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John Coltrane Coltrane Plays The Blues Numbered Limited Edition 180g 45rpm 2LP (Vinyl)

& lt;font color= & quot;#FF0000 & quot; & gt; & lt;b & gt;Mastered by Bernie Grundman from the Original Analog Master Tapes & amp; Pressed at Gotta Groove! & lt;br & gt; Numbered Deluxe Laminated Gatefold Jackets! & lt;br & gt; Only 2500 Numbered Limited Edition Copies Worldwide! & lt;/b & gt; & lt;/font & gt; & lt;br & gt; & lt;br & gt; John Coltrane returns to his roots using the Blues to explore the boundaries of Jazz! Features McCoy Tyner, Steve Davis and Elvin Jones! Recorded in 1960 during the & lt;i & gt;My Favorite Things & lt;/i & gt; sessions, & lt;i & gt;Coltrane Plays The Blues & lt;/i & gt; features & quot;Blues To Bechet, & quot; & quot;Blues To Elvin & quot; and & quot;Blues To You & quot; in addition to three other tracks. & lt;br & gt; & lt;br & gt; & lt;b & gt; & quot;Coltrane's sessions for Atlantic in late October 1960 were prolific, yielding the material for & lt;i & gt;My Favorite Things & lt;/i & gt;, & lt;i & gt;Coltrane Plays the Blues & lt;/i & gt;, and & lt;i & gt;Coltrane's Sound & lt;/i & gt;. & lt;i & gt;My Favorite Things & lt;/i & gt; was destined to be the most remembered and influential of these, and while & lt;i & gt;Coltrane Plays the Blues & lt;/i & gt; is not as renowned or daring in material, it is still a powerful session. As for the phrase & quot;plays the blues & quot; in the title, that's not an indicator that the tunes are conventional blues (they aren't). It's more indicative of a bluesy sensibility, whether he is playing muscular saxophone or, on & quot;Blues to Bechet & quot; and & quot;Mr. Syms, & quot; the more unusual sounding (at the time) soprano sax. Elvin Jones, who hadn't been in Coltrane's band long, really busts out on the quicker numbers, such as & quot;Blues to You & quot; and & quot;Mr. Day. & quot; & lt;/b & gt; - Richie Unterberger, & lt;a href= & quot;http://www.allmusic.com/album/plays-the-blues-mw0000198707 & quot; & gt; & lt;font color= & quot;#0000FF & quot; & gt; & lt;b & gt;www.allmusic.com & lt;/b & gt; & lt;/font & gt; & lt;/a & gt; & lt;br & gt; & lt;br & gt; & lt;b & gt; & quot;The Coltrane Quartet, three-fourths complete at the time of this recording, had begun its historic rise and had also turned the corner in Coltrane's music, transitioning from the expressive verticality of & lt;i & gt;Giant Steps & lt;/i & gt; to the more elongated, long-limbed lyricism that would define his role in the avant-garde. It can come as no surprise that to do so, he engaged the material he'd known longest and best - the blues. & quot; & lt;/b & gt; - Neil Tesser, author of The Playboy Guide To Jazz & lt;br & gt; & lt;br & gt; & lt;b & gt;Features: & lt;/b & gt; & lt;br & gt; & amp;bull; Numbered Deluxe Laminated Double Gatefold Jackets & lt;br & gt; & amp;bull; Only 2500 Numbered Limited Edition Copies Worldwide! & lt;br & gt; & amp;bull; Audiophile 180g, 45rpm Vinyl & lt;br & gt; & amp;bull; Double LP & lt;br & gt; & amp;bull; Pressed at Gotta Groove & lt;br & gt; & amp;bull; Mastered by Bernie Grundman from the Original Analog Master Tapes! & lt;br & gt; & lt;br & gt; & lt;b & gt;Musicians: & lt;/b & gt; & lt;br & gt; John Coltrane, soprano & amp; tenor sax & lt;br & gt; McCoy Tyner, piano & lt;br & gt; Steve Davis, bass & lt;br & gt; Elvin Jones, drums & lt;br & gt; & lt;br & gt; & lt;b & gt;Selections: & lt;br & gt; Side A: & lt;/b & gt; & lt;br & gt; 1. Blues To Elvin & lt;br & gt; & lt;b & gt;Side B: & lt;/b & gt; & lt;br & gt; 1. Blues To Bechet & lt;br & gt; 2. Blues To You & lt;br & gt; & lt;b & gt;Side C: & lt;/b & gt; & lt;br & gt; 1. Mr. Day & lt;br & gt; & lt;b & gt;Side D: & lt;/b & gt; & lt;br & gt; 1. Mr. Syms & lt;br & gt; 2. Mr. Knight

Britten Nocturne Numbered Limited Edition 180g 45rpm 2LP (Vinyl)

& lt;img src= & quot;/content/images/ORGLogo200.jpg & quot; align= & quot;right & quot; hspace= & quot;10 & quot; vspace= & quot;10 & quot; width= & quot;200 & quot; height= & quot;91 & quot; & gt; & lt;font color= & quot;#FF0000 & quot; & gt; & lt;b & gt;TAS Super LP List! Special Merit: Classical & lt;br & gt; & lt;br & gt;Numbered, Limited Edition 180g 45rpm 2LP! & lt;br & gt; Only 2500 Numbered, Limited Edition Copies Worldwide! & lt;br & gt; Mastered by Bernie Grundman from the Original Analog Master Tapes! & lt;br & gt; Deluxe Laminated Gatefold Jacket! Pressed at RTI! & lt;/b & gt; & lt;/font & gt; & lt;br & gt; & lt;br & gt; On this release, Benjamin Britten conducts the London Symphony Orchestra performing & quot;Nocturne. & quot; Additionally, Peter Pears and the Orchestra of the Royal Opera House, Covent Garden perform & quot;Four Sea Interludes & quot; and & quot;Passacaglia & quot; from & quot;Peter Grimes. & quot; & lt;br & gt; & lt;br & gt; Nocturne is a song cycle by Benjamin Britten, written for tenor, seven obbligato instruments and strings. The seven instruments are flute, cor anglais, clarinet, bassoon, harp, French horn and timpani. Nocturne was Britten's fourth and final orchestral song cycle. It was dedicated to Alma Mahler. & lt;br & gt; & lt;br & gt; Nocturne was premiered in the Leeds Town Hall at the centenary Leeds Festival on 16 October 1958 by Peter Pears and the BBC Symphony Orchestra under Rudolf Schwarz. & lt;br & gt; & lt;br & gt; The theme of the piece, as its name Nocturne suggests, is sleep and darkness, both in the literal and figurative sense. In this respect, the work is reminiscent of Britten's earlier Serenade. Unlike Serenade, Nocturne is presented as a continuous piece rather than separate movements. This is emphasized by a number of figures which occur throughout, most notably the 'rocking' string motif which opens the work. The conflicting tonal relationship between C and D-flat is also evident throughout, reflecting the contrast between the untroubled and the more perturbed aspects of sleep which are also described by Britten's choice of poems. & lt;br & gt; & lt;br & gt; Four Sea Interludes and Passacaglia are from Britten's opera & quot;Peter Grimes. & quot; Both pieces are often performed together. & lt;br & gt; & lt;br & gt; & lt;b & gt;Features: & lt;/b & gt; & lt;br & gt; • Numbered, Limited Edition & lt;br & gt; • Only 2500 Numbered, Limited Edition Copies Worldwide! & lt;br & gt; • Audiophile 180g 45rpm Vinyl & lt;br & gt; • Double LP & lt;br & gt; • Mastered by Bernie Grundman from the Original Analog Master Tapes & lt;br & gt; • Deluxe Laminated Gatefold Jacket & lt;br & gt; • Pressed at RTI & lt;br & gt; & lt;br & gt; & lt;b & gt;Musicians: & lt;/b & gt; & lt;br & gt; London Symphony Orchestra & lt;br & gt; Benjamin Britten, conductor & lt;br & gt; Peter Pears & lt;br & gt; Orchestra of the Royal Opera House, Covent Garden & lt;br & gt; & lt;br & gt; & lt;b & gt;Selections: & lt;br & gt; Benjamin Britten (1913-1976) & lt;br & gt; LP 1 - Side A: & lt;/b & gt; & lt;br & gt; 1. Nocturne, Op.60 for Tenor Solo - Seven Obligato Instruments and String Orchestra (Part 1 of 2) & lt;br & gt; & lt;b & gt;LP 1 - Side B: & lt;/b & gt; & lt;br & gt; 1. Nocturne, Op.60 for Tenor Solo - Seven Obligato Instruments and String Orchestra (Part 2 of 2) & lt;br & gt; & lt;br & gt; & lt;b & gt;LP 2 - Side C: & lt;br & gt; Four Sea Interludes and Passacaglia from & quot;Peter Grimes, & quot; Op.33 & lt;/b & gt; & lt;br & gt; 1. Dawn (Act I) & lt;br & gt; 2. Sunday Morning (Act II) & lt;br & gt; 3. Moonlight (Act III) & lt;br & gt; & lt;b & gt;LP 2 - Side D: & lt;/b & gt; & lt;br & gt; 1. Storm (Act I) & lt;br & gt; 2. Passacaglia (Act II)

Ravel & Ibert Rapsodie Espagnole, La Valse & Escales Numbered Limited Edition 180g 45rpm 2LP (Vinyl)

& lt;font color= & quot;#FF0000 & quot; & gt;TBA pre-order your copy today! Orders with both pre-order and in stock items will have all in stock items shipped immediately! & lt;/font & gt; & lt;br & gt; & lt;br & gt; & lt;img src= & quot;/content/images/ORGLogo200.jpg & quot; align= & quot;right & quot; hspace= & quot;10 & quot; vspace= & quot;10 & quot; width= & quot;200 & quot; height= & quot;91 & quot; & gt; & lt;p & gt; & lt;strong & gt;TAS Super LP List! Special Merit: Classical & lt;/strong & gt; & lt;/p & gt; & lt;font color= & quot;#FF0000 & quot; & gt; & lt;b & gt;Mastered by Bernie Grundman from the Original Analog Master Tapes & amp; Pressed at RTI! & lt;br & gt; Numbered Deluxe Laminated Gatefold Jackets! Only 2500 Numbered Limited Edition Copies Worldwide! & lt;/b & gt; & lt;/font & gt; & lt;br & gt; & lt;br & gt; Paul Paray conducts The Detroit Symphony on this Audiophile 180g 45rpm Vinyl Pressing of Ravel's Rapsodie Espagnole, La Valse and Alborado del Gracioso alongside Ibert's Escales. & lt;br & gt; & lt;br & gt; & lt;b & gt;Features: & lt;/b & gt; & lt;br & gt; • Numbered Deluxe Laminated Double Gatefold Jackets & lt;br & gt; • Only 2500 Numbered Limited Edition Copies Worldwide! & lt;br & gt; • Audiophile 180g, 45rpm Vinyl & lt;br & gt; • Double LP & lt;br & gt; • Pressed at RTI & lt;br & gt; • Mastered by Bernie Grundman from the Original Analog Master Tapes! & lt;br & gt; & lt;br & gt; & lt;b & gt;Musicians: & lt;/b & gt; & lt;br & gt; The Detroit Symphony & lt;br & gt; Paul Paray, conductor & lt;br & gt; & lt;br & gt; & lt;b & gt;Selections: & lt;br & gt; Maurice Ravel (1875-1937) & lt;/b & gt; & lt;br & gt; Rapsodie Espagnole & lt;br & gt; La Valse & lt;br & gt; Alborado del Gracioso & lt;br & gt; & lt;br & gt; & lt;b & gt;Jacques Ibert (1890-1962) & lt;/b & gt; & lt;br & gt; Escales

The Bill Evans Trio Trio '65 Numbered Limited Edition 180g 45rpm 2LP (Vinyl)

& lt;img src= & quot;/content/images/ORGLogo200.jpg & quot; align= & quot;right & quot; hspace= & quot;10 & quot; vspace= & quot;10 & quot; width= & quot;200 & quot; height= & quot;91 & quot; & gt; & lt;b & gt; & lt;font color= & quot;#FF0000 & quot; & gt;Mastered by Bernie Grundman from the Original Analog Master Tapes & amp; Pressed at RTI! & lt;br & gt;Numbered Deluxe Laminated Gatefold Jackets! Only 2500 Numbered Limited Edition Copies Worldwide! & lt;/font & gt; & lt;/b & gt; & lt;br & gt; & lt;br & gt; Bill Evans was an American jazz pianist and composer who mostly worked in a trio setting. He is widely considered to be one of the greatest jazz pianists of all time, and is considered by some to have been the most influential post-World War II jazz pianist. Evans's use of impressionist harmony, inventive interpretation of traditional jazz repertoire, block chords, and trademark rhythmically independent, & quot;singing & quot; melodic lines continues to influence jazz pianists today. Unlike many other jazz musicians of his time, Evans never embraced new movements like jazz fusion or free jazz. & lt;br & gt; & lt;br & gt; The iconic jazz pianist Bill Evans is joined here by none other than bassist Chuck Israels and drummer Larry Bunker for this 1965 recording. The album includes the heart-wrenching & quot;Who Can I Turn To? & quot; alongside & quot;If You Could See Me Now & quot; and Johnny Carisi's & quot;Israel & quot;. & lt;br & gt; & lt;br & gt; & lt;b & gt; & quot;Teamed up with bassist Chuck Israels and drummer Larry Bunker his regular trio of 1963-1965, Evans plays definitive versions of such songs as Johnny Carisi's & quot;Israel, & quot; & quot;How My Heart Sings, & quot; & quot;Who Can I Turn To, & quot; and & quot;If You Could See Me Now. & quot; & lt;/b & gt; - Scott Yanow, All Music Guide & lt;br & gt; & lt;br & gt; & lt;b & gt; & quot;Bill Evans, one of the most influential and tragic figures of the post-bop jazz piano, was known for his highly nuanced touch, the clarity of the feeling content of his music and his reform of the chord voicing system pianists used. He recorded over fifty albums as leader and received five Grammy awards... His inescapable influence on the very sound of jazz piano has touched virtually everybody of prominence in the field after him (as well as most of his contemporaries), and he remains a monumental model for jazz piano students everywhere, even inspiring a newsletter devoted solely to his music and influence. & quot; & lt;/b & gt; - All About Jazz & lt;br & gt; & lt;br & gt; & lt;b & gt; & quot;Nobody except those in the studio originally (and in the remastering studio) has heard this album in such terrific fidelity as the limited edition, individually-numbered 45 rpm remastering has achieved—even, I would guess, with hi-res downloads (if there are any). The three are right there in your listening room. No hint of any surface noise with the ORGs either. It’s definitely worth it to get up more frequently to flip over the sides with the 45 rpm cutting. & quot; & lt;/b & gt;- John Henry, www.audaud.com & lt;br & gt; & lt;br & gt; & lt;b & gt;Features: & lt;/b & gt; & lt;br & gt; • Numbered Deluxe Laminated Double Gatefold Jackets & lt;br & gt; • Only 2500 Numbered Limited Edition Copies Worldwide! & lt;br & gt; • Audiophile 180g, 45rpm Vinyl & lt;br & gt; • Double LP & lt;br & gt; • Pressed at RTI & lt;br & gt; • Mastered by Bernie Grundman from the Original Analog Master Tapes! & lt;br & gt; & lt;br & gt; & lt;b & gt;Musicians: & lt;/b & gt; & lt;br & gt; Bill Evans, piano & lt;br & gt; Chuck Israels, bass & lt;br & gt; Larry Bunker, drums & lt;br & gt; & lt;br & gt; & lt;b & gt;Selections: & lt;br & gt; LP1 - Side One: & lt;br & gt; & lt;/b & gt;1. Israel & lt;br & gt; 2. Elsa & lt;br & gt; & lt;b & gt;LP1 - Side Two: & lt;br & gt; & lt;/b & gt;1. 'Round Midnight & lt;br & gt; 2. Our Love Is Here To Stay & lt;br & gt; & lt;b & gt;LP2 - Side Three: & lt;br & gt; & lt;/b & gt;1. How My Heart Sings & lt;br & gt; 2. Who Can I Turn To? & lt;br & gt; & lt;b & gt;LP2 - Side Four: & lt;br & gt; & lt;/b & gt;1. Come Rain or Come Shine & lt;br & gt; 2. If You Could See Me Now

Shawn Colvin A Few Small Repairs 180g LP (Vinyl)

& lt;font color= & quot;#FF0000 & quot; & gt;Release Date To Be Announced pre-order your copy today! Orders with both pre-order and in stock items will have all in stock items shipped immediately! & lt;/font & gt; & lt;br & gt; & lt;br & gt; & lt;a href=javascript:; & quot; onclick= & quot;document.location.hash='SS'; & quot; & gt; & lt;img src= & quot;/content/images/playbutton.gif & quot; hspace= & quot;10 & quot; align= & quot;left & quot; border= & quot;0 & quot; & gt; & lt;font color= & quot;0000FF & quot; & gt; & lt;b & gt;Click Here for Video Sample! & lt;/b & gt; & lt;/font & gt; & lt;/a & gt; & lt;br & gt; & lt;br & gt; & lt;img src= & quot;/content/images/ORGLogo200.jpg & quot; align= & quot;right & quot; hspace= & quot;10 & quot; vspace= & quot;10 & quot; width= & quot;200 & quot; height= & quot;91 & quot; & gt; & lt;p & gt; & lt;strong & gt;TAS Super LP List! Special Merit: Informal & lt;/strong & gt; & lt;/p & gt; & lt;font color= & quot;#FF0000 & quot; & gt; & lt;b & gt;Great Sounding Female Vocals! 180g Vinyl Mastered by Bernie Grundman and Pressed at RTI! & lt;br & gt; & lt;br & gt; Available on Vinyl for the First Time! Includes the Hits & quot;Sunny Came Home & quot; and & quot;Nothin' on Me! & quot; & lt;/b & gt; & lt;/font & gt; & lt;br & gt; & lt;br & gt; & lt;font color= & quot;#FF0000 & quot; & gt; & lt;b & gt;1998 Grammy Award Winner for Record of the Year and Song of the Year - & quot;Sunny Came Home & quot; & lt;/b & gt; & lt;/font & gt; & lt;br & gt; & lt;br & gt; A Few Small Repairs is Shawn Colvin's fourth album. It was released on October 1, 1996. A Few Small Repairs is a concept album about divorce, as Shawn Colvin's marriage was ending. At the time of the album's release, she had relocated to Austin, Texas. The biggest single off the album was & quot;Sunny Came Home, & quot; which was released in 1997. The cover of this album is a painting by Colvin's friend Julie Speed of a three-eyed woman with a lit match which inspired the song. The song peaked on the Billboard Hot 100 at number 7, and topped the Adult Contemporary, Adult Top 40, and Top 40 Adult Recurrents charts the same year. Another notable song off the album was & quot;Nothin' on Me, & quot; which peaked at number 24 on Billboard's Adult Top 40 chart. The song was also used on Suddenly Susan as its theme song from 1997 to 2000. & lt;br & gt; & lt;br & gt; Grammy success came to Colvin two years after the release of A Few Small Repairs. In the 1997 Grammy Awards, she was nominated for Best Female Pop Vocal Performance award for & quot;Get Out of This House & quot; and Best Pop Album for A Few Small Repairs. At the next year's Grammy Awards, Colvin was nominated for Song of the Year and Record of the Year for & quot;Sunny Came Home & quot;. She won both awards (sharing Song of the Year with Leventhal). Overall, A Few Small Repairs made it to number 39 on the Billboard Top 200 chart. & lt;br & gt; & lt;br & gt; Born in Vermilion, South Dakota and raised in part in Illinois and Ontario, Shawn Colvin was already a well-traveled and seasoned performer by the time she won her first Grammy for Best Contemporary Folk Album with her debut Steady On in 1989. In the decades since, Colvin has released a string of superlative albums and established an enduring reputation as one of America’s great live performers. Her lasting appeal is due in part to her willingness to lay herself bare coupled with a dry wit. & lt;br & gt; & lt;br & gt; & lt;b & gt; & quot;Colvin has always been a songwriter of note, but with A Few Small Repairs, she reaches new heights, painting hauntingly vivid images that address not only relationships but also life in general with great insight. The subject matter predictably gives a generally dark mood to the album, but musically, the results are both diverse and irresistibly catchy. A Few Small Repairs marks a reunion with former collaborator/producer John Leventhal, and the two have found a perfect blend between words, music, and tasteful, organic arrangements for Colvin's finest effort to date. & quot; & lt;/b & gt; -Chris Woodstra, allmusic.com & lt;br & gt; & lt;br & gt; & lt;b & gt; & quot;A solid song-cycle...marked by enticing melodies and a wide range of folk-rock settings for her impressive vocal gifts...an effective sharing of an experience both personal and universal. & quot; & lt;/b & gt; -Steve Hochman, Los Angeles Times & lt;br & gt; & lt;br & gt; & lt;b & gt; & quot;Colvin displays her gift for spinning delicious melodies out of empty air on the lush & quot;You and the Mona Lisa. & quot; The stunner, though, comes with the subdued acoustic beauty of & quot;Wichita Skyline, & quot; a lonesome traveling ode in which the breathless plaintiveness of her voice soars above a simple guitar strum and John Leventhal's twangy lead guitar lines. Even amid the swelling ranks of female artists in pop, Colvin is a vibrant original. & quot; & lt;/b & gt; -People Magazine & lt;a name= & quot;SS & quot; & gt; & lt;/a & gt; & lt;br & gt; & lt;br & gt; & lt;iframe width= & quot;420 & quot; height= & quot;315 & quot; src= & quot;https://www.youtube.com/embed/qfKKBDFCiIA & quot; frameborder= & quot;0 & quot; allowfullscreen & gt; & lt;/iframe & gt; & lt;br & gt; & lt;br & gt; & lt;b & gt;Features: & lt;/b & gt; & lt;br & gt; • Premium High Quality 180g Vinyl Pressing & lt;br & gt; • Mastered by Bernie Grundman & lt;br & gt; • Pressed at RTI & lt;br & gt; • Single Pocket Sleeve with Insert & lt;br & gt; • Available on vinyl for the first time & lt;br & gt; & lt;br & gt; & lt;b & gt;Selections: & lt;/b & gt; & lt;br & gt; 1. Sunny Came Home & lt;br & gt; 2. Get Out of This House & lt;br & gt; 3. The Facts About Jimmy & lt;br & gt; 4. You and the Mona Lisa & lt;br & gt; 5. Trouble & lt;br & gt; 6. I Want It Back & lt;br & gt; 7. If I Were Brave & lt;br & gt; 8. Wichita Skyline & lt;br & gt; 9. 84,000 Different Delusions & lt;br & gt; 10. Suicide Alley & lt;br & gt; 11. New Thing Now & lt;br & gt; 12. Nothin' On Me

Taj Mahal Recycling The Blues & Other Related Stuff Numbered Limited Edition 180g 45rpm 2LP (Vinyl)

& lt;img src= & quot;/content/images/ORGLogo200.jpg & quot; align= & quot;right & quot; hspace= & quot;10 & quot; vspace= & quot;10 & quot; width= & quot;200 & quot; height= & quot;91 & quot; & gt; & lt;p & gt; & lt;strong & gt;TAS Super LP List! Special Merit: Informal & lt;/strong & gt; & lt;/p & gt; & lt;header & gt; & lt;p & gt; & lt;strong & gt;Mastered by Bernie Grundman from the Original Analog Master Tapes & amp; Pressed at RTI! & lt;br & gt; Numbered Deluxe Laminated Gatefold Jackets! Only 2500 Numbered Limited Edition Copies Worldwide! & lt;/strong & gt; & lt;/p & gt; & lt;/header & gt; & lt;header & gt; & lt;p & gt; & lt;strong & gt;TAS Rated 3.5/5 Music, 4/5 Sonics in the May/June 2012 Issue of The Absolute Sound! & lt;/strong & gt; & lt;/p & gt; & lt;/header & gt; American blues musician Taj Mahal, was born Henry Fredericks in New York in 1942. His music is a mix of blues, Caribbean styles, bluegrass and the music of Hawaii, where he lived for a number of years. Originally released in 1972, Recycling The Blues & amp; Other Related Stuff contains seven live tracks and four studio recordings. & lt;br & gt; & lt;br & gt; & lt;b & gt; & quot;ORG Recordings Group re-mastered 45 rpm vinyl is superior to most digital reproductions. Pressed at RTI and mastered by Bernie Grundman from the original analogue master tapes, every nuanced detail, including the rarely used kalimba is pristinely clear. The tones of the steel guitar are rich in texture. Audiophiles and Taj Mahal enthusiasts will want to add Recycling The Blues & amp; Other Related Stuff to their collections. & quot; & lt;/b & gt; - Robbie Gerson, www.audaud.com & lt;br & gt; & lt;br & gt; Guitar/piano playing rural blues revivalist Taj Mahal was quite a rarity in the late 1960s - a young black man who accurately revived classic country blues for a new generation of listeners. Mahal took an archival interest in folk blues while joining in during the early '60s. On this album, the first seven tracks were recorded live at the Fillmore West and the rest at Columbia's San Francisco studios with backup from the Pointer Sisters. The title Recycling the Blues & amp; Other Related Stuff certainly sums up the album quite well - that's exactly what Taj Mahal has been doing for several years by this point! & lt;br & gt; & lt;br & gt; & lt;b & gt; & quot;Backed by the “unknown” (at the time, anyway) Pointer Sisters, Taj reinvents Robert Johnson’s “Sweet Home Chicago” and makes it his own. The gospel-laden backup vocals are exultant. The Pointers resonate like soulful Andrews Sisters with their three-part harmonies on “Texas Woman Blues.” & lt;/b & gt; - Robbie Gerson, www.audaud.com & lt;br & gt; & lt;br & gt; Arguably his Best Album of All-Time! Warm, Earthy Down Home Soul! & lt;br & gt; & lt;br & gt; & lt;b & gt; & quot;...I’m convinced that someone at ORG knows how to pick ’em. As a 45rpm record with four sides instead of two, Recycling contains inspired performances matched with impressive sonics on every side. The live cuts do a fine job of capturing the timbre of the instruments and the energy of a concert, especially when Taj rips into a National steel-bodied guitar solo on “Bound to Love Me Some” and tears into the banjo on “Ricochet.” Like all the studio cuts, the classic “Cakewalk into Town” is improved, with a crisp and remarkably realistic sound. Both songs with the Pointer Sisters are a delight, and the upright bass on “Texas Woman Blues” startlingly clear and sharp. At times I wish “Gitano Negro” had higher recording levels, but again the timbre of the steel-bodied guitar comes through nicely. & quot; & lt;/b & gt; - Jeff Wilson, & lt;i & gt;The Absolute Sound & lt;/i & gt;, May/June 2012, 3.5/5 Music, 4/5 Sonics & lt;br & gt; & lt;br & gt; & lt;b & gt;Features: & lt;/b & gt; & lt;br & gt; • Numbered Deluxe Laminated Double Gatefold Jackets & lt;br & gt; • Only 2500 Numbered Limited Edition Copies Worldwide! & lt;br & gt; • Audiophile 180g, 45rpm Vinyl & lt;br & gt; • Double LP & lt;br & gt; • Pressed at RTI & lt;br & gt; • Mastered by Bernie Grundman from the Original Analog Master Tapes! & lt;br & gt; & lt;br & gt; & lt;b & gt;Musicians: & lt;/b & gt; & lt;br & gt; Taj Mahal, steel-bodied guitar, kalimba, banjo, conch, hand claps, upright bass & lt;br & gt; Howard Johnson, hand claps, tuba & lt;br & gt; The Pointer Sisters, background vocals & lt;br & gt; & lt;br & gt; & lt;b & gt;Selections: & lt;br & gt; LP1 - Side A: & lt;/b & gt; & lt;br & gt; 1. Conch Intro & lt;br & gt; 2. Kalimba & lt;br & gt; 3. Bound To Love Me Some & lt;br & gt; 4. Ricochet & lt;br & gt; & lt;b & gt;LP1 - Side B: & lt;br & gt; & lt;/b & gt; 1. A Free Song (Rise Up Children Shake the Devil Out Of Your Soul) & lt;br & gt; 2. Corinna & lt;br & gt; 3. Conch: Close & lt;br & gt; 4. Cakewalk Into Town & lt;br & gt; & lt;b & gt;LP2 - Side C: & lt;/b & gt; & lt;br & gt; 1. Sweet Home Chicago & lt;br & gt; 2. Texas Woman Blues & lt;br & gt; & lt;b & gt;LP2 - Side D: & lt;/b & gt; & lt;br & gt; 1. Gitano Negro

Joni Mitchell Wild Things Run Fast Low Numbered Limited Edition 180g 45rpm 2LP (Vinyl)

& lt;p & gt; & lt;strong & gt;TAS Super LP List! Special Merit: Informal & lt;/strong & gt; & lt;/p & gt; & lt;b & gt; & lt;font color= & quot;#FF0000 & quot; & gt;Out Of Print! Warehouse Find! & lt;br & gt; Low Serial Numbers #51-60! & lt;/font & gt; & lt;/b & gt; & lt;br & gt; & lt;br & gt; & lt;b & gt; & lt;font color= & quot;#FF0000 & quot; & gt;Numbered, Limited Edition! Pressed by The Pallas Group, Germany. & lt;br & gt;Mastered by Bernie Grundman from the Original Analog Master Tapes! & lt;br & gt; & lt;br & gt;Joni's dynamic and poetic voice sounds flawless on this 45rpm 180g Audiophile Recording from ORG! & lt;/font & gt; & lt;/b & gt; & lt;br & gt; & lt;br & gt; & lt;b & gt;This item not eligible for any further discount offers! & lt;/b & gt; & lt;br & gt; & lt;br & gt; Canadian Joni Mitchell is more than just another singer-songwriter: she was one of the most brave and pioneering female artists of the 20th century. Fiercely independent of outside pressures, she had no hesitation in taking artistic risks even when commercial success was at stake. Mostly, her risks paid off, as her relentless creativity kept fans loyal and won fulsome praise from music journalists. & lt;br & gt; & lt;br & gt; & lt;b & gt; & quot;Although the original pressing was a solid recording it’s no match for this 45-rpm, 180-gram, double-LP from ORG. Bernie Grundman’s remastering has smoothly unlocked the air, treble bloom, and taut bass too often hidden on the original— and the dimensionality and image focus are now superb. & quot; & lt;/b & gt; - Neil Gader, & lt;i & gt;The Absolute Sound & lt;/i & gt;, February 2013, Music 4.5/5, Sonics 4/5 & lt;br & gt; & lt;br & gt; & lt;b & gt; & quot;Pressed at Pallas on a pair of 45rpm discs, the ORG version, mastered by Bernie Grundman (who also performed mastering duties on Hejira as well as Mitchell’s most commercially successful release, Court and Spark) is positively brilliant. ORG has made a reputation for vinyl excellence, but this could be their finest achievement yet. & quot; & lt;/b & gt; - Jeff Dorgay, TONEAudio, October 2010 & lt;br & gt; & lt;br & gt; & lt;b & gt; & quot;In the original, where Mitchell’s voice often disappears in the mix, she’s now out front and center, with a creaminess that I’ve never experienced before. There’s just more space everywhere; more bass weight and a huge soundstage in all three dimensions. All of the harshness in the original is gone. The additional space in the recording now lets you really hear the genius in the arrangements; if you thought you knew this record before, you are in for a number of sonic treats upon listening to the ORG pressing. & quot; & lt;/b & gt; - Jeff Dorgay, TONEAudio, October 2010 & lt;br & gt; & lt;br & gt; & lt;b & gt; & quot;They [ORG] did it right, even at 45 rpm, the grooves only go half way into the vinyl surface, so there will be no worries of inner groove distortion on this record! ...So, if this is one of your favorite Joni records, you owe it to yourself to purchase this one, it’s pure sonic perfection. & quot; & lt;/b & gt; - Jeff Dorgay, TONEAudio, October 2010 & lt;br & gt; & lt;br & gt; & lt;b & gt; & quot;(With Wild Things Run Fast) Joni Mitchell achieved more of a balance between her pop abilities and her jazz aspirations, meanwhile rediscovering a more direct, emotional lyric approach. The result was her best album since the mid-'70s. & quot; & lt;/b & gt; - William Ruhlmann, Allmusic.com & lt;br & gt; & lt;br & gt; & lt;b & gt; & quot;Bernie Grundman's remastering has smoothly unlocked the air, treble bloom, and taut bass too often hidden on the original - and the dimensionality and image focus are now superb. & quot; & lt;/b & gt;- Neil Gader, & lt;i & gt;The Absolute Sound & lt;/i & gt;, May/June 2011 & lt;br & gt; & lt;br & gt; After developing a reputation around New York as a folk singer to watch, she made an international breakthrough with the 1970 single & quot;Big Yellow Taxi & quot;, which featured the famous lyric & quot;They paved paradise and put up a parking lot & quot;. & lt;br & gt; & lt;br & gt; Wild Things Run Fast is Joni Mitchell's eleventh studio and her first for Geffen Records. Released in 1982, it represents her departure from jazz to a more '80s pop sound. The more rhythmic nature of the music on this album was influenced by Steely Dan, Talking Heads and The Police. Featured artists include Wayne Shorter, James Taylor and Lionel Richie. & lt;br & gt; & lt;br & gt; This long time audiophile favorite is a Stereophile Record to Die For and also a Michael Fremer Recommended Recording! Special guest include Wayne Shorter and James Taylor! & lt;br & gt; & lt;br & gt; & lt;b & gt;Features: & lt;/b & gt; & lt;br & gt; • Numbered, Limited Edition & lt;br & gt; • Audiophile 180g, 45rpm Vinyl & lt;br & gt; • Double LP, Gatefold Packaging & lt;br & gt; • Pressed by The Pallas Group, Germany & lt;br & gt; • Mastered by Bernie Grundman from Original Analog Master Tapes! & lt;br & gt; & lt;br & gt; & lt;b & gt;Musicians: & lt;/b & gt; & lt;br & gt; Joni Mitchell, vocals, guitar, piano & lt;br & gt; Larry Klein, bass & lt;br & gt; Michael Landau, Steve Lukather, electric guitar & lt;br & gt; John Guerin, Vinnie Colaiuta, drums & lt;br & gt; Larry Williams, Russell Ferrante, synthesizer & lt;br & gt; Wayne Shorter, soprano sax (4,6,11) & lt;br & gt; Larry Carlton, guitar (3) & lt;br & gt; Victor Feldman, percussion (9) & lt;br & gt; Kim Hutchcroft, baritone sax(7) & lt;br & gt; Lionel Richie, backing vocals (3, 8) & lt;br & gt; Charles Valentino, Howard Kinney - backing vocals (3) & lt;br & gt; James Taylor, Joni Mitchell - backing vocals (9) & lt;br & gt; & lt;br & gt; & lt;b & gt;Selections: & lt;/b & gt; & lt;br & gt; 1. Chinese Cafe/Unchained Melody & lt;br & gt; 2. Wild Things Run Fast & lt;br & gt; 3. Ladies Man & lt;br & gt; 4. Moon At The Window & lt;br & gt; 5. Solid Love & lt;br & gt; 6. Be Cool & lt;br & gt; 7. (You're So Square) Baby, I Don't Care & lt;br & gt; 8. You Dream Flat Tires & lt;br & gt; 9. Man To Man & lt;br & gt; 10. Underneath The Streetlight & lt;br & gt; 11. Love

