Jack White Boarding House Reach 180g LP (Vinyl)
& lt;a href=javascript:; & quot; onclick= & quot;document.location.hash='SS'; & quot; & gt; & lt;img src= & quot;/content/images/playbutton.gif & quot; hspace= & quot;10 & quot; align= & quot;left & quot; border= & quot;0 & quot; & gt; & lt;font color= & quot;0000FF & quot; & gt; & lt;b & gt;Click Here for Video Sample! & lt;/b & gt; & lt;/font & gt; & lt;/a & gt; & lt;br & gt; & lt;br & gt; & lt;font color= & quot;#FF0000 & quot; & gt; & lt;b & gt;180g Vinyl LP! & lt;/b & gt; & lt;/font & gt; & lt;br & gt; & lt;br & gt; BOARDING HOUSE REACH is the new solo album from Jack White, and is a testament to the breadth of the artists creative power and his bold artistic ambition. This material finds Jack White expanding his musical palate with perhaps his most ambitious work thus far, a collection of songs that are simultaneously timeless and modern. Written and conceived while holed up in a Spartan apartment with literally no outside world distractions, White exclusively used the same kind of gear he had when he was 15 years old (a quarter-inch four-track tape recorder, a simple mixer, and the most basic of instrumentation). The album explores a remarkable range of sonic terrain -- crunching rock n roll, electro and hard funk, proto punk, hip hop, gospel blues, and even country -- all remapped and born anew to fit Whites matchless vision and sense of restless experimentation. & lt;br & gt; & lt;br & gt; BOARDING HOUSE REACH was produced by Jack White III and recorded at Third Man Studio in Nashville, TN, Sear Sound in New York, NY, and Capitol Studios in Los Angeles, CA. The album was mixed by Bill Skibbe, Joshua V. Smith, and White at Third Man Studio in Nashville, TN. The album features White on vocals, acoustic and electric guitars and drums, organ, and synthesizers. Hes backed by a remarkable new lineup of musicians that includes: drummer & lt;b & gt;Louis Cato & lt;/b & gt; (Beyoncé, Q-Tip, John Legend, Mariah Carey), bassists & lt;b & gt;Charlotte Kemp & lt;/b & gt; Muhl (The Ghost of a Saber Tooth Tiger) and & lt;b & gt;NeonPhoenix & lt;/b & gt; (Kanye West, Lil Wayne, Jay-Z), synthesizer players & lt;b & gt;DJ Harrison & lt;/b & gt; and & lt;b & gt;Anthony & quot;Brew & quot; Brewster & lt;/b & gt; (Fishbone, The Untouchables), keyboardists & lt;b & gt;Neal Evans & lt;/b & gt; (Soulive, Talib Kweli, John Scofield) and & lt;b & gt;Quincy McCrary & lt;/b & gt; (Unknown Mortal Orchestra, Pitbull), percussionists & lt;b & gt;Bobby Allende & lt;/b & gt; (David Byrne, Marc Anthony) and & lt;b & gt; Justin Porée & lt;/b & gt; (Ozomatli), and backing vocalists & lt;b & gt;Esther Rose & lt;/b & gt; and & lt;b & gt;Ann & amp; Regina & lt;/b & gt; & lt;b & gt;McCrary & lt;/b & gt; of Nashvilles beloved gospel trio, The McCrary Sisters, as well as longtime collaborators like drummers & lt;b & gt;Daru Jones & lt;/b & gt; (Nas, Talib Kweli) and & lt;b & gt;Carla Azar & lt;/b & gt; (Autolux, Depeche Mode, Doyle Bramhall II). Singer-songwriter & lt;b & gt;C.W. Stoneking & lt;/b & gt; also appears, contributing a stirring spoken word performance to the albums & quot;Abulia and Akrasia. & quot; & lt;br & gt; & lt;br & gt; & lt;a name= & quot;SS & quot; & gt; & lt;/a & gt; & lt;iframe width= & quot;560 & quot; height= & quot;315 & quot; src= & quot;https://www.youtube.com/embed/VFnXRntc9XA & quot; frameborder= & quot;0 & quot; allow= & quot;autoplay; encrypted-media & quot; allowfullscreen & gt; & lt;/iframe & gt; & lt;br & gt; & lt;br & gt; & lt;b & gt;Features: & lt;/b & gt; & lt;br & gt; 180g Vinyl & lt;br & gt; & lt;br & gt; & lt;b & gt;Selections: & lt;br & gt; Side A: & lt;/b & gt; & lt;br & gt; 1. Connected By Love & lt;br & gt; 2. Why Walk A Dog? & lt;br & gt; 3. Corporation & lt;br & gt; 4. Abulia And Akrasia & lt;br & gt; 5. Hypermisophoniac & lt;br & gt; 6. Ice Station Zebra & lt;br & gt; & lt;b & gt;Side B: & lt;/b & gt; & lt;br & gt; 1. Over And Over And Over & lt;br & gt; 2. Everything You've Ever Learned & lt;br & gt; 3. Respect Commander & lt;br & gt; 4. Ezmerelda Steals The Show & lt;br & gt; 5. Get In The Mind Shaft & lt;br & gt; 6. What's Done Is Done & lt;br & gt; 7. Humoresque
The Lost Notebooks Of Hank Williams 180g LP & CD (Vinyl)
& lt;font color= & quot;#FF0000 & quot; & gt; & lt;b & gt;All Star Roster Of Musicians Complete And Perform Previously Unrecorded Hank Williams Lyrics! & lt;br & gt; Includes Performers Bob Dylan, Meryle Haggard, Patty Loveless, Norah Jones, Alan Jackson, Lucinda Williams, Jack White & amp; More!! & lt;br & gt;180g Vinyl Plus Bonus CD! & lt;/b & gt; & lt;/font & gt; & lt;br & gt; & lt;br & gt; Egyptian Records, Bob Dylan's imprint, in partnership with the Country Music Hall of Fame and Museum's CMF Records and Columbia Records releases The Lost Notebook of Hank Williams. & lt;br & gt; & lt;br & gt; The album is the long-awaited collection of previously unrecorded Hank Williams lyrics newly set to music and performed for the first time as completed songs by a roster of artists with a musical and spiritual kinship to the archetypal American country music singer-songwriter. & lt;br & gt; & lt;br & gt; Created from writings left behind by country music's 'lovesick blues boy', The Lost Notebook of Hank Williams premieres the first-ever performances of 12 previously unheard Hank Williams lyric compositions newly set to music by 13 artist whose own sensibilities have been profoundly shaped by Williams. & lt;br & gt; & lt;br & gt; From heartbreak to honky-tonking, from Jesus to gin mills, Hank Williams wrote about life's deepest truths and sang with an ethereal authority on such unforgettable songs as & quot;Your Cheatin' Heart & quot;, & quot;I Saw the Light & quot;, & quot;I'm So Lonesome I Could Cry & quot;, & quot;Cold, Cold Heart & quot; and many more. & lt;br & gt; & lt;br & gt; When Hank Williams dies, at the age of 29, in the back of his Cadillac sometime early morning on New Year's Day 1953, he left behind a scuffed, embroidered brown leather briefcase, which he used to carry bound notebooks, among other items, darkening their pages with lyrics and song ideas. Some were fully finished, some just started. & lt;br & gt; & lt;br & gt; The odyssey of Hank Williams' notebooks is recounted in the album's liner notes, penned by Michael McCall from the Country Music Hall of Fame and Museum, who observes, & lt;b & gt; & quot;The history of Hank's notebooks is as complex as the legend himself. Yet, in the end, what matters most are the songs, and these new works rise from the ether with ghostly relevance. As with his many standards, these new recordings tap straight into the soul of man. This is songwriting at its most artful and most powerful. & quot; & lt;/b & gt; & lt;br & gt; & lt;br & gt; The release of The Lost Notebooks of Hank Williams provides an audio companion to the Country Music Hall of Fame and Museum's Family Tradition: The Williams Family Legacy, a 5,000 square foot exhibition presenting an intimate portrait of a great American musical dynasty. Family Tradition, which opened in March 2008, is the largest and most popular temporary exhibition in the institution's history with over 3 million visitors. & lt;br & gt; & lt;br & gt; & lt;b & gt;Features: & lt;/b & gt; & lt;br & gt; 180g Vinyl & lt;br & gt; Bonus CD included & lt;br & gt; & lt;br & gt; & lt;b & gt;Selections: & lt;br & gt; Side A: & lt;/b & gt; & lt;br & gt; 1. You've Been Lonesome, Too - Alan Jackson & lt;br & gt; 2. The Love That Faded - Bob Dylan & lt;br & gt; 3. How Many Times Have You Broken My Heart? - Norah Jones & lt;br & gt; 4. You Know That I Know - Jack White & lt;br & gt; 5. I'm So Happy I Found You - Lucinda Williams & lt;br & gt; 6. I Hope You Shed a Million Tears - Vince Gill & amp; Rodney Crowell & lt;br & gt; & lt;b & gt;Side B: & lt;/b & gt; & lt;br & gt; 7. You're Through Fooling Me - Patty Loveless & lt;br & gt; 8. You'll Never Again Be Mine - Levon Helm & lt;br & gt; 9. Blue Is My Heart - Holly Williams & lt;br & gt; 10. Oh, Mama, Come Home - Jakob Dylan & lt;br & gt; 11. Angel Mine - Sheryl Crow & lt;br & gt; 12. The Sermon On the Mount - Merle Haggard
