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& lt;header & gt; & lt;p & gt; & lt;strong & gt;Limited Edition 180g Vinyl 5LP Box Set! & lt;br & gt; Previously Unreleased Live Performance Mastered From The Original Analog Board Tapes! & lt;br & gt; Features Custom 10th Side Etching! & lt;/strong & gt; & lt;/p & gt; & lt;/header & gt; & lt;p & gt; & lt;strong & gt;Deep And Dynamic, This Pigpen / Keith-Era Juggernaut Has It All & lt;/strong & gt; & lt;/p & gt; & lt;p & gt; & lt;strong & gt;Featuring A Powerhouse Pigpen-Sung & quot;Good Lovin' & quot;, A Rare & quot;Run Rudolph Run & quot;, A Psychedelic & quot;The Other One & quot; & amp; Classics Like & quot;Truckin' & quot;, & quot;Sugar Magnolia & quot; & amp; & quot;Casey Jones & quot; & lt;/strong & gt; & lt;/p & gt; & lt;p & gt;One of the shortest-lived iterations of the Grateful Dead was the band that existed December 1971 through March 1972. Jerry, Bob, Phil, Bill, Pigpen, and Keith formed a formidable version of the Dead that only played a few shows together before Donna Jean joined as vocalist, and before Pigpen would depart the stage for good in June 1972. What this sextet lacked in quantity of shows it made up for with creativeness, power, and inspiration. When Pigpen rejoined the Dead on December 1, 1971, after a few months off during which Keith had joined as piano player, the band was now an unstoppably powerful live juggernaut it hadn't been since the height of the Primal Dead era in late 1968-1969. & lt;/p & gt; & lt;p & gt;Widely considered one of the best shows from the Pigpen-Keith era of the Grateful Dead, December 10, 1971 in St. Louis has it all: Pigpen singing lead on four songs including an 18 minute version of & quot;Good Lovin' & quot; and a very rare performance of & quot;Run Rudolph Run & quot;; a deep dive into the Dead's psychedelic recent past with a monster version of & quot;The Other One & quot;; plus plenty of the new material from earlier in 1971 like & quot;Bertha & quot;, & quot;Loser & quot;, & quot;Sugaree & quot;, and & quot;Playing In The Band & quot;. They also hit upon much of the music that would appear the following year on Europe '72, such as & quot;Jack Straw & quot;, & quot;Tennessee Jed & quot;, & quot;Mr. Charlie & quot; and & quot;One More Saturday Night & quot;. And no Dead show of this vintage would be complete without the & quot;hits & quot;: & quot;Truckin' & quot;, & quot;Sugar Magnolia & quot; and & quot;Casey Jones & quot; all make appearances. & lt;/p & gt; & lt;p & gt;This is truly one of the deepest, most dynamic, exciting, and accessible live shows in the entire Grateful Dead canon. & lt;/p & gt; & lt;section id= & quot;features & quot; & gt; & lt;h3 & gt;Features & lt;/h3 & gt; & lt;ul & gt; & lt;li & gt;Limited Edition - 12,000 Copies & lt;/li & gt; & lt;li & gt;5LP Box Set & lt;/li & gt; & lt;li & gt;180g Vinyl & lt;/li & gt; & lt;li & gt;Complete, previously unreleased live performance & lt;/li & gt; & lt;li & gt;9 sides of music & lt;/li & gt; & lt;li & gt;Custom vinyl etching on 10th side & lt;/li & gt; & lt;li & gt;Plangent Processes tape restoration & amp; speed correction & lt;/li & gt; & lt;li & gt;Mastered by Jeffrey Norman from the original analog board tapes & lt;/li & gt; & lt;li & gt;Box with lift-off lid with metallic gold accents & lt;/li & gt; & lt;li & gt;Made in USA & lt;/li & gt; & lt;/ul & gt; & lt;/section & gt; & lt;section id= & quot;selections & quot; & gt; & lt;h3 & gt;Selections & lt;/h3 & gt; & lt;h4 & gt;Side A: & lt;/h4 & gt; & lt;ol & gt; & lt;li & gt;Bertha & lt;/li & gt; & lt;li & gt;Me And My Uncle & lt;/li & gt; & lt;li & gt;Mr. Charlie & lt;/li & gt; & lt;li & gt;Loser & lt;/li & gt; & lt;/ol & gt; & lt;h4 & gt;Side B: & lt;/h4 & gt; & lt;ol & gt; & lt;li & gt;Beat It On Down The Line & lt;/li & gt; & lt;li & gt;Sugaree & lt;/li & gt; & lt;li & gt;Jack Straw & lt;/li & gt; & lt;li & gt;Next Time You See Me & lt;/li & gt; & lt;/ol & gt; & lt;h4 & gt;Side C: & lt;/h4 & gt; & lt;ol & gt; & lt;li & gt;Tennessee Jed & lt;/li & gt; & lt;li & gt;El Paso & lt;/li & gt; & lt;li & gt;Big Railroad Blues & lt;/li & gt; & lt;li & gt;Casey Jones & lt;/li & gt; & lt;/ol & gt; & lt;h4 & gt;Side D: & lt;/h4 & gt; & lt;ol & gt; & lt;li & gt;Good Lovin' & lt;/li & gt; & lt;/ol & gt; & lt;h4 & gt;Side E: & lt;/h4 & gt; & lt;ol & gt; & lt;li & gt;Brokedown Palace & lt;/li & gt; & lt;li & gt;Playing In The Band & lt;/li & gt; & lt;li & gt;Run Rudolph Run & lt;/li & gt; & lt;li & gt;Deal & lt;/li & gt; & lt;/ol & gt; & lt;h4 & gt;Side F: & lt;/h4 & gt; & lt;ol & gt; & lt;li & gt;Sugar Magnolia & lt;/li & gt; & lt;li & gt;Comes A Time & lt;/li & gt; & lt;/ol & gt; & lt;h4 & gt;Side G: & lt;/h4 & gt; & lt;ol & gt; & lt;li & gt;Truckin' & lt;/li & gt; & lt;li & gt;Drums & lt;/li & gt; & lt;/ol & gt; & lt;h4 & gt;Side H: & lt;/h4 & gt; & lt;ol & gt; & lt;li & gt;The Other One & lt;/li & gt; & lt;li & gt;Sitting On Top Of The World & lt;/li & gt; & lt;li & gt;The Other One, Pt. 2 & lt;/li & gt; & lt;/ol & gt; & lt;h4 & gt;Side I: & lt;/h4 & gt; & lt;ol & gt; & lt;li & gt;Not Fade Away, Pt. 1 & lt;/li & gt; & lt;li & gt;Goin' Down The Road Feeling Bad & lt;/li & gt; & lt;li & gt;Not Fade Away, Pt. 2 & lt;/li & gt; & lt;li & gt;One More Saturday Night & lt;/li & gt; & lt;/ol & gt; & lt;h4 & gt;Side J: & lt;/h4 & gt; & lt;p & gt;Etching & lt;/p & gt; & lt;/section & gt;

The Grateful Dead Fox Theatre, St. Louis, MO (12/10/71) 180g 5LP Box Set (Vinyl)

$ 154.43 ~~$ 155.99~~ 1% Off

& lt;header & gt; & lt;p & gt; & lt;strong & gt;Thirteen Songs Performed Over 2 Nights On Double LP! & lt;br & gt; The Entire Explosive 90 Minute Show Remixed & amp; Remastered! & lt;br & gt; Includes Book & amp; Poster! & lt;/strong & gt; & lt;/p & gt; & lt;/header & gt; & lt;p & gt;The Legendary 1979 No Nukes Concerts from Bruce Springsteen and the E Street Band were recorded at the September 1979 MUSE (Musicians United for Safe Energy) benefit concerts at Madison Square Garden in New York City. This 2 LP set features 13 songs performed over two nights, that are newly remixed and remastered. This gatefold package includes a 24-page book with rare photos and memorabilia, an essay and a 33 & quot; x 19 & quot; poster. & lt;/p & gt; & lt;p & gt;The No Nukes concerts came nine months after the end of Springsteen's breakout tour in support of Darkness On The Edge Of Town in 1978, the year when the legend of Springsteen's marathon shows was born. & lt;/p & gt; & lt;p & gt;Bruce and the band were in the Big Apple already to record the follow-up to Darkness and took a break from the sessions to support the worthy cause, organized by Jackson Browne, Graham Nash, and Bonnie Raitt. That support - & quot;for a non-nuclear future & quot; - marked the beginning of Bruce's public activism that continues to this day. When Springsteen and the E Streeters took the Garden stage on September 21 and 22, the country was still not even six months past the worst nuclear accident in U.S. history, the partial meltdown of the Three Mile Island nuclear reactor in Pennsylvania. & lt;/p & gt; & lt;p & gt;Along with a sense of urgency for the cause, there was pent-up energy to expend. Following their reputation-making year on the road in '78, MUSE brought Springsteen and the E Street Band back for essentially their only gigs of '79, which seemed to light an additional fire under the performers - and under Springsteen fans too, who flocked to the Garden for this special opportunity. The No Nukes shows also coincided with Bruce's 30th birthday, making the occasion that much more special. & lt;/p & gt; & lt;p & gt;The resulting performances capture the electricity of the Darkness tour and preview Springsteen's new writing, while packing the intensity of one of those epic, three-hour concerts into 90 crackling minutes. The set includes the world premiere of & quot;The River & quot;, which would go on to be the title track of Springsteen's double album of the same name the following year. Though the song was new to the band and unknown to the crowd, you wouldn't know it from this powerful, moving debut. & lt;/p & gt; & lt;p & gt;The 1979 MUSE concerts yielded a concert film, No Nukes, released theatrically in 1980, which gave fans their first opportunity to see Springsteen live on screen, even for just a few songs, along with many other artists on the all-star bill. Between the film and a concurrent triple-LP live album released by Asylum Records, still only a smattering of Springsteen's performances from this high profile event were part of the official record. & lt;/p & gt; & lt;p & gt;For this project, director/editor and longtime Springsteen collaborator Thom Zimny recovered and restored the original No Nukes camera film footage in HD. Zimny's cut features all 13 songs Bruce performed over the two nights, ten never before seen. & quot;The River & quot; and the unreleased & quot;Sherry Darling & quot; gave a taste of Springsteen's next album, joined by live favorites & quot;Prove It All Night & quot;, & quot;Badlands & quot;, & quot;The Promised Land & quot;, & quot;Thunder Road & quot;, & quot;Jungleland & quot;, & quot;Rosalita (Come Out Tonight) & quot; and & quot;Born To Run & quot;. & lt;/p & gt; & lt;p & gt;The thrilling & quot;Detroit Medley & quot;, Springsteen's Mitch Ryder tribute (combining & quot;Devil With A Blue Dress On & quot;, & quot;Jenny, Jenny & quot;, & quot;C.C. Rider & quot; and & quot;Good Golly, Miss Molly & quot;), was a highlight of the No Nukes album and garnered radio airplay, but it did not appear in the original movie. Cover songs like these have always helped fuel the rock 'n' roll frenzy of E Street Band concerts; also featured are their renditions of Gary U.S. Bonds' & quot;Quarter To Three & quot;, Buddy Holly's & quot;Rave On & quot; and Maurice Williams' & quot;Stay & quot;, featuring Jackson Browne, Tom Petty and Rosemary Butler. The audio is remixed from multitrack masters by Bob Clearmountain. & lt;/p & gt; & lt;p & gt;More than 40 years later, No Nukes is a chance to witness the future Rock and Roll Hall of Famers just six years into their story, on the cusp of superstardom as their live legend grew, based precisely on explosive performances like these, with something to prove all night. & lt;/p & gt; & lt;blockquote cite= & quot;www.pitchfork.com & quot; & gt; The Legendary 1979 No Nukes Concerts offers an uncut dose of pure rock'n'roll. Bruce Springsteen & amp; the E Street Band were by then amassing a deep catalog, but they remained connected with their audience through the common vernacular of old hits. Those familiar choruses and hooks are warhorses, but the E Street Band uses them as a vehicle for transcendence. Years of similar performances haven't diminished the power of this one: It has a distinctive blend of magic and might, the sound of a band who knows theyve hit their stride and still gets giddy at the noise they make. Its a bar band delivering communion. & lt;footer & gt; -Stephen Thomas Erlewine, Pitchfork, Best New Reissue - Rated 9.0 & lt;/footer & gt; & lt;/blockquote & gt; & lt;section id= & quot;features & quot; & gt; & lt;h3 & gt;Features & lt;/h3 & gt; & lt;ul & gt; & lt;li & gt;Double LP & lt;/li & gt; & lt;li & gt;Recorded September 1979 at the MUSE benefit concerts in NYC & lt;/li & gt; & lt;li & gt;Entire 90 minute performance & lt;/li & gt; & lt;li & gt;Remixed from multitrack masters by Bob Clearmountain & lt;/li & gt; & lt;li & gt;Remastered & lt;/li & gt; & lt;li & gt;Embossed gatefold jacket & lt;/li & gt; & lt;li & gt;24-page book with rare photos & lt;/li & gt; & lt;li & gt;Essay & lt;/li & gt; & lt;li & gt;33 & quot; x 19 & quot; poster & lt;/li & gt; & lt;/ul & gt; & lt;/section & gt; & lt;section id= & quot;selections & quot; & gt; & lt;h3 & gt;Selections & lt;/h3 & gt; & lt;h4 & gt;Side A: & lt;/h4 & gt; & lt;ol & gt; & lt;li & gt;Prove It All Night & lt;/li & gt; & lt;li & gt;Badlands & lt;/li & gt; & lt;li & gt;The Promised Land & lt;/li & gt; & lt;li & gt;The River & lt;/li & gt; & lt;/ol & gt; & lt;h4 & gt;Side B: & lt;/h4 & gt; & lt;ol & gt; & lt;li & gt;Sherry Darling & lt;/li & gt; & lt;li & gt;Thunder Road & lt;/li & gt; & lt;li & gt;Jungleland & lt;/li & gt; & lt;/ol & gt; & lt;h4 & gt;Side C: & lt;/h4 & gt; & lt;ol & gt; & lt;li & gt;Rosalita (Come Out Tonight) & lt;/li & gt; & lt;li & gt;Born To Run & lt;/li & gt; & lt;li & gt;Stay & lt;/li & gt; & lt;/ol & gt; & lt;h4 & gt;Side D: & lt;/h4 & gt; & lt;ol & gt; & lt;li & gt;Detroit Medley & lt;/li & gt; & lt;li & gt;Quarter To Three & lt;/li & gt; & lt;li & gt;Rave On & lt;/li & gt; & lt;/ol & gt; & lt;/section & gt;

Bruce Springsteen & The E Street Band The Legendary 1979 No Nukes Concerts 2LP (Vinyl)