Khachaturian Spartacus & Gayne Ballets Numbered Limited Edition 180g 45rpm 2LP (Vinyl)

& lt;font color= & quot;#FF0000 & quot; & gt;TBA pre-order your copy today! Orders with both pre-order and in stock items will have all in stock items shipped immediately! & lt;/font & gt; & lt;br & gt; & lt;br & gt; & lt;img src= & quot;/content/images/ORGLogo200.jpg & quot; align= & quot;right & quot; hspace= & quot;10 & quot; vspace= & quot;10 & quot; width= & quot;200 & quot; height= & quot;91 & quot; & gt; & lt;b & gt;TAS Super LP List! Special Merit: Classical & lt;/b & gt; & lt;br & gt; & lt;br & gt; & lt;font color= & quot;#FF0000 & quot; & gt; & lt;b & gt;Mastered by Bernie Grundman from the Original Analog Master Tapes & amp; Pressed at RTI! & lt;br & gt; Numbered Deluxe Laminated Gatefold Jackets! Only 2500 Numbered Limited Edition Copies Worldwide! & lt;/b & gt; & lt;/font & gt; & lt;br & gt; & lt;br & gt; Aram Khachaturian (1903-1978) was an Armenian composer who is known principally for his Piano Concerto and the ballets Gayaneh (variously spelled Gayne and Gayan) and Spartacus. & lt;br & gt; & lt;br & gt; Khachaturian conducts the Vienna Philharmonic Orchestra for this Audiophile 180g 45rpm Vinyl 2LP pressing. & lt;br & gt; & lt;br & gt; & lt;b & gt;Features: & lt;/b & gt; & lt;br & gt; • Numbered Deluxe Laminated Double Gatefold Jackets & lt;br & gt; • Only 2500 Numbered Limited Edition Copies Worldwide! & lt;br & gt; • Audiophile 180g, 45rpm Vinyl & lt;br & gt; • Double LP & lt;br & gt; • Pressed at RTI & lt;br & gt; • Mastered by Bernie Grundman from the Original Analog Master Tapes! & lt;br & gt; & lt;br & gt; & lt;b & gt;Musicians: & lt;br & gt; & lt;/b & gt;Vienna Philharmonic Orchestra & lt;br & gt; Aram Khachaturian, conductor & lt;br & gt; & lt;br & gt; & lt;b & gt;Selections: & lt;br & gt; Aram Ilyich Khachaturian (1903-1978) & lt;br & gt; Spartacus & lt;br & gt; Gayne Ballets & lt;/b & gt;

Diana Krall All For You A Dedication To The Nat King Cole Trio Low #D Limited Edition 180g 45rpm 2LP (Vinyl)

& lt;font color= & quot;#FF0000 & quot; & gt; & lt;b & gt;Out Of Print! Warehouse Find! & lt;br & gt; Low Serial Numbers #91-100! & lt;/font & gt; & lt;/b & gt; & lt;br & gt; & lt;br & gt; & lt;p & gt; & lt;strong & gt;TAS Super LP List! Special Merit: Informal & lt;/strong & gt; & lt;/p & gt; & lt;header & gt; & lt;p & gt; & lt;strong & gt;Gorgeous Vocals! All For You gets the audiophile 45rpm 2LP treatment! & lt;br & gt; Numbered, Limited Edition 180g 45pm 2LP! & lt;br & gt; Mastered by Bernie Grundman from the Original Analog Master Tapes! & lt;br & gt; Deluxe Laminated Gatefold Jackets! Pressed at RTI! & lt;/strong & gt; & lt;/p & gt; & lt;/header & gt; & lt;p & gt; & lt;strong & gt;This item not eligible for any further discount offers! & lt;/strong & gt; & lt;/p & gt; All For You is a tribute to the Nat King Cole Trio by a woman who is better equipped than any other jazz musician of her generation to evoke the spirit of Nat Cole. Diana Krall, who listened eagerly to Cole's records as a child, grew up to be that rarest of birds: a singer-pianist as comfortable and distinctive in one role as the other. 1997 Grammy Nominee. & lt;br & gt; & lt;br & gt; & lt;b & gt; & quot;A superb jazz pianist and an even better singer. & quot; & lt;/b & gt;- The New York Times & lt;br & gt; & lt;br & gt; & lt;b & gt; & quot;What we can do in 20 years is listen to a new young singer - pianist and say she reminds us of the legendary Diana Krall. & quot; & lt;/b & gt; - Village Voice & lt;br & gt; & lt;br & gt; & lt;b & gt;Features: & lt;/b & gt; & lt;br & gt; • Numbered Deluxe Laminated Double Gatefold Jackets & lt;br & gt; • Audiophile 180g, 45rpm Vinyl & lt;br & gt; • Double LP & lt;br & gt; • Pressed at RTI & lt;br & gt; • Mastered by Bernie Grundman from the Original Analog Master Tapes! & lt;br & gt; & lt;br & gt; & lt;b & gt;Musicians: & lt;/b & gt; & lt;br & gt; Diana Krall, piano, lead vocal & lt;br & gt; Russell Malone, guitar & lt;br & gt; Paul Keller, bass & lt;br & gt; Benny Green, piano (12) & lt;br & gt; Steve Kroon, percussion (5) & lt;br & gt; & lt;br & gt; & lt;b & gt;Selections: & lt;/b & gt; & lt;br & gt; & lt;b & gt;LP 1 & lt;br & gt; Side A: & lt;/b & gt; & lt;br & gt; 1. I'm An Errand Girl for Rhythm & lt;br & gt; 2. Gee Baby, Ain't I Good To You & lt;br & gt; 3. You Call It Madness & lt;br & gt; & lt;b & gt;Side B: & lt;/b & gt; & lt;br & gt; 4. Frim Fram Sauce & lt;br & gt; 5. Boulevard of Broken Dreams & lt;br & gt; 6. Baby Baby All the Time & lt;br & gt; & lt;br & gt; & lt;b & gt;LP 2 & lt;br & gt; Side C: & lt;/b & gt; & lt;br & gt; 7. Hit That Jive Jack & lt;br & gt; 8. You're Looking At Me & lt;br & gt; 9. I'm Thru With Love & lt;br & gt; & lt;b & gt;Side D: & lt;/b & gt; & lt;br & gt; 10. Deed I Do & lt;br & gt; 11. A Blossom Fell & lt;br & gt; 12. If I Had You & lt;br & gt; 13. When I Grow Too Old To Dream & lt;br & gt; & lt;br & gt; Recorded October 1995 in New York City.

Marianne Faithfull Strange Weather Low Numbered Limited Edition 180g 45rpm 2LP (Vinyl)

& lt;font color= & quot;#FF0000 & quot; & gt; & lt;b & gt;Out Of Print! Warehouse Find! & lt;br & gt; Low Serial Numbers #89-100! & lt;/b & gt; & lt;/font & gt; & lt;br & gt; & lt;br & gt; & lt;p & gt; & lt;strong & gt;This item not eligible for any further discount offers! & lt;/strong & gt; & lt;/p & gt; & lt;b & gt; & lt;font color= & quot;#FF0000 & quot; & gt;Numbered, Limited Edition! Pressed at RTI! & lt;br & gt;Mastered by Bernie Grundman from the Original Analog Master Tapes! & lt;/font & gt; & lt;/b & gt; & lt;br & gt; & lt;br & gt; Strange Weather was Marianne Faithfull's first complete studio album following her recovery from a 17-year drug addiction. In her earlier recording career, many people were won over by her soft, feathery voice. Unfortunately, Faithfull's public image became tainted during her relationship with Mick Jagger in the late 1960s and drugs took over her life until the mid-1980s. & lt;br & gt; & lt;br & gt; The 1987 release contains a mix of rock, blues and cabaret and includes her re-recorded hit, & quot;As Tears Go By & quot; which proved to be even more poignant the second time around. & lt;br & gt; & lt;br & gt; & lt;b & gt; & quot;ORG’s masterful 45 rpm vinyl continue to make the case that high end analog audio technology is comparable or superior to its digital counterpart. The organic coloration of the instrumentation is showcased by this format. Subtle touches with a clarinet, flute or horn are soft and remain in the background. The unique throaty vocals have a natural resonance. Strange Weather captures an underappreciated singer at her best. & quot; & lt;/b & gt; - Robbie Gerson, 4 1/2 Stars!!!, www.audaud.com & lt;br & gt; & lt;br & gt; & lt;b & gt; & quot;First released in 1987 (following a sixteen year battle with heroin addiction), Strange Weather is a dark eclectic group of songs that combine blues, jazz and Kurt Weill-esque ambiance. Supported by a cadre of topnotch musicians, the album evokes a surreal exotic flavor that blends with the idiosyncratic vocals of Faithfull. Side One opens with a gypsy-tinged take on the Dubin/Warren standard, “Boulevard Of Broken Dreams”. Veteran guitarist, Bill Frisel teams with violinist Michael Levine to create a haunting café-flavored line that is framed nicely around the deep Marlene Dietrich alto voice of Faithfull. The effect is haunting, reminiscent of French (Edith Piaf) cabaet music. The same chemistry permeates “Yesterdays” as Frisell adds jazzy melancholy. Small touches, like flute (Chris Hunter) and string accompaniment build a texture that surrounds the tune. & quot; & lt;/b & gt; - Robbie Gerson, 4 1/2 Stars!!!, www.audaud.com & lt;br & gt; & lt;br & gt; & lt;b & gt; & quot;In portions of this album, the fabulous Marianne Faithfull takes up where Lotte Lenya and Marlene Dietrich leave off. & amp;nbsp; In fact, she might well be called the 'Rhythm and Blue Angel'. & amp;nbsp; And if she is not, it is surely because her extraordinary range places her far beyond any such limitation. & amp;nbsp; A single instance may suffice: being an old 'Billie-head' myself, I found it presumptuous in the extreme that someone else, anyone else, should attempt a rendition of her fables & quot;Yesterdays & quot;. & amp;nbsp; Imagine my astonished delight then, upon hearing Ms. Faithfull's fantastic version - actually bringing to the song a new dimension of throat and soul. & quot; & lt;br & gt; & lt;br & gt; & quot;However, why be content with a single instance? Her renditions of the black spiritual & quot;Sign of Judgement & quot; and Leadbelly's remarkable a cappella & quot;I Ain't Goin' Down to the Well No More & quot; are little short of miraculous in their affirmation of this singer's phenomenal scope and depth. & quot; & lt;br & gt; & lt;br & gt; And one must not overlook the exquisitely haunting Kurt Weill / Budapest / Cafe / gypsy-violin magic in & quot;Boulevard of Broken Dreams & quot;, Tom Waits' and Kathleen Brennan's & quot;Strange Weather & quot; - and, of course, the blues masterpiece, & quot;Love, Life, and Money & quot;, featuring th epiano artistry of the legendary Mac Rebennack. & amp;nbsp; Rounding out this outstanding collection are the campy/surreal & quot;Penthouse Serenade & quot; (with its & quot;hinges on chimneys for stars to go by & quot;), Doc Pomus' and Mac Rebennack's 'Hello Stranger & quot;, and the lyrically wistful & quot;As Tears Go By & quot;. & amp;nbsp; It is most fitting that this final selection be included; it may be recalled that it was this very song which the 17-year old Marianne first recorded, and which established her overnight, among rockers and cognoscenti alike, as the super talent she remains. & quot; & lt;/b & gt; - Terry Southern, liner notes & lt;br & gt; & lt;br & gt; & lt;b & gt; & quot;Ferla’s impeccable engineering and mixing tastes compliment the instrumentation by putting everything on a spacious, deep and somewhat dark and mysterious soundstage. Instruments glide and hover on the deep stage and have just the right amount of body to be solid, yet sufficient lightness of being to feel as if any of them could simply drift away at any moment. Bill Frisell’s guitar floats delicately in an echo balloon.Of course the centerpiece is Faithfull’s deepened, coarsened voice and while the older tunes are well-served and her take of “Yesterdays” is arguably equal to Billie Holiday’s, its her performance on the Waits title song that lingers long after the stylus has reached side four’s lead out groove. The recording quality is superb and the double 45 format perfectly suits the material: you might not want to consume this in greater quantities than a few tunes at a time. & quot; & lt;/b & gt;- Michael Fremer, musicangle.com, Music 10, Sound 10! & lt;br & gt; & lt;br & gt; & lt;b & gt;Features: & lt;/b & gt; & lt;br & gt; • Numbered Deluxe Laminated Double Gatefold Jackets & lt;br & gt; • Only 2500 Numbered Limited Edition Copies Worldwide! & lt;br & gt; • 180g Vinyl & lt;br & gt; • 45rpm & lt;br & gt; • Pressed at RTI & lt;br & gt; • Mastered by Bernie Grundman from the Original Analog Master Tapes! & lt;br & gt; & lt;br & gt; Musicians: & lt;br & gt; Marianne Faithfull, vocals & lt;br & gt; Bill Frisell, guitar & lt;br & gt; Michael Levine, violin & lt;br & gt; Sharon Freeman, piano & lt;br & gt; Fernando Saunders, bass & lt;br & gt; Chris Hunter, flute, alto saxophone & lt;br & gt; Steve Slagile, alto saxophone & lt;br & gt; Robert Quine, guitar & lt;br & gt; J.T. Lewis, drums & lt;br & gt; & lt;br & gt; & lt;b & gt;Selections: & lt;/b & gt; & lt;br & gt; & lt;b & gt;LP 1 & lt;/b & gt; & lt;br & gt; 1. Stranger Intro & lt;br & gt; 2. Boulevard of Broken Dreams & lt;br & gt; 3. I Ain't Goin' Down To the Well No More & lt;br & gt; 4. Yesterdays & lt;br & gt; 5. Sign of Judgement & lt;br & gt; 6. Strange Weather & lt;br & gt; 7. Love, Life and Money & lt;br & gt; & lt;b & gt;LP 2 & lt;/b & gt; & lt;br & gt; 1. I'll Keep It With Mine & lt;br & gt; 2. Hello Stranger & lt;br & gt; 3. Penthouse Serenade & lt;br & gt; 4. As Tears Go By & lt;br & gt; 5. A Stranger On Earth

Jon Hendricks Fast Livin' Blues Low Numbered Limited Edition 180g 45rpm 2LP (Vinyl)

& lt;img src= & quot;/content/images/ORGLogo200.jpg & quot; align= & quot;right & quot; hspace= & quot;10 & quot; vspace= & quot;10 & quot; width= & quot;200 & quot; height= & quot;91 & quot; & gt; & lt;font color= & quot;#FF0000 & quot; & gt; & lt;b & gt;TAS Super LP List! Special Merit: Informal & lt;/b & gt; & lt;/font & gt; & lt;br & gt; & lt;br & gt; & lt;font color= & quot;#FF0000 & quot; & gt; & lt;b & gt;Mastered by Bernie Grundman from the Original Analog Master Tapes & amp; Pressed at RTI! & lt;br & gt;Numbered Deluxe Laminated Gatefold Jackets! Only 2500 Numbered Limited Edition Copies Worldwide! & lt;/b & gt; & lt;/font & gt; & lt;br & gt; & lt;br & gt; & lt;p & gt; & lt;strong & gt;This item not eligible for any further discount offers! & lt;/strong & gt; & lt;/p & gt; Bluesman Jon Hendricks is in Superb Form Here! Featuring such Major Sidemen as Pony Poindexter and Billy Mitchell, this Spirited Album is Essential to Any Audiophile's Collection! & lt;br & gt; & lt;br & gt; Jon Hendricks helped to originate vocalese, which is an art form of adding lyrics to existing instrumentals and replacing instruments with vocalists. He is also considered to be one of the best scat performers. Jazz critic and historian Leonard Feather called him the & quot;Poet Laureate of Jazz & quot;. Al Jarreau has called him & quot;pound-for-pound the best jazz singer on the planet - maybe that's ever been & quot;. & lt;br & gt; & lt;br & gt; After his service in the Army during World War II, Hendricks attended the University of Toledo as a pre-law major. Just as he was about to enter the graduate law program, his G.I. benefits ran out, which forced him to choose a different career path. Recalling that Charlie Parker had encouraged him to come to New York two years earlier to look him up, Hendricks took him up on his offer and moved there and began his singing career. In 1968, he moved his family to London, England to further his solo career and so his five children could receive a better education. & lt;br & gt; & lt;br & gt; & lt;b & gt; & quot;Qualities one associates with the jazz vocal group Lambert, Hendricks & amp; Ross - swing, hipness, and witty, offbeat lyrics - were very much in evidence when band member Jon Hendricks released Fast Livin' Blues in 1962. A looser approach, however, allowed more room for the instrumentalists to both stretch out and insert perfectly-timed fills with an air of spontaneity... For someone who has the blues in all kinds of ways, the front man sure seems to be having a good time, spinning tales of friendship, fast living, and fish fries that will inspire smiles more than sadness. Again I applaud Original Recordings Group for picking a less-than-obvious title that well deserves a reassessment and for capturing a natural sound on noise-free 180-gram 45rpm pressings. Every time the horn section kicks in, it's exquisite - rich, sweet-sounding brass in all its glory. & quot; & lt;/b & gt; - Jeff Wilson, & lt;i & gt;The Absolute Sound & lt;/i & gt;, February 2013, Music 3.5/5, Sonics 4.5/5 & lt;br & gt; & lt;br & gt; & lt;b & gt;Musicians: & lt;/b & gt; & lt;br & gt; Jon Hendricks, vocals & lt;br & gt; Pony Poindexter, soprano & amp; tenor sax & lt;br & gt; Billy Mitchell, tenor sax & lt;br & gt; Joe Newman, trumpet & lt;br & gt; Al Grey, trombone & lt;br & gt; Gildo Mahones, piano & lt;br & gt; Stu Martin, drums & lt;br & gt; & lt;br & gt; & lt;b & gt;Features: & lt;/b & gt; & lt;br & gt; • Numbered Deluxe Laminated Double Gatefold Jackets & lt;br & gt; • Only 2500 Numbered Limited Edition Copies Worldwide! & lt;br & gt; • Audiophile 180g, 45rpm Vinyl & lt;br & gt; • Double LP & lt;br & gt; • Pressed at RTI & lt;br & gt; • Mastered by Bernie Grundman from the Original Analog Master Tapes! & lt;br & gt; & lt;br & gt; & lt;b & gt;Selections: & lt;br & gt; LP1 - Side A: & lt;br & gt; & lt;/b & gt; 1. What Would You Do? & lt;br & gt; 2. Fast Livin' Blues & lt;br & gt; & lt;b & gt;LP1 - Side B: & lt;/b & gt; & lt;br & gt; 1. Saturday Night Fish Fry & lt;br & gt; 2. Do You Call That A Buddy & lt;br & gt; & lt;b & gt;LP2 - Side C: & lt;br & gt; & lt;/b & gt; 1. I'll Die Happy & lt;br & gt; 2. Another Get Together & lt;br & gt; 3. Good Old Lady & lt;br & gt; & lt;b & gt;LP2 - Side D: & lt;/b & gt; & lt;br & gt; 1. Contemporary Blues & lt;br & gt; 2. Stop and Go Blues & lt;br & gt; 3. I Never Get Enough Of You

Diana Krall Quiet Nights Low Numbered Limited Edition 180g 45rpm 2LP (Vinyl)

& lt;img src= & quot;/content/images/ORGLogo200.jpg & quot; align= & quot;right & quot; hspace= & quot;10 & quot; vspace= & quot;10 & quot; width= & quot;200 & quot; height= & quot;91 & quot; & gt; & lt;header & gt; & lt;p & gt; & lt;strong & gt;Out Of Print! Limited Quantities Available! & lt;br & gt; Low Serial Numbers #61-71! & lt;/strong & gt; & lt;/p & gt; & lt;/header & gt; & lt;b & gt; & lt;font color= & quot;#FF0000 & quot; & gt;Numbered, Limited Edition 180g 45pm 2LP! & lt;br & gt;Mastered by Bernie Grundman from the Original Analog Master Tapes & amp; Pressed at RTI! & lt;/font & gt; & lt;/b & gt; & lt;br & gt; & lt;br & gt; & lt;p & gt; & lt;strong & gt;This item not eligible for any further discount offers! & lt;/strong & gt; & lt;/p & gt; & lt;font color= & quot;#FF0000 & quot; & gt; & lt;b & gt;2010 Grammy Award Winner: & lt;/b & gt; & lt;br & gt; & amp;bull; Best Instrumental Arrangement Accompanying Vocalist(s): & quot;Quiet Nights & quot; (Claus Ogerman, arranger) & lt;/font & gt; & lt;br & gt; & lt;br & gt; Quiet Nights is the tenth studio album by Canadian jazz singer-songwriter and pianist Diana Krall, released on March 31, 2009 by Verve Records. This romantic album combines Brazilian and west coast jazz styles and features three recordings of songs by bossa nova legend Antonio Carlos Jobim. & lt;br & gt; & lt;br & gt; Quiet Nights’ reunited Krall with arranger Claus Ogerman for the first time since the multi-platinum 2001 album ‘The Look of Love.’ The GRAMMY Award winning pianist and vocalist adds Paulinho Da Costa on percussion to her already outstanding quartet of Anthony Wilson (guitar), John Clayton (bass), and Jeff Hamilton (drums). & lt;br & gt; & lt;br & gt; Krall co-produced the album with Tommy LiPuma, the tenth time they have worked together, and returned to Capital Studios in Hollywood with Al Schmitt engineering and mixing. & quot;Quiet Nights & quot; is Krall’s first full length studio release since 2006’s & quot;From This Moment On. & quot; Accompanied by her quartet and orchestra, Diana turns her sensual vocals and consummate piano skills to & quot;The Boy from Ipanema, & quot; & quot;Walk On By, & quot; and other classic tunes. & lt;br & gt; & lt;br & gt; & lt;b & gt; & quot;...if any music could be called accessible it's this, with its warm intimacy and classic good taste... Krall knows enough to lay back, to never push, only to glide upon the gossamer surface. & quot; & lt;/b & gt; -Stephen Thomas Erlewine, allmusic.com & lt;br & gt; & lt;br & gt; & lt;b & gt;Features: & lt;/b & gt; & lt;br & gt; & amp;bull; Numbered, Limited Edition & lt;br & gt; & amp;bull; Audiophile 180g Vinyl & lt;br & gt; & amp;bull; 45rpm & lt;br & gt; & amp;bull; Double LP & lt;br & gt; & amp;bull; Pressed at RTI & lt;br & gt; & amp;bull; Mastered by Bernie Grundman from the Original Analog Master Tapes & lt;br & gt; & lt;br & gt; & lt;b & gt;Musicians: & lt;/b & gt; & lt;br & gt; Diana Krall, vocals, piano & lt;br & gt; Anthony Wilson, guitar & lt;br & gt; John Clayton, bass & lt;br & gt; Jeff Hamilton, drums & lt;br & gt; Paulinho Da Costa, percussion & lt;br & gt; & lt;br & gt; & lt;b & gt;Selections: & lt;br & gt; LP 1 - Side A: & lt;/b & gt; & lt;br & gt; 1. Where Or When & lt;br & gt; 2. Too Marvelous For Words & lt;br & gt; 3. I’ve Grown Accustomed To His Face & lt;br & gt; & lt;b & gt;LP 1 - Side B: & lt;/b & gt; & lt;br & gt; 1. The Boy From Ipanema & lt;br & gt; 2. Walk On By & lt;br & gt; 3. You're My Thrill & lt;br & gt; & lt;br & gt; & lt;b & gt;LP 2 - Side C: & lt;/b & gt; & lt;br & gt; 1. Este Seu Olhar & lt;br & gt; 2. So Nice & lt;br & gt; 3. Quiet Nights & lt;br & gt; & lt;b & gt;LP 2 - Side D: & lt;/b & gt; & lt;br & gt; 1. Guess I'll Hang My Tears Out To Dry & lt;br & gt; 2. How Can Youi Mend A Broken Heart & lt;br & gt; 3. Everytime We SAy Goodbye

Mendelssohn Symphony No. 3 Numbered Limited Edition 180g 45rpm 2LP (Vinyl)

& lt;img src= & quot;/content/images/ORGLogo200.jpg & quot; align= & quot;right & quot; hspace= & quot;10 & quot; vspace= & quot;10 & quot; width= & quot;200 & quot; height= & quot;91 & quot; & gt; & lt;header & gt; & lt;p & gt; & lt;strong & gt;Out Of Print! Only a few copies left! & lt;/strong & gt; & lt;/p & gt; & lt;/header & gt; & lt;font color= & quot;#FF0000 & quot; & gt; & lt;b & gt;Featured in Michael Fremer's Heavy Rotation in the February 2012 Issue of Stereophile! & lt;/b & gt; & lt;/font & gt; & lt;br & gt; & lt;br & gt; & lt;b & gt; & lt;font color= & quot;#FF0000 & quot; & gt;Mastered by Bernie Grundman from the Original Analog Master Tapes & amp; Pressed at RTI! Numbered Deluxe Laminated Gatefold Jackets! Only 2500 Numbered Limited Edition Copies Worldwide! & lt;/font & gt; & lt;/b & gt; & lt;br & gt; & lt;br & gt; The marvelous Swiss conductor Peter Maag leads the London Symphony Orchestra performing Mendelssohn's & quot;Scotch & quot; or & quot;Scottish & quot; Symphony, recorded in 1960. A gloriously warmhearted and energetic performance, Maag's interpretation has set the recorded standard for this work! The recording captures wonderful chemistry between Peter Maag and the London Symphony Orchestra. It's Mendelssohn performance at its best, which is saying a lot! & lt;br & gt; & lt;br & gt; & lt;b & gt; & quot;Peter Maag conducts a delightfully fresh & quot;Scottish & quot; Symphony, keeping tempos moderately brisk, textures lean, and phrasing intuitive - that is, everything flows easily and logically. ...Decca's 1960 recording of the symphony is full and clear with plenty of depth & quot; & lt;/b & gt; - Victor Carr, classicstoday.com & lt;br & gt; & lt;br & gt; & lt;b & gt; & quot;The results are a dazzling example of what vinyl still has to offer, if prepared with care that mass-produced records do not receive. The sound defines vividness, with an undistorted dynamic range and pin-point accuracy of the orchestral instruments’ locations. Long considered one of the best recordings (among many) turned out by London (actually British Decca), this pair of 45rpm discs was an ear opener. Exciting and involving, ORG has produced a must-have for anyone who possesses audiophile level equipment. & quot; & lt;/b & gt;- Zan Furtwangler, 4 Stars!!, www.audaud.com, January 2012 & lt;br & gt; & lt;br & gt; Features: & lt;br & gt; • Numbered Deluxe Laminated Double Gatefold Jackets & lt;br & gt; • Only 2500 Numbered Limited Edition Copies Worldwide! & lt;br & gt; • 180g Vinyl & lt;br & gt; • 45rpm & lt;br & gt; • Pressed at RTI & lt;br & gt; • Mastered by Bernie Grundman from the Original Analog Master Tapes! & lt;br & gt; • Originally released as London CS 6191 & lt;br & gt; • Famous London Records Blueback Series & lt;br & gt; & lt;br & gt; Musicians: & lt;br & gt; London Symphony Orchestra & lt;br & gt; Peter Maag, conductor & lt;br & gt; & lt;br & gt; & lt;b & gt;Selections: & lt;br & gt; Felix Mendelssohn (1809-1847) & lt;br & gt; LP1 - Side A: & lt;/b & gt; & lt;br & gt; 1. & lt;b & gt;Overture & quot;The Hebrides & quot; (Fingal's Cave), Op. 26 & lt;br & gt; & lt;/b & gt; & lt;b & gt;LP1 - Side B: & lt;br & gt; Symphony No. 3 in A minor ( & quot;The Scotch & quot;), Op. 56 & lt;/b & gt; & lt;br & gt; 1. Andante con molto & lt;br & gt; & lt;b & gt;LP2 - Side C: & lt;br & gt; & lt;/b & gt; 1. Vivace non troppo & lt;br & gt; 2. Adagio & lt;br & gt; & lt;b & gt;LP2 - Side D: & lt;/b & gt; & lt;br & gt; 1. Allegro vivacissimo - Allegro maestoso assai

Roy Orbison In Dreams Numbered Limited Edition 180g 45rpm 2LP (Vinyl)

& lt;img src= & quot;/content/images/ORGLogo200.jpg & quot; align= & quot;right & quot; hspace= & quot;10 & quot; vspace= & quot;10 & quot; width= & quot;200 & quot; height= & quot;91 & quot; & gt; & lt;font color= & quot;#FF0000 & quot; & gt; & lt;b & gt;Rolling Stone 500 Greatest Songs of All Time - Rated 319/500! & lt;/b & gt; & lt;/font & gt; & lt;br & gt; & lt;br & gt; & lt;font color= & quot;#FF0000 & quot; & gt; & lt;b & gt;Only 2500 Numbered, Limited Edition Copies Worldwide! & lt;br & gt; & lt;br & gt; Mastered by Bernie Grundman from the Original Analog Master Tapes! & lt;br & gt; & lt;br & gt; Deluxe Laminated Gatefold Jacket! Pressed at Gotta Groove! & lt;/b & gt; & lt;/font & gt; & lt;br & gt; & lt;br & gt; Roy Orbison's 1963 album on the Monument label takes its name from the hit single which, in 2004, was named one of the 500 Greatest Songs of All Time by Rolling Stone. Besides the title track, the album also includes & quot;Blue Bayou & quot; and & quot;All I Have To Do Is Dream. & quot; & lt;br & gt; & lt;br & gt; In May 1963, and with the success of “In Dreams”, Wesley Rose eventually accepted an invitation for Roy to tour England on a bill with The Beatles, who meant nothing in the United States at that time. The tour was sold-out in one afternoon. On the first night, Roy did fourteen encores before The Beatles could get on stage. & lt;br & gt; & lt;br & gt; A few things contributed to Roy Orbison’s success. The songs, the production, and the performance were key factors. The songs were completely original in structure, sound and style. Totally innovative compositions, that didn’t exist until then. It became a style. Fred Foster really went for quality instead of quantity. He was willing to splash money on a session without any guarantee of payback. He was also willing to take a chance on a sound that did not conform to accepted market norms. & lt;br & gt; & lt;br & gt; Roy Orbison was one of the few hit-makers to hold his ground, and even to increase his popularity in the wake of the so-called British Invasion. He did it by maintaining a matchless quality of releases, with an original variety of content, structure, tempo and rhythm. He was also an extremely subtle song craftsman, making changes during the course of a session, or between sessions, adding the final commercial gloss to a song. & lt;br & gt; & lt;br & gt; & lt;b & gt; & quot;Orbison's voice was never better than on this recording. The heights he reaches on the title cut, & quot;Lonely Wine, & quot; and & quot;My Prayer & quot; are simply mind-blowing. The emotion and deep atmospherics of the tunes here reflect Foster's sophistication, but also Orbison's willingness to develop himself as a singer and as a persona. & quot; & lt;/b & gt; -Thom Jurek, allmusic.com & lt;br & gt; & lt;br & gt; & lt;b & gt;Features: & lt;/b & gt; & lt;br & gt; • Numbered, Limited Edition - Only 2500 Copies Worldwide & lt;br & gt; • Audiophile 180g, 45rpm Vinyl & lt;br & gt; • Double LP & lt;br & gt; • Deluxe Laminated Double Gatefold Jacket & lt;br & gt; • Mastered by Bernie Grundman from the Original Analog Master Tapes! & lt;br & gt; • Pressed at Gotta Groove & lt;br & gt; & lt;br & gt; & lt;b & gt;Selections: & lt;/b & gt; & lt;br & gt; 1. In Dreams & lt;br & gt; 2. Lonely Wine & lt;br & gt; 3. Shahdaroba & lt;br & gt; 4. No One Will Ever Know & lt;br & gt; 5. Sunset & lt;br & gt; 6. House Without Windows & lt;br & gt; 7. Dream & lt;br & gt; 8. Blue Bayou & lt;br & gt; 9. (They Call You) Gigolette & lt;br & gt; 10. All I Have To Do Is Dream & lt;br & gt; 11. Beautiful Dreamer & lt;br & gt; 12. My Prayer

Sunset Boulevard: The Music Of Franz Waxman Numbered Limited Edition 180g 45rpm 2LP (Vinyl)