The White Stripes Hello Operator & Jolene 45rpm 7" Vinyl
The sole single off of the Stripes sophomore & quot;De Stijl & quot; album, & quot;Hello Operator & quot; was the first song legendary UK DJ John Peel ever played by the band. If that wasn't enough, the b-side showcases the band's cover of Dolly Parton's & quot;Jolene & quot; a long-time fan favorite live only ever available on this single. & lt;br & gt; & lt;br & gt; & lt;b & gt;Features: & lt;/b & gt; & lt;br & gt; 45rpm 7 & quot; Vinyl & lt;br & gt; Black Vinyl & lt;br & gt; Picture Sleeve & lt;br & gt; & lt;br & gt; & lt;b & gt;Selections: & lt;br & gt; Side A: Hello Operator & lt;br & gt; Side B: Jolene & lt;/b & gt;
The White Stripes Merry Christmas From... The White Stripes 45rpm 7" Vinyl
& lt;img src= & quot;/content/images/christmasbells.gif & quot; align= & quot;right & quot; hspace= & quot;10 & quot; & quot; & gt; Available again! 333 copies were printed on red vinyl and included as part of the White Stripes 2010 Holiday Merchandise package, but in-print forever copies are now to be had on black vinyl. & lt;br & gt; & lt;br & gt; The A-side was originally recorded in 1998 and it's title has been appropriated by Stripes fans as a term to describe themselves as a group. The b-side features Meg singing an a cappella version of & quot;Silent Night & quot; coupled with Jack reading the Story of the Magi from the Bible. The whole thing is a warming, heartfelt pile of Christmas goodness...dig in! & lt;br & gt; & lt;br & gt; & lt;b & gt;Features: & lt;/b & gt; & lt;br & gt; 45rpm 7 & quot; Vinyl & lt;br & gt; Black Vinyl & lt;br & gt; Picture Fold-over Sleeve & lt;br & gt; & lt;br & gt; & lt;b & gt;Selections: & lt;/b & gt; & lt;br & gt; A1 Candy Cane Children & lt;br & gt; B1 Story Of The Magi & lt;br & gt; B2 Silent Night & lt;/b & gt;
John & Tom Gonna Lay Down My Old Guitar 45rpm 7" Vinyl
As for the ongoing Blue Series, a man who needs no introduction -- but who we'll introduce as John C. Reilly releases not one but TWO Third Man singles in November 2011, both featuring Jack White, the Black Belles' Olivia Jean and Fats Kaplin (from Pure Prairie League). & lt;br & gt; & lt;br & gt; John & amp; Tom: & quot;Gonna Lay Down My Old Guitar & quot; b/w & quot;Lonesome Yodel Blues #2 & quot; finds John's duet with Tom Brosseau sung in close harmony as they perform two songs originally by the Delmore Brothers. & lt;br & gt; & lt;br & gt; & lt;b & gt;Features: & lt;/b & gt; & lt;br & gt; 45rpm 7 & quot; Vinyl & lt;br & gt; Fold-over sleeve & lt;br & gt; & lt;br & gt; & lt;b & gt;Musicians: & lt;/b & gt; & lt;br & gt; John C. Reilly & lt;br & gt; John Brosseau & lt;br & gt; Jack White & lt;br & gt; Olivia Jean (Black Belles) & lt;br & gt; Fats Kaplin (Pure Prairie League) & lt;br & gt; & lt;br & gt; & lt;b & gt;Selections: & lt;br & gt; A1 Gonna Lay Down My Old Guitar & lt;br & gt; B1 Lonesome Yodel Blues #2 & lt;/b & gt;
Becky & John I'll Be There If You Ever Want 45rpm 7" Vinyl
As for the ongoing Blue Series, a man who needs no introduction -- but who we'll introduce as John C. Reilly released not one but TWO Third Man singles in November 2011, both featuring Jack White, the Black Belles' Olivia Jean and Fats Kaplin (from Pure Prairie League). & lt;br & gt; & lt;br & gt; Becky & amp; John's & quot;I'll Be There If You Ever Want & quot; b/w & quot;I'm Making Plans & quot; sees John paired with Becky Stark (Lavender Diamond) and swerves more in the classic country vein taking in tunes originally performed by Ray Price and Dolly Parton/Porter Wagoner, respectively. & lt;br & gt; & lt;br & gt; & lt;b & gt;Features: & lt;/b & gt; & lt;br & gt; 45rpm 7 & quot; Vinyl & lt;br & gt; Fold-over Sleeve & lt;br & gt; & lt;br & gt; & lt;b & gt;Musicians: & lt;/b & gt; & lt;br & gt; John C. Reilly & lt;br & gt; Becky Stark & lt;br & gt; Jack White & lt;br & gt; Olivia Jean (Black Belles) & lt;br & gt; Fats Kaplin (Pure Prairie League) & lt;br & gt; & lt;br & gt; & lt;b & gt;Selections: & lt;br & gt; A1 I'll Be There If You Ever Want & lt;br & gt; B1 I'm Making Plans & lt;/b & gt;
Beck I Just Started Hating People Today & Blue Randy 45rpm 7" Vinyl (Black Vinyl)
& lt;font color= & quot;#FF0000 & quot; & gt; & lt;b & gt;7 & quot; Black Vinyl! Limited Edition! Features Two Brand-New Original Songs!! & lt;/b & gt; & lt;/font & gt; & lt;br & gt; & lt;br & gt; & lt;a href=javascript:; & quot; onclick= & quot;document.location.hash='SS'; & quot; & gt; & lt;img src= & quot;/content/images/mp32.gif & quot; hspace= & quot;10 & quot; align= & quot;left & quot; border= & quot;0 & quot; & gt; & lt;font color= & quot;0000FF & quot; & gt; & lt;b & gt;Click Here for Sound Samples! & lt;/b & gt; & lt;/font & gt; & lt;/a & gt; & lt;br & gt; & lt;br & gt; Two brand-new original songs from the inimitable Beck. While the A-side of & quot;Hating & quot; manages genre hop as well as anything Mr. Hansen has done in the past, the flip side of & quot;Blue Randy & quot; has a certain timeless quality that feels like it would equally be at home on any past release whether it be & quot;One Foot in the Grave & quot; or & quot;Sea Change. & quot; & lt;br & gt; Beck is one of the greatest artists of our time and we are beyond honored to be able to release such a pivotal record in his already-golden catalog. & lt;br & gt; & lt;br & gt; Both tracks were recorded in 2011 while Beck was in Nashville working on new material for his long awaited next album. The songs spontaneously came together at the Third Man studio on Beck's final day in town. & lt;br & gt; & lt;br & gt; & lt;b & gt; & quot;Remember funny Nineties Beck? (As opposed to bummed-out Sea Change Beck?) That dude is back! Working with his buddy Jack White, Beck lays down a goofy, side-fueled country stomp, [I Just Started Hating People Today] that's a sun-soaked taste of Mellow Gold grooviness. Yesssss! & quot; & lt;/b & gt; - Rolling Stone & lt;br & gt; & lt;br & gt; & lt;b & gt;Features: & lt;br & gt; & lt;/b & gt; 7 & quot; Vinyl & lt;br & gt; Limited Edition Black Vinyl & lt;br & gt; Fold-Over Sleeve & lt;br & gt; Poly Bag & lt;br & gt; Produced by Jack White & lt;br & gt; 2 Brand New Original Tracks & lt;br & gt; & lt;br & gt; Musicians: & lt;br & gt; & quot;I Just Started Hating Some People Today & quot; & lt;br & gt; Beck, vocals, electric guitar, harmonica & lt;br & gt; Jack White, drums, acoustic guitar, punk vocal, background vocals & lt;br & gt; Dean Fertita, keys, acoustic guitar, bass, background vocals & lt;br & gt; Fats Kaplan, fiddle, pedal steel & lt;br & gt; Karen Elson, jazz vocal & lt;br & gt; & lt;br & gt; & quot;Blue Randy & quot; & lt;br & gt; Beck, vocals, guitar & lt;br & gt; Jack White, drums & lt;br & gt; Dean Fertita, bass & lt;br & gt; Fats Kaplan, pedal steel & lt;br & gt; Randy Blau, laser tag & lt;br & gt; & lt;br & gt; & lt;a name= & quot;SS & quot; & gt; & lt;/a & gt; & lt;img border= & quot;0 & quot; src= & quot;/content/images/soundsampletitle.jpg & quot; width= & quot;260 & quot; height= & quot;27 & quot; & gt; & lt;br & gt; & lt;img border= & quot;0 & quot; src= & quot;/content/images/selectionstitle.jpg & quot; width= & quot;110 & quot; height= & quot;20 & quot; & gt; & lt;table border=0 & gt; & lt;tr & gt; & lt;td & gt; & lt;/td & gt; & lt;td class='plaintext' & gt; & lt;b & gt;Side A: & lt;/b & gt; & lt;/td & gt; & lt;/tr & gt; & lt;tr & gt; & lt;td & gt; & lt;a href= & quot;http://ed2.cartnear.net/audioclips/tmrlp128/01.mp3 & quot; target='_blank' & gt; & lt;img src= & quot;/content/images/mp3.gif & quot; border=0 height=15 & gt; & lt;/img & gt; & lt;/a & gt; & lt;/td & gt; & lt;td class='plaintext' & gt; 1. I Just Started Hating Some People Today & lt;/td & gt; & lt;/tr & gt; & lt;tr & gt; & lt;td & gt; & lt;/td & gt; & lt;td class='plaintext' & gt; & lt;b & gt;Side B: & lt;/b & gt; & lt;/td & gt; & lt;/tr & gt; & lt;tr & gt; & lt;td & gt; & lt;a href= & quot;http://ed2.cartnear.net/audioclips/tmrlp128/02.mp3 & quot; target='_blank' & gt; & lt;img src= & quot;/content/images/mp3.gif & quot; border=0 height=15 & gt; & lt;/img & gt; & lt;/a & gt; & lt;/td & gt; & lt;td class='plaintext' & gt; 2. Blue Randy & lt;/td & gt; & lt;/tr & gt; & lt;/table & gt;
