockquote cite= & quot;www.analogplanet.com & quot; & gt; This is an album that will never go out of style and never be unwelcome on any jazz lover's turntable. ... Ryan's cut has his characteristic clarity and transparency all set against QRP's usual jet black backgrounds. Ryan's new cut is a 100% top to bottom success and is easy to recommend. & lt;footer & gt; -Michael Fremer, Analog Planet, Music 11/11, Sound 10/11 & lt;/footer & gt; & lt;/blockquote & gt; & lt;section id= & quot;features & quot; & gt; & lt;h3 & gt;Features & lt;/h3 & gt; & lt;ul & gt; & lt;li & gt;Acoustic Sounds Series reissue from Verve/Universal Music Enterprises & lt;/li & gt; & lt;li & gt;180g Vinyl LP & lt;/li & gt; & lt;li & gt;All-Analog & lt;/li & gt; & lt;li & gt;Mastered by Ryan K. Smith at Sterling Sound From Original Analog Tapes! & lt;/li & gt; & lt;li & gt;Pressed at Quality Record Pressings & lt;/li & gt; & lt;li & gt;Stoughton Printing gatefold old-style tip-on jacket & lt;/li & gt; & lt;/ul & gt; & lt;/section & gt; & lt;section id= & quot;musicians & quot; & gt; & lt;h3 & gt;Musicians & lt;/h3 & gt; & lt;table & gt; & lt;tr & gt; & lt;th & gt;John Coltrane & lt;/th & gt; & lt;td & gt;tenor sax & lt;/td & gt; & lt;/tr & gt; & lt;tr & gt; & lt;th & gt;McCoy Tyner & lt;/th & gt; & lt;td & gt;piano & lt;/td & gt; & lt;/tr & gt; & lt;tr & gt; & lt;th & gt;Jimmy Garrison & lt;/th & gt; & lt;td & gt;bass & lt;/td & gt; & lt;/tr & gt; & lt;tr & gt; & lt;th & gt;Elvin Jones & lt;/th & gt; & lt;td & gt;drums & lt;/td & gt; & lt;/tr & gt; & lt;/table & gt; & lt;/section & gt; & lt;section id= & quot;selections & quot; & gt; & lt;h3 & gt;Selections & lt;/h3 & gt; & lt;ol & gt; & lt;li & gt;Say It (Over And Over Again) & lt;/li & gt; & lt;li & gt;You Don't Know What Love Is & lt;/li & gt; & lt;li & gt;Too Young To Go Steady & lt;/li & gt; & lt;li & gt;All Or Nothing At All & lt;/li & gt; & lt;li & gt;I Wish I Knew & lt;/li & gt; & lt;li & gt;What's New & lt;/li & gt; & lt;li & gt;It's Easy To Remember & lt;/li & gt; & lt;li & gt;Nancy (With The Laughing Face) & lt;/li & gt; & lt;/ol & gt; & lt;/section & gt;

The John Coltrane Quartet Ballads (Verve Acoustic Sounds Series) 180g LP (Vinyl)

