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Pigtronix Pigtronix MAD Constellator Analog Delay Pedal

$ 190.07 ~~$ 197.99~~

Pigtronix Disnortion Micro packs all the sonic glory and 18v headroom of the original analog Fuzz and Overdrive circuits from the large-format Disnortion pedal into a miniature version that runs on 9-volts. The original, 3-footswitch Disnortion pedal was in production from 2005 to 2015 and remains in constant use with world-class bands such as Queens of the Stone Age, Aerosmith, Living Colour and Muse. In response to a decade’s worth of customer feedback, we proudly update this classic analog stompbox with the introduction of the Pigtronix Disnortion Micro.This new micro version of the Disnortion hugely one-ups the original’s broad palette of touch responsive dirt sounds by including the ability to switch from a parallel routing to a new, super-saturated series routing where the 6-stage CMOS overdrive circuit is cascaded into our unique diode clipping fuzz and output through a 6-way passive filter network. A single gain knob controls the saturation of both the fuzz and overdrive circuits simultaneously.The Parallel routing mode is ideal for players who like to pile on the gain without sacrificing clarity, dynamic response, punch or low end - it’s like double tracking your guitar inside a micro pedal! The Series routing mode offers an even wider range of gain and more extreme filter effects for metal tones and beyond, including self-oscillating timbres that can be modulated by pickup selection and guitar control settings. The CMOS overdrive found in the Disnortion Micro responds to the dynamics of your playing using a unique, 6-stage gain architecture that retains the natural tone of your instrument while adding tube-style breakup as you play louder. Pigtronix Fuzz has a unique diode-clipping architecture designed to deliver compression and controllable feedback while preserving the dynamics of your playing style. The rotary tone control filter switch provides 6 musical EQ curves using a complex passive network which compliments the Overdrive channel’s traditional low-pass filter.The original Pigtronix Disnortion is loved for its limitless headroom, making it compatible with any instrument, from the weakest '60s pawnshop single-coils the most belligerent humbuckers as well as 5-string active basses and modern synth rigs. Pigtronix Disnortion Micro achieves this world-class performance standard using standard 9v power—and it fits in your pocket.

Pigtronix Disnortion Micro Fuzz/Overdrive

$ 139.06 ~~$ 141.90~~

Pigtronix Resotron is a multi-mode filter that brings the analog sounds of '70s era synthesizers to the world of envelope pedals for guitar, bass and beyond. Resotron is the first envelope pedal that can be made to follow the pitch of the notes you play. This pitch-following ability causes the filter to move around based on what notes you choose to play, just like an old-school analog keyboard synthesizer. UP and DOWN envelope modes are also included to perform the more traditional, velocity-sensitive filter movement that responds to how hard you hit the strings. A push-button OSCILLATE function turns the Resotron into an analog synthesizer pedal. This mode shorts out the PEAK knob, effectively setting it to 100% while simultaneously activating a voltage-controlled amplifier (VCA) in the output stage. With the OSCILLATE function turned on, the CUTOFF knob sets the tuning of the synth effect while the VCA instantly follows the volume of your input signal. The synthesizer sounds created by the Resotron can also be radically altered by switching between the LPF, BPF and HPF modes, each of which has its own distinctive waveform and modulation characteristics when overdriven by the on-board compressor. The multi-mode filter at the heart of the Resotron can be set to Low Pass (LPF), Band Pass (BPF) or High Pass (HPF) modes. Each of these voices has a distinctive character which can be manipulated by adjusting the PEAK knob to emphasize frequencies below, at or above the position of the CUTOFF knob. As the PEAK is increased, the resonance or “Q” of the filter becomes more extreme, up to the point of self-oscillation. A SENSITIVY control sets how dramatically the pedal will respond to playing dynamics in the UP and DOWN envelope modes, while a GLIDE control allows you to set how long it takes for the filter to move between notes in the PITCH mode. Before the signal from the input of the pedal hits the filter inside the Resotron, it passes through an optical compression stage derived from the Philosopher’s Tone pedal. The increased volume and punch from the compressor can then be mixed into the audio signal using the BLEND control without affecting the SENSITIVITY of the envelope. Resotron accepts active CV and passive TRS expression pedal inputs for foot-controlled filter sweeps and outboard modulation which is mixed in parallel with the on-board pitch-following and amplitude tracking systems. The Resotron also features a TRIGGER (aka Sidechain) input which enables the musician to use an external audio source to modulate the filter.