Blind Willie McTell Complete Recorded Works Vol. 1 180g LP (Vinyl)
& lt;font color= & quot;#FF0000 & quot; & gt; & lt;b & gt;180 Gram Vinyl! Includes & quot;Statesboro Blues & quot;! One of the Most Accomplished Guitarists and Lyrical Storytellers in Blues History! & lt;/b & gt; & lt;/font & gt; & lt;br & gt; & lt;br & gt; Born William Samuel McTell in 1901, Blind Willie lost his sight in late childhood, yet earned the status as one of the most accomplished guitarists and lyrical storytellers in Blues history. Blind Willie became an accomplished musical theorist, able to both read and write music in Braille, through an encouraging family and strong faith. & lt;br & gt; & lt;br & gt; While few of his recordings ever earned mainstream popularity, his influence on the modern music and art scene is widely known. His songs (Statesboro Blues, Broke Down Engine Blues, etc
) have been recorded by famous artists such as the Allman Brothers, Taj Mahal and others. & lt;br & gt; & lt;br & gt; He left the music scene for the pulpit in later life and the details of Blind Willies death remain nebulous; nonetheless, his legacy grows exponentially each year. You have to maintain a certain tolerance for ambiguity to understand how a disabled African American from central Georgia in the early part of the 20th century could inspire the likes of the most successful and influential Blues, Jazz and Rock musicians of our time. While accomplished and appreciated in his day, Blind Willie was never truly successful by todays standards. His real claim to success has been realized in his gift to future generations. In his lifetime, overcoming physical and social adversity was part of the program. & lt;br & gt; & lt;br & gt; Blind Willie McTell's Volume 1 from Third Man's highly-anticipated Document Records reissue series on black 180-gram vinyl, remastered by Document's very own Gary Atkinson features brand new artwork by Grammy-award-winning designer Rob Jones. & lt;br & gt; & lt;br & gt; The recordings we'll be presenting in this reissue series are the building blocks and DNA of American culture. Blues, R & amp;B, Elvis, teenagerism, punk rock... it all goes back to these vital, breathtaking recordings. Third Man Records is proud to present these landmark albums in conjunction with Document Records, with brand new, jaw-dropping artwork by Rob Jones and new insightful liner notes, on vinyl for the first time in decades. Every record collection should have ample room for these highly important and endlessly listenable albums. & lt;br & gt; & lt;br & gt; Complete Recorded Works In Chronological Order: October 18, 1927 to ovember 29, 1929. & lt;br & gt; & lt;br & gt; & lt;b & gt;Features: & lt;br & gt; & lt;/b & gt; 180 Gram Vinyl & lt;br & gt; Remastered by Document's very own Gary Atkinson & lt;br & gt; Brand New Artwork by Grammy-Award-Winning Designer Rob Jones & lt;br & gt; & lt;br & gt; & lt;b & gt;Selections: & lt;br & gt; Side A: & lt;br & gt; & lt;/b & gt;I. Writin' Paper Blues & lt;br & gt; 2. Stole Rider Blues & lt;br & gt; 3. Mama, Tain't Long Fo' Day & lt;br & gt; 4. Mr. McTell Got The Blues (tk. 1) & lt;br & gt; 5. Mr. McTell Got The Blues (tk 2) & lt;br & gt; 6. Three Women Blues & lt;br & gt; 7. Dark Night Blues & lt;br & gt; 8. Statesboro Blues & lt;br & gt; & lt;b & gt;Side B: & lt;br & gt; & lt;/b & gt;1. Loving Talking Blues & lt;br & gt; 2. Atlanta Strut & lt;br & gt; 3. Travelin' Blues & lt;br & gt; 4. Come On Around To My House Mama & lt;br & gt; 5. Kind Mama & lt;br & gt; 6. Drive Away Blues & lt;br & gt; 7. Love Changing Blues
Blind Willie McTell Complete Recorded Works Vol. 2 180g LP (Vinyl)
& lt;font color= & quot;#FF0000 & quot; & gt; & lt;b & gt;180 Gram Vinyl! Remastered by Document's Very Own Gary Atkinson and Features Brand New Artwork by Grammy-Award-Winning Designer Rob Jones! & lt;/b & gt; & lt;/font & gt; & lt;br & gt; & lt;br & gt; Born William Samuel McTell in 1901, Blind Willie lost his sight in late childhood, yet earned the status as one of the most accomplished guitarists and lyrical storytellers in Blues history. Blind Willie became an accomplished musical theorist, able to both read and write music in Braille, through an encouraging family and strong faith. & lt;br & gt; & lt;br & gt; While few of his recordings ever earned mainstream popularity, his influence on the modern music and art scene is widely known. His songs (Statesboro Blues, Broke Down Engine Blues, etc
) have been recorded by famous artists such as the Allman Brothers, Taj Mahal and others. & lt;br & gt; & lt;br & gt; He left the music scene for the pulpit in later life and the details of Blind Willies death remain nebulous; nonetheless, his legacy grows exponentially each year. You have to maintain a certain tolerance for ambiguity to understand how a disabled African American from central Georgia in the early part of the 20th century could inspire the likes of the most successful and influential Blues, Jazz and Rock musicians of our time. While accomplished and appreciated in his day, Blind Willie was never truly successful by todays standards. His real claim to success has been realized in his gift to future generations. In his lifetime, overcoming physical and social adversity was part of the program. & lt;br & gt; & lt;br & gt; Blind Willie McTell's Volume 2 from Third Man's highly-anticipated Document Records reissue series on black 180-gram vinyl, remastered by Document's very own Gary Atkinson and features brand new artwork by Grammy-award-winning designer Rob Jones. & lt;br & gt; & lt;br & gt; & lt;b & gt;Features: & lt;br & gt; & lt;/b & gt; 180 Gram Vinyl & lt;br & gt; Remastered by Document's very own Gary Atkinson & lt;br & gt; Brand New Artwork by Grammy-Award-Winning Designer Rob Jones & lt;br & gt; & lt;br & gt; & lt;b & gt;Selections: & lt;br & gt; Side A: & lt;br & gt; & lt;/b & gt;1. Talkin' To Myself & lt;br & gt; 2. Razor Ball & lt;br & gt; 3. Southern Can Is Mine & lt;br & gt; 4. Broke Down Engine Blues & lt;br & gt; 5. Stomp Down Rider & lt;br & gt; 6. Scarey Day Blues & lt;br & gt; 7. Rough Alley Blues & lt;br & gt; 8. Experience Blues & lt;br & gt; 9. Painful Blues & lt;br & gt; & lt;b & gt;Side B: & lt;br & gt; & lt;/b & gt;1. Low Rider's Blues & lt;br & gt; 2. Georgia Rag & lt;br & gt; 3. Low Down Blues & lt;br & gt; 4. Rollin' Mama Blues & lt;br & gt; 5. Lonesome Day Blues & lt;br & gt; 6. Mama, Let Me Scoop For You & lt;br & gt; 7. Searching The Desert For The Blues & lt;br & gt; 8. Warm It Up To Me & lt;br & gt; 9. It's Your Time To Worry & lt;br & gt; 10. It's A Good Little Thing
The Mississippi Sheiks Complete Recorded Works Vol. 1 180g LP (Vinyl)
