Radial Engineering SGI
Radial SGI Studio Guitar Interface is a transmit (SGI-TX) and receive (SGI-RX) pair of modules that allows a guitar signal to travel across 500 feet of balanced cable to a distant amplifi er. The SGI is a unity gain device that features 100% discreet Class-A circuitry for great sound and transformer isolation to eliminate ground loops. For the studio, the SGI allows the guitarist to play in the control room while listening to the studio monitors. For live performance, the SGI allows amplifi ers to be located off stage while improving sound and reliability over wireless systems. Drive a guitar signal 300 feet without loss 100% discreet class-A electronics Drag Control pickup load correction Transformer isolated to eliminate noise Routes using standard balanced XLR cable The Radial SGI studio guitar interface allows a guitar signal to travel 100 meters (328 feet) over a standard balanced XLR mic cable. This enables the guitarist to play through a distant amplifier while listening to the performance in the control room. On large stages, the SGI allows a guitar signal to travel from the wireless system to a pedal board and amplifier. The SGI employs a proprietary drive and balancing circuit that is made up of two modules: the SGI-TX transmit module and SGI-RX receive module. The SGI-TX is active with 100% discreet class-A circuitry and Drag control load correction to ensure the most natural sound. The SGI-RX is completely passive. To eliminate hum and buzz caused by ground loops, each module is equipped with isolation transformers that are wired in opposing directions to counteract any artifact. Best of all, the SGI is plug & play easy to use and comes equipped with power supply. UPC: 714497642161 SKU: ADIB014FDIQ4Y
Radial Engineering J48
The Radial J48 is a great sounding active direct box that has been optimized to produce maximum headroom while working within the limited current available from standard 48V phantom power. By employing a unique switching power supply, the J48 is capable of peak transients to 9 volts without choking. The result is lower harmonic distortion, half the inter-modulation distortion and significantly improved dynamics over other DIs. Features include a -15dB pad, 180º polarity reverse, a unique merge function to mix two signals to mono, an 80Hz high-pass rumble filter, and ground lift. Like all Radial products, the J48 is built to handle the abuse on the road and features a unique welded I-beam construction for years of trouble free performance. Radial J48 Features: - Active 48-Volt phantom powered direct box - Minimal power draw with high rail voltage - Will not choke when driven hard - Low inter-modulation distortionUPC:714497641713SKU:ADIB014FDKHGO
Radial Engineering USB Pro
The Radial USB-Pro is a high-resolution stereo digital audio converter (DAC) and direct box that is designed to connect to any computer system to seamlessly transfer digital audio to analog. A stereo pair of balanced XLR audio outputs with adjustable level control then feeds the signal to a microphone preamplifier, PA system, mixing console or even a powered speaker! Made for plug and play simplicity, the USB-Pro will automatically be listed as an available sound card in the audio settings in all popular operating systems including Windows XP, Windows 7/8, and Mac OSX. Connection to a computer is accomplished through a standard USB type-B port. Digital-to-analog conversion can be monitored on headphones through the 3.5 mm analog output to check signal quality and level before connecting to a sound system. A mono-sum switch may be engaged to check for phasing or for connection to a mono system. Should hum or buzz caused by ground loops be encountered, two recessed side-access switches allow the user to insert isolation transformers into the signal path. To further reduce susceptibility to noise, this is augmented with a ground lift switch that lifts pin-1 on both XLR jacks. As with all Radial products, the USB-Pro is designed to handle the rigors of professional touring. Our unique book-end design creates protective zones around the switches, connectors and controls to keep them out of harm's way. Inside, our time-tested I-beam construction assures the sensitive internal PC board will not torque, which could cause premature part failure. Finally, a full bottom no-slip pad provides mechanical isolation and electrical insulation to ensure quiet operation. UPC: 714497646398 SKU: ADIB01DBP2YJK
Radial Engineering PromS2 Passive Microphone Splitter
The Radial ProMS2 is a high performance mic splitter that accepts a balanced microphone signal and sends it to three outputs simultaneously. As a passive device, there is no need for power “ you merely plug in and the ProMS2 automatically springs to life to deliver pristine audio without artefact or color.The magic inside the ProMS2 is a premium Eclipse ET-MS10 transformer. This features a nickel laminated core that delivers a wide frequency response and exceptional signal handling with virtually zero distortion at all frequencies. And with better than 115dB of common mode noise rejection, you can rest assured that hum and buzz caused by ground loops and stray DC currents will be kept at a minimum. To shield against stray magnetic fields, the transformer is doubly protected with an integral MuMETAL® can plus a rugged external steel enclosure. This is augmented with RF filtering and a 100% discrete signal path to ensure optimal signal flow.As with all Radial products, construction begins with a rugged 14-gauge steel for maximum durability. A unique book-end design creates a recessed zone around the switches and connectors to protect against the harsh environment of concert touring. An internal I-beam frame makes it virtually impossible to torque the PC board which could otherwise compromise the sensitive solder joints. The innovative design has the unique advantage of allowing up to 8 units to be rack-mounted using the Radial J-Rak. Typical applications include splitting a signal in the studio to feed more than one preamp, feeding a stage mic to more than one mixing console, or even splitting the signal from a live stage to supply a broadcast feed.The Radial ProMS2 is a great sounding problem solver that lets you split microphone and DI signals with ease and confidence.
Radial Engineering StageBug SB-6 Isolator
Radial Engineering StageBug SB-6 is a high performance 2-channel passive audio isolator designed to accommodate both balanced and unbalanced signals and work effectively at eliminating noise when used with instruments, consumer electronics as well as professional line-level devices.The design begins with TRS inputs and outputs to accommodate both TRS and mono type connectors. The unique circuit retains the balanced signals or automatically converts them from hi-Z to lo-Z ( mono to TRS) or lo-Z to hi-Z (14TRS to mono) depending on the connector in use. You simply connect and the SB-6 does the work for you Inside are two ultra-linear Eclipse transformers that sound great as they deliver ruler flat performance from 20Hz to 20kHz. This is augmented with a -10dB input pad to handle extra loud source devices and a polarity reverse on output B for phase aligning stereo signals. As the
Radial Engineering 500 Series ThumbSet Screws
The ThumbSet™ screws feature a perfectly sized thumbscrew head for easy mounting without the need of a screwdriver. However, if ever the ThumbSet™ is over-tightened, a clever slotted head allows a screwdriver to be used to loosen.
Radial Engineering ProD2 Passive Stereo Direct Box
A high-quality, passive direct box that uses 2 proprietary custom-made transformers, one for each channel, for both impedance conversion and isolation. Linear from 20Hz-18kHz, with low distortion and virtually zero phase distortion makes it perfect for live or studio performances. Because of the transformer isolation, problems such as hum and buzz caused by ground loops are eliminated, making it very easy and hassle-free to use. Features include 1/4" thru/input, -15dB pad, and ground lift protected from damage by a protective front panel. Heavy-duty construction, baked enamel finish, and 600ohm balanced output. 3" x 5".