$ 43.95 ~~$ 44.39~~ 1% Off

& lt;p & gt; & lt;strong & gt;TAS Super LP List! Special Merit: Informal & lt;/strong & gt; & lt;/p & gt; & lt;header & gt; & lt;p & gt; & lt;strong & gt;An Audiophile Go-To! The Record You Grab When You Want To Show Off Your System! & lt;br & gt; All-Time Classic Performances And Recordings By All-Time Great Male Singers! & lt;/strong & gt; & lt;/p & gt; & lt;/header & gt; & lt;p & gt; & lt;strong & gt;This item not eligible for any further discount offers! & lt;/strong & gt; & lt;/p & gt; & lt;header & gt; & lt;p & gt; & lt;strong & gt;Lacquers Cut By Ryan K. Smith at Sterling Sound NYC & amp; Pressed At Quality Record Pressings On 200-gram vinyl! Packaged In A Gatefold, Deluxe, Stoughton Tip-On Jacket. Liner Notes By Michael Fremer. & lt;/strong & gt; & lt;/p & gt; & lt;/header & gt; & lt;p & gt; & lt;strong & gt;Michael Fremer Rated 10/11 Music, 10/11 Sonics! & lt;/strong & gt; & lt;/p & gt; & lt;p & gt;When you want to show off your hi-fi system's potential, why waste time with multiple LPs? Skip the searching, un-sleeving, re-sleeving and more - and give your audiophile friends what they like to hear. Grab this album and you'll hear show stoppers by Amos Lee, Dean Martin, Aaron Neville, Roy Orbison, Willie Nelson, Pure Prairie League, Harry Belafonte, Pete Seeger, The Beach Boys, Willy DeVille, Greg Brown, JD Souther, Tennessee Ernie Ford, Tony Bennett, Harry Nilsson, Tony Joe White - and what would a male vocal compilation be without the truly great Elvis Presley? Just how good older recordings can sound when the touch of an exceptional mastering engineer is involved is demonstrated by the matchless Ryan K. Smith at Sterling Sound. & lt;/p & gt; & lt;p & gt;Like others in the Wonderful Sounds series, this album works well as entertainment and as a great sampler of the LPs, mostly released by Analogue Productions. & lt;/p & gt; & lt;p & gt;Michael Fremer, of AnalogPlanet.com and Stereophile Magazine, walks you through each track and its historic place with very thorough and entertaining liners. & lt;/p & gt; & lt;p & gt;Plating and pressing was done at Quality Record Pressings, where Gary Salstrom and his crew manufacture the world's best-sounding LPs with their exceptionally quiet playing surfaces. & lt;/p & gt; & lt;p & gt;From & quot;Fever & quot; to & quot;Spanish Jack & quot;, and & quot;Amie & quot; to & quot;Blue Bayou & quot; and everything in-between - & quot;Georgia on My Mind & quot;, & quot;(I Left My Heart) In San Francisco & quot;, & quot;Silver Blue & quot; and more - you'll be relishing this LP with each play. Make the easy selection and enjoy listening. & lt;/p & gt; & lt;blockquote cite= & quot;quote source & quot; & gt; Can't stop exploring The Wonderful Sounds Of Male Vocals! The album is stunning not only because of the exemplary high standard of recording it showcases, but also because of the satisfying range of artists and music genres presented across the four sides. There are wonderful surprises to discover as well as wonderful sounds. & lt;footer & gt; -Kevin Howlett, award-winning U.K.-based radio producer/writer & lt;/footer & gt; & lt;/blockquote & gt; & lt;blockquote cite= & quot;www.analogplanet.com & quot; & gt; Use this compilation as a 'listening booth' to discover unfamiliar music or just enjoy song after great well-recorded 'demo quality' song. While some like Aaron Neville's cover of John Hiatt's 'Feels Like Rain' and The Beach Boys' 'In My Room' will be familiar others probably won't be - like Willis Alan Ramsey's 'Sympathy for a Train', Willy DeVille's 'Spanish Jack' and perhaps JD Souther's 'Silver Blue' (with Stanley Clarke on bass). Many fans of Belafonte at Carnegie Hall have never heard the encore 'Scarlet Ribbons,' which is here too. & lt;footer & gt; -Michael Fremer, Analog Planet, Music 10/11, Sound 10/11 & lt;/footer & gt; & lt;/blockquote & gt; & lt;section id= & quot;features & quot; & gt; & lt;h3 & gt;Features & lt;/h3 & gt; & lt;ul & gt; & lt;li & gt;200g Vinyl & lt;/li & gt; & lt;li & gt;Double LP & lt;/li & gt; & lt;li & gt;Lacquers Cut By Ryan K. Smith at Sterling Sound NYC & lt;/li & gt; & lt;li & gt;Plated & amp; Pressed At Quality Record Pressings & lt;/li & gt; & lt;li & gt;Packaged In A Gatefold, Deluxe, Stoughton Tip-On Jacket & lt;/li & gt; & lt;li & gt;Liner Notes By Michael Fremer & lt;/li & gt; & lt;/ul & gt; & lt;/section & gt; & lt;section id= & quot;selections & quot; & gt; & lt;h3 & gt;Selections & lt;/h3 & gt; & lt;h4 & gt;Side A: & lt;/h4 & gt; & lt;ol & gt; & lt;li & gt;I'm Confessin' (That I Love You) - Dean Martin & lt;/li & gt; & lt;li & gt;Arms Of A Woman - Amos Lee & lt;/li & gt; & lt;li & gt;Silver Blue - JD Souther & lt;/li & gt; & lt;li & gt;Try Me One More Time - Tennessee Ernie Ford & lt;/li & gt; & lt;li & gt;It Feels Like Rain - Aaron Neville & lt;/li & gt; & lt;/ol & gt; & lt;h4 & gt;Side B: & lt;/h4 & gt; & lt;ol & gt; & lt;li & gt;Amie - Pure Prairie League & lt;/li & gt; & lt;li & gt;(I Left My Heart) In San Francisco - Tony Bennett with Ralph Sharon & amp; His Orchestra & lt;/li & gt; & lt;li & gt;Blue Bayou - Roy Orbison & lt;/li & gt; & lt;li & gt;Georgia On My Mind - Willie Nelson & lt;/li & gt; & lt;li & gt;Sympathy For A Train - Willis Alan Ramsey & lt;/li & gt; & lt;/ol & gt; & lt;h4 & gt;Side C: & lt;/h4 & gt; & lt;ol & gt; & lt;li & gt;Ramblin' Boy (Live at Carnegie Hall) - Pete Seeger (The Weavers) & lt;/li & gt; & lt;li & gt;In My Room (Stereo Version) - The Beach Boys & lt;/li & gt; & lt;li & gt;Brand New '64 Dodge - Greg Brown & lt;/li & gt; & lt;li & gt;Scarlet Ribbons - Harry Belafonte & lt;/li & gt; & lt;li & gt;(There'll Be) Peace In The Valley (For Me) [Take 3] - Elvis Presley & lt;/li & gt; & lt;/ol & gt; & lt;h4 & gt;Side D: & lt;/h4 & gt; & lt;ol & gt; & lt;li & gt;Losing Hand - Harry Belafonte & lt;/li & gt; & lt;li & gt;Spanish Jack - Willy DeVille & lt;/li & gt; & lt;li & gt;Fever - Elvis Presley & lt;/li & gt; & lt;li & gt;Did Somebody Make A Fool Out Of You - Tony Joe White & lt;/li & gt; & lt;li & gt;Coconut - Harry Nilsson & lt;/li & gt; & lt;/ol & gt; & lt;/section & gt;

The Wonderful Sounds of Male Vocals 200g 2LP (Vinyl)

$ 69.11 ~~$ 71.99~~ 4% Off

Tony Bennett Snowfall: The Tony Bennett Christmas Album LP (Vinyl)

$ 27.04 ~~$ 27.59~~ 2% Off

& lt;header & gt; & lt;p & gt; & lt;strong & gt;Self-Titled 1995 Debut On Vinyl LP! & lt;br & gt; Features & quot;Peaches & quot;, & quot;Kitty & quot;, & quot;Dune Buggy & quot; & amp; & quot;Lump & quot;! & lt;/strong & gt; & lt;/p & gt; & lt;/header & gt; & lt;p & gt;Only 25 years late! PUSA's self-titled debut finally gets the full phonographic release it never had. & lt;/p & gt; & lt;p & gt;We are the rock band The Presidents Of The United States Of America! Or rather, we were. We stopped performing in 2015, after 20-ish years of circling the globe kicking out the jams in tiny clubs and massive festivals and everything in between. Like Zamfir, the Master of the Pan Flute, we have & quot;enchanted millions & quot;. Maybe YOU were one of these people! (Or two of these people, if you are looking over the shoulder of a co-worker or spouse.) & lt;/p & gt; & lt;p & gt;Our debut album came out in 1995, first on a tiny Seattle label called Pop Llama, then some *action-packed* months later on COLUMBIA RECORDS. At some point early in the process, we did a sub-license (music business term!) with a small Spanish label for vinyl, and they made a few copies. They continue to be battled over to this day. I'm being told there may have been a Dutch version as well? Maybe a bootleg? Who knows. ANYHOOOOO there aren't very many out there is what I'm trying to tell you! & lt;/p & gt; & lt;p & gt;1995 was a time when vinyl seemed like a format whose days were numbered. Because OMG COMPACT DISCS! We stayed very busy circling the globe and kicking out the jams and selling gajillions of these & quot;CDs. & quot; Here are some of the concepts we may have lost track of during this turbulent time: & lt;br & gt; & lt;ul & gt; & lt;li & gt;clean laundry & lt;/li & gt; & lt;li & gt;time zones & lt;/li & gt; & lt;li & gt;occasionally eating salad & lt;/li & gt; & lt;li & gt;releasing our album on vinyl & lt;/li & gt; & lt;/ul & gt; & lt;/p & gt; & lt;p & gt;It wasn't until years later when INTERNET let people talk to us that we found out we had made a huge mistake. So here we are, coming up on its 25th birthday....BOOM VINYL PUSA! & lt;/p & gt; & lt;blockquote cite= & quot;www.allmusic.com & quot; & gt; Their quirky take on punk-pop did help expand the palette of MTV and alternative radio, and make their oddball singles part of the enduring sound of the era. Vote yes on the Presidents! & lt;footer & gt; -AllMusic & lt;/footer & gt; & lt;/blockquote & gt; & lt;section id= & quot;features & quot; & gt; & lt;h3 & gt;Features & lt;/h3 & gt; & lt;ul & gt; & lt;li & gt;Vinyl LP & lt;/li & gt; & lt;li & gt;Black Vinyl & lt;/li & gt; & lt;li & gt;Mastered by Vlado Meller at Sony Music Studios, New York & lt;/li & gt; & lt;li & gt;Lacquer cut by Greg Reierson at Rare Form Mastering & lt;/li & gt; & lt;li & gt;Vinylized at Kindercore Vinyl & lt;/li & gt; & lt;li & gt;Printed and pressed in the USA & lt;/li & gt; & lt;/ul & gt; & lt;/section & gt; & lt;section id= & quot;musicians & quot; & gt; & lt;h3 & gt;Musicians & lt;/h3 & gt; & lt;table & gt; & lt;tr & gt; & lt;th & gt;Chris Ballew & lt;/th & gt; & lt;td & gt;vocals, two string basitar & lt;/td & gt; & lt;/tr & gt; & lt;tr & gt; & lt;th & gt;Dave Dederer & lt;/th & gt; & lt;td & gt;three string guitbass, vocals & lt;/td & gt; & lt;/tr & gt; & lt;tr & gt; & lt;th & gt;Jason Finn & lt;/th & gt; & lt;td & gt;no string drums, vocals & lt;/td & gt; & lt;/tr & gt; & lt;tr & gt; & lt;th & gt;Kim Thayil & lt;/th & gt; & lt;td & gt;guitar noodles on & quot;Naked And Famous & quot; & lt;/td & gt; & lt;/tr & gt; & lt;/table & gt; & lt;/section & gt; & lt;section id= & quot;selections & quot; & gt; & lt;h3 & gt;Selections & lt;/h3 & gt; & lt;h4 & gt;Side A: & lt;/h4 & gt; & lt;ol & gt; & lt;li & gt;Kitty & lt;/li & gt; & lt;li & gt;Feather Pluckn & lt;/li & gt; & lt;li & gt;Lump & lt;/li & gt; & lt;li & gt;Stranger & lt;/li & gt; & lt;li & gt;Boll Weevil & lt;/li & gt; & lt;li & gt;Peaches & lt;/li & gt; & lt;li & gt;Dune Buggy & lt;/li & gt; & lt;/ol & gt; & lt;h4 & gt;Side B: & lt;/h4 & gt; & lt;ol & gt; & lt;li & gt;We Are Not Going To Make It & lt;/li & gt; & lt;li & gt;Kick Out The Jams & lt;/li & gt; & lt;li & gt;Body & lt;/li & gt; & lt;li & gt;Back Porch & lt;/li & gt; & lt;li & gt;Candy & lt;/li & gt; & lt;li & gt;Naked And Famous & lt;/li & gt; & lt;/ol & gt; & lt;/section & gt;

The Presidents Of The United States Of America The Presidents Of The United States Of America LP (Vinyl)

$ 30.88 ~~$ 31.19~~ 1% Off

& lt;header & gt; & lt;p & gt; & lt;strong & gt;Limited Edition 180g Red Vinyl 5LP Box Set! & lt;br & gt; Includes Hardcover Book & amp; Sleek Acrylic Slipcase! & lt;/strong & gt; & lt;/p & gt; & lt;/header & gt; & lt;p & gt;Only vinyl sounds like this! & lt;/p & gt; & lt;p & gt;The Deutsche Kammerphilharmonie Bremen's outstanding Schumann interpretations are truly inspirational in every respect: & lt;strong & gt; & quot; ... absolutely phenomenal, & quot; & lt;/strong & gt; says NDR Kultur; & lt;strong & gt; & quot;That's how to play Schumann! & quot; & lt;/strong & gt; effuses Concerti magazine; and the newspaper S & amp;#252;ddeutsche Zeitung even warns of a & lt;strong & gt; & quot;risk of addiction. & quot; & lt;/strong & gt; & lt;/p & gt; & lt;p & gt;The & lt;strong & gt; & quot;standard-defining new recording[s] & quot; & lt;/strong & gt; (Bayerischer Rundfunk) of all Schumann symphonies are now available as an elegantly designed edition: 5 records released on high-quality 180g vinyl with a hardcover book in a sleek acrylic slipcase. & lt;/p & gt; & lt;p & gt;Enjoy these Schumann recordings in unparalleled LP sound quality and with special compliments from among the orchestra's ranks: & lt;strong & gt; & quot;Once again, the years of intensive exploration produced unique interpretations, & quot; & lt;/strong & gt; says Kammerphilharmonie member J & amp;#252;rgen Winkler. & lt;/p & gt; & lt;p & gt;And on no other medium do they sound like they do on vinyl! & lt;/p & gt; & lt;section id= & quot;features & quot; & gt; & lt;h3 & gt;Features & lt;/h3 & gt; & lt;ul & gt; & lt;li & gt;Limited Edition & lt;/li & gt; & lt;li & gt;5LP Box Set & lt;/li & gt; & lt;li & gt;180g Vinyl & lt;/li & gt; & lt;li & gt;Red Vinyl & lt;/li & gt; & lt;li & gt;Analog mixing & amp; mastering for vinyl by Ralf Koschnicke & lt;/li & gt; & lt;li & gt;Embossed hardcover book packaging & lt;/li & gt; & lt;li & gt;Sleek acrylic slipcase & lt;/li & gt; & lt;li & gt;Design by Peter Schmidt (Hamburg) & lt;/li & gt; & lt;li & gt;Import & lt;/li & gt; & lt;/ul & gt; & lt;/section & gt; & lt;section id= & quot;musicians & quot; & gt; & lt;h3 & gt;Musicians & lt;/h3 & gt; & lt;table & gt; & lt;tr & gt; & lt;th & gt;Deutsche Kammerphilharmonie Bremen & lt;/th & gt; & lt;td & gt; & lt;/td & gt; & lt;/tr & gt; & lt;tr & gt; & lt;th & gt;Paavo J & amp;#228;rvi & lt;/th & gt; & lt;td & gt;conductor & lt;/td & gt; & lt;/tr & gt; & lt;/table & gt; & lt;/section & gt; & lt;section id= & quot;selections & quot; & gt; & lt;h3 & gt;Selections & lt;/h3 & gt; & lt;h4 & gt;Robert Schumann (1810-1856) & lt;/h4 & gt; & lt;ol & gt; & lt;li & gt;Symphony No. 1 & lt;/li & gt; & lt;li & gt;Symphony No. 2 & lt;/li & gt; & lt;li & gt;Symphony No. 3 & lt;/li & gt; & lt;li & gt;Symphony No. 4 & lt;/li & gt; & lt;li & gt;Overture, Scherzo & amp; Finale op. 52 & lt;/li & gt; & lt;li & gt;Konzertst & amp;#252;ck for 4 Horns & amp; Orchestra & lt;/li & gt; & lt;/ol & gt; & lt;/section & gt;