& lt;font color= & quot;#FF0000 & quot; & gt; & lt;b & gt;180 Gram Vinyl! Includes & quot;Sitting On Top Of The World & quot;! & lt;/b & gt; & lt;/font & gt; & lt;br & gt; & lt;br & gt; The Mississippi Sheiks consisted mainly of the Chatmon family, who came from Bolton, Mississippi and were well known throughout the Mississippi Delta. The father of the family, Henderson Chatmon, had been a & quot;musicianer & quot; (someone with good technical ability on his or her instrument adept at sight-reading written music) during slavery times, and his children carried on the musical spirit. Their most famous (although by no means permanent) member was Armenter Chatmon - better known as Bo Carter - who managed a successful solo career as well as playing with the Sheiks, which may have contributed to their success. & lt;br & gt; & lt;br & gt; When the band first recorded in 1930, the line-up consisted of Carter with Lonnie and Sam Chatmon, and Walter Vinson. Charlie McCoy (not to be confused with Charlie McCoy, a later American musician) played later, when Bo Carter and Sam Chatmon ceased playing full time. It was Lonnie Chatmon and Vinson who formed the real center of the group. & lt;br & gt; & lt;br & gt; Bo Carter's solo work is notable for being sexually suggestive in songs and this is carried on to an extent with the group. They primarily earned their income like Robert Johnson and Skip James. They toured throughout the Southern United States, but also reached as far north as Chicago and New York. & lt;br & gt; & lt;br & gt; Their first and biggest success was & quot;Sitting on Top of the World & quot; (1930), later to be recorded by Bob Wills (numerous times), Howlin' Wolf, Nat King Cole, Bill Monroe, Harry Belafonte, Frank Sinatra, Bob Dylan, Cream, Grateful Dead, Jeff Healey, John Lee Hooker, Bill Frisell and Jack White, and re-done by Robert Johnson, as & quot;Come On in My Kitchen & quot;. The song was also the theme to the film A Face in the Crowd (1957) produced by Elia Kazan and starring Andy Griffith. Throughout their five active years, the Mississippi Sheiks recorded over seventy songs for the Okeh, Paramount and Bluebird labels. & lt;br & gt; & lt;br & gt; The Mississippi Sheiks' Volume 1 from Third Man's highly-anticipated Document Records reissue series on black 180-gram vinyl, remastered by Document's very own Gary Atkinson and features brand new artwork by Grammy-award-winning designer Rob Jones. & lt;br & gt; & lt;br & gt; The recordings we'll be presenting in this reissue series are the building blocks and DNA of American culture. Blues, R & amp;B, Elvis, teenagerism, punk rock... it all goes back to these vital, breathtaking recordings. Third Man Records is proud to present these landmark albums in conjunction with Document Records, with brand new, jaw-dropping artwork by Rob Jones and new insightful liner notes, on vinyl for the first time in decades. Every record collection should have ample room for these highly important and endlessly listenable albums. & lt;br & gt; & lt;br & gt; Complete Recorded Works Presented in Chronological Order: February 17 to June 10, 1930. & lt;br & gt; & lt;br & gt; & lt;b & gt;Features: & lt;/b & gt; & lt;br & gt; 180 Gram Vinyl & lt;br & gt; Remastered by Document's very own Gary Atkinson & lt;br & gt; Brand New Artwork by Grammy-Award-Winning Designer Rob Jones & lt;br & gt; & lt;br & gt; & lt;b & gt;Selections: & lt;br & gt; Side A: & lt;/b & gt; & lt;br & gt; 1. Driving That Thing & lt;br & gt; 2. Alberta Blues & lt;br & gt; 3. Winter Time Blues & lt;br & gt; 4. The Sheik Waltz (Walter Jacobs and Lonnie Carter) & lt;br & gt; 5. The Jazz Fiddler (take A) (Walter Jacobs and Lonnie Carter) & lt;br & gt; 6. The Jazz Fiddler (take B) (Walter Jacobs and Lonnie Carter) & lt;br & gt; 7. Sitting On Top Of The World & lt;br & gt; & lt;b & gt;Side B: & lt;/b & gt; & lt;br & gt; 1. Stop And Listen Blues & lt;br & gt; 2. Lonely One In This Town & lt;br & gt; 3. We Are Both Feeling Good Right Now (Mississippi Sheiks with Bo Chatman) & lt;br & gt; 4. Cracking Them Things (Mississippi Sheiks with Bo Chatman) & lt;br & gt; 5. Grinding Old Fool (Mississippi Sheiks with Bo Chatman) & lt;br & gt; 6. Jake Leg Blues (Mississippi Sheiks with Bo Chatman) & lt;br & gt; 7. Back To Mississippi (Mississippi Sheiks with Bo Chatman) & lt;br & gt; 8. West Jackson Blues (Mississippi Sheiks with Bo Chatman)
The Mississippi Sheiks Complete Recorded Works Vol. 2 180g LP (Vinyl)
& lt;font color= & quot;#FF0000 & quot; & gt; & lt;b & gt;180 Gram Vinyl! Remastered by Document's Very Own Gary Atkinson! Brand New Artwork by Grammy-Award-Winning Designer Rob Jones! & lt;/b & gt; & lt;/font & gt; & lt;br & gt; & lt;br & gt; The Mississippi Sheiks consisted mainly of the Chatmon family, who came from Bolton, Mississippi and were well known throughout the Mississippi Delta. The father of the family, Henderson Chatmon, had been a & quot;musicianer & quot; (someone with good technical ability on his or her instrument adept at sight-reading written music) during slavery times, and his children carried on the musical spirit. Their most famous (although by no means permanent) member was Armenter Chatmon - better known as Bo Carter - who managed a successful solo career as well as playing with the Sheiks, which may have contributed to their success. & lt;br & gt; & lt;br & gt; When the band first recorded in 1930, the line-up consisted of Carter with Lonnie and Sam Chatmon, and Walter Vinson. Charlie McCoy (not to be confused with Charlie McCoy, a later American musician) played later, when Bo Carter and Sam Chatmon ceased playing full time. It was Lonnie Chatmon and Vinson who formed the real center of the group. & lt;br & gt; & lt;br & gt; Bo Carter's solo work is notable for being sexually suggestive in songs and this is carried on to an extent with the group. They primarily earned their income like Robert Johnson and Skip James. They toured throughout the Southern United States, but also reached as far north as Chicago and New York. & lt;br & gt; & lt;br & gt; Their first and biggest success was & quot;Sitting on Top of the World & quot; (1930), later to be recorded by Bob Wills (numerous times), Howlin' Wolf, Nat King Cole, Bill Monroe, Harry Belafonte, Frank Sinatra, Bob Dylan, Cream, Grateful Dead, Jeff Healey, John Lee Hooker, Bill Frisell and Jack White, and re-done by Robert Johnson, as & quot;Come On in My Kitchen & quot;. The song was also the theme to the film A Face in the Crowd (1957) produced by Elia Kazan and starring Andy Griffith. Throughout their five active years, the Mississippi Sheiks recorded over seventy songs for the Okeh, Paramount and Bluebird labels. & lt;br & gt; & lt;br & gt; The Mississippi Sheiks' Volume 2 from Third Man's highly-anticipated Document Records reissue series on black 180-gram vinyl, remastered by Document's very own Gary Atkinson and features brand new artwork by Grammy-award-winning designer Rob Jones. & lt;br & gt; & lt;br & gt; & lt;b & gt;Features: & lt;/b & gt; & lt;br & gt; 180 Gram Vinyl & lt;br & gt; Remastered by Document's very own Gary Atkinson & lt;br & gt; Brand New Artwork by Grammy-Award-Winning Designer Rob Jones & lt;br & gt; & lt;br & gt; & lt;b & gt;Selections: & lt;br & gt; Side A: & lt;/b & gt; & lt;br & gt; 1. Jail Bird Love Song & lt;br & gt; 2. Yodeling Fiddling Blues & lt;br & gt; 3. Baby Keeps Stealin' Lovin' On Me & lt;br & gt; 4. River Bottom Blues & lt;br & gt; 5. Bootleggers' Blues & lt;br & gt; 6. Loose Like That & lt;br & gt; 7. Sitting On Top Of The World No. 2 & lt;br & gt; 8. Your Good Man Caught The Train And Gone & lt;br & gt; 9. Times Done Got Hard & lt;br & gt; & lt;b & gt;Side B: & lt;/b & gt; & lt;br & gt; 1. Unhappy Blues & lt;br & gt; 2. Still I'm Travelling On & lt;br & gt; 3. Honey Babe Let the Deal Go Down & lt;br & gt; 4. She Ain't No Good & lt;br & gt; 5. Ramrod Blues & lt;br & gt; 6. Stop And Listen Blues No. 2 & lt;br & gt; 7. Church Bell Blues & lt;br & gt; 8. Please Don't Wake It Up & lt;br & gt; 9. Please Baby
The Shins Live At Third Man Records D2D LP (Vinyl)