Radial Engineering RAD-MCBOOST Microphone Signal Intensifier
The Radial McBoost is a high performance microphone signal booster designed to elevate the output of a typical dynamic microphone for greater transient response and boost the signal of a low-output ribbon mic to bring it up to a usable level for mixing consoles or preamps that may not provide sufficient gain.
The 100% discrete class-A circuit design begins with a dual-transistor J-FET circuit to produce up to 25dB of gain without introducing noise- color or artifact. Each individual transistor is carefully measured and batch-sorted to comply with the design specification to certify performance. As with all Radial products- the circuit board is then loaded into a 14-gauge- I-beam- reinforced steel enclosure to prevent outside stress from torquing which otherwise could lead to premature part failure. A book-end cover creates protective zones at each end to safeguard the switches- potentiometer and connectors from the rigours of the road.
Merely connect the McBoost in-line using standard 3-pin XLRs and activate 48V phantom to provide power. Select between three impedance settings to optimize the response and then reduce low-frequency clutter with the 3-position high-pass filter. The McBoost will elevate the output to produce added clarity- excitement and extra drive for long cables whether you are in a recording studio- on a live concert stage or in a broadcast center.
That's what the manufacturer has to say What we say is that you you can create sonic bliss with the Radial Engineering McBoost. Take any standard dynamic mic- hook it up to the McBoost - plug into your preamp/mixer and blamo! your -blah-- weak sounding mic is transformed into an amazingly hi-end- broadcast quality- sonic weapon. The McBoost takes the unused phantom power portion of your mixers channel or preamp and turns it into an additional 25 db's of volume. If your mixers preamp only outputs 60 db's well here is an additional 25 db's boosting your mixer or preamp up to a whopping 85 db's of sound turning your mic and mixer/preamp into aural bliss! It's a -must have- for any audio engineer in the studio or the field.
Features
Microphone Signal Intensifier
25dB signal booster for dynamic & ribbon mics
Extends dynamic range and microphone reach
Uses standard 48V phantom for power
3-position load switch and high-pass filterSpecifications
Audio Circuit Type: Class-A Differential FET/Bipolar Hybrid
Frequency Response: 7Hz to 30kHz
Total Harmonic Distortion: 0.005% @-30dB
Dynamic Range: 105 dB
Maximum Input: -6 dBu
Maximum gain: +25 dB
Equivalent Input Noise: -120dBu
Input Impedance: 600
Radial Engineering Bassbone OD Bass Preamp with Overdrive
The Radial Bassbone is a power-packed bass preamp that combines on-stage efficiency, amazing tonal control and superb audio performance making it the ideal front end for both live and studio recording.Designed as a bass command center, the Bassbone lets you connect two basses and seamlessly toggle between them using a footswitch. Each channel is equipped with a separate level control to balance the two instruments. This is augmented with a unique EQ that enables you to adjust the tone for each instrument to match with your bass amp. In fact, the EQ is so powerful that you can toggle between channels to emulate switching from a P-Bass to a Rickey using the same bass! For added stage control, a second footswitch engages a power booster for soloing. This works double duty to turn on an effects loop.The Bassbone's highly acclaimed audio circuit features full sized discrete electronics for optimal signal flow to deliver the sound of your bass to your amp with minimal distortion or artifact. Outputs include a 1/4" instrument output for the stage amp, separate always-on tuner out, and a built-in Radial direct box to feed the PA or recording system.Two-channel bass preamp for 1 or 2 bassesBuilt-in Radial direct box with low-Z balanced outCombination power boost and effects loopPowerful EQ and contour control for each bass
Radial Engineering AC-Driver Acoustic Instrument Preamp
For sound shaping with feedback reduction and tons of excellent features, the Tonebone AC-Driver is the one pedal you need. Great for the gigging acoustic player, this awesome preamp has more to offer than meets the eye. Sound ShapingThe AC-Driver is a performance ready preamp that sports studio quality sound. This pedal receives input from your instrument and can run out to both an on-stage amplifier through the ¼ output jack and a mixing console or a PA powered speaker through the XLR output. If this causes additional hum, you engage can the LIFT switch to break up ground loops which occur between two powered devices. Feedback ReductionAny acoustic player knows it can be a challenge to achieve the proper levels on stage while also minimizing feedback. This is especially true when there are other non-acoustic instruments involved. The AC-Driver features a 180 degree polarity reverse and a Notch Filter to combat the feedback and let you play full out, rocking acoustic. Excellent FeaturesBesides shaping your sound and removing feedback from the live equation, the Tonebone AC-Driver has some additional features to help you out. A Mute footswitch turns off all outputs except the tuner, which can be used for quiet on-stage tuning. You can also roll-off excessive low end with the low-cut filter. Under the hood this pedal has just as much quality. The pedal is built from 14-gauge steel with I-beam construction so it can & #39; t get torqued. The military grade circuit board is unbelievably durable and fully grounded to reduce radio frequency interference. All-in-all, this is one tough, handy pedal to have in an acoustic rig. Features: Studio Quality Preamp PedalDual ¼ and XLR OutputsLIFT Switch and Low Cut Filter 180 Degree Polarity Reverse and Notch FilterMute FootswitchPower Supply Not IncludedGet your Radial Tonebone AC-Driver Acoustic Preamp Pedal today at the guaranteed lowest price from Sam Ash with our 45-day return and 60-day price protection policy.
Radial Engineering Headload Guitar Amp Load Box
Radial Engineering Headload Guitar Amp Load Box
The Headload is a combination load box and attenuator that is capable of handling up to 130 watts RMS of continuous power and peaks of 180 watts. Inserted between the head and cabinet, it allows the guitar amp to be driven hard while reducing the output level to reduce the sound pressure on stage or provide the means for quiet recording in the studio. This enables the artist to optimize the tone from the guitar amplifier without having to perform at ear-blistering levels.
The 100% discrete fan-cooled design begins with a series of cement encrusted, epoxy coated copper resistor coils that are controlled via a 6-position rotary switch to set the desired power reduction from 100% down to 20%. A trim control provides fine adjustment when below 20%. The Headload output can be turned off for quiet on-stage use, recording or when practicing using the built-in headphone amplifier.