$ 41.03 ~~$ 43.19~~

& lt;font color= & quot;#FF0000 & quot; & gt; & lt;b & gt;Limited Edition - 2000 Copies! & lt;br & gt; Modern Jazz Interpretations of Sgt. Peppers Music On Double LP! & lt;/b & gt; & lt;/font & gt; & lt;br & gt; & lt;br & gt; Some of today's most meaningful up and coming and established jazz artists pay homage to the iconic Beatles record & quot;Sgt. Pepper's Lonely Hearts Club Band & quot;. Musicians were given the challenge to create loose interpretation of these classic songs, and the result is impressionistic, original, avant-garde takes on legendary tracks like & quot;With A Little Help From My Friends & quot;, & quot;Lucy In The Sky With Diamonds & quot;, & quot;Getting Better & quot;, and & quot;A Day In The Life & quot;. & lt;br & gt; & lt;br & gt; & lt;b & gt; & quot;Rather than offering obvious renditions of these standards, the likes of Makaya McCraven, Mary Halvorson, Shabaka Hutchings, and Sullivan Fortner reimagine them in the grandest jazz traditionas fodder and grist, inspiration for making something else entirely. From sweeping solo piano vamps to cinematic takes bordering on post-rock, these versions treat the originals like colorful clothes worn by today's most electrifying jazz musicians, who give these old chestnuts a new body and vitality. & quot; & lt;/b & gt; - Pitchfork & lt;br & gt; & lt;br & gt; & lt;b & gt;Features: & lt;/b & gt; & lt;br & gt; & amp;bull; Limited Edition - 2000 Copies & lt;br & gt; & amp;bull; Double LP (3 Sides of music) & lt;br & gt; & amp;bull; Gatefold jacket & lt;br & gt; & lt;br & gt; & lt;b & gt;Selections: & lt;br & gt; Side A: & lt;/b & gt; & lt;br & gt; 1. Sgt. Peppers Lonely Hearts Club Band - Antonio Sanchez & lt;br & gt; 2. With A Little Help From My Friends - Mary Halvorson & lt;br & gt; 3. Lucy In The Sky With Diamonds - Makaya McCraven & lt;br & gt; 4. Getting Better - Wildflower & lt;br & gt; 5. Fixing A Hole - Cameron Graves & lt;br & gt; & lt;b & gt;Side B: & lt;/b & gt; & lt;br & gt; 1. She's Leaving Home - Keyon Harrold & lt;br & gt; 2. Being For The Benefit Of Mr. Kite! - Brandee Younger & lt;br & gt; 3. Within You Without You - Onyx Collective & lt;br & gt; & lt;b & gt;Side C: & lt;/b & gt; & lt;br & gt; 1. When I'm Sixty-Four - Sullivan Fortner & lt;br & gt; 2. Lovely Rita - Miles Mosley & lt;br & gt; 3. Good Morning Good Morning - Shabaka & amp; The Ancestors & lt;br & gt; 4. Sgt. Pepper's Lonely Hearts Club Band (Reprise) - Antonio Sanchez & lt;br & gt; 5. A Day In The Life - The JuJu Exchange

A Day In the Life: Impressions of Pepper 2LP (Vinyl)