The Deutsche Kammerphilharmonie Bremen R. Schumann: The Symphonies 180g 5LP Box Set (Red Vinyl)

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& lt;header & gt; & lt;p & gt; & lt;strong & gt;Blue Note Classic Vinyl Reissue Series! & lt;br & gt; 180g Vinyl LP! & lt;br & gt; Mastered By Kevin Gray From Original Analog Tapes! & lt;br & gt; Pressed At Optimal! & lt;/strong & gt; & lt;/p & gt; & lt;/header & gt; & lt;p & gt;Bobbi Humphrey was one of the most prominent stars on the Blue Note roster of the 1970s. The flutist debuted on the label in 1971 with Flute In, the first in a run of six creative and highly enjoyable albums. On her breakout 1973 album Blacks and Blues, Humphrey hooked up with the forward-thinking producer Larry Mizell to create a jazz-funk classic that expanded her audience. It proved to be a winning combination, and the two joined forces again on Satin Doll the following year. Their third and final collaboration would be on the great 1975 album Fancy Dancer. Humphrey's alluring flute dances through vibrant and ingenious arrangements by Larry and Fonce Mizell that skillfully wove together a broad range of influences from across the spectrum of black music. The set featured standout tracks like the Latin grooves of & quot;Uno Esta, & quot; the laid-back jam & quot;You Make Me Feel So Good, & quot; and the album's expansive closer & quot;Please Set Me At Ease, & quot; which the innovative hip-hop beatmaker Madlib memorably remade on his 2003 Blue Note remix album, Shades Of Blue. & lt;/p & gt; & lt;p & gt;This Blue Note Classic Vinyl Edition is all-analog, mastered by Kevin Gray from the original master tapes, and pressed on 180g vinyl at Optimal. & lt;/p & gt; & lt;blockquote cite= & quot;www.allmusic.com & quot; & gt; Recorded at their Sound Factory studio in Los Angeles, Fancy Dancer is a seamless collection of seven tracks that cruise the distance across soulful fusions of funk, Latin grooves, electric jazz, and gauzy vocal choruses that offer a hint as to what the underground dancefloor scenes of Los Angeles and New York were offering in at the predawn of the disco era. Humphrey's flute playing feels effortless as she hovers around and plays through the layers of spacy keyboards, shimmering rhythmic pulses, and seductive textures provided by lilting voices, hand percussion, and breaks. & lt;footer & gt; -Thom Jurek, AllMusic.com, 4/5 stars & lt;/footer & gt; & lt;/blockquote & gt; & lt;blockquote cite= & quot;www.pastemagazine.com & quot; & gt; ...emblematic of a period when many jazz artists were making peace with the rise of funk/soul/R & amp;B and incorporating those sounds into their work. Flute player Bobbi Humphrey went right to the source with Fancy Dancer, working with producers Larry Mizell and Chuck Davis. With their instrumentation and songwriting help, Humphrey was able to gambol her solos atop disco-leaning grooves that are thick with clavinet trills and Chuck Rainey's succulent basswork. & lt;footer & gt; -Robert Ham, Paste Magazine & lt;/footer & gt; & lt;/blockquote & gt; & lt;section id= & quot;features & quot; & gt; & lt;h3 & gt;Features & lt;/h3 & gt; & lt;ul & gt; & lt;li & gt;Blue Note Classic Vinyl Reissue Series & lt;/li & gt; & lt;li & gt;180g Vinyl LP & lt;/li & gt; & lt;li & gt;All-Analog Pressing & lt;/li & gt; & lt;li & gt;Mastered by Kevin Gray at Cohearent Audio from Original Analog Tapes & lt;/li & gt; & lt;li & gt;Manufactured at Optimal in Germany & lt;/li & gt; & lt;/ul & gt; & lt;/section & gt; & lt;section id= & quot;musicians & quot; & gt; & lt;h3 & gt;Musicians & lt;/h3 & gt; & lt;table & gt; & lt;tr & gt; & lt;th & gt;Bobbi Humphrey & lt;/th & gt; & lt;td & gt;flute, vocals & lt;/td & gt; & lt;/tr & gt; & lt;tr & gt; & lt;th & gt;Jerry Peters & lt;/th & gt; & lt;td & gt;piano, Fender Rhodes, ARP synthesizers & lt;/td & gt; & lt;/tr & gt; & lt;tr & gt; & lt;th & gt;Skip Scarborough & lt;/th & gt; & lt;td & gt;piano, Fender Rhodes, clavinet & lt;/td & gt; & lt;/tr & gt; & lt;tr & gt; & lt;th & gt;Larry Mizell & lt;/th & gt; & lt;td & gt;piano, Fender Rhodes, ARP synthesizers, solina, vocals & lt;/td & gt; & lt;/tr & gt; & lt;tr & gt; & lt;th & gt;Chuck Davis & lt;/th & gt; & lt;td & gt;piano on & quot;The Trip & quot; & lt;/td & gt; & lt;/tr & gt; & lt;tr & gt; & lt;th & gt;Chuck Rainey & lt;/th & gt; & lt;td & gt;bass & lt;/td & gt; & lt;/tr & gt; & lt;tr & gt; & lt;th & gt;John Rowin & lt;/th & gt; & lt;td & gt;guitar & lt;/td & gt; & lt;/tr & gt; & lt;tr & gt; & lt;th & gt;Craig McMullen & lt;/th & gt; & lt;td & gt;guitar & lt;/td & gt; & lt;/tr & gt; & lt;tr & gt; & lt;th & gt;Mayuto Correa & lt;/th & gt; & lt;td & gt;congas & lt;/td & gt; & lt;/tr & gt; & lt;tr & gt; & lt;th & gt;Harvey Mason & lt;/th & gt; & lt;td & gt;drums & lt;/td & gt; & lt;/tr & gt; & lt;tr & gt; & lt;th & gt;Fonce Mizell & lt;/th & gt; & lt;td & gt;clavinet, solina, trumpet, vocals & lt;/td & gt; & lt;/tr & gt; & lt;tr & gt; & lt;th & gt;Julian Priester & lt;/th & gt; & lt;td & gt;trombone & lt;/td & gt; & lt;/tr & gt; & lt;tr & gt; & lt;th & gt;Tyree Glenn, Jr. & lt;/th & gt; & lt;td & gt;tenor saxophone & lt;/td & gt; & lt;/tr & gt; & lt;tr & gt; & lt;th & gt;Oscar Brashear & lt;/th & gt; & lt;td & gt;trumpet & lt;/td & gt; & lt;/tr & gt; & lt;tr & gt; & lt;th & gt;Roger Glenn & lt;/th & gt; & lt;td & gt;marimba, vibes & lt;/td & gt; & lt;/tr & gt; & lt;tr & gt; & lt;th & gt;Dorothy Ashby & lt;/th & gt; & lt;td & gt;harp & lt;/td & gt; & lt;/tr & gt; & lt;tr & gt; & lt;th & gt;Augie Rey & lt;/th & gt; & lt;td & gt;vocals & lt;/td & gt; & lt;/tr & gt; & lt;tr & gt; & lt;th & gt;Katherine Lyra & lt;/th & gt; & lt;td & gt;vocals & lt;/td & gt; & lt;/tr & gt; & lt;tr & gt; & lt;th & gt;Jesse Acuna & lt;/th & gt; & lt;td & gt;vocals & lt;/td & gt; & lt;/tr & gt; & lt;tr & gt; & lt;th & gt;Sonia Tavares & lt;/th & gt; & lt;td & gt;vocals & lt;/td & gt; & lt;/tr & gt; & lt;tr & gt; & lt;th & gt;Rosario Davila & lt;/th & gt; & lt;td & gt;vocals & lt;/td & gt; & lt;/tr & gt; & lt;tr & gt; & lt;th & gt;James Carter & lt;/th & gt; & lt;td & gt;whistler on & quot;Sweeter Than Sugar & quot; & lt;/td & gt; & lt;/tr & gt; & lt;/table & gt; & lt;/section & gt; & lt;section id= & quot;selections & quot; & gt; & lt;h3 & gt;Selections & lt;/h3 & gt; & lt;h4 & gt;Side One: & lt;/h4 & gt; & lt;ol & gt; & lt;li & gt;Uno Esta & lt;/li & gt; & lt;li & gt;The Trip & lt;/li & gt; & lt;li & gt;You Make Me Feel So Good & lt;/li & gt; & lt;/ol & gt; & lt;h4 & gt;Side Two: & lt;/h4 & gt; & lt;ol & gt; & lt;li & gt;Fancy Dancer & lt;/li & gt; & lt;li & gt;Mestizo Eyes & lt;/li & gt; & lt;li & gt;Sweeter Than Sugar & lt;/li & gt; & lt;li & gt;Please Set Me At Ease & lt;/li & gt; & lt;/ol & gt; & lt;/section & gt;

Bobbi Humphrey Fancy Dancer (Blue Note Classic Vinyl Edition) 180g LP

$ 30.88 ~~$ 31.19~~ 1% Off

& lt;font color= & quot;#FF0000 & quot; & gt; & lt;b & gt;Double LP Picture Disc! & lt;br & gt; Includes The Hit Singles & quot;Look What You Made Me Do & quot; & amp; & quot;...Ready For It? & quot; & lt;br & gt; One of Rolling Stone's 50 Best Albums of 2017! & lt;/b & gt; & lt;/font & gt; & lt;br & gt; & lt;br & gt; & lt;font color= & quot;#FF0000 & quot; & gt; & lt;b & gt;2019 Grammy Award Nominee: & lt;br & gt; & amp;bull; Best Pop Vocal Album & lt;/b & gt; & lt;/font & gt; & lt;br & gt; & lt;br & gt; The sixth studio album from multiple Grammy-winning singer/songwriter Taylor Swift features guest artists Ed Sheeran and rapper Future on the track & quot;End Game & quot;. & lt;br & gt; & lt;br & gt; Double picture disc vinyl in a gatefold jacket with printed sleeves. & lt;br & gt; & lt;br & gt; & lt;b & gt; & quot;The bad blood is coming from inside the house! After laying low for months, Taylor made a spectacularly bold return with this glittering palace of luxurious grudges and crystalline trap beats. The heel turn of & quot;Look What You Made Me Do & quot; is one for the history books, and pop scholars will likely debate for generations whether it was a brilliant P.R. coup or an epically tone-deaf move. Luckily, the singles are only half the story with Reputation, whose ultra-polished surface conceals some of Swift's realest, most lived-in songs ever. On & quot;Dress, & quot; she's high on the rush of a new romantic thrill; on & quot;New Year's Day, & quot; she's trying to figure out what she has after the party's over. It adds up to a pointed reminder that Her Royal Swiftness can reclaim her place at pop's cutting edge whenever she feels like it. & quot; & lt;/b & gt; - Rolling Stone, 50 Best Albums of 2017 & lt;br & gt; & lt;br & gt; & lt;b & gt;Features: & lt;/b & gt; & lt;br & gt; Picture Disc & lt;br & gt; Double LP & lt;br & gt; Gatefold jacket & lt;br & gt; Printed sleeves & lt;br & gt; & lt;br & gt; & lt;b & gt;Selections: & lt;/b & gt; & lt;br & gt; 1. ...Ready For It? & lt;br & gt; 2. End Game (feat. Ed Sheeran and Future) & lt;br & gt; 3. I Did Something Bad & lt;br & gt; 4. Don't Blame Me & lt;br & gt; 5. Delicate & lt;br & gt; 6. Look What You Made Me Do & lt;br & gt; 7. So It Goes... & lt;br & gt; 8. Gorgeous & lt;br & gt; 9. Getaway Car & lt;br & gt; 10. King Of My Heart & lt;br & gt; 11. Dancing With Our Hands Tied & lt;br & gt; 12. Dress & lt;br & gt; 13. This Is Why We Can't Have Nice Things & lt;br & gt; 14. Call It What You Want & lt;br & gt; 15. New Year's Day

Taylor Swift Reputation 2LP (Picture Disc) (Vinyl)

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& lt;header & gt; & lt;p & gt; & lt;strong & gt;Limited Edition Pink Vinyl Double LP! & lt;br & gt; Only 3000 Copies Pressed! & lt;br & gt; Part Of The Ten Bands One Cause Campaign To Support Cancer Patients & amp; Their Caretakers! & lt;/strong & gt; & lt;/p & gt; & lt;/header & gt; & lt;p & gt;Ten Bands re-issue their albums on limited edition pink vinyl, all for one cause. This is the 8th year for the initiative, and a portion of the proceeds from each shipment will go towards the Red Door Community (formerly Gilda's Club NYC). & lt;/p & gt; & lt;p & gt;The nonprofit's mission is to create a welcoming community of FREE cancer support to bring knowledge, hope, and empowerment to anyone and everyone impacted by cancer and their families. They are committed to expanding their program and broadening their reach to meet the growing needs of individuals living with cancer, in more places, and in more ways than ever before. & lt;/p & gt; & lt;p & gt;Recorded over three nights in February 1970 when the Allman Brothers Band opened for the Grateful Dead for the first time, these shows were recorded by Owsley Stanley, the Dead's pioneering soundman, whose & quot;Sonic Journal & quot; recordings are sought after for their purity and uncanny ability to place the listener in the venue. This is essential listening for Allman Brothers Band fans, showcasing an early incarnation of the band with Duane Allman in full form and featuring the earliest known live concert recording of & quot;In Memory of Elizabeth Reed & quot;, which had just been penned by Dickey Betts shortly before these shows. The tapes were recorded just one year before the band's landmark At Fillmore East album from the same venue. & lt;/p & gt; & lt;p & gt;Long out-of-print, this set was freshly restored and mastered from original tapes in Owsley Stanley's archives. This is the second release in the award-winning & quot;Bear's Sonic Journals & quot; series and the first joint presentation by the Allman Brothers Band and the Owsley Stanley Foundation. & lt;/p & gt; & lt;section id= & quot;features & quot; & gt; & lt;h3 & gt;Features & lt;/h3 & gt; & lt;ul & gt; & lt;li & gt;Limited Edition Pink Vinyl LP - 3000 Copies & lt;/li & gt; & lt;li & gt;Ten Bands One Cause campaign & lt;/li & gt; & lt;li & gt;AAA All Analog Production & lt;/li & gt; & lt;li & gt;Double LP & lt;/li & gt; & lt;li & gt;Restored and mastered from original tapes & lt;/li & gt; & lt;li & gt;Gatefold jacket with original cover artwork & lt;/li & gt; & lt;li & gt;Second release in the & quot;Bear's Sonic Journals & quot; series & lt;/li & gt; & lt;/ul & gt; & lt;/section & gt; & lt;section id= & quot;musicians & quot; & gt; & lt;h3 & gt;Musicians & lt;/h3 & gt; & lt;table & gt; & lt;tr & gt; & lt;th & gt;Duane Allman & lt;/th & gt; & lt;td & gt;lead & amp; slide guitars & lt;/td & gt; & lt;/tr & gt; & lt;tr & gt; & lt;th & gt;Gregg Allman & lt;/th & gt; & lt;td & gt;vocals, Hammond B-3 organ & lt;/td & gt; & lt;/tr & gt; & lt;tr & gt; & lt;th & gt;Dickey Betts & lt;/th & gt; & lt;td & gt;lead guitar & lt;/td & gt; & lt;/tr & gt; & lt;tr & gt; & lt;th & gt;Berry Oakley & lt;/th & gt; & lt;td & gt;bass, vocals on & quot;Hoochie Coochie Man & quot; & lt;/td & gt; & lt;/tr & gt; & lt;tr & gt; & lt;th & gt;Jaimoe aka J. Johanny Johnson & lt;/th & gt; & lt;td & gt;drums, percussion & lt;/td & gt; & lt;/tr & gt; & lt;tr & gt; & lt;th & gt;Butch Trucks & lt;/th & gt; & lt;td & gt;drums, tympani & lt;/td & gt; & lt;/tr & gt; & lt;/table & gt; & lt;/section & gt; & lt;section id= & quot;selections & quot; & gt; & lt;h3 & gt;Selections & lt;/h3 & gt; & lt;h4 & gt;Side I: & lt;/h4 & gt; & lt;ol & gt; & lt;li & gt;In Memory Of Elizabeth Reed & lt;/li & gt; & lt;li & gt;Hoochie Coochie Man & lt;/li & gt; & lt;li & gt;Statesboro Blues & lt;/li & gt; & lt;/ol & gt; & lt;h4 & gt;Side II: & lt;/h4 & gt; & lt;ol & gt; & lt;li & gt;Trouble No More & lt;/li & gt; & lt;li & gt;Outskirts Of Town & lt;/li & gt; & lt;li & gt;Whipping Post & lt;/li & gt; & lt;/ol & gt; & lt;h4 & gt;Side III: & lt;/h4 & gt; & lt;ol & gt; & lt;li & gt;Mountain Jam & lt;/li & gt; & lt;/ol & gt; & lt;h4 & gt;Side IV: & lt;/h4 & gt; & lt;ol & gt; & lt;li & gt;Mountain Jam (continued) & lt;/li & gt; & lt;/ol & gt; & lt;/section & gt;

