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Warm Audio WA76 Limiting Amplifier

The WA76 Limiting Amplifier is a modern reproduction of the Classic 1176 Revision D. Every effort was made to remain faithful to the original designs including the use of Reichenbach Engineering's (now CineMag) transformer design that was originally used. The classic 1176 was a major breakthrough in limiter technology - the first true peak limiter with all transistor circuitry offering superior performance with a signature sound - and set the standard for all limiters to follow. The ultra-fast attack time and trademark sound have lured legendary artists and studio moguls alike to the 1176 - Peter Frampton, Joe Satriani, Joe Chiccarelli, Vance Powell, and Mike Elizondo are just a few names on a list that's continued to grow, for nearly 50 years.

Warm Audio Jet Phaser Pedal

Warm Audio Jet Phaser Pedal condition: New Brand: Warm Audio MPN: WA-JP

Warm Audio WA73 British Microphone Preamp

If there’s one preamp that professional engineers would unanimously agree has defined the tone of pop/rock records for the last 50+ years, it would most definitely be the venerable 1073.  The 1073 has been massively used in recording and live applications for decades and is still considered to be the “Holy Grail†of preamps today.  The Warm Audio “WA73 Family†provides single and dual channel re-creations of this classic British preamp (with & w/out EQ), that each pay careful and humble homage to the original circuit. When we at Warm Audio decided to release the WA73 it was imperative to us that the products pay respectful homage to the sacred British console history in both design and performance.  The tone and sweet character that the vintage units impart is so unique and familiar, that we had only the pure desire to release truly sonic accurate replicas.  After years of R & D, careful reverse-engineering, and countless hours of auditioning, the WA73 has been born! The WA73 is a “Desert Island†boutique preamp, but it can also be classified as a studio and live work-horse. The classic 1073 was known for being a versatile tool that worked with all kinds of microphones from Condenser, to Dynamic, to Ribbon.  The WA73 equally shines on all types of microphones and sources including; vocals, acoustic/electric guitars, bass, drums, percussion, orchestras, keyboards, and even as a tone shaping tool to run partial or complete mixes through.  With 80dB of gain and a fully discrete Carnhill Transformer balanced signal path, there’s no recording, mixing or engineering task that the WA73 can’t handle. UK Custom Carnhill Transformers 1073 enthusiasts unequivocally get excited about the component history in these classic circuits.  The signal transformers are a common topic of conversation.  The classic vintage units used various versions of transformers throughout the years, and the most coveted were the very first versions made by Marinair Radar.

Warm Audio WA87 FET Condenser Microphone

The classic ‘87 is arguably the most widely-used large diaphragm condenser microphone in pop recording history. Rather than base the WA-87 circuit on current incarnations of this mic, we decided to closely follow the early circuit designs that date back nearly half a century. As is true with many classic microphones, engineers who have worked with different versions of these microphones often prefer the warmer, more forgiving nature of the earlier commercially available models. The desire to re-introduce the warm tone of this classic mic at an affordable price to an all new generation of recording artists was the inspiration behind the WA-87. Quality Components Make a Better MicThe WA-87 features all discrete, premium components such as Fairchild FETs, tantalum, polystyrene, and WIMA film capacitors, and is rounded off with a Cinemag USA output transformer. The WA-87 proudly uses WA's own Lens Kondensator custom reproduction of the classic K-87 dual backplate/dual diaphragm capsule, as found in early ‘87 mics. It All Starts with The MicrophoneThe importance of a good microphone cannot be understated; but unfortunately, finding a truly great microphone within a budget has always been a challenge for aspiring engineers. There are very usable microphones available for those on a budget; but top shelf, classic studio microphones have simply been out of reach for most people. Warm Audio applied all they know about bridging this barrier into crafting a microphone that reaches the level of quality and sonics mostly found only in top shelf products, yet sells for a price that is down to earth.

Warm Audio WA-47 Large Condenser Microphone

The WA-47 is an all vacuum tube, large diaphragm, transformer balanced, multi-pattern, large condenser microphone, based on the classic ‘47 that has been used on countless hit records for the last 50+ years. The WA-47 is designed for pro studio, home studio, live, and broadcast applications and sounds great on vocals, acoustic/electric guitars, acoustic/electric bass, drums, piano, strings, brass/woodwind instruments, and an array of other sources. The classic ‘47 became extremely popular in the 1960’s and is now considered one of the greatest microphones ever made. The classic ‘47 is still widely used today in professional recording studios but have become extremely rare and expensive to acquire. ? Designing the WA-47 to sound like the classic ‘47 was no easy task, especially considering that some of the vintage components are no longer available. Comparing to 2 different vintage ‘47 mics, Warm Audio found that they both sounded amazing but also sounded a little different from each other. These comparison tests became the benchmark for tailoring the WA-47's sound. The result, a gorgeous sounding classic at a price that’s reachable to more people than ever before. The WA-47 sounds nearly indistinguishable from the vintage ‘47’s that were auditioned on several sources.

