Buy Radial Engineering Products online in United States

Radial Engineering PromS2 Passive Microphone Splitter

The Radial ProMS2 is a high performance mic splitter that accepts a balanced microphone signal and sends it to three outputs simultaneously. As a passive device, there is no need for power “ you merely plug in and the ProMS2 automatically springs to life to deliver pristine audio without artefact or color.The magic inside the ProMS2 is a premium Eclipse ET-MS10 transformer. This features a nickel laminated core that delivers a wide frequency response and exceptional signal handling with virtually zero distortion at all frequencies. And with better than 115dB of common mode noise rejection, you can rest assured that hum and buzz caused by ground loops and stray DC currents will be kept at a minimum. To shield against stray magnetic fields, the transformer is doubly protected with an integral MuMETAL® can plus a rugged external steel enclosure. This is augmented with RF filtering and a 100% discrete signal path to ensure optimal signal flow.As with all Radial products, construction begins with a rugged 14-gauge steel for maximum durability. A unique book-end design creates a recessed zone around the switches and connectors to protect against the harsh environment of concert touring. An internal I-beam frame makes it virtually impossible to torque the PC board which could otherwise compromise the sensitive solder joints. The innovative design has the unique advantage of allowing up to 8 units to be rack-mounted using the Radial J-Rak. Typical applications include splitting a signal in the studio to feed more than one preamp, feeding a stage mic to more than one mixing console, or even splitting the signal from a live stage to supply a broadcast feed.The Radial ProMS2 is a great sounding problem solver that lets you split microphone and DI signals with ease and confidence.

Radial Engineering TWIN ISO Passive Line-Level Isolator

The Radial Twin-Iso is a balanced 2-channel, line-level isolator that has been specifically developed for professional touring systems as a means to eliminate hum and buzz caused by ground loops when interfacing various equipment such as two consoles, remote towers and drive racks. Central to the Twin-Iso is the use of world-renowned Jensen audio transformers. These assure the very best signal transfer without distortion caused by saturation or phase shift. All connections are balanced XLR following the AES standard with pin-1 ground and pin-2 hot. To add versatility, a polarity reverse switch is provided for each channel to ensure absolute phase is maintained throughout the audio signal path. As with all Radial products, the Radial Twin-Iso features a rugged 14-gauge steel construction for maximum durability and to stand up to the rigors of pro-touring. The unique book-end design provides a protective zone for the switches while the full bottom no-slip pad provides plenty of ‘stay-put’ for more active stages. A unique skeletal design features welded I-beam construction, making it impossible to torque the internal PC board, reducing the opportunity for cold solder joints to develop due to outside stress. This unique design also permits up to eight Twin-Isos to be rack-mounted using the Radial J-Rak in just two 19” rack spaces. Features: & bull; & nbsp; & nbsp; Two channel balanced line isolator & bull; & nbsp; & nbsp; Jensen transformer-equipped & bull; & nbsp; & nbsp; 100% isolation to reduce ground loops & bull; & nbsp; & nbsp; Line-level with up to 24dB signal handling & bull; & nbsp; & nbsp; Ultra solid I-beam construction??WARNING: Cancer and Reproductive Harm - www. P65Warnings. ca. gov

Radial Engineering ProD2 Passive Stereo Direct Box

A high-quality, passive direct box that uses 2 proprietary custom-made transformers, one for each channel, for both impedance conversion and isolation. Linear from 20Hz-18kHz, with low distortion and virtually zero phase distortion makes it perfect for live or studio performances. Because of the transformer isolation, problems such as hum and buzz caused by ground loops are eliminated, making it very easy and hassle-free to use. Features include 1/4" thru/input, -15dB pad, and ground lift protected from damage by a protective front panel. Heavy-duty construction, baked enamel finish, and 600ohm balanced output. 3" x 5".

Radial Engineering JS2 Passive Microphone Splitter Direct Box

Features electrically isolated XLR I/O, a second auxiliary direct throughput with ground lift, and a transformer-isolated output. Has a 30dB pad, 48V DC phantom power, ground lift, and noise rejection up to -100dB at 60Hz. 14-gauge housing with I-beam steel frame.