The Allman Brothers Band Bear's Sonic Journals: Fillmore East, February 1970 2LP (Pink Vinyl)

$ 39.19 ~~$ 39.59~~ 1% Off

& lt;header & gt; & lt;p & gt; & lt;strong & gt;45rpm 180g Vinyl LP! & lt;br & gt; Mastered by Steve Hoffman & amp; Bob Attiyeh! & lt;br & gt; Lacquers Cut by Bernie Grundman! & lt;/strong & gt; & lt;/p & gt; & lt;/header & gt; & lt;p & gt; & lt;strong & gt;Executive producer: Jim Mulally & lt;/strong & gt; & lt;/p & gt; & lt;p & gt;When you hear this trio play Sibelius, you'll understand why the Sibelius family granted Petteri, Juho and Samuli use of the composer's name. Jean Sibelius' piano trios were important to him personally. He wrote them in his youth, during the summers he vacationed with his brother Christian and sister Linda on various islands in Houtsk & amp;#228;r, the Finnish archipelago off the southwest coast of Finland. Sibelius wrote Korppoo Trio on Korrpoo Island where the composer (violin), Linda (piano) and Christian (cello) played it on 'rainy days' at the family's summer house. & lt;br & gt; - Bob Attiyeh, producer & lt;/p & gt; & lt;p & gt; & lt;strong & gt; & quot;Sibelius gave us his monumental Korppoo Trio in D Major (JS 209) in 1887. We can hear the magnificent mature Sibelius peeking out through this work. Sibelius wrote Korppoo Trio in three sophisticated and dramatic movements.... Korppoo opens with a good-humored celebration of the Beauty of Nature and includes a thoughtful Fugue in the development section which demonstrates his growing power as a composer. Next comes a Fantasia, improvisational and painterly in nature, with frequent tempo changes and mood swings, ending with passages of natural serenity that remind me of bird song. Sibelius reveals his fun sense of humor in the final Rondo, which he writes without allowing himself to be inhibited by traditions of the 'approved' classical tradition. & quot; & lt;/strong & gt; - Juho Pohjonen & lt;/p & gt; & lt;blockquote cite= & quot;www.theaboslutesound.com & quot; & gt; Korppoo Trio is the most ambitious and expansive of the three Sibelius trios... coming in at 26 minutes, its fluent, melodic opening allegro interrupted on occasion by stabbing, rather Beethovenian assertions and even a clean-lined fugato at one point, though the overall form is classic in outline and clear as a bell. The second movement unfolds elaborate episodes that delve into Romantic pathos and fantasy, with striking use of high birdcalls and glassy harmonics in the violin (presumably to show off the young composer-violinist's prowess on his instrument). A vivace rondo finale dances gaily along, bringing the trio to an exhilarating conclusion.... Yarlung's recording, is, as usual, the epitome of sonic realism. & lt;footer & gt; -Mark Lehman, The Absolute Sound & lt;/footer & gt; & lt;/blockquote & gt; & lt;a name= & quot;SS & quot; & gt; & lt;/a & gt; & lt;iframe width= & quot;560 & quot; height= & quot;315 & quot; src= & quot;https://www.youtube.com/embed/7kWcU6kN4KQ & quot; frameborder= & quot;0 & quot; allowfullscreen & gt; & lt;/iframe & gt; & lt;br & gt; & lt;br & gt; & lt;section id= & quot;features & quot; & gt; & lt;h3 & gt;Features & lt;/h3 & gt; & lt;ul & gt; & lt;li & gt;180g Vinyl & lt;/li & gt; & lt;li & gt;45rpm & lt;/li & gt; & lt;li & gt;Recorded in Samueli Theater at Segerstrom Center for the Arts, March 30, 2016 & lt;/li & gt; & lt;li & gt;Lacquers cut by Bernie Grundman & lt;/li & gt; & lt;li & gt;Made in Germany & lt;/li & gt; & lt;/ul & gt; & lt;/section & gt; & lt;section id= & quot;musicians & quot; & gt; & lt;h3 & gt;Musicians & lt;/h3 & gt; & lt;table & gt; & lt;tr & gt; & lt;th & gt;Petteri Iivonen & lt;/th & gt; & lt;td & gt;violin & lt;/td & gt; & lt;/tr & gt; & lt;tr & gt; & lt;th & gt;Juho Pohjonen & lt;/th & gt; & lt;td & gt;piano & lt;/td & gt; & lt;/tr & gt; & lt;tr & gt; & lt;th & gt;Samuli Peltonen & lt;/th & gt; & lt;td & gt;cello & lt;/td & gt; & lt;/tr & gt; & lt;/table & gt; & lt;/section & gt; & lt;section id= & quot;selections & quot; & gt; & lt;h3 & gt;Selections & lt;/h3 & gt; & lt;h4 & gt;Jean Sibelius (1865-1957) & lt;/h4 & gt; & lt;h5 & gt;Korppoo Trio In D Major (JS 209) & lt;/h5 & gt; & lt;h6 & gt;Side A: & lt;/h6 & gt; & lt;ol & gt; & lt;li & gt;Allegro Moderato & lt;/li & gt; & lt;li & gt;Fantasia Andante (Part 1) & lt;/li & gt; & lt;/ol & gt; & lt;h6 & gt;Side B: & lt;/h6 & gt; & lt;ol & gt; & lt;li & gt;Fantasia Andante (Part 2) & lt;/li & gt; & lt;li & gt;Finale Vivace & lt;/li & gt; & lt;/ol & gt; & lt;/section & gt;

Sibelius Piano Trio Korppoo Trio 180g 45rpm LP (Vinyl)

$ 40.73 ~~$ 41.99~~ 3% Off

& lt;header & gt; & lt;p & gt; & lt;strong & gt;180g Audiophile Vinyl Double LP! & lt;br & gt; Numbered, Limited Edition White Vinyl - 3000 Copies! & lt;/strong & gt; & lt;/p & gt; & lt;/header & gt; & lt;p & gt; & lt;strong & gt;Motown Collected & lt;/strong & gt; brings together the biggest names in the rich history of this legendary label. From very early singles to the artists that made Motown a household name for decades to come and the cross-over pop success of the late '70s and '80s. Featuring legendary artists like & lt;strong & gt;Marvin Gaye, Stevie Wonder, The Supremes, Jackson Five, Smokey Robinson & lt;/strong & gt; and & lt;strong & gt;The Commodores & lt;/strong & gt;, as well as gems from the likes of & lt;strong & gt;Marv Johnson, Barrett Strong, The Marvelettes & lt;/strong & gt; and & lt;strong & gt;Tom Clay & lt;/strong & gt; and pop superstars & lt;strong & gt;Rick James, Michael Jackson, Diana Ross, Lionel Richie & lt;/strong & gt; and & lt;strong & gt;DeBarge & lt;/strong & gt;: just a selection of the 33 incredible tracks featured on Motown Collected. & lt;/p & gt; & lt;p & gt;The documentary 'Hitsville: The Making Of Motown', featuring Motown founder Berry Gordy and many of these artists, will premiere in cinemas across Europe in the summer of 2021. & lt;/p & gt; & lt;p & gt;MOV proudly presents new Collected compilation albums in collaboration with Universal Music. Motown Collected is the first one, available as a limited edition of 3,000 numbered copies on white vinyl. It includes an insert with photos and credits. & lt;/p & gt; & lt;section id= & quot;features & quot; & gt; & lt;h3 & gt;Features & lt;/h3 & gt; & lt;ul & gt; & lt;li & gt;180g Audiophile Vinyl & lt;/li & gt; & lt;li & gt;Double LP & lt;/li & gt; & lt;li & gt;PVC protective sleeve & lt;/li & gt; & lt;li & gt;Insert with photos & amp; credits & lt;/li & gt; & lt;li & gt;Compilation of artists from the legendary Motown Records label founded by Berry Gordy, Jr., in 1960, Detroit, USA & lt;/li & gt; & lt;li & gt;Celebrating over 70 years of music with a selection of early recordings, No. 1 hits & amp; classic soul songs & lt;/li & gt; & lt;li & gt;Hits by Marvin Gaye, The Supremes, Stevie Wonder, The Jackson 6, The Commodores & amp; many more & lt;/li & gt; & lt;li & gt;Import & lt;/li & gt; & lt;li & gt;Made in the EU & lt;/li & gt; & lt;li & gt;Limited edition of 3000 individually numbered copies on White Vinyl & lt;/li & gt; & lt;/ul & gt; & lt;/section & gt; & lt;section id= & quot;selections & quot; & gt; & lt;h3 & gt;Selections & lt;/h3 & gt; & lt;h4 & gt;Side A: & lt;/h4 & gt; & lt;ol & gt; & lt;li & gt;Marv Johnson - Come To Me & lt;/li & gt; & lt;li & gt;Barrett Strong - Money (That's What I Want) & lt;/li & gt; & lt;li & gt;Jimmy Ruffin - Don't Feel Sorry For Me & lt;/li & gt; & lt;li & gt;The Marvelettes - Please Mr. Postman & lt;/li & gt; & lt;li & gt;The Contours - Do You Love Me & lt;/li & gt; & lt;li & gt;Kim Weston - Helpless & lt;/li & gt; & lt;li & gt;Marvin Gaye - How Sweet It Is (To Be Loved By You) & lt;/li & gt; & lt;li & gt;Mary Wells - My Guy & lt;/li & gt; & lt;li & gt;The Temptations - The Way You Do The Things You Do & lt;/li & gt; & lt;li & gt;Martha Reeves & amp; The Vandellas - (Love Is Like A) Heat Wave & lt;/li & gt; & lt;/ol & gt; & lt;h4 & gt;Side B: & lt;/h4 & gt; & lt;ol & gt; & lt;li & gt;The Isley Brothers - This Old Heart Of Mine (Is Weak For You) & lt;/li & gt; & lt;li & gt;The Supremes - Where Did Our Love Go & lt;/li & gt; & lt;li & gt;Four Tops - It's The Same Old Song & lt;/li & gt; & lt;li & gt;Stevie Wonder - Uptight (Everything's Alright) & lt;/li & gt; & lt;li & gt;Marvin Gaye & amp; Tammi Terrell - Ain't No Mountain High Enough & lt;/li & gt; & lt;li & gt;Jr. Walker & amp; The All Stars - Shotgun & lt;/li & gt; & lt;li & gt;The Jackson 5 - I Want You Back & lt;/li & gt; & lt;li & gt;Gladys Knight & amp; The Pips - You Need Love Like I Do (Don't You?) & lt;/li & gt; & lt;li & gt;Edwin Starr - War & lt;/li & gt; & lt;/ol & gt; & lt;h4 & gt;Side C: & lt;/h4 & gt; & lt;ol & gt; & lt;li & gt;Rare Earth - Get Ready & lt;/li & gt; & lt;li & gt;The Spinners - It's A Shame & lt;/li & gt; & lt;li & gt;Smokey Robinson & amp; The Miracles - The Tears Of A Clown & lt;/li & gt; & lt;li & gt;Michael Jackson - Rockin' Robin & lt;/li & gt; & lt;li & gt;The Commodores - Easy & lt;/li & gt; & lt;li & gt;Thelma Houston - Don't Leave Me This Way & lt;/li & gt; & lt;li & gt;Tom Clay - What The World Needs Now Is Love/Abraham, Martin And John & lt;/li & gt; & lt;/ol & gt; & lt;h4 & gt;Side D: & lt;/h4 & gt; & lt;ol & gt; & lt;li & gt;Rick James - Super Freak & lt;/li & gt; & lt;li & gt;Billy Preston & amp; Syreeta - It Will Come In Time & lt;/li & gt; & lt;li & gt;Jermaine Jackson - Let's Get Serious & lt;/li & gt; & lt;li & gt;Diana Ross - Theme From Mahogany (Do You Know Where You're Going To) & lt;/li & gt; & lt;li & gt;Lionel Richie - Penny Lover & lt;/li & gt; & lt;li & gt;Dennis Edwards ft. Siedah Garrett - Don't Look Any Further & lt;/li & gt; & lt;li & gt;DeBarge - Rhythm Of The Night & lt;/li & gt; & lt;/ol & gt; & lt;/section & gt;

Motown Collected Numbered Limited Edition 180g Import 2LP (White Vinyl)