Warm Audio 323634 WA-14 Condenser Microphone

Blast from the Past The WA-14 is a classic condenser microphone based on the early 1970's microphone used on countless hit records. The WA-14 utilizes a custom all-brass CK12-style capsule- CineMag USA transformer- and a fully discrete signal path. The WA-14 can be used on an array of sources- such as; punchy/warm intimate lead vocals- acoustic/electric guitars- bass- drums/percussion- strings/orchestral material- and many other sources. The WA-14 provides a realism and thickness that is true to the vintage microphone- but now at an affordable price. All Brass Capsule The WA-12-B-60V is an all-brass- edge-terminated capsule that captures all the smoothness- rich top end- and warm vintage sonics of the original CK12 capsule. The WA-12-B-60V uses a variant CEK-12 back plate as a basis- which overcomes manufacturing limitations of the original CK12 capsule. The o-ring and housing of the WA-12-B-60V are all made from brass (no non-Stick parts)- and the diaphragm is 24k gold sputtered 6 micron- NOS PET film (mylar). The end result is a very consistent- reliable capsule which matches the frequency response and tonality of the classic 1970's classic capsule. Born Out of Need The WA (Warm Audio) brand of capsule is the result of several years of research- a lifetime of listening- and a passion for great sound. Above all else- Warm Audio capsules came from the desire to give customers far more quality/value than what they are used to getting in an affordable microphone. Every Warm Audio capsule is made in the same small assembly house in a clean-room environment- and in its own protective jewel case until the moment it is loaded into the microphone. Every capsule visually inspected and electrically tested for imperfections. Every capsule is also made with all brass parts (no non-Stick or other cost saving material)- and is carefully skinned from the same supply of high purity NOS Mylar (PET film). We are confident that you will be just as pleased with our microphone capsules as we are to offer them- and that they will give you a lifetime of great recordings and enjoyment. Includes: 48v powered Shock mount Hard mount Zipper pouchSpecifications Width: 8.5- Length: 11.5-

Warm Audio Foxy Tone Box Fuzz Pedal

Warm Audio Foxy Tone Box Fuzz Pedal condition: New Brand: Warm Audio MPN: WA-FTB

Warm Audio WA-47Jr Large-Diaphragm Condenser Microphone

The WA-47jr is a FET transformerless version of the highly renowned classic ‘47 microphone that has been used on countless hit records for the last 50+ years. The WA-47jr is fully discrete, has 3 polar patterns and is designed for pro studio, home studio, live, and broadcast applications. The WA-47jr sounds great on vocals, acoustic/electric guitars, acoustic/electric bass, drums, piano, strings, brass/woodwind instruments, and an array of other sources.?The WA-47jr proudly uses a custom k47 style capsule reproduction, designed with the same hole pattern and frequency response as the vintage design. This capsule is carefully manufactured by an Australian capsule manufacturer with careful precision and repeat-ability that allows the most important sonic piece of the classic mic to be heard and influence the tone and signature of the WA-47jr. The WA47jr's low-noise and discrete signal path, when paired with this excellent true '47 style capsule, allows it to obtain a very similar tone to the classic ‘47 microphone, but at a much lower price tag.  The WA-47jr circuit uses high-quality Toshiba FET’s, Wima film capacitors and Panasonic electrolytic capacitors. The circuit is modernized and simpler than the classic ‘47 tube microphone, but the components and circuitry are top-notch and have a memorable sound quality.

Warm Audio EQPWA Classic VINTAGE-Style Tube Equalizer

Warm Audio has carefully re-created the most renowned tube Equalizer in studio history at an unheard of price. Not only does the look and feel of the EQP-WA match the classic Pultec units, but the sonic quality has been carefully considered by using top-end components such as CineMag transformers and premium tubes. This fully discrete Tube EQ can pull euphoric sonics from any track and bring a brilliance and luster to your final mixes that's nearly impossible to achieve inside-the-box. Warm Audio has once again redefined the industry standard and brought a fully professional-grade piece of outboard gear to the market at a price that's making history.

