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Orff/Carmina Burana 180g LP (Vinyl)

The German Choir & amp; Orchestra of Berlin conducted by Eugen Jochum and featuring soprano Gundula Janowitz, tenor, Gerhard Stolze and baritone Dietrich Fischer-Dieskau. This Limited Edition 180g LP is brought to you by the people responsible for the Decca reissue series. A sonic & amp; musical masterpiece! A combination of the best recording & amp; performance. Wow! & lt;br & gt; & lt;br & gt; & lt;b & gt; Features: & lt;/b & gt; & lt;br & gt; • 180g Virgin Vinyl & lt;br & gt; • High Quality Pressing & lt;br & gt; • Audiophile Mastering & lt;br & gt; • Gatefold Cover & lt;br & gt; & lt;br & gt; Musicians: & lt;br & gt; Gundula Janowitz, soprano & lt;br & gt; Gerhard Stolze, tenor & lt;br & gt; Dietrich Fischer-Dieskau, baritone & lt;br & gt; Chor und Orchester der Deutschen Oper Berlin & lt;br & gt; Walter Hagen-Groll, concertmaster & lt;br & gt; Eugen Jochum, conductor & lt;br & gt; & lt;br & gt; & lt;b & gt; Selections: & lt;br & gt; Carl Orff (1895-1982) & lt;br & gt; Carmina Burana & lt;br & gt; & lt;/b & gt; 1.-2. Fortuna Imperatrix & lt;br & gt; 3.-5. I Primo Vere & lt;br & gt; 6.-10. Uf dem anger & lt;br & gt; 11.-14. Il In Taberna & lt;br & gt; 15.-23. Ill Cour d'amours & lt;br & gt; 24. Blanziflor et Helena & lt;br & gt; 25. Fortuna Imperatrix Mundi

BEETHOVEN CONCERT FOR VIOLIN & ORCHESTRA 180g LP (Vinyl)

Berlin Philharmonic, Eugen Jochum conductor. Wolfgang Schneiderhan, violin. & lt;br & gt; & lt;br & gt; & lt;b & gt;Selections: & lt;br & gt; Concert for Violin & amp; Orchestra & lt;/b & gt; & lt;br & gt; 1. Allegro ma non troppo & lt;br & gt; 2. Larghetto & lt;br & gt; 3. Rondo-Allegro

Tchaikovsky Symphony No. 6 Pathetique 180g LP (Vinyl)

Made during the pioneering days of stereo technology when everyone was vying for a piece of the cake, it is hard to believe that this absolutely top-notch recording of Tchaikovsky’s Pathetique has never been brought to the ears of music lovers until today. And it is even more unbelievable since it was made by a first-class orchestra, the Berlin Radio Symphony Orchestra, and conducted by one of the greatest conductors of the 20th century, Ferenc Fricsay. The reasons for the non-release are a matter of speculation because those responsible have kept them under their hat. & lt;br & gt; & lt;br & gt; Not even the man behind the microphone, Werner Wolf, can recall making this recording - although a yellowed recording protocol discloses carefully noted details about the recording venue and date. No wonder that the tapes never got made into records. It is not with a little pride and much joyful anticipation that the announcement can be made: the record is spinning on the turntable at last. & lt;br & gt; & lt;br & gt; And at long last a gap in Fricsay’s repertoire can be closed. Specially recommended: listen to the wonderful clarity of the upper strings which is preserved even in the softest passages. & lt;br & gt; & lt;br & gt; & lt;b & gt;Features: & lt;br & gt; & lt;/b & gt; • 180g Virgin Vinyl & lt;br & gt; • High Quality Pressing & lt;br & gt; • Audiophile Mastering & lt;br & gt; & lt;br & gt; Musicians: & lt;br & gt; Radio-Symphony Orchester Berlin & lt;br & gt; Ferenc Fricsay, conductor & lt;br & gt; & lt;br & gt; & lt;b & gt;Selections: & lt;br & gt; Peter Tschaikowsky (1840-1893) & lt;br & gt; Symphony No. 6 in B minor, Op. 74 (Pathetique) & lt;/b & gt; & lt;br & gt; 1. Adagio - Allegro non troppo & lt;br & gt; 2. Allegro con grazia & lt;br & gt; 3. Allegro molto vivace & lt;br & gt; 4. Finale. Adagio lamentoso

Dvorak String Quintet in G Major (Vinyl)