& lt;font color= & quot;#FF0000 & quot; & gt; & lt;b & gt;Includes & quot;Australia & quot;, & quot;Simple Song & quot;, & quot;Port Of Morrow & quot; & amp; More! & lt;/b & gt; & lt;/font & gt; & lt;br & gt; & lt;br & gt; & lt;b & gt;No Overdubs. No Editing. Direct-To-Acetate Recording. Mixed in Real Time & amp; Instantly Cut to Vinyl Using a 1953 Scully Lathe, Formerly of King Records. The Blue Room is One of the Only Live Venues in the World with Direct-To-Acetate Capabilities. & lt;/b & gt; & lt;br & gt; & lt;br & gt; The Shins' story begins in Albuquerque, NM, in 1996. Brought together by a genuine love of pop music and subsequent eschewal of college aspirations singer/guitarist James Mercer, drummer Jesse Sandoval, keyboardist Marty Crandall and bassist Dave Hernandez formed The Shins. Mercer had taught himself to play the guitar as a teenager, while listening to bands like My Bloody Valentine and Echo & amp; The Bunnymen. With time, he developed a more pronounced interest in 60s pop and the art of well-crafted songwriting. Mercers aesthetic, paired with the like-minded sensibilities of his bandmates, gave rise to this most friendly troupe of disbelieving pop heroes. & lt;br & gt; & lt;br & gt; What can be said about The Shins that hasn't already been said in miles of press? They're one of the best bands out there today and Third Man Records are still honored thinking back to the night James Mercer and his band came to the Blue Room to play live and record a live LP for them, October 8, 2012. This show holds a particularly special place in their hearts, as it was the inaugural groove-carving voyage of their 1953 Scully Lathe that previously churned out masters for Cincinnatis legendary King Records. The 8 tracks on this live recording mark their first ever cut live direct-to-acetate, and they couldn't be more pleased with the way this turned out. & lt;br & gt; & lt;br & gt; & lt;b & gt; & quot;We believe that this new/old method of recording is as honest as it gets, bringing listeners as close to the experience of the performance as possible (of course, that is until our team of talented engineers and tinkerers manage to gather all the necessary parts to get our time machine and teletransporter back up and running.) & quot; & lt;/b & gt; - Third Man Records & lt;br & gt; & lt;br & gt; & lt;iframe width= & quot;560 & quot; height= & quot;315 & quot; src= & quot;//www.youtube.com/embed/eOx6BcWQgno & quot; frameborder= & quot;0 & quot; allowfullscreen & gt; & lt;/iframe & gt; & lt;br & gt; & lt;br & gt; & lt;b & gt;Features: & lt;/b & gt; & lt;br & gt; Vinyl LP & lt;br & gt; Direct To Disc (D2D) & lt;br & gt; Mixed in Real Time on a Rupert Neve 5008 Console by Grammy Award-winning Engineer Vance Powell & lt;br & gt; Instantly Cut to Vinyl by Master Cutter George Ingram using a 1953 Scully Lathe (previously used by Cincinnati's King Records) & lt;br & gt; & lt;br & gt; & lt;b & gt;Selections: & lt;br & gt; Side 1: & lt;/b & gt; & lt;br & gt; 1. Australia & lt;br & gt; 2. Simple Song & lt;br & gt; 3. Bait and Switch & lt;br & gt; 4. Phantom Limb & lt;br & gt; & lt;b & gt;Side 2: & lt;/b & gt; & lt;br & gt; 1. So Says I & lt;br & gt; 2. The Rifle's Spiral & lt;br & gt; 3. Marisa / No Way Down & lt;br & gt; 4. Port of Morrow
Drive-By Truckers Third Man Live LP (Vinyl)
& lt;font color= & quot;#FF0000 & quot; & gt; & lt;b & gt;Recorded Straight to Tape! Southern Rock! Includes & quot;Used To Be A Cop & quot;! & lt;/b & gt; & lt;/font & gt; & lt;br & gt; & lt;br & gt; Live recording from the performance at Third Man Records on 01.30.10. Exclusive live LP recorded straight to tape from the Drive-By Truckers concert at Third Man Records, Nashville. & lt;br & gt; & lt;br & gt; Drive-By Truckers are an alternative country/Southern rock band based in Athens, Georgia, though two out of five current members (Patterson Hood and Mike Cooley) are originally from The Shoals region of Northern Alabama, and the band strongly identifies with Alabama. Their music uses three guitars as well as bass, drums, and now keyboards. Like many alternative country acts, the Drive-By Truckers record in analog (using 2 inch, 16-track open reel tape recorders). However, unlike the majority of their contemporaries, the Drive-By Truckers have consistently pushed their labels to also release the band's records in a vinyl format. & lt;br & gt; & lt;br & gt; & lt;b & gt; & quot;Boasting a mix of Southern pride, erudite lyrics, and a muscled three-guitar attack, Drive-By Truckers became one of the most well-respected alternative country-rock acts of the 2000s. Led by frontman Patterson Hood and featuring a rotating cast of Georgia and Alabama natives, the band celebrated the South while refusing to paint over its spotty past. & quot; & lt;/b & gt; - Andrew Leahey, allmusic.com & lt;br & gt; & lt;br & gt; & lt;b & gt;Features: & lt;br & gt; & lt;/b & gt; Vinyl LP & lt;br & gt; Live Album & lt;br & gt; Recorded Straight to Tape from the Drive-By Truckers Concert at Third Man Records, Nashville & lt;br & gt; & lt;br & gt; & lt;img src= & quot;/content/images/drivebytruckers.jpg & quot; hspace=15 align= & quot;right & quot; & gt; & lt;b & gt;Musicians: & lt;br & gt; & lt;/b & gt;John Neff, guitar, pedal steel guitar, vocals & lt;br & gt; Shonna Tucker, bass, guitar, vocals & lt;br & gt; Patterson Hood, guitar, bass, vocals & lt;br & gt; Mike Cooley, guitar, bass, vocals & lt;br & gt; Jay Gonzalez, keyboards, guitar, vocals & lt;br & gt; Brad Morgan, drums & lt;br & gt; & lt;br & gt; & lt;b & gt;Selections: & lt;br & gt; Side A: & lt;br & gt; & lt;/b & gt;1. Used To Be A Cop & lt;br & gt; 2. Get Downtown & lt;br & gt; 3. Go-Go Boots & lt;br & gt; 4. Dancin' Ricky & lt;br & gt; 5. Pulaski & lt;br & gt; & lt;b & gt;Side B: & lt;br & gt; & lt;/b & gt;1. Take Time To Know Her & lt;br & gt; 2. Everybody Needs Love & lt;br & gt; 3. Love Like This & lt;br & gt; 4. Mercy Buckets
Jack Johnson Live At Third Man Records 6-15-13 LP (Vinyl)
& lt;font color= & quot;#FF0000 & quot; & gt; & lt;b & gt;Live Set from June 15, 2013 by Jack Johnson! & lt;/b & gt; & lt;/font & gt; & lt;br & gt; & lt;br & gt; Recorded live in Third Man Records' wonderful Blue Room in June of 2013, breakfast with Jack and his crack band was a smiling fun time for the entire family, and his thoughtful cover of the White Stripes' & quot;We Are Going To Be Friends & quot; was the icing to an already delicious cake. & lt;br & gt; & lt;br & gt; & lt;b & gt;Features: & lt;/b & gt; & lt;br & gt; Vinyl LP & lt;br & gt; Previously 11/29/13 Record Store Day exclusive & lt;br & gt; Recorded Live to Acetate & lt;br & gt; & lt;br & gt; & lt;b & gt;Selections: & lt;br & gt; Side One: & lt;/b & gt; & lt;br & gt; 1. Banana pancakes & lt;br & gt; 2. Same Girl & lt;br & gt; 3. Radiate & lt;br & gt; 4. Do You Remember & lt;br & gt; 5. I Got You & lt;br & gt; 6. Good People & lt;br & gt; & lt;b & gt;Side Two: & lt;/b & gt; & lt;br & gt; 1. As I Was Saying & lt;br & gt; 2. We Are Going To Be Friends (The White Stripes) & lt;br & gt; 3. Home & lt;br & gt; 4. Mudfootball & lt;br & gt; 5. Upside Down & lt;br & gt; 6. Better Together
The Rise & Fall of Paramount Records Volume 2 (1928-1932) Numbered Limited Edition 180g 6LP Box Set (White Vinyl)
& lt;font color= & quot;#FF0000 & quot; & gt; & lt;b & gt;180g Alabaster White Label-less Vinyl 6LP Box Set! Numbered, Limited Edition! & lt;br & gt; Hand-Etched Numeral & amp; Holographic Image On Each Side! & lt;br & gt; Housed In Polished Aluminum Stainless Steel Cabinet! & lt;br & gt; & lt;br & gt; 2016 Grammy Award Winner! & lt;br & gt; Best Boxed or Special Limited Edition Package! & lt;/b & gt; & lt;/font & gt; & lt;br & gt; & lt;
& lt;b & gt;This item not eligible for any further discount offers! & lt;/b & gt;
& lt;br & gt; & lt;br & gt;