Warm Audio WA-251 Large Diaphragm Condenser Microphone

The WA-251 was created to offer a classic microphone design to a new generation of recording artists at an affordable price. Warm Audio spent a great deal of time listening to different ‘251 microphones to determine what people liked about them and why, how various styles of components impact the tone, and how to give the WA251 microphone a signature that pays homage to the vintage classic, but also stands out on its own. The WA-251 is an all vacuum tube, large diaphragm, transformer balanced, multi-pattern, large condenser microphone, based on the classic ‘251 that has been used on countless hit records for the last 50+ years. The WA-251 is designed for pro studio, home studio, live, and broadcast applications and sounds great on vocals, acoustic/electric guitars, acoustic/electric bass, drums, piano, strings, brass/woodwind instruments, and an array of other sources. The classic ‘251 became extremely popular as a vocal microphone in the 1960’s and is now considered to be one of the greatest condenser microphones ever created. The classic ‘251 is still widely used today in professional recording studios but has become extremely rare and cost prohibitive to acquire. Designing the WA-251 to sound like the classic ‘251 was no easy task, especially since some of the vintage components are no longer manufactured or available. Warm Audio is pleased to release such a gorgeous sounding classic to the market at a price that’s reachable to more people than ever before. The Capsule The WA-251 utilizes a custom reproduction of the vintage CK12 style capsule that was used in the classic ‘251 microphone - designed with a similar hole pattern and frequency response. Warm Audio's version of this capsule (model# WA-12-B-60v) is carefully manufactured by an Australian capsule supplier and is precisely reproduced to the vintage specs. Warm Audio is pleased to offer such a great CK12 style capsule re-incarnation because it allows us to nail the sonics of the most important piece of the formula. The Tube A Slovak Republic JJ 12AY7 vacuum tube is used in the WA-251. Warm Audio auditioned 3 tube brands and fell in love with the JJ 12AY7. The frequency response of the JJ tube, and the way it contributes to the circuit is tonally smooth and vintage in nature. The Transformer The WA-251 utilizes an American made CineMag USA transformer. This transformer helps provide the present top end and the LARGE bottom end one would hope to get from a 251-style condenser microphone. The Capacitors The WA-251 proudly uses polystyrene coupling capacitors, wima film capacitors throughout, and an imported Solen French capacitor on its output. SPECThe CableOne component of a tube microphone that is often overlooked is the 7-pin cable that connects the microphone to its power supply. When auditioning the WA-251 and other tube microphones, Warm Audio learned quite a bit about 7-pin cables and how the shielding and wire gauge size can drastically change the sonics of a tube microphone. So they partnered with Gotham Audio in Switzerland to use their very carefully built high-end 7-pin “GAC-7 cable”. Using this cable increases top end presence and the overall size of the recorded image in the stereo field by reducing phase shift and the parasitic effect often experienced in poorly built cables. Gotham Cabling is very expensive and boutique in nature and shouldn’t be considered a small addition to the WA-251 package.

Warm Audio WA73-EQ Single-Channel Microphone Preamplifier and Equalizer

If there’s one style of preamp that professional engineers would unanimously agree has defined the tone of pop/rock records for decades, it would most definitely be the venerable '73-style of mic pre. '73-style preamps have been massively used in recording and live applications for many years and are still considered to be the “Holy Grail” of preamp choices today. The Warm Audio “WA73 Family” consists of single and dual channel '73-style preamps (with & w/out EQ), that each pay careful homage to British audio history.This classic-style preamp is now enhanced with a 3-band EQ and high-pass filter to roll-off unwanted low-end boom. With it you'll sculpt the preamp's signal to perfectly tune your source instrument's output.

Warm Audio WA273-EQ Dual-Channel Microphone Preamplifier and Equalizer #WA273EQ

If there’s one style of preamp that professional engineers would unanimously agree has defined the tone of pop/rock records for decades, it would most definitely be the venerable '73-style of mic pre. '73-style preamps have been used in recording and live applications for many years and are still considered to be the “Holy Grail” of preamp choices today. The Warm Audio “WA73 Family” consists of single and dual channel '73-style preamps (with & w/out EQ), that each pay careful homage to British audio history. It was imperative for Warm Audio to match the tone and sweet character of the vintage ‘73-style mic preamps to create a sonically accurate reproduction with the WA273-EQ. Easily classified as a studio and live work-horse, the WA73-EQ is a versatile tool that will work with all kinds of microphones whether a Condenser, Dynamic or Ribbon mic. The WA273-EQ equally shines on all types of sources: vocals, guitars, bass, drums, percussion, orchestras, keyboards and even as a tone shaping tool to run partial or complete mixes through. With 80dB of gain and a fully discrete Carnhill Transformer balanced signal path, there’s no recording, mixing or engineering task that the WA273-EQ can’t handle.

Warm Audio WA-FTB Foxy Tone Box Fuzz Effects Pedal

show up to 2 reviews by default The new Foxy Tone Box from Warm Audio is a hyper-accurate recreation of one of the most sought-after and beloved fuzz pedals of all time & ndash; used in the early seventies by legendary tone masters Billy Gibbons and Peter Frampton, and in the present day by folks like Adrian Belew, Nine Inch Nails and Beck. Covered in thick velvet just like the vintage pedal, the Warm Audio Foxy Tone Box faithfully recreates the vintage circuit and brings you the huge tone, octave-up sounds and look of the original... without having to pay crazy vintage prices!