& lt;font color= & quot;#FF0000 & quot; & gt;To Be Announced pre-order your copy today! Orders with both pre-order and in stock items will have all in stock items shipped immediately! & lt;/font & gt; & lt;br & gt; & lt;br & gt; & lt;img src= & quot;/content/images/ORGLogo200.jpg & quot; align= & quot;right & quot; hspace= & quot;10 & quot; vspace= & quot;10 & quot; width= & quot;200 & quot; height= & quot;91 & quot; & gt; & lt;p & gt; & lt;strong & gt;TAS Super LP List! Special Merit: Film and Broadway Scores & lt;/strong & gt; & lt;/p & gt; & lt;b & gt; & lt;font color= & quot;#FF0000 & quot; & gt;Mastered by Bernie Grundman from the Original Analog Master Tapes & amp; Pressed at RTI! & lt;br & gt;Numbered Deluxe Laminated Gatefold Jackets! Only 2500 Numbered Limited Edition Copies Worldwide! & lt;br & gt; & lt;/font & gt; & lt;/b & gt; & amp;nbsp; & lt;br & gt; Sunset Boulevard is Franz Waxman’s 1950 Academy Award-winning masterpiece. During his career, Waxman received 12 Oscar nominations, winning in consecutive years for Sunset Boulevard and A Place in the Sun. & lt;br & gt; & lt;br & gt; Sunset Boulevard, the 1950 Billy Wilder film, was scored by Franz Waxman. His theme for Norma Desmond was based on tango music, inspired by her having danced the tango with Rudolph Valentino. This style was contrasted with Joe Gillis's bebop theme. Waxman also used distorted arrangements of popular film-music styles from the 1920s and 1930s to suggest Norma Desmond's state of mind. & lt;br & gt; & lt;br & gt; The American Film Institute ranked Waxman's score for Sunset Boulevard #16 on their list of the greatest film scores. & lt;br & gt; & lt;br & gt; Charles Gerhard conducts the London Symphony Orchestra. Recorded by the legendary Kenneth Wilkinson at Kingsway Hall in London. & lt;br & gt; & lt;br & gt; A series of original orchestral film scores by various greats from the Golden Age of orchestral soundtracks - Bernstein, Herrmann, Tiomkin, Waxman, etc. These may well be the best sounding recordings of orchestral music ever made. Stupendous bass, soundstage, dynamics, low level detail and imaging. & lt;br & gt; & lt;br & gt; Newly remastered by Bernie Grundman on his completely upgraded all analogue mastering system and reissued on audiophile 45rpm LP for the first time! & lt;br & gt; & lt;br & gt; & lt;b & gt;Features: & lt;/b & gt; & lt;br & gt; • Numbered Deluxe Laminated Double Gatefold Jackets & lt;br & gt; • Only 2500 Numbered Limited Edition Copies Worldwide! & lt;br & gt; • Audiophile 180g, 45rpm Vinyl & lt;br & gt; • Double LP & lt;br & gt; • Pressed at RTI & lt;br & gt; • Mastered by Bernie Grundman from the Original Analog Master Tapes! & lt;br & gt; & lt;br & gt; & lt;b & gt;Musicians: & lt;/b & gt; & lt;br & gt; London Symphony Orchestra & lt;br & gt; Charles Gerhardt, conductor

Stravinsky Petrushka Numbered Limited Edition 180g 45rpm 2LP (Vinyl)

& lt;img src= & quot;/content/images/ORGLogo200.jpg & quot; align= & quot;right & quot; hspace= & quot;10 & quot; vspace= & quot;10 & quot; width= & quot;200 & quot; height= & quot;91 & quot; & gt; & lt;header & gt; & lt;p & gt;Release Date To Be Announced pre-order your copy today! Orders with both pre-order and in stock items will have all in stock items shipped immediately! & lt;/p & gt; & lt;/header & gt; & lt;p & gt; & lt;strong & gt;TAS Super LP List! Special Merit: Classical & lt;/strong & gt; & lt;/p & gt; & lt;header & gt; & lt;p & gt; & lt;strong & gt;Numbered, Limited Edition 180g 45rpm Double LP! & lt;br & gt; Mastered by Bernie Grundman From the Analogue Master Tapes! & lt;/strong & gt; & lt;/p & gt; & lt;/header & gt; & lt;p & gt;Originally released in the US as London CS6009, this Stravinsky Petrushka title, featuring Ernst Ansermet and the Orchestra Suisse Romande, is a double 45 rpm re-issue of one of the finest recordings made by Decca in 1958. & lt;/p & gt; & lt;p & gt;Mastered by Bernie Grundman from the analogue master tapes this is a must own classical LP release with the Decca engineering team delivering superb sonics to match the outstanding performance by the conductor and orchestra. An eminently collectible title in both Decca (UK) and London (US) versions, the record is also a longstanding item on the TAS classical list. & lt;/p & gt; & lt;section id= & quot;features & quot; & gt; & lt;h3 & gt;Features & lt;/h3 & gt; & lt;ul & gt; & lt;li & gt;Numbered, Limited Edition & lt;/li & gt; & lt;li & gt;Audiophile 180g Vinyl & lt;/li & gt; & lt;li & gt;45rpm & lt;/li & gt; & lt;li & gt;Double LP & lt;/li & gt; & lt;li & gt;Mastered by Bernie Grundman from the analogue master tapes & lt;/li & gt; & lt;/ul & gt; & lt;/section & gt; & lt;section id= & quot;musicians & quot; & gt; & lt;h3 & gt;Musicians & lt;/h3 & gt; & lt;table & gt; & lt;tr & gt; & lt;th & gt;L'Orchestre de la Suisse Romande & lt;/th & gt; & lt;td & gt; & lt;/td & gt; & lt;/tr & gt; & lt;tr & gt; & lt;th & gt;Ernest Ansermet & lt;/th & gt; & lt;td & gt;conductor & lt;/td & gt; & lt;/tr & gt; & lt;/table & gt; & lt;/section & gt; & lt;section id= & quot;selections & quot; & gt; & lt;h3 & gt;Selections & lt;/h3 & gt; & lt;h4 & gt;Igor Stravinsky (1882-1971) & lt;/h4 & gt; & lt;h5 & gt;Petrushka & lt;/h5 & gt; & lt;h6 & gt;Side 1: & lt;/h6 & gt; & lt;ol & gt; & lt;li & gt;1st Tableau: The Shrovetide Fair & lt;/li & gt; & lt;li & gt;2nd Tableau: In Petrushko's Room & lt;/li & gt; & lt;/ol & gt; & lt;h6 & gt;Side 2: & lt;/h6 & gt; & lt;ol & gt; & lt;li & gt;3rd Tableau: In The Moor's Room & lt;/li & gt; & lt;li & gt;4th Tableau: The Shrovetime Fair (Evening) & lt;/li & gt; & lt;/ol & gt; & lt;/section & gt;

Grieg & Schumann Piano Concertos Numbered Limited Edition 180g 45rpm 2LP (Vinyl)

& lt;font color= & quot;#FF0000 & quot; & gt;TBA pre-order your copy today! Orders with both pre-order and in stock items will have all in stock items shipped immediately! & lt;/font & gt; & lt;br & gt; & lt;br & gt; & lt;img src= & quot;/content/images/ORGLogo200.jpg & quot; align= & quot;right & quot; hspace= & quot;10 & quot; vspace= & quot;10 & quot; width= & quot;200 & quot; height= & quot;91 & quot; & gt; & lt;font color= & quot;#FF0000 & quot; & gt; & lt;b & gt;TAS Super LP List! Special Merit: Classical & lt;br & gt; & lt;br & gt;Mastered by Bernie Grundman from the Original Analog Master Tapes & amp; Pressed at RTI! & lt;br & gt; Numbered Deluxe Laminated Gatefold Jackets! Only 2500 Numbered Limited Edition Copies Worldwide! & lt;/b & gt; & lt;/font & gt; & lt;br & gt; & lt;br & gt; Romanian concert pianist Radu Lupu is joined by the London Symphony Orchestra conducted by Andre Previn for this audiophile 45rpm 180g vinyl LP reissue of the recording of Schumann and Grieg's Piano Concertos. & lt;br & gt; & lt;br & gt; & lt;b & gt;Features: & lt;/b & gt; & lt;br & gt; • Numbered Deluxe Laminated Double Gatefold Jackets & lt;br & gt; • Only 2500 Numbered Limited Edition Copies Worldwide! & lt;br & gt; • Audiophile 180g, 45rpm Vinyl & lt;br & gt; • Double LP & lt;br & gt; • Pressed at RTI & lt;br & gt; • Mastered by Bernie Grundman from the Original Analog Master Tapes! & lt;br & gt; & lt;br & gt; & lt;b & gt;Musicians: & lt;/b & gt; & lt;br & gt; Radu Lupu, piano & lt;br & gt; London Symphony Orchestra & lt;br & gt; Andre Previn, conductor & lt;br & gt; & lt;br & gt; & lt;b & gt;Selections: & lt;br & gt; Robert Schumann & lt;br & gt; Piano Concerto in A minor, Op. 54 & lt;br & gt; & lt;br & gt; Edvard Grieg & lt;br & gt; Piano Concerto in A minor, Op. 16 & lt;/b & gt;

Elvis Presley Elvis' Golden Records Volume 3 Low Numbered Limited Edition 180g 45rpm 2LP (Vinyl)

& lt;img src= & quot;/content/images/ORGLogo200.jpg & quot; align= & quot;right & quot; hspace= & quot;10 & quot; vspace= & quot;10 & quot; width= & quot;200 & quot; height= & quot;91 & quot; & gt; & lt;font color= & quot;#FF0000 & quot; & gt; & lt;b & gt;Out Of Print! Warehouse Find! & lt;br & gt; Low Serial Numbers #89-100! & lt;/font & gt; & lt;/b & gt; & lt;br & gt; & lt;br & gt; & lt;font color= & quot;#FF0000 & quot; & gt; & lt;b & gt;Mastered by Bernie Grundman from the Original Analog Master Tapes & amp; Pressed at RTI! & lt;br & gt; Numbered Deluxe Laminated Gatefold Jackets! & lt;/b & gt; & lt;/font & gt; & lt;br & gt; & lt;br & gt; & lt;p & gt; & lt;strong & gt;This item not eligible for any further discount offers! & lt;/strong & gt; & lt;/p & gt; Elvis Aaron Presley was born during the Great Depression into a poor family in Mississippi. They moved to Memphis during the early fifties, and as a struggling young truck driver, Elvis cut some demos at Sun Studios as a gift for his beloved mother Gladys. These initial songs, of which he had only paid a few dollars to record, would become the catalyst that would kick-start the beginnings of a soon to be worldwide superstar unlike the world has ever known. & lt;br & gt; & lt;br & gt; The folks at RCA Victor knew that this young fellow named Elvis was destined for superstardom. They quickly bought out his contract and signed the legend to a long-term deal, and his first RCA single Heartbreak Hotel forever etched “The King Of Rock And Roll” trademark to his name. He would eventually become the most successful solo artist of all time! & lt;br & gt; & lt;br & gt; For the remainder of the 1950’s, Elvis Presley would release several more hit albums, smash singles and movies before spending time in the Army. Ever proving that he was indeed on top of his game, RCA Victor awarded their superstar artist and his fans with the King’s first greatest hits collection Elvis’ Golden Records. & lt;br & gt; & lt;br & gt; Like the two volumes before it, Elvis' Golden Records Vol. 3 was a groundbreaking release in that no one in rock & amp; roll up to that point, other than Elvis, had ever legitimately earned a second greatest hits compilation, much less a third. & lt;br & gt; & lt;br & gt; Golden Records Vol. 3 contains eight Top Five A-sides along with four B-sides which also made the Top 40. Five of those A-sides-- & quot;Stuck on You, & quot; & quot;It's Now or Never, & quot; & quot;Are You Lonesome Tonight?, & quot; & quot;Surrender, & quot; and & quot;Good Luck Charm & quot;--went to #1. & lt;br & gt; & lt;br & gt; Out of all the records Elvis Presley made, this is one of the absolute audiophile classics among his catalog. And the songs – every one of them – are worth inclusion in any collection. Don't miss a true classic. & lt;br & gt; & lt;br & gt; & lt;b & gt; & quot;With most artists, by the time you get to the third greatest hits album you're scraping the bottom of the barrel but not with Elvis Presley. In fact, it could easily be argued that Volume 3 was the & quot;sweet spot & quot; among the original RCA Elvis's greatest hits releases. & quot; & lt;/b & gt; - analogplanet, Music 8/11. Sound 8/11 & lt;br & gt; & lt;br & gt; & lt;b & gt;Features: & lt;/b & gt; & lt;br & gt; • Numbered Deluxe Laminated Double Gatefold Jackets & lt;br & gt; • Audiophile 180g, 45rpm Vinyl & lt;br & gt; • Double LP & lt;br & gt; • Pressed at RTI & lt;br & gt; • Mastered by Bernie Grundman from the Original Analog Master Tapes! & lt;br & gt; & lt;br & gt; & lt;b & gt;Selections: & lt;br & gt; LP 1 & lt;/b & gt; & lt;br & gt; 1. It's Now Or Never & lt;br & gt; 2. Stuck On You & lt;br & gt; 3. Fame and Fortune & lt;br & gt; 4. I Gotta Know & lt;br & gt; 5. Surrender & lt;br & gt; 6. I Feel So Bad & lt;br & gt; & lt;b & gt;LP 2 & lt;/b & gt; & lt;br & gt; 1. Are You Lonesome Tonight & lt;br & gt; 2. His Latest Flame & lt;br & gt; 3. Little Sister & lt;br & gt; 4. Good Luck Charm & lt;br & gt; 5. Anything That's Part of You & lt;br & gt; 6. She's Not You

Peter, Paul And Mary In The Wind Numbered Limited Edition 180g 45rpm 2LP (Vinyl)

& lt;b & gt;TAS Super LP List! Best Of The Bunch: Popular & lt;/b & gt; & lt;br & gt; & lt;br & gt; & lt;b & gt; & lt;font color= & quot;#FF0000 & quot; & gt;Current Reference Recording for Jonathan Valin of TAS for both the Axpona 2016 and Munich High End 2016 shows! An Arthur Salvatore Supreme LP Recording on www.high-endaudio.com! & lt;br & gt; & lt;br & gt; Numbered, Limited Edition! Pressed at RTI! Mastered by Bernie Grundman from the Original Analog Master Tapes! & lt;/font & gt; & lt;/b & gt; & lt;br & gt; & lt;br & gt; & lt;i & gt;In the Wind & lt;/i & gt; is the third album by the American folk music trio & lt;strong & gt;Peter, Paul And Mary & lt;/strong & gt;, released in 1963. & lt;em & gt;In the Wind & lt;/em & gt; was so successful that when it hit #1 on the Billboard album charts, it caused their two previous albums to re-enter the Top 10 as well. At this point in musical history the folk music revival was in full flower. & lt;br & gt; & lt;br & gt; The lead-off single of Bob Dylan's & quot;Blowin' in the Wind & quot; became world famous when it sold a phenomenal three hundred thousand copies in the first week of release. On July 13, 1963, it reached number two on the Billboard pop chart, with sales exceeding one million copies. It spent five weeks atop the easy listening chart. The second single from the album, & quot;Don't Think Twice, It's All Right, & quot; another song by Dylan, peaked at number 2 on the Adult Contemporary chart and number 9 on the Pop Singles chart. At the Grammy Awards of 1964, their recording of & quot;Blowin' in the Wind & quot; won the Best Folk Recording and Best Performance by a Vocal Group. & lt;br & gt; & lt;br & gt; At Axpona 2016, Jonathan Valin reviews his Five Best Systems. ORG's & lt;i & gt;In The Wind & lt;/i & gt; was used as a reference Disc in ARC's sound room at the show. System composed of Sonus faber Il Cremonese three-and-a-half-ways driven by ARC electronics, sourced by an AMG Giro 9 turntable, cabled with Kubala-Sosna Emotion, and supported by nonpareil Critical Mass Maxxum stands: & lt;br & gt; & lt;br & gt; & lt;b & gt; & quot;...on the voices, guitars, brass, percussion, and standup bass of the Buena Vista Social Club’s Lost and Found or ORG’s fabulous 45rpm reissue of Peter, Paul & amp; Mary’s In The Wind, the overall sound was so much like the real thing it gave me the proverbials. & quot; & lt;/b & gt; - Jonathan Valin, theabsolutesound.com, April 20, 2016 & lt;br & gt; & lt;br & gt; And at various rooms at the Munich High End 2016, comments by Jonathan Valin: & lt;br & gt; & lt;br & gt; & lt;b & gt; & quot;...gorgeous timbre on PP & amp;M’s “All My Trials” with exceptional reproduction of vibrato. & quot; & lt;/b & gt; & lt;br & gt; & lt;b & gt; & quot;On my PP & amp;M disc, the trio’s voices sounded dark, dulcet, gorgeous. & quot; & lt;/b & gt; & lt;br & gt; & lt;b & gt; & quot;This was quite a remarkable setup as I heard things through it that I hadn't heard as clearly on anything else, such as Paul's fingering of Sebastian (his twelve-string casket-style guitar) on my PP & amp;M LP. & quot; & lt;/b & gt; - Jonathan Valin, theabsolutesound.com, May 17, 2016 & lt;br & gt; & lt;br & gt; & lt;b & gt; & quot;Original Recording Group’s 45-rpm re-mastering of In The Wind is superb. The pristine clarity, stereo separation and tonal warmth exceed standard CD quality. & quot; & lt;/b & gt; -Robbie Gerson, audaud.com, rated 4.5 stars & lt;br & gt; & lt;br & gt; & lt;b & gt; & quot;Their third recording was one of the group's stronger outings...the dramatic, strident, but inspirational & quot;Very Last Day & quot; is one of the best original tunes the group ever did. & quot; & lt;/b & gt; -Richie Unterberger, allmusic.com & lt;br & gt; & lt;br & gt; & lt;b & gt;Features: & lt;/b & gt; & lt;br & gt; • Numbered, Limited Edition & lt;br & gt; • Audiophile 180g, 45rpm Vinyl & lt;br & gt; • Double LP, Gatefold Packaging & lt;br & gt; • Pressed at RTI! & lt;br & gt; • Mastered by Bernie Grundman from the Original Analog Tapes & lt;br & gt; & lt;br & gt; & lt;b & gt;Selections: & lt;br & gt; LP 1 - Side A: & lt;/b & gt; & lt;br & gt; 1. Very Last Day & lt;br & gt; 2. Hush-A-Bye & lt;br & gt; 3. Long Chain On & lt;br & gt; & lt;b & gt;LP 1 - Side B: & lt;/b & gt; & lt;br & gt; 1. Rocky Road & lt;br & gt; 2. Tell It on the Mountain & lt;br & gt; 3. Polly Von & lt;br & gt; & lt;br & gt; & lt;b & gt;LP 2 - Side C: & lt;/b & gt; & lt;br & gt; 1. Stewball & lt;br & gt; 2. All My Trials & lt;br & gt; 3. Don't Think Twice, It's All Right & lt;br & gt; & lt;b & gt;LP 2 - Side D: & lt;/b & gt; & lt;br & gt; 1. Freight Train & lt;br & gt; 2. Quit Your Lowdown Ways & lt;br & gt; 3. Blowin' In the Wind

Jon Hendricks Fast Livin' Blues Numbered Limited Edition 180g 45rpm 2LP (Vinyl)

& lt;img src= & quot;/content/images/ORGLogo200.jpg & quot; align= & quot;right & quot; hspace= & quot;10 & quot; vspace= & quot;10 & quot; width= & quot;200 & quot; height= & quot;91 & quot; & gt; & lt;font color= & quot;#FF0000 & quot; & gt; & lt;b & gt;TAS Super LP List! Special Merit: Informal & lt;/b & gt; & lt;/font & gt; & lt;br & gt; & lt;br & gt; & lt;font color= & quot;#FF0000 & quot; & gt; & lt;b & gt;Mastered by Bernie Grundman from the Original Analog Master Tapes & amp; Pressed at RTI! & lt;br & gt;Numbered Deluxe Laminated Gatefold Jackets! Only 2500 Numbered Limited Edition Copies Worldwide! & lt;/b & gt; & lt;/font & gt; & lt;br & gt; & lt;br & gt; Bluesman Jon Hendricks is in Superb Form Here! Featuring such Major Sidemen as Pony Poindexter and Billy Mitchell, this Spirited Album is Essential to Any Audiophile's Collection! & lt;br & gt; & lt;br & gt; Jon Hendricks helped to originate vocalese, which is an art form of adding lyrics to existing instrumentals and replacing instruments with vocalists. He is also considered to be one of the best scat performers. Jazz critic and historian Leonard Feather called him the & quot;Poet Laureate of Jazz & quot;. Al Jarreau has called him & quot;pound-for-pound the best jazz singer on the planet - maybe that's ever been & quot;. & lt;br & gt; & lt;br & gt; After his service in the Army during World War II, Hendricks attended the University of Toledo as a pre-law major. Just as he was about to enter the graduate law program, his G.I. benefits ran out, which forced him to choose a different career path. Recalling that Charlie Parker had encouraged him to come to New York two years earlier to look him up, Hendricks took him up on his offer and moved there and began his singing career. In 1968, he moved his family to London, England to further his solo career and so his five children could receive a better education. & lt;br & gt; & lt;br & gt; & lt;b & gt; & quot;Qualities one associates with the jazz vocal group Lambert, Hendricks & amp; Ross - swing, hipness, and witty, offbeat lyrics - were very much in evidence when band member Jon Hendricks released Fast Livin' Blues in 1962. A looser approach, however, allowed more room for the instrumentalists to both stretch out and insert perfectly-timed fills with an air of spontaneity... For someone who has the blues in all kinds of ways, the front man sure seems to be having a good time, spinning tales of friendship, fast living, and fish fries that will inspire smiles more than sadness. Again I applaud Original Recordings Group for picking a less-than-obvious title that well deserves a reassessment and for capturing a natural sound on noise-free 180-gram 45rpm pressings. Every time the horn section kicks in, it's exquisite - rich, sweet-sounding brass in all its glory. & quot; & lt;/b & gt; - Jeff Wilson, & lt;i & gt;The Absolute Sound & lt;/i & gt;, February 2013, Music 3.5/5, Sonics 4.5/5 & lt;br & gt; & lt;br & gt; & lt;b & gt;Musicians: & lt;/b & gt; & lt;br & gt; Jon Hendricks, vocals & lt;br & gt; Pony Poindexter, soprano & amp; tenor sax & lt;br & gt; Billy Mitchell, tenor sax & lt;br & gt; Joe Newman, trumpet & lt;br & gt; Al Grey, trombone & lt;br & gt; Gildo Mahones, piano & lt;br & gt; Stu Martin, drums & lt;br & gt; & lt;br & gt; & lt;b & gt;Features: & lt;/b & gt; & lt;br & gt; • Numbered Deluxe Laminated Double Gatefold Jackets & lt;br & gt; • Only 2500 Numbered Limited Edition Copies Worldwide! & lt;br & gt; • Audiophile 180g, 45rpm Vinyl & lt;br & gt; • Double LP & lt;br & gt; • Pressed at RTI & lt;br & gt; • Mastered by Bernie Grundman from the Original Analog Master Tapes! & lt;br & gt; & lt;br & gt; & lt;b & gt;Selections: & lt;br & gt; LP1 - Side A: & lt;br & gt; & lt;/b & gt; 1. What Would You Do? & lt;br & gt; 2. Fast Livin' Blues & lt;br & gt; & lt;b & gt;LP1 - Side B: & lt;/b & gt; & lt;br & gt; 1. Saturday Night Fish Fry & lt;br & gt; 2. Do You Call That A Buddy & lt;br & gt; & lt;b & gt;LP2 - Side C: & lt;br & gt; & lt;/b & gt; 1. I'll Die Happy & lt;br & gt; 2. Another Get Together & lt;br & gt; 3. Good Old Lady & lt;br & gt; & lt;b & gt;LP2 - Side D: & lt;/b & gt; & lt;br & gt; 1. Contemporary Blues & lt;br & gt; 2. Stop and Go Blues & lt;br & gt; 3. I Never Get Enough Of You

Charles Mingus Tijuana Moods Numbered Limited Edition 180g 45rpm 2LP (Vinyl)

& lt;font color= & quot;#FF0000 & quot; & gt;To Be Announced pre-order your copy today! Orders with both pre-order and in stock items will have all in stock items shipped immediately! & lt;/font & gt; & lt;br & gt; & lt;br & gt; & lt;img src= & quot;/content/images/ORGLogo200.jpg & quot; align= & quot;right & quot; hspace= & quot;10 & quot; vspace= & quot;10 & quot; width= & quot;200 & quot; height= & quot;91 & quot; & gt; & lt;p & gt; & lt;strong & gt;TAS Super LP List! Special Merit: Informal & lt;/strong & gt; & lt;/p & gt; & lt;font color= & quot;#FF0000 & quot; & gt; & lt;b & gt;Numbered, Limited Edition 180g 45rpm 2LP! Pressed at RTI! & lt;br & gt; & lt;br & gt; Mastered by Bernie Grundman from the Original Analog Master Tapes! & lt;br & gt; & lt;br & gt; Deluxe Laminated Gatefold Jackets! Only 2500 Numbered, Limited Edition Copies Worldwide! & lt;/b & gt; & lt;/font & gt; & lt;br & gt; & lt;br & gt; Tijuana Moods is an album by Charles Mingus originally recorded in 1957 but not released until 1962. Tijuana Moods is a boisterous, swinging suite of songs that meld Bebop with the tequila haze of nightclubs, a flamenco striptease, serenading mariachis and the glare of the Mexican sun in the hedonist milieu of the border town. & lt;br & gt; & lt;br & gt; It is notable that the name & quot;Charlie Mingus & quot; appears on the cover of the original album. Mingus hated all nicknames derived from Charles ( & quot;Don't call me Charlie; that's not a man's name, that's a name for a horse & quot;). All songs were composed by Mingus except & quot;Flamingo. & quot; & lt;br & gt; & lt;br & gt; One of the most important figures in twentieth century American music, Charles Mingus was a virtuoso bass player, accomplished pianist, bandleader and composer. Mingus settled in New York where he played and recorded with the leading musicians of the 1950’s– Charlie Parker, Miles Davis, Bud Powell, Art Tatum and Duke Ellington himself. One of the few bassists to do so, Mingus quickly developed as a leader of musicians. He was also an accomplished pianist who could have made a career playing that instrument. & lt;br & gt; & lt;br & gt; Mingus soon found himself at the forefront of the avant-garde. His recordings bear witness to the extraordinarily creative body of work that followed. Tijuana Moods is one of those recordings. & lt;br & gt; & lt;br & gt; & lt;b & gt; & quot;This is the best record I ever made. & quot; & lt;/b & gt; -Charles Mingus, 1962 & lt;br & gt; & lt;br & gt; & lt;b & gt; & quot;Bassist/composer Charles Mingus at the time said that this was his greatest recording, and it certainly ranks near the top...The passionate playing, exciting ensembles, and high-quality compositions make this a real gem, and it represents one of Charles Mingus' finest hours. & quot; & lt;/b & gt; -Scott Yanow, allmusic.com & lt;br & gt; & lt;br & gt; & lt;b & gt;Features: & lt;/b & gt; & lt;br & gt; • Numbered, Limited Edition & lt;br & gt; • Only 2500 numbered, limited edition copies worldwide! & lt;br & gt; • Audiophile 180g 45rpm Vinyl & lt;br & gt; • Mastered by Bernie Grundman from the Original Analog Master Tapes & lt;br & gt; • Numbered Deluxe Laminated Gatefold Jackets & lt;br & gt; • Double LP & lt;br & gt; • Pressed at RTI & lt;br & gt; & lt;br & gt; & lt;b & gt;Musicians: & lt;/b & gt; & lt;br & gt; Charles Mingus, bass & lt;br & gt; Jimmy Knepper, trombone & lt;br & gt; Curtis Porter (Shafi Hadi), alto saxophone & lt;br & gt; Clarence Shaw, trumpet & lt;br & gt; Bill Triglia, piano & lt;br & gt; Danny Richmond, drums & lt;br & gt; Frankie Dunlop, percussion & lt;br & gt; Ysabel Morel, castinets & lt;br & gt; Lonnie Elder, vocals & lt;br & gt; & lt;br & gt; & lt;b & gt;Selections: & lt;/b & gt; & lt;br & gt; 1. Dizzy Moods & lt;br & gt; 2. Ysabel's Table Dance & lt;br & gt; 3. Tijuana Gift Shop & lt;br & gt; 4. Los Mariachis (The Street Musicians) & lt;br & gt; 5. Flamingo

Roy Orbison In Dreams Low Numbered Limited Edition 180g 45rpm 2LP (Vinyl)

& lt;img src= & quot;/content/images/ORGLogo200.jpg & quot; align= & quot;right & quot; hspace= & quot;10 & quot; vspace= & quot;10 & quot; width= & quot;200 & quot; height= & quot;91 & quot; & gt; & lt;font color= & quot;#FF0000 & quot; & gt; & lt;b & gt;Out Of Print! Warehouse Find! & lt;br & gt; Low Serial Numbers #91-100! & lt;/font & gt; & lt;/b & gt; & lt;br & gt; & lt;br & gt; & lt;p & gt; & lt;strong & gt;This item not eligible for any further discount offers! & lt;/strong & gt; & lt;/p & gt; & lt;font color= & quot;#FF0000 & quot; & gt; & lt;b & gt;Only 2500 Numbered, Limited Edition Copies Worldwide! & lt;br & gt; Mastered by Bernie Grundman from the Original Analog Master Tapes! & lt;br & gt; Deluxe Laminated Gatefold Jacket! Pressed at Gotta Groove! & lt;/b & gt; & lt;/font & gt; & lt;br & gt; & lt;br & gt; Roy Orbison's 1963 album on the Monument label takes its name from the hit single which, in 2004, was named one of the 500 Greatest Songs of All Time by Rolling Stone. Besides the title track, the album also includes & quot;Blue Bayou & quot; and & quot;All I Have To Do Is Dream. & quot; & lt;br & gt; & lt;br & gt; In May 1963, and with the success of “In Dreams”, Wesley Rose eventually accepted an invitation for Roy to tour England on a bill with The Beatles, who meant nothing in the United States at that time. The tour was sold-out in one afternoon. On the first night, Roy did fourteen encores before The Beatles could get on stage. & lt;br & gt; & lt;br & gt; A few things contributed to Roy Orbison’s success. The songs, the production, and the performance were key factors. The songs were completely original in structure, sound and style. Totally innovative compositions, that didn’t exist until then. It became a style. Fred Foster really went for quality instead of quantity. He was willing to splash money on a session without any guarantee of payback. He was also willing to take a chance on a sound that did not conform to accepted market norms. & lt;br & gt; & lt;br & gt; Roy Orbison was one of the few hit-makers to hold his ground, and even to increase his popularity in the wake of the so-called British Invasion. He did it by maintaining a matchless quality of releases, with an original variety of content, structure, tempo and rhythm. He was also an extremely subtle song craftsman, making changes during the course of a session, or between sessions, adding the final commercial gloss to a song. & lt;br & gt; & lt;br & gt; & lt;b & gt; & quot;Orbison's voice was never better than on this recording. The heights he reaches on the title cut, & quot;Lonely Wine, & quot; and & quot;My Prayer & quot; are simply mind-blowing. The emotion and deep atmospherics of the tunes here reflect Foster's sophistication, but also Orbison's willingness to develop himself as a singer and as a persona. & quot; & lt;/b & gt; -Thom Jurek, allmusic.com & lt;br & gt; & lt;br & gt; & lt;b & gt;Features: & lt;/b & gt; & lt;br & gt; • Numbered, Limited Edition - Only 2500 Copies Worldwide & lt;br & gt; • Audiophile 180g, 45rpm Vinyl & lt;br & gt; • Double LP & lt;br & gt; • Deluxe Laminated Double Gatefold Jacket & lt;br & gt; • Mastered by Bernie Grundman from the Original Analog Master Tapes! & lt;br & gt; • Pressed at Gotta Groove & lt;br & gt; & lt;br & gt; & lt;b & gt;Selections: & lt;/b & gt; & lt;br & gt; 1. In Dreams & lt;br & gt; 2. Lonely Wine & lt;br & gt; 3. Shahdaroba & lt;br & gt; 4. No One Will Ever Know & lt;br & gt; 5. Sunset & lt;br & gt; 6. House Without Windows & lt;br & gt; 7. Dream & lt;br & gt; 8. Blue Bayou & lt;br & gt; 9. (They Call You) Gigolette & lt;br & gt; 10. All I Have To Do Is Dream & lt;br & gt; 11. Beautiful Dreamer & lt;br & gt; 12. My Prayer

Respighi Ancient Dances And Airs For Lute Numbered Limited Edition 180g 45rpm 2LP (Vinyl)