$ 52.91 ~~$ 53.99~~ 2% Off

& lt;header & gt; & lt;p & gt;Coming January 28, 2022 pre-order your copy today! Orders with both pre-order and in stock items will have all in stock items shipped immediately! & lt;/p & gt; & lt;/header & gt; & lt;header & gt; & lt;p & gt; & lt;strong & gt;50th Anniversary Edition On 180g Double LP! & lt;br & gt; Direct-To-Analog Mastering From The Original Tape Reels By Kevin Gray! & lt;br & gt; Rare & amp; Previously Unreleased Cuts, Mono Singles, B-Sides & amp; More! & lt;/strong & gt; & lt;/p & gt; & lt;/header & gt; & lt;p & gt; & lt;strong & gt;This item not eligible for any further discount offers! & lt;/strong & gt; & lt;/p & gt; & lt;header & gt; & lt;p & gt; & lt;strong & gt;Rolling Stone 500 Greatest Albums of All Time - Rated 1/500! & lt;/strong & gt; & lt;/p & gt; & lt;/header & gt; & lt;p & gt;This premium vinyl release features direct-to-analog mastering from the original primary album tape reels by acclaimed engineer Kevin Gray, one of the first times this has been done since 1971, offering an undeniably authentic listening experience. & lt;/p & gt; & lt;p & gt;What's Going On: 50th Anniversary 2LP Edition bonus LP opens up the album's writing and production palette. Featured are four rare cuts making their vinyl debut, highlighted by a previously unreleased & quot;stripped & quot; version of the title song, plus all six original mono single mixes and their B-sides, with all of those 7 & quot; versions on vinyl for the first time since their original releases. With two 180gm records, a tip-on heavy stock jacket, an original gatefold with complete lyrics, this formidable release also includes printed sleeves with track details, a rare image from the cover sessions, and a brief essay honoring arranger David Van De Pitte. & lt;/p & gt; & lt;p & gt;The main essay was written by acclaimed author and poet Hanif Abdurraqib who was just named one of the 25 recipients of the 2021 MacArthur & quot;Genius & quot; Grant. & lt;/p & gt; & lt;section id= & quot;features & quot; & gt; & lt;h3 & gt;Features & lt;/h3 & gt; & lt;ul & gt; & lt;li & gt;50th Anniversary Edition & lt;/li & gt; & lt;li & gt;180g Double Vinyl LP & lt;/li & gt; & lt;li & gt;Mastered Direct-to-Analog from the Original Primary Tape Reels & lt;/li & gt; & lt;li & gt;Mastered by Kevin Gray & lt;/li & gt; & lt;li & gt;4 Rare Cuts on Vinyl for the First Time & lt;/li & gt; & lt;li & gt;Previously Unreleased & quot;Stripped & quot; Version of the Title Track & lt;/li & gt; & lt;li & gt;All 6 Original Mono Single Mixes & amp; Their B-Sides & lt;/li & gt; & lt;li & gt;All 7 & quot; Versions on Vinyl for the First Time Since 1971 & lt;/li & gt; & lt;li & gt;Tip-On Heavy Stock Jacket & lt;/li & gt; & lt;li & gt;Original Gatefold & lt;/li & gt; & lt;li & gt;Complete Lyrics & lt;/li & gt; & lt;li & gt;Printed Sleeves with Track Details & lt;/li & gt; & lt;li & gt;Rare Image from the Cover Sessions & lt;/li & gt; & lt;li & gt;Essay by Hanif Abdurraqib & lt;/li & gt; & lt;!--More features go here in & lt;li & gt; tags-- & gt; & lt;/ul & gt; & lt;/section & gt; & lt;section id= & quot;selections & quot; & gt; & lt;h3 & gt;Selections & lt;/h3 & gt; & lt;h4 & gt;Side One (Original Album): & lt;/h4 & gt; & lt;ol & gt; & lt;li & gt;What's Going On & lt;/li & gt; & lt;li & gt;What's Happening Brother & lt;/li & gt; & lt;li & gt;Flyin' High (In The Friendly Sky) & lt;/li & gt; & lt;li & gt;Save The Children & lt;/li & gt; & lt;li & gt;God Is Love & lt;/li & gt; & lt;li & gt;Mercy Mercy Me (The Ecology) & lt;/li & gt; & lt;/ol & gt; & lt;h4 & gt;Side Two (Original Album): & lt;/h4 & gt; & lt;ol & gt; & lt;li & gt;Right On & lt;/li & gt; & lt;li & gt;Wholy Holy & lt;/li & gt; & lt;li & gt;Inner City Blues (Make Me Wanna Holler) & lt;/li & gt; & lt;/ol & gt; & lt;h4 & gt;Side Three (Bonus Tracks): & lt;/h4 & gt; & lt;ol & gt; & lt;li & gt;What's Going On - Stripped Version (Previously Unreleased) & lt;/li & gt; & lt;li & gt;What's Going On (Mix 1/No Strings or Horns) & lt;/li & gt; & lt;li & gt;What's Going On - rhythm & amp; strings instrumental mix & lt;/li & gt; & lt;li & gt;Symphony (Demo) & lt;/li & gt; & lt;/ol & gt; & lt;h4 & gt;Side Four (Bonus Tracks): & lt;/h4 & gt; & lt;ol & gt; & lt;li & gt;What's Going On (Original Mono Single Mix) & lt;/li & gt; & lt;li & gt;God Is Love (Original Mono Single Mix) & lt;/li & gt; & lt;li & gt;Mercy Mercy Me (The Ecology) [Original Mono Single Mix] & lt;/li & gt; & lt;li & gt;Sad Tomorrows (Original Mono Single Mix) & lt;/li & gt; & lt;li & gt;Inner City Blues (Make Me Wanna Holler) [Original Mono Single Mix] & lt;/li & gt; & lt;li & gt;Wholy Holy (Original Mono Single Mix) & lt;/li & gt; & lt;/ol & gt; & lt;/section & gt;

Marvin Gaye What's Going On (50th Anniversary) 180g 2LP (Vinyl)

$ 47.03 ~~$ 47.99~~ 2% Off

& lt;header & gt; & lt;p & gt; & lt;strong & gt;Limited Edition 180g Vinyl 3LP! & lt;br & gt; Previously Unreleased 1969 Live Performance! & lt;br & gt; Mastered By Bernie Grundman! & lt;br & gt; Side 6 Contains An Etching Of The American Eagle From Joni's Skirt! & lt;/strong & gt; & lt;/p & gt; & lt;/header & gt; & lt;p & gt;Previously unreleased 3LP set, 180g vinyl. Joni's debut performance at Carnegie Hall, recorded by Reprise in 1969 and mastered by Bernie Grundman. Includes essay by Graham Nash. Limited edition of 15,000. & lt;/p & gt; & lt;p & gt;A singer, composer and lyricist of exceptional talent and unmatched influence, Joni Mitchell has crafted an extraordinary body of work spanning more than 40 years and is widely regarded as one of the brightest musical lights of recent generations. Fans, fellow musicians and critics have delighted in an ever-evolving creative journey, with songs both universal and profoundly personal. Her music has become a standard to which others are compared and which many aspire to copy, but its inventiveness and ineffable spirit make it decidedly her own. Explore the musical magnificence of Joni Mitchell. & lt;/p & gt; & lt;p & gt;All selections written by Joni Mitchell, except & quot;Get Together & quot; written by Chet Powers & lt;/p & gt; & lt;p & gt;Recorded live at Carnegie Hall, NYC, February 1, 1969, except Side Two, Track 1, and Side Three, Track 1 recorded live at Zellerbach Hall, University of California, Berkeley, CA, February 14, 1969. & lt;/p & gt; & lt;p & gt;All tracks previously unissued except excerpts of & quot;My American Skirt & quot; and & quot;Spoony's Wonderful Adventure & quot; which appeared on The 1969 Warner/Reprise Record Show, Warner Bros. PRO 336 (1969) & lt;/p & gt; & lt;section id= & quot;features & quot; & gt; & lt;h3 & gt;Features & lt;/h3 & gt; & lt;ul & gt; & lt;li & gt;Limited Edition - 15,000 Copies & lt;/li & gt; & lt;li & gt;180g Vinyl & lt;/li & gt; & lt;li & gt;3LP & lt;/li & gt; & lt;li & gt;Debut performance at Carnegie Hall recorded by Reprise on February 1, 1969 & lt;/li & gt; & lt;li & gt;Side 2 Track 1 & amp; Side 3 Track 1 recorded live at Zellerbach Hall, University of California, Berkeley, CA, February 14, 1969 & lt;/li & gt; & lt;li & gt;Mastered by Bernie Grundman & lt;/li & gt; & lt;li & gt;5 sides of music & lt;/li & gt; & lt;li & gt;Side 6 features an etching of the American eagle that donned Mitchell's skirt at the Carnegie Hall show & lt;/li & gt; & lt;li & gt;Wide spine gatefold & lt;/li & gt; & lt;li & gt;Essay by Graham Nash & lt;/li & gt; & lt;li & gt;Made in Czech Republic & lt;/li & gt; & lt;/ul & gt; & lt;/section & gt; & lt;section id= & quot;selections & quot; & gt; & lt;h3 & gt;Selections & lt;/h3 & gt; & lt;h4 & gt;First Set & lt;/h4 & gt; & lt;h5 & gt;Side One: & lt;/h5 & gt; & lt;ol & gt; & lt;li & gt;Chelsea Morning & lt;/li & gt; & lt;li & gt;A Valentine For Joni & lt;/li & gt; & lt;li & gt;Cactus Tree & lt;/li & gt; & lt;li & gt;Night In The City & lt;/li & gt; & lt;li & gt;I Had A King & lt;/li & gt; & lt;/ol & gt; & lt;h5 & gt;Side Two: & lt;/h5 & gt; & lt;ol & gt; & lt;li & gt;Blue Boy & lt;/li & gt; & lt;li & gt;My American Skirt & lt;/li & gt; & lt;li & gt;The Fiddle And The Drum & lt;/li & gt; & lt;li & gt;Spoony's Wonderful Adventure & lt;/li & gt; & lt;li & gt;That Song About The Midway & lt;/li & gt; & lt;li & gt;Both Sides Now & lt;/li & gt; & lt;/ol & gt; & lt;h4 & gt;Second Set & lt;/h4 & gt; & lt;h5 & gt;Side Three: & lt;/h5 & gt; & lt;ol & gt; & lt;li & gt;Marcie & lt;/li & gt; & lt;li & gt;Nathan La Franeer & lt;/li & gt; & lt;li & gt;Intro To The Gallery & lt;/li & gt; & lt;li & gt;The Gallery & lt;/li & gt; & lt;li & gt;Hunter & lt;/li & gt; & lt;li & gt;Morning Morgantown & lt;/li & gt; & lt;/ol & gt; & lt;h5 & gt;Side Four: & lt;/h5 & gt; & lt;ol & gt; & lt;li & gt;Intro To Get Together & lt;/li & gt; & lt;li & gt;Get Together & lt;/li & gt; & lt;li & gt;Intro To The Circle Game / Little Green & lt;/li & gt; & lt;li & gt;Medley: The Circle Game / Little Green & lt;/li & gt; & lt;/ol & gt; & lt;h4 & gt;Encore & lt;/h4 & gt; & lt;h5 & gt;Side Five: & lt;/h5 & gt; & lt;ol & gt; & lt;li & gt;Michael From Mountains & lt;/li & gt; & lt;li & gt;Into To Urge For Going & lt;/li & gt; & lt;li & gt;Urge For Going & lt;/li & gt; & lt;/ol & gt; & lt;h5 & gt;Side Six: & lt;/h5 & gt; & lt;p & gt;Etching & lt;/p & gt; & lt;/section & gt;

Joni Mitchell Live At Carnegie Hall 1969 180g 3LP (Vinyl)

$ 68.39 ~~$ 71.99~~ 5% Off

Starship Greatest Hits Relaunched LP (Purple Vinyl)

$ 30.77 ~~$ 32.39~~ 5% Off

& lt;header & gt; & lt;p & gt; & lt;strong & gt;High Quality Pure Analogue 180g Vinyl LP! & lt;/strong & gt; & lt;/p & gt; & lt;/header & gt; & lt;p & gt;By the time he was aged 22, Ry Cooder was already a veteran of the music business and in great demand as a studio musician and sideman. Shortly after signing a contract with Warner Music in 1969, he released his first album under his own name, placing his confidence in the musical talent he had developed since being a child and on the rare value of his favorite instrument, the steel guitar. & lt;/p & gt; & lt;p & gt;The present LP that carries his name is a fascinating blend of blues, folk, rock 'n' roll and pop - a unique mixture, which combines superb songs, virtuosic playing and somewhat bizarre yet imaginative arrangements. For material, Cooder, the son of folklorist parents, dug out ten gems coming from over six decades, right back to the 1920s - by legends such as Woody Guthrie, Blind Blake, Sleepy John Estes and Leadbelly, as well as a more up-to-date Randy Newman composition. As magnificent as his choice might be, it is the exuberant charm of his own instrumental composition & quot;Available Space & quot; that almost steals the show here. Expansive and unbiased, Cooder plays an ironic game made up of wordless irregular phrases, which promise the listener something new and ultimately circle in an infinite loop. & lt;/p & gt; & lt;p & gt;Cooder's need to prove himself, moderated by his veneration for the past, helps to create a completely original work that will prove rewarding for the adventurous listener. & lt;/p & gt; & lt;p & gt;This Speakers Corner LP was remastered using pure analogue components only, from the master tapes through to the cutting head. & lt;/p & gt; & lt;section id= & quot;features & quot; & gt; & lt;h3 & gt;Features & lt;/h3 & gt; & lt;ul & gt; & lt;li & gt;180g High Quality Vinyl & lt;/li & gt; & lt;li & gt;Pure Analogue & lt;/li & gt; & lt;li & gt;Made from the original, analogue master tapes & lt;/li & gt; & lt;li & gt;Pressed at Pallas in Germany & lt;/li & gt; & lt;li & gt;Import & lt;/li & gt; & lt;/ul & gt; & lt;/section & gt; & lt;section id= & quot;musicians & quot; & gt; & lt;h3 & gt;Musicians & lt;/h3 & gt; & lt;table & gt; & lt;tr & gt; & lt;th & gt;Ry Cooder & lt;/th & gt; & lt;td & gt;vocals, guitar, mandolin, bass & lt;/td & gt; & lt;/tr & gt; & lt;tr & gt; & lt;th & gt;Van Dyke Parks & lt;/th & gt; & lt;td & gt;piano & lt;/td & gt; & lt;/tr & gt; & lt;tr & gt; & lt;th & gt;Bobby Bruce & lt;/th & gt; & lt;td & gt;violin & lt;/td & gt; & lt;/tr & gt; & lt;tr & gt; & lt;th & gt;Chris Ethridge & lt;/th & gt; & lt;td & gt;bass & lt;/td & gt; & lt;/tr & gt; & lt;tr & gt; & lt;th & gt;Roy Estrada & lt;/th & gt; & lt;td & gt;bass & lt;/td & gt; & lt;/tr & gt; & lt;tr & gt; & lt;th & gt;Max Bennett & lt;/th & gt; & lt;td & gt;bass & lt;/td & gt; & lt;/tr & gt; & lt;tr & gt; & lt;th & gt;John Barbata & lt;/th & gt; & lt;td & gt;drums & lt;/td & gt; & lt;/tr & gt; & lt;tr & gt; & lt;th & gt;Richie Hayward & lt;/th & gt; & lt;td & gt;drums & lt;/td & gt; & lt;/tr & gt; & lt;tr & gt; & lt;th & gt;Milt Holland & lt;/th & gt; & lt;td & gt;drums, percussion & lt;/td & gt; & lt;/tr & gt; & lt;tr & gt; & lt;th & gt;Gloria Jones & lt;/th & gt; & lt;td & gt;backing vocals & lt;/td & gt; & lt;/tr & gt; & lt;/table & gt; & lt;/section & gt; & lt;section id= & quot;selections & quot; & gt; & lt;h3 & gt;Selections & lt;/h3 & gt; & lt;h4 & gt;Side One: & lt;/h4 & gt; & lt;ol & gt; & lt;li & gt;Alimony & lt;/li & gt; & lt;li & gt;France Chance & lt;/li & gt; & lt;li & gt;One Meat Ball & lt;/li & gt; & lt;li & gt;Do Re Mi & lt;/li & gt; & lt;li & gt;My Old Kentucky Home & lt;/li & gt; & lt;li & gt;How Can A Poor Man Stand Such Times And Live? & lt;/li & gt; & lt;/ol & gt; & lt;h4 & gt;Side Two: & lt;/h4 & gt; & lt;ol & gt; & lt;li & gt;Available Space & lt;/li & gt; & lt;li & gt;Pig Meat & lt;/li & gt; & lt;li & gt;Police Dog Blues & lt;/li & gt; & lt;li & gt;Goin' To Brownsville & lt;/li & gt; & lt;li & gt;Dark Is The Night & lt;/li & gt; & lt;/ol & gt; & lt;/section & gt;