Warm Audio WA-JP Jet Phaser Vintage Phaser Guitar Pedal

The Warm Audio Jet Phaser is a hyper-authentic recreation of the original famous pedal, accurate from the gooey swirl of the audio circuit to the look and feel of the enclosure, except that it’s true bypass and far more affordable and reliable than vintage units! Warm Audio WA-JP Jet Phaser Vintage Phaser Pedal Features Faithful recreation of the original “jet” phase circuit Uses premium components throughout, including carbon film resistors and film capacitors True bypass operation Six modes: JET (1–4), PHASE (1–2) EFFECT/NORMAL and FAST/SLOW foot switches JET LEVEL, MODE, RESONANCE, and SLOW RATE knobs Gradual rate change when FAST/SLOW switch is pressed, simulating a rotary cab 1/4" Input and Output jacks DC ADAPTER/BATTERY switch Rugged steel chassis with attractive wooden side panels Rebirth of a Classic The seventies were an amazing time, as bell-bottoms, chains and afros dominated the fashion scene and the swoosh and swirl of phaser effects were everywhere on the radio. From the guitar work of David Gilmour, Brian May and Eddie Van Halen to the trail-blazing keyboard stylings of Steely Dan, Herbie Hancock and Paul Simon’s Richard Tee, it seemed like everyone was incorporating phasers into their sound. Of all of the designs available during that time period, one phaser pedal stood apart from the others due to its flexibility, sound quality and addition of fuzz sounds, and it was immediately adopted by funk bass pioneer Larry Graham as the core of his modulated sound with both Sly and The Family Stone and his own Graham Central Station. The Jet Set The Jet Phaser contains six modes, with two labeled "PHASE" and four labeled "JET". The two PHASE modes produce traditional phasing effects, with the first having moderate modulation depth for more subtle sounds, and the second having increased depth for more exaggerated results. However, the similarities to normal phase pedals end there. The four JET modes engage the "jet" (or fuzz) effect, and that's when things get seriously fun! There are four fuzz/phase combinations:: Bright fuzz/shallow phase Bright fuzz/deep phase Dark fuzz/shallow phase Dark fuzz/deep phase When the JET modes are active, the pedal's output level is controlled by the JET LEVEL knob. This enables you to set up the JET modes as a boost, if desired—which could be perfect for solos! Creative Control The Jet Phaser also features a RESONANCE control that's available in all six modes, allowing you to dial in varying amounts of filtered sci-fi craziness. Additionally, you get creative control of the modulation rate: the SLOW RATE knob allows you to set the main modulation speed, but hitting the FAST/SLOW foot switch always kicks the rate up to the maximum speed possible. It’s a cool design, because the change from fast to slow ramps up and down gradually like an organ’s rotary speaker. Unlike most phasers, the Jet Phaser can actually get “in-between” speeds by continuously hitting the FAST/SLOW foot switch like organ players do! The Jet Phaser’s true bypass operation makes it easy to incorporate into any rig, and the fact that it runs at 18V gives it high headroom and pristine audio quality (it can be powered with the included 18VDC adapter or two 9V batteries). We already know it'll sound great on guitar, bass, and keys, but don't let that stop you from slapping it on a vocal track or a drum bus - use your imagination!

Warm Audio Foxy Tone Box Octave-Up and Fuzz Guitar Effects Pedal

Warm Audio Foxy Tone Box Octave-Up and Fuzz Guitar Effects Pedal condition: New Brand: Warm Audio MPN: FOXYTB

Warm Audio WA-47jr FET Recording Studio Vocal Guitar Condenser Microphone

Warm Audio WA-47jr FET Recording Studio Vocal Guitar Condenser Microphone condition: New Brand: Warm Audio MPN: WA-47JR Code: 0aa-063205000222792

Warm Audio WA84-C Small Diaphragm Condenser Microphone, Nickel or Black - NICKEL

Warm Audio WA84-C Small Diaphragm Condenser Microphone, Nickel or Black - NICKEL condition: New Brand: Warm Audio MPN: WA84-C

Warm Audio WA12 500 MKII Discrete Microphone Preamplifier #WA12-500 MKII

Warm Audio WA12 500 MKII Discrete Microphone Preamplifier

Warm Audio WA-87 R2 Large Diaphragm Condenser Microphone (Nickel) Bundle with Reflection Filter & Mic Stand

