Stan Getz Quartet Live in Dusseldorf 1960 180g LP (Vinyl)
& lt;font color= & quot;#FF0000 & quot; & gt; & lt;b & gt;180g Vinyl LP! & lt;/b & gt; & lt;/font & gt; & lt;br & gt; & lt;br & gt; Live in Dusseldorf 1960 is an unreleased, original remastered concert recording on 180g vinyl! & lt;br & gt; & lt;br & gt; Impresario Norman Granz had moved to Switzerland in 1959. He coordinated his & quot;Jazz at the Philharmonic & quot; tours from there, which at that time were very successful in Europe. In the following year, he even sent off two all-star casts under the slogan & quot;Norman Granz's Jazz at the Philharmonic Presents Jazz Winners of 1960. & quot; & lt;br & gt; & lt;br & gt; The first cast was made up of Ella Fitzgerald, Roy Eldridge, the Jimmy Giuffre Trio, and the Shelly Manne Quintet, while the second cast brought together the Miles Davis Quintet, the Oscar Peterson Trio, and the Stan Getz Quartet. & lt;br & gt; & lt;br & gt; At Dusseldorf's Rheinhalle theater, Stan Getz was on stage with his own quartet. The playbill announced the saxophonist's Scandinavian band; however, prior to the tour he had dismissed several of its members and so the cast instead included Ray Brown and Ed Thigpen, two fellow Americans. & lt;br & gt; & lt;br & gt; Approximately nine months after the concert in Dusseldorf, the expatriate made his comeback in the U.S. and shortly afterwards became world renowned not only among jazz enthusiasts but also with a much wider audience, thanks to the growing popularity of bossa nova music. & lt;br & gt; & lt;b & gt; & lt;br & gt; Features: & lt;/b & gt; & lt;br & gt; 180g Vinyl & lt;br & gt; Unreleased, original master concert recording & lt;br & gt; Remastered & lt;br & gt; & lt;br & gt; & lt;b & gt;Musicians: & lt;/b & gt; & lt;br & gt; Stan Getz, tenor saxophone & lt;br & gt; Jay Johansson, piano & lt;br & gt; Ray Brown, bass & lt;br & gt; Ed Thigpen, drums & lt;br & gt; & lt;br & gt; & lt;b & gt;Selections: & lt;br & gt; Side A: & lt;/b & gt; & lt;br & gt; 1. Out of Nowhere & lt;br & gt; 2. Woody 'n You & lt;br & gt; 3. The Thrill Is Gone & lt;br & gt; & lt;b & gt;Side B: & lt;/b & gt; & lt;br & gt; 1. Out of Nowhere (Alternative Track) & lt;br & gt; 2. Pernod
Bob Dylan Bob Dylan & The New Folk Movement 180g Import 2LP (Vinyl)
& lt;font color= & quot;#FF0000 & quot; & gt; & lt;b & gt;180 Gram Double Vinyl! Featuring Joan Baez, Judy Collins, Dave Van Ronk & amp; Bob Gibson! & lt;/b & gt; & lt;/font & gt; & lt;br & gt; & lt;br & gt; Bob Dylan's influence on popular music is incalculable. As a songwriter, he pioneered several different schools of pop songwriting, from confessional singer/songwriter to winding, hallucinatory, stream-of-consciousness narratives. As a vocalist, he broke down the notion that a singer must have a conventionally good voice in order to perform, thereby redefining the vocalist's role in popular music. As a musician, he sparked several genres of pop music, including electrified folk-rock and country-rock. And that just touches on the tip of his achievements. Dylan's force was evident during his height of popularity in the '60s the Beatles' shift toward introspective songwriting in the mid-'60s never would have happened without him but his influence echoed throughout several subsequent generations, as many of his songs became popular standards and his best albums became undisputed classics of the rock & amp; roll canon. Dylan's influence throughout folk music was equally powerful, and he marks a pivotal turning point in its 20th century evolution, signifying when the genre moved away from traditional songs and toward personal songwriting. & lt;br & gt; & lt;br & gt; Dylan made his way to New York City in January of 1961, immediately making a substantial impression on the folk community of Greenwich Village. He began visiting his idol Guthrie in the hospital, where he was slowly dying from Huntington's chorea. Dylan also began performing in coffeehouses, and