br & gt; The first volume in this collection was called & lt;b & gt; & quot;spectacular & quot; & lt;/b & gt; (New York Times), & lt;b & gt; & quot;unprecedented & quot; & lt;/b & gt; (Rolling Stone), & lt;b & gt; & quot;breathtaking & quot; & lt;/b & gt;(Boing Boing), and & lt;b & gt; & quot;a cabinet of wonder, indeed & quot; & lt;/b & gt; (Pitchfork). Now Third Man and Revenant proudly bring you The Rise & amp; Fall of Paramount, Volume Two - already being hailed by Wired as & lt;b & gt; & quot;the ultimate box set of iconic American music. & quot; & lt;/b & gt; & lt;br & gt; & lt;br & gt; Volume One (1917-27) chronicled Paramount's improbable rise from also-ran to jazz-blues juggernaut, launching the recording careers of giants like King Oliver, Jelly Roll Morton, Louis Armstrong, Blind Lemon Jefferson, Alberta Hunter, Blind Blake, Ethel Waters, Ma Rainey, Papa Charlie Jackson, Big Bill Broonzy, and Fats Waller. But just as it seemed Paramount might be losing steam, it began a second act that threatened to dwarf its first. This astonishing second act is the subject of The Rise & amp; Fall of Paramount, Volume Two (1928-32), the final chapter in their commemoration of America's greatest record label. & lt;br & gt; & lt;br & gt; In its final 5 year push from 1928-32, Paramount embarked on a furious run for the ages, birthing the entire genre of Mississippi Delta blues recordings and issuing some of the most coveted records in the history of wax - a staggering playlist including Skip James, Charley Patton, Son House, Tommy Johnson, Willie Brown, King Solomon Hill, Tampa Red, Lottie Kimbrough, Rube Lacy, Meade Lux Lewis, Buddy Boy Hawkins, Jaydee Short, George & quot;Bullet & quot; Williams, Cow Cow Davenport, Clifford Gibson, Ishman Bracey, Louise Johnson, Geeshie Wiley & amp; Elvie Thomas, The Mississippi Sheiks. and hundreds of other artists. & lt;br & gt; & lt;br & gt; Paramount simply killed. But more than that, it changed how this country thought of itself. It was the first enterprise of any kind to capture what America really sounded like in the 1920s and '30s - on its street corners, at its fish fries and country suppers, in its nightclubs and dance halls and showtents. In the process, it was profit-minded Paramount - not a preservationist body like the Library of Congress - that inadvertently created the most significant repository of this young nation's greatest art form. & lt;br & gt; & lt;br & gt; Volume Two contains six LPs, a sculpted metal USB drive with 800 digital tracks, two definitive large-format books. All housed in a polished aluminum case evoking the era's high art deco stylings and America's own Machine Age take on modernist design. & lt;br & gt; & lt;br & gt; & lt;iframe width= & quot;560 & quot; height= & quot;315 & quot; src= & quot;//www.youtube.com/embed/d0w4otJ1uVw?rel=0 & quot; frameborder= & quot;0 & quot; allowfullscreen & gt; & lt;/iframe & gt; & lt;br & gt; & lt;br & gt; & lt;b & gt;Features: & lt;/b & gt; & lt;br & gt; 6 x 180g LPs pressed on alabaster-white label-less vinyl, each side with its own hand-etched numeral and holographic image & lt;br & gt; Polished aluminum and stainless steel cabinet, evoking 1930s high art deco stylings and America's own Machine Age modernism & lt;br & gt; 800 newly-remastered digital tracks, representing 175 artists & lt;br & gt; 90+ fully-restored original 1920s-30s Paramount ads from Chicago Defender & lt;br & gt; 250 pg. large-format clothbound hardcover book featuring original Paramount art and the label's curious tale & lt;br & gt; 400 pg. encyclopedia-style softcover field guide containing artist bios & amp; portraits and full Paramount discography & lt;br & gt; First-of-its-kind music and image player app containing all tracks and ads, housed on sculpted metal USB drive & lt;br & gt; Dimensions: 19 & quot; x 19 & quot; x 11 & quot; & lt;br & gt; & lt;br & gt; & lt;b & gt;Selections: & lt;br & gt; LP Tracklist & lt;br & gt; LP 1 - Side 1: & lt;/b & gt; & lt;br & gt; 1. I'm So Glad - Skip James & lt;br & gt; 2. Knocking Down Casey Jones - Wilmer Watts and The Lonely Eagles & lt;br & gt; 3. Please Baby - Mississippi Sheiks & lt;br & gt; 4. Clanka A Lanka (Sleep On Mother) - Famous Blue Jay Singers of Birmingham & lt;br & gt; 5. I'm Goin' Home - Charley Patton & lt;br & gt; 6. Five O' Clock Stomp - Dixie Four & lt;br & gt; 7. Tired Of Being Mistreated Part I - Clifford Gibson & lt;br & gt; & lt;b & gt;LP 1 - Side 2: & lt;/b & gt; & lt;br & gt; 1. Tim Brook - Carver Boys & lt;br & gt; 2. Jab Blues - Jabo Williams & lt;br & gt; 3. Motherless Child Blues - Elvie Thomas & lt;br & gt; 4. Tear It Down - Bob Coleman & lt;br & gt; 5. Easy Rider Blues - Soileau and Robin & lt;br & gt; 6. San - Tub Jug Washboard Band & lt;br & gt; 7. St. Louis Daddy - Bessie Mae Smith and Wesley Wallace & lt;br & gt; & lt;b & gt; & lt;br & gt; LP 2 - Side 3: & lt;/b & gt; & lt;br & gt; 1. Rolling Log Blues - Lottie Kimbrough & lt;br & gt; 2. Chimes Blues - George Hamilton (Cow Cow Davenport) & lt;br & gt; 3. West Virginia Blues - Edward Thompson & lt;br & gt; 4. Wasn't That A Mighty Day - Biddleville Quintette & lt;br & gt; 5. Hastings St. - Blind Bake / Charlie Spand & lt;br & gt; 6. Reuben Oh Reuben - Emry Arthur & lt;br & gt; 7. Special Rider Blues - Skip James & lt;br & gt; & lt;b & gt;LP 2 - Side 4: & lt;/b & gt; & lt;br & gt; 1. Mammy's Lullaby - Ollie Hess & lt;br & gt; 2. The Gone Dead Train - King Solomon Hill & lt;br & gt; 3. Take Your Burdens To The Lord - Blind Arthur Groom and Bro. (Blind Roosevelt Graves) & lt;br & gt; 4. Louisiana Glide - Blind Leroy Garnett & lt;br & gt; 5. Rounders Lament - Winston Holmes and Charlie Turner & lt;br & gt; 6. M & amp;O Blues - Willie Brown & lt;br & gt; 7. Oh What Is The Matter Now - Norfolk Jazz Quartette & lt;br & gt; & lt;b & gt; & lt;br & gt; LP 3 - Side 5: & lt;/b & gt; & lt;br & gt; 1. Gamblers Blues (St. James Infirmary Blues) - The Hokum Boys & lt;br & gt; 2. High Water Everywhere - Part I - Charley Patton & lt;br & gt; 3. South African Blues - Windy Rhythm Kings & lt;br & gt; 4. A Railroad Lover For Me - Emry Arthur and Della Hatfield & lt;br & gt; 5. Lonesome Swamp Rattlesnake - Jaydee Short & lt;br & gt; 6. Frisco Bound - James Wiggins & lt;br & gt; 7. Big Bed Bug - Tommy Settlers and His Blues Moaner & lt;br & gt; 8. Down On My Bended Knee - King Solomon Hill & lt;br & gt; & lt;b & gt;LP 3 - Side 6: & lt;/b & gt; & lt;br & gt; 1. Adam And Eve In The Garden - Bogus Ben Covington & lt;br & gt; 2. Walkin' Blues - Son House & lt;br & gt; 3. Fire Detective Blues - Dobby Bragg (Roosevelt Sykes) & lt;br & gt; 4. Hard Time Killin' Floor Blues - Skip James & lt;br & gt; 5. Wasn't It Sad About Lemon - Walter and Byrd & lt;br & gt; 6. Cold Woman Blues - Blind Joe Reynolds & lt;br & gt; 7. Sleepy Desert - Wilmer Watts and The Lonely Eagles & lt;br & gt; 8. Last Kind Words Blues - Geeshie Wiley & lt;br & gt; & lt;b & gt; & lt;br & gt; LP 4 - Side 7: & lt;/b & gt; & lt;br & gt; 1. Fare Thee Well - Part II - Johnnie Head & lt;br & gt; 2. Wicked Treatin' Blues - Slim Barton & amp; Eddie Mapp & lt;br & gt; 3. Stone Mountain Wobble - B.L. Pritchard & lt;br & gt; 4. Black Eye Blues - Ma Rainey & lt;br & gt; 5. Lawdy Lawdy Worried Blues - Teddy Darby & lt;br & gt; 6. Vicksburg Blues - Little Brother Montgomery & lt;br & gt; 7. Jim Lee Blues - Part I - Charley Patton & lt;br & gt; & lt;b & gt;LP 4 - Side 8: & lt;/b & gt; & lt;br & gt; 1. When The Saints Go Marching In - Blind Willie Davis & lt;br & gt; 2. Long, Deep And Wide - Clarence Williams & amp; His Orchestra & lt;br & gt; 3. Mississippi Jail House Groan - Rube Lacy & lt;br & gt; 4. Keep A Knockin' An You Can't Get In - & quot;Boodle-It & quot; Wiggins & lt;br & gt; 5. Dry Spell Blues - Part I - Son House & lt;br & gt; 6. If You Haven't Any Hay Get On Down The Road - Skip James & lt;br & gt; 7. Tell Me To Do Right - The Mississippi Sheiks & lt;br & gt; 8. Prayer Of Death - Part 2 - Elder J.J. Hadley & lt;br & gt; & lt;br & gt; & lt;b & gt;LP 5 - Side 9: & lt;/b & gt; & lt;br & gt; 1. I Declare My Mother Ought To Live Right - Famous Blue Jay Singers of Birmingham & lt;br & gt; 2. Woman Woman Blues - Ishman Bracey & lt;br & gt; 3. 