Styled in a nickel finish, the WA-87 R2 Multi-Pattern Condenser Microphone Bundle from Warm Audio is the second, upgraded version of the mic that helped establish Warm Audio's reputation in the pro-audio gear sphere. The original WA-87 already brought the sound of a classic, vintage, and most importantly, expensive microphone to hard-working engineers on a budget. The WA-87 R2 upgrades many features to make it sound even better and even closer to the original. For instance, even more top-shelf components are used throughout, such as a NOS Fairchild transistor and film capacitors from Wima. You'll note an increased output level over the original as well as an improved frequency response across its 20 Hz to 20 kHz range. The latter is made possible by a new, rounded head-basket shape, which ensures the capsule has additional space in the housing, and accounts for the pleasing sonic signature, which is even closer to the sound of the original vintage mic. This mic can be used to capture audio in many environments, such as recording studios, live stage, and theaters. It is suitable for all sorts of instruments and offers three different polar patterns: omnidirectional, cardioid, and figure-8. The mic ships with a shockmount, a hard mount, and a wood box for storage. This bundle includes a Reflection Filter designed to improve the quality of voice recordings captured in your home studio, rehearsal studio or other untreated acoustic environment by absorbing and isolating the microphone from unwanted ambient reflections. By absorbing and diffusing these reflections, the RF-5P-B creates a closer and dryer sound. Plus a reflection Filter Tripod Mic Stand features heavy-duty steel construction. Box Contains Warm Audio WA-87 R2 Condenser Microphone (Nickel) Shockmount Hard-Mount Wood Box 1-Year Warranty Reflection Filter (Metal) 1-Year Warranty Tripod Mic Stand 1-Year Warranty

Warm Audio WA-87 R2 Multi-Pattern Condenser Microphone (Nickle) Bundle with Metal Reflection Filter and Filter Tripod Mic Stand

WA-87 R2 Multi-Pattern Condenser Microphone from Warm Audio is the second, upgraded version of the mic that helped establish Warm Audio's reputation in the pro-audio gear sphere. The original WA-87 already brought the sound of a classic, vintage, and most importantly, expensive microphone to hard-working engineers on a budget. The WA-87 R2 upgrades many features to make it sound even better and even closer to the original. For instance, even more top-shelf components are used throughout, such as a NOS Fairchild transistor and film capacitors from Wima. You'll note an increased output level over the original as well as an improved frequency response across its 20 Hz to 20 kHz range. The latter is made possible by a new, rounded head-basket shape, which ensures the capsule has additional space in the housing, and accounts for the pleasing sonic signature, which is even closer to the sound of the original vintage mic. This bundle includes a Reflection Filter is designed to improve the quality of voice recordings captured in your home studio, rehearsal studio or other untreated acoustic environment by absorbing and isolating the microphone from unwanted ambient reflections. Plus a Reflection Filter Tripod Mic Stand features heavy-duty steel construction and is capable of providing sturdy support to your reflection filter and studio microphone at the same time. Box Contains Warm Audio WA-87 R2 Multi-Pattern Condenser Microphone (Nickle) Shockmount Hard-Mount Wood Box Reflection Filter (Metal) Tripod Mic Stand 1-Year Warranty

Warm Audio Premier Series 18FT Instrument CABLE - NEW - PERFECT CIRCUIT

Warm Audio Premier Series 18FT Instrument CABLE - NEW - PERFECT CIRCUIT condition: New MPN: Prem-TS-18'Brand: Warm Audio

Warm Audio Pro Series 20FT XLR Microphone CABLE - NEW - PERFECT CIRCUIT

Warm Audio Pro Series 20FT XLR Microphone CABLE - NEW - PERFECT CIRCUIT condition: New MPN: Pro-XLR-20'Brand: Warm Audio

Warm Audio Premier Series 20FT Balanced TRS CABLE - NEW - PERFECT CIRCUIT

Warm Audio Premier Series 20FT Balanced TRS CABLE - NEW - PERFECT CIRCUIT condition: New MPN: Prem-TRS-20'Brand: Warm Audio

Warm Audio Pro Series 20FT TS Instrument CABLE - NEW - PERFECT CIRCUIT

Warm Audio Pro Series 20FT TS Instrument CABLE - NEW - PERFECT CIRCUIT condition: New MPN: Pro-TS-20'Brand: Warm Audio

Warm Audio Pro Series 6FT XLR Microphone CABLE - NEW - PERFECT CIRCUIT

Warm Audio Pro Series 6FT XLR Microphone CABLE - NEW - PERFECT CIRCUIT condition: New MPN: Pro-XLR-6'Brand: Warm Audio

Warm Audio Pro Series 10FT Balanced 1/4" TRS CABLE - NEW - PERFECT CIRCUIT

Warm Audio Pro Series 10FT Balanced 1/4" TRS CABLE - NEW - PERFECT CIRCUIT condition: New MPN: Pro-TRS-10'Brand: Warm Audio