Radial Engineering StageBug SB-6 Isolator

Radial Engineering StageBug SB-6 is a high performance 2-channel passive audio isolator designed to accommodate both balanced and unbalanced signals and work effectively at eliminating noise when used with instruments, consumer electronics as well as professional line-level devices.The design begins with TRS inputs and outputs to accommodate both TRS and mono type connectors. The unique circuit retains the balanced signals or automatically converts them from hi-Z to lo-Z ( mono to TRS) or lo-Z to hi-Z (14TRS to mono) depending on the connector in use. You simply connect and the SB-6 does the work for you Inside are two ultra-linear Eclipse transformers that sound great as they deliver ruler flat performance from 20Hz to 20kHz. This is augmented with a -10dB input pad to handle extra loud source devices and a polarity reverse on output B for phase aligning stereo signals. As the

Radial Engineering Pro48 Active 48-Volt Compact Active Direct Box

The Radial Pro48's innovative digital switching power supply significantly increases headroom and allows for less distortion while yielding a smooth, linear response extending from 20Hz to well above 100kHz resulting in natural, uncolored signal transfer. This superior performance makes the Pro48 an ideal candidate for use with today's battery-powered active basses and acoustic guitars that tend to overload other direct boxes. The compact Pro48 is built road-ready with 14-gauge steel in a unique bookend design that provides protective zones around the switches and connectors. The internal welded I-beam construction assures outside stress will not torque the PC board thus assuring longer product life. Pro48 - typical applicationsThe Pro48 is designed for high-use applications wherever an active direct box is called for. A 15dB pad switch is provided to tame hot signal and expands the range of instrument preamps and the ground lift switch helps eliminate hum and buzz problems caused by ground loops.

Radial Engineering RAD-SB-2 Compact Passive DI for Bass & Keyboards with Stereo to Mono Mix

The Radial StageBug SB-2 Passive is a high-performance direct box made for players who are on the move! Made to fit inside of a guitar case- the SB-2 is ultra compact yet is feature-packed to ensure great performance on any stage. The compact design begins with a 1/4- input and thru-put to feed the on-stage amp. This connects to the made Eclipse ET-DB3 transformer which performs the impedance matching and balances the signal. When using extra high output instruments- a -15dB pad can be inserted into the signal path. This enables the SB-2 to be used with active basses and digital pianos that often tend to overload the input side of the interface. An innovative stereo-to-mono merge function provides a convenient way to connect stereo keyboards and computers without having to reset the source for mono operation- saving time and input channels on the PA. The SB-2 output features an XLR wired to the AES standard with pin-2 hot. Once connected- the SB-2 delivers a smooth warm sound reminiscent of older vintage gear. The Eclipse ET-DB3 transformer is magical in its ability to handle extreme signal levels with a natural compression that is pleasing to the ears. The transformer also helps eliminate hum and buzz caused by ground loops by isolating the input from the output. This is augmented with a ground lift switch that lifts pin-1 on the XLR for quiet- professional results. These features make the StageBug SB-2 a great choice for electric bass- acoustic guitar and keyboards where small size and big performance matters! Features Compact Passive DI for Bass & Keyboards with Stereo to Mono Mix Passive DI for bass- acoustic and keyboard Ultra compact to fit in your guitar case Plug & play easy to use feature set Transformer isolation eliminates noiseSpecifications Audio Circuit Type: Passive- transformer based Number of Channels: Single channel (mono) Frequency Response: 20Hz ~ 20KHz Dynamic Range: 115 dB Maximum Input: +20 dB Total Harmonic Distortion: 0.005% @ 1kHz Phase Deviation: 3° @ 100Hz; 8° @ 50Hz Input Impedance: 140k ohm- unbalanced Output Impedance: 1k ohm- balanced