& lt;font color= & quot;#FF0000 & quot; & gt;TBA pre-order your copy today! Orders with both pre-order and in stock items will have all in stock items shipped immediately! & lt;/font & gt; & lt;br & gt; & lt;br & gt; & lt;img src= & quot;/content/images/ORGLogo200.jpg & quot; align= & quot;right & quot; hspace= & quot;10 & quot; vspace= & quot;10 & quot; width= & quot;200 & quot; height= & quot;91 & quot; & gt; & lt;p & gt; & lt;strong & gt;TAS Super LP List! Special Merit: Classical & lt;/strong & gt; & lt;/p & gt; & lt;font color= & quot;#FF0000 & quot; & gt; & lt;b & gt;Mastered by Bernie Grundman from the Original Analog Master Tapes & amp; Pressed at RTI! & lt;br & gt; Numbered Deluxe Laminated Gatefold Jackets! Only 2500 Numbered Limited Edition Copies Worldwide! & lt;/b & gt; & lt;/font & gt; & lt;br & gt; & lt;br & gt; The Philharmonia Hungarica conducted by Antal Dorati conducts the Philharmonia Hungarica in performing Ancient Dances and Airs for Lute by Respighi. & lt;br & gt; & lt;br & gt; Legendary Mercury Living Presence classical music album pressed on Audiophile Quality 45rpm 180g vinyl. & lt;br & gt; & lt;br & gt; & lt;b & gt;Features: & lt;/b & gt; & lt;br & gt; • Numbered Deluxe Laminated Double Gatefold Jackets & lt;br & gt; • Only 2500 Numbered Limited Edition Copies Worldwide! & lt;br & gt; • Audiophile 180g, 45rpm Vinyl & lt;br & gt; • Double LP & lt;br & gt; • Pressed at RTI & lt;br & gt; • Mastered by Bernie Grundman from the Original Analog Master Tapes! & lt;br & gt; & lt;br & gt; & lt;b & gt;Musicians: & lt;/b & gt; & lt;br & gt; Philharmonia Hungarica & lt;br & gt; Antal Dorati, conductor & lt;br & gt; & lt;br & gt; & lt;b & gt;Selections: & lt;br & gt; Ottorino Respighi (1879-1936) & lt;br & gt; Ancient Dances and Airs for Lute & lt;/b & gt; & lt;br & gt; Suite No. 1 (for Orchestra) & lt;br & gt; Suite No.2 (for Orchestra) & lt;br & gt; Suite No. 3 (for Strings)

Peter, Paul And Mary Peter, Paul And Mary Low Numbered Limited Edition 180g 45rpm 2LP (Vinyl)

& lt;img src= & quot;/content/images/ORGLogo200.jpg & quot; align= & quot;right & quot; hspace= & quot;10 & quot; vspace= & quot;10 & quot; width= & quot;200 & quot; height= & quot;91 & quot; & gt; & lt;b & gt; & lt;font color= & quot;#FF0000 & quot; & gt;Out Of Print! Low Serial Numbers #34-44! & lt;/font & gt; & lt;/b & gt; & lt;br & gt; & lt;br & gt; & lt;p & gt; & lt;strong & gt;TAS Super LP List! Special Merit: Informal & lt;/strong & gt; & lt;/p & gt; & lt;b & gt;Michael Fremer's 100 Recommended All-Analog LP Reissues Worth Owning - Rated 83/100! & lt;/b & gt; & lt;br & gt; & lt;br & gt; & lt;b & gt; & lt;font color= & quot;#FF0000 & quot; & gt;Michael Fremer Rated 9/10 Music, 9/10 Sound in his June 2014 reviews on www.analogplanet.com! & lt;br & gt; Numbered, Limited Edition! Pressed at RTI! & lt;br & gt; Mastered by Bernie Grundman from the Original Analog Master Tapes! & lt;/font & gt; & lt;/b & gt; & lt;br & gt; & lt;br & gt; & lt;b & gt;This item not eligible for any further discount offers! & lt;/b & gt; & lt;br & gt; & lt;br & gt; Peter, Paul and Mary's self-titled 1962 debut on Warner Bros. Records, a stunning oasis of content in a sea of musical fluff, brought folk music of consciousness and concern to the top of the charts. Fueled by the enormous hits & quot;Lemon Tree & quot; and & quot;If I Had a Hammer & quot; (which enjoyed a second life as an anthem of the Civil Rights Movement), the album went straight to #1, remaining in the Billboard Top 10 for 10 months and in the Top 20 for two years on the way to a remarkable three-and-a-half year run on the album chart. This success marked the beginning of an incredibly fertile and influential time for the group, and for the contemporary urban folk tradition they personified. & lt;br & gt; & lt;br & gt; This was the group's biggest selling studio album, eventually certified Double Platinum by the RIAA for US sales of more than 2 million copies. At the Grammy Awards of 1963, their recording of & quot;If I Had a Hammer & quot; won the Best Folk Recording and Best Pop Performance by a Duo or Group with Vocal Grammies. & lt;br & gt; & lt;br & gt; & lt;b & gt; & quot;Bernie Grundman cut from the original master tape and the transparency and clarity are a dead giveaway to that. If this album doesn't produce occasional chills, your system needs some work or you do! A long awaited reissue (for aging folkies at least) done perfectly! & quot; & lt;/b & gt; -Michael Fremer, analogplanet.com, Music 9/10, Sound 9/10 & lt;br & gt; & lt;br & gt; & lt;b & gt; & quot;The debut album by Peter, Paul & amp; Mary is still one of the best albums to come out of the 1960s folk music revival, a beautifully harmonized collection of the best songs that the group knew, stirring in its sensibilities and its haunting melodies, crossing between folk, children's songs, and even gospel ( & quot;If I Had My Way & quot;), and light-hearted just where it needed to be. & quot; & lt;/b & gt; -Bruce Eder, allmusic.com & lt;br & gt; & lt;br & gt; & lt;b & gt;Features: & lt;/b & gt; & lt;br & gt; • Numbered, Limited Edition & lt;br & gt; • Audiophile 180g, 45rpm Vinyl & lt;br & gt; • Double LP, Gatefold Packaging & lt;br & gt; • Pressed at RTI & lt;br & gt; • Mastered by Bernie Grundman from Analog Tapes & lt;br & gt; & lt;br & gt; & lt;b & gt;Selections: & lt;br & gt; LP 1 - Side A: & lt;/b & gt; & lt;br & gt; 1. Early In the Morning & lt;br & gt; 2. 500 Miles & lt;br & gt; 3. Sorrow & lt;br & gt; & lt;b & gt;LP 1 - Side B & lt;/b & gt;: & lt;br & gt; 1. This Train & lt;br & gt; 2. Bamboo & lt;br & gt; 3. It's Raining & lt;br & gt; & lt;br & gt; & lt;b & gt;LP 2 - Side C: & lt;/b & gt; & lt;br & gt; 1. If I Had My Way & lt;br & gt; 2. Cruel War & lt;br & gt; 3. Lemon Tree & lt;br & gt; & lt;b & gt;LP 2 - Side D: & lt;/b & gt; & lt;br & gt; 1. If I Had A Hammer & lt;br & gt; 2. Autumn To May & lt;br & gt; 3. Where Have All the Flowers Gone

John Barry Dances with Wolves Soundtrack Low Numbered Limited Edition 180g 45rpm 2LP (Vinyl)

& lt;img src= & quot;/content/images/ORGLogo200.jpg & quot; align= & quot;right & quot; hspace= & quot;10 & quot; vspace= & quot;10 & quot; width= & quot;200 & quot; height= & quot;91 & quot; & gt; & lt;font color= & quot;#FF0000 & quot; & gt; & lt;b & gt;Out Of Print! Warehouse Find! & lt;br & gt; Low Serial Numbers #91-100! & lt;/font & gt; & lt;/b & gt; & lt;br & gt; & lt;br & gt; & lt;p & gt; & lt;strong & gt;This item not eligible for any further discount offers! & lt;/strong & gt; & lt;/p & gt; & lt;font color= & quot;#FF0000 & quot; & gt; & lt;b & gt;Numbered, Limited Edition 180g 45rpm Double Vinyl! Pressed at RTI! & lt;br & gt; Mastered by Bernie Grundman from the Original Analog Master Tapes! & lt;/b & gt; & lt;/font & gt; & lt;br & gt; & lt;br & gt; Dances with Wolves is the original soundtrack to the 1990 Academy Award and Golden Globe winning film, Dances with Wolves. The original score and songs were composed and conducted by John Barry. For the Dances With Wolves Soundtrack, John Barry won the 1991 Academy Award for Best Original Score and the 1992 Grammy Award for Best Instrumental Composition Written for a Motion Picture or for Television. & lt;br & gt; & lt;br & gt; This release is newly remastered by Bernie Grundman on his completely upgraded all analogue mastering system and reissued on audiophile 45rpm LP for the first time! & lt;br & gt; & lt;br & gt; Dances with Wolves is a 1990 American epic western film directed, produced by, and starring Kevin Costner. It is a film adaptation of the 1988 book of the same name by Michael Blake and tells the story of a Union Army lieutenant who travels to the American frontier to find a military post, and his dealings with a group of Lakota Indians. & lt;br & gt; & lt;br & gt; & lt;b & gt; & quot;John Barry's fifth Oscar-winning score is a profoundly moving body of music... & quot;The Buffalo Hunt & quot; is one of the finest pieces of music the man ever wrote. & quot; & lt;/b & gt; -Bruce Eder, allmusic.com & lt;br & gt; & lt;br & gt; & lt;b & gt;Features: & lt;/b & gt; & lt;br & gt; • Numbered, Limited Edition & lt;br & gt; • 180g Audiophile Vinyl & lt;br & gt; • 45rpm & lt;br & gt; • 2LP Set & lt;br & gt; • Mastered by Bernie Grundman from the original analog master tapes & lt;br & gt; • Pressed at RTI & lt;br & gt; • Deluxe laminated gatefold jacket & lt;br & gt; & lt;br & gt; & lt;b & gt;Selections: & lt;br & gt; LP 1 - Side A: & lt;/b & gt; & lt;br & gt; 1. Main Title - Looks Like A Suicide & lt;br & gt; 2. The John Dunbar Theme & lt;br & gt; 3. Journey to Fort Sedgewick & lt;br & gt; 4. Ride to Fort Hays & lt;br & gt; 5. The Death of Timmons & lt;br & gt; & lt;b & gt;LP 1 - Side B: & lt;/b & gt; & lt;br & gt; 1. Two Socks - The Wolf Theme & lt;br & gt; 2. Pawnee Attack & lt;br & gt; 3. Kicking Bird's Gift & lt;br & gt; 4. Journey to the Buffalo Killing Ground & lt;br & gt; 5. The Buffalo Hunt & lt;br & gt; & lt;br & gt; & lt;b & gt;LP 2 - Side C: & lt;/b & gt; & lt;br & gt; 1. Stands With a Fist Remembers & lt;br & gt; 2. The Love Theme & lt;br & gt; 3. The John Dunbar Theme & lt;br & gt; 4. Two Socks at Play & lt;br & gt; 5. The Death of Cisco & lt;br & gt; & lt;b & gt;LP 2 - Side D: & lt;/b & gt; & lt;br & gt; 1. Rescue of Dances with Wolves & lt;br & gt; 2. The Loss of the Journal and the Return to the Winter Camp & lt;br & gt; 3. Farewell and End Title

Roy Orbison Roy Orbison Sings Lonely And Blue Low Numbered Limited Edition 180g 45rpm 2LP (Vinyl)

& lt;img src= & quot;/content/images/ORGLogo200.jpg & quot; align= & quot;right & quot; hspace= & quot;10 & quot; vspace= & quot;10 & quot; width= & quot;200 & quot; height= & quot;91 & quot; & gt; & lt;header & gt; & lt;p & gt; & lt;strong & gt;Out Of Print! Warehouse Find! & lt;br & gt; Low Serial Numbers #91-100! & lt;/p & gt; & lt;/strong & gt; & lt;/header & gt; & lt;p & gt; & lt;strong & gt;This item not eligible for any further discount offers! & lt;/strong & gt; & lt;/p & gt; & lt;header & gt; & lt;p & gt; & lt;strong & gt;Numbered, Deluxe Laminated Gatefold Jacket! Only 2500 Numbered, Limited Edition Copies Worldwide! & lt;br & gt; 180g 45rpm Double LP Set Mastered by Bernie Grundman from the Original Analog Master Tapes! & lt;br & gt; Pressed at Gotta Groove Records! & lt;/strong & gt; & lt;/p & gt; & lt;/header & gt; Featuring the timeless classic, & quot;Only The Lonely & quot;, Roy's distinctive baritone and unique vocal style resounds magnificently across all four sides of this Audiophile 45rpm reissue from ORG! Pressed on High Quality 180 Gram Double Vinyl at Gotta Groove Records! & lt;br & gt; & lt;br & gt; Roy Orbison's first album recorded for Monument was released in 1961 and features & quot;Come Back To me (My Love) & quot; and & quot;Only The Lonely & quot;. The third single for Fred Foster’s Monument label was “Only the Lonely”, which became the first song that truly probed the frightening potential of Roy Orbison’s voice, and established his uniqueness. The song peaked at number 2 on the Billboard Charts and became number 1 in the UK. & lt;br & gt; & lt;br & gt; A few things contributed to Roy Orbison’s success. The songs, the production, and the performance were key factors. The songs were completely original in structure, sound and style. Totally innovative compositions, that didn’t exist until then. It became a style. Fred Foster really went for quality instead of quantity. He was willing to splash money on a session without any guarantee of payback. He was also willing to take a chance on a sound that did not conform to accepted market norms. & lt;br & gt; & lt;br & gt; Roy Orbison was one of the few hit-makers to hold his ground, and even to increase his popularity in the wake of the so-called British Invasion. He did it by maintaining a matchless quality of releases, with an original variety of content, structure, tempo and rhythm. He was also an extremely subtle song craftsman, making changes during the course of a session, or between sessions, adding the final commercial gloss to a song. & lt;br & gt; & lt;br & gt; & lt;b & gt; & quot;Not only a breakthrough for Roy Orbison... but also for rock & amp; roll. Up to that point, apart from Elvis Presley -- who was in a class by himself -- few white rock & amp; rollers had even tried to make as bold a use of the LP as what we hear on this record. Orbison, his collaborator Joe Melson, and producer Fred Foster turned the singer's debut long-player into a huge canvas for a sound that combined rock & amp; roll's beat, Nashville's countrypolitan sound, and the singer's unique multi-octave range and operatic intensity into something unique in music. The single & quot;Only the Lonely & quot; may have been the most accessible and commercial side of this new sound, but the whole album was packed with great moments and different permutations of that sound... & quot; & lt;/b & gt; - allmusic.com & lt;br & gt; & lt;br & gt; & lt;b & gt;Features: & lt;/b & gt; & lt;br & gt; • Numbered, Limited Edition & lt;br & gt; • Deluxe Laminated Double Gatefold Jacket & lt;br & gt; • Only 2500 Numbered Limited Edition Copies Worldwide! & lt;br & gt; • Audiophile 180g 45rpm Vinyl & lt;br & gt; • Double LP & lt;br & gt; • Mastered by Bernie Grundman from the Original Analog Master Tapes! & lt;br & gt; • Pressed at Gotta Groove & lt;br & gt; & lt;br & gt; & lt;b & gt;Selections: & lt;br & gt; LP 1 - Side 1: & lt;/b & gt; & lt;br & gt; 1. Only the Lonely (Know The Way I Feel) & lt;br & gt; 2. Bye-Bye Love & lt;br & gt; 3. Cry & lt;br & gt; & lt;b & gt;LP 1 - Side 2: & lt;/b & gt; & lt;br & gt; 1. Blue Avenue & lt;br & gt; 2. I Can't Stop Loving You & lt;br & gt; 3. Come Back To Me (My Love) & lt;br & gt; & lt;br & gt; & lt;b & gt;LP 2 - Side 3: & lt;/b & gt; & lt;br & gt; 1. Blue Angel & lt;br & gt; 2. Raindrops & lt;br & gt; 3. (I'd Be) A Legend In My Time & lt;br & gt; & lt;b & gt;LP 2 - Side 4: & lt;/b & gt; & lt;br & gt; 1. I'm Hurtin' & lt;br & gt; 2. Twenty Two Days & lt;br & gt; 3. I'll Say It's My Fault

Borodin Symphonies Nos. 2 & 3 Low Numbered Limited Edition 180g 45rpm 2LP (Vinyl)

& lt;img src= & quot;/content/images/ORGLogo200.jpg & quot; align= & quot;right & quot; hspace= & quot;10 & quot; vspace= & quot;10 & quot; width= & quot;200 & quot; height= & quot;91 & quot; & gt; & lt;font color= & quot;#FF0000 & quot; & gt; & lt;b & gt;Out Of Print! Warehouse Find! & lt;br & gt; Low Serial Numbers #91-100! & lt;/b & gt; & lt;/font & gt; & lt;br & gt; & lt;br & gt; & lt;b & gt;TAS Super LP List! Special Merit: Classical & lt;/b & gt; & lt;br & gt; & lt;br & gt; & lt;font color= & quot;#FF0000 & quot; & gt; & lt;b & gt;Numbered, Limited Edition 180g 45rpm 2LP! Pressed at RTI! & lt;br & gt;Mastered by Bernie Grundman from the Original Analog Master Tapes! & lt;br & gt;Deluxe Laminated Gatefold Jackets! Only 2500 Numbered, Limited Edition Copies Worldwide! & lt;/b & gt; & lt;/font & gt; & lt;br & gt; & lt;br & gt; & lt;p & gt; & lt;strong & gt;This item not eligible for any further discount offers! & lt;/strong & gt; & lt;/p & gt; Ernest Ansermet conducts L'Orchestre de la Suisse Romande for this 1954 recording of Borodin's Second & amp; Third Symphonies. & lt;br & gt; & lt;br & gt; & lt;b & gt; & quot;Probably the most important large-scale work by Borodin, the Second Symphony is considered one of his greatest... The massed strings are especially gorgeous and natural-sounding... if you have a high quality turntable system and love Borodin this is a must-have. There’s no surface noise whatever. & quot; & lt;/b & gt; - John Sunier, www.audaud.com & lt;br & gt; & lt;br & gt; Alexander Porfiryevich Borodin was a Russian Romantic composer, doctor, and chemist. He was a member of the group of composers called The Five (or & quot;The Mighty Handful & quot;), who were dedicated to producing a specifically Russian kind of art music. He is best known for his symphonies, his two string quartets, In the Steppes of Central Asia and his opera Prince Igor. Music from Prince Igor and his string quartets was later adapted for the US musical Kismet. & lt;br & gt; & lt;br & gt; Symphony No. 2 in B minor by Alexander Borodin was composed intermittently between 1869 and 1876. It consists of four movements and is considered the most important large-scale work completed by the composer himself. It has many melodic resemblances to both Prince Igor and Mlada, two theatre works that diverted Borodin's attention on and off during the six years of composition. & lt;br & gt; & lt;br & gt; & lt;b & gt;Features: & lt;/b & gt; & lt;br & gt; • Numbered, Limited Edition & lt;br & gt; • Only 2500 numbered, limited edition copies worldwide! & lt;br & gt; • Audiophile 180g 45rpm Vinyl & lt;br & gt; • Numbered Deluxe Laminated Gatefold Jackets & lt;br & gt; • Double LP & lt;br & gt; • Pressed at RTI & lt;br & gt; • Mastered by Bernie Grundman from the Original Analog Master Tapes & lt;br & gt; & lt;br & gt; & lt;b & gt;Musicians: & lt;/b & gt; & lt;br & gt; L'Orchestre de la Suisse Romande & lt;br & gt; Ernest Ansermet, conductor & lt;br & gt; & lt;br & gt; & lt;b & gt;Selections: & lt;br & gt; LP 1 - Sides A & amp; B: & lt;br & gt; Alexander Borodin (1833-1887) & lt;/b & gt; & lt;br & gt; 1. Symphony No. 2 in B Minor & lt;br & gt; & lt;b & gt; & lt;br & gt; LP 2 - Side C: & lt;/b & gt; & lt;br & gt; 1. Symphony No. 3 in A Minor & lt;br & gt; & lt;b & gt;LP 2 - Side D: & lt;/b & gt; & lt;br & gt; 1. Prince Igor Overture & lt;br & gt; & lt;br & gt; Recorded October & amp; November 1954 at Victoria Hall, Geneva

Taj Mahal Recycling The Blues & Other Related Stuff Low #D Limited Edition 180g 45rpm 2LP (Vinyl)

& lt;img src= & quot;/content/images/ORGLogo200.jpg & quot; align= & quot;right & quot; hspace= & quot;10 & quot; vspace= & quot;10 & quot; width= & quot;200 & quot; height= & quot;91 & quot; & gt; & lt;p & gt; & lt;strong & gt;TAS Super LP List! Special Merit: Informal & lt;/strong & gt; & lt;/p & gt; & lt;header & gt; & lt;p & gt; & lt;strong & gt;Out Of Print! Warehouse Find! & lt;br & gt; Low Serial Numbers #100-110! & lt;/p & gt; & lt;/strong & gt; & lt;/header & gt; & lt;header & gt; & lt;p & gt; & lt;strong & gt;Mastered by Bernie Grundman from the Original Analog Master Tapes & amp; Pressed at RTI! & lt;br & gt; Numbered Deluxe Laminated Gatefold Jackets! Only 2500 Numbered Limited Edition Copies Worldwide! & lt;/strong & gt; & lt;/p & gt; & lt;/header & gt; & lt;header & gt; & lt;p & gt; & lt;strong & gt;TAS Rated 3.5/5 Music, 4/5 Sonics in the May/June 2012 Issue of The Absolute Sound! & lt;/strong & gt; & lt;/p & gt; & lt;/header & gt; & lt;p & gt; & lt;strong & gt;This item not eligible for any further discount offers! & lt;/strong & gt; & lt;/p & gt; American blues musician Taj Mahal, was born Henry Fredericks in New York in 1942. His music is a mix of blues, Caribbean styles, bluegrass and the music of Hawaii, where he lived for a number of years. Originally released in 1972, Recycling The Blues & amp; Other Related Stuff contains seven live tracks and four studio recordings. & lt;br & gt; & lt;br & gt; & lt;b & gt; & quot;ORG Recordings Group re-mastered 45 rpm vinyl is superior to most digital reproductions. Pressed at RTI and mastered by Bernie Grundman from the original analogue master tapes, every nuanced detail, including the rarely used kalimba is pristinely clear. The tones of the steel guitar are rich in texture. Audiophiles and Taj Mahal enthusiasts will want to add Recycling The Blues & amp; Other Related Stuff to their collections. & quot; & lt;/b & gt; - Robbie Gerson, www.audaud.com & lt;br & gt; & lt;br & gt; Guitar/piano playing rural blues revivalist Taj Mahal was quite a rarity in the late 1960s - a young black man who accurately revived classic country blues for a new generation of listeners. Mahal took an archival interest in folk blues while joining in during the early '60s. On this album, the first seven tracks were recorded live at the Fillmore West and the rest at Columbia's San Francisco studios with backup from the Pointer Sisters. The title Recycling the Blues & amp; Other Related Stuff certainly sums up the album quite well - that's exactly what Taj Mahal has been doing for several years by this point! & lt;br & gt; & lt;br & gt; & lt;b & gt; & quot;Backed by the “unknown” (at the time, anyway) Pointer Sisters, Taj reinvents Robert Johnson’s “Sweet Home Chicago” and makes it his own. The gospel-laden backup vocals are exultant. The Pointers resonate like soulful Andrews Sisters with their three-part harmonies on “Texas Woman Blues.” & lt;/b & gt; - Robbie Gerson, www.audaud.com & lt;br & gt; & lt;br & gt; Arguably his Best Album of All-Time! Warm, Earthy Down Home Soul! & lt;br & gt; & lt;br & gt; & lt;b & gt; & quot;...I’m convinced that someone at ORG knows how to pick ’em. As a 45rpm record with four sides instead of two, Recycling contains inspired performances matched with impressive sonics on every side. The live cuts do a fine job of capturing the timbre of the instruments and the energy of a concert, especially when Taj rips into a National steel-bodied guitar solo on “Bound to Love Me Some” and tears into the banjo on “Ricochet.” Like all the studio cuts, the classic “Cakewalk into Town” is improved, with a crisp and remarkably realistic sound. Both songs with the Pointer Sisters are a delight, and the upright bass on “Texas Woman Blues” startlingly clear and sharp. At times I wish “Gitano Negro” had higher recording levels, but again the timbre of the steel-bodied guitar comes through nicely. & quot; & lt;/b & gt; - Jeff Wilson, & lt;i & gt;The Absolute Sound & lt;/i & gt;, May/June 2012, 3.5/5 Music, 4/5 Sonics & lt;br & gt; & lt;br & gt; & lt;b & gt;Features: & lt;/b & gt; & lt;br & gt; • Numbered Deluxe Laminated Double Gatefold Jackets & lt;br & gt; • Only 2500 Numbered Limited Edition Copies Worldwide! & lt;br & gt; • Audiophile 180g, 45rpm Vinyl & lt;br & gt; • Double LP & lt;br & gt; • Pressed at RTI & lt;br & gt; • Mastered by Bernie Grundman from the Original Analog Master Tapes! & lt;br & gt; & lt;br & gt; & lt;b & gt;Musicians: & lt;/b & gt; & lt;br & gt; Taj Mahal, steel-bodied guitar, kalimba, banjo, conch, hand claps, upright bass & lt;br & gt; Howard Johnson, hand claps, tuba & lt;br & gt; The Pointer Sisters, background vocals & lt;br & gt; & lt;br & gt; & lt;b & gt;Selections: & lt;br & gt; LP1 - Side A: & lt;/b & gt; & lt;br & gt; 1. Conch Intro & lt;br & gt; 2. Kalimba & lt;br & gt; 3. Bound To Love Me Some & lt;br & gt; 4. Ricochet & lt;br & gt; & lt;b & gt;LP1 - Side B: & lt;br & gt; & lt;/b & gt; 1. A Free Song (Rise Up Children Shake the Devil Out Of Your Soul) & lt;br & gt; 2. Corinna & lt;br & gt; 3. Conch: Close & lt;br & gt; 4. Cakewalk Into Town & lt;br & gt; & lt;b & gt;LP2 - Side C: & lt;/b & gt; & lt;br & gt; 1. Sweet Home Chicago & lt;br & gt; 2. Texas Woman Blues & lt;br & gt; & lt;b & gt;LP2 - Side D: & lt;/b & gt; & lt;br & gt; 1. Gitano Negro

Charles Mingus Mingus Ah Um Numbered Limited Edition 180g 45rpm 2LP (Vinyl)

& lt;img src= & quot;/content/images/ORGLogo200.jpg & quot; align= & quot;right & quot; hspace= & quot;10 & quot; vspace= & quot;10 & quot; width= & quot;200 & quot; height= & quot;91 & quot; & gt; & lt;font color= & quot;#FF0000 & quot; & gt; & lt;b & gt;TAS Super LP List! Special Merit: Informal & lt;/b & gt; & lt;/font & gt; & lt;br & gt; & lt;br & gt; & lt;b & gt;The Absolute Sound 40th Anniversary Best Sounding Music! & lt;/b & gt; & lt;br & gt; & lt;br & gt; & lt;b & gt; & lt;font color= & quot;#FF0000 & quot; & gt;Renowned Bassist's Most Innovative Album and Greatest Recording brings Startling and Thought-Provoking Music! Jazz Lovers' Must-Have! Audiophile 180 Gram 45rpm Double LP! & lt;br & gt; & lt;br & gt;Mastered by Bernie Grundman from the Original Analog Master Tapes & amp; Pressed at RTI! & lt;br & gt;Numbered Deluxe Laminated Gatefold Jackets! Only 2500 Numbered Limited Edition Copies Worldwide! & lt;/font & gt; & lt;/b & gt; & lt;br & gt; & lt;br & gt; One of the most important figures in twentieth century American music, Charles Mingus was a virtuoso bass player, accomplished pianist, bandleader and composer. His early professional experience, in the 40's, found him touring with bands like Louis Armstrong, Kid Ory and Lionel Hampton. Eventually he settled in New York where he played and recorded with the leading musicians of the 1950's– Charlie Parker, Miles Davis, Bud Powell, Art Tatum and Duke Ellington himself. One of the few bassists to do so, Mingus quickly developed as a leader of musicians. From the 1960's until his death in 1979 at age 56, Mingus remained in the forefront of American music. When asked to comment on his accomplishments, Mingus said that his abilities as a bassist were the result of hard work but that his talent for composition came from God. & lt;br & gt; & lt;br & gt; Arguably Mingus’ greatest recording! Features performances by John Handy, Booker Ervin, Jimmy Knepper, Horace Parlan, Dannie Richmond and many others! & lt;br & gt; & lt;br & gt; One of the great bassist's most innovative albums, Mingus Ah Um presented this important arranger-composer on a major label for the first time. This album portrays some of his most startling and thought-provoking music. & lt;br & gt; & lt;br & gt; & lt;b & gt; & quot;At a memorial following Mingus' death, Steve Schlesinger of the Guggenheim Foundation commented that Mingus was one of the few artists who received two grants and added: 'I look forward to the day when we can transcend labels like jazz and acknowledge Charles Mingus as the major American composer that he is.' The New Yorker wrote: 'For sheer melodic and rhythmic and structural originality, his compositions may equal anything written in western music in the twentieth century.' & quot; & lt;/b & gt; - All About Jazz & lt;br & gt; & lt;br & gt; & lt;b & gt;Features: & lt;/b & gt; & lt;br & gt; • Numbered Deluxe Laminated Double Gatefold Jackets & lt;br & gt; • Only 2500 Numbered Limited Edition Copies Worldwide! & lt;br & gt; • Audiophile 180g, 45rpm Vinyl & lt;br & gt; • Double LP & lt;br & gt; • Pressed at RTI & lt;br & gt; • Mastered by Bernie Grundman from the Original Analog Master Tapes! & lt;br & gt; & lt;br & gt; & lt;b & gt;Musicians: & lt;/b & gt; & lt;br & gt; Charles Mingus, bass, piano & lt;br & gt; John Handy, alto & amp; tenor sax, clarinet & lt;br & gt; Booker Ervin, tenor sax & lt;br & gt; Shafi Hadi, tenor & amp; alto sax & lt;br & gt; Willie Dennis, trombone & lt;br & gt; Jimmy Knepper, trombone & lt;br & gt; Horace Parlan, piano & lt;br & gt; Dannie Richmond, drums & lt;br & gt; & lt;br & gt; & lt;b & gt;Selections: & lt;br & gt; LP1 - Side A: & lt;/b & gt; & lt;br & gt; 1. Better Git It In Your Soul & lt;br & gt; 2. Goodbye Pork Pie Hat & lt;br & gt; & lt;b & gt;LP1 - Side B: & lt;br & gt; & lt;/b & gt; 1. Boogie Stop Shuffle & lt;br & gt; 2. Self-Portrait In Three Colors & lt;br & gt; 3. Open Letter To Duke & lt;br & gt; & lt;b & gt;LP2 - Side C: & lt;/b & gt; & lt;br & gt; 1. Bird Calls & lt;br & gt; 2. Fables Of Faubus & lt;br & gt; & lt;b & gt;LP2 - Side D: & lt;/b & gt; & lt;br & gt; 1. Pussy Cat Dues & lt;br & gt; 2. Jelly Roll

Blood, Sweat & Tears Blood, Sweat & Tears Numbered Limited Edition 180g 45rpm 2LP (Vinyl)