$ 35.63 ~~$ 35.99~~

& lt;header & gt; & lt;p & gt; & lt;strong & gt;New Album On Double LP! & lt;/strong & gt; & lt;/p & gt; & lt;/header & gt; & lt;p & gt;Sons of Kemet returns in 2021 with their new album Black To The Future. This release finds the UK-based quartet at their most dynamic - showcasing harmonically elegant arrangements and compositions, coupled with fierce, driving material that will be familiar to initiated fans. This album features prominent UK vocalists and a strong emphasis on lush compositions and arrangements. Guest artists include Kojey Radical, Moor Mother, & amp; more. The record is part of the impulse! records & quot;impulse 60! & quot; 2021 campaign. & lt;/p & gt; & lt;blockquote cite= & quot;www.pitchfork.com & quot; & gt; Shabaka Hutchings leads his brass band on a propulsive mind- and body-moving record, advocating through music that change comes from speaking directly about collective oppression. & lt;footer & gt; -Hubert Adjei-Kontoh, Pitchfork & lt;/footer & gt; & lt;/blockquote & gt; & lt;blockquote cite= & quot;www.allmusic.com & quot; & gt; ...[A] staggering achievement. Musically and culturally, Sons of Kemet not only holistically conceive of a future, they begin to create one right now. & lt;footer & gt; -Thom Jurek, AllMusic.com, 4.5/5 stars (The AllMusic 2021 Year In Review - Best Of 2021) & lt;/footer & gt; & lt;/blockquote & gt; & lt;section id= & quot;features & quot; & gt; & lt;h3 & gt;Features & lt;/h3 & gt; & lt;ul & gt; & lt;li & gt;Part of the & quot;impulse 60! & quot; Campaign & lt;/li & gt; & lt;li & gt;Double LP & lt;/li & gt; & lt;li & gt;Gatefold jacket & lt;/li & gt; & lt;/ul & gt; & lt;/section & gt; & lt;section id= & quot;selections & quot; & gt; & lt;h3 & gt;Selections & lt;/h3 & gt; & lt;h4 & gt;Side A: & lt;/h4 & gt; & lt;ol & gt; & lt;li & gt;Field Negus & lt;/li & gt; & lt;li & gt;Pick Up Your Burning Cross & lt;/li & gt; & lt;li & gt;Think Of Home & lt;/li & gt; & lt;/ol & gt; & lt;h4 & gt;Side B: & lt;/h4 & gt; & lt;ol & gt; & lt;li & gt;Hustle & lt;/li & gt; & lt;li & gt;For The Culture & lt;/li & gt; & lt;li & gt;To Never Forget The Source & lt;/li & gt; & lt;/ol & gt; & lt;h4 & gt;Side C: & lt;/h4 & gt; & lt;ol & gt; & lt;li & gt;In Remembrance Of Those Fallen & lt;/li & gt; & lt;li & gt;Let The Circle Be Unbroken & lt;/li & gt; & lt;/ol & gt; & lt;h4 & gt;Side D: & lt;/h4 & gt; & lt;ol & gt; & lt;li & gt;Envision Yourself Levitating & lt;/li & gt; & lt;li & gt;Throughout The Madness, Stay Strong & lt;/li & gt; & lt;li & gt;Black & lt;/li & gt; & lt;/ol & gt; & lt;/section & gt;