In order to ensure greater consistency from gig to gig, the Headload is equipped with a Radial JDX Reactor direct box. This captures both the signal from the head plus the reactive load from the speaker cabinet for a more natural tone. The JDX has gained tremendous popularity with users as diverse as Megadeth, Aerosmith, Rascal Flatts, Sting and Radiohead. For engineers that prefer to combine a direct feed with a microphone, the Headload has also been equipped with a Radial Phazer – phase adjustment tool. This lets you time-align the JDX direct feed with the microphone to deliver incredibly natural tones, or when pushed to extreme, create over the top effects. The JDX direct output may also be tailored to suit with a 6 position voicing switch to select from various cabinet emulation presets and fine tuned using a 2-band EQ to tame overly bright amps.
Radial Engineering EXTC Stereo Guitar Effects Interface
Dimensions (Overall): 11.6 inches (L), 2.6 inches (H) x 5.0 inches (W) x 11.6 inches (D)Weight: 2.69 poundsEffect Type: Multiple EffectsWarranty: No Applicable Warranty. To obtain a copy of the manufacturer's or supplier's warranty for this item prior to purchasing the item, & bull; Connect stereo guitar pedals to balanced recording gear & bull; Front panel 14″ inputs and outputs for pedals & bull; Send & Receive controls to optimize gain staging & bull; Utilize r pedal collection in new & unique waysThe EXTC Stereo allows to connect guitar effects pedals to the inputs and outputs of pro audio equipment such as recording interfaces and mixing consoles, so can incorporate stereo pedals into recordings and explore new creative possibilities.A secret weapon for mixing engineersThe EXTC-Stereo gives the ability to connect stereo effects pedals such as reverbs and delays to the line-level inputs and outputs of console or recording interface. Use it to send drum overheads to a multi-tap delay, or breathe new life into a stale keyboard patch with a flanger or chorus pedal. Try it on vocals, strings, or any prerecorded track to add a new creative element to mixes and revitalize old pedal collection.
Radial Engineering TWIN ISO Passive Line-Level Isolator
The Radial Twin-Iso is a balanced 2-channel, line-level isolator that has been specifically developed for professional touring systems as a means to eliminate hum and buzz caused by ground loops when interfacing various equipment such as two consoles, remote towers and drive racks. Central to the Twin-Iso is the use of world-renowned Jensen audio transformers. These assure the very best signal transfer without distortion caused by saturation or phase shift. All connections are balanced XLR following the AES standard with pin-1 ground and pin-2 hot. To add versatility, a polarity reverse switch is provided for each channel to ensure absolute phase is maintained throughout the audio signal path. As with all Radial products, the Radial Twin-Iso features a rugged 14-gauge steel construction for maximum durability and to stand up to the rigors of pro-touring. The unique book-end design provides a protective zone for the switches while the full bottom no-slip pad provides plenty of ‘stay-put’ for more active stages. A unique skeletal design features welded I-beam construction, making it impossible to torque the internal PC board, reducing the opportunity for cold solder joints to develop due to outside stress. This unique design also permits up to eight Twin-Isos to be rack-mounted using the Radial J-Rak in just two 19” rack spaces. Features: & bull; & nbsp; & nbsp; Two channel balanced line isolator & bull; & nbsp; & nbsp; Jensen transformer-equipped & bull; & nbsp; & nbsp; 100% isolation to reduce ground loops & bull; & nbsp; & nbsp; Line-level with up to 24dB signal handling & bull; & nbsp; & nbsp; Ultra solid I-beam construction??WARNING: Cancer and Reproductive Harm - www. P65Warnings. ca. gov
Radial Engineering JS2 Passive Microphone Splitter Direct Box
Features electrically isolated XLR I/O, a second auxiliary direct throughput with ground lift, and a transformer-isolated output. Has a 30dB pad, 48V DC phantom power, ground lift, and noise rejection up to -100dB at 60Hz. 14-gauge housing with I-beam steel frame.
Radial Engineering STAGE BUG SB48 Phantom Power Supply
The Radial SB-48 is a high performance phantom power generator that employs a non-radiating charge pump circuit to create a stable, ripple-free 48 volt supply for active direct boxes and condenser microphones. The stereo design features XLR inputs and outputs with a choice of 48V and 12V operation. The SB-48 is powered by a single 15VDC 400 milliamp supply that is included. The connector may be locked into place using a retention clamp. As with all Radial products, the SB-48 is manufactured in Canada from solid steel and powder coated for years of great looks!
Radial Engineering SGI TX/RX Studio Guitar Interface
A transmit and receive module allows your guitar signal to travel through 350' of balanced cable to a distant amplifier. The SGI is a unity gain device that features 100% discrete Class-A circuitry and transformer isolation to eliminate ground loops. It also has a Drag Control load correction circuit, DC connection for provided 15VDC supply, and ground lift. The SGI receive module features an XLR input and ground lift. Made from heavy-duty 14-gauge steel with internal I-beam frame and protective zone around switches and connectors. With the SGI, the guitarist can now play the roles of performer, engineer, and producer while saving immeasurable time during the recording process.
Radial Engineering Tonebone Headlight Guitar Amp Selector Pedal
The Headlight & trade; is a unity gain guitar amp selector designed to easily integrate on a pedalboard and allow the artist to seamlessly switch between as many as four amps using a single footswitch. The magic behind the compact design is the combination of 1/4" switching output jacks and an innovative sequential footswitch that advances through the connected outputs depending on how many amps are connected. You merely stomp on the footswitch to go from one output to the next. This enables the Headlight to be used with one, two, three or even four amps. High visibility LEDs provide instant output status on busy stages.The design begins with Radial's legendary Class-A input buffer for optimal signal transfer and minimal distortion without artefact. Drag & trade; Control load correction is used to replicate the tone and feel as if connected directly to an amplifier. The signal is then sent to the four outputs, three of which are transformer isolated to prevent hum and buzz caused by ground loops. Each output is augmented with a ground lift switch to further aid in reducing nose. To ensure all amplifiers play in phase, 180° polarity reverse switches may be set as needed. A mute footswitch works double duty as either a mute that turns off all the outputs except for the dedicated tuner out or as an "all-on" switch if driving multiple amps at the same time is desired.The Headlight follows Radial's pedigree for exceptional build quality with 14-gauge steel construction throughout. This not only protects the sensitive inner workings from outside stress, it also helps prevent noise from nearby magnetic fields from polluting the inner workings. To accommodate pedalboards, the Headlight is powered by a standard 9V supply for easy integration with a multi-pedal power brick.