Radial Reamp-JCR

The Reamp® JCR™ is a passive Reamper™ that allows you to take a prerecorded track and send it back to a guitar or bass amplifier and re-record it. The benefits are tremendous: instead of worrying about the sound of the track, you can focus your attention on getting the best musical performance. Once the magic has been captured, you can send the guitarist home and Reamp the track at will as you move the mics around the room, try various amplifiers or introduce effects. Best of all, you can Reamp the track later as the production develops. The Radial Reamp JCR is the latest version of the original Reamp that was designed and patented by John Cuniberti. It features a 100% passive design with John & #39; s original custom wound & #39; Made in the USA & #39; transformer and circuit. The latest Radial version features separate XLR and ¼" TRS input connectors, variable output level plus a three-position filter that lets you tame excessive highs, warm up the lows or simply bypass if you want to revert to the original circuit. An on-board mute function has also been added to allow you to shut off the signal going to the amps when making adjustments or moving mics around the studio. With today & #39; s unlimited track capabilities, Reamping is now accessible to everyone. And Reamping is no longer just for guitars… It is now common to Reamp bass, keyboards, drums, violin… you name it. In fact, Reamping is the magic ingredient that has brought many of the most esteemed recordings to life. FeaturesLets you re-record tracks through a guitar or bass ampOriginal Reamp circuit designed by John CunibertiPlug and play easy to use passive designImproves productivity while expanding creative optionsRadial Item No. R800 1030Get yours today; with the security of our many decades of experience and Sam Ash Direct efficient order processing, your satisfaction is guaranteed! ??WARNING: Cancer and Reproductive Harm - www. P65Warnings. ca. gov

Radial Engineering STAGE BUG SB48 Phantom Power Supply

The Radial SB-48 is a high performance phantom power generator that employs a non-radiating charge pump circuit to create a stable, ripple-free 48 volt supply for active direct boxes and condenser microphones. The stereo design features XLR inputs and outputs with a choice of 48V and 12V operation. The SB-48 is powered by a single 15VDC 400 milliamp supply that is included. The connector may be locked into place using a retention clamp. As with all Radial products, the SB-48 is manufactured in Canada from solid steel and powder coated for years of great looks!

Radial Engineering RAD-MCBOOST Microphone Signal Intensifier

The Radial McBoost is a high performance microphone signal booster designed to elevate the output of a typical dynamic microphone for greater transient response and boost the signal of a low-output ribbon mic to bring it up to a usable level for mixing consoles or preamps that may not provide sufficient gain. The 100% discrete class-A circuit design begins with a dual-transistor J-FET circuit to produce up to 25dB of gain without introducing noise- color or artifact. Each individual transistor is carefully measured and batch-sorted to comply with the design specification to certify performance. As with all Radial products- the circuit board is then loaded into a 14-gauge- I-beam- reinforced steel enclosure to prevent outside stress from torquing which otherwise could lead to premature part failure. A book-end cover creates protective zones at each end to safeguard the switches- potentiometer and connectors from the rigours of the road. Merely connect the McBoost in-line using standard 3-pin XLRs and activate 48V phantom to provide power. Select between three impedance settings to optimize the response and then reduce low-frequency clutter with the 3-position high-pass filter. The McBoost will elevate the output to produce added clarity- excitement and extra drive for long cables whether you are in a recording studio- on a live concert stage or in a broadcast center. That's what the manufacturer has to say What we say is that you you can create sonic bliss with the Radial Engineering McBoost. Take any standard dynamic mic- hook it up to the McBoost - plug into your preamp/mixer and blamo! your -blah-- weak sounding mic is transformed into an amazingly hi-end- broadcast quality- sonic weapon. The McBoost takes the unused phantom power portion of your mixers channel or preamp and turns it into an additional 25 db's of volume. If your mixers preamp only outputs 60 db's well here is an additional 25 db's boosting your mixer or preamp up to a whopping 85 db's of sound turning your mic and mixer/preamp into aural bliss! It's a -must have- for any audio engineer in the studio or the field. Features Microphone Signal Intensifier 25dB signal booster for dynamic & ribbon mics Extends dynamic range and microphone reach Uses standard 48V phantom for power 3-position load switch and high-pass filterSpecifications Audio Circuit Type: Class-A Differential FET/Bipolar Hybrid Frequency Response: 7Hz to 30kHz Total Harmonic Distortion: 0.005% @-30dB Dynamic Range: 105 dB Maximum Input: -6 dBu Maximum gain: +25 dB Equivalent Input Noise: -120dBu Input Impedance: 600