& lt;img src= & quot;/content/images/ORGLogo200.jpg & quot; align= & quot;right & quot; hspace= & quot;10 & quot; vspace= & quot;10 & quot; width= & quot;200 & quot; height= & quot;91 & quot; & gt; & lt;b & gt; & lt;font color= & quot;#FF0000 & quot; & gt;TAS Super LP List! Special Merit: Informal & lt;br & gt; & lt;br & gt;Michael Fremer Rated 7/11 Music, 10/11 Sound in his September 2013 reviews on www.analogplanet.com! & lt;br & gt; & lt;br & gt; Blood, Sweat & amp; Tears stormed the charts in 1969 with their own brand of jazz-rock fusion! & lt;br & gt;One of the BEST albums they ever made!!! & lt;br & gt; & lt;br & gt;Mastered by Bernie Grundman from the Original Analog Master Tapes & amp; Pressed at RTI! & lt;br & gt;Numbered Deluxe Laminated Gatefold Jackets! & lt;/font & gt; & lt;/b & gt; & lt;br & gt; & lt;br & gt; Winner of three Grammy Awards in 1970, this absolutely mind-blowing album peaked at No. 1 on the U.S. charts, staying there for seven weeks, going double platinum by the end of 1969 and stayed on the Top 40 for 66 weeks. & lt;br & gt; & lt;br & gt; & lt;b & gt; & quot;The band hit gold with this 1968 release, with three hits from the LP ruling the airwaves... great arrangements and energy hold up remarkably well [here] almost a half-century down the road. Bernie Grundman's mastering job is equally accomplished and the sound is excellent. & quot; & lt;/b & gt; - Hi-Fi+ Magazine & lt;br & gt; & lt;br & gt; For a brief period at the end of the '60s and the start of the '70s, Blood, Sweat & amp; Tears, which fused a rock & amp; roll rhythm section to a horn section, held out the promise of a jazz-rock fusion that could storm the pop charts. The band was organized in New York in 1967 out of the remnants of the Blues Project by keyboard player/singer Al Kooper and guitarist Steve Katz) of that group and saxophonist Fred Lipsius. The rhythm section consisted of bassist Jim Fielder and drummer Bobby Colomby, and the horn section was filled out by trumpeters Randy Brecker and Jerry Weiss and trombonist Dick Halligan. & lt;br & gt; & lt;br & gt; This eight-piece band signed to Columbia Records and recorded BS & amp;T's debut album, Child Is Father to the Man, which was released in February 1968. Cofounder Kooper then departed, and the group was reorganized. Singer David Clayton-Thomas was added, Halligan moved to the keyboards, and trumpeters Chuck Winfield and Lew Soloff replaced Brecker and Weiss, with Jerry Hyman being added on trombone. This nine-piece unit, working with producer James William Guercio, made BS & amp;T's self-titled second album, released in January 1969. & lt;br & gt; & lt;br & gt; & quot;Blood, Sweat & amp; Tears & quot; was a runaway hit, spawning three gold-selling Top Ten singles, & quot;You've Made Me So Very Happy, & quot; & quot;Spinning Wheel, & quot; and & quot;And When I Die, & quot; selling three million copies and winning the Grammy Award for Album of the Year. It was also BS & amp;T's highwater mark. Guercio left to work on a similar concept with Chicago Transit Authority, and BS & amp;T increasingly became a backup group for Clayton-Thomas. Nevertheless, the third album, Blood, Sweat & amp; Tears 3 (1970), and the fourth, Blood, Sweat & amp; Tears 4 (1971), were substantial hits. & lt;br & gt; & lt;br & gt; & lt;a name= & quot;SS & quot; & gt; & lt;/a & gt; & lt;b & gt; & quot;A classical feeling is imparted by the opening and closing tracks, which are adapted from one of Erik Satie’s Trois Gymnopedies by arranger Dick Halligan. They bookend this album—one of the most original in pop music ever—most successfully. This has always seemed to me one of the best-designed and performed of all the ‘60s rock efforts, and it’s great to have it in the ultimate fidelity of this newly-remastered 45 rpm version... In comparison with the Columbia SACD, the vinyl 45s win out. They have much more deep bass end and a warmer overall feeling than the SACD. On the 45s, there is absolutely no surface noise or distortion, except where intended on some of the instruments... ORG has established itself as the Rolls-Royce of the audiophile vinyl reissue genre. & quot; & lt;/b & gt; - John Henry, audaud.com, 5 Stars! & lt;br & gt; & lt;br & gt; & lt;b & gt; & quot;ORG amazes me with its ability to capture everything from the minutest minutiae to the rich blend of brass and/or flutes. Pressed at RTI and mastered by Bernie Grundman from the original analog master tapes, this is the definitive version of a memorable record. & quot; & lt;/b & gt; - Jeff Wilson, & lt;i & gt;The Absolute Sound & lt;/i & gt;, October 2013, Music 3.5/5, Sonics 4.5/5 & lt;br & gt; & lt;br & gt; & lt;b & gt; & quot;Everyone's taken a swing at reissuing this... And in my opinion the ORG double 45 is the best sounding of the lot (and well-pressed by RTI). & quot; & lt;/b & gt; - Michael Fremer, www.analogplanet.com, rated 7/11 Music, 10/11 Sound & lt;br & gt; & lt;br & gt; & lt;b & gt;Features: & lt;/b & gt; & lt;br & gt; • Numbered Deluxe Laminated Double Gatefold Jackets & lt;br & gt; • Audiophile 180g, 45rpm Vinyl & lt;br & gt; • Double LP & lt;br & gt; • Pressed at RTI & lt;br & gt; • Mastered by Bernie Grundman from the Original Analog Master Tapes! & lt;br & gt; & lt;br & gt; & lt;b & gt;Musicians: & lt;/b & gt; & lt;br & gt; Fred Lipsius, algo sax, piano & lt;br & gt; Chuck Winfield, trumpet, flugelhorn & lt;br & gt; Lew Soloff, trumpet, flugelhorn & lt;br & gt; Jerry Hyman, trombone, recorder & lt;br & gt; David Clayton-Thomas, lead vocals & lt;br & gt; Dick Halligan, organ, piano, flute, trombone, vocals & lt;br & gt; Steve Katz, guitar, harmonica, vocals & lt;br & gt; Bobby Colomby, drums, percussion, vocals & lt;br & gt; Jim Fielder, bass & lt;br & gt; & lt;br & gt; & lt;b & gt;Selections: & lt;br & gt; LP1 - Side A: & lt;/b & gt; & lt;br & gt; 1. Variations On A Theme By Erik Satie & lt;br & gt; 2. Smiling Phases & lt;br & gt; 3. Sometimes in Winter & lt;br & gt; & lt;b & gt;LP1 - Side B: & lt;/b & gt; & lt;br & gt; 1. More and More & lt;br & gt; 2. And When I Die & lt;br & gt; 3. God Bless The Child & lt;br & gt; & lt;b & gt;LP2 - Side C: & lt;/b & gt; & lt;br & gt; 1. Spinning Wheel & lt;br & gt; 2. You've Made Me So Very Happy & lt;br & gt; & lt;b & gt;LP2 - Side D: & lt;/b & gt; & lt;br & gt; 1. Blues - Part II & lt;br & gt; 2. Variations On A Theme By Erik Satie

Citizen Kane: Classic Film Scores For Bernard Herrmann Numbered Limited Edition 180g 45rpm 2LP (Vinyl)

& lt;font color= & quot;#FF0000 & quot; & gt;To Be Announced pre-order your copy today! Orders with both pre-order and in stock items will have all in stock items shipped immediately! & lt;/font & gt; & lt;br & gt; & lt;br & gt; & lt;img src= & quot;/content/images/ORGLogo200.jpg & quot; align= & quot;right & quot; hspace= & quot;10 & quot; vspace= & quot;10 & quot; width= & quot;200 & quot; height= & quot;91 & quot; & gt; & lt;p & gt; & lt;strong & gt;TAS Super LP List! Special Merit: Film and Broadway Scores & lt;/strong & gt; & lt;/p & gt; & lt;b & gt; & lt;font color= & quot;#FF0000 & quot; & gt;Mastered by Bernie Grundman from the Original Analog Master Tapes & amp; Pressed at RTI! & lt;br & gt;Numbered Deluxe Laminated Gatefold Jackets! Only 2500 Numbered Limited Edition Copies Worldwide! & lt;br & gt; & lt;/font & gt; & lt;/b & gt; & amp;nbsp; & lt;br & gt; Charles Gerhardt conducts the London Symphony Orchestra. Recorded by the legendary Kenneth Wilkinson at Kingsway Hall in London. & lt;br & gt; & lt;br & gt; Citizen Kane: Classic Film Scores for Bernard Herrmann contains music from his many acclaimed film scores including Citizen Kane, On Dangerous Ground, Beneath The 12-Mile Reef, Hangover Square, and White Witch Doctor. & lt;br & gt; & lt;br & gt; A series of original orchestral film scores by various greats from the Golden Age of orchestral soundtracks - Bernstein, Herrmann, Tiomkin, Waxman, etc. These may well be the best sounding recordings of orchestral music ever made. Stupendous bass, soundstage, dynamics, low level detail and imaging. & lt;br & gt; & lt;br & gt; Newly remastered by Bernie Grundman on his completely upgraded all analogue mastering system and reissued on audiophile 45rpm LP for the first time! & lt;br & gt; & lt;br & gt; & lt;b & gt;Features: & lt;/b & gt; & lt;br & gt; • Numbered Deluxe Laminated Double Gatefold Jackets & lt;br & gt; • Only 2500 Numbered Limited Edition Copies Worldwide! & lt;br & gt; • Audiophile 180g, 45rpm Vinyl & lt;br & gt; • Double LP & lt;br & gt; • Pressed at RTI & lt;br & gt; • Mastered by Bernie Grundman from the Original Analog Master Tapes! & lt;br & gt; & lt;br & gt; & lt;b & gt;Musicians: & lt;/b & gt; & lt;br & gt; Kiri Te Kanawa, soprano (4) & lt;br & gt; London Symphony Orchestra & lt;br & gt; Charles Gerhardt, conductor & lt;br & gt; & lt;br & gt; & lt;b & gt;Selections: & lt;/b & gt; & lt;br & gt; 1. The Death Hunt (from On Dangerous Ground) & lt;br & gt; 2. Xanadu (Prelude) / Snow Picture (from Citizen Kane) & lt;br & gt; 3. Theme and Variations (Breakfast Montage) (from Citizen Kane) & lt;br & gt; 4. Aria from Salammbo (from Citizen Kane) & lt;br & gt; 5. Rosebud and Finale (from Citizen Kane) & lt;br & gt; 6. The Sea / The lagoon (from Beneath the 12-Mile Reef) & lt;br & gt; 7. Descending (from Beneath the 12-Mile Reef) & lt;br & gt; 8. The Octopus / Homecoming (from Beneath The 12-Mile Reef) & lt;br & gt; 9. Concerto Macabre for Piano and Orchestra (from Hangover Square - performed by Joachim Achucarro, piano) & lt;br & gt; 10. Talking Drums / Prelude / The Riverboat / Petticoat Dance / The Safari (from White Witch Doctor) & lt;br & gt; 11. Tarantula / The Lion (from White Witch Doctor) & lt;br & gt; 12. Nocturne (from White Witch Doctor) & lt;br & gt; 13. Abduction Of the Bakuba Boy / The Skulls (from White Witch Doctor) & lt;br & gt; 14. Lonni Bound by Ropes / Departure (from White Witch Doctor)

Marianne Faithfull Strange Weather Numbered Limited Edition 180g 45rpm 2LP (Vinyl)

& lt;b & gt; & lt;font color= & quot;#FF0000 & quot; & gt;Numbered, Limited Edition! Pressed at RTI! & lt;br & gt;Mastered by Bernie Grundman from the Original Analog Master Tapes! & lt;/font & gt; & lt;/b & gt; & lt;br & gt; & lt;br & gt; Strange Weather was Marianne Faithfull's first complete studio album following her recovery from a 17-year drug addiction. In her earlier recording career, many people were won over by her soft, feathery voice. Unfortunately, Faithfull's public image became tainted during her relationship with Mick Jagger in the late 1960s and drugs took over her life until the mid-1980s. & lt;br & gt; & lt;br & gt; The 1987 release contains a mix of rock, blues and cabaret and includes her re-recorded hit, & quot;As Tears Go By & quot; which proved to be even more poignant the second time around. & lt;br & gt; & lt;br & gt; & lt;b & gt; & quot;ORG’s masterful 45 rpm vinyl continue to make the case that high end analog audio technology is comparable or superior to its digital counterpart. The organic coloration of the instrumentation is showcased by this format. Subtle touches with a clarinet, flute or horn are soft and remain in the background. The unique throaty vocals have a natural resonance. Strange Weather captures an underappreciated singer at her best. & quot; & lt;/b & gt; - Robbie Gerson, 4 1/2 Stars!!!, www.audaud.com & lt;br & gt; & lt;br & gt; & lt;b & gt; & quot;First released in 1987 (following a sixteen year battle with heroin addiction), Strange Weather is a dark eclectic group of songs that combine blues, jazz and Kurt Weill-esque ambiance. Supported by a cadre of topnotch musicians, the album evokes a surreal exotic flavor that blends with the idiosyncratic vocals of Faithfull. Side One opens with a gypsy-tinged take on the Dubin/Warren standard, “Boulevard Of Broken Dreams”. Veteran guitarist, Bill Frisel teams with violinist Michael Levine to create a haunting café-flavored line that is framed nicely around the deep Marlene Dietrich alto voice of Faithfull. The effect is haunting, reminiscent of French (Edith Piaf) cabaet music. The same chemistry permeates “Yesterdays” as Frisell adds jazzy melancholy. Small touches, like flute (Chris Hunter) and string accompaniment build a texture that surrounds the tune. & quot; & lt;/b & gt; - Robbie Gerson, 4 1/2 Stars!!!, www.audaud.com & lt;br & gt; & lt;br & gt; & lt;b & gt; & quot;In portions of this album, the fabulous Marianne Faithfull takes up where Lotte Lenya and Marlene Dietrich leave off. & amp;nbsp; In fact, she might well be called the 'Rhythm and Blue Angel'. & amp;nbsp; And if she is not, it is surely because her extraordinary range places her far beyond any such limitation. & amp;nbsp; A single instance may suffice: being an old 'Billie-head' myself, I found it presumptuous in the extreme that someone else, anyone else, should attempt a rendition of her fables & quot;Yesterdays & quot;. & amp;nbsp; Imagine my astonished delight then, upon hearing Ms. Faithfull's fantastic version - actually bringing to the song a new dimension of throat and soul. & quot; & lt;br & gt; & lt;br & gt; & quot;However, why be content with a single instance? Her renditions of the black spiritual & quot;Sign of Judgement & quot; and Leadbelly's remarkable a cappella & quot;I Ain't Goin' Down to the Well No More & quot; are little short of miraculous in their affirmation of this singer's phenomenal scope and depth. & quot; & lt;br & gt; & lt;br & gt; And one must not overlook the exquisitely haunting Kurt Weill / Budapest / Cafe / gypsy-violin magic in & quot;Boulevard of Broken Dreams & quot;, Tom Waits' and Kathleen Brennan's & quot;Strange Weather & quot; - and, of course, the blues masterpiece, & quot;Love, Life, and Money & quot;, featuring th epiano artistry of the legendary Mac Rebennack. & amp;nbsp; Rounding out this outstanding collection are the campy/surreal & quot;Penthouse Serenade & quot; (with its & quot;hinges on chimneys for stars to go by & quot;), Doc Pomus' and Mac Rebennack's 'Hello Stranger & quot;, and the lyrically wistful & quot;As Tears Go By & quot;. & amp;nbsp; It is most fitting that this final selection be included; it may be recalled that it was this very song which the 17-year old Marianne first recorded, and which established her overnight, among rockers and cognoscenti alike, as the super talent she remains. & quot; & lt;/b & gt; - Terry Southern, liner notes & lt;br & gt; & lt;br & gt; & lt;b & gt; & quot;Ferla’s impeccable engineering and mixing tastes compliment the instrumentation by putting everything on a spacious, deep and somewhat dark and mysterious soundstage. Instruments glide and hover on the deep stage and have just the right amount of body to be solid, yet sufficient lightness of being to feel as if any of them could simply drift away at any moment. Bill Frisell’s guitar floats delicately in an echo balloon.Of course the centerpiece is Faithfull’s deepened, coarsened voice and while the older tunes are well-served and her take of “Yesterdays” is arguably equal to Billie Holiday’s, its her performance on the Waits title song that lingers long after the stylus has reached side four’s lead out groove. The recording quality is superb and the double 45 format perfectly suits the material: you might not want to consume this in greater quantities than a few tunes at a time. & quot; & lt;/b & gt;- Michael Fremer, musicangle.com, Music 10, Sound 10! & lt;br & gt; & lt;br & gt; & lt;b & gt;Features: & lt;/b & gt; & lt;br & gt; • Numbered Deluxe Laminated Double Gatefold Jackets & lt;br & gt; • Only 2500 Numbered Limited Edition Copies Worldwide! & lt;br & gt; • 180g Vinyl & lt;br & gt; • 45rpm & lt;br & gt; • Pressed at RTI & lt;br & gt; • Mastered by Bernie Grundman from the Original Analog Master Tapes! & lt;br & gt; & lt;br & gt; Musicians: & lt;br & gt; Marianne Faithfull, vocals & lt;br & gt; Bill Frisell, guitar & lt;br & gt; Michael Levine, violin & lt;br & gt; Sharon Freeman, piano & lt;br & gt; Fernando Saunders, bass & lt;br & gt; Chris Hunter, flute, alto saxophone & lt;br & gt; Steve Slagile, alto saxophone & lt;br & gt; Robert Quine, guitar & lt;br & gt; J.T. Lewis, drums & lt;br & gt; & lt;br & gt; & lt;b & gt;Selections: & lt;/b & gt; & lt;br & gt; & lt;b & gt;LP 1 & lt;/b & gt; & lt;br & gt; 1. Stranger Intro & lt;br & gt; 2. Boulevard of Broken Dreams & lt;br & gt; 3. I Ain't Goin' Down To the Well No More & lt;br & gt; 4. Yesterdays & lt;br & gt; 5. Sign of Judgement & lt;br & gt; 6. Strange Weather & lt;br & gt; 7. Love, Life and Money & lt;br & gt; & lt;b & gt;LP 2 & lt;/b & gt; & lt;br & gt; 1. I'll Keep It With Mine & lt;br & gt; 2. Hello Stranger & lt;br & gt; 3. Penthouse Serenade & lt;br & gt; 4. As Tears Go By & lt;br & gt; 5. A Stranger On Earth

Debussy & Ravel Nocturnes & Mother Goose Numbered Limited Edition 180g 45rpm 2LP (Vinyl)

& lt;font color= & quot;#FF0000 & quot; & gt;TBA pre-order your copy today! Orders with both pre-order and in stock items will have all in stock items shipped immediately! & lt;/font & gt; & lt;br & gt; & lt;br & gt; & lt;img src= & quot;/content/images/ORGLogo200.jpg & quot; align= & quot;right & quot; hspace= & quot;10 & quot; vspace= & quot;10 & quot; width= & quot;200 & quot; height= & quot;91 & quot; & gt; & lt;p & gt; & lt;strong & gt;TAS Super LP List! Special Merit: Classical & lt;/strong & gt; & lt;/p & gt; & lt;font color= & quot;#FF0000 & quot; & gt; & lt;b & gt;Mastered by Bernie Grundman from the Original Analog Master Tapes & amp; Pressed at RTI! & lt;br & gt; Numbered Deluxe Laminated Gatefold Jackets! Only 2500 Numbered Limited Edition Copies Worldwide! & lt;/b & gt; & lt;/font & gt; & lt;br & gt; & lt;br & gt; Ernest Ansermet conducts L'Orchestre De La Suisse Romande for this audiophile recording on 180g 45rpm 2LP. & lt;br & gt; & lt;br & gt; & lt;b & gt;Features: & lt;/b & gt; & lt;br & gt; • Numbered Deluxe Laminated Double Gatefold Jackets & lt;br & gt; • Only 2500 Numbered Limited Edition Copies Worldwide! & lt;br & gt; • Audiophile 180g, 45rpm Vinyl & lt;br & gt; • Double LP & lt;br & gt; • Pressed at RTI & lt;br & gt; • Mastered by Bernie Grundman from the Original Analog Master Tapes! & lt;br & gt; & lt;br & gt; & lt;b & gt;Musicians: & lt;/b & gt; & lt;br & gt; L'Orchestre De La Suisse Romande & lt;br & gt; Ernest Ansermet, conductor & lt;br & gt; & lt;br & gt; & lt;b & gt;Selections: & lt;br & gt; Debussy & lt;br & gt; Nocturnes & lt;br & gt; & lt;br & gt; Ravel & lt;br & gt; Ma Mere L'oye (Mother Goose) & lt;/b & gt;

Johnny Hartman I Just Dropped By To Say Hello 180g 45rpm 2LP (Vinyl)

& lt;img src= & quot;/content/images/ORGLogo200.jpg & quot; align= & quot;right & quot; hspace= & quot;10 & quot; vspace= & quot;10 & quot; width= & quot;200 & quot; height= & quot;91 & quot; & gt; & lt;b & gt; & lt;font color= & quot;#FF0000 & quot; & gt;Mastered by Bernie Grundman from the Original Analog Master Tapes! & lt;/font & gt; & lt;/b & gt; & lt;br & gt; & lt;br & gt; You'll find Johnny Hartman in top form throughout this collection of tunes. He is joined by Illinois Jacquet, Kenny Burrell, Jim Hall, Hank Jones, Milt Hinton, and Elvin Jones. Recorded on October 9 & amp; 17, 1963 & lt;br & gt; & lt;br & gt; & lt;b & gt; & quot;Rudy Van Gelder recorded both sets [ORGLP0017-45 John Coltrane & amp; Johnny Hartman & amp; ORGLP0027-45 Johnny Hartman / I Just Dropped By To Say Hello], and they display Hartman's voice amidst a mildly reverberant soundfield, which the 45rpm format exposes to its very limits. Piano is captured particularly well, preserving its timbre and delicate ambience. The 180-gram LPs, pressed at Pallas in Germany, are exceptionally quiet, exposing the texture of Hartman's voice and delicate dynamic gradations of Coltrane's achingly beautiful playing all the better. & quot; & lt;/b & gt; - Marc Mickelson, theaudiobeat.com, Music 4/5, Sound 4/5 & lt;br & gt; & lt;br & gt; & lt;b & gt; & quot;Hartman’s timing and phrasing are exquisite and he plays it close to the vest... & quot; & lt;/b & gt; - Michael Fremer, musicangle.com, Music 8/11, Sound 8/11 & lt;br & gt; & lt;br & gt; & lt;b & gt;Features: & lt;br & gt; & lt;/b & gt; • 180g Vinyl & lt;br & gt; • 45rpm & lt;br & gt; • Double LP & lt;br & gt; • Mastered by Bernie Grundman & lt;br & gt; • Gatefold Jacket & lt;br & gt; & lt;br & gt; Musicians: & lt;br & gt; Johnny Hartman, vocals & lt;br & gt; Hank Jones, piano & lt;br & gt; Milt Hinton, bass & lt;br & gt; Elvin Jones, drums & lt;br & gt; Kenny Burrell, guitar & lt;br & gt; Jim Hall, guitar & lt;br & gt; Illinois Jacquet, tenor sax & lt;br & gt; & lt;br & gt; & lt;b & gt;Selections: & lt;/b & gt; & lt;br & gt; 1. In the Wee Small Hours & lt;br & gt; 2. Charade & lt;br & gt; 4. Kiss & amp; Run & lt;br & gt; 5. Don't You Know I Care & lt;br & gt; 6. Our Time & lt;br & gt; 7. Sleepin' Bee & lt;br & gt; 8. Stairway To the Stars & lt;br & gt; 9. How Sweet It Is To Be In Love & lt;br & gt; 10. If I'm Lucky & lt;br & gt; 11. I Just Dropped By to Say Hello & lt;br & gt; 12. Don't Call It Love

Diana Krall The Look of Love Low Numbered Limited Edition 180g 45rpm 2LP (Vinyl)

& lt;font color= & quot;#FF0000 & quot; & gt; & lt;b & gt;Out Of Print! Warehouse Find! & lt;br & gt; Low Serial Numbers #23-33! & lt;/font & gt; & lt;/b & gt; & lt;br & gt; & lt;br & gt; & lt;b & gt;This item not eligible for any further discount offers! & lt;/b & gt; & lt;br & gt; & lt;br & gt; & lt;font color= & quot;#FF0000 & quot; & gt; & lt;b & gt;Available for the first time on 180 Gram 45rpm Double Vinyl! & lt;br & gt; Experience Diana Krall's The Look Of Love as you've never heard it before... on 45rpm Heavyweight 180 Gram Audiophile Double Vinyl! Diana Krall's voice sounds fuller, richer and sweeter! & lt;/b & gt; & lt;/font & gt; & lt;br & gt; & lt;br & gt; & lt;font color= & quot;#FF0000 & quot; & gt; & lt;b & gt;Mastered by Bernie Grundman from the Original Analog Master Tapes & amp; Pressed at RTI! Numbered Deluxe Laminated Gatefold Jackets! & lt;/b & gt; & lt;/font & gt; & lt;br & gt; & lt;br & gt; & lt;b & gt;In order to achieve the BEST possible sound ORG has cut The Look Of Love on 4 sides and at 45rpm to allow the maximum cutting level. This gives the record the best signal to noise ratio, better dynamics, less inner groove distortion and better overall sound! & lt;/b & gt; & lt;br & gt; & lt;br & gt; From the luxurious opening chords of the first track, even before Diana Krall has sung a single beautiful note, The Look of Love, will have you hooked. After winning a Best Jazz Vocal Performance Grammy for 1999's platinum-selling When I Look in Your Eyes, Diana Krall delivers her best album yet - a lush, cinematic collection of ballads and bossa nova tunes. Featuring the London Symphony Orchestra arranged and conducted by the legendary Claus Ogerman, The Look of Love brings to mind such classic Frank Sinatra albums as In the Wee Small Hours and Only The Lonely. These elegant piano solos, the sensual vocals, and the wickedly modern sense of humor are, inimitably, all Diana Krall. & lt;br & gt; & lt;br & gt; The Look of Love is the fifth album by Diana Krall in a row that Tommy LiPuma, Verve Music Group Chairman, produced. LiPuma is also known for his work with Barbra Streisand, Miles Davis, Joao Gilberto, Natalie Cole and Shirley Horn. Regarding Claus Ogerman, Diana Krall said that, together with Johnny Mandel, he has been her favorite arranger/composer since she was seventeen. Ogerman had an important role on albums recorded by Frank Sinatra, Barbra Streisand and Antonio Carlos Jobim. Ogerman also had been working for years together with LiPuma, for the first time on George Benson's outstanding album Breezin'. Since Claus Ogerman featuring Michael Brecker in 1990, the two had gone separate ways. But when Diana Krall was on tour in Munich, LiPuma arranged for her to have lunch with Ogerman. That is how the pianist/singer, the arranger/composer and the producer began to work on a common project: The Look of Love. & lt;br & gt; & lt;br & gt; Diana's songs were arranged by Claus Ogerman who also conducts the London Symphony Orchestra. The Look of Love gives an impression of unity despite the fact that it contains material from a lot of different sources: e.g. Cry Me A River by Julie London, Love Letters by Nat King Cole and jazz-standards such as Dancing in the Dark by Arthur Schwartz (music)/Howard Dietz (text), I Remember You by Victor Scherzinger/John Mercer and 'S Wonderful by George and Ira Gershwin. & lt;br & gt; & lt;br & gt; & lt;b & gt;Features: & lt;/b & gt; & lt;br & gt; • Numbered Deluxe Laminated Gatefold Jacket & lt;br & gt; • 180g Vinyl & lt;br & gt; • 45rpm & lt;br & gt; • Double LP & lt;br & gt; • Pressed at RTI & lt;br & gt; • Mastered by Bernie Grundman from the Original Analogue Master Tapes & lt;br & gt; & lt;br & gt; & lt;b & gt;Musicians: & lt;/b & gt; & lt;br & gt; Diana Krall, piano & amp; vocals & lt;br & gt; Russell Malone, guitar & lt;br & gt; Christian McBride, acoustic bass & lt;br & gt; Peter Erskine, drums & lt;br & gt; Jeff Hamilton, Paulinho Da Costa, percussion & lt;br & gt; Luis Conte, percussion & lt;br & gt; Romero Lubambo, guitar & lt;br & gt; John Pisano, Dori Caymmi, acoustic guitar & lt;br & gt; London Symphony Orchestra & lt;br & gt; Los Angeles Session Orchestra & lt;br & gt; Claus Ogerman, arranger & amp; conductor & lt;br & gt; & lt;br & gt; & lt;b & gt;Selections: & lt;br & gt; LP 1 - Side 1: & lt;/b & gt; & lt;br & gt; 1. S'Wonderful & lt;br & gt; 2. Love Letters & lt;br & gt; 3. I Remember You & lt;br & gt; & lt;b & gt;LP 1 - Side 2: & lt;/b & gt; & lt;br & gt; 1. Cry Me A River & lt;br & gt; 2. Besame Mucho & lt;br & gt; & lt;br & gt; & lt;b & gt;LP 2 - Side 3: & lt;/b & gt; & lt;br & gt; 1. The Night We Called It A Day & lt;br & gt; 2. Dancing In The Dark & lt;br & gt; 3. I Get Along Without You Very Well & lt;br & gt; & lt;b & gt;LP 2 - Side 4: & lt;/b & gt; & lt;br & gt; 1. The Look Of Love & lt;br & gt; 2. Maybe You'll Be There & lt;br & gt; 3. I Should Care

Strauss Also Sprach Zarathustra Numbered Limited Edition 180g 45rpm 2LP (Vinyl)

& lt;font color= & quot;#FF0000 & quot; & gt;TBA pre-order your copy today! Orders with both pre-order and in stock items will have all in stock items shipped immediately! & lt;/font & gt; & lt;br & gt; & lt;br & gt; & lt;img src= & quot;/content/images/ORGLogo200.jpg & quot; align= & quot;right & quot; hspace= & quot;10 & quot; vspace= & quot;10 & quot; width= & quot;200 & quot; height= & quot;91 & quot; & gt; & lt;p & gt; & lt;strong & gt;TAS Super LP List! Special Merit: Classical & lt;/strong & gt; & lt;/p & gt; & lt;font color= & quot;#FF0000 & quot; & gt; & lt;b & gt;Mastered by Bernie Grundman from the Original Analog Master Tapes & amp; Pressed at RTI! & lt;br & gt; Numbered Deluxe Laminated Gatefold Jackets! Only 2500 Numbered Limited Edition Copies Worldwide! & lt;/b & gt; & lt;/font & gt; & lt;br & gt; & lt;br & gt; The Los Angeles Philharmonic are conducted by Zubin Mehta for this audiophile 45rpm 180g vinyl reissue of the stirring representation of Strauss' Also Sprach Zarathustra. & lt;br & gt; & lt;br & gt; & lt;b & gt;Features: & lt;/b & gt; & lt;br & gt; • Numbered Deluxe Laminated Double Gatefold Jackets & lt;br & gt; • Only 2500 Numbered Limited Edition Copies Worldwide! & lt;br & gt; • Audiophile 180g, 45rpm Vinyl & lt;br & gt; • Double LP & lt;br & gt; • Pressed at RTI & lt;br & gt; • Mastered by Bernie Grundman from the Original Analog Master Tapes! & lt;br & gt; & lt;br & gt; & lt;b & gt;Musicians: & lt;/b & gt; & lt;br & gt; Los Angeles Philharmonic & lt;br & gt; Zubin Mehta, conductor & lt;br & gt; & lt;br & gt; & lt;b & gt;Selections: & lt;br & gt; Richard Strauss (1864-1949) & lt;br & gt; Also Sprach Zarathustra & lt;/b & gt; & lt;br & gt; & lt;br & gt; Recorded in 1968

Copland Appalachian Spring & Billy The Kid Numbered Limited Edition 180g 45rpm 2LP (Vinyl)

& lt;font color= & quot;#FF0000 & quot; & gt;To Be Announced pre-order your copy today! Orders with both pre-order and in stock items will have all in stock items shipped immediately! & lt;/font & gt; & lt;br & gt; & lt;br & gt; & lt;img src= & quot;/content/images/ORGLogo200.jpg & quot; align= & quot;right & quot; hspace= & quot;10 & quot; vspace= & quot;10 & quot; width= & quot;200 & quot; height= & quot;91 & quot; & gt; & lt;p & gt; & lt;strong & gt;TAS Super LP List! Special Merit: Classical & lt;/strong & gt; & lt;/p & gt; & lt;font color= & quot;#FF0000 & quot; & gt; & lt;b & gt;Mastered by Bernie Grundman from the Original Analog Master Tapes & amp; Pressed at RTI! & lt;br & gt; Numbered Deluxe Laminated Gatefold Jackets! Only 2500 Numbered Limited Edition Copies Worldwide! & lt;/b & gt; & lt;/font & gt; & lt;br & gt; & lt;br & gt; Antal Dorati conducts the London Symphony Orchestra in performing Aaron Copland's Appalachian Spring as well as Billy the Kid. & lt;br & gt; & lt;br & gt; & lt;b & gt;Features: & lt;/b & gt; & lt;br & gt; • Numbered Deluxe Laminated Double Gatefold Jackets & lt;br & gt; • Only 2500 Numbered Limited Edition Copies Worldwide! & lt;br & gt; • Audiophile 180g, 45rpm Vinyl & lt;br & gt; • Double LP & lt;br & gt; • Pressed at RTI & lt;br & gt; • Mastered by Bernie Grundman from the Original Analog Master Tapes! & lt;br & gt; & lt;br & gt; & lt;b & gt;Musicians: & lt;br & gt; & lt;/b & gt;London Symphony Orchestra & lt;br & gt; Antal Dorati, conductor & lt;br & gt; & lt;br & gt; & lt;b & gt;Selections: & lt;br & gt; Aaron Copland (1900-1990) & lt;/b & gt; & lt;br & gt; Appalachian Spring - Ballet For Martha & lt;br & gt; Billy The Kid (Complete Ballet)

Roy Orbison Roy Orbison Sings Lonely And Blue Numbered Limited Edition 180g 45rpm 2LP (Vinyl)

& lt;img src= & quot;/content/images/ORGLogo200.jpg & quot; align= & quot;right & quot; hspace= & quot;10 & quot; vspace= & quot;10 & quot; width= & quot;200 & quot; height= & quot;91 & quot; & gt; & lt;header & gt; & lt;p & gt; & lt;strong & gt;Numbered, Deluxe Laminated Gatefold Jacket! Only 2500 Numbered, Limited Edition Copies Worldwide! & lt;br & gt; 180g 45rpm Double LP Set Mastered by Bernie Grundman from the Original Analog Master Tapes! & lt;br & gt; Pressed at Gotta Groove Records! & lt;/strong & gt; & lt;/p & gt; & lt;/header & gt; Featuring the timeless classic, & quot;Only The Lonely & quot;, Roy's distinctive baritone and unique vocal style resounds magnificently across all four sides of this Audiophile 45rpm reissue from ORG! Pressed on High Quality 180 Gram Double Vinyl at Gotta Groove Records! & lt;br & gt; & lt;br & gt; Roy Orbison's first album recorded for Monument was released in 1961 and features & quot;Come Back To me (My Love) & quot; and & quot;Only The Lonely & quot;. The third single for Fred Foster’s Monument label was “Only the Lonely”, which became the first song that truly probed the frightening potential of Roy Orbison’s voice, and established his uniqueness. The song peaked at number 2 on the Billboard Charts and became number 1 in the UK. & lt;br & gt; & lt;br & gt; A few things contributed to Roy Orbison’s success. The songs, the production, and the performance were key factors. The songs were completely original in structure, sound and style. Totally innovative compositions, that didn’t exist until then. It became a style. Fred Foster really went for quality instead of quantity. He was willing to splash money on a session without any guarantee of payback. He was also willing to take a chance on a sound that did not conform to accepted market norms. & lt;br & gt; & lt;br & gt; Roy Orbison was one of the few hit-makers to hold his ground, and even to increase his popularity in the wake of the so-called British Invasion. He did it by maintaining a matchless quality of releases, with an original variety of content, structure, tempo and rhythm. He was also an extremely subtle song craftsman, making changes during the course of a session, or between sessions, adding the final commercial gloss to a song. & lt;br & gt; & lt;br & gt; & lt;b & gt; & quot;Not only a breakthrough for Roy Orbison... but also for rock & amp; roll. Up to that point, apart from Elvis Presley -- who was in a class by himself -- few white rock & amp; rollers had even tried to make as bold a use of the LP as what we hear on this record. Orbison, his collaborator Joe Melson, and producer Fred Foster turned the singer's debut long-player into a huge canvas for a sound that combined rock & amp; roll's beat, Nashville's countrypolitan sound, and the singer's unique multi-octave range and operatic intensity into something unique in music. The single & quot;Only the Lonely & quot; may have been the most accessible and commercial side of this new sound, but the whole album was packed with great moments and different permutations of that sound... & quot; & lt;/b & gt; - allmusic.com & lt;br & gt; & lt;br & gt; & lt;b & gt;Features: & lt;/b & gt; & lt;br & gt; • Numbered, Limited Edition & lt;br & gt; • Deluxe Laminated Double Gatefold Jacket & lt;br & gt; • Only 2500 Numbered Limited Edition Copies Worldwide! & lt;br & gt; • Audiophile 180g 45rpm Vinyl & lt;br & gt; • Double LP & lt;br & gt; • Mastered by Bernie Grundman from the Original Analog Master Tapes! & lt;br & gt; • Pressed at Gotta Groove & lt;br & gt; & lt;br & gt; & lt;b & gt;Selections: & lt;br & gt; LP 1 - Side 1: & lt;/b & gt; & lt;br & gt; 1. Only the Lonely (Know The Way I Feel) & lt;br & gt; 2. Bye-Bye Love & lt;br & gt; 3. Cry & lt;br & gt; & lt;b & gt;LP 1 - Side 2: & lt;/b & gt; & lt;br & gt; 1. Blue Avenue & lt;br & gt; 2. I Can't Stop Loving You & lt;br & gt; 3. Come Back To Me (My Love) & lt;br & gt; & lt;br & gt; & lt;b & gt;LP 2 - Side 3: & lt;/b & gt; & lt;br & gt; 1. Blue Angel & lt;br & gt; 2. Raindrops & lt;br & gt; 3. (I'd Be) A Legend In My Time & lt;br & gt; & lt;b & gt;LP 2 - Side 4: & lt;/b & gt; & lt;br & gt; 1. I'm Hurtin' & lt;br & gt; 2. Twenty Two Days & lt;br & gt; 3. I'll Say It's My Fault