Radial Engineering BigShot ABY True Bypass Switch Pedal
The Radial BigShot ABY is a compact ABY switcher that enables you to switch between two amplifiers or combine the signal when you want both amps to play at the same time.This true-bypass ABY switcher is completely passive meaning that there are no tone altering buffers between the guitar and the amplifier. With the BigShot ABY, you get the pure tone from your guitar plugged direct into your amp. To add versatility, the BigShot ABY is also equipped with a separate tuner out. This 'always on' output feeds your tuner for constant monitoring while keeping it out of the signal chain. Should you experience hum and buzz problems due to ground loops, the BigShot ABY comes to the rescue with a built-in isolation transformer and ground lift switch. Once engaged, you can toggle the polarity of the second amplifier to ensure both amps play in absolute phase.In use, the BigShot ABY is simple to use and efficient on stage. When powered by an external 9V supply or pedalboard power brick, full size super-bright LEDs spring to life to provide instant on-stage amplifier status readout. When power is unavailable, the passive audio signal path still works, unaffected. The compact yet ultra-rugged design makes the BigShot ABY ideal for pedalboards where space is always at a premium.
Radial Engineering EXTC SA Guitar Effects Reamp Interface
Radial Engineering EXTC SA Guitar Effects Reamp Interface
Radial Engineering RAD-EXTC-SA Guitar Effects Interface
The EXTC-SA from Radial is a stand-alone audio interface that lets you incorporate guitar effects into the realm of pro-audio recording. Just imagine- add a touch of grit to a vocal track- some wah on a kick drum- maybe flange a violin the EXTC is a creative tool made for your esoteric-inventive side- ready to unleash fresh new sounds that will make your recordings stand out from the crowd. And it's super easy to use: connect a line level signal from the recording system. The EXTC-SA unbalances the signal and converts it to high impedance where guitar pedals can be inserted at will. Simply plug in- turn the track on- set your levels and adjust the blend for just the right amount of magic. Be prepared for instant amazement. Features include Radial's award winning 100% discrete class-A guitar buffering for ultimate audio integrity- transformer isolation to eliminate buzz and hum caused by ground loops- 180° polarity reverse to keep effects and balanced signals in phase- and two loops that can let you compare signal paths or combine them to create your magical masterpiece. The Radial EXTC-SA is without a doubt one of the most innovative effect manipulating devices ever made.
Features
Guitar Effects Interface
Balanced interface for guitar effects pedals
Separate send & receive controls optimize signal path
Transformer isolation helps eliminate ground loops
Creative tool helps your mix stand out from the restSpecifications
Circuit Type: Solid state with transformer coupled effects loop
Power Requirement: 60mA- ±16VDC
Frequency Response: 20Hz ~ 20kHz ±1.5 dB
THD+N: >0.005% 0 dB output
Noise: -93dB
Intermodulation Distortion: >0.003% 0dBu input
Maximum Input: +26dBu
Radial Engineering Bassbone V2 Bass Preamp and DI Box
Like the original, the second generation Bassbone V2 features the same award-winning audio circuit that has made the Bassbone a top choice for many of the world's most prominent bass players, including Marcus Miller, John Patitucci, Rhonda Smith and Victor Wooten. Simply stated, the Bassbone V2 is a bass command center. Connect any two basses and seamlessly toggle between them using a footswitch. Each channel has a separate level control to balance the two instruments and is augmented with a unique EQ that enables you to adjust the tone to match your bass amp. In fact, the passive-interactive EQ is so powerful, you can toggle between channels to emulate switching from a P-Bass to a Rickey using the same bass. A special PZB booster adds yet another dimension - allowing you to connect a piezo, such as used on an upright bass when doubling. With the Bassbone V2, you get even more: A boost footswitch can be used to either engage a power booster for solos or can be assigned as a mute switch for quiet on-stage tuning. A third footswitch lets you activate the effects loop which is equipped with a wet-dry control to retain the tone of the original instrument and then mix-in as much of the effect as you like. The effects can be assigned to either channel or both. Once processed, you can send your sound to a stage amp, tuner and to the PA system using the built-in Radial DI box. The Bassbone V2 is a power-packed bass preamp that combines on-stage efficiency, amazing tonal control and superb audio performance in a compact box. This makes it the ideal front end for both live and studio recording.
Radial Engineering HotShot DM1 Microphone Signal Muting Footswitch
& bull; Mic mute and signal redirect & bull; Passive floor-box & bull; XLR mic input & bull; Momentary footswitch & bull; Main and monitor XLR outputsAllows the vocalist to depress to mute his mic with a footswitch and redirect the signal to the monitoring system and/or intercom. This passive floor box is equipped with an XLR mic input, momentary footswitch, and main and monitor XLR outputs. Designed for dynamic microphones.
Radial Engineering LX-2 Line-Level Splitter and Attenuator
& bull; Split one audio signal to two destinations simultaneously & bull; Jensen® transformer equipped for exceptional audio quality & bull; Eliminates hum and buzz caused by ground loops & bull; Variable trim control can be engaged for easy level adjustmentThe LX-2 is a passive balanced line-level audio splitter that allows to easily send an audio signal to two different destinations at once without noise, while also providing the ability to attenuate the signal when needed. The LX-2 performs the dual functions of splitting a line level audio signal and providing level attenuation where necessary. A premium Jensen transformer inside provides exceptional frequency response and phase coherency to ensure that the highest audio quality is maintained while isolating the two outputs from each other to eliminate hum and buzz from ground loops. For situations where a level adjustment is required, the trim control on the LX-2 allows to attenuate overly hot signals. This gives the ability to drive mic preamps hard to achieve coloration, while trimming the level at the LX-2 to avoid clipping the inputs of recording interface. This trim control is activated by a recessed ‘set & forget’ switch; if attenuation is not needed, simply disengage this switch to prevent accidental and unwanted level adjustments.