Radial Engineering R8007203 Big Shot Mix Pedal Signal True Bypass Effects Mixer

The Radial Engineering Bigshot Mix True Bypass Effects Mixer is an innovative pedal that solves the problem of signal coloration and degradation that occurs with the use of effects. As all guitarists and bassists know, effect pedals can often introduce noise along with the desired effect. They can also color your tone. The Bigshot Mix provides a buffer between your signal path and your effects loop. The amount of effect mixed with your clean signal is adjustable, and a polarity switch can be adjusted to account for the 180-degree phase variance most effect pedals introduce. The result is exactly the amount of effect saturation desired, with none of the problems usually associated with effects chains. Built from 14-gauge steel and heavy-duty hardware for years of hard work, the Bigshot Mix is the "fix" that allows your effects to fulfill their potential without overpowering the natural tone of your guitar. Specifications: True Bypass effects mixer Lets you mix any effect into your signal path Buffered loop to reduce pedal noise & nbsp; Technical Details: Brand: Radial Engineering Item Weight: 1.4 poundsProduct Dimensions: 5.8 x 4 x 2.5 inchesItem model number: R8007203

Radial Engineering RAD-SB-4 48V Compact Active DI for Piezo Pickups Low-Cut Filter Phantom

The Radial StageBug SB-4 is a compact active direct box that has been optimized for use with piezo transducers. This enables violin- dobro- mandolin- cello- upright bass and other instruments that are best amplified using a piezo to be connected without compromising the tone or frequency response. The design begins with a 1/4- input for the instrument pickup. Unlike typical direct boxes that have a 1meg-ohm input impedance- the SB-4 features a very high 10meg-ohm impedance that smoothes out troublesome peaks that give piezos a bad name. The higher impedance also broadens the frequency response for a more natural and pleasing sound. The active circuit performs the high-to-low impedance conversion and balances the signal to enable long runs upwards to 100 meters without loss- delivering spectacular linearity and low distortion throughout the audio range. To help eliminate feedback on stage- the SB-4 is equipped with a high-pass filter and 180A polarity reverse switch. The high pass filter eliminates excessive bottom end which in turn reduces resonance that can cause the top of the instrument to vibrate. The 180A polarity reverse helps reduce acoustic hot spots on stage by changing the phase relationship between the PA system and room acoustics which can combine at certain frequencies to create peaks. Reversing the polarity eliminates the acoustic peak without resorting to severe equalization which only serves to compromise the natural tone of the instrument. Connections include an AUX out for a stage amplifier plus a standard XLR output to feed the PA. Power is derived from the console's 48V phantom- thus eliminating the need for batteries or external supply. One simply connects- turns on the phantom power and plays! These features combined with the compact size make the StageBug SB-4 the perfect companion for orchestral artists- blue grass players and pop string quartets that need to turn it up when in concert. Features Compact Active DI for Piezo Pickups Low-Cut Filter Phantom Active DI optimized for piezo transducers Smoothes out peaks- eliminates squawk High pass filter eliminates resonance Ultra compact to fit in your guitar caseSpecifications Voltage: 48V Audio Circuit Type: Piezo optimized active buffer Frequency Response: 20Hz to 20kHz Total Harmonic Distortion:

Radial Engineering SGI TX/RX Studio Guitar Interface

A transmit and receive module allows your guitar signal to travel through 350' of balanced cable to a distant amplifier. The SGI is a unity gain device that features 100% discrete Class-A circuitry and transformer isolation to eliminate ground loops. It also has a Drag Control load correction circuit, DC connection for provided 15VDC supply, and ground lift. The SGI receive module features an XLR input and ground lift. Made from heavy-duty 14-gauge steel with internal I-beam frame and protective zone around switches and connectors. With the SGI, the guitarist can now play the roles of performer, engineer, and producer while saving immeasurable time during the recording process.

Radial Engineering Catapult RX4L Cat5 Audio Receiver (4x4 Line Out)