Tap Tap Lanzafame 140g LP (Vinyl)

& lt;b & gt;This item not eligible for any further discount offers! & lt;/b & gt; & lt;br & gt; & lt;br & gt; British band led by Thomas Sanders with their debut album, Lanzafame. In March of 2007, the late David Bowie listed Tap Tap's & quot;100,000 Thought & quot; at number three in his top ten songs of the moment in the Times! & lt;br & gt; & lt;br & gt; & lt;b & gt; & quot;Perhaps intentionally, the longest song (at five minutes) is the first, & quot;100,000 Thoughts & quot; serves as a good statement of purpose thanks to the brisk but brawling drums, the immediate if minimal acoustic/electric guitar melody, and Sanders' unquestionably ghost-of-David Byrne (and a bit of Andy Partridge) vocals. But after that it's one quick hit after another, and while this is ultimately pleasant instead of deathless -- a little more variety in the musical approach wouldn't hurt, though the general formula is attractive regardless -- Tap Tap shows definite promise throughout. & quot; & quot; & lt;/b & gt;- Ned Raggett, allmusic.com & lt;br & gt; & lt;br & gt; & lt;b & gt; & quot;Tap Tap is the wondrous new creation from Pete And The Pirates' Thomas Sanders. 11 tracks of gloriously wayward lo-fi indie that touches on Arcade Fire, Belle And Sebastian, Pavement and even the Kinks. Effortlessly immaculate songs that soar to the sky and float on fluffy melodic clouds but with the constant danger of DIY indie storms. Highly recommended!! & lt;/b & gt; & quot; - Piccadilly Records & lt;br & gt; & lt;br & gt; & lt;b & gt;Selections: & lt;/b & gt; & lt;br & gt; 1. 100,000 Thoughts & lt;br & gt; 2. She Doesn't Belong & lt;br & gt; 3. To Our Continuing Friendship & lt;br & gt; 4. Here Cometh & lt;br & gt; 5. Little Match (Big Fire) & lt;br & gt; 6. On My Way & lt;br & gt; 7. Talk Slowly & lt;br & gt; 8. Off The Beaten Track & lt;br & gt; 9. Way To Go, Boy & lt;br & gt; 10. The Reason I'm Here & lt;br & gt; 11. What A Clever Thing To Say

Mozart Piano Concertos Nos. 20 & 27 Numbered Limited Edition 180g 45rpm 2LP (Vinyl)

& lt;font color= & quot;#FF0000 & quot; & gt;TBA pre-order your copy today! Orders with both pre-order and in stock items will have all in stock items shipped immediately! & lt;/font & gt; & lt;br & gt; & lt;br & gt; & lt;img src= & quot;/content/images/ORGLogo200.jpg & quot; align= & quot;right & quot; hspace= & quot;10 & quot; vspace= & quot;10 & quot; width= & quot;200 & quot; height= & quot;91 & quot; & gt; & lt;p & gt; & lt;strong & gt;TAS Super LP List! Special Merit: Classical & lt;/strong & gt; & lt;/p & gt; & lt;font color= & quot;#FF0000 & quot; & gt; & lt;b & gt;Mastered by Bernie Grundman from the Original Analog Master Tapes & amp; Pressed at RTI! & lt;br & gt; Numbered Deluxe Laminated Gatefold Jackets! Only 2500 Numbered Limited Edition Copies Worldwide! & lt;/b & gt; & lt;/font & gt; & lt;br & gt; & lt;br & gt; Original Recordings Group brings the legendary masterpieces of the past, The Mozart Piano Concerto Nos. 20 and 27 with piano by Sir Clifford Curzon conducted by Benjamin Britten, to Audiophile 180g 45rpm Vinyl. & lt;br & gt; & lt;br & gt; A collaborative work from two of the world's greatest Mozart admirers - Sir Clifford Curzon, a British piano virtuoso and Benjamin Britten, a composer / conductor, have brilliantly revived original recordings. & lt;br & gt; & lt;br & gt; In this musical performance of Mozart's Piano Concertos No. 20 & amp; 27 you will find Curzon's infinite obsession and passion for performance, and Curzon's way of life as an artist, one who desired absolute perfection in his performance without compromise. & lt;br & gt; & lt;br & gt; This performance was finally completed as recorded material after a number of trials in recording sessions, soon becoming a well known masterpiece. & lt;br & gt; & lt;br & gt; & lt;b & gt;Features: & lt;/b & gt; & lt;br & gt; • Numbered Deluxe Laminated Double Gatefold Jackets & lt;br & gt; • Only 2500 Numbered Limited Edition Copies Worldwide! & lt;br & gt; • Audiophile 180g, 45rpm Vinyl & lt;br & gt; • Double LP & lt;br & gt; • Pressed at RTI & lt;br & gt; • Mastered by Bernie Grundman from the Original Analog Master Tapes! & lt;br & gt; & lt;br & gt; & lt;b & gt;Musicians: & lt;/b & gt; & lt;br & gt; Sir Clifford Curzon, piano & lt;br & gt; English Chamber orchestra & lt;br & gt; Benjamin Britten, conductor & lt;br & gt; & lt;br & gt; & lt;b & gt;Selections: & lt;br & gt; Wolfgang Amadeus Mozart (1756-1791) & lt;br & gt; Piano Concerto No. 20 in d minor & lt;/b & gt; & lt;br & gt; 1. Allegro & lt;br & gt; 2. Romance & lt;br & gt; 3. Rondo (Allegro assai) & lt;br & gt; & lt;br & gt; & lt;b & gt;Piano Concerto No. 27 in B flat Major & lt;/b & gt; & lt;br & gt; 4. Allegro & lt;br & gt; 5. Larghetto & lt;br & gt; 6. Allegro & lt;br & gt; & lt;br & gt; Original recording date: September 1970

Melody Gardot My One and Only Thrill Numbered Limited Edition 180g 45rpm 2LP (Vinyl)

& lt;font color= & quot;#FF0000 & quot; & gt; & lt;b & gt;TAS Super LP List! Special Merit: Informal & lt;/b & gt; & lt;/font & gt; & lt;br & gt; & lt;br & gt; & lt;img src= & quot;/content/images/ORGLogo200.jpg & quot; align= & quot;right & quot; hspace= & quot;10 & quot; vspace= & quot;10 & quot; width= & quot;200 & quot; height= & quot;91 & quot; & gt; & lt;font color= & quot;#FF0000 & quot; & gt; & lt;b & gt;Numbered, Limited Edition 180g 45rpm 2LP! Pressed at RTI! & lt;br & gt; & lt;br & gt; Mastered by Bernie Grundman from the Original Analog Master Tapes! & lt;br & gt; & lt;br & gt; Deluxe Laminated Gatefold Jackets! Only 2500 Numbered, Limited Edition Copies Worldwide! & lt;/b & gt; & lt;/font & gt; & lt;br & gt; & lt;br & gt; My One and Only Thrill is the second studio album by American singer-songwriter Melody Gardot, released on April 28, 2009, by Verve Records. Three singles were released from the album: & quot;Who Will Comfort Me, & quot; & quot;Baby I'm a Fool, & quot; and & quot;Your Heart Is As Black As Night. & quot; The album received three Grammy Award nominations: Instrumental Arrangement Accompanying Vocalist(s) for the title track (Mendoza), Best Engineered Album, Non-Classical (Helik Hadar and Al Schmitt), and Producer of the Year, Non-Classical (Klein). & lt;br & gt; & lt;br & gt; In a musical landscape ripe with great singers (of which she is one) it is Melody's unique approach to songwriting that sets her apart. Although her songs often sound like jazz, they defy easy categorization. & lt;b & gt; & quot;...a touch of Peggy Lee's poetry, a hint of Norah Jones and Joni Mitchell... & quot; & lt;/b & gt; & lt;br & gt; & lt;br & gt; Melody's tunes already feel like classics, possessed of a timeless quality rare in today's pop music. The one non-original song here is her brilliant take on the Wizard of Oz chestnut & quot;Over the Rainbow. & quot; Two songs on this album were co-written with Grammy®-Award winner Jesse Harris. This album achieves an air of sophistication due to the talents of producer Larry Klein (Grammy® Album of the Year winner for Herbie Hancock’s River) and the tasteful orchestrations of Vince Mendoza. & lt;br & gt; & lt;br & gt; & lt;b & gt; & quot;This is an exceptional album and anyone who thought the great age of the torch singer was over should lend an ear. & quot; & lt;/b & gt; - The Times of London & lt;br & gt; & lt;br & gt; & lt;b & gt; & quot;Her songwriting is filled with soft surprise and savvy lyrics... & quot; & lt;/b & gt; - SF Chronicle & lt;br & gt; & lt;br & gt; & lt;b & gt; & quot;My One and Only Thrill is built primarily on Gardot originals that seamlessly blend sultry, late-night jazz blues, singer/songwriter introspection, and sophisticated pop melodies....what impresses is how thoroughly My One and Only Thrill lives up to the promise of her debut, offering another album that is as enchanting in its sound as it is in its substance. & quot; & lt;/b & gt; -Stephen Thomas Erlewine, allmusic.com & lt;br & gt; & lt;br & gt; & lt;b & gt;Features: & lt;/b & gt; & lt;br & gt; • Numbered, Limited Edition & lt;br & gt; • Only 2500 numbered, limited edition copies worldwide! & lt;br & gt; • Audiophile 180g 45rpm Vinyl & lt;br & gt; • Numbered Deluxe Laminated Gatefold Jackets & lt;br & gt; • Double LP & lt;br & gt; • Pressed at RTI & lt;br & gt; • Mastered by Bernie Grundman from the Original Analog Master Tapes & lt;br & gt; • Available for the first time on vinyl at 45rpm & lt;br & gt; & lt;br & gt; & lt;b & gt;Selections: & lt;br & gt; LP 1 - Side A: & lt;/b & gt; & lt;br & gt; 1. Baby I'm a Fool & lt;br & gt; 2. If the Stars Were Mine & lt;br & gt; 3. Who Will Comfort Me & lt;br & gt; & lt;b & gt;LP 1 - Side B: & lt;/b & gt; & lt;br & gt; 1. Your Heart Is as Black As Night & lt;br & gt; 2. Lover Undercover & lt;br & gt; 3. Our Love Is Easy & lt;br & gt; & lt;br & gt; & lt;b & gt;LP 2 - Side C: & lt;/b & gt; & lt;br & gt; 1. Les Etoiles & lt;br & gt; 2. The Rain & lt;br & gt; 3. My One and Only Thrill & lt;br & gt; & lt;b & gt;LP 2 - Side D: & lt;/b & gt; & lt;br & gt; 1. Deep Within the Corner of My Mind & lt;br & gt; 2. Over the Rainbow & lt;br & gt; 3. If the Stars Were Mine (Orchestral Version)

Joni Mitchell Wild Things Run Fast Numbered Limited Edition 180g 45rpm 2LP (Vinyl)

& lt;img src= & quot;/content/images/ORGLogo200.jpg & quot; align= & quot;right & quot; hspace= & quot;10 & quot; vspace= & quot;10 & quot; width= & quot;200 & quot; height= & quot;91 & quot; & gt; & lt;font color= & quot;#FF0000 & quot; & gt; & lt;b & gt;TAS Super LP List! Special Merit: Informal & lt;/b & gt; & lt;/font & gt; & lt;br & gt; & lt;br & gt; & lt;b & gt; & lt;font color= & quot;#FF0000 & quot; & gt;Numbered, Limited Edition! Pressed by The Pallas Group, Germany. & lt;br & gt;Mastered by Bernie Grundman from the Original Analog Master Tapes! & lt;br & gt; & lt;br & gt;Joni's dynamic and poetic voice sounds flawless on this 45rpm 180g Audiophile Recording from ORG! & lt;/font & gt; & lt;/b & gt; & lt;br & gt; & lt;br & gt; Canadian Joni Mitchell is more than just another singer-songwriter: she was one of the most brave and pioneering female artists of the 20th century. Fiercely independent of outside pressures, she had no hesitation in taking artistic risks even when commercial success was at stake. Mostly, her risks paid off, as her relentless creativity kept fans loyal and won fulsome praise from music journalists. & lt;br & gt; & lt;br & gt; & lt;b & gt; & quot;Although the original pressing was a solid recording it’s no match for this 45-rpm, 180-gram, double-LP from ORG. Bernie Grundman’s remastering has smoothly unlocked the air, treble bloom, and taut bass too often hidden on the original— and the dimensionality and image focus are now superb. & quot; & lt;/b & gt; - Neil Gader, & lt;i & gt;The Absolute Sound & lt;/i & gt;, February 2013, Music 4.5/5, Sonics 4/5 & lt;br & gt; & lt;br & gt; & lt;b & gt; & quot;Pressed at Pallas on a pair of 45rpm discs, the ORG version, mastered by Bernie Grundman (who also performed mastering duties on Hejira as well as Mitchell’s most commercially successful release, Court and Spark) is positively brilliant. ORG has made a reputation for vinyl excellence, but this could be their finest achievement yet. & quot; & lt;/b & gt; - Jeff Dorgay, TONEAudio, October 2010 & lt;br & gt; & lt;br & gt; & lt;b & gt; & quot;In the original, where Mitchell’s voice often disappears in the mix, she’s now out front and center, with a creaminess that I’ve never experienced before. There’s just more space everywhere; more bass weight and a huge soundstage in all three dimensions. All of the harshness in the original is gone. The additional space in the recording now lets you really hear the genius in the arrangements; if you thought you knew this record before, you are in for a number of sonic treats upon listening to the ORG pressing. & quot; & lt;/b & gt; - Jeff Dorgay, TONEAudio, October 2010 & lt;br & gt; & lt;br & gt; & lt;b & gt; & quot;They [ORG] did it right, even at 45 rpm, the grooves only go half way into the vinyl surface, so there will be no worries of inner groove distortion on this record! ...So, if this is one of your favorite Joni records, you owe it to yourself to purchase this one, it’s pure sonic perfection. & quot; & lt;/b & gt; - Jeff Dorgay, TONEAudio, October 2010 & lt;br & gt; & lt;br & gt; & lt;b & gt; & quot;(With Wild Things Run Fast) Joni Mitchell achieved more of a balance between her pop abilities and her jazz aspirations, meanwhile rediscovering a more direct, emotional lyric approach. The result was her best album since the mid-'70s. & quot; & lt;/b & gt; - William Ruhlmann, Allmusic.com & lt;br & gt; & lt;br & gt; & lt;b & gt; & quot;Bernie Grundman's remastering has smoothly unlocked the air, treble bloom, and taut bass too often hidden on the original - and the dimensionality and image focus are now superb. & quot; & lt;/b & gt;- Neil Gader, & lt;i & gt;The Absolute Sound & lt;/i & gt;, May/June 2011 & lt;br & gt; & lt;br & gt; After developing a reputation around New York as a folk singer to watch, she made an international breakthrough with the 1970 single & quot;Big Yellow Taxi & quot;, which featured the famous lyric & quot;They paved paradise and put up a parking lot & quot;. & lt;br & gt; & lt;br & gt; Wild Things Run Fast is Joni Mitchell's eleventh studio and her first for Geffen Records. Released in 1982, it represents her departure from jazz to a more '80s pop sound. The more rhythmic nature of the music on this album was influenced by Steely Dan, Talking Heads and The Police. Featured artists include Wayne Shorter, James Taylor and Lionel Richie. & lt;br & gt; & lt;br & gt; This long time audiophile favorite is a Stereophile Record to Die For and also a Michael Fremer Recommended Recording! Special guest include Wayne Shorter and James Taylor! & lt;br & gt; & lt;br & gt; & lt;b & gt;Features: & lt;/b & gt; & lt;br & gt; • Numbered, Limited Edition & lt;br & gt; • Audiophile 180g, 45rpm Vinyl & lt;br & gt; • Double LP, Gatefold Packaging & lt;br & gt; • Pressed by The Pallas Group, Germany & lt;br & gt; • Mastered by Bernie Grundman from Original Analog Master Tapes! & lt;br & gt; & lt;br & gt; & lt;b & gt;Musicians: & lt;/b & gt; & lt;br & gt; Joni Mitchell, vocals, guitar, piano & lt;br & gt; Larry Klein, bass & lt;br & gt; Michael Landau, Steve Lukather, electric guitar & lt;br & gt; John Guerin, Vinnie Colaiuta, drums & lt;br & gt; Larry Williams, Russell Ferrante, synthesizer & lt;br & gt; Wayne Shorter, soprano sax (4,6,11) & lt;br & gt; Larry Carlton, guitar (3) & lt;br & gt; Victor Feldman, percussion (9) & lt;br & gt; Kim Hutchcroft, baritone sax(7) & lt;br & gt; Lionel Richie, backing vocals (3, 8) & lt;br & gt; Charles Valentino, Howard Kinney - backing vocals (3) & lt;br & gt; James Taylor, Joni Mitchell - backing vocals (9) & lt;br & gt; & lt;br & gt; & lt;b & gt;Selections: & lt;/b & gt; & lt;br & gt; 1. Chinese Cafe/Unchained Melody & lt;br & gt; 2. Wild Things Run Fast & lt;br & gt; 3. Ladies Man & lt;br & gt; 4. Moon At The Window & lt;br & gt; 5. Solid Love & lt;br & gt; 6. Be Cool & lt;br & gt; 7. (You're So Square) Baby, I Don't Care & lt;br & gt; 8. You Dream Flat Tires & lt;br & gt; 9. Man To Man & lt;br & gt; 10. Underneath The Streetlight & lt;br & gt; 11. Love

Rosemary Clooney & Perez Prado A Touch Of Tabasco Numbered Limited Edition 180g 45rpm 2LP (Vinyl)

& lt;img src= & quot;/content/images/ORGLogo200.jpg & quot; align= & quot;right & quot; hspace= & quot;10 & quot; vspace= & quot;10 & quot; width= & quot;200 & quot; height= & quot;91 & quot; & gt; & lt;b & gt; & lt;font color= & quot;#FF0000 & quot; & gt;Exquisite Jazz Vocalist Mesmerizes with Unsurpassed Craft alongside Cuban Percussionist to create Lively, Colorful Music! A Tour de Force! Audiophile 180 Gram 45rpm Double LP! & lt;br & gt; & lt;br & gt;Mastered by Bernie Grundman from the Original Analog Master Tapes & amp; Pressed at RTI! & lt;br & gt;Numbered Deluxe Laminated Gatefold Jackets! Only 2500 Numbered Limited Edition Copies Worldwide! & lt;/font & gt; & lt;/b & gt; & lt;br & gt; & lt;br & gt; The Wall Street Journal called this Girl Singer “A pop icon and spoken in the same breath as Sinatra and Ella Fitzgerald.” Several of her Concord Records garnered her Grammy Nominations. She didn't win, but was awarded the Lifetime Achievement Award on February 28, 2002. After receiving the James Smithson Bicentennial Medal in 1992 in recognition of her contribution to American music, Clooney told the Washington Post, & lt;b & gt; & quot;It's for showing up day after day, for small increments of time and achievement. & quot; & lt;/b & gt; Claiming that singing has become her salvation, Clooney added, & lt;b & gt; & quot;I'm the only instrument that's got the words, so I've got to be able to get that across. & quot; & lt;/b & gt; As her top-selling jazz albums indicated, Clooney was still able to mesmerize audiences with her warmth, depth of feeling, honesty, and unsurpassed craft. & lt;br & gt; & lt;br & gt; This 1959 release was the only album vocalist Rosemary Clooney and Cuban band-leader/conductor Perez Prado recorded together and the first for Rosemary on her new label, RCA Victor. The original liner notes were contributed by Rosemary's husband Jose Ferrer. & lt;br & gt; & lt;br & gt; & lt;b & gt; & quot;On paper, this unlikely pairing of American popular vocalist Rosemary Clooney (who nearly defined the 1950s as a stylist) and Cuban percussionist and bandleader Perez Prado seemed to be a disaster in the making. The end result is quite the opposite. Recording during two sessions in July and August of 1959, this is simply one of the loveliest albums in either artist's catalog. The music is lively and colorful but retains Clooney's smooth and mellow character, and Prado's trademark arrangements and experiments with percussion, texture, and harmony. Apparently, Clooney had some trouble with pronunciation initially, but was coached by her husband, Puerto Rican actor Jose Ferrer (who wrote the original album's liner notes) and became a quick study. This merging of Latin and American standards is a tour de force that features some of the hottest session players in the biz including drummers Leo Acosta and Earl Palmer, as well as horn players Paul Horn and Ollie Mitchell... & quot; & lt;/b & gt; - Thom Jurek, allmusic.com & lt;br & gt; & lt;br & gt; & lt;b & gt; & quot;For over 40 years, Rosemary Clooney's simple and exquisite singing style has defined her career. Her dynamic career also includes movie roles and a star turn in her own television show. Today, Rosemary continues to validate her reputation as one of America's finest jazz-based vocalists. & quot; & lt;/b & gt; - NPR & lt;br & gt; & lt;br & gt; & lt;b & gt; & quot;If you're a fan of Clooney or Prado I can't see one not liking this record. I got goose bumps every time I heard Prado utter his & quot;hu-unh & quot; and found myself bopping my head and back and forth and wanting to get up and dance. After all, that is what this music is about - lots of lively fun and dancing. I could go on and on about how great each and every song is, but the gist of it is: if you can afford it, buy it. Highly recommended! & quot; & lt;/b & gt; - Brian Bloom, www.audaud.com, 5 Stars!! & lt;br & gt; & lt;br & gt; & lt;br & gt; & lt;br & gt; & lt;b & gt;Features: & lt;/b & gt; & lt;br & gt; • Numbered Deluxe Laminated Double Gatefold Jackets & lt;br & gt; • Only 2500 Numbered Limited Edition Copies Worldwide! & lt;br & gt; • Audiophile 180g, 45rpm Vinyl & lt;br & gt; • Double LP & lt;br & gt; • Pressed at RTI & lt;br & gt; • Mastered by Bernie Grundman from the Original Analog Master Tapes! & lt;br & gt; & lt;br & gt; & lt;b & gt;Musicians: & lt;/b & gt; & lt;br & gt; Rosemary Clooney, vocals & lt;br & gt; Perez Prado, arranger, conductor & lt;br & gt; & lt;br & gt; & lt;b & gt;Selections: & lt;br & gt; LP1 - Side A: & lt;br & gt; & lt;/b & gt;1. Corazon de Melon (Watermelon Heart) & lt;br & gt; 2. Like A Woman & lt;br & gt; 3. I Only Have Eyes For You & lt;br & gt; & lt;b & gt;LP1 - Side B: & lt;br & gt; & lt;/b & gt;1. Magic is the Moonlight & lt;br & gt; 2. In a Little Spanish Town & lt;br & gt; 3. Sway & lt;br & gt; & lt;b & gt;LP2 - Side C: & lt;br & gt; & lt;/b & gt;1. Mack the Knife & lt;br & gt; 2. Bali Ha'i & lt;br & gt; 3. You Do Something To Me & lt;br & gt; & lt;b & gt;LP2 - Side D: & lt;br & gt; & lt;/b & gt;1. Cu-Cu-Rru-Cu-Cu Paloma & lt;br & gt; 2. I Got Plenty O' Nuttin' & lt;br & gt; 3. Adios

Diana Krall Love Scenes Numbered Limited Edition 180g 45rpm 2LP (Vinyl)

& lt;p & gt; & lt;strong & gt;TAS Super LP List! Special Merit: Informal & lt;/strong & gt; & lt;/p & gt; & lt;b & gt; & lt;font color= & quot;#FF0000 & quot; & gt;Numbered, Limited Edition 180g 45pm 2LP! & lt;br & gt; Mastered by Bernie Grundman from the Original Analog Master Tapes! & lt;br & gt; Deluxe Laminated Gatefold Jackets! Pressed at RTI! & lt;/font & gt; & lt;/b & gt; & lt;br & gt; & lt;br & gt; Diana Krall's Love Scenes, available for the first time on vinyl at 45 rpm. Grammy nominated, the album features Diana's mastery of the romantic ballad in an intimate piano trio setting with Russell Malone on guitar and Christian McBride on bass. & lt;br & gt; & lt;br & gt; & lt;b & gt; & quot;When my producer, Tommy LiPuma, and I were deciding on the songs for my newest album, it never occurred to me that the songs we ultimately chose would be all about love. I selected songs that I personally liked, and that had a special meaning for me. However, as is often the case during the creative process, a connection among the songs just seemed to organically appear. The songs are indeed about romance. But to me there is a broader and more personal attachment to each of the songs than the standard definition of romantic love might imply. I think that these songs represent the strength of love, including the love of family and friends. But rather than describing my own thoughts about each song, it is my hope that all of you who listen to the music and read the lyrics will discover and imagine your own personal & quot;love scenes & quot; among the mountains, oceans, rain and gardens of these songs. & quot; & lt;/b & gt; - Diana Krall & lt;br & gt; & lt;br & gt; & lt;b & gt; & quot;Teamed in a trio with her regular guitarist Russell Malone and bassist Christian McBride, Krall here mostly emphasizes ballads having something to do with love. She is at her best on 'I Don't Know Enough About You,' 'I Don't Stand a Ghost of a Chance With You,' and 'How Deep Is the Ocean.' & quot; & lt;/b & gt;- Scott Yanow, allmusic.com & lt;br & gt; & lt;br & gt; & lt;b & gt;Features: & lt;/b & gt; & lt;br & gt; • Numbered Deluxe Laminated Double Gatefold Jackets & lt;br & gt; • Audiophile 180g, 45rpm Vinyl & lt;br & gt; • Double LP & lt;br & gt; • Pressed at RTI & lt;br & gt; • Mastered by Bernie Grundman from the Original Analog Master Tapes! & lt;br & gt; • Bonus track & lt;br & gt; & lt;br & gt; & lt;b & gt;Musicians: & lt;/b & gt; & lt;br & gt; Diana Krall, piano, lead vocal & lt;br & gt; Russell Malone, guitar & lt;br & gt; Christian McBride, bass & lt;br & gt; & lt;br & gt; & lt;b & gt;Selections: & lt;br & gt; Side 1: & lt;/b & gt; & lt;br & gt; 1. All Or Nothing At All & lt;br & gt; 2. Peel Me A Grape & lt;br & gt; & lt;b & gt;3. I Don't Know Enough About You & lt;br & gt; Side 2: & lt;/b & gt; & lt;br & gt; 4. I Miss You So & lt;br & gt; 5. They Can't Take That Away From Me & lt;br & gt; 6. Lost Mind & lt;br & gt; & lt;br & gt; & lt;b & gt;Side 3: & lt;/b & gt; & lt;br & gt; 7. I Don't Stand A Ghost Of A Chance With You & lt;br & gt; 8. You're Getting To Be A Habit With Me & lt;br & gt; 9. Gentle Rain & lt;br & gt; & lt;b & gt;Side 4: & lt;/b & gt; & lt;br & gt; 10. How Deep Is The Ocean (How High Is The Sky) & lt;br & gt; 11. My Love Is & lt;br & gt; 12. Garden In The Rain & lt;br & gt; & lt;b & gt;Bonus Track: & lt;/b & gt; & lt;br & gt; 13. That Old Feeling

Borodin Symphonies Nos. 2 & 3 Numbered Limited Edition 180g 45rpm 2LP (Vinyl)

& lt;img src= & quot;/content/images/ORGLogo200.jpg & quot; align= & quot;right & quot; hspace= & quot;10 & quot; vspace= & quot;10 & quot; width= & quot;200 & quot; height= & quot;91 & quot; & gt; & lt;font color= & quot;#FF0000 & quot; & gt; & lt;b & gt;TAS Super LP List! Special Merit: Classical & lt;/b & gt; & lt;/font & gt; & lt;br & gt; & lt;br & gt; & lt;font color= & quot;#FF0000 & quot; & gt; & lt;b & gt;Numbered, Limited Edition 180g 45rpm 2LP! Pressed at RTI! & lt;br & gt; & lt;br & gt; Mastered by Bernie Grundman from the Original Analog Master Tapes! & lt;br & gt; & lt;br & gt; Deluxe Laminated Gatefold Jackets! Only 2500 Numbered, Limited Edition Copies Worldwide! & lt;/b & gt; & lt;/font & gt; & lt;br & gt; & lt;br & gt; Ernest Ansermet conducts L'Orchestre de la Suisse Romande for this 1954 recording of Borodin's Second & amp; Third Symphonies. & lt;br & gt; & lt;br & gt; & lt;b & gt; & quot;Probably the most important large-scale work by Borodin, the Second Symphony is considered one of his greatest... The massed strings are especially gorgeous and natural-sounding... if you have a high quality turntable system and love Borodin this is a must-have. There’s no surface noise whatever. & quot; & lt;/b & gt; - John Sunier, www.audaud.com & lt;br & gt; & lt;br & gt; Alexander Porfiryevich Borodin was a Russian Romantic composer, doctor, and chemist. He was a member of the group of composers called The Five (or & quot;The Mighty Handful & quot;), who were dedicated to producing a specifically Russian kind of art music. He is best known for his symphonies, his two string quartets, In the Steppes of Central Asia and his opera Prince Igor. Music from Prince Igor and his string quartets was later adapted for the US musical Kismet. & lt;br & gt; & lt;br & gt; Symphony No. 2 in B minor by Alexander Borodin was composed intermittently between 1869 and 1876. It consists of four movements and is considered the most important large-scale work completed by the composer himself. It has many melodic resemblances to both Prince Igor and Mlada, two theatre works that diverted Borodin's attention on and off during the six years of composition. & lt;br & gt; & lt;br & gt; & lt;b & gt;Features: & lt;/b & gt; & lt;br & gt; • Numbered, Limited Edition & lt;br & gt; • Only 2500 numbered, limited edition copies worldwide! & lt;br & gt; • Audiophile 180g 45rpm Vinyl & lt;br & gt; • Numbered Deluxe Laminated Gatefold Jackets & lt;br & gt; • Double LP & lt;br & gt; • Pressed at RTI & lt;br & gt; • Mastered by Bernie Grundman from the Original Analog Master Tapes & lt;br & gt; & lt;br & gt; & lt;b & gt;Musicians: & lt;/b & gt; & lt;br & gt; L'Orchestre de la Suisse Romande & lt;br & gt; Ernest Ansermet, conductor & lt;br & gt; & lt;br & gt; & lt;b & gt;Selections: & lt;br & gt; LP 1 - Sides A & amp; B: & lt;br & gt; Alexander Borodin (1833-1887) & lt;/b & gt; & lt;br & gt; 1. Symphony No. 2 in B Minor & lt;br & gt; & lt;b & gt; & lt;br & gt; LP 2 - Side C: & lt;/b & gt; & lt;br & gt; 1. Symphony No. 3 in A Minor & lt;br & gt; & lt;b & gt;LP 2 - Side D: & lt;/b & gt; & lt;br & gt; 1. Prince Igor Overture & lt;br & gt; & lt;br & gt; Recorded October & amp; November 1954 at Victoria Hall, Geneva

Henryk Szeryng Brahms Violin Concerto Numbered Limited Edition 180g 45rpm 2LP (Vinyl)