Radial Engineering Catapult RX4L Cat5 Audio Receiver (4x4 Line Out)
Why you need the Radial Engineering Catapult RX4L Cat5 Audio Receiver (4x4 Line Out):The Radial Catapult is a 4-channel audio snake that lets you send analog or AES digital audio signals over standard Cat 5 or Cat 6 shielded twisted pair cable. This allows stage techs to take advantage of the relatively low cost of this abundantly available cable for return snakes or for transporting balanced audio across a large stage. For the system contractor, the Catapult lets you take advantage of pre-wired networks to connect audio from one room to another.Six configurations are offered with a choice of three input modules and three output modules. Each input module features four XLR inputs, four XLR thru-puts along with two Neutrik Ethercon™ outputs to connect the Cat 5 cable to the desired output module. These are equipped with RJ45 type Ethercon input and thru-put plus two sets of XLR outputs. These may be ordered without transformers for sub-snakes or to transmit AES audio signals; with mic isolation transformers for signal splitting between FOH, monitors or the recording system, or with line level isolation transformers to eliminate system noise. A ground lift switch is provided at each end for the Ethernet cable connection to help eliminate hum and buzz caused by ground loops.As with all Radial products, the Catapult is constructed with solid 14-gauge steel to handle the rigors of live touring and is finished in a powder-coat finish to keep your Catapult looking good for years! Inside, a two-sided PCB is used to mount the connectors and transformers doubling up the solder joints for maximum durability.Features:Send analog audio or digital AES signals over Cat 5/6 cableWorks within a building's existing cable infrastructureChoice of direct-wired or isolated splitsTransmits four AES signals (eight audio channels)
Radial Engineering Headload Guitar Amp Load Box 16 ohms
The Headload is a combination load box and attenuator that is capable of handling up to 130-watts RMS of continuous power and peaks of 180 watts. Inserted between the head and cabinet, it allows the guitar amp to be driven hard while reducing the output level to reduce the sound pressure on stage or provide the means for quiet recording in the studio. This enables the artist to optimize the tone from the guitar amplifier without having to perform at ear-blistering levels. The 100% discrete fan-cooled design begins with a series of cement encrusted, epoxy coated copper resistor coils that are controlled via a 6-position rotary switch to set the desired power reduction from 100% down to 20%. A trim control provides fine adjustment when below 20%. The Headload output can be turned off for quiet on-stage use, recording or when practicing using the built-in headphone amplifier. In order to ensure greater consistency from gig to gig, the Headload is equipped with a Radial JDX Reactor direct box. This captures both the signal from the head plus the reactive load from the speaker cabinet for a more natural tone. The JDX has gained tremendous popularity with users as diverse as Megadeth, Aerosmith, Rascal Flatts, Sting and Radiohead. For engineers that prefer to combine a direct feed with a microphone, the Headload has also been equipped with a Radial Phazer “ phase adjustment tool. This lets you time-align the JDX direct feed with the microphone to deliver incredibly natural tones, or when pushed to extreme, create over the top effects. The JDX direct output may also be tailored to suit with a 6-position voicing switch to select from various cabinet emulation presets and fine tuned using a 2-band EQ to tame overly bright amps. Available now in 8 ohms, the Headload is possibly the most useful load box ever made.
Radial Engineering EXTC SA w/ Samson SR350 Headphones Bundle
This bundle includes the Radial Engineering EXTC SA Stand Alone and a set of Samson SR350 Headphones.
radial engineering r8001010jdi singlechannel passive direct box with jensen transformer
JDI Passive Direct BoxUPC NO:714573529096 SKU:ADIB0002GIRAC
Radial Engineering Reamp JCR Passive studio re-amping device
The Radial Engineering Reamp JCR is a passive Reamper that allows you to take a prerecorded track and send it back to a guitar or bass amplifier and re-record it. The benefits are tremendous: instead of worrying about the sound of the track, you can focus your attention on getting the best musical performance. Once the magic has been captured, you can send the guitarist home and Reamp the track at will as you move the mics around the room, try various amplifiers or introduce effects. Best of all, you can Reamp the track later as the production develops. Features - Lets you re-record tracks through a guitar or bass amp - Original Reamp circuit designed by John Cuniberti - Plug and play easy to use passive design - Improves productivity while expanding creative options The Radial Reamp JCR is the latest version of the original Reamp that was designed and patented by John Cuniberti. It features a 100% passive design with John's original custom wound 'Made in the USA' transformer and circuit. The latest Radial version features separate XLR and 1/4" TRS input connectors, variable output level plus a three-position filter that lets you tame excessive highs, warm up the lows or simply bypass if you want to revert to the original circuit. An on-board mute function has also been added to allow you to shut off the signal going to the amps when making adjustments or moving mics around the studio. With today's unlimited track capabilities, Reamping is now accessible to everyone. And Reamping is no longer just for guitars It is now common to Reamp bass, keyboards, drums, violin you name it. In fact, Reamping is the magic ingredient that has brought many of the most esteemed recordings to life. Radial is proud to continue the Reamp tradition with the new JCR.UPC:714497642291SKU:ADIB014FDIKZY
Radial Engineering Tonebone PZ-Pre Acoustic Direct Box Preamp
The Tonebone PZ-Pre Acoustic DI Box Preamp is equipped with piezo acoustic input signal boosters to allow both add-on instrument pickups and built-in, integral active preamps to be combined for a more natural rendering. It is compact yet full featured, designed for both studio and live performance. The Tonebone PZ-Pre instrument preamp begins with two inputs for two instruments, which can be toggled using the toggle footswitch. If you want to use two pickups on a single guitar, a unique Mix function is provided that converts the two channels from "either-or" to both. There are separate level controls for each input. The tone shaping on the PZ-Pre preamplifier is simple yet extremely musical. It features powerful bass and high controls with a semi-parametric mid. This is supported with a feedback eliminating notch filter with variable frequency sweep control and choice of normal and extra deep notch filtering. To help eliminate troublesome resonance, a dual slope low cut (high pass filter) is also provided. An internal polarity reverse can also be engaged to help eliminate run-away feedback. To augment on-stage performance, the PZ-Pre Direct Box Preamp is equipped with a combination power booster and effects loop bus. This allows you to introduce an effect such as a chorus, or boost the signal for soloing with a simple foot stomp. A separate tuner out has also been provided along with a mute footswitch for on-the-fly tuning. To facilitate all kinds of monitoring, the Radial PZ-Pre offers the most comprehensive output array ever: A standard instrument amp output sends the instrument signal to your personal amplifier. A pre-EQ balanced lo-Z balanced output is used to route the flat, pre-equalized signal the signal to the front of house mix position, while a second XLR out is post-EQ for onstage monitoring and in-ear systems so that the musician can get the sound he wants. XLR outputs are equipped with polarity reverse and ground lift. Like all Radial products, the PZ-Pre features heavy-duty 14-gauge construction and is supported with a 3-year transferable warranty. Comes equipped with an external 15VDC power supply.
Radial Engineering Duo 500 Series Double Wide Filler Panel
Radial offers filler panels to fit the Radial Workhorse and other 500 series racks. These keep rack safe from dust and other contaminants while providing a protective shield from inexperienced hands. This one double wide, covering two 500 series components.