Ry Cooder Ry Cooder 180g Import LP (Vinyl)

$ 41.15 ~~$ 41.99~~ 2% Off

& lt;header & gt; & lt;p & gt; & lt;strong & gt;2019 & lt;em & gt;Positive Feedback & lt;/em & gt; Writers Choice Award! & lt;/strong & gt; & lt;/p & gt; & lt;p & gt; & lt;strong & gt;Voted The LA & amp; OC Audio Society 2019 Audiophile Recording of the Year Award for Reissue LP! & lt;/strong & gt; & lt;/p & gt; & lt;p & gt; & lt;strong & gt;Numbered, Limited Edition! & lt;br & gt;Only 3000 Numbered Copies! & lt;br & gt; 100% Analog 180g 45rpm Vinyl! & lt;br & gt; Mastered by Chris Bellman at Bernie Grundman Mastering! & lt;br & gt; Pressed at RTI! & lt;/strong & gt; & lt;/p & gt; & lt;/header & gt; & lt;b & gt;Brand New All-Analog Mastering by Chris Bellman at Bernie Grundman Mastering! Hear this album as it was meant to be heard! Absolutely Stunning! & lt;/b & gt; & lt;br & gt; & lt;br & gt; & lt;font color= & quot;#FF0000 & quot; & gt; & lt;b & gt;Steve Hoffman Says: & quot;Order your copy now. Best place would be Elusive Disc, Inc. Hurry before it sells out! & quot; & lt;/b & gt; & lt;/font & gt; & lt;br & gt; & lt;br & gt; & lt;b & gt;This item not eligible for any further discount offers! & lt;/b & gt; & lt;br & gt; & lt;br & gt; & lt;p & gt; & lt;strong & gt;We're beyond excited and proud that our definitive Legrand Jazz 45-rpm LP set was voted The LA OC Audio Society ARYA Award for reissue LP. Despite our Herculean efforts to design and secure the best parts for every project, we can't make award-winning records without an award-winning team and we work with the best: Stoughton Printing, Record Technology, BGMastering, G and M Printing Co and Publishers Engraving make the solutions that make great LPs! Thanks to our dream team and Thank YOU to everyone who supported Legrand Jazz 45 and continue to show us love on every release. & lt;/strong & gt; & lt;/p & gt; The greatest assembly of musical talent ever on one album! Features Performances by John Coltrane, Miles Davis, Bill Evans, Ben Webster & amp; 27 More Jazz Greats! & lt;br & gt; & lt;br & gt; Pressed at Record technology for silent surfaces and true fidelity to the analog source. & lt;br & gt; & lt;br & gt; Exclusive large-format booklet with new art and an appreciation by Tom Schnabel (Rhythm Planet & amp; KCRW). & lt;br & gt; & lt;br & gt; Academy and Grammy & amp;#174; Award-winning composer/arranger Michel Legrand (The Umbrellas of Cherbourg, Summer of '42, The Thomas Crown Affair) was not a household name in America in 1958, but he was renowned among musicians and a life-long fanatic of American jazz and its players. Legrand Jazz is the result of Legrand traveling to America and using his Columbia Records contract to enlist label mates (and soon to be legends) & lt;b & gt;Miles Davis, John Coltrane, Bill Evans, Paul Chambers, Ben Webster, Hank Jones, Herbie Mann, Phil Woods, Donald Byrd, Art Farmer, Sheldon Powell, Teo Macero, Milt Hinton, Jimmy Cleveland & lt;/b & gt;, and others to record his fantastical reimagining of 11 jazz standards. Not merely content to lay down another Parisian hard-bop play-along, the 27 year old worked against type and expectations at every turn, creating a moody, idiosyncratic landscape for unusual call-and-response chase solos, washes of harp and vibes, and sultry horn canvases. Davis, Coltrane and the others manage to fall in with the diverse, mellow flow of Legrand's arrangements while keeping their unique musical voices. & lt;br & gt; & lt;br & gt; Impex's pristine release was mastered by Chris Bellman on Bernie Grundman's All-Tube cutting lathe from a 2-track, all-analog mix down of the original studio work prints, made especially for Impex Records by Mark Wilder at Battery Studios in New York. The results are revelatory. The large recording space is captured in every detail, while Davis' full force dynamic variations come through with incredible veracity. The gentle ebb-and-flow of Legrand's parts highlight microtonal fluctuations on every track. You are along for a magic carpet ride of large jazz ensemble recording when you drop the needle into these grooves. & lt;br & gt; & lt;br & gt; Packaged in meticulously recreated outer jacket in a gatefold with an original photo montage inside honoring Michel Legrand's masterpiece of reinvention and focused fan-boy enthusiasm. This release will be individually numbered up to 3,000! & lt;br & gt; & lt;br & gt; The sound of Impex's all-analog LP preserves the wide soundstage of late 1950's Columbia recordings while creating intimate spaces between players on the stage for maximum definition. & lt;b & gt;On 33rpm, this rare, highly-praised recording had never sounded so good. Now that it's on 45rpm double LP? Even Better!!! & lt;/b & gt;Go big with Legrand Jazz. & lt;br & gt; & lt;br & gt; & lt;b & gt; & quot;With superb performances, exquisite surfaces, perfect LP cutting and pressing, and Impex Records' extremely high production standards, Legrand Jazz is in my current estimation the ultimate reissue ever. Legrand Jazz is a true reference LP and worth including in any top-notch record library for the jazz aficionado or devoted audiophile. & quot; & lt;/b & gt; - Robert H. Levi, Positive Feedback Online, August 29, 2017 (about 33rpm version) & lt;br & gt; & lt;br & gt; & lt;b & gt; & quot;Jazz lovers! Do you want to support audiophile record labels that go the extra mile? Well, Impex Records does, and this is proof! Abey Fonn who runs Impex Records just gave me her personal copy of this, hot off the press, the newly cut 45 RPM version, mastered at Bernie Grundman by the handsome Chris Bellman and my long time vinyl buddy Bob Donnelly on the Bernie Grundman Mastering Studios all vacuum tube cutting system earlier this year. In fact, I think it is the first cutting using the original analog work parts since 1959. Pressed on heavy vinyl at Record Technology Inc. by Rick Hashimoto and the RTI gang, this really has to be the greatest assembly of musical talent ever on one album. Features performances by John Coltrane, Miles Davis, Bill Evans, Ben Webster & amp; 27 more Jazz Greats, all in glorious analog stereophonic sound. Nice booklet enclosed, layout by Impex Records jack-of-all-trades Robert Sliger. This is a true jazz sleeper album, a gem in the Columbia Records' jazz catalog, now reissued in grand audiophile style by Impex Records. All analog mastering, (no digital anywhere in the chain), this is a real treat for jazz and jazz vinyl collectors everywhere. The sound quality is amazing as well. All in all a beautiful package, quiet vinyl, wonderful, dynamic sound, great performances, a little known jazz gem given a Legrand audiophile treatment! This is something that you should grab while you can, music lovers. A real Legrand treat for the senses! This has been on my VPI Industries Avenger turntable for a week, non-stop! & lt;font color= & quot;#FF0000 & quot; & gt;Order your copy now. Best place would be Elusive Disc, Inc. & lt;/font & gt; Hurry before it sells out! & quot; & lt;/b & gt; - Steve Hoffman, via Facebook & lt;br & gt; & lt;br & gt; & lt;b & gt; & quot;There is no question that the version I was sent for review on Impex Records is the definitive version of 'Legrand Jazz'. And the sound quality? Second to none. Yes, to be expected, there is a bit of tape hiss in the background, it was recorded in stereo in 1958, after all. But other than that, there is not much I could say that wouldn't sound as if I was simply reciting audiophile clich & amp;#233;s. This album is demo disc quality with music on it that not many that I know will walk out on. Besides this double 45 rpm version Impex also pressed a version on a single 33 rpm LP, and an SACD. Those lamenting about LP's rising prices might use the double 45 LP version as fuel for their argument, priced on Amazon at nearly $60. But really, how many audiophiles haven't seen a single audiophile pressing priced at $30? Plus, the pressing is limited to 3000 numbered copies and packaged in a thick gatefold cover with a 14-page 'large format' booklet with rare photos and art, and an appreciation by Tom Schnabel. One spin should convince every audiophile who purchases this album that their money was money well spent. & quot; & lt;/b & gt; - Tom Lyle, www.enjoythemusic.com, July 2019 & lt;br & gt; & lt;br & gt; & lt;b & gt; & quot;This is the 45rpm version of IMPEX's 2017 33 1/3 all-analog reissue of Michel Legrand's somewhat overlooked musical and sonic treasure featuring many of the greatest jazz artists of the era. Nothing other than Legrand's passing has changed since the original reissue review, so I'm just repeating it, other than to add that it sounds even 'Legrander' at 45rpm, though if you already own IMPEX's 33 1/3 version, it's not really necessary to buy it again, unless you must! An enticement might be the now glossy laminated jacket and gatefold booklet with a very useful and informed essay by KCRW's Tom Schnabel. This IMPEX reissue is sourced from an 'analog mix-down transfer of the original 1958 work tape by Mark Wilder at Battery Studios' and cut by Chris Bellman and Bob Donnelly at Bernie Grundman Mastering on Grundman's all-tube mastering system. I have a clean, original 6-Eye pressing that this superbly pressed reissue betters in every way. This will make both your stereo and your heart sing. Some of the greatest jazz musicians of that or any era wailing and clearly having a Legrand time. Limited to 3000 [numbered] copies. Don't miss it! & quot; & lt;/b & gt; - Michael Fremer, Analog Planet, Music 10/11, Sound 11/11 & lt;br & gt; & lt;br & gt; & lt;p & gt; & lt;strong & gt; & quot;I'm very much falling in love with 45 RPM LPs. I'm also very much falling in love with IMPEX Records and their recent series of vinyl releases. Merge this format and this label together and you have a real winner: Legrand Jazz. This is a pressing that could possibly take its place as one of the crown jewels in your entire jazz LP collection. Legrand Jazz is the very essence of what audiophile records can be and should be! & lt;/p & gt; & lt;p & gt; & quot;Yes, 45 RPM LPs might be a pain to flip through, but my goodness they are certainly worth it in my humble opinion. The latest and greatest from IMPEX, Mobile Fidelity and Analogue Productions continue to set new bench marks as in some cases they are difficult if not impossible to differentiate from their reel to reel counterparts (when available for comparison). With the latest surge of incredible sounding reel to reel tapes hitting the market, I did consider reel to reel as the gold standard right behind the master tapes. These new 45 RPM releases are now in the team picture too. & lt;/p & gt; & lt;p & gt; & quot;IMPEX has a long respected legacy in the audiophile vinyl market and thanks to the business and production leadership of Abey Fonn and the distribution support of Kevin Berg over at Elusive Disc, they continue to step up their game. This includes the fairly recent 33 RPM releases of Another Time, Another Place by Jennifer Warnes, Lo Que Dice Mi Cantar by Trio Palabras and Friday Night In San Francisco by John McLaughlin, Al Di Meola, and Paco De Lucia. & lt;/p & gt; & lt;p & gt; & quot;Now we have Legrand Jazz in 45 RPM. Released in 1958 on the Columbia label and recorded at the renowned Columbia Records 30th Street Studios, it was arranged and conducted by the French jazz enthusiast Michel Legrand. Musicians included Miles Davis, John Coltrane, Bill Evans, Paul Chambers, Hank Jones, Art Farmer, Donald Byrd, Phil Woods, Ben Webster, Herbie Mann, Milt Hinton, Frank Rehak, Jimmy Cleveland, and Joe Wilder amongst many more superstars. & lt;/p & gt; & lt;p & gt; & quot;This IMPEX stereo reissue is sourced from the original 1958 work tape by Mark Wilder at Battery Studios and cut by Chris Bellman and Bob Donnelly at Bernie Grundman Mastering. This was an end to end all analog effort including an all tube mastering system. The icing on the cake is the latest and greatest 180 gram vinyl utilized by RTI. Talk about low noise and black backgrounds! & lt;/p & gt; & lt;p & gt; & quot;Most of these tracks are fairly familiar jazz standards with a very laid back and soothing emphasis, but you will be hard pressed not to immediately fall in love with the arrangements and the subtle but addictive way that Legrand brings out all the skills and powerful voices of these iconic musicians. & lt;/p & gt; & lt;p & gt; & quot;There are so many highlights that its difficult to point to any track in particular. However, one of my favorites is & quot;Blue and Sentimental. & quot; Ben Webster (tenor sax) stands stage left and Frank Rehak (trombone) stands stage right in a very expressive if not alluring duet of alternating solos. The instruments are so three dimensional and rich with proper timbre and weight that your eyes might just swell up as you imagine the rye whiskey and cigarette smoke whirling around you. Yep, it's a studio but the quality of this recording and your imagination will take you to another place. & lt;/p & gt; & lt;p & gt; & quot; & quot;Django & quot; is still another slice of French Kharma. Miles Davis and Bill Evans float through this track with as much cool and refinement as you will ever hear from them in their quintessential albums together or on their own. That classic muted trumpet sounds better than ever with no edge or tilted emphasis--just layers of wonderful harmonic bloom and foggy ease. Piano is weighty and detailed with plenty of rhythmic expression and subtle bursts of life. Circling and swirling throughout is Betty Glamann on harp that provides another interesting mix and counter to that provided by Davis and Evans. Just exquisite stuff. & lt;/p & gt; & lt;p & gt; & quot;Legrand Jazz is an absolute keeper and deserves to be in every music lover's collection. This goes for both the jazz aficionados out there and even those with other interests but who love to dabble with something very special. Production is limited so I'd jump on the purchase before its too late. & quot; & lt;/strong & gt; - Robert S. Youman, Positive Feedback, October 28, 2019 & lt;/p & gt; & lt;blockquote cite= & quot;quote source & quot; & gt; Impex released the reissue in a 33 RPM platter, and we gave it the highest ratings for recording and music back in Issue 153. This new 45 RPM two-disc set demonstrates that all top ratings are not created equal. Instrumental texture is the biggest beneficiary of the new mastering by Chris Bellman at Bernie Grundman Mastering - Ben Webster should always sound juicy, but here he is downright succulent. Add a more seamless soundstage and this is a perfect artefact of Columbia's wedding of the best recording engineers, decks, microphones and hall. In addition, the new fold-out cover embraces a handsome booklet. & lt;footer & gt; -Dennis Davis, Hi-Fi+ & lt;/footer & gt; & lt;/blockquote & gt; & lt;b & gt;Features: & lt;/b & gt; & lt;br & gt; & amp;bull; Numbered, Limited Edition! & lt;br & gt; & amp;bull; 45rpm 180 Gram Vinyl & lt;br & gt; & amp;bull; Double LP & lt;br & gt; & amp;bull; Mastered by Chris Bellman at Bernie Grundman Mastering & lt;br & gt; & amp;bull; Analog mix-down transfer of original 1958 work tapes by Mark Wilder at Battery Studios, New York, NY & lt;br & gt; & amp;bull; Pressed at Record Technology & lt;br & gt; & amp;bull; Gatefold jacket housed inside a resealable, protective plastic sleeve & lt;br & gt; & amp;bull; Exclusive large-format booklet with new art & amp; an appreciation by Tom Schnabel (Rhythm Planet & amp; KCRW) & lt;br & gt; & lt;br & gt; & lt;b & gt;Musicians: & lt;/b & gt; & lt;br & gt; Michel Legrand, conductor, arranger (All songs) & lt;br & gt; & lt;br & gt; & lt;b & gt;For & quot;The Jitterbug Waltz, & quot; & quot;Django, & quot; & quot;Wild Man Blues & quot; & amp; & quot;'Round Midnight & quot; Recorded June 25, 1958 (New York City) & lt;/b & gt; & lt;br & gt; Herbie Mann, flute & lt;br & gt; Betty Glamann, harp & lt;br & gt; Barry Calbraith, guitar & lt;br & gt; Miles Davis, trumpet & lt;br & gt; John Coltrane, tenor sax & lt;br & gt; Phil Woods, alto sax & lt;br & gt; Jerome Richardson, baritone sax, bass clarinet & lt;br & gt; Eddie Costa, vibes & lt;br & gt; Bill Evans, piano & lt;br & gt; Paul Chambers, bass & lt;br & gt; Kenny Dennis, drums & lt;br & gt; & lt;br & gt; & lt;b & gt;For & quot;Nuages, & quot; & quot;Blue And Sentimental, & quot; & quot;Rosetta & quot; & amp; & quot;Don't Get Around Much Anymore & quot; Recorded June 27, 1958 (New York City) & lt;/b & gt; & lt;br & gt; Ben Webster, tenor sax & lt;br & gt; Herbie Mann, flute & lt;br & gt; Frank Rehak, trombone & lt;br & gt; Billy Byers, trombone & lt;br & gt; Jimmy Cleveland, trombone & lt;br & gt; Eddie Bert, trombone & lt;br & gt; Major Holly, bass, tuba & lt;br & gt; Don Lamond, drums & lt;br & gt; Hank Jones, piano & lt;br & gt; George Duvivier, bass & lt;br & gt; & lt;br & gt; & lt;b & gt;For & quot;Night In Tunisia, & quot; & quot;Stompin' At The Savoy & quot; & amp; & quot;In A Mist & quot; Recorded June 30, 1958 (New York City) & lt;/b & gt; & lt;br & gt; Ernie Royal, trumpet & lt;br & gt; Art Farmer, trumpet & lt;br & gt; Donald Byrd, trumpet & lt;br & gt; Joe Wilder, trumpet & lt;br & gt; Frank Rehak, trombone & lt;br & gt; Jimmy Cleveland, trombone & lt;br & gt; Gene Quill, alto sax & lt;br & gt; Phil Woods, alto sax & lt;br & gt; Seldon Powell, tenor sax & lt;br & gt; Teo Macero, baritone sax & lt;br & gt; James Buffington, French horn & lt;br & gt; Don Elliot, vibes & lt;br & gt; Milt Hinton, bass & lt;br & gt; Osie Johnson, drums & lt;br & gt; Nat Pierce, piano & lt;br & gt; & lt;br & gt; & lt;b & gt;Selections: & lt;/b & gt; & lt;br & gt; 1. The Jitterbug Waltz (Fats Waller) & lt;br & gt; 2. Nuages (Django Reinhardt) & lt;br & gt; 3. Night In Tunisia (Dizzy Gillespie) & lt;br & gt; 4. Blue And Sentimental (Count Basie) & lt;br & gt; 5. Stompin' At The Savoy (Benny Goodman) & lt;br & gt; 6. Django (John Lewis) & lt;br & gt; 7. Wild Man Blues (Jelly Roll Morton) & lt;br & gt; 8. Rosetta (Earl Hines) & lt;br & gt; 9. 'Round Midnight (Thelonious Monk) & lt;br & gt; 10. Don't Get Around Much Anymore (Duke Ellington) & lt;br & gt; 11. In A Mist (Bix Beiderbecke)