'Cause I Feel Low Down - Clarence Black and His Savoy Trio & lt;br & gt; 4. Diddle Wa Diddle - Blind Blake & lt;br & gt; 5. Troubled 'Bout My Soul - Frank Palmes & lt;br & gt; 6. Rattlesnake Blues - Charley Patton & lt;br & gt; 7. Only The Blues - The Hokum Boys & lt;br & gt; 8. He Done What The World Couldn't Do - Blind Joe Taggart & lt;br & gt; & lt;b & gt;LP 5 - Side 10: & lt;/b & gt; & lt;br & gt; 1. The New Stop And Listen - The Mississippi Sheiks & lt;br & gt; 2. A Sermon On A Silver Dollar - Brother Fullbosom & lt;br & gt; 3. Nehi Blues - Blind Joe Reynolds & lt;br & gt; 4. One Way Gal - Bill Moore & lt;br & gt; 5. Devil Got My Woman - Skip James & lt;br & gt; 6. By The Moon And Stars - Louise Johnson & lt;br & gt; 7. Tom Cat Blues - & quot;Mr. Freddie & quot; Spruell & lt;br & gt; & lt;br & gt; & lt;b & gt;LP 6 - Side 11: & lt;/b & gt; & lt;br & gt; 1. My Black Mama Part II - Son House & lt;br & gt; 2. God's Getting Worried - Virginia Dandies & lt;br & gt; 3. I Wish I Had Died In Egyptland Pt. I - Jesse Johnson and His Singers & lt;br & gt; 4. Pick Poor Robin Clean - Geeshie WIley & lt;br & gt; 5. See That My Grave Is Kept Clean - Blind Lemon Jefferson & lt;br & gt; 6. The Escaped Convict - George & quot;Bullet & quot; Williams & lt;br & gt; 7. Lonesome Home Blues - Tommy Johnson & lt;br & gt; & lt;b & gt;LP 6 - Side 12: & lt;/b & gt; & lt;br & gt; 1. Black And Tan Fantasy - Mandel Terry and Orchestra & lt;br & gt; 2. Good Cocaine (Mama Don't Allow It) - Kentucky Ramblers & lt;br & gt; 3. In That Pearly White City Above - Blind Joe Taggart & lt;br & gt; 4. A Rag Blues - Walter Hawkins & lt;br & gt; 5. Farewell Baby Blues - Bessie Mae Smith & lt;br & gt; 6. I Believe I'll Go Back Home - Blind Willie Davis & lt;br & gt; 7. Going Away Blues - Lottie Kimbrough
Jack White Would You Fight For My Love? & Parallel 45rpm 7" Vinyl
& lt;font color= & quot;#FF0000 & quot; & gt; & lt;b & gt;Limited Edition 45rpm 7 & quot; Vinyl Single! & lt;/b & gt; & lt;/font & gt; & lt;br & gt; & lt;br & gt; The latest single from Jack White's record-breaking Lazaretto album showcases the anthemic ''Would You Fight For My Love?'' a song that weaves in and out of movements and moods and crushes the listener with intensity. The b-side features a stunning cover of ''Parallel'' written by Dean Fertita (Queens of the Stone Age, The Dead Weather) and Brendan Benson (the Raconteurs) and originally released under Fertita's Hello=Fire moniker. In addition, the artwork of the single fits in with that of the previous five picture sleeves of Jack White singles, a continuing visual narrative progressing one record at a time. & lt;br & gt; & lt;br & gt; & lt;b & gt;Features: & lt;/b & gt; & lt;br & gt; 45rpm 7 & quot; Vinyl & lt;br & gt; B-side is non-album track & lt;br & gt; & lt;br & gt; & lt;b & gt;Selections: & lt;br & gt; Side A: & lt;/b & gt; & lt;br & gt; 1. Would You Fight For My Love? & lt;br & gt; & lt;b & gt;Side B: & lt;/b & gt; & lt;br & gt; 1. Parallel
The Rise & Fall of Paramount Records Volume 1 (1917-1927) 180g 6LP Box Set (Chestnut Vinyl)
& lt;b & gt; & lt;font color= & quot;#FF0000 & quot; & gt;Limited Edition 180g Vinyl 6LP Box Set! & lt;br & gt; Re-Mastered & amp; Pressed On Burled Chestnut Vinyl! & lt;br & gt; Hand-Engraved Blind-Embossed Gold-Leaf Labels, Housed In Laser-Etched White Birch LP Folio! & lt;br & gt; All Housed In Handcrafted Quarter-Sawn Oak Cabinet Lined With Lush Sage Velvet Upholstery! & lt;/font & gt; & lt;/b & gt; & lt;br & gt;
& lt;b & gt;This item not eligible for any further discount offers! & lt;/b & gt;
& lt;br & gt; & lt;br & gt;
& lt;br & gt; & lt;font color= & quot;#FF0000 & quot; & gt;2015 Grammy Award Winner for: & lt;br & gt; Best Boxed or Special Limited Edition Package & lt;br & gt; 2015 Grammy Award Nominee for: & lt;br & gt; Best Album Notes & lt;/font & gt; & lt;br & gt; & lt;br & gt; How did a Wisconsin chair company, producing records on the cheap and run by men with little knowledge of their audience or the music business, build one of the greatest musical rosters ever assembled under one roof? The answer lies in The Rise and Fall of Paramount Records 1917-1932, this epic, two-volume omnibus of art, words and music housed in a limited-edition, hand-sculpted cabinet-of-wonder, jointly released by Jack Whites Third Man Records and John Faheys Revenant Records. Volume One, covers the labels improbable rise from 1917-1927. & lt;br & gt; & lt;br & gt; Paramount Records was founded on a modest proposition: produce records as cheaply as possible, recording whatever talent was available. Over its lifetime, the label would become a race records powerhouse, its sound and fortunes directly linked to the Great Migration. & lt;br & gt; & lt;br & gt; The first volume in this collection was called & quot;spectacular & quot; (New York Times), & quot;unprecedented & quot; (Rolling Stone), & quot;breathtaking & quot; (Boing Boing), and & quot;a cabinet of wonder, indeed & quot; (Pitchfork). & lt;br & gt; & lt;br & gt; Volume One (1917-27) chronicles Paramount's improbable rise from also-ran to jazz-blues juggernaut, launching the recording careers of giants like King Oliver, Jelly Roll Morton, Louis Armstrong, Blind Lemon Jefferson, Alberta Hunter, Blind Blake, Ethel Waters, Ma Rainey, Papa Charlie Jackson, Big Bill Broonzy, and Fats Waller. & lt;br & gt; & lt;br & gt; Paramount simply killed. But more than that, it changed how this country thought of itself. It was the first enterprise of any kind to capture what America really sounded like in the 1920s and '30s - on its street corners, at its fish fries and country suppers, in its nightclubs and dance halls and showtents. In the process, it was profit-minded Paramount - not a preservationist body like the Library of Congress - that inadvertently created the most significant repository of this young nation's greatest art form. & lt;br & gt; & lt;br & gt; The Rise and Fall wonder-cabinet gives equal status to page-turning narrative and new scholarship; original and newly created graphic art; industrial design; and compelling analog and digital music experiences. Volume One contains the following: & lt;br & gt; & lt;br & gt; & lt;b & gt;Features: & lt;br & gt; & lt;/b & gt; 6x 180g vinyl LPs pressed on burled chestnut colored vinyl w/ hand-engraved, blind-embossed gold-leaf labels, housed in a laser-etched white birch LP folio & lt;br & gt; Handcrafted quarter-sawn oak cabinet with lush sage velvet upholstery and custom-forged metal hardware & lt;br & gt; 800 newly-remastered digital tracks, representing 172 artists & lt;br & gt; 200+ fully-restored original 1920s ads and images & lt;br & gt; 250 page deluxe large-format clothbound hardcover art book & lt;br & gt; 360 page encyclopedia-style softcover field guide containing artist portraits and full Paramount discography & lt;br & gt; First-of-its-kind music and image player app, allowing user mgmt of all tracks and ads, housed on custom-designed USB drive & lt;br & gt; Dimensions: Length 18.5 & quot;/ Width 16 & quot;/ Height 5.75 & quot; & lt;br & gt; & lt;br & gt; & lt;b & gt;Selections: & lt;br & gt; LP 1 & lt;/b & gt; & lt;br & gt; 1. Sign of Judgment & lt;br & gt; 2. Dry Bone shuffle & lt;br & gt; 3. My man Rocks Me & lt;br & gt; 4. Sweet Georgia Brown & lt;br & gt; 5. St. Louis blues & lt;br & gt; 6. Pistol Blues & lt;br & gt; 7. Old Joe Clark & lt;br & gt; 8. Coffee Pot Blues & lt;br & gt; 9. Old Steady Roll & lt;br & gt; 10. Wait Till I Put On My Robe & lt;br & gt; 11. Messin Around & lt;br & gt; 12. Madison Street Rag & lt;br & gt; 13. Mama Can't Lose & lt;br & gt; 14. Barnum's Steam Calliope & lt;br & gt; & lt;br & gt; & lt;b & gt;LP 2 & lt;/b & gt; & lt;br & gt; 1. Skoodlum Blues & lt;br & gt; 2. Jelly Roll's First Cousin & lt;br & gt; 3. Come On Home & lt;br & gt; 4. Drunk Man's Blues & lt;br & gt; 5. Rainy Nights & lt;br & gt; 6. How Long Daddy, How Long & lt;br & gt; 7. Mr. Jelly Lord & lt;br & gt; 8. Anna Mina Forty and St. Louis Shorty & lt;br & gt; 9. coffin Blues & lt;br & gt; 10. Pump Tillie & lt;br & gt; 11. You Shall & lt;br & gt; 12. Well of Salvation & lt;br & gt; 13. Goose Grease & lt;br & gt; 14. Brown Baby & lt;br & gt; & lt;br & gt; & lt;b & gt;LP 3 & lt;/b & gt; & lt;br & gt; 1. Dying Blues & lt;br & gt; 2. Charleston Mad & lt;br & gt; 3. Certainly Lord & lt;br & gt; 4. 