& lt;font color= & quot;#FF0000 & quot; & gt;TBA pre-order your copy today! Orders with both pre-order and in stock items will have all in stock items shipped immediately! & lt;/font & gt; & lt;br & gt; & lt;br & gt; & lt;img src= & quot;/content/images/ORGLogo200.jpg & quot; align= & quot;right & quot; hspace= & quot;10 & quot; vspace= & quot;10 & quot; width= & quot;200 & quot; height= & quot;91 & quot; & gt; & lt;p & gt; & lt;strong & gt;TAS Super LP List! Special Merit: Classical & lt;/strong & gt; & lt;/p & gt; & lt;font color= & quot;#FF0000 & quot; & gt; & lt;b & gt;Mastered by Bernie Grundman from the Original Analog Master Tapes & amp; Pressed at RTI! & lt;br & gt; Numbered Deluxe Laminated Gatefold Jackets! Only 2500 Numbered Limited Edition Copies Worldwide! & lt;/b & gt; & lt;/font & gt; & lt;br & gt; & lt;br & gt; Violinist Henryk Szeryng is joined by The London Symphony Orchestra conducted by Antal Dorati for this recording of Brahms' Violin Concerto in D Major. & lt;br & gt; & lt;br & gt; & lt;b & gt;Features: & lt;/b & gt; & lt;br & gt; • Numbered Deluxe Laminated Double Gatefold Jackets & lt;br & gt; • Only 2500 Numbered Limited Edition Copies Worldwide! & lt;br & gt; • Audiophile 180g, 45rpm Vinyl & lt;br & gt; • Double LP & lt;br & gt; • Pressed at RTI & lt;br & gt; • Mastered by Bernie Grundman from the Original Analog Master Tapes! & lt;br & gt; & lt;br & gt; & lt;b & gt;Musicians: & lt;/b & gt; & lt;br & gt; Henryk Szeryng, violin & lt;br & gt; The London Symphony Orchestra & lt;br & gt; Antal Dorati, conductor & lt;br & gt; & lt;br & gt; & lt;b & gt;Selections: & lt;br & gt; Brahms & lt;br & gt; Violin Concerto in D Major & lt;/b & gt;

Mendelssohn Symphony No. 3 Low Numbered Limited Edition 180g 45rpm 2LP (Vinyl)

& lt;img src= & quot;/content/images/ORGLogo200.jpg & quot; align= & quot;right & quot; hspace= & quot;10 & quot; vspace= & quot;10 & quot; width= & quot;200 & quot; height= & quot;91 & quot; & gt; & lt;header & gt; & lt;p & gt; & lt;strong & gt;Out Of Print! Warehouse Find! Low Serial Numbers #91-100!! & lt;/strong & gt; & lt;/p & gt; & lt;/header & gt; & lt;b & gt;Featured in Michael Fremer's Heavy Rotation in the February 2012 Issue of Stereophile! & lt;/b & gt; & lt;br & gt; & lt;br & gt; & lt;b & gt; & lt;font color= & quot;#FF0000 & quot; & gt;Mastered by Bernie Grundman from the Original Analog Master Tapes & amp; Pressed at RTI! Numbered Deluxe Laminated Gatefold Jackets! Only 2500 Numbered Limited Edition Copies Worldwide! & lt;/font & gt; & lt;/b & gt; & lt;br & gt; & lt;br & gt; & lt;p & gt; & lt;strong & gt;This item not eligible for any further discount offers! & lt;/strong & gt; & lt;/p & gt; The marvelous Swiss conductor Peter Maag leads the London Symphony Orchestra performing Mendelssohn's & quot;Scotch & quot; or & quot;Scottish & quot; Symphony, recorded in 1960. A gloriously warmhearted and energetic performance, Maag's interpretation has set the recorded standard for this work! The recording captures wonderful chemistry between Peter Maag and the London Symphony Orchestra. It's Mendelssohn performance at its best, which is saying a lot! & lt;br & gt; & lt;br & gt; & lt;b & gt; & quot;Peter Maag conducts a delightfully fresh & quot;Scottish & quot; Symphony, keeping tempos moderately brisk, textures lean, and phrasing intuitive - that is, everything flows easily and logically. ...Decca's 1960 recording of the symphony is full and clear with plenty of depth & quot; & lt;/b & gt; - Victor Carr, classicstoday.com & lt;br & gt; & lt;br & gt; & lt;b & gt; & quot;The results are a dazzling example of what vinyl still has to offer, if prepared with care that mass-produced records do not receive. The sound defines vividness, with an undistorted dynamic range and pin-point accuracy of the orchestral instruments’ locations. Long considered one of the best recordings (among many) turned out by London (actually British Decca), this pair of 45rpm discs was an ear opener. Exciting and involving, ORG has produced a must-have for anyone who possesses audiophile level equipment. & quot; & lt;/b & gt;- Zan Furtwangler, 4 Stars!!, www.audaud.com, January 2012 & lt;br & gt; & lt;br & gt; Features: & lt;br & gt; • Numbered Deluxe Laminated Double Gatefold Jackets & lt;br & gt; • Only 2500 Numbered Limited Edition Copies Worldwide! & lt;br & gt; • 180g Vinyl & lt;br & gt; • 45rpm & lt;br & gt; • Pressed at RTI & lt;br & gt; • Mastered by Bernie Grundman from the Original Analog Master Tapes! & lt;br & gt; • Originally released as London CS 6191 & lt;br & gt; • Famous London Records Blueback Series & lt;br & gt; & lt;br & gt; Musicians: & lt;br & gt; London Symphony Orchestra & lt;br & gt; Peter Maag, conductor & lt;br & gt; & lt;br & gt; & lt;b & gt;Selections: & lt;br & gt; Felix Mendelssohn (1809-1847) & lt;br & gt; LP1 - Side A: & lt;/b & gt; & lt;br & gt; 1. & lt;b & gt;Overture & quot;The Hebrides & quot; (Fingal's Cave), Op. 26 & lt;br & gt; & lt;/b & gt; & lt;b & gt;LP1 - Side B: & lt;br & gt; Symphony No. 3 in A minor ( & quot;The Scotch & quot;), Op. 56 & lt;/b & gt; & lt;br & gt; 1. Andante con molto & lt;br & gt; & lt;b & gt;LP2 - Side C: & lt;br & gt; & lt;/b & gt; 1. Vivace non troppo & lt;br & gt; 2. Adagio & lt;br & gt; & lt;b & gt;LP2 - Side D: & lt;/b & gt; & lt;br & gt; 1. Allegro vivacissimo - Allegro maestoso assai

Diana Krall Love Scenes Low Numbered Limited Edition 180g 45rpm 2LP (Vinyl)

& lt;font color= & quot;#FF0000 & quot; & gt; & lt;b & gt;Out Of Print! Warehouse Find! & lt;br & gt; Low Serial Numbers #78-88! & lt;/b & gt; & lt;/font & gt; & lt;br & gt; & lt;br & gt; & lt;p & gt; & lt;strong & gt;TAS Super LP List! Special Merit: Informal & lt;/strong & gt; & lt;/p & gt; & lt;b & gt; & lt;font color= & quot;#FF0000 & quot; & gt;Numbered, Limited Edition 180g 45pm 2LP! & lt;br & gt; Mastered by Bernie Grundman from the Original Analog Master Tapes! & lt;br & gt; Deluxe Laminated Gatefold Jackets! Pressed at RTI! & lt;/font & gt; & lt;/b & gt; & lt;br & gt; & lt;br & gt; & lt;p & gt; & lt;strong & gt;This item not eligible for any further discount offers! & lt;/strong & gt; & lt;/p & gt; Diana Krall's Love Scenes, available for the first time on vinyl at 45 rpm. Grammy nominated, the album features Diana's mastery of the romantic ballad in an intimate piano trio setting with Russell Malone on guitar and Christian McBride on bass. & lt;br & gt; & lt;br & gt; & lt;b & gt; & quot;When my producer, Tommy LiPuma, and I were deciding on the songs for my newest album, it never occurred to me that the songs we ultimately chose would be all about love. I selected songs that I personally liked, and that had a special meaning for me. However, as is often the case during the creative process, a connection among the songs just seemed to organically appear. The songs are indeed about romance. But to me there is a broader and more personal attachment to each of the songs than the standard definition of romantic love might imply. I think that these songs represent the strength of love, including the love of family and friends. But rather than describing my own thoughts about each song, it is my hope that all of you who listen to the music and read the lyrics will discover and imagine your own personal & quot;love scenes & quot; among the mountains, oceans, rain and gardens of these songs. & quot; & lt;/b & gt; - Diana Krall & lt;br & gt; & lt;br & gt; & lt;b & gt; & quot;Teamed in a trio with her regular guitarist Russell Malone and bassist Christian McBride, Krall here mostly emphasizes ballads having something to do with love. She is at her best on 'I Don't Know Enough About You,' 'I Don't Stand a Ghost of a Chance With You,' and 'How Deep Is the Ocean.' & quot; & lt;/b & gt;- Scott Yanow, allmusic.com & lt;br & gt; & lt;br & gt; & lt;b & gt;Features: & lt;/b & gt; & lt;br & gt; • Numbered Deluxe Laminated Double Gatefold Jackets & lt;br & gt; • Audiophile 180g, 45rpm Vinyl & lt;br & gt; • Double LP & lt;br & gt; • Pressed at RTI & lt;br & gt; • Mastered by Bernie Grundman from the Original Analog Master Tapes! & lt;br & gt; • Bonus track & lt;br & gt; & lt;br & gt; & lt;b & gt;Musicians: & lt;/b & gt; & lt;br & gt; Diana Krall, piano, lead vocal & lt;br & gt; Russell Malone, guitar & lt;br & gt; Christian McBride, bass & lt;br & gt; & lt;br & gt; & lt;b & gt;Selections: & lt;br & gt; Side 1: & lt;/b & gt; & lt;br & gt; 1. All Or Nothing At All & lt;br & gt; 2. Peel Me A Grape & lt;br & gt; & lt;b & gt;3. I Don't Know Enough About You & lt;br & gt; Side 2: & lt;/b & gt; & lt;br & gt; 4. I Miss You So & lt;br & gt; 5. They Can't Take That Away From Me & lt;br & gt; 6. Lost Mind & lt;br & gt; & lt;br & gt; & lt;b & gt;Side 3: & lt;/b & gt; & lt;br & gt; 7. I Don't Stand A Ghost Of A Chance With You & lt;br & gt; 8. You're Getting To Be A Habit With Me & lt;br & gt; 9. Gentle Rain & lt;br & gt; & lt;b & gt;Side 4: & lt;/b & gt; & lt;br & gt; 10. How Deep Is The Ocean (How High Is The Sky) & lt;br & gt; 11. My Love Is & lt;br & gt; 12. Garden In The Rain & lt;br & gt; & lt;b & gt;Bonus Track: & lt;/b & gt; & lt;br & gt; 13. That Old Feeling

Stravinsky The Firebird Numbered Limited Edition 180g 45rpm 2LP (Vinyl)

& lt;header & gt; & lt;p & gt;Release Date To Be Announced pre-order your copy today! Orders with both pre-order and in stock items will have all in stock items shipped immediately! & lt;/p & gt; & lt;/header & gt; & lt;img src= & quot;/content/images/ORGLogo200.jpg & quot; align= & quot;right & quot; hspace= & quot;10 & quot; vspace= & quot;10 & quot; width= & quot;200 & quot; height= & quot;91 & quot; & gt; & lt;p & gt; & lt;strong & gt;TAS Super LP List! Best Of The Bunch: Classical & lt;/strong & gt; & lt;/p & gt; & lt;header & gt; & lt;p & gt; & lt;strong & gt;Mastered by Bernie Grundman from the Original Analog Master Tapes & amp; Pressed at RTI! & lt;br & gt; Numbered Deluxe Laminated Gatefold Jackets! & lt;br & gt; Only 2500 Numbered Limited Edition Copies Worldwide! & lt;/strong & gt; & lt;/p & gt; & lt;/header & gt; & lt;p & gt;Antal Dorati conducts the London Symphony Orchestra for this 1960 recording of Stravinsky's Firebird Suite. & lt;/p & gt; & lt;section id= & quot;features & quot; & gt; & lt;h3 & gt;Features & lt;/h3 & gt; & lt;ul & gt; & lt;li & gt;Numbered Deluxe Laminated Double Gatefold Jackets & lt;/li & gt; & lt;li & gt;Only 2500 Numbered Limited Edition Copies Worldwide & lt;/li & gt; & lt;li & gt;Audiophile 180g, 45rpm Vinyl & lt;/li & gt; & lt;li & gt;Double LP & lt;/li & gt; & lt;li & gt;Pressed at RTI & lt;/li & gt; & lt;li & gt;Mastered by Bernie Grundman from the Original Analog Master Tapes & lt;/li & gt; & lt;/ul & gt; & lt;/section & gt; & lt;section id= & quot;musicians & quot; & gt; & lt;h3 & gt;Musicians & lt;/h3 & gt; & lt;table & gt; & lt;tr & gt; & lt;th & gt;London Symphony Orchestra & lt;/th & gt; & lt;td & gt; & lt;/td & gt; & lt;/tr & gt; & lt;tr & gt; & lt;th & gt;Antal Dorati & lt;/th & gt; & lt;td & gt;conductor & lt;/td & gt; & lt;/tr & gt; & lt;/table & gt; & lt;/section & gt; & lt;section id= & quot;selections & quot; & gt; & lt;h3 & gt;Selections & lt;/h3 & gt; & lt;h4 & gt;Igor Stravinsky (1882-1971) & lt;/h4 & gt; & lt;h5 & gt;The Firebird Suite & lt;/h5 & gt; & lt;/section & gt;

Elvis Presley Elvis' Golden Records Volume 3 Numbered Limited Edition 180g 45rpm 2LP (Vinyl)

& lt;img src= & quot;/content/images/ORGLogo200.jpg & quot; align= & quot;right & quot; hspace= & quot;10 & quot; vspace= & quot;10 & quot; width= & quot;200 & quot; height= & quot;91 & quot; & gt; & lt;font color= & quot;#FF0000 & quot; & gt; & lt;b & gt;Mastered by Bernie Grundman from the Original Analog Master Tapes & amp; Pressed at RTI! & lt;br & gt; Numbered Deluxe Laminated Gatefold Jackets! & lt;/b & gt; & lt;/font & gt; & lt;br & gt; & lt;br & gt; Elvis Aaron Presley was born during the Great Depression into a poor family in Mississippi. They moved to Memphis during the early fifties, and as a struggling young truck driver, Elvis cut some demos at Sun Studios as a gift for his beloved mother Gladys. These initial songs, of which he had only paid a few dollars to record, would become the catalyst that would kick-start the beginnings of a soon to be worldwide superstar unlike the world has ever known. & lt;br & gt; & lt;br & gt; The folks at RCA Victor knew that this young fellow named Elvis was destined for superstardom. They quickly bought out his contract and signed the legend to a long-term deal, and his first RCA single Heartbreak Hotel forever etched “The King Of Rock And Roll” trademark to his name. He would eventually become the most successful solo artist of all time! & lt;br & gt; & lt;br & gt; For the remainder of the 1950’s, Elvis Presley would release several more hit albums, smash singles and movies before spending time in the Army. Ever proving that he was indeed on top of his game, RCA Victor awarded their superstar artist and his fans with the King’s first greatest hits collection Elvis’ Golden Records. & lt;br & gt; & lt;br & gt; Like the two volumes before it, Elvis' Golden Records Vol. 3 was a groundbreaking release in that no one in rock & amp; roll up to that point, other than Elvis, had ever legitimately earned a second greatest hits compilation, much less a third. & lt;br & gt; & lt;br & gt; Golden Records Vol. 3 contains eight Top Five A-sides along with four B-sides which also made the Top 40. Five of those A-sides-- & quot;Stuck on You, & quot; & quot;It's Now or Never, & quot; & quot;Are You Lonesome Tonight?, & quot; & quot;Surrender, & quot; and & quot;Good Luck Charm & quot;--went to #1. & lt;br & gt; & lt;br & gt; Out of all the records Elvis Presley made, this is one of the absolute audiophile classics among his catalog. And the songs – every one of them – are worth inclusion in any collection. Don't miss a true classic. & lt;br & gt; & lt;br & gt; & lt;b & gt; & quot;With most artists, by the time you get to the third greatest hits album you're scraping the bottom of the barrel but not with Elvis Presley. In fact, it could easily be argued that Volume 3 was the & quot;sweet spot & quot; among the original RCA Elvis's greatest hits releases. & quot; & lt;/b & gt; - analogplanet, Music 8/11. Sound 8/11 & lt;br & gt; & lt;br & gt; & lt;b & gt;Features: & lt;/b & gt; & lt;br & gt; • Numbered Deluxe Laminated Double Gatefold Jackets & lt;br & gt; • Audiophile 180g, 45rpm Vinyl & lt;br & gt; • Double LP & lt;br & gt; • Pressed at RTI & lt;br & gt; • Mastered by Bernie Grundman from the Original Analog Master Tapes! & lt;br & gt; & lt;br & gt; & lt;b & gt;Selections: & lt;br & gt; LP 1 & lt;/b & gt; & lt;br & gt; 1. It's Now Or Never & lt;br & gt; 2. Stuck On You & lt;br & gt; 3. Fame and Fortune & lt;br & gt; 4. I Gotta Know & lt;br & gt; 5. Surrender & lt;br & gt; 6. I Feel So Bad & lt;br & gt; & lt;b & gt;LP 2 & lt;/b & gt; & lt;br & gt; 1. Are You Lonesome Tonight & lt;br & gt; 2. His Latest Flame & lt;br & gt; 3. Little Sister & lt;br & gt; 4. Good Luck Charm & lt;br & gt; 5. Anything That's Part of You & lt;br & gt; 6. She's Not You

Ella Fitzgerald Ella Swings Lightly Low Numbered Limited Edition 180g 45rpm 2LP (Vinyl)

& lt;b & gt;Michael Fremer's 100 Recommended All-Analog LP Reissues Worth Owning - Rated 37/100! & lt;/b & gt; & lt;br & gt; & lt;br & gt; & lt;b & gt; & lt;font color= & quot;#FF0000 & quot; & gt;Out Of Print! Limited Quantities Available! & lt;br & gt; Low Serial Numbers #51-59! & lt;br & gt; & lt;br & gt;Mastered by Bernie Grundman from the Original Analog Master Tapes! Only 2500 Numbered Limited Edition Copies Worldwide! & lt;/font & gt; & lt;/b & gt; & lt;br & gt; & lt;br & gt; & lt;b & gt;This item not eligible for any further discount offers! & lt;/b & gt; & lt;br & gt; & lt;br & gt; Ella sings jazz standard backed by the Marty Paich Dek-tette group. The 1958 release won Fitzgerald the 1960 Grammy award for the 'Best Jazz Performance, Soloist'. & lt;br & gt; & lt;br & gt; & lt;b & gt;Musicians: & lt;/b & gt; & lt;br & gt; Ella Fitzgerald & lt;br & gt; Marty Paich Dek-tette & lt;br & gt; & lt;br & gt; & lt;b & gt;Features: & lt;/b & gt; & lt;br & gt; • ORG Ultimate Edition & lt;br & gt; • Numbered, Limited Edition & lt;br & gt; • 180g Vinyl & lt;br & gt; • 45rpm & lt;br & gt; • Double LP & lt;br & gt; • Gatefold jacket & lt;br & gt; • Mastered by Bernie Grundman & lt;br & gt; & lt;br & gt; & lt;b & gt;Selections: & lt;br & gt; LP 1: Side A & lt;/b & gt; & lt;br & gt; 1. Little White Lies & lt;br & gt; 2. You Hit The Spot & lt;br & gt; 3. Just You Just Me & lt;br & gt; & lt;br & gt; & lt;b & gt;LP1: Side B & lt;/b & gt; & lt;br & gt; 4. As Long As I Live & lt;br & gt; 5. Teardrops From My Eyes & lt;br & gt; 6. Moonlight On The Ganges & lt;br & gt; & lt;br & gt; & lt;b & gt;LP2: Side C & lt;/b & gt; & lt;br & gt; 7. My Kind Of Love & lt;br & gt; 8. Blues In The Night & lt;br & gt; 9. If I Were A Bell & lt;br & gt; & lt;br & gt; & lt;b & gt;LP 2: SIde D & lt;/b & gt; & lt;br & gt; 10. Little Jazz & lt;br & gt; 11. You Brought A New Kind Of Love To Me & lt;br & gt; 12. Knock Me A Kiss & lt;br & gt; & lt;br & gt; Recorded November 23-24, 1958 in Hollywood, Los Angeles.

Gerry Mulligan Quartet What Is There To Say? Low Numbered Limited Edition 180g 45rpm 2LP (Vinyl)

& lt;img src= & quot;/content/images/ORGLogo200.jpg & quot; align= & quot;right & quot; hspace= & quot;10 & quot; vspace= & quot;10 & quot; width= & quot;200 & quot; height= & quot;91 & quot; & gt; & lt;header & gt; & lt;p & gt; & lt;strong & gt;Out Of Print! Limited Quantities Available! & lt;br & gt; Low Serial Numbers #61-70! & lt;/strong & gt; & lt;/p & gt; & lt;/header & gt; & lt;b & gt;Michael Fremer Rated 9/11 Music, 9/11 Sonics! & lt;/b & gt; & lt;br & gt; & lt;br & gt; & lt;b & gt;Audio Beat Rated 4/5 Music, 4.5/5 Sound! & lt;/b & gt; & lt;br & gt; & lt;br & gt; & lt;font color= & quot;#FF0000 & quot; & gt; & lt;b & gt;Mastered by Bernie Grundman from the Original Analog Master Tapes & amp; Pressed at RTI! & lt;br & gt;Numbered Deluxe Laminated Gatefold Jackets! Only 2500 Numbered Limited Edition Copies Worldwide! & lt;/font & gt; & lt;/b & gt; & lt;br & gt; & lt;br & gt; & lt;p & gt; & lt;strong & gt;This item not eligible for any further discount offers! & lt;/strong & gt; & lt;/p & gt; Originally released in 1959, this classic Jazz album contains eight tracks by the late great jazz saxophone player Gerry Mulligan. What Is There To Say? was the last of the piano less quartet albums that Gerry Mulligan recorded in the 1950s and is definitely one of his best! 14 years along in his storied career, Gerry Mulligan was at his first work as a leader for major-label, Columbia Records. At this time, Mulligan was just coming into his prime as a player, writer and arranger, this album is a slice of & quot;Pure Mulligan... an insight into the man and his music. & quot; & lt;br & gt; & lt;br & gt; & lt;b & gt; & quot;...the ORG LPs cream my near-mint six-eye pressings, and there's nothing more to say than that. & quot; & lt;/b & gt; - Marc Mickelson, www.theaudiobeat.com & lt;br & gt; & lt;br & gt; & lt;b & gt; & quot;...flawlessly executed album that caught the high point of [Mulligan's] improvisatory lyricism. & quot; & lt;/b & gt; - Jerome Klinkowitz, An Aural Narrative in Jazz & lt;br & gt; & lt;br & gt; & lt;b & gt; & quot;Virtually every selection is memorable, with & quot;What Is There to Say, & quot; & quot;Just in Time, & quot; & quot;Festive Minor, & quot; & quot;My Funny Valentine, & quot; and & quot;Utter Chaos & quot; being the high points. Highly recommended both to Mulligan collectors and to jazz listeners who are just discovering the great baritonist. & quot; & lt;/b & gt; - Scott Yanow, allmusic.com & lt;br & gt; & lt;br & gt; & lt;b & gt; & quot;I am a jazz producer from Chicago. I reissue jazz somewhat as you do although we have a different target audience.I earlier heard you were putting out Mulligan's What Is There To Say? I think I even wrote someone at ORG how great this would be. Well I finally got my turntable set up and running and heard your 45rpm production and it is superb. Great, great job. You've captured that west coast sound and rhythmic drive beautifully. Well, this is a superb example of some of the best west coast jazz. And makes a perfect example of the driving steady beat used by many of the players of this type. Warne Marsh (the master of the Tristano school) wanted the rhythm section to do just this, lay out a steady beat and let him, the improviser, go to it. Contrast that with the seminal album Portrait in Jazz by Bill Evans where suddenly the rhythm section becomes on equal footing to the main instrument. This Mulligan would be the perfect example musically and sonically to contrast against the Evans. Anyway, I digress. You or whoever put this all together has done a superb job of letting the music come through. Fabulous. & quot; & lt;/b & gt; - Jonathan H., Jazz Producer, Chicago & lt;br & gt; & lt;br & gt; & lt;b & gt; & quot;The album is sonically superior... Altogether a wonderful reissue cut by Bernie Grundman from either the master tape or a flat transfer of the master. Either way, great sound and ideal cocktail hour or late night & quot;end of the day & quot; music that's easy to recommend to both jazz aficionados and casual jazz enthusiasts alike. & quot; & lt;/b & gt; - Michael Fremer, www.analogplanet.com, Music 9/11, Sound 9/11! & lt;br & gt; & lt;br & gt; & lt;b & gt; & quot;[T]here is little doubt that Gerry Mulligan was the greatest baritone sax player. He could hang musically with just about everyone... This is one of the better-sounding late-'50s Columbia sessions... [T]he horns' up-close perspective provides a sense of vividness... The stereo Original Recordings Group reissue has two important technical advantages over either original pressing. The first is the faster playback speed, which makes for a less crowded groove and greater density of musical information. The horns sound both bigger and more complete, possessing a rounded fullness that neither original conveys, and the drums now anchor the center. The second advantage is the fact that the reissue was cut with the RIAA EQ curve instead of Columbia's house curve... [T]he reissue sounds well balanced and complete -- simply better. How much better? Well, no reissued CD, no SACD, will offer an equivalent level of improvement over an earlier version -- not even close, in fact. And while you can certainly change the sound with a different amp or speaker, you still won't retrieve the musically significant detail from the originals that this reissue makes plain. Put another way, the ORG LPs cream my near-mint six-eye pressings, and there's nothing more to say than that. & quot; & lt;/b & gt; - Mark Mickelson, theaudiobeat.com, 4/5 Music, 4.5/5 Sound & lt;br & gt; & lt;a href= & quot;http://www.theaudiobeat.com/music/gerry_mulligan_say_lp.htm & quot; & gt; & lt;font color= & quot;#0000FF & quot; & gt; & lt;b & gt;Click Here to read the entire review! & lt;/b & gt; & lt;/font & gt; & lt;/a & gt; & lt;br & gt; & lt;br & gt; & lt;b & gt;Features: & lt;/b & gt; & lt;br & gt; • Numbered Deluxe Laminated Double Gatefold Jackets & lt;br & gt; • Only 2500 Numbered Limited Edition Copies Worldwide! & lt;br & gt; • Audiophile 180g, 45rpm Vinyl & lt;br & gt; • Double LP & lt;br & gt; • Pressed at RTI & lt;br & gt; • Mastered by Bernie Grundman from the Original Analog Master Tapes! & lt;br & gt; & lt;br & gt; & lt;b & gt;Musicians: & lt;/b & gt; & lt;br & gt; Gerry Mulligan, baritone sax & lt;br & gt; Art Farmer, trumpet & lt;br & gt; Bill Crow, bass & lt;br & gt; Dave Bailey, drums & lt;br & gt; & lt;br & gt; & lt;b & gt;Selections: & lt;/b & gt; & lt;br & gt; 1. What Is There To Say & lt;br & gt; 2. Just In Time & lt;br & gt; 3. News From Blueport & lt;br & gt; 4. Festive Minor & lt;br & gt; 5. As Catch Can & lt;br & gt; 6. My Funny Valentine & lt;br & gt; 7. Blueport & lt;br & gt; 8. Utter Chaos

Nina Simone Silk & Soul Low Numbered Limited Edition 180g 45rpm 2LP (Vinyl)

& lt;img src= & quot;/content/images/ORGLogo200.jpg & quot; align= & quot;right & quot; hspace= & quot;10 & quot; vspace= & quot;10 & quot; width= & quot;200 & quot; height= & quot;91 & quot; & gt; & lt;header & gt; & lt;p & gt; & lt;strong & gt;Out Of Print! Limited Quantities Available! & lt;br & gt; Low Serial Numbers #41-50! & lt;/strong & gt; & lt;/p & gt; & lt;/header & gt; & lt;b & gt; & lt;font color= & quot;#FF0000 & quot; & gt;Smoky & amp; Soulful Blues Album from Nina Simone! & lt;br & gt;Features The 1968 Grammy Nominated & quot;You'll Go To Hell & quot;! & lt;br & gt; Mastered by Bernie Grundman from the Original Analog Master Tapes & amp; Pressed at RTI! & lt;br & gt;Numbered Deluxe Laminated Gatefold Jackets! Only 2500 Numbered Limited Edition Copies Worldwide! & lt;br & gt; & lt;/font & gt; & lt;/b & gt; & amp;nbsp; & lt;br & gt; & lt;p & gt; & lt;strong & gt;This item not eligible for any further discount offers! & lt;/strong & gt; & lt;/p & gt; Originally released in 1967, Silk & amp; Soul was nominated for a Grammy for Best Female R & amp;B Vocal Performance in 1968 for the song & quot;You'll Go To Hell & quot;. This album contains the classics & quot;I Wish I Knew How It Would Feel To Be Free & quot;, which would become a Civil Rights anthem and & quot;It Be's That Way Sometimes & quot;, written by her brother Sam Waymon. & lt;br & gt; & lt;br & gt; Besides the Grammy nominated tune, the album includes Simone's version of Bacharach's & quot;The Look of Love & quot; which was written for the 1967 movie Casino Royale. & lt;br & gt; & lt;br & gt; Nina Simone was an American singer, songwriter, pianist, arranger, and civil rights activist widely associated with jazz music. Simone aspired to become a classical pianist while working in a broad range of styles including classical, jazz, blues, folk, R & amp;B, gospel, and pop. & lt;br & gt; & lt;br & gt; Born the sixth child of a preacher's family in North Carolina, Simone aspired to be a concert pianist. Her musical path changed direction after she was denied a scholarship to the prestigious Curtis Institute of Music in Philadelphia, despite a well-received audition. Simone was later told by someone working at Curtis that she was rejected because she was black. When she began playing in a small club in Philadelphia to fund her continuing musical education and become a classical pianist she was required to sing as well. She was approached for a recording by Bethlehem Records, and her rendering of & quot;I Loves You, Porgy & quot; was a hit in the United States in 1958. Over the length of her career Simone recorded more than 40 albums, mostly between 1958—when she made her debut with Little Girl Blue—and 1974. & lt;br & gt; & lt;br & gt; Her musical style arose from a fusion of gospel and pop songs with classical music, in particular with influences from her first inspiration, Johann Sebastian Bach, and accompanied with her expressive jazz-like singing in her characteristic contralto. She injected as much of her classical background into her music as possible to give it more depth and quality, as she felt that pop music was inferior to classical. Her intuitive grasp on the audience–performer relationship was gained from a unique background of playing piano accompaniment for church revivals and sermons regularly from the early age of six years old. & lt;br & gt; & lt;br & gt; & lt;b & gt; & quot;After moving from the blues to soul for her second RCA album, Nina Simone's extroverted, confident delivery proved a natural match with the ranks of soul shouters working the crowds during the late '60s. ... the less familiar tunes, like the highlight & quot;It Be's That Way Sometimes & quot; (written by Simone's brother Sam Waymon), & quot;Go to Hell, & quot; and & quot;I Wish I Knew How It Would Feel to Be Free, & quot; a trio of songs Nina Simone has no trouble making her own. & quot; & lt;/b & gt; - John Bush, allmusic.com & lt;br & gt; & lt;br & gt; & lt;b & gt;Features: & lt;/b & gt; & lt;br & gt; • Numbered Deluxe Laminated Double Gatefold Jackets & lt;br & gt; • Only 2500 Numbered Limited Edition Copies Worldwide! & lt;br & gt; • Audiophile 180g, 45rpm Vinyl & lt;br & gt; • Double LP & lt;br & gt; • Pressed at RTI & lt;br & gt; • Mastered by Bernie Grundman from the Original Analog Master Tapes! & lt;br & gt; & lt;br & gt; & lt;b & gt;Selections: & lt;br & gt; LP1 - Side A: & lt;/b & gt; & lt;br & gt; 1. It Be's That Way Sometime & lt;br & gt; 2. The Look Of Love & lt;br & gt; 3. Go To Hell & lt;br & gt; & lt;b & gt;LP1 - Side B: & lt;/b & gt; & lt;br & gt; 1. Love o' Love & lt;br & gt; 2. Cherish & lt;br & gt; & lt;b & gt;LP2 - Side C: & lt;/b & gt; & lt;br & gt; 1. I Wish I Knew How It Would Feel To Be Free & lt;br & gt; 2. Turn Me On & lt;br & gt; 3. Turning Point & lt;br & gt; & lt;b & gt;LP2 - Side D: & lt;/b & gt; & lt;br & gt; 1. Some Say & lt;br & gt; 2. Consummation

Gerry Mulligan & Ben Webster Gerry Mulligan Meets Ben Webster Low Numbered Limited Edition 180g 45rpm 2LP (Vinyl)