Radial Engineering JX44 V2 Guitar, Amp, & FX Signal Manager
Dimensions (Overall): 22.9 inches (L), 4.25 inches (H) x 10.2 inches (W) x 22.9 inches (D)Weight: 8.71 poundsEffect Type: Multiple EffectsWarranty: No Applicable Warranty. To obtain a copy of the manufacturer's or supplier's warranty for this item prior to purchasing the item, & bull; Buffered gold-contact inputs for unbalanced instruments such as guitars and basses & bull; Reverses signal polarity at the corresponding amplifier output to help correct phase issues when using multiple amps simultaneously & bull; The front panel jacks take priority over the rear panel instrument inputs & bull; Large switches with green LED indicators turn each instrument input onoff & bull; Multiple inputs can be on simultaneouslyThe Radial JX44 V2TM is a guitar & amp switching and routing system for professional concert touring, providing with the ability to connect and manage up to four guitars and four amplifiers, a stereo effects chain and a remote pedalboard with seamless integration throughout. Optional JR-5 remote footswitches or MIDI controllers can be used to select the inputs and outputs or activate FX. A local stereo effects loop can be used to connect rackmount signal processors and assign each channel to individual amplfiers, and an SGI line driver is built-in to feed distant pedalboards with ease when used with the SGI-44 remote guitar interface. An assignable direct box output is also featured for simultaneous studio-quality recording during a live performance, while a switching 120/240V power supply allows for easy international use with world touring acts.The JX44 V2 gives full control over even the most complex touring rigs. Switch between four inputs and route the signals to up to four amplifiers simultaneously. Connect effects locally in stereo or use a remote pedalboard with the optional SGI-44, and route FX to each amp output individually for wet-dry-wet setups. Utilize the JR-5 for remote guitar or amp switching, or connect a MIDI controller to integrate with existing setups. Finally, feed a direct output to FOH or a recording interface to capture the performance.
Radial Engineering StageBug SB-1 Compact Active Direct Box
& bull; Active direct box for acoustic guitar & bull; Ultra compact to fit in r guitar case & bull; Plug & play easy to use feature set & bull; 48V phantom powered, no batteries needed!The design begins with standard 1/4" instrument input with a thru-put to feed tuner or on-stage amp. The ultra-quiet active circuit at once converts the signal from high to low impedance to reduce susceptibility to noise. The signal is then buffered and balanced for long cable runs to the PA system. 48 volt phantom provides the power, so the SB-1 does not require batteries or external supply to make it work. simply plug in and are ready to go.
Radial Engineering BigShot i/o True Bypass Instrument Selector Pedal
Dimensions (Overall): 6.5 inches (L), 3.0 inches (H) x 4.25 inches (W) x 6.5 inches (D)Weight: 1.6 poundsEffect Type: Multiple EffectsWarranty: No Applicable Warranty. To obtain a copy of the manufacturer's or supplier's warranty for this item prior to purchasing the item, & bull; Toggle between two instruments with a single foot stomp & bull; Adjustable volume control to match instrument levels & bull; Separate tuner output and mute switch with LEDs & bull; Load compensation 'bright switch' for long cablesThe Radial BigShot i/o is an easy to use instrument selector that lets quickly transition between any two instruments and send the output signal to amp. Because the i/o is 100% true-bypass, it addresses the needs of the most demanding purist.To enhance functionality, input-B is equipped with a volume control that lets reduce the input sensitivity of the louder instrument so that the two instrument output levels match. Simply connect the louder of two instruments to input-B and set the level to suit. When passive instruments are used, a unique 3-position 'bright switch' lets compensate for high frequency loss. The BigShot i/o is also equipped with a separate tuner output. With a simple foot stomp, the sound going to the amp is muted and diverted to the tuner for quiet on-stage adjustments. Super-bright LED indicators provide instant status for the input select and mute functions.Compact, extremely rugged and 100% passive, the BigShot i/o does not require any powering to make it work other than for the LEDs. This means that if forget power supply or simply do not want to use it, the audio will pass without the LED indicators. This makes it ideal for all types of pedalboards and any size setup!
Radial Engineering Pro48 Active 48-Volt Compact Active Direct Box
The Radial Pro48's innovative digital switching power supply significantly increases headroom and allows for less distortion while yielding a smooth, linear response extending from 20Hz to well above 100kHz resulting in natural, uncolored signal transfer. This superior performance makes the Pro48 an ideal candidate for use with today's battery-powered active basses and acoustic guitars that tend to overload other direct boxes. The compact Pro48 is built road-ready with 14-gauge steel in a unique bookend design that provides protective zones around the switches and connectors. The internal welded I-beam construction assures outside stress will not torque the PC board thus assuring longer product life. Pro48 - typical applicationsThe Pro48 is designed for high-use applications wherever an active direct box is called for. A 15dB pad switch is provided to tame hot signal and expands the range of instrument preamps and the ground lift switch helps eliminate hum and buzz problems caused by ground loops.
Radial Engineering IceCube IC-1 Balanced Line Isolator and Hum Eliminator
The Radial IceCube IC-1 is a balanced line level isolator designed to quickly eliminate hum and buzz problems in an audio system by simply inserting it into the signal path.Measuring just over 4" x 1 ½" (10 x 4cm), the compact design begins with two super-duty glass-filled nylon XLRs at each end with heavy duty nickel-silver contacts that will not tarnish over time. Unlike other isolators that are made of plastic, the IceCube is made from solid 16 gauge steel and finished in a tough powder coat. The steel outer shell is not only more durable, it provides excellent shielding against electromagnetic fields radiated by power cables, dimmers, motors and power supplies - delivering consistently quieter results when deployed. This is augmented with a 'set & forget' ground lift switch to eliminate hum and buzz caused by ground loops.Inside the IceCube, a proprietary Eclipse transformer isolates the input from the output and blocks stray DC currents. While small transformers rarely perform well below 100Hz, the IceCube is exceptionally linear from 20Hz to 18kHz. It is also able to withstand up to +10dB at 20Hz with less than 0.01% distortion. It is a quick and easy problem solver that will eliminate noise without limiting the bandwidth or introducing phase shift, harsh sound or unpleasant artifacts.These features combine to make the IceCube an ideal problem solver for the AV technician and audio engineer that work in the fast-paced world of live touring, AV rentals and system integration.
Radial Engineering DiNET DAN-RX2 2-Channel Dante Network Receiver
& bull; Stereo analog output device for Dante networks & bull; Balanced XLR outputs for connection at mic or line level & bull; Built-in headphone amplifier for personal monitoring & bull; 24bit96kHz digital to analog conversion & bull; Compliant to AES67 specificationsThe DAN-RX2 is a 2-channel 24bit/96kHz digital to analog endpoint that allows to output audio from a Dante or AES67-compliant network for connection to professional audio systems. The DAN-RX2 is a road-worthy digital receiver capable of delivering two channels of analog audio to any location from a Dante or AES-67 compliant network. Balanced XLR outputs include a ground lift and a separate headphone amp with its own level control is included for local testing or personal monitoring. The RJ45 network connection is compatible with Neutrik etherCON connector carriers to prevent accidental disconnection and protect cable terminations. Redundant powering is available for critical applications by using the included external power supply and Power over Ethernet (PoE) simultaneously, and the DAN-RX2 can be mounted in 19" equipment racks with the optional SA series rackmount adaptor kit.