Warm Audio Jet Phaser

Dimensions (Overall): 12.5 inches (L), 3.25 inches (H) x 8.75 inches (W) x 12.5 inches (D)Weight: 5.32 poundsEffect Type: Chorus, Phaser, and FlangerWarranty: No Applicable Warranty. To obtain a copy of the manufacturer's or supplier's warranty for this item prior to purchasing the item, & bull; Faithful recreation of the original “jet” phase circuit, true bypass operation & bull; Uses premium components throughout, including carbon film resistors and film capacitors & bull; Rugged steel chassis with attractive wooden side panels & bull; Gradual rate change when FASTSLOW switch is pressed, simulating a rotary cabWarm Audio's recreation of this classic 1970's effect brings all the swirl, swoosh and sweep of the an iconic phaser effect to modern guitarists. Updated with true bypass operation, this super-authentic recreation of the classic design favored by guitarists, bassists and keyboard players alike, brings all the sound and vibe of vintage units without the vintage price. Combining deep and shallow phasers with fuzz tones recreate that classic hypersonic jet swoosh for some serious sonic fun. The Fast/Slow footswitch has a ramping effect for a rotary speaker-type operation, and the resonance control lets go from subtle to over-the-top with the twist of a knob. Runs on two 9v batteries or the included 18v power supply.

Warm Audio Bus Compressor

The Warm Audio BUS-COMP is an all-analog, 2 channel, stereo VCA compressor based on legendary VCA compressor technology that has provided a silky smooth tone for years. Stereo VCA compressors are masterful at controlling dynamics on many sources, but they have become widely known for their magic touch on stereo mixes. The BUS-COMP will perform well on stereo mixes, drum mixes, drum overheads, acoustic guitars, keyboards, piano, orchestral instruments, voice-overs and an array of other sources. The BUS-COMP is primarily designed for stereo use, but it can be used just as successfully on individual mono sources. VCA compressors of this type have become widely loved for their ability to control dynamics effortlessly but also for the added tone and depth they provide to the audio signal that passes through them, even when no compression is applied.Re-creating legendary VCA compressor technology was the focus of the BUS-COMP’s design, however, adding options and improvements was just as important to us during its development. One feature is the BUS-COMP’s ability to have USA made CineMag transformers inserted into the signal path driven by fully discrete operational amplifiers. With a single push of a front panel switch, these custom USA made transformers are inserted into the audio path providing increased depth, tone and vibe!As with all of Warm Audio products, the BUS-COMP was designed with a price point in mind. With efficient, modern manufacturing techniques they bring this boutique quality, classic VCA compressor to the market at a quality-to-price ratio previously unseen. More studios than ever before will now have access to analog quality VCA compression. The desire is for all musicians to be heard the way they want to be heard and  the BUS-COMP is a perfect tool to perfect any mix.

Warm Audio Active Direct Box

Whether play guitar, bass, keyboards or another instrument, ’ll need a direct box that won’t diminish instrument’s tone, like the ACTIVE DIRECT BOX from Warm Audio. Every aspect of this direct box is designed for maximum sonic integrity, from the custom-wound CineMag USA transformer to the rugged metal knob and switches. can expect a warm, rich tone even after long cable runs, and the extruded aluminum enclosure ensures a long life span. When need to convert an instrument-level signal to mic-level with sonic quality as top priority, ’ll be well served with the ACTIVE DIRECT BOX.

Warm Audio Foxy Tone Box

Dimensions (Overall): 11.75 inches (L), 2.9 inches (H) x 6.15 inches (W) x 11.75 inches (D)Weight: 2.01 poundsEffect Type: Distortion, Fuzz, and OverdriveWarranty: No Applicable Warranty. To obtain a copy of the manufacturer's or supplier's warranty for this item prior to purchasing the item, & bull; Faithful recreation of the original “foxy” fuzz circuit with 100% analog, fully discrete signal path & bull; Premium components used throughout, including the NOS 2N3565 germanium Fairchild transistors found in the original circuit & bull; Uses carbon resistors, germanium 1N34A diodes, and premium film capacitors & bull; True bypass operationThe new Foxy Tone Box from Warm Audio is a hyper-accurate recreation of one of the most sought-after and beloved fuzz pedals of all time. Favored in the ’70s by legendary tone masters Billy Gibbons and Peter Frampton and in the present day by industrial, prog, art and alt-rockers, the Warm Audio Foxy Tone Box faithfully recreates the vintage circuit, delivering the huge tone, octave-up sounds and look of the original—without the vintage price. Serious Attention to Detail The specific components used in a pedal circuit are critical to the way that it sounds and reacts to playing, so each Foxy Tone Box is assembled by hand using premium parts. Warm Audio searched far and wide for a stash of the correct NOS (“New Old Stock”) Fairchild germanium transistors used in the original—and then paired them with germanium diodes, high-watt carbon resistors, and film capacitors to bring the fury of the vintage pedal to the present day. It’s true bypass, and it sounds like nothing else on earth. Fuzz it Up Just like the original, the Foxy Tone Box features controls for Volume, Sustain, and Fuzz (from “Mellow” to “Brite”), along with a switch to engage the pronounced octave effect. From mellow and subdued crunch to all-out searing fuzz and everything in between, this pedal is a virtual library of dirt encased in orange velvet. To get started, keep the Octave switch off and roll the Fuzz to the “Mellow” side for warm, square-wave distortion. Then engage the Octave effect, crank the Fuzz to “Brite" and increase the Sustain for maxed-out, hyper-compressed tones that barely hang on for dear life. Electric guitar is the obvious application, but try it on synthesizers, drum machines, bass, acoustic/electric, and more. If can plug a cable into it, the Foxy Tone Box can add character just can’t get anywhere else. Technical Specifications • Faithful recreation of the original “foxy” fuzz circuit with 100% analog, fully discrete signal path • Premium components used throughout, including the NOS 2N3565 germanium Fairchild transistors found in the original circuit • Uses carbon resistors, germanium 1N34A diodes, and premium film capacitors