& lt;b & gt; & lt;font color= & quot;#FF0000 & quot; & gt;Out Of Print! Limited Quantities Available! & lt;br & gt; Low Serial Numbers #21-30! & lt;/font & gt; & lt;/b & gt; & lt;br & gt; & lt;br & gt; & lt;b & gt;Michael Fremer's 100 Recommended All-Analog LP Reissues Worth Owning - Rated 16/100! & lt;/b & gt; & lt;br & gt; & lt;br & gt; & lt;b & gt; & lt;font color= & quot;#FF0000 & quot; & gt;Mastered by Bernie Grundman from the Original Analog Master Tapes! Only 2500 Numbered Limited Edition Copies Worldwide! & lt;/font & gt; & lt;/b & gt; & lt;br & gt; & lt;br & gt; & lt;b & gt;This item not eligible for any further discount offers! & lt;/b & gt; & lt;br & gt; & lt;br & gt; When jazz giants Gerry Mulligan and Ben Webster collaborated for this legendary 1959 session, history was made, as was a classic record for the ages. This smooth and supple set is included among NPR's & quot;Basic Jazz Record Library & quot;. The tunes are lush and emotional, driven along by a rhythm section that swings with just the right amount of bop. & lt;br & gt; & lt;br & gt; & lt;b & gt; & quot;In listening to Gerry Mulligan, & quot; & lt;/b & gt;Dave Brubeck once said, & lt;b & gt; & quot;you feel as if you're listening to the past, present, and future of jazz, all in one tune, and yet it's done with such taste and respect that you're not ever aware of a change in idom. & quot; & lt;/b & gt; - from liner notes by Nat Hentoff & lt;br & gt; & lt;br & gt; & lt;b & gt; & quot;The rhythm section for this date is uncommonly right for the Webster-Mulligan meeting. Rowles, Lewis, and Vinnegar all base their playing on a knowledge of 'the history of the language' they're using, and all three have secure, relaxed time. Furthermore, all three get solid, rounded sounds from their instruments... & quot; & lt;/b & gt; - from liner notes by Nat Hentoff & lt;br & gt; & lt;br & gt; Musicians: & lt;br & gt; Gerry Mulligan, baritone sax & lt;br & gt; Ben Webster, tenor sax & lt;br & gt; Jimmy Rowles, piano & lt;br & gt; Leroy Vinnegar, bass & lt;br & gt; Mel Lewis, drums & lt;br & gt; & lt;br & gt; & lt;b & gt;Features: & lt;/b & gt; & lt;br & gt; • Numbered, Limited Edition & lt;br & gt; • 180g Vinyl & lt;br & gt; • 45rpm & lt;br & gt; • Double LP & lt;br & gt; • Mastered by Bernie Grundman & lt;br & gt; & lt;br & gt; & lt;b & gt;Selections: & lt;br & gt; & lt;/b & gt; 1. Chelsea Bridge & lt;br & gt; 2. The Cat Walk & lt;br & gt; 3. Sunday & lt;br & gt; 4. Who's Got Rhythm & lt;br & gt; 5. Tell Me When & lt;br & gt; 6. Go Home

Britten Nocturne Low Numbered Limited Edition 180g 45rpm 2LP (Vinyl)

& lt;img src= & quot;/content/images/ORGLogo200.jpg & quot; align= & quot;right & quot; hspace= & quot;10 & quot; vspace= & quot;10 & quot; width= & quot;200 & quot; height= & quot;91 & quot; & gt; & lt;font color= & quot;#FF0000 & quot; & gt; & lt;b & gt;Out Of Print! Warehouse Find! & lt;br & gt; Low Serial Numbers #91-100! & lt;/b & gt; & lt;/font & gt; & lt;br & gt; & lt;br & gt; & lt;b & gt;TAS Super LP List! Special Merit: Classical & lt;/b & gt; & lt;br & gt; & lt;br & gt; & lt;font color= & quot;#FF0000 & quot; & gt; & lt;b & gt;Numbered, Limited Edition 180g 45rpm 2LP! & lt;br & gt; Only 2500 Numbered, Limited Edition Copies Worldwide! & lt;br & gt; Mastered by Bernie Grundman from the Original Analog Master Tapes! & lt;br & gt; Deluxe Laminated Gatefold Jacket! Pressed at RTI! & lt;/b & gt; & lt;/font & gt; & lt;br & gt; & lt;br & gt; & lt;p & gt; & lt;strong & gt;This item not eligible for any further discount offers! & lt;/strong & gt; & lt;/p & gt; On this release, Benjamin Britten conducts the London Symphony Orchestra performing & quot;Nocturne. & quot; Additionally, Peter Pears and the Orchestra of the Royal Opera House, Covent Garden perform & quot;Four Sea Interludes & quot; and & quot;Passacaglia & quot; from & quot;Peter Grimes. & quot; & lt;br & gt; & lt;br & gt; Nocturne is a song cycle by Benjamin Britten, written for tenor, seven obbligato instruments and strings. The seven instruments are flute, cor anglais, clarinet, bassoon, harp, French horn and timpani. Nocturne was Britten's fourth and final orchestral song cycle. It was dedicated to Alma Mahler. & lt;br & gt; & lt;br & gt; Nocturne was premiered in the Leeds Town Hall at the centenary Leeds Festival on 16 October 1958 by Peter Pears and the BBC Symphony Orchestra under Rudolf Schwarz. & lt;br & gt; & lt;br & gt; The theme of the piece, as its name Nocturne suggests, is sleep and darkness, both in the literal and figurative sense. In this respect, the work is reminiscent of Britten's earlier Serenade. Unlike Serenade, Nocturne is presented as a continuous piece rather than separate movements. This is emphasized by a number of figures which occur throughout, most notably the 'rocking' string motif which opens the work. The conflicting tonal relationship between C and D-flat is also evident throughout, reflecting the contrast between the untroubled and the more perturbed aspects of sleep which are also described by Britten's choice of poems. & lt;br & gt; & lt;br & gt; Four Sea Interludes and Passacaglia are from Britten's opera & quot;Peter Grimes. & quot; Both pieces are often performed together. & lt;br & gt; & lt;br & gt; & lt;b & gt;Features: & lt;/b & gt; & lt;br & gt; • Numbered, Limited Edition & lt;br & gt; • Only 2500 Numbered, Limited Edition Copies Worldwide! & lt;br & gt; • Audiophile 180g 45rpm Vinyl & lt;br & gt; • Double LP & lt;br & gt; • Mastered by Bernie Grundman from the Original Analog Master Tapes & lt;br & gt; • Deluxe Laminated Gatefold Jacket & lt;br & gt; • Pressed at RTI & lt;br & gt; & lt;br & gt; & lt;b & gt;Musicians: & lt;/b & gt; & lt;br & gt; London Symphony Orchestra & lt;br & gt; Benjamin Britten, conductor & lt;br & gt; Peter Pears & lt;br & gt; Orchestra of the Royal Opera House, Covent Garden & lt;br & gt; & lt;br & gt; & lt;b & gt;Selections: & lt;br & gt; Benjamin Britten (1913-1976) & lt;br & gt; LP 1 - Side A: & lt;/b & gt; & lt;br & gt; 1. Nocturne, Op.60 for Tenor Solo - Seven Obligato Instruments and String Orchestra (Part 1 of 2) & lt;br & gt; & lt;b & gt;LP 1 - Side B: & lt;/b & gt; & lt;br & gt; 1. Nocturne, Op.60 for Tenor Solo - Seven Obligato Instruments and String Orchestra (Part 2 of 2) & lt;br & gt; & lt;br & gt; & lt;b & gt;LP 2 - Side C: & lt;br & gt; Four Sea Interludes and Passacaglia from & quot;Peter Grimes, & quot; Op.33 & lt;/b & gt; & lt;br & gt; 1. Dawn (Act I) & lt;br & gt; 2. Sunday Morning (Act II) & lt;br & gt; 3. Moonlight (Act III) & lt;br & gt; & lt;b & gt;LP 2 - Side D: & lt;/b & gt; & lt;br & gt; 1. Storm (Act I) & lt;br & gt; 2. Passacaglia (Act II)

Diana Krall When I Look In Your Eyes 180g 2LP (Vinyl)

& lt;img src= & quot;/content/images/ORGLogo200.jpg & quot; align= & quot;right & quot; hspace= & quot;10 & quot; vspace= & quot;10 & quot; width= & quot;200 & quot; height= & quot;91 & quot; & gt; & lt;font color= & quot;#FF0000 & quot; & gt; & lt;b & gt;Mastered by Bernie Grundman from the Original Analog Master Tapes and pressed on Premium HQ-180 Gram Vinyl! & lt;/b & gt; & lt;/font & gt; & lt;br & gt; & lt;br & gt; Grammy-nominated vocalist/pianist's Verve debut features orchestrations by Johnny Mandel. & lt;br & gt; & lt;br & gt; If artistry is about growth, then count Diana Krall as one of jazz's consummate artists. When I Look In Your Eyes is yet another step ahead for the vocalist/pianist. This gorgeous release breaks away from the standard piano trio setting of her two previous releases; several of the album's cuts feature the graceful orchestrations of maestro Johnny Mandel. & lt;br & gt; & lt;br & gt; When I Look In Your Eyes features Krall on piano and vocals with long-time trio mate Russell Malone on guitar. Ben Wolfe and John Clayton share bass duties and Jeff Hamilton and Lewis Nash alternate on drums. & lt;br & gt; & lt;br & gt; & lt;b & gt;Features: & lt;/b & gt; & lt;br & gt; • Premium HQ-180 Gram Vinyl Pressing & lt;br & gt; • Mastered by Bernie Grundman & lt;br & gt; & lt;br & gt; Musicians: & lt;br & gt; Diana Krall, piano, vocals & lt;br & gt; Russell Malone, guitar & lt;br & gt; John Clayton, bass & lt;br & gt; Ben Wolfe, bass & lt;br & gt; Jeff Hamilton, drums & lt;br & gt; Lewis Nash, drums & lt;br & gt; Larry Bunker, vibes & lt;br & gt; & lt;br & gt; & lt;b & gt;Selections: & lt;br & gt; LP1 - Side One: & lt;/b & gt; & lt;br & gt; 1. Let's Face The Music And Dance & lt;br & gt; 2. Devil May Care & lt;br & gt; 3. Let's Fall In Love & lt;br & gt; & lt;b & gt;LP1 - Side Two: & lt;/b & gt; & lt;br & gt; 1. When I Look In Your Eyes & lt;br & gt; 2. Popsicle Toes & lt;br & gt; 3. I've Got You Under My Skin & lt;br & gt; & lt;b & gt;LP2 - Side Three: & lt;/b & gt; & lt;br & gt; 1. I Can't Give You Anything But Love & lt;br & gt; 2. I'll String Along With You & lt;br & gt; 3. East Of The Sun (And West Of The Moon) & lt;br & gt; & lt;b & gt;LP2 - Side Four: & lt;/b & gt; & lt;br & gt; 1. Pick Yourself Up & lt;br & gt; 2. The Best Thing For You & lt;br & gt; 3. Do It Again

Peter, Paul And Mary Peter, Paul And Mary Numbered Limited Edition 180g 45rpm 2LP (Vinyl)

& lt;img src= & quot;/content/images/ORGLogo200.jpg & quot; align= & quot;right & quot; hspace= & quot;10 & quot; vspace= & quot;10 & quot; width= & quot;200 & quot; height= & quot;91 & quot; & gt; & lt;p & gt; & lt;strong & gt;TAS Super LP List! Special Merit: Informal & lt;/strong & gt; & lt;/p & gt; & lt;b & gt;Michael Fremer's 100 Recommended All-Analog LP Reissues Worth Owning - Rated 83/100! & lt;/b & gt; & lt;br & gt; & lt;br & gt; & lt;b & gt; & lt;font color= & quot;#FF0000 & quot; & gt;Michael Fremer Rated 9/10 Music, 9/10 Sound in his June 2014 reviews on www.analogplanet.com! & lt;br & gt; Numbered, Limited Edition! Pressed at RTI! & lt;br & gt; Mastered by Bernie Grundman from the Original Analog Master Tapes! & lt;/font & gt; & lt;/b & gt; & lt;br & gt; & lt;br & gt; Peter, Paul and Mary's self-titled 1962 debut on Warner Bros. Records, a stunning oasis of content in a sea of musical fluff, brought folk music of consciousness and concern to the top of the charts. Fueled by the enormous hits & quot;Lemon Tree & quot; and & quot;If I Had a Hammer & quot; (which enjoyed a second life as an anthem of the Civil Rights Movement), the album went straight to #1, remaining in the Billboard Top 10 for 10 months and in the Top 20 for two years on the way to a remarkable three-and-a-half year run on the album chart. This success marked the beginning of an incredibly fertile and influential time for the group, and for the contemporary urban folk tradition they personified. & lt;br & gt; & lt;br & gt; This was the group's biggest selling studio album, eventually certified Double Platinum by the RIAA for US sales of more than 2 million copies. At the Grammy Awards of 1963, their recording of & quot;If I Had a Hammer & quot; won the Best Folk Recording and Best Pop Performance by a Duo or Group with Vocal Grammies. & lt;br & gt; & lt;br & gt; & lt;b & gt; & quot;Bernie Grundman cut from the original master tape and the transparency and clarity are a dead giveaway to that. If this album doesn't produce occasional chills, your system needs some work or you do! A long awaited reissue (for aging folkies at least) done perfectly! & quot; & lt;/b & gt; -Michael Fremer, analogplanet.com, Music 9/10, Sound 9/10 & lt;br & gt; & lt;br & gt; & lt;b & gt; & quot;The debut album by Peter, Paul & amp; Mary is still one of the best albums to come out of the 1960s folk music revival, a beautifully harmonized collection of the best songs that the group knew, stirring in its sensibilities and its haunting melodies, crossing between folk, children's songs, and even gospel ( & quot;If I Had My Way & quot;), and light-hearted just where it needed to be. & quot; & lt;/b & gt; -Bruce Eder, allmusic.com & lt;br & gt; & lt;br & gt; & lt;b & gt;Features: & lt;/b & gt; & lt;br & gt; • Numbered, Limited Edition & lt;br & gt; • Audiophile 180g, 45rpm Vinyl & lt;br & gt; • Double LP, Gatefold Packaging & lt;br & gt; • Pressed at RTI & lt;br & gt; • Mastered by Bernie Grundman from Analog Tapes & lt;br & gt; & lt;br & gt; & lt;b & gt;Selections: & lt;br & gt; LP 1 - Side A: & lt;/b & gt; & lt;br & gt; 1. Early In the Morning & lt;br & gt; 2. 500 Miles & lt;br & gt; 3. Sorrow & lt;br & gt; & lt;b & gt;LP 1 - Side B & lt;/b & gt;: & lt;br & gt; 1. This Train & lt;br & gt; 2. Bamboo & lt;br & gt; 3. It's Raining & lt;br & gt; & lt;br & gt; & lt;b & gt;LP 2 - Side C: & lt;/b & gt; & lt;br & gt; 1. If I Had My Way & lt;br & gt; 2. Cruel War & lt;br & gt; 3. Lemon Tree & lt;br & gt; & lt;b & gt;LP 2 - Side D: & lt;/b & gt; & lt;br & gt; 1. If I Had A Hammer & lt;br & gt; 2. Autumn To May & lt;br & gt; 3. Where Have All the Flowers Gone

Aaron Neville Warm Your Heart Numbered Limited Edition 180g 45rpm 2LP (Vinyl)

& lt;img src= & quot;/content/images/ORGLogo200.jpg & quot; align= & quot;right & quot; hspace= & quot;10 & quot; vspace= & quot;10 & quot; width= & quot;200 & quot; height= & quot;91 & quot; & gt; & lt;font color= & quot;#FF0000 & quot; & gt; & lt;b & gt;TAS Super LP List! Special Merit: Informal & lt;/b & gt; & lt;/font & gt; & lt;br & gt; & lt;br & gt; & lt;b & gt; & lt;font color= & quot;#FF0000 & quot; & gt;Michael Fremer Rated 10/11 Music, 10/11 Sonics! & lt;br & gt; & lt;br & gt;Mastered by Bernie Grundman from the Original Analog Master Tapes & amp; Pressed at RTI! & lt;br & gt;Numbered Deluxe Laminated Gatefold Jackets! Only 2500 Numbered Limited Edition Copies Worldwide! & lt;/font & gt; & lt;/b & gt; & lt;br & gt; & lt;br & gt; & lt;b & gt; & quot;Warm Your Heart is Absolutely Stunning, Musically and Sonically! This album is a Phenomenal Demo Disc & lt;br & gt; as well and one that you can enjoy listening to over and over. & quot; & lt;/b & gt; - Bob Bantz/President Elusive Disc & lt;br & gt; & lt;br & gt; This awesome collection by Aaron Neville combines original songs and some classics. Produced by Linda Ronstadt and George Massengill, it offers lush, rich sounds which really do Warm Your Heart. Neville's voice is at its best and several songs include duet vocals with Linda Ronstadt or Rita Coolidge. Ry Cooder also plays guitar on several tracks. & lt;br & gt; & lt;br & gt; The 1991 album features Neville's cover of & quot;Everybody Plays the Fool & quot; by J.R. Bailey, Rudy Clark and Ken Williams which was nominated for a Grammy Award in 1973 for Best R & amp;B Song. & amp;nbsp; Neville's version hit the Top 10 on the Billboard Hot 100 chart reaching #8. & lt;br & gt; & lt;br & gt; & lt;b & gt; & quot;A big multi-track production with Neville backed variously by The Grace Episcopal Choir, The Skywalker Symphony Orchestra and a host of stars including Linda Ronstadt, Rita Coolidge, Bob Seger, Ry Cooder and Dr. John ...with the awesome sound on this record, this is a big winner. Originally mastered by Bernie Grundman for A & amp;M, the improvements in Grundman's mastering facilities over the last 20 years shine through on this two LP 45 RPM reissue. & quot; & lt;/b & gt; - Dennis Davis, HiFi+ Magaine, 10/10 Recording, 9/10 Music & lt;br & gt; & lt;br & gt; & lt;b & gt; & quot;The production yields a great deal of eye and ear candy (eye in the sense that it's all laid out with surgical precision on a wide, deep and ultra-dynamic soundstage) but it's Neville's vocals that produce most of the fireworks. His voice was then peaking with suppleness and firm control, the trademarked warble/yodel used sparingly. The vocal recording is magnificent like everything else placed before the microphones... There's not a weak track on this album. & quot; & lt;/b & gt;- Michael Fremer, www.analogplanet.com, Music 10/11, Sound 10/11! & lt;br & gt; & lt;br & gt; & lt;b & gt; & quot;Bernie Grunman mastered this A & amp;M release when it was first issued and he does the honors here at 45rpm from the original analog master tapes... & quot;Tip on & quot; gatefold packaging adds luster... A highly recommended demo disc... I am certain you will not be disappointed. & quot; & lt;/b & gt; - Michael Fremer, www.analogplanet.com, Music 10/11, Sound 10/11! & lt;br & gt; & lt;br & gt; & lt;b & gt; & quot;The musical arrangements on Warm Your Heart are layered with orchestral instrumentation and dense vocal mixes. ORG has found the perfect technical vehicle for this polished auditory conversion in audiophile 45 rpm vinyl. Neville's stylized vocals and upper-register range are rendered with superb clarity and suppleness. Choir and orchestra do not overpower musicians... they blend fluently. & quot; & lt;/b & gt; - Robbie Gerson, www.audaud.com, 5.5 Stars! & lt;br & gt; & lt;br & gt; & lt;b & gt;Features: & lt;/b & gt; & lt;br & gt; • Numbered Deluxe Laminated Double Gatefold Jackets & lt;br & gt; • Only 2500 Numbered Limited Edition Copies Worldwide! & lt;br & gt; • Audiophile 180g, 45rpm Vinyl & lt;br & gt; • Double LP & lt;br & gt; • Pressed at RTI & lt;br & gt; • Mastered by Bernie Grundman from the Original Analog Master Tapes! & lt;br & gt; & lt;br & gt; & lt;b & gt;Selections: & lt;br & gt; LP1 - Side A: & lt;/b & gt; & lt;br & gt; 1. Lousiana 1927 & lt;br & gt; 2. Everybody Plays The Fool & lt;br & gt; 3. It Feels Like Rain & lt;br & gt; & lt;b & gt;LP1 - Side B: & lt;/b & gt; & lt;br & gt; 1. Somewhere Somebody & lt;br & gt; 2. Don't Go, Please Stay & lt;br & gt; 3. With You In Mind & lt;br & gt; 4. That's The Way She Loves & lt;br & gt; & lt;b & gt;LP2 - Side C: & lt;/b & gt; & lt;br & gt; 1. Angola Bound & lt;br & gt; 2. Close Your Eyes & lt;br & gt; 3. La Vie Dansante & lt;br & gt; & lt;b & gt;LP2 - Side D: & lt;/b & gt; & lt;br & gt; 1. Warm Your Heart & lt;br & gt; 2. I Bid You Goodnight & lt;br & gt; 3. Ave Maria

Blood, Sweat & Tears Blood, Sweat & Tears Low Numbered Limited Edition 180g 45rpm 2LP (Vinyl)

& lt;img src= & quot;/content/images/ORGLogo200.jpg & quot; align= & quot;right & quot; hspace= & quot;10 & quot; vspace= & quot;10 & quot; width= & quot;200 & quot; height= & quot;91 & quot; & gt; & lt;b & gt; & lt;font color= & quot;#FF0000 & quot; & gt;Out Of Print! Warehouse Find! & lt;br & gt; Low Serial Numbers #12-22! & lt;br & gt; & lt;br & gt;TAS Super LP List! Special Merit: Informal & lt;br & gt; & lt;br & gt;Michael Fremer Rated 7/11 Music, 10/11 Sound in his September 2013 reviews on www.analogplanet.com! & lt;br & gt; & lt;br & gt; Blood, Sweat & amp; Tears stormed the charts in 1969 with their own brand of jazz-rock fusion! & lt;br & gt;One of the BEST albums they ever made!!! & lt;br & gt; & lt;br & gt;Mastered by Bernie Grundman from the Original Analog Master Tapes & amp; Pressed at RTI! & lt;br & gt;Numbered Deluxe Laminated Gatefold Jackets! & lt;/font & gt; & lt;/b & gt; & lt;br & gt; & lt;br & gt; & lt;br & gt; & lt;b & gt;This item not eligible for any further discount offers! & lt;/b & gt; & lt;br & gt; & lt;br & gt; Winner of three Grammy Awards in 1970, this absolutely mind-blowing album peaked at No. 1 on the U.S. charts, staying there for seven weeks, going double platinum by the end of 1969 and stayed on the Top 40 for 66 weeks. & lt;br & gt; & lt;br & gt; & lt;b & gt; & quot;The band hit gold with this 1968 release, with three hits from the LP ruling the airwaves... great arrangements and energy hold up remarkably well [here] almost a half-century down the road. Bernie Grundman's mastering job is equally accomplished and the sound is excellent. & quot; & lt;/b & gt; - Hi-Fi+ Magazine & lt;br & gt; & lt;br & gt; For a brief period at the end of the '60s and the start of the '70s, Blood, Sweat & amp; Tears, which fused a rock & amp; roll rhythm section to a horn section, held out the promise of a jazz-rock fusion that could storm the pop charts. The band was organized in New York in 1967 out of the remnants of the Blues Project by keyboard player/singer Al Kooper and guitarist Steve Katz) of that group and saxophonist Fred Lipsius. The rhythm section consisted of bassist Jim Fielder and drummer Bobby Colomby, and the horn section was filled out by trumpeters Randy Brecker and Jerry Weiss and trombonist Dick Halligan. & lt;br & gt; & lt;br & gt; This eight-piece band signed to Columbia Records and recorded BS & amp;T's debut album, Child Is Father to the Man, which was released in February 1968. Cofounder Kooper then departed, and the group was reorganized. Singer David Clayton-Thomas was added, Halligan moved to the keyboards, and trumpeters Chuck Winfield and Lew Soloff replaced Brecker and Weiss, with Jerry Hyman being added on trombone. This nine-piece unit, working with producer James William Guercio, made BS & amp;T's self-titled second album, released in January 1969. & lt;br & gt; & lt;br & gt; & quot;Blood, Sweat & amp; Tears & quot; was a runaway hit, spawning three gold-selling Top Ten singles, & quot;You've Made Me So Very Happy, & quot; & quot;Spinning Wheel, & quot; and & quot;And When I Die, & quot; selling three million copies and winning the Grammy Award for Album of the Year. It was also BS & amp;T's highwater mark. Guercio left to work on a similar concept with Chicago Transit Authority, and BS & amp;T increasingly became a backup group for Clayton-Thomas. Nevertheless, the third album, Blood, Sweat & amp; Tears 3 (1970), and the fourth, Blood, Sweat & amp; Tears 4 (1971), were substantial hits. & lt;br & gt; & lt;br & gt; & lt;a name= & quot;SS & quot; & gt; & lt;/a & gt; & lt;b & gt; & quot;A classical feeling is imparted by the opening and closing tracks, which are adapted from one of Erik Satie’s Trois Gymnopedies by arranger Dick Halligan. They bookend this album—one of the most original in pop music ever—most successfully. This has always seemed to me one of the best-designed and performed of all the ‘60s rock efforts, and it’s great to have it in the ultimate fidelity of this newly-remastered 45 rpm version... In comparison with the Columbia SACD, the vinyl 45s win out. They have much more deep bass end and a warmer overall feeling than the SACD. On the 45s, there is absolutely no surface noise or distortion, except where intended on some of the instruments... ORG has established itself as the Rolls-Royce of the audiophile vinyl reissue genre. & quot; & lt;/b & gt; - John Henry, audaud.com, 5 Stars! & lt;br & gt; & lt;b & gt; & lt;a href= & quot;http://audaud.com/2013/07/blood-sweat-tears-columbiaorg-45-rpm-double-album-vinyl/ & quot; & gt; & lt;font color= & quot;#0000FF & quot; & gt; & lt;b & gt;Click here & lt;/b & gt; & lt;/font & gt; & lt;/a & gt; to read the entire review! & lt;/b & gt; & lt;br & gt; & lt;br & gt; & lt;b & gt; & quot;ORG amazes me with its ability to capture everything from the minutest minutiae to the rich blend of brass and/or flutes. Pressed at RTI and mastered by Bernie Grundman from the original analog master tapes, this is the definitive version of a memorable record. & quot; & lt;/b & gt; - Jeff Wilson, & lt;i & gt;The Absolute Sound & lt;/i & gt;, October 2013, Music 3.5/5, Sonics 4.5/5 & lt;br & gt; & lt;br & gt; & lt;b & gt; & quot;Everyone's taken a swing at reissuing this... And in my opinion the ORG double 45 is the best sounding of the lot (and well-pressed by RTI). & quot; & lt;/b & gt; - Michael Fremer, www.analogplanet.com, rated 7/11 Music, 10/11 Sound & lt;br & gt; & lt;br & gt; & lt;b & gt;Features: & lt;/b & gt; & lt;br & gt; • Numbered Deluxe Laminated Double Gatefold Jackets & lt;br & gt; • Audiophile 180g, 45rpm Vinyl & lt;br & gt; • Double LP & lt;br & gt; • Pressed at RTI & lt;br & gt; • Mastered by Bernie Grundman from the Original Analog Master Tapes! & lt;br & gt; & lt;br & gt; & lt;b & gt;Musicians: & lt;/b & gt; & lt;br & gt; Fred Lipsius, algo sax, piano & lt;br & gt; Chuck Winfield, trumpet, flugelhorn & lt;br & gt; Lew Soloff, trumpet, flugelhorn & lt;br & gt; Jerry Hyman, trombone, recorder & lt;br & gt; David Clayton-Thomas, lead vocals & lt;br & gt; Dick Halligan, organ, piano, flute, trombone, vocals & lt;br & gt; Steve Katz, guitar, harmonica, vocals & lt;br & gt; Bobby Colomby, drums, percussion, vocals & lt;br & gt; Jim Fielder, bass & lt;br & gt; & lt;br & gt; & lt;b & gt;Selections: & lt;br & gt; LP1 - Side A: & lt;/b & gt; & lt;br & gt; 1. Variations On A Theme By Erik Satie & lt;br & gt; 2. Smiling Phases & lt;br & gt; 3. Sometimes in Winter & lt;br & gt; & lt;b & gt;LP1 - Side B: & lt;/b & gt; & lt;br & gt; 1. More and More & lt;br & gt; 2. And When I Die & lt;br & gt; 3. God Bless The Child & lt;br & gt; & lt;b & gt;LP2 - Side C: & lt;/b & gt; & lt;br & gt; 1. Spinning Wheel & lt;br & gt; 2. You've Made Me So Very Happy & lt;br & gt; & lt;b & gt;LP2 - Side D: & lt;/b & gt; & lt;br & gt; 1. Blues - Part II & lt;br & gt; 2. Variations On A Theme By Erik Satie

Rosemary Clooney & Perez Prado A Touch Of Tabasco Low #D Limited Edition 180g 45rpm 2LP (Vinyl)

& lt;img src= & quot;/content/images/ORGLogo200.jpg & quot; align= & quot;right & quot; hspace= & quot;10 & quot; vspace= & quot;10 & quot; width= & quot;200 & quot; height= & quot;91 & quot; & gt; & lt;b & gt; & lt;font color= & quot;#FF0000 & quot; & gt;Out Of Print! Warehouse Find! & lt;br & gt; Low Serial Numbers #100-110! & lt;/b & gt; & lt;/font & gt; & lt;br & gt; & lt;br & gt; & lt;b & gt;Exquisite Jazz Vocalist Mesmerizes with Unsurpassed Craft alongside Cuban Percussionist to create Lively, Colorful Music! A Tour de Force! & lt;br & gt; Audiophile 180 Gram 45rpm Double LP! & lt;/b & gt; & lt;br & gt; & lt;br & gt; & lt;b & gt; & lt;font color= & quot;#FF0000 & quot; & gt;Mastered by Bernie Grundman from the Original Analog Master Tapes & amp; Pressed at RTI! & lt;br & gt;Numbered Deluxe Laminated Gatefold Jackets! Only 2500 Numbered Limited Edition Copies Worldwide! & lt;/font & gt; & lt;/b & gt; & lt;br & gt; & lt;br & gt; & lt;p & gt; & lt;strong & gt;This item not eligible for any further discount offers! & lt;/strong & gt; & lt;/p & gt; The Wall Street Journal called this Girl Singer “A pop icon and spoken in the same breath as Sinatra and Ella Fitzgerald.” Several of her Concord Records garnered her Grammy Nominations. She didn't win, but was awarded the Lifetime Achievement Award on February 28, 2002. After receiving the James Smithson Bicentennial Medal in 1992 in recognition of her contribution to American music, Clooney told the Washington Post, & lt;b & gt; & quot;It's for showing up day after day, for small increments of time and achievement. & quot; & lt;/b & gt; Claiming that singing has become her salvation, Clooney added, & lt;b & gt; & quot;I'm the only instrument that's got the words, so I've got to be able to get that across. & quot; & lt;/b & gt; As her top-selling jazz albums indicated, Clooney was still able to mesmerize audiences with her warmth, depth of feeling, honesty, and unsurpassed craft. & lt;br & gt; & lt;br & gt; This 1959 release was the only album vocalist Rosemary Clooney and Cuban band-leader/conductor Perez Prado recorded together and the first for Rosemary on her new label, RCA Victor. The original liner notes were contributed by Rosemary's husband Jose Ferrer. & lt;br & gt; & lt;br & gt; & lt;b & gt; & quot;On paper, this unlikely pairing of American popular vocalist Rosemary Clooney (who nearly defined the 1950s as a stylist) and Cuban percussionist and bandleader Perez Prado seemed to be a disaster in the making. The end result is quite the opposite. Recording during two sessions in July and August of 1959, this is simply one of the loveliest albums in either artist's catalog. The music is lively and colorful but retains Clooney's smooth and mellow character, and Prado's trademark arrangements and experiments with percussion, texture, and harmony. Apparently, Clooney had some trouble with pronunciation initially, but was coached by her husband, Puerto Rican actor Jose Ferrer (who wrote the original album's liner notes) and became a quick study. This merging of Latin and American standards is a tour de force that features some of the hottest session players in the biz including drummers Leo Acosta and Earl Palmer, as well as horn players Paul Horn and Ollie Mitchell... & quot; & lt;/b & gt; - Thom Jurek, allmusic.com & lt;br & gt; & lt;br & gt; & lt;b & gt; & quot;For over 40 years, Rosemary Clooney's simple and exquisite singing style has defined her career. Her dynamic career also includes movie roles and a star turn in her own television show. Today, Rosemary continues to validate her reputation as one of America's finest jazz-based vocalists. & quot; & lt;/b & gt; - NPR & lt;br & gt; & lt;br & gt; & lt;b & gt; & quot;If you're a fan of Clooney or Prado I can't see one not liking this record. I got goose bumps every time I heard Prado utter his & quot;hu-unh & quot; and found myself bopping my head and back and forth and wanting to get up and dance. After all, that is what this music is about - lots of lively fun and dancing. I could go on and on about how great each and every song is, but the gist of it is: if you can afford it, buy it. Highly recommended! & quot; & lt;/b & gt; - Brian Bloom, www.audaud.com, 5 Stars!! & lt;br & gt; & lt;br & gt; & lt;br & gt; & lt;br & gt; & lt;b & gt;Features: & lt;/b & gt; & lt;br & gt; • Numbered Deluxe Laminated Double Gatefold Jackets & lt;br & gt; • Only 2500 Numbered Limited Edition Copies Worldwide! & lt;br & gt; • Audiophile 180g, 45rpm Vinyl & lt;br & gt; • Double LP & lt;br & gt; • Pressed at RTI & lt;br & gt; • Mastered by Bernie Grundman from the Original Analog Master Tapes! & lt;br & gt; & lt;br & gt; & lt;b & gt;Musicians: & lt;/b & gt; & lt;br & gt; Rosemary Clooney, vocals & lt;br & gt; Perez Prado, arranger, conductor & lt;br & gt; & lt;br & gt; & lt;b & gt;Selections: & lt;br & gt; LP1 - Side A: & lt;br & gt; & lt;/b & gt;1. Corazon de Melon (Watermelon Heart) & lt;br & gt; 2. Like A Woman & lt;br & gt; 3. I Only Have Eyes For You & lt;br & gt; & lt;b & gt;LP1 - Side B: & lt;br & gt; & lt;/b & gt;1. Magic is the Moonlight & lt;br & gt; 2. In a Little Spanish Town & lt;br & gt; 3. Sway & lt;br & gt; & lt;b & gt;LP2 - Side C: & lt;br & gt; & lt;/b & gt;1. Mack the Knife & lt;br & gt; 2. Bali Ha'i & lt;br & gt; 3. You Do Something To Me & lt;br & gt; & lt;b & gt;LP2 - Side D: & lt;br & gt; & lt;/b & gt;1. Cu-Cu-Rru-Cu-Cu Paloma & lt;br & gt; 2. I Got Plenty O' Nuttin' & lt;br & gt; 3. Adios