216 Blues & lt;br & gt; 5. Chicago Buzz & lt;br & gt; 6. Mamlish Blues & lt;br & gt; 7. I'm Glad I'm Married & lt;br & gt; 8. Steady Roll & lt;br & gt; 9. Nelson Blues & lt;br & gt; 10. Track Linin & lt;br & gt; 11. Bessemer Bound Blues & lt;br & gt; 12. Everybody Help the Boys Come Home & lt;br & gt; 13. Crazy Quilt & lt;br & gt; 14. Shaggy Dog Blues & lt;br & gt; 15. My Man Rocks Me (With One Steady Roll) & lt;br & gt; 16. Jazzbo Jenkins & lt;br & gt; & lt;br & gt; & lt;b & gt;LP 4 & lt;/b & gt; & lt;br & gt; 1. Sleep Baby Sleep & lt;br & gt; 2. Salty Dog & lt;br & gt; 3. Memory of Departed Friends & lt;br & gt; 4. House Rent Stomp & lt;br & gt; 5. West Indies Blues & lt;br & gt; 6. Nobody Knows & lt;br & gt; 7. Steppin' On the Blues & lt;br & gt; 8. Walk Right In Belmont & lt;br & gt; 9. When I Was A Moaner & lt;br & gt; 10. Steady Roll & lt;br & gt; 11. Satan at Church & lt;br & gt; 12. Pacific Coast Blues & lt;br & gt; 13. Look Out Papa Don't Tear Your Pants & lt;br & gt; 14. Baby Can't You Understand & lt;br & gt; 15. Seek and Ye Shall Find & lt;br & gt; & lt;br & gt; & lt;b & gt;LP 5 & lt;/b & gt; & lt;br & gt; 1. Will My Mother Know Me There & lt;br & gt; 2. Hot Hot Hottentot & lt;br & gt; 3. Ain't It A Shame & lt;br & gt; 4. The Wicked Fives' Blues & lt;br & gt; 5. Armour Ave. Struggle & lt;br & gt; 6. Houston Bound & lt;br & gt; 7. Coo Coo Stomp & lt;br & gt; 8. You Can't Keep No Brown & lt;br & gt; 9. Stomp Time Blues & lt;br & gt; 10. I've Got A Hiding Place & lt;br & gt; 11. Cacklin' Hen & lt;br & gt; 12. Fade Away Blues & lt;br & gt; 13. Mama's Angel Child & lt;br & gt; 14. Black Man Blues & lt;br & gt; & lt;br & gt; & lt;b & gt;LP 6 & lt;/b & gt; & lt;br & gt; 1. Hen House Blues & lt;br & gt; 2. Mojo Strut & lt;br & gt; 3. Sympathetic Christ & lt;br & gt; 4. That Da Da Strain & lt;br & gt; 5. Wartime Blues & lt;br & gt; 6. There'll Come A Day & lt;br & gt; 7. On Calvary & lt;br & gt; 8. St. Louis Blues & lt;br & gt; 9. On This Rock I Will Build My Church & lt;br & gt; 10. Don't Pan Me & lt;br & gt; 11. Play That Thing & lt;br & gt; 12. I Want Jesus to Talk With Me & lt;br & gt; 13. Peepin' Blues & lt;br & gt; 14. Cecilia & lt;br & gt; & lt;br & gt; USB Drive contains 800+ songs
The White Stripes There's No Home for You Here & I Fought Piranhas/Let's Build a Home 45rpm 7" Vinyl
& lt;font color= & quot;#FF0000 & quot; & gt; & lt;b & gt;Remastered 45rpm 7 & quot; Vinyl Single! & lt;/b & gt; & lt;/font & gt; & lt;br & gt; & lt;br & gt; One of four black vinyl pressings of The White Stripes' biggest Elephant-era hits, with audio remastered and artwork tidied up. This single features the B-side White Stripes live medley of ''I Fought Piranhas / Let's Build a Home'' recorded at the legendary Electric Lady Studios in New York. Housed in ''soft touch aqueous coating'' sleeves (yes, really), these are the best feeling 7''s that are missing from your collection and they feel like a cross between rubber and lambskin. It's nice. & lt;br & gt; & lt;br & gt; & lt;b & gt;Features: & lt;/b & gt; & lt;br & gt; 45rpm 7 & quot; Vinyl & lt;br & gt; Remastered Audio & lt;br & gt; Housed in & quot;soft touch aqueous coating & quot; sleeves & lt;br & gt; & lt;br & gt; & lt;b & gt;Selections: & lt;br & gt; Side A: & lt;/b & gt; & lt;br & gt; 1. There's No Home For You Here & lt;br & gt; & lt;b & gt;Side B: & lt;/b & gt; & lt;br & gt; 1. I Fought Piranhas / Let's Build A Home (Live at Electric Lady Studios)
The White Stripes The Hardest Button to Button & St. Ides of March 45rpm 7" Vinyl
& lt;font color= & quot;#FF0000 & quot; & gt; & lt;b & gt;Remastered 45rpm 7 & quot; Vinyl Single! & lt;/b & gt; & lt;/font & gt; & lt;br & gt; & lt;br & gt; One of four black vinyl pressings of The White Stripes' biggest Elephant-era hits, with audio remastered and artwork tidied up. This single features the B-side ''St. Ides of March,'' a cover by The Soledad Brothers, one of Detroit's most preeminent artists in 2003. Housed in ''soft touch aqueous coating'' sleeves (yes, really), these are the best feeling 7''s that are missing from your collection and they feel like a cross between rubber and lambskin. It's nice. & lt;br & gt; & lt;br & gt; & lt;b & gt;Features: & lt;/b & gt; & lt;br & gt; 45rpm 7 & quot; Vinyl & lt;br & gt; Remastered Audio & lt;br & gt; Housed in & quot;soft touch aqueous coating & quot; sleeves & lt;br & gt; & lt;br & gt; & lt;b & gt;Selections: & lt;br & gt; Side A: & lt;/b & gt; & lt;br & gt; 1. The Hardest Button to Button & lt;br & gt; & lt;b & gt;Side B: & lt;/b & gt; & lt;br & gt; 1. St. Ides of March
The White Stripes Seven Nation Army & Good to Me 45rpm 7" Vinyl
& lt;font color= & quot;#FF0000 & quot; & gt; & lt;b & gt;Remastered 45rpm 7 & quot; Vinyl Single! & lt;/b & gt; & lt;/font & gt; & lt;br & gt; & lt;br & gt; One of four black vinyl pressings of The White Stripes' biggest Elephant-era hits, with audio remastered and artwork tidied up. This single also features the non-album B-side ''Good to Me,'' a cover by Brendan Benson and Jason Falkner. Housed in ''soft touch aqueous coating'' sleeves (yes, really), these are the best feeling 7''s that are missing from your collection and they feel like a cross between rubber and lambskin. It's nice. & lt;br & gt; & lt;br & gt; & lt;b & gt;Features: & lt;/b & gt; & lt;br & gt; 45rpm 7 & quot; Vinyl & lt;br & gt; Remastered Audio & lt;br & gt; Housed in & quot;soft touch aqueous coating & quot; sleeves & lt;br & gt; & lt;br & gt; & lt;b & gt;Selections: & lt;br & gt; Side A: & lt;/b & gt; & lt;br & gt; 1. Seven Nation Army & lt;br & gt; & lt;b & gt;Side B: & lt;/b & gt; & lt;br & gt; 1. Good to Me
The Dead Weather Dodge and Burn LP (Vinyl)
& lt;font color= & quot;#FF0000 & quot; & gt; & lt;b & gt;2016 Grammy Nominee! Vinyl LP From Jack White & amp; Company! & lt;/b & gt; & lt;/font & gt; & lt;br & gt; & lt;br & gt; The musical adventure by Jack White (The White Stripes, The Raconteurs), epitomizes the alt-rock ethic--do the music you love, do it yourself, and do it fast. The Dead Weather brings together lead singer Alison Mosshart (half of the London-based lo-fi post-punk duo The Kills), Queens Of The Stone Age guitarist Dean Fertita, The Raconteurs' bassist Jack Lawrence, and White on drums and vocals. & lt;br & gt; & lt;br & gt; Born as a one-off collaboration between friends and tour mates, The Dead Weather has since evolved into one of the most vital and provocative bands in contemporary rock n roll. Together Jack White, Alison Mosshart, Dean Fertita, and Jack Lawrence have created a dark magic all their own, a heady brew of melding heavy riffs, thick beats, and blues snarl with raw soul power and unrelenting sexual energy. Dodge and Burn the bands third album and first full-length release in five years sees The Dead Weather pushing their creative line of attack to its very limits on ferocious tracks like I Feel Love (Every Million Miles) and the brutally beautiful Buzzkill(er). & lt;br & gt; & lt;br & gt; Recorded in Nashville during breaks in each members ever-busy schedules, Dodge and Burn was heralded back in October 2013 as the band and Third Man Records announced an innovative long-term plan that would see a series of Dead Weather 7-inch singles released via The Vault in the year and a half leading up to the albums 2015 release. & lt;br & gt; & lt;br & gt; & lt;b & gt;Features: & lt;/b & gt; & lt;br & gt; Vinyl LP & lt;br & gt; Direct-to-board single pocket gatefold jacket & lt;br & gt; Printed insert & lt;br & gt; & lt;br & gt; & lt;b & gt;Musicians: & lt;/b & gt; & lt;br & gt; Alison Mosshart, vocals & lt;br & gt; Jack White, drums, vocals & lt;br & gt; Dean Fertita, guitar & lt;br & gt; Jack Lawrence, bass & lt;br & gt; & lt;br & gt; & lt;b & gt;Selections: & lt;/b & gt; & lt;br & gt; 1. I Feel Love (Every Million Miles) & lt;br & gt; 2. Buzzkill(er) & lt;br & gt; 3. Let Me Through & lt;br & gt; 4. Three Dollar Hat & lt;br & gt; 5. Lose the Right & lt;br & gt; 6. Rough Detective & lt;br & gt; 7. Open Up & lt;br & gt; 8. Be Still & lt;br & gt; 9. Mile Markers & lt;br & gt; 10. Cop and Go & lt;br & gt; 11. Too Bad & lt;br & gt; 12. Impossible Winner