Warm Audio WA-47 Flight Case

Dimensions (Overall): 20.75 inches (L), 9.0 inches (H) x 17.0 inches (W)Weight: 7.03 poundsWarranty: No Applicable Warranty. To obtain a copy of the manufacturer's or supplier's warranty for this item prior to purchasing the item, & bull; Flight case designed specifically for the WA-47 tube mic & bull; Aluminum exterior is rugged yet lightweight—perfect for travel & bull; Rubberized foam interior is shaped to fit all the components of the WA-47 & bull; Sleek, professional build quality preferred by touring musiciansThe Warm Audio WA-47 flight case provides safe housing for a WA-47 microphone system. It's specially designed to protect this valuable tube mic for travel or storage. The exterior of the case is crafted from aluminum for strength and low weight. The top lid is dressed in soft ribbed foam. The main compartment features rubberized foam that is precisely molded by Warm Audio to hold all of the components of their own WA-47 microphone system safely and securely.

Warm Audio TB12 Black Tonebeast Microphone Preamp

& bull; Versatile tones from vintage to modern & bull; Capacitor select & bull; Supplies phantom power & bull; Bypass transformerThe Tone Beast is a great mic pre with loads of gain that can effortlessly capture an array of sources very well. With top-notch CineMag transformers and multiple discrete signal paths, it's hard to beat its big, bold, fully-professional sound at its price. The Tone Beast is a mic pre that likes to be pushed and when pushed will colorize signal ever so sweetly. The 2 opamps and 2 output transformers at the flip of their switches won't appear to be much different, but as one drives the pre into harmonic distortion, the unique character of each of these components becomes apparent. Additionally the Tone Beast is customizable and allows for other opamps to be sourced and easily swapped into the unit. I've pulled my best tones from this pre right at the saturation point (as loud as I can push the gain before clipping). The output control on the TB12 allows to limit the signal exiting the preamp even when pushing the gain to really hot levels, giving maximum control. The x731 (Melcor 1731) and x18 (Dean Jensen's 918) Op Amps saturate a bit differently. The 1731 breaks up faster and has more color when pushed. The 918 is fairly linear/clean with a smidge of character and does not break-up/saturate as quickly. The 100% steel output transformer colors the signal more than the 50% nickel transformer when pushed. However, both are designed to impart character. The 50% nickel transformer will impart less character and provide greater high and low frequencies. For an ultra clean, character-lacking tone, try the x18 while bypassing the output transformers completely. Have no fear of hurting the Beast, can push it very hard into full-on distortions if wish, and these can sound quite nice on electric guitar, bass or anything else that likes some nice grit. When hand building mic pres I learned a bit about the "subtle" differences component choices can make. A little change here, and another there often times became a huge deal in a finished mix, but often times is not very noticeable at first take. The different component options in the TB12 are subtle, but when driven into saturation are noticeable and can make a big difference to the way final mix will sound. Home-based musicians and professional studios alike will find the Tone Beast to be an extremely powerful and fully professional piece of gear that is capable of warming and shaping signals/mixes in a way that is very pleasing to the ear. History behind the tone beast In the '60s and '70s many console/preamplifier builders hid the operational amplifier (Op amp) stage of their preamps by cramming its components into a small box and then attaching the box to the circuit board. Inside these small boxes, the components were covered in glue to make them hard to disassemble/analyze. Manufacturers of that day felt the character these Op Amps imparted was unique enough to protect. A trend grew in the industry where the little box the Op Amp components sat in became of similar size and shape between manufacturers. These boxes eventually mounted to the PCB board with the same number of pins, spaced identically, even from different manufacturers. could remove an Op Amp from one console preamp and place it in another of a different manufacturer without much headache/difficulty. The TB12 uses this same square shaped op amp and pin configuration as these originals but not enclosed in plastic and glue. The TB12 is designed so that users can remove the stock opamps and replace them with their own. If are a tone FREAK like me will love the ability to do this. Beware that Warm Audio may not be able to warranty a unit that has been opened and tinkered with. Below are some examples of 6 pin opamps that can pop right into the Tone Beast.