Sons Of Kemet Black To The Future 2LP (Vinyl)

$ 35.27 ~~$ 35.99~~

& lt;header & gt; & lt;p & gt; & lt;strong & gt;All-Analog 180g Vinyl LP! & lt;br & gt; Remastered & amp; Pressed at Quality Record Pressings! & lt;br & gt; Mastered by Ryan K. Smith at Sterling Sound From Original Analog Tapes! & lt;/strong & gt; & lt;/p & gt; & lt;/header & gt; & lt;p & gt; & lt;strong & gt;Michael Fremer Rated 11/11 Music, 10/11 Sonics! & lt;/strong & gt; & lt;/p & gt; & lt;p & gt;Easily one of the most important records ever made, John Coltrane's A Love Supreme was his pinnacle studio outing that at once compiled all of his innovations from his past, spoke of his current deep spirituality, and also gave a glimpse into the next two-and-a-half years. & lt;/p & gt; & lt;p & gt;eeking to offer definitive audiophile grade versions of some of the most historic and best jazz records ever recorded, Verve Label Group and Universal Music Enterprises' new audiophile Acoustic Sounds vinyl reissue series utilizes the skills of top mastering engineers and the unsurpassed production craft of Quality Record Pressings. All titles are mastered from the original analog tapes, pressed on 180-gram vinyl and packaged by Stoughton Printing Co. in high-quality gatefold sleeves with tip-on jackets. & lt;/p & gt; & lt;p & gt; & lt;strong & gt; & quot;We are excited to launch our Acoustic Sounds series, & quot; & lt;/strong & gt; said Bruce Resnikoff, President & amp; CEO of UMe. & lt;strong & gt; & quot;Verve and UMe have one of the richest jazz catalogs ever recorded and our goal is to give vinyl and music lovers the best possible versions of classic albums. The Acoustic Sounds series is designed to appeal to today's most discriminating fans, and those discovering this treasured legacy for the first time, looking for the very finest in both artistic content and audio quality. & quot; & lt;/strong & gt; & lt;/p & gt; & lt;blockquote cite= & quot;www.analogplanet.com & quot; & gt; Anyone who tells you the original pressing bests this new one simply has not heard either! ... The original is just not very good at all. Quite the opposite for Ryan Smith's cut. Tyner's piano in particular is spectacularly well-served sitting clearly and convincingly in three-dimensions between the speakers. You could say Coltrane's sax is slightly thinner than you might want but that would be system-dependent and as far as I'm concerned the cut is another out of the park home run set against black backgrounds. & lt;footer & gt; -Michael Fremer, Analog Planet, Music 11/11, Sound 10/11 & lt;/footer & gt; & lt;/blockquote & gt; & lt;section id= & quot;features & quot; & gt; & lt;h3 & gt;Features & lt;/h3 & gt; & lt;ul & gt; & lt;li & gt;Acoustic Sounds Series reissue from Verve/Universal Music Enterprises & lt;/li & gt; & lt;li & gt;180g Vinyl LP & lt;/li & gt; & lt;li & gt;All-Analog & lt;/li & gt; & lt;li & gt;Mastered by Ryan K. Smith at Sterling Sound From Original Analog Tapes! & lt;/li & gt; & lt;li & gt;Pressed at Quality Record Pressings & lt;/li & gt; & lt;li & gt;Stoughton Printing gatefold old-style tip-on jacket & lt;/li & gt; & lt;/ul & gt; & lt;/section & gt; & lt;section id= & quot;musicians & quot; & gt; & lt;h3 & gt;Musicians & lt;/h3 & gt; & lt;table & gt; & lt;tr & gt; & lt;th & gt;John Coltrane & lt;/th & gt; & lt;td & gt;tenor sax & lt;/td & gt; & lt;/tr & gt; & lt;tr & gt; & lt;th & gt;McCoy Tyner & lt;/th & gt; & lt;td & gt;piano & lt;/td & gt; & lt;/tr & gt; & lt;tr & gt; & lt;th & gt;Jimmy Garrison & lt;/th & gt; & lt;td & gt;bass & lt;/td & gt; & lt;/tr & gt; & lt;tr & gt; & lt;th & gt;Elvin Jones & lt;/th & gt; & lt;td & gt;drums & lt;/td & gt; & lt;/tr & gt; & lt;/table & gt; & lt;/section & gt; & lt;section id= & quot;selections & quot; & gt; & lt;h3 & gt;Selections & lt;/h3 & gt; & lt;ol & gt; & lt;li & gt;A Love Supreme, Pt. I - Acknowledgement & lt;/li & gt; & lt;li & gt;A Love Supreme, Pt. II - Resolution & lt;/li & gt; & lt;li & gt;A Love Supreme, Pt. III - Pursuance & lt;/li & gt; & lt;li & gt;A Love Supreme, Pt. IV - Psalm & lt;/li & gt; & lt;/ol & gt; & lt;/section & gt;