Radial Engineering DiNET DAN-TX2 2-Channel Dante Network Transmitter
& bull; Connect any line-level source to a Dante network & bull; XLR, 14″ TRS, RCA and 3.5mm input jacks & bull; 24bit96kHz analog to digital conversion & bull; Handles signal levels up to +24dBu & bull; Compliant to AES67 specificationsThe DAN-TX2 is a 2-channel analog-to-digital converter that allows to connect any line level source to a Dante or AES67-compliant network. The DiNET DAN-TX2 makes it easy to transmit two channels of high-quality analog audio over a Dante or AES67-compliant network. Multiple input options are provided, with balanced XLR/TRS connectors for professional audio sources, RCA jacks for line-level consumer devices, and a 3.5mm AUX input for connection to laptops, smartphones, and tablets. Trim controls and pad switches are included for each channel, with a link switch to simplify control for stereo sources. The RJ45 network connection is compatible with Neutrik etherCON connector carriers to prevent accidental disconnection and protect cable terminations, and redundant powering is available for critical applications by using the included external power supply and Power over Ethernet (PoE) simultaneously. The DAN-TX2 can be mounted in 19" equipment racks with the optional SA series rackmount adaptor kit.
Radial Engineering StageBug SB-2 Single Channel Passive Instrument Direct Box
The Radial StageBug SB-2 Passive is a high-performance direct box made for players who are on the move! Made to fit inside of a guitar case, the SB-2 is ultra compact yet is feature-packed to ensure great performance on any stage.
Radial Engineering JX42 V2 4 Input, 2 Output Guitar and Amp Switcher
Dimensions (Overall): 23.0 inches (L), 4.5 inches (H) x 10.25 inches (W) x 23.0 inches (D)Weight: 7.83 poundsEffect Type: Multiple EffectsWarranty: No Applicable Warranty. To obtain a copy of the manufacturer's or supplier's warranty for this item prior to purchasing the item, & bull; Select between 4 guitars and 2 amps & bull; Individual input trims and Drag Control load correction & bull; Remote footswitch control with optional JR-2 and JR-5 switches & bull; Transformer isolated to eliminate ground loopsThe Radial JX42 V2 is a four-instrument, two-amp switching device designed to streamline any stage setup to ensure professional changeovers and zero downtime should problems arise. Four instrument inputs are provided on both the front and rear panels, with large toggle switches and bright LED indicators for immediate visual feedback. Multiple instruments can be active simultaneously to prevent cutting off the performance when handing off a live guitar, and all inactive instruments feed an always-on tuner output for silent tune-ups at a moment’s notice. Dual amplifier outputs are available to switch between stage amps at will or as a redundancy in case of failure during a performance. The front panel controls can also be accessed using the optional JR-5 and JR-2 remotes, or MIDI controllers can be used to activate all features of the JX42 V2.
Radial Engineering R8007203 Big Shot Mix Pedal Signal True Bypass Effects Mixer
The Radial Engineering Bigshot Mix True Bypass Effects Mixer is an innovative pedal that solves the problem of signal coloration and degradation that occurs with the use of effects. As all guitarists and bassists know, effect pedals can often introduce noise along with the desired effect. They can also color your tone. The Bigshot Mix provides a buffer between your signal path and your effects loop. The amount of effect mixed with your clean signal is adjustable, and a polarity switch can be adjusted to account for the 180-degree phase variance most effect pedals introduce. The result is exactly the amount of effect saturation desired, with none of the problems usually associated with effects chains. Built from 14-gauge steel and heavy-duty hardware for years of hard work, the Bigshot Mix is the "fix" that allows your effects to fulfill their potential without overpowering the natural tone of your guitar.
Specifications:
True Bypass effects mixer
Lets you mix any effect into your signal path
Buffered loop to reduce pedal noise
& nbsp;
Technical Details: Brand: Radial Engineering Item Weight: 1.4 poundsProduct Dimensions: 5.8 x 4 x 2.5 inchesItem model number: R8007203
Radial Engineering Catapult 4-channel Cat 5 Audio Snake (TX4 Transmitter Module)
& bull; Send analog audio or digital AES signals over Cat 56 cable & bull; Works within a building's existing cable infrastructure & bull; Choice of direct-wired or isolated splits & bull; Transmits four AES signals (eight audio channels)The Radial Catapult is a 4-channel audio snake that lets send analog or AES digital audio signals over standard Cat 5 or Cat 6 shielded twisted pair cable. This allows stage techs to take advantage of the relatively low cost of this abundantly available cable for return snakes or for transporting balanced audio across a large stage. For the system contractor, the Catapult lets take advantage of pre-wired networks to connect audio from one room to another.
Six configurations are offered with a choice of three input modules and three output modules. Each input module features four XLR inputs, four XLR thru-puts along with two Neutrik Ethercon outputs to connect the Cat 5 cable to the desired output module. These are equipped with RJ45 type Ethercon input and thru-put plus two sets of XLR outputs. These may be ordered without transformers for sub-snakes or to transmit AES audio signals; with mic isolation transformers for signal splitting between FOH, monitors or the recording system, or with line level isolation transformers to eliminate system noise. A ground lift switch is provided at each end for the Ethernet cable connection to help eliminate hum and buzz caused by ground loops.
As with all Radial products, the Catapult is constructed with solid 14-gauge steel to handle the rigors of live touring and is finished in a powder-coat finish to keep Catapult looking good for years! Inside, a two-sided PCB is used to mount the connectors and transformers doubling up the solder joints for maximum durability.
Radial Engineering RAD-SB-2 Compact Passive DI for Bass & Keyboards with Stereo to Mono Mix
The Radial StageBug SB-2 Passive is a high-performance direct box made for players who are on the move! Made to fit inside of a guitar case- the SB-2 is ultra compact yet is feature-packed to ensure great performance on any stage.
The compact design begins with a 1/4- input and thru-put to feed the on-stage amp. This connects to the made Eclipse ET-DB3 transformer which performs the impedance matching and balances the signal. When using extra high output instruments- a -15dB pad can be inserted into the signal path. This enables the SB-2 to be used with active basses and digital pianos that often tend to overload the input side of the interface. An innovative stereo-to-mono merge function provides a convenient way to connect stereo keyboards and computers without having to reset the source for mono operation- saving time and input channels on the PA. The SB-2 output features an XLR wired to the AES standard with pin-2 hot.
Once connected- the SB-2 delivers a smooth warm sound reminiscent of older vintage gear. The Eclipse ET-DB3 transformer is magical in its ability to handle extreme signal levels with a natural compression that is pleasing to the ears. The transformer also helps eliminate hum and buzz caused by ground loops by isolating the input from the output. This is augmented with a ground lift switch that lifts pin-1 on the XLR for quiet- professional results.