Warm Audio Flight Case for WA-67 Condenser Microphone

Dimensions (Overall): 20.5 inches (L), 9.25 inches (H) x 17.0 inches (W)Weight: 7.11 poundsWarranty: No Applicable Warranty. To obtain a copy of the manufacturer's or supplier's warranty for this item prior to purchasing the item, & bull; Made out of aluminum for strength and low weight & bull; The case’s top lid is dressed in soft ribbed foam & bull; The main compartment features rubberized foam that is precisely molded to hold all of the components of the WA-67 microphone system safely and securelyThe WA-67 flight case provides safe housing for a WA-67 microphone system for travel or storage. Made out of aluminum for strength and low weight, the case’s top lid is dressed in soft ribbed foam, while the main compartment features rubberized foam that is precisely molded to hold all of the components of the WA-67 microphone system safely and securely.

Warm Audio Flight Case for WA-251 Condenser Microphone

Dimensions (Overall): 20.6 inches (L), 9.1 inches (H) x 17.0 inches (W)Weight: 7.08 poundsWarranty: No Applicable Warranty. To obtain a copy of the manufacturer's or supplier's warranty for this item prior to purchasing the item, With a durable exterior and foam padded interior, this flight case is perfect for transporting and storing WA-251 condenser mic. Molded to fit every component of the mic, can rest assured that gear will stay safe and secure.

Warm Audio Flight Case for WA-87 R2 Condenser Microphone

Dimensions (Overall): 20.5 inches (L), 9.0 inches (H) x 17.0 inches (W)Weight: 7.0 poundsWarranty: No Applicable Warranty. To obtain a copy of the manufacturer's or supplier's warranty for this item prior to purchasing the item, & bull; Made out of aluminum for strength and low weight & bull; The case’s top lid is dressed in soft ribbed foam & bull; The main compartment features rubberized foam that is precisely molded to hold all of the components of the WA-87 R2 microphone system safely and securelyThe WA-87 R2 flight case provides safe housing for a WA-87 R2 microphone system for travel or storage. Made out of aluminum for strength and low weight, the case’s top lid is dressed in soft ribbed foam, while the main compartment features rubberized foam that is precisely molded to hold all of the components of the WA-87 R2 microphone system safely and securely. Please note that this is for the WA-87 R2 and not for the original WA-87.

Warm Audio WA-12-500 MK2 500 Series Microphone Preamp

& bull; Utilizes premium grade input and output USA CineMag transformers & bull; 71db of Gain, fully discrete signal path & bull; 6-pin socketed 1731 style opamp that can be replaced with other 6-pin opamps & bull; TONE button – Switches the input impedance from 600 ohms to 150 ohms. Changes the tone of both the mic and HI-Z inputs & bull; 2 Meg Ohm True HI-Z input on front panel. Sends instrument signal through entire circuit including both Cinemag Transformers and the discrete opampIf are looking for a preamp to improve and shape signal will love the WA12-500 MKII. The WA12-500 MKII transforms plain instruments and vocals into exciting tone. If mixes lack depth, struggle to sound alive, or are just missing that professional touch ’ve always wanted, there is a good chance will appreciate the WA12-500 MKII. ​The WA12 - 500 MKII is a completely discrete, high voltage, dual-transformer microphone preamplifier designed for high gain (+71dB), high headroom, low noise, and an exciting sonic performance. A high-quality mic preamp is one of the most critical pieces needed to achieve the elusive ‘larger than life’ sound the WA12 - 500 MKII delivers. The WA12 - 500 MKII is based around a discrete op-amp, the X731, which is Warm Audio’s own reproduction of the vintage classic Melcor 1731, considered by some to be the warmer predecessor to the modern 2520-style op-amp. The X731 can achieve vibrant, clean and lifelike tones; but can also be driven into mild saturation at much higher gain levels. The effects can be subtle, but very pleasing to the ear. The WA12 - 500 MKII can also accept any discrete op-amp on the market which conforms to the +/-16v, 2520 pinout standard. When developing the WA12-500 MKII, Warm Audio’s design team’s ears played a big part in the design process. Using CineMag USA transformers and an all discrete signal path ensured that the WA12-500 MKII would have the building blocks to compete with the best preamps on the market.