& lt;font color= & quot;#FF0000 & quot; & gt; & lt;b & gt;180g Virgin Vinyl! High Quality Pressing! & lt;br & gt; Pure Analogue Audiophile Mastering & lt;/b & gt; & lt;/font & gt; & lt;br & gt; & lt;br & gt; A perusal of string quintets throughout history leaves one with the impression that their creators wish to bestow a powerful impact upon the small group of musicians. And it is no different with Dvorak’s Quintet in G major: a double bass, instead of the usual second cello, paints with broad strokes in the lengthy score whose first movement almost takes on symphonic dimensions. Here, the insistent, broad theme is presented in snappy cascades of sound. The cantilena, supported by a scurrying second subject, is followed by a frenzied Scherzo, which is steeped in Czech folk music under Dvorak’s distinctive style. The third movement (Poco andante) is highly meditative and is constructed with layers of one and the same basic motif, which soon is intensified with pulsating quavers and finally evolves in rising melodic elements. & lt;br & gt; & lt;br & gt; The Finale is filled with fresh melodies and spiced with subtle motivic development, which is pleasant on the ear in all its complexity. It is not surprising, therefore, that Dvorak won an important prize for his Quintet. & lt;br & gt; & lt;br & gt; & lt;b & gt;Features: & lt;/b & gt; & lt;br & gt; • 180g Virgin Vinyl & lt;br & gt; • High Quality Pressing & lt;br & gt; • Pure Analogue Audiophile Mastering & lt;br & gt; & lt;br & gt; & lt;b & gt;Musicians: & lt;/b & gt; & lt;br & gt; Boston Symphony Chamber Players & lt;br & gt; Joseph Silverstein, conductor & lt;br & gt; Max Hobart & lt;br & gt; Burton Fine & lt;br & gt; Jules Eskin & lt;br & gt; Henry Portnoi & lt;br & gt; & lt;br & gt; & lt;b & gt;Selections: & lt;/b & gt; & lt;br & gt; & lt;b & gt;Antonin Dvorak (1841-1904) & lt;/b & gt; & lt;br & gt; & lt;b & gt;String Quintet in G Major & lt;br & gt; Side 1: & lt;/b & gt; & lt;br & gt; 1. Allegro con fuoco & lt;br & gt; 2. Intermezzo. Andante religioso. Molto Adagio & lt;br & gt; 3. Scherzo. Allegro vivace - Trio. L'istesso tempo, quasi Allegretto & lt;br & gt; & lt;b & gt;Side 2: & lt;/b & gt; & lt;br & gt; 4. Poco Andante & lt;br & gt; 5. Finale. Allegro assai

Mozart Piano Concertos 180g LP (Vinyl)

Fredrich Gulda is known to well. He is the musical wizard in the embroidered cap, an artist who is equally at home in jazz, the Viennese lied or the works of the Viennese Classic. Gulda might have only performed a small number of his compatriot's 27 piano concertos but with these few he certainly created a sensation. That the present recording of the Concertos Numbers 20 and 21, even after 25 years, is still regarded as ranking among the very best performances is something that can be heard after just a few bars. & lt;br & gt; & lt;br & gt; & lt;b & gt;Selections: & lt;/b & gt; & lt;br & gt; 1. Piano Concertos 20 and 21

Tchaikovsky & Mendelssohn Violin Concertos 180g LP (Vinyl)

Although he has lived in the USA since 1929 and even took on American citizenship in 1942, Nathan Milstein is often referred to as perhaps the last & quot;Russian & quot; among all Russian violinists due to his art of playing - which is governed wholly by intellect. This does not mean that Milstein plays in an academic or cool manner, his art is thoughtful and controlled - in the very best sense of the meaning. And this should certainly not be equated with & quot;deliberateness. & quot; On the contrary. Milstein’s tremendous virtuosity, particularly in the fiendishly difficult final movements of Tchaikovsky’s and Mendelssohn’s concertos, takes both works to new heights. Although never a forceful presence since he employs relatively little vibrato and thus achieves a slender tone, Milstein’s playing is filled with amazing assertion and luminance, and is quite fascinating for its extraordinary purity. And this is precisely what enhances his interpretation of these two great classical concertos, lending them a legendary grace, a feeling of rightness - that there is no other way. The Vienna Philharmonic, with their great tradition, provide support of the first order, and Claudio Abbado proves once again that he is a more than circumspect master of the baton. & lt;br & gt; & lt;br & gt; Features: & lt;br & gt; • 180g Virgin Vinyl & lt;br & gt; • High Quality Pressing & lt;br & gt; • Audiophile Mastering & lt;br & gt; & lt;br & gt; Musicians: & lt;br & gt; Wiener Philharmoniker & lt;br & gt; Claudio Abbado, conductor & lt;br & gt; Nathan Milstein, violin & lt;br & gt; & lt;br & gt; & lt;b & gt;Selections: & lt;br & gt; Peter Tschaikowsky (1840-1893) & lt;br & gt; Concerto for Violin and Orchestra in D major, Op. 35 & lt;/b & gt; & lt;br & gt; 1. Allegro Moderato & lt;br & gt; 2. Canzonetta Andante & lt;br & gt; 3. Finale Allegro Vivacissimo & lt;br & gt; & lt;b & gt;Felix Mendelssohn Bartoholi (1809-1847) & lt;br & gt; Concerto for Violin and Orchestra in E Minor, Op. 64 & lt;/b & gt; & lt;br & gt; 4. Allegro molto Apassionato & lt;br & gt; 5. Andante & lt;br & gt; 6. Allegretto non troppo - allegro molto vivace