Michel Legrand Legrand Jazz 180g 45rpm 2LP (Vinyl)

$ 65.33 ~~$ 65.99~~ 1% Off

& lt;p & gt; & lt;strong & gt;TAS Super LP List! Special Merit: Informal & lt;/strong & gt; & lt;/p & gt; & lt;header & gt; & lt;p & gt; & lt;strong & gt;An Audiophile Go-To! The Record You Grab When You Want To Show Off Your System! & lt;br & gt; All-Time Classic Performances And Recordings By All-Time Great Female Singers! & lt;/strong & gt; & lt;/p & gt; & lt;/header & gt; & lt;header & gt; & lt;p & gt; & lt;strong & gt;Lacquers Cut By Kevin Gray & amp; Pressed At Quality Record Pressings On 180g Vinyl! & lt;br & gt; Packaged In A Gatefold, Deluxe, Stoughton Tip-On Jacket With Liner Notes By Michael Fremer! & lt;/strong & gt; & lt;/p & gt; & lt;/header & gt; & lt;p & gt; & lt;strong & gt;This item not eligible for any further discount offers! & lt;/strong & gt; & lt;/p & gt; & lt;p & gt;Female vocalists have forever been celebrated by audiophiles and music lovers alike. Whether the delivery is delicate or bombastic, a great female vocal well-recorded is just so sensuous. It's the genre that most often typifies the potential of hi-fi and what it can do to engage our emotions. It's no wonder the hallways of any hi-fi show will be resonating with the sounds of sparsely-arranged recordings of great women singers. It's the genre that best shows off the systems that manufacturers and dealers are trying to sell. & lt;/p & gt; & lt;p & gt;Now, you can have all of those best demo tracks on one record. Show stoppers by Julie London, Diana Krall, Rickie Lee Jones, Nina Simone, Janis Ian, Phoebe Snow, Jennifer Warnes, Dusty Springfield, Shelby Lynne and many more. Every single track is an audiophile demo classic. Drop the needle and drop your friend's jaw! & lt;/p & gt; & lt;p & gt;Michael Fremer, of AnalogPlanet.com and Stereophile Magazine, walks you through each track and its historic place with very thorough and entertaining liners. & lt;/p & gt; & lt;p & gt;Plating and pressing was done at Quality Record Pressings. & lt;/p & gt; & lt;p & gt;Ever have that moment where you want to really light up your system - either for a late-night session by yourself or for when you've got company - and you don't want to keep changing records to keep the hit parade going? This record ends that issue. You've only got to make one selection. & lt;/p & gt; & lt;p & gt; & lt;strong & gt;Please note: The song & quot;Show Biz Kids & quot; contained within this product does include profanity that may be offensive to some. Please be aware before purchasing this product and playing this song. & lt;/strong & gt; & lt;/p & gt; & lt;blockquote cite= & quot;quote source & quot; & gt; At first, you might think this is simply a compilation promoting Analogue Productions' catalogue, which it does. But they packed it with 22 exalted distaff classics such as Patsy Cline's original 'Crazy,' Julie London's 'Cry Me A River,' and others of that calibre - no fillers. AP's artists also include Joan Baez, Shelby Lynne, Phoebe Snow, Rickie Lee Jones, Ella Fitzgerald, Nancy Bryan, Jennifer Warnes, Diana Krall, Janis Ian, Joan Armatrading, Judy Collins and Holly Cole, so this really is A-list stuff. Best of all? You get two of the greatest performances ever: Dusty Springfield's 'Son Of A Preacher Man' and yes, 'The Look Of Love.' This isn't just a taster for AP: it's a phenomenal package by any standards. & lt;footer & gt; -Sound Quality = 90% - Ken Kessler, HiFi News Album Choice for October 2019 & lt;/footer & gt; & lt;/blockquote & gt; & lt;blockquote cite= & quot;www.vinylreviews.com & quot; & gt; (Kevin) Gray has few peers and the two-LP set is as sharp a calling card as exists for experiencing how good older recordings can be made to sound when the care and skill of an exceptional mastering engineer is at the helm. If this album doesn't make your stereo sound fantastic, don't blame it on the LPs! & lt;footer & gt; -Music = 4.5/5; Sound = 5/5; Pressing = 5/5; Jacket = 3/5 - Dennis Davis, vinylreviews.com, August 2018 & lt;/footer & gt; & lt;/blockquote & gt; & lt;blockquote cite= & quot;www.analogplanet.com & quot; & gt; Humungous conflict of interest alert! I wrote this compilation's liner notes and created the 22 song track order. ... The sources all were high-resolution files, some DSD, some PCM, depending upon what (Chad) Kassem was originally given in the digital domain, or in most cases what Gus Skinas produced in DSD using the original analog tapes. ... This double LP set works well as entertainment and as a great sampler of the LPs mostly released by Analogue Productions and mostly AAA (where there's tape to begin with). You can't go wrong. & lt;footer & gt; -Michael Fremer, Analog Planet, Music 10/11, Sound 10/11 & lt;/footer & gt; & lt;/blockquote & gt; & lt;section id= & quot;features & quot; & gt; & lt;h3 & gt;Features & lt;/h3 & gt; & lt;ul & gt; & lt;li & gt;180g Vinyl & lt;/li & gt; & lt;li & gt;Double LP & lt;/li & gt; & lt;li & gt;Lacquers Cut By Kevin Gray & lt;/li & gt; & lt;li & gt;Plated & amp; Pressed At Quality Record Pressings & lt;/li & gt; & lt;li & gt;Packaged In A Gatefold, Deluxe, Stoughton Tip-On Jacket & lt;/li & gt; & lt;li & gt;Liner Notes By Michael Fremer & lt;/li & gt; & lt;/ul & gt; & lt;/section & gt; & lt;section id= & quot;selections & quot; & gt; & lt;h3 & gt;Selections & lt;/h3 & gt; & lt;h4 & gt;Side A: & lt;/h4 & gt; & lt;ol & gt; & lt;li & gt;Cry Me A River - Julie London & lt;/li & gt; & lt;li & gt;Black Coffee - Ella Fitzgerald & lt;/li & gt; & lt;li & gt;Poetry Man - Phoebe Snow & lt;/li & gt; & lt;li & gt;Son Of A Preacher Man - Dusty Springfield & lt;/li & gt; & lt;li & gt;Just A Little Lovin' - Shelby Lynne & lt;/li & gt; & lt;li & gt;Show Biz Kids - Rickie Lee Jones & lt;/li & gt; & lt;/ol & gt; & lt;h4 & gt;Side B: & lt;/h4 & gt; & lt;ol start= & quot;7 & quot; & gt; & lt;li & gt;Crazy - Patsy Cline & lt;/li & gt; & lt;li & gt;Tennessee Waltz - Holly Cole & lt;/li & gt; & lt;li & gt;Breaking Silence - Janis Ian & lt;/li & gt; & lt;li & gt;Hey There - Myra Taylor & lt;/li & gt; & lt;li & gt;What A Shame - Patricia Barber & lt;/li & gt; & lt;li & gt;Plain Gold Ring - Nina Simone & lt;/li & gt; & lt;/ol & gt; & lt;h4 & gt;Side C: & lt;/h4 & gt; & lt;ol & gt; & lt;li & gt;The Moon Is Made of Gold - Rickie Lee Jones & lt;/li & gt; & lt;li & gt;Blue Moon - Julie London & lt;/li & gt; & lt;li & gt;Blame It On the Moon - Nancy Bryan & lt;/li & gt; & lt;li & gt;Diamond And Rust - Joan Baez & lt;/li & gt; & lt;li & gt;Somebody Who Loves You - Joan Armatrading & lt;/li & gt; & lt;li & gt;Send In The Clowns - Judy Collins & lt;/li & gt; & lt;/ol & gt; & lt;h4 & gt;Side D: & lt;/h4 & gt; & lt;ol start = & quot;7 & quot; & gt; & lt;li & gt;Ballad Of The Runaway Horse - Jennifer Warnes & lt;/li & gt; & lt;li & gt;A Case Of You - Diana Krall & lt;/li & gt; & lt;li & gt;The Look Of Love - Dusty Springfield & lt;/li & gt; & lt;li & gt;Brothers In Arms - Joan Baez & lt;/li & gt; & lt;/ol & gt; & lt;/section & gt;

The Wonderful Sounds of Female Vocals 180g 2LP (Vinyl)