Pigtronix Resotron Filter Effects Pedal

$ 265.68 ~~$ 273.90~~

Dimensions (Overall): 8.6 inches (L), 4.6 inches (H) x 5.4 inches (W) x 8.6 inches (D)Weight: 1.39 poundsEffect Type: Wah and FilterWarranty: No Applicable Warranty. To obtain a copy of the manufacturer's or supplier's warranty for this item prior to purchasing the item, & bull; 24dboct Filter based on the SSM2040 chip & bull; Low Pass, Band Pass & High Pass Filter options & bull; Velocity controlled UP & DOWN envelope modes & bull; Pitch Following envelope function with variable GLIDE & bull; BLEND control mixes in Philosopher’s Tone compressionPigtronix Resotron is a multi-mode filter that brings the analog sounds of '70s era synthesizers to the world of envelope pedals for guitar, bass and beyond. Resotron is the first envelope pedal that can be made to follow the pitch of the notes play. This pitch-following ability causes the filter to move around based on what notes choose to play, just like an old-school analog keyboard synthesizer. UP and DOWN envelope modes are also included to perform the more traditional, velocity-sensitive filter movement that responds to how hard hit the strings. A push-button OSCILLATE function turns the Resotron into an analog synthesizer pedal. This mode shorts out the PEAK knob, effectively setting it to 100% while simultaneously activating a voltage-controlled amplifier (VCA) in the output stage. With the OSCILLATE function turned on, the CUTOFF knob sets the tuning of the synth effect while the VCA instantly follows the volume of input signal. The synthesizer sounds created by the Resotron can also be radically altered by switching between the LPF, BPF and HPF modes, each of which has its own distinctive waveform and modulation characteristics when overdriven by the on-board compressor. The multi-mode filter at the heart of the Resotron can be set to Low Pass (LPF), Band Pass (BPF) or High Pass (HPF) modes. Each of these voices has a distinctive character which can be manipulated by adjusting the PEAK knob to emphasize frequencies below, at or above the position of the CUTOFF knob. As the PEAK is increased, the resonance or “Q” of the filter becomes more extreme, up to the point of self-oscillation. A SENSITIVY control sets how dramatically the pedal will respond to playing dynamics in the UP and DOWN envelope modes, while a GLIDE control allows to set how long it takes for the filter to move between notes in the PITCH mode. Before the signal from the input of the pedal hits the filter inside the Resotron, it passes through an optical compression stage derived from the Philosopher’s Tone pedal. The increased volume and punch from the compressor can then be mixed into the audio signal using the BLEND control without affecting the SENSITIVITY of the envelope. Resotron accepts active CV and passive TRS expression pedal inputs for foot-controlled filter sweeps and outboard modulation which is mixed in parallel with the on-board pitch-following and amplitude tracking systems. The Resotron also features a TRIGGER (aka Sidechain) input which enables the musician to use an external audio source to modulate the filter.