his rough charisma won him a significant following. In April, he opened for John Lee Hooker at Gerde's Folk City. Five months later, Dylan performed another concert at the venue, which was reviewed positively by Robert Shelton in The New York Times. Columbia A & amp;R man John Hammond sought out Dylan on the strength of the review, and signed the songwriter in the fall of 1961. Hammond produced Dylan's eponymous debut album (released in March 1962), a collection of folk and blues standards with two original songs. & lt;br & gt; & lt;br & gt; His debut album is included here along with 12 additional bonus songs by fellow folk enthusiasts! & lt;br & gt; & lt;br & gt; & lt;b & gt;Features: & lt;br & gt; & lt;/b & gt; 180 Gram Vinyl & lt;br & gt; Double LP & lt;br & gt; Gatefold Jacket & lt;br & gt; & lt;br & gt; & lt;b & gt;Musicians: & lt;br & gt; & lt;/b & gt;Bob Dylan & lt;br & gt; Joan Baez & lt;br & gt; Judy Collins & lt;br & gt; Dave Van Ronk & lt;br & gt; Bob Gibson & lt;br & gt; & lt;br & gt; & lt;b & gt;Selections: & lt;br & gt; LP - Side A: & lt;/b & gt; & lt;br & gt; 1. You're No Good (Bob Dylan) & lt;br & gt; 2. Talkin' New York (Bob Dylan) & lt;br & gt; 3. In My Time Of Dyin' (Bob Dylan) & lt;br & gt; 4. Man Of Constant Sorrow (Bob Dylan) & lt;br & gt; 5. Fixin' To Die (Bob Dylan) & lt;br & gt; 6. Pretty Peggy-O (Bob Dylan) & lt;br & gt; 7. Highway 51 (Bob Dylan) & lt;br & gt; & lt;b & gt;LP1 - Side B: & lt;/b & gt; & lt;br & gt; 1. Gospel Plow (Bob Dylan) & lt;br & gt; 2. Baby, Let Me Follow You Down (Bob Dylan) & lt;br & gt; 3. House Of The Risin' Sun (Bob Dylan) & lt;br & gt; 4. Frieght Train Blues (Bob Dylan) & lt;br & gt; 5. Song To Woody (Bob Dylan) & lt;br & gt; 6. See That My Grave Is Kept Clean (Bob Dylan) & lt;br & gt; & lt;b & gt;LP2 - Side C: & lt;/b & gt; & lt;br & gt; 1. Plaisir D'Amour (Joan Baez) & lt;br & gt; 2. Golden Apples Of The Sun (Judy Collins) & lt;br & gt; 3. Careless Love (Dave Van Ronk) & lt;br & gt; 4. John Henry (Bob Gibson) & lt;br & gt; 5. Engine 143 (Joan Baez) & lt;br & gt; 6. Twelve Gates To The City (Judy Collins) & lt;br & gt; & lt;b & gt;LP2 - Side D: & lt;/b & gt; & lt;br & gt; 1. Willie The Weeper (Dave Van Ronk) & lt;br & gt; 2. Yes I See (Bob Gibson) & lt;br & gt; 3. John Riley (Joan Baez) & lt;br & gt; 4. Sing Hallelujah (Judy Collins) & lt;br & gt; 5. Come Back Baby (Dave Van Ronk) & lt;br & gt; 6. Motherless Children (Bob Gibson)
The Cannonball Adderley Quintet & Benny Carter Sextet Live in Cologne 1961 180g LP (Vinyl)
& lt;font color= & quot;#FF0000 & quot; & gt; & lt;b & gt;180g Vinyl LP! & lt;br & gt; Unreleased & amp; Remastered Original Master Concert Recording! & lt;/b & gt; & lt;/font & gt; & lt;br & gt; & lt;br & gt; In September 1959 Julian Cannonball Adderley left Miles Davis band and established a quintet with his brother, which turned out to be much more successful than his first one. In November 1960, they set off for their first European tour as part of Norman Granzs Jazz at the Philharmonic; the Adderley quintet was assigned the task of opening the shows. Five months later, they took the stage as headliners during this 1961 performance! & lt;br & gt; & lt;br & gt; This live album includes recordings of 1961 performances in Cologne by The Cannonball Adderley Quintet and the Benny Carter Sextet. & lt;br & gt; & lt;br & gt; Includes limited time digital download code! & lt;br & gt; & lt;br & gt; & lt;b & gt;Features: & lt;/b & gt; & lt;br & gt; 180g Vinyl LP & lt;br & gt; Includes limited time download code & lt;br & gt; & lt;br & gt; & lt;b & gt;Musicians: & lt;/b & gt; & lt;br & gt; Cannonball Adderley, alto sax & lt;br & gt; Nat Adderley, cornet & lt;br & gt; Victor Feldman, piano, vibraphone & lt;br & gt; Sam Jones, bass & lt;br & gt; Louis Hayes, drums & lt;br & gt; Benny Carter, saxophone & lt;br & gt; Karl Drewo, saxophone & lt;br & gt; Raymond Droz, trombone & lt;br & gt; Francis Coppierters, piano & lt;br & gt; Erich Peter, bass & lt;br & gt; Stuff Combe, drums & lt;br & gt; & lt;br & gt; & lt;b & gt;Selections: & lt;br & gt; Side A: & lt;br & gt; Cannonball Adderley Quintet: & lt;/b & gt; & lt;br & gt; 1. Lisa & lt;br & gt; 2. Announcement & lt;br & gt; 3. This Here & lt;br & gt; & lt;b & gt;Side B: & lt;/b & gt; & lt;br & gt; 1. New Delhi & lt;br & gt; & lt;b & gt;Benny Carter Sextet: & lt;/b & gt; & lt;br & gt; 2. Rose Room & lt;br & gt; 3. Laura & lt;br & gt; 4. It's Wonderful