Why you need the Radial Engineering Catapult RX4L Cat5 Audio Receiver (4x4 Line Out):The Radial Catapult is a 4-channel audio snake that lets you send analog or AES digital audio signals over standard Cat 5 or Cat 6 shielded twisted pair cable. This allows stage techs to take advantage of the relatively low cost of this abundantly available cable for return snakes or for transporting balanced audio across a large stage. For the system contractor, the Catapult lets you take advantage of pre-wired networks to connect audio from one room to another.Six configurations are offered with a choice of three input modules and three output modules. Each input module features four XLR inputs, four XLR thru-puts along with two Neutrik Ethercon™ outputs to connect the Cat 5 cable to the desired output module. These are equipped with RJ45 type Ethercon input and thru-put plus two sets of XLR outputs. These may be ordered without transformers for sub-snakes or to transmit AES audio signals; with mic isolation transformers for signal splitting between FOH, monitors or the recording system, or with line level isolation transformers to eliminate system noise. A ground lift switch is provided at each end for the Ethernet cable connection to help eliminate hum and buzz caused by ground loops.As with all Radial products, the Catapult is constructed with solid 14-gauge steel to handle the rigors of live touring and is finished in a powder-coat finish to keep your Catapult looking good for years! Inside, a two-sided PCB is used to mount the connectors and transformers doubling up the solder joints for maximum durability.Features:Send analog audio or digital AES signals over Cat 5/6 cableWorks within a building's existing cable infrastructureChoice of direct-wired or isolated splitsTransmits four AES signals (eight audio channels)

Radial Engineering Tonebone Headlight Guitar Amp Selector Pedal

The Headlight & trade; is a unity gain guitar amp selector designed to easily integrate on a pedalboard and allow the artist to seamlessly switch between as many as four amps using a single footswitch. The magic behind the compact design is the combination of 1/4" switching output jacks and an innovative sequential footswitch that advances through the connected outputs depending on how many amps are connected. You merely stomp on the footswitch to go from one output to the next. This enables the Headlight to be used with one, two, three or even four amps. High visibility LEDs provide instant output status on busy stages.The design begins with Radial's legendary Class-A input buffer for optimal signal transfer and minimal distortion without artefact. Drag & trade; Control load correction is used to replicate the tone and feel as if connected directly to an amplifier. The signal is then sent to the four outputs, three of which are transformer isolated to prevent hum and buzz caused by ground loops. Each output is augmented with a ground lift switch to further aid in reducing nose. To ensure all amplifiers play in phase, 180° polarity reverse switches may be set as needed. A mute footswitch works double duty as either a mute that turns off all the outputs except for the dedicated tuner out or as an "all-on" switch if driving multiple amps at the same time is desired.The Headlight follows Radial's pedigree for exceptional build quality with 14-gauge steel construction throughout. This not only protects the sensitive inner workings from outside stress, it also helps prevent noise from nearby magnetic fields from polluting the inner workings. To accommodate pedalboards, the Headlight is powered by a standard 9V supply for easy integration with a multi-pedal power brick.

Radial Engineering Headload Guitar Amp Load Box 16 ohms

The Headload is a combination load box and attenuator that is capable of handling up to 130-watts RMS of continuous power and peaks of 180 watts. Inserted between the head and cabinet, it allows the guitar amp to be driven hard while reducing the output level to reduce the sound pressure on stage or provide the means for quiet recording in the studio. This enables the artist to optimize the tone from the guitar amplifier without having to perform at ear-blistering levels. The 100% discrete fan-cooled design begins with a series of cement encrusted, epoxy coated copper resistor coils that are controlled via a 6-position rotary switch to set the desired power reduction from 100% down to 20%. A trim control provides fine adjustment when below 20%. The Headload output can be turned off for quiet on-stage use, recording or when practicing using the built-in headphone amplifier. In order to ensure greater consistency from gig to gig, the Headload is equipped with a Radial JDX Reactor direct box. This captures both the signal from the head plus the reactive load from the speaker cabinet for a more natural tone. The JDX has gained tremendous popularity with users as diverse as Megadeth, Aerosmith, Rascal Flatts, Sting and Radiohead. For engineers that prefer to combine a direct feed with a microphone, the Headload has also been equipped with a Radial Phazer “ phase adjustment tool. This lets you time-align the JDX direct feed with the microphone to deliver incredibly natural tones, or when pushed to extreme, create over the top effects. The JDX direct output may also be tailored to suit with a 6-position voicing switch to select from various cabinet emulation presets and fine tuned using a 2-band EQ to tame overly bright amps. Available now in 8 ohms, the Headload is possibly the most useful load box ever made.