Pigtronix Resotron Filter Effects Pedal

$ 271.16 ~~$ 273.90~~

Dimensions (Overall): 8.75 inches (L), 4.5 inches (H) x 5.25 inches (W) x 8.75 inches (D)Weight: 1.4 poundsEffect Type: Volume and ExpressionWarranty: No Applicable Warranty. To obtain a copy of the manufacturer's or supplier's warranty for this item prior to purchasing the item, & bull; Triangle, Square, SUB, voices & bull; World's fastest pitch-tracking circuit & bull; Variable amplitude tracking sensitivity & bull; Glide control for Pitch Following Portamento & bull; Hard Sync function with glide modulationThe Pigtronix Mothership 2 goes lightyears beyond the original Mothership.Mothership 2 is a velocity sensitive, pitch-tracking, 3-voice analog synthesizer with oscillator hard sync and pitch modulation via portamento and CV / Expression control. Housed in a compact aluminum chassis, this state-of-the-art pedal goes lightyears beyond the original Mothership, delivering a user-friendly guitar synth with real-time pitch and amplitude tracking, switchable preset tunings and a devastating Sync effect that delivers new modulation effects for guitar, bass and anyone brave enough to plug in to the analog future of Pigtronix. The dashboard of the Mothership 2 contains five custom-made, dual-concentric potentiometers and a pair of toggle switches. The top row of controls provides individual level knobs for VCO (triangle wave) and Square wave voices as well as the original Clean guitar sound and a gut-busting Sub-octave Sine wave voice that can be removed from the main mix bus and sent to its own dedicated bass amplifier when the SUB output jack is used.The middle row of controls provides Master Volume, Glide, Fine Tune and an adjustable Dynamics function that allows the player to adjust the "feel" of the synth's amplitude tracking. The bottom row of controls contains the 3-way tuning switch with Unison, Octave Up, and Interval (MAJ 3rd, 4th, 5th) presets as well as a new Sync function that slaves the VCO's triangle and square wave oscillators to the input signal, creating a pitch-locked, unison sound with complex harmonics and overtones that can be modulated. The Sync effect found in the Mothership 2 can be dialed in to create a staggering array of unique sounds using the Sweep and Timbre controls as well the on-board Glide function to achieve modulation and pitch effects that sweep from one note to another with adjustable timing. An optional expression pedal / CV input can also be used to modulate the VCO in parallel with the on-board knobs and Glide function, creating "Sync Sweep" effects from another planet.

Pigtronix Mothership 2 Analog Synthesizer Pedal

$ 266.74 ~~$ 274.99~~

pigtronix aria disnortion distortion guitar effects pedal

$ 177.47 ~~$ 179.26~~

Pigtronix Germanium Gold Compressor Micro Effects Pedal

$ 147.01 ~~$ 148.49~~

Dimensions (Overall): 4.25 inches (L), 2.1 inches (H) x 2.25 inches (W) x 4.25 inches (D)Weight: .55 poundsEffect Type: Loopers and SamplersWarranty: No Applicable Warranty. To obtain a copy of the manufacturer's or supplier's warranty for this item prior to purchasing the item, The Pigtronix Philosopher’s Tone Germanium Gold Micro brings back the original Pigtronix custom shop compressor/sustainer/distortion effect—in micro form. This superlative version of the award-winning and top-selling Pigtronix Philosopher’s Tone compressor takes the original pedal’s optical sustain engine and lets mix in a layer of germanium-enhanced distortion. The unique diode arrangement found in the Germanium Gold version delivers a smooth top end and rich midrange response, tailored to match the characteristics of the optical sustainer driving it. If felt that the original circuits in the Philosopher’s Tone were brilliant, wait 'til hear how the Germanium distortion adds to the overall character of this compressor/sustainer pedal! The clean side of the Philosopher’s Tone remains the same; dial in Blend and Volume to get the signal desire. Use the Sustain knob to dial in the amount of compression need. Higher settings on this control will provide a noiseless clean sustain previously unheard of in compression pedals, while retaining the original integrity of tone. What makes the Germanium Gold version unique is the Grit control. More than a simple gain knob, the Grit knob found on the Philosopher’s Tone Germanium Gold Micro acts as a blend for the germanium-enhanced distortion found in this unit. can dial in more or less grit, depending on tastes. clean and overdriven tones from the Philosopher’s Tone can be blended perfectly with just the right amount of grit for playing. This stompbox features true-bypass switching and runs on standard 9VDC power with an internal, voltage-doubling circuit providing the superior clarity and overall output of 18VDC power rails. The Pigtronix Philosopher's Tone Germanium Gold Micro packs an unprecedented amount of boutique compression and germanium distortion into a micro-sized pedal.