These features make the StageBug SB-2 a great choice for electric bass- acoustic guitar and keyboards where small size and big performance matters!
Features
Compact Passive DI for Bass & Keyboards with Stereo to Mono Mix
Passive DI for bass- acoustic and keyboard
Ultra compact to fit in your guitar case
Plug & play easy to use feature set
Transformer isolation eliminates noiseSpecifications
Audio Circuit Type: Passive- transformer based
Number of Channels: Single channel (mono)
Frequency Response: 20Hz ~ 20KHz
Dynamic Range: 115 dB
Maximum Input: +20 dB
Total Harmonic Distortion: 0.005% @ 1kHz
Phase Deviation: 3° @ 100Hz; 8° @ 50Hz
Input Impedance: 140k ohm- unbalanced
Output Impedance: 1k ohm- balanced
Radial Engineering R800-1125 ProRMP Studio Re-Amper Passive Re-Amping Direct Box
The Radial Engineering ProRMP is a 100% passive pre-amplifier that takes a prerecorded track and re-amplifies it through a guitar amp or effects pedal creating new and exciting tones. Re-amping has been the "secret weapon" for countless recordings by the biggest names in the business and the process is often used on guitars, bass, keyboards, percussion, and even voice to create new textures! Plug and play and easy to use, the ProRMP Studio Direct Box connects from the recorder to your amp and effects units and does all the impedance matching for you. Just adjust the level to suit! The magic behind the Radial Engineering ProRMP's great tone is a custom-wound transformer that at once converts the balanced Low-Z source to a Hi-Z input for your amp while also acting as an electrical isolator to eliminate troublesome ground loops that can often cause buzz and hum in the sound. Like all Radial products, the ProRMP is built tough. Encased in a 14 gauge steel, the ProRMP employs a unique bookend design with a welded I-beam frame that protects it from damage and assures the PC board and solder points will not be stressed, adding durability. A full-bottom no-slip pad works double duty by providing plenty of stays put while also eliminating electrical contact points from guitar amp chassis bolts that could cause ground loops. The Radial ProRMP direct box gives you affordable professional re-amping for every recording studio.ProRMP applicationPlug a standard balanced cable from your recorder or mixer output to the ProRMP's XLR input. Connect the 1/4" ProRMP output to your instrument amp. Adjust the ProRMP's output level control as required to match the amp input and engage the ground lift switch to eliminate any hum and buzz caused by ground loops.
Specifications:
The process is often used on guitars, bass, keyboards, percussion, and even voice to create new textures
The Radial Engineering ProRMP is a 100% passive pre-amplifier that takes a prerecorded track and re-amplifies it through a guitar amp or effects pedal creating new and exciting tones.
Adjust the ProRMP's output level control as required to match the amp input and engage the ground lift switch to eliminate any hum and buzz caused by ground loops.
Technical Details:Item Weight: 1.3 poundsProduct Dimension: 6.4 x 4.4 x 3 inchesItem model number: R800-1125
Radial Engineering RAD-SB-4 48V Compact Active DI for Piezo Pickups Low-Cut Filter Phantom
The Radial StageBug SB-4 is a compact active direct box that has been optimized for use with piezo transducers. This enables violin- dobro- mandolin- cello- upright bass and other instruments that are best amplified using a piezo to be connected without compromising the tone or frequency response.
The design begins with a 1/4- input for the instrument pickup. Unlike typical direct boxes that have a 1meg-ohm input impedance- the SB-4 features a very high 10meg-ohm impedance that smoothes out troublesome peaks that give piezos a bad name. The higher impedance also broadens the frequency response for a more natural and pleasing sound. The active circuit performs the high-to-low impedance conversion and balances the signal to enable long runs upwards to 100 meters without loss- delivering spectacular linearity and low distortion throughout the audio range.
To help eliminate feedback on stage- the SB-4 is equipped with a high-pass filter and 180A polarity reverse switch. The high pass filter eliminates excessive bottom end which in turn reduces resonance that can cause the top of the instrument to vibrate. The 180A polarity reverse helps reduce acoustic hot spots on stage by changing the phase relationship between the PA system and room acoustics which can combine at certain frequencies to create peaks. Reversing the polarity eliminates the acoustic peak without resorting to severe equalization which only serves to compromise the natural tone of the instrument. Connections include an AUX out for a stage amplifier plus a standard XLR output to feed the PA. Power is derived from the console's 48V phantom- thus eliminating the need for batteries or external supply. One simply connects- turns on the phantom power and plays!
These features combined with the compact size make the StageBug SB-4 the perfect companion for orchestral artists- blue grass players and pop string quartets that need to turn it up when in concert.
Features
Compact Active DI for Piezo Pickups Low-Cut Filter Phantom
Active DI optimized for piezo transducers
Smoothes out peaks- eliminates squawk
High pass filter eliminates resonance
Ultra compact to fit in your guitar caseSpecifications
Voltage: 48V
Audio Circuit Type: Piezo optimized active buffer
Frequency Response: 20Hz to 20kHz
Total Harmonic Distortion:
Radial Reamp-JCR
The Reamp® JCR™ is a passive Reamper™ that allows you to take a prerecorded track and send it back to a guitar or bass amplifier and re-record it. The benefits are tremendous: instead of worrying about the sound of the track, you can focus your attention on getting the best musical performance. Once the magic has been captured, you can send the guitarist home and Reamp the track at will as you move the mics around the room, try various amplifiers or introduce effects. Best of all, you can Reamp the track later as the production develops. The Radial Reamp JCR is the latest version of the original Reamp that was designed and patented by John Cuniberti. It features a 100% passive design with John & #39; s original custom wound & #39; Made in the USA & #39; transformer and circuit. The latest Radial version features separate XLR and ¼" TRS input connectors, variable output level plus a three-position filter that lets you tame excessive highs, warm up the lows or simply bypass if you want to revert to the original circuit. An on-board mute function has also been added to allow you to shut off the signal going to the amps when making adjustments or moving mics around the studio. With today & #39; s unlimited track capabilities, Reamping is now accessible to everyone. And Reamping is no longer just for guitars… It is now common to Reamp bass, keyboards, drums, violin… you name it. In fact, Reamping is the magic ingredient that has brought many of the most esteemed recordings to life. FeaturesLets you re-record tracks through a guitar or bass ampOriginal Reamp circuit designed by John CunibertiPlug and play easy to use passive designImproves productivity while expanding creative optionsRadial Item No. R800 1030Get yours today; with the security of our many decades of experience and Sam Ash Direct efficient order processing, your satisfaction is guaranteed! ??WARNING: Cancer and Reproductive Harm - www. P65Warnings. ca. gov