Radial Engineering BigShot ABY True Bypass Switch Pedal

The Radial BigShot ABY is a compact ABY switcher that enables you to switch between two amplifiers or combine the signal when you want both amps to play at the same time.This true-bypass ABY switcher is completely passive meaning that there are no tone altering buffers between the guitar and the amplifier. With the BigShot ABY, you get the pure tone from your guitar plugged direct into your amp. To add versatility, the BigShot ABY is also equipped with a separate tuner out. This 'always on' output feeds your tuner for constant monitoring while keeping it out of the signal chain. Should you experience hum and buzz problems due to ground loops, the BigShot ABY comes to the rescue with a built-in isolation transformer and ground lift switch. Once engaged, you can toggle the polarity of the second amplifier to ensure both amps play in absolute phase.In use, the BigShot ABY is simple to use and efficient on stage. When powered by an external 9V supply or pedalboard power brick, full size super-bright LEDs spring to life to provide instant on-stage amplifier status readout. When power is unavailable, the passive audio signal path still works, unaffected. The compact yet ultra-rugged design makes the BigShot ABY ideal for pedalboards where space is always at a premium.

Radial Engineering EXTC SA Guitar Effects Reamp Interface

Radial Engineering EXTC SA Guitar Effects Reamp Interface

Radial Engineering IceCube IC-1 Balanced Line Isolator and Hum Eliminator

The Radial IceCube IC-1 is a balanced line level isolator designed to quickly eliminate hum and buzz problems in an audio system by simply inserting it into the signal path.Measuring just over 4" x 1 ½" (10 x 4cm), the compact design begins with two super-duty glass-filled nylon XLRs at each end with heavy duty nickel-silver contacts that will not tarnish over time. Unlike other isolators that are made of plastic, the IceCube is made from solid 16 gauge steel and finished in a tough powder coat. The steel outer shell is not only more durable, it provides excellent shielding against electromagnetic fields radiated by power cables, dimmers, motors and power supplies - delivering consistently quieter results when deployed. This is augmented with a 'set & forget' ground lift switch to eliminate hum and buzz caused by ground loops.Inside the IceCube, a proprietary Eclipse transformer isolates the input from the output and blocks stray DC currents. While small transformers rarely perform well below 100Hz, the IceCube is exceptionally linear from 20Hz to 18kHz. It is also able to withstand up to +10dB at 20Hz with less than 0.01% distortion. It is a quick and easy problem solver that will eliminate noise without limiting the bandwidth or introducing phase shift, harsh sound or unpleasant artifacts.These features combine to make the IceCube an ideal problem solver for the AV technician and audio engineer that work in the fast-paced world of live touring, AV rentals and system integration.

Radial Engineering EXTC SA w/ Samson SR350 Headphones Bundle

This bundle includes the Radial Engineering EXTC SA Stand Alone and a set of Samson SR350 Headphones.

Radial Engineering RAD-EXTC-SA Guitar Effects Interface

The EXTC-SA from Radial is a stand-alone audio interface that lets you incorporate guitar effects into the realm of pro-audio recording. Just imagine- add a touch of grit to a vocal track- some wah on a kick drum- maybe flange a violin the EXTC is a creative tool made for your esoteric-inventive side- ready to unleash fresh new sounds that will make your recordings stand out from the crowd. And it's super easy to use: connect a line level signal from the recording system. The EXTC-SA unbalances the signal and converts it to high impedance where guitar pedals can be inserted at will. Simply plug in- turn the track on- set your levels and adjust the blend for just the right amount of magic. Be prepared for instant amazement. Features include Radial's award winning 100% discrete class-A guitar buffering for ultimate audio integrity- transformer isolation to eliminate buzz and hum caused by ground loops- 180° polarity reverse to keep effects and balanced signals in phase- and two loops that can let you compare signal paths or combine them to create your magical masterpiece. The Radial EXTC-SA is without a doubt one of the most innovative effect manipulating devices ever made. Features Guitar Effects Interface Balanced interface for guitar effects pedals Separate send & receive controls optimize signal path Transformer isolation helps eliminate ground loops Creative tool helps your mix stand out from the restSpecifications Circuit Type: Solid state with transformer coupled effects loop Power Requirement: 60mA- ±16VDC Frequency Response: 20Hz ~ 20kHz ±1.5 dB THD+N: >0.005% 0 dB output Noise: -93dB Intermodulation Distortion: >0.003% 0dBu input Maximum Input: +26dBu