Caterina Valente & The Count Basie Orchestra '86 45rpm 180g 2LP (Vinyl)
& lt;font color= & quot;#FF0000 & quot; & gt; & lt;b & gt;45rpm 180g Vinyl Double LP! & lt;/b & gt; & lt;/font & gt; & lt;br & gt; & lt;br & gt; A very clear recommendation for all music lovers, especially for the fans of the big band sound with full dynamic range. Originally released in 1986, here's the double-LP edition from 2016. Recorded at the legendary Criteria Studio, Miami, Florida with additional recordings and final mix at Arco Studios, Munich. & lt;br & gt; & lt;br & gt; Caterina Valente (born January 14, 1931 in Paris, France) is a French-born, Italian multilingual singer, guitarist, dancer, and actress. Valente is a polyglot; she speaks six languages, and sings in eleven. While she is best-known as an international performer, Valente also spent part of her career in the United States, where she performed alongside Bing Crosby, Dean Martin, Perry Como, and Ella Fitzgerald, among others. The Count Basie Orchestra is a 16- to 18-piece big band, one of the most prominent jazz performing groups of the swing era, founded by Count Basie in 1935 and recording regularly from 1936. Despite a brief disbandment at the beginning of the 1950s, the band survived long past the big band era itself and the death of Basie in 1984. It continues as a & quot;ghost band & quot;. & lt;br & gt; & lt;br & gt; & lt;b & gt;Features: & lt;/b & gt; & lt;br & gt; & amp;bull; 180g Vinyl LP & lt;br & gt; & amp;bull; Double LP & lt;br & gt; & amp;bull; 45rpm & lt;br & gt; & amp;bull; Lined inner sleeves & lt;br & gt; & amp;bull; Made in EU & lt;br & gt; & lt;br & gt; & lt;b & gt;Musicians: & lt;/b & gt; & lt;br & gt; Caterina Valente, vocals & lt;br & gt; The Count Basie Orchestra: & lt;br & gt; Thad Jones, conductor, cornet on & quot;Solitude & quot; & lt;br & gt; Sonny Cohn, Johnnie Coles, Bobby Ojeda, Byron Stripling, Melton Mustafa - trumpets & lt;br & gt; Clarence Banks, Bill Hughes, Mel Wanzo, Dennis Wilson - trombones & lt;br & gt; Eric Dixon, Kenny Hing, Danny House, Danny Turner, John Williams - saxophones, woodwinds & lt;br & gt; Tee Carson, piano & lt;br & gt; Lynn Seaton, bass & lt;br & gt; Dennis Mackarel, drums & lt;br & gt; Freddie Green, guitar & lt;br & gt; Additional Musicians: & lt;br & gt; Curt Cress, percussion & lt;br & gt; Milan Pilar, bass & lt;br & gt; Silvio Francesco, guitar & lt;br & gt; Gabor Kristof, trumpets & lt;br & gt; Guiseppe Solera, woodwinds & lt;br & gt; Renate Maurer, Edith Prock, Claudia Schwarz, Helmut Knorr, Gunther Eric Thoner - background vocals & lt;br & gt; Members Of The Munich Philharmonic, strings & lt;br & gt; Hans Herchenhahn, concert master & lt;br & gt; & lt;br & gt; & lt;b & gt;Selections: & lt;br & gt; LP 1 & lt;br & gt; Side A: & lt;/b & gt; & lt;br & gt; 1. Sweet Georgia Brown & lt;br & gt; 2. When In Paris Shadows Fall & lt;br & gt; 3. The Breeze And I & lt;br & gt; 4. Take The & quot;A & quot; Train & lt;br & gt; & lt;b & gt;Side B: & lt;/b & gt; & lt;br & gt; 1. Lil' Darlin & lt;br & gt; 2. Poinciana & lt;br & gt; 3. Cute & lt;br & gt; 4. St. Louis Blues & lt;br & gt; & lt;b & gt;LP 2 & lt;br & gt; Side C: & lt;/b & gt; & lt;br & gt; 1. Stompin' At The Savoy & lt;br & gt; 2. I Love Paris & lt;br & gt; 3. Solitude & lt;br & gt; 4. I've Got My Love To Keep Me Warm & lt;br & gt; & lt;b & gt;Side D: & lt;/b & gt; & lt;br & gt; 1. Malaguena & lt;br & gt; 2. I'm Getting Sentimental Over You & lt;br & gt; 3. Till & lt;br & gt; 4. Canto De Ossanha