John Coltrane A Love Supreme (Verve Acoustic Sounds Series) 180g LP (Vinyl)

$ 41.46 ~~$ 43.19~~

& lt;header & gt; & lt;p & gt; & lt;strong & gt;Newly Discovered 1965 Live Recording On Double LP! & lt;/strong & gt; & lt;/header & gt; & lt;p & gt; & lt;strong & gt;Michael Fremer Rated 8/11 Music, 7/11 Sonics! & lt;/strong & gt; & lt;/p & gt; & lt;p & gt;This newly discovered live recording of a performance of the Love Supreme suite is a revelation. Recorded at The Penthouse in Seattle on October 2, 1965, this recording transports the listener to a prime seat for a piece of musical history. While not studio-quality audio, the power of the performance shines through. This version is also of the full suite and features an expanded band that includes the same Classic Quartet and Pharoah Sanders in his first official gig as part of Coltrane's group. & lt;/p & gt; & lt;blockquote cite= & quot;quote source & quot; & gt; This is like a Da Vinci scholar discovering another Mona Lisa & lt;footer & gt; -NPR & lt;/footer & gt; & lt;/blockquote & gt; & lt;blockquote cite= & quot;www.allmusic.com & quot; & gt; It's a startling performance. The package design is simply stellar and the liner essays by critic/historian Ashley Kahn and Coltrane biographer Lewis Porter are educational, authoritative, and indispensable. & lt;footer & gt; -Thom Jurek, AllMusic.com, 4/5 stars & lt;/footer & gt; & lt;/blockquote & gt; & lt;blockquote cite= & quot;www.analogplanet.com & quot; & gt; You'll wish the musicians could have been placed on the stage to produce a great recorded blend but that's really asking for too much. As the notes describe, they were too far into their musical and spiritual world to care much about microphones or what the audience was experiencing. Excellent musical and historical annotation add to the physical package's value as does the clean, quiet double 180g Optimal pressing quality. & lt;footer & gt; -Michael Fremer, Analog Planet, Music 8/11, Sound 7/11 & lt;/footer & gt; & lt;/blockquote & gt; & lt;blockquote cite= & quot;www.pastemagazine.com & quot; & gt; Here's a rare case where the impact of the music being pressed to vinyl far outweighs the somewhat questionable sonics of the finished release. Discovered in the archives of the late musician Joe Brazil were tapes that featured a live recording of John Coltrane and an expanded backing band performing all of A Love Supreme at Seattle's The Penthouse in 1965. It is, to date, only the second known live recording of this monumental work of spiritual jazz. But unlike the many recent archival releases taken from live dates at the same venue, this wasn't recorded with broadcast quality in mind. Instead, the two microphones were set up close to McCoy Tyner's piano and Elvin Jones' drum kit. So the work of Coltrane, his fellow saxophonists Pharoah Sanders and Carlos Ward and bassists Jimmy Garrison and Donald Rafael Garrett is muted - discernible but entirely overpowered by the splashy attack of Jones and Tyner's percussive flair. Does that matter? Yes and no. The whole recording plays like the bootleg it was, which might turn off some less patient listeners. But there's no denying that the power and generosity of the moment comes through. With some audible coaxing, Coltrane pulls something deep from within his fellow musicians, sending Sanders into a frenzy of desperate groans on 'Pursuance', giving Jones space for a six minute solo and parting the curtain for Ward, a young alto player early in his career, to shine. & lt;footer & gt; -Robert Ham, Paste Magazine & lt;/footer & gt; & lt;/blockquote & gt; & lt;section id= & quot;features & quot; & gt; & lt;h3 & gt;Features & lt;/h3 & gt; & lt;ul & gt; & lt;li & gt;Double LP & lt;/li & gt; & lt;li & gt;Gatefold Jacket & lt;/li & gt; & lt;li & gt;Booklet & lt;/li & gt; & lt;li & gt;Made in Germany & lt;/li & gt; & lt;/ul & gt; & lt;/section & gt; & lt;section id= & quot;musicians & quot; & gt; & lt;h3 & gt;Musicians & lt;/h3 & gt; & lt;table & gt; & lt;tr & gt; & lt;th & gt;John Coltrane & lt;/th & gt; & lt;td & gt;saxophone & lt;/td & gt; & lt;/tr & gt; & lt;tr & gt; & lt;th & gt;McCoy Tyner & lt;/th & gt; & lt;td & gt;piano & lt;/td & gt; & lt;/tr & gt; & lt;tr & gt; & lt;th & gt;Jimmy Garrison & lt;/th & gt; & lt;td & gt;bass & lt;/td & gt; & lt;/tr & gt; & lt;tr & gt; & lt;th & gt;Elvin Jones & lt;/th & gt; & lt;td & gt;drums & lt;/td & gt; & lt;/tr & gt; & lt;tr & gt; & lt;th & gt;Pharoah Sanders & lt;/th & gt; & lt;td & gt;saxophone & lt;/td & gt; & lt;/tr & gt; & lt;/table & gt; & lt;/section & gt; & lt;section id= & quot;selections & quot; & gt; & lt;h3 & gt;Selections & lt;/h3 & gt; & lt;h4 & gt;Side A: & lt;/h4 & gt; & lt;ol & gt; & lt;li & gt;A Love Supreme, Pt. I - Acknowledgement & lt;/li & gt; & lt;/ol & gt; & lt;h4 & gt;Side B: & lt;/h4 & gt; & lt;ol & gt; & lt;li & gt;Interlude 1 & lt;/li & gt; & lt;li & gt;A Love Supreme, Pt. II - Resolution & lt;/li & gt; & lt;li & gt;Interlude 2 & lt;/li & gt; & lt;/ol & gt; & lt;h4 & gt;Side C: & lt;/h4 & gt; & lt;ol & gt; & lt;li & gt;A Love Supreme, Pt. III - Pursuance & lt;/li & gt; & lt;/ol & gt; & lt;h4 & gt;Side D: & lt;/h4 & gt; & lt;ol & gt; & lt;li & gt;Interlude 3 & lt;/li & gt; & lt;li & gt;Interlude 4 & lt;/li & gt; & lt;li & gt;A Love Supreme, Pt. IV - Psalm & lt;/li & gt; & lt;/ol & gt; & lt;/section & gt;

John Coltrane A Love Supreme: Live In Seattle 2LP (Vinyl)

$ 41.46 ~~$ 43.19~~

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