$ 70.55 ~~$ 71.99~~ 2% Off

& lt;b & gt;Michael Fremer's 100 Recommended All-Analog LP Reissues Worth Owning - Rated 33/100! & lt;/b & gt; & lt;br & gt; & lt;br & gt; & lt;font color= & quot;#FF0000 & quot; & gt; & lt;b & gt;180g 45rpm Vinyl LP! Pressed at Pallas! & lt;br & gt; Mastered For Vinyl By Bernie Grundman! & lt;br & gt; Special LA & amp; OC Audio Society 25th Anniversary Edition! & lt;/b & gt; & lt;/font & gt; & lt;br & gt; & lt;br & gt; Pianist Yuko Mabuchi is joined by bassist Del Atkins and drummer Bobby Breton for this audiophile recording of four popular and jazz tunes recorded in The Brain and Creativity Institute's Cammilleri Hall, March 31, 2017. & lt;br & gt; & lt;br & gt; Yuko dedicated this release to the 25th Anniversary of the Los Angeles and Orange County Audio Society, the largest association of audiophiles on the planet, and to the 70th Birthday of Robert H. Levi, Yarlung's societys illustrious President and CEO. & lt;br & gt; & lt;br & gt; If Mabuchis playing can be described as tasteful, economical, and lyrical, it should also be noted that her rapid single-note runs are impeccably executed. The performances benefit from an exceptionally realistic recording that stands out for its in-the-room ambience and tonal clarity. & lt;br & gt; & lt;br & gt; & lt;b & gt;Liner Notes by Bob Attiyeh: & lt;/b & gt; & lt;br & gt; Yuko Mabuchi moved to the United States from her native Japan only recently, but when she plays American jazz she speaks the language perfectly. I love Yukos sense of rhythm and melody, and her improvising feels like she was born in Detroit or New York City. Her technique reminds me of some of Yukos music idols like Oscar Peterson, Herbie Hancock and Monty Alexander. But beyond her talent for traditional jazz, one can also hear flavors of American R & amp;B, Hip-Hop and Blues, which Yuko loved as a teenager. This albums associate producer and Yarlung special advisor Billy Mitchell describes Yukos playing as funky from the heart, and he means that as an enormous compliment. Yuko was born in Fukui, on the west coast of Japan, north of Kyoto. She studied classical music and the piano starting at age four, and continued her studies at the AN Music School in Kyoto, where she was a jazz piano student of Kunihiro Kameda. & lt;br & gt; & lt;br & gt; I first heard the Yuko Mabuchi Trio at Catalina Bar and Grill in Hollywood. The trio performed for the annual SAPPA gala, a non-profit organization for which Yuko volunteers as accompanist for the Watts-Willowbrook Youth Symphony. & lt;br & gt; & lt;br & gt; I went home that night, thinking about the trios electrifying sound and Yukos dynamism. I telephoned the next day, asking if Yuko wanted to make a debut album with her trio. Yes! she said. We held our live concert recording session on March 31st, 2017. My friend Billy Mitchell was an integral part of this project, organizing rehearsals and assisting in the overall production of this recording. His depth of experience, superb instincts, good humor and organizational ability have made this project an enduring pleasure. & lt;br & gt; & lt;br & gt; Dr. Antonio Damasio generously invited us back to the Brain and Creativity Institutes Cammilleri Hall at USC for this concert and recording. This is the gem of a concert hall designed by Yasuhisa Toyota and lovingly built by Antonio and Hanna Damasio, where Yarlung recorded our first jazz albums with Sophisticated Lady jazz quartet. The superb concert hall acoustics and the cozy 90 seat size make Cammilleri ideal for all sorts of music but especially nice for an intimate jazz concert like this. If only more jazz clubs sounded like Cammilleri Hall! & lt;br & gt; & lt;br & gt; Yarlungs engineers Arian Jansen and Tom Caulfield joined me for this project which we recorded in stereo on analog tape and in 256DSD and 5 Channel Surround Sound in 256DSD. & lt;br & gt; & lt;br & gt; Arian Jansen and Bob Attiyeh recorded the stereo version of the Yuko Mabuchi Trio concert using an AKG C-24 and two Schoeps M222 vacuum tube microphones from Ted Ancona, and a 5ZERO7 from David Bock. They used Elliot Midwood vacuum tube microphone preamplification and fed the signal into their SonoruS ATR12 analog tape recorder using Sonorus Holographic Imaging technology, and into their Merging Technologies Hapi converter recording DSD256 using Pyramix software. & lt;br & gt; & lt;br & gt; & lt;b & gt;Cole Porter: What Is This Thing Called Love: & lt;/b & gt; & lt;br & gt; from Cole Porter's musical Wake Up and dream, premiered by Elsie Carlisle in London in March of 1929. Frances Shelley sang the tune in the Broadway premiere in December of the same year. Famous recordings include those by Billie Holiday, Bill Evans, Ella Fitzgerald, Frank Sinatra, Anita O'Day, Julie London and Wynton Marsalis. & lt;br & gt; & lt;br & gt; & lt;b & gt;Mark Lehman: Valse Noire: & lt;/b & gt; & lt;br & gt; Cincinnati composer and writer Mark Louis Lehman follows some of his compositional heroes, Hindemith, Bartok, Piston and Martin, with music both insightful and intimate. Here Yuko Mabuchi improvises with her trio on Lehman's opening tune of Valse Noire, originally written for solo piano. & lt;br & gt; & lt;br & gt; & lt;b & gt;Bronislaw Kaper: On Green Dolphin Street: & lt;/b & gt; & lt;br & gt; Miles Davis made this tune world famous in his 1958 recording, but Kaper wrote this tune in 1947 for the film Green Dolphin Street. Also recorded by Ahmad Jamal, Oscar Peterson, Bill Evans, Sonny Rollins, Sarah Vaughan, Herbie Hancock, Chick Corea, and a long list of other famous interpreters. & lt;br & gt; & lt;br & gt; & lt;b & gt;Sara Bareilles: Seriously: & lt;/b & gt; & lt;br & gt; Bareilles wrote Seriously for the singer Leslie Odom, Jr. for a special session on This American Life. Yuko arranged this captivating tune and its nuances of deep humanity for the Trio. They performed it for the first time in Cammilleri Hall during the Yarlung concert. & lt;br & gt; & lt;br & gt; & lt;b & gt; & quot;If Mabuchis playing can be described as tasteful, economical, and lyrical, it should also be noted that her rapid single-note runs are impeccably executed. The performances benefit from an exceptionally realistic recording that stands out for its in-the-room ambience and tonal clarity. & quot; & lt;/b & gt; - Jeff Wilson, & lt;i & gt;The Absolute Sound & lt;/i & gt; & lt;br & gt; & lt;br & gt; & lt;b & gt; & quot;The youthful Yukos jazz performances on the piano are remarkably mature, as are her accompanists on the double bass and drums. the presence of the recording is uncannily real. & quot; & lt;/b & gt; - Neville Roberts, & lt;i & gt;The UKs Hi-Fi Choice & lt;/i & gt; & lt;br & gt; & lt;br & gt; & lt;b & gt; & quot;This live recording is an awe-inspiring work of art. Pianist Yuko Mabuchi is as exciting on recording as she is in person. Here is a production that sparkles with improvisational creativity, energy, and the piano talents of a young and developing super star. This is a soulful CD, combining cultures, like serving grits and gravy with delicious miso soup. This talented lady and her trio are a force of nature that bring musical excellence and energetic excitement to an unforgettable jazz production. & quot; & lt;/b & gt; - Dee Dee McNeil & lt;br & gt; & lt;br & gt; & lt;b & gt; & quot;Yuko Mabuchi takes command of both her instrument and the listeners ears from the first stroke of the albums opener the live album is a must-own for piano trio aficionados and jazz lovers of all stripes. & lt;br & gt; & lt;br & gt; & quot;A tremendous highlight of the album is On Green Dolphin Street. Pitched in Bill Evans preferred key of E-flat. Dave Brubeck himself would have applauded the tight interplay of time between one half of the head, presented in a heavy ¾ that alternates sweetly with the straight four-on-the-floor 4/4 of the next four bars of the same phrase. Mabuchi, delicious bassist Del Atkins, and tasty drummer Bobby Breton make it new all over again & lt;br & gt; & lt;br & gt; & quot;Mabuchis right hand is the star of each of her solo flights. Clean, precise, and crisp like forebears Teddy Wilson, Marian McPartland, and Tommy Flanagan, but deeply harmonically and rhythmically inspired like the mentioned Evans & quot; & lt;/b & gt; - Kathryn Ballard Shut, & lt;i & gt;JazzTimes & lt;/i & gt; & lt;br & gt; & lt;br & gt; & lt;blockquote cite= & quot;www.stereophile.com & quot; & gt; The sound quality of this set by a jazz piano trio, recorded live to tape with an AKG C24 stereo tube microphone, reveals all. The sounds of Mabuchi's piano, Del Atkins's double bass, and Bobby Breton's drums is stellar in every way, but especially the piano, an instrument whose sound is very hard to capture convincingly. The overall transparency and sense of three-dimensional space is intense and sensational. And Mabuchi is tremendously talented - this is one audiophile recording in which the talent is commensurate with the sound quality. & lt;footer & gt; -Michael Fremer, Stereophile & lt;/footer & gt; & lt;/blockquote & gt; & lt;b & gt;Features: & lt;/b & gt; & lt;br & gt; & amp;bull; 180g Vinyl & lt;br & gt; & amp;bull; 45rpm & lt;br & gt; & amp;bull; Pressed at Pallas & lt;br & gt; & amp;bull; Mastering Engineers: Steve Hoffman & amp; Bob Attiyeh & lt;br & gt; & amp;bull; Vinyl Mastering: Bernie Grundman & lt;br & gt; & amp;bull; LA & amp; OC Audio Society 25th Anniversary Edition & lt;br & gt; & lt;br & gt; & lt;b & gt;Musicians: & lt;/b & gt; & lt;br & gt; Yuko Mabuchi, piano & lt;br & gt; Del Atkins, bass & lt;br & gt; Bobby Breton, drums & lt;br & gt; & lt;br & gt; & lt;b & gt;Selections: & lt;/b & gt; & lt;br & gt; 1. What Is This Thing Called Love - Cole Porter & lt;br & gt; 2. Valse Noire - Mark Louis Lehman & lt;br & gt; 3. On Green Dolphin Street - Bronislaw Kaper & lt;br & gt; 4. Seriously - Sara Bareilles & lt;br & gt; & lt;br & gt; Recorded in The Brain and Creativity Institute's Cammilleri Hall, March 31, 2017.

The Yuko Mabuchi Trio Volume 1 180g 45rpm LP (Pallas Pressing) (Vinyl)

$ 41.57 ~~$ 41.99~~ 1% Off

& lt;header & gt; & lt;p & gt; & lt;strong & gt;Classy Live Performances On Limited Edition Silver Vinyl LP! & lt;/strong & gt; & lt;/p & gt; & lt;/header & gt; & lt;p & gt;One of the most beloved voices in popular music is celebrated in this vinyl package that is as classy and exquisite as the vocalist herself. & lt;/p & gt; & lt;p & gt;This special collection finds Warwick performing some of her favorite Burt Bacharach-penned songs that she made into international smash hits including & quot;Walk On By, & quot; & quot;I Say A Little Prayer For You, & quot; & quot;That's What Friends Are For, & quot; & quot;Alfie & quot; and more! Gorgeous gatefold jacket with striking silver colored vinyl. & lt;/p & gt; & lt;p & gt;Recorded at the Syracuse Jazz Festival, June 2003 in Syracuse, NY. & lt;/p & gt; & lt;section id= & quot;features & quot; & gt; & lt;h3 & gt;Features & lt;/h3 & gt; & lt;ul & gt; & lt;li & gt;Limited Edition & lt;/li & gt; & lt;li & gt;Silver Vinyl & lt;/li & gt; & lt;li & gt;Gatefold Jacket & lt;/li & gt; & lt;li & gt;Made in Canada & lt;/li & gt; & lt;/ul & gt; & lt;/section & gt; & lt;section id= & quot;selections & quot; & gt; & lt;h3 & gt;Selections & lt;/h3 & gt; & lt;h4 & gt;Side A: & lt;/h4 & gt; & lt;ol & gt; & lt;li & gt;(They Long to Be) Close to You & lt;/li & gt; & lt;li & gt;Don't Make Me Over & lt;/li & gt; & lt;li & gt;Walk on By & lt;/li & gt; & lt;li & gt;Anyone Who Had a Heart & lt;/li & gt; & lt;li & gt;I Say a Little Prayer & lt;/li & gt; & lt;li & gt;Alfie & lt;/li & gt; & lt;/ol & gt; & lt;h4 & gt;Side B: & lt;/h4 & gt; & lt;ol & gt; & lt;li & gt;Heartbreaker & lt;/li & gt; & lt;li & gt;Do You Know the Way to San Jose? & lt;/li & gt; & lt;li & gt;I'll Never Love This Way Again & lt;/li & gt; & lt;li & gt;What the World Needs Now (Is Love) & lt;/li & gt; & lt;li & gt;That's What Friends Are For & lt;/li & gt; & lt;/ol & gt; & lt;/section & gt;

Dionne Warwick A Special Evening With Dionne Warwick LP (Silver Vinyl)

$ 32.07 ~~$ 32.39~~ 1% Off

& lt;b & gt;Michael Fremer's 100 Recommended All-Analog LP Reissues Worth Owning - Rated 33/100! & lt;/b & gt; & lt;br & gt; & lt;br & gt; & lt;font color= & quot;#FF0000 & quot; & gt; & lt;b & gt;180g 45rpm Vinyl LP! & lt;br & gt; Pressed at RTI! & lt;br & gt; Special LA & amp; OC Audio Society 25th Anniversary Edition! & lt;/b & gt; & lt;/font & gt; & lt;br & gt; & lt;br & gt; Pianist Yuko Mabuchi performs four tunes including a Jazz Medley, Japanese Medley, Sona's Song and Sonny Rollins' St. Thomas. & lt;br & gt; & lt;br & gt; Yuko dedicated this release to the 25th Anniversary of the Los Angeles and Orange County Audio Society, the largest association of audiophiles on the planet, and to the 70th Birthday of Robert H. Levi, Yarlung's societys illustrious President and CEO. & lt;br & gt; & lt;br & gt; If Mabuchis playing can be described as tasteful, economical, and lyrical, it should also be noted that her rapid single-note runs are impeccably executed. The performances benefit from an exceptionally realistic recording that stands out for its in-the-room ambience and tonal clarity. & lt;br & gt; & lt;br & gt; The repertoire includes a Jazz Medley featuring Kern's & quot;All the Things You Are & quot; from the 1939 musical & quot;Very Warm For May & quot; plus Strayhorn's & quot;Take the 'A' Train & quot; heard first in 1941 with Ellington's band on the radio. Finishing this medley is Strayhorn & amp; Ellington's Satin Doll which came out in 1953 on Capitol Records. & lt;br & gt; & lt;br & gt; The Japanese Medley features Hazy Moon (Oborozuki) written by Teiichi Okano in 1914 followed by Cherry Blossom (Sakura) from the 17th Century Edo period, which was originally played on koto to celebrate Hanami, or spring flower viewing during the Tokugawa shogunate. Ending this medley is Hachidai Nakamuras Look At The Sky, (Ue wo Muite Arukou), nicknamed Sukiyaki in English. & lt;br & gt; & lt;br & gt; Yuko Mabuchi wrote Sona's Song in honor of a beautiful child who was a family member living in Thailand. Yuko first recorded this melody in 2014 for her album My Life. & lt;br & gt; & lt;br & gt; The Sonny Rollins Quartet first released St. Thomas in 1956. Rollins adopted this tune from an 18th Century English ditty called The Lincolnshire Poacher. It resurfaced during the American Civil War as The New York Volunteer, and again in the Australian infantry as a march during WWI. & lt;br & gt; & lt;br & gt; & lt;blockquote cite= & quot;www.stereophile.com & quot; & gt; The sound quality of this set by a jazz piano trio, recorded live to tape with an AKG C24 stereo tube microphone, reveals all. The sounds of Mabuchi's piano, Del Atkins's double bass, and Bobby Breton's drums is stellar in every way, but especially the piano, an instrument whose sound is very hard to capture convincingly. The overall transparency and sense of three-dimensional space is intense and sensational. And Mabuchi is tremendously talented - this is one audiophile recording in which the talent is commensurate with the sound quality. & lt;footer & gt; -Michael Fremer, Stereophile & lt;/footer & gt; & lt;/blockquote & gt; & lt;b & gt;Features: & lt;/b & gt; & lt;br & gt; & amp;bull; 180g Vinyl & lt;br & gt; & amp;bull; 45rpm & lt;br & gt; & amp;bull; Pressed at RTI & lt;br & gt; & amp;bull; LA & amp; OC Audio Society 25th Anniversary Edition & lt;br & gt; & lt;br & gt; & lt;b & gt;Musicians: & lt;/b & gt; & lt;br & gt; Yuko Mabuchi, piano & lt;br & gt; Del Atkins, bass & lt;br & gt; Bobby Breton, drums & lt;br & gt; & lt;br & gt; & lt;b & gt;Selections: & lt;br & gt; Side A: & lt;/b & gt; & lt;br & gt; 1. Jazz Medley: All the Things You Are / Take The & quot;A & quot; Train / Satin Doll & lt;br & gt; 2. Japanese Medley: Hazy Moon / Cherry Blossom / Look At The Sky & lt;br & gt; & lt;b & gt;Side B: & lt;/b & gt; & lt;br & gt; 3. Yuko Mabuchi: Sona's Song & lt;br & gt; 4. Sonny Rollins: St. Thomas

The Yuko Mabuchi Trio Volume 2 180g 45rpm LP (RTI Pressing) (Vinyl)

$ 41.15 ~~$ 41.99~~ 2% Off

& lt;header & gt; & lt;p & gt; & lt;strong & gt;Limited Edition 180g Vinyl LP - Only 1000 Copies! & lt;br & gt; Remastered From The Original Mono Master Tapes! & lt;br & gt; Pressed by Optimal in Germany Using The Metal Mothers From Pallas! & lt;/strong & gt; & lt;/p & gt; & lt;/header & gt; & lt;p & gt;Ronnell Bright was in Paris for just a simple stopover during the European tour that Sarah Vaughan was doing to represent the United States at the Universal Exhibition in Brussels. This rare date was cut at Studio des Dames in Paris on June 5, 1958 for french Polydor label and it's a stripped-down trio date with a nicely relaxed feel - one that has Ronnell Bright really opening up on the keys, in ways you don't always hear on his material with singers. This session took place in a certain euphoria on Thursday of Corpus Christi, and you can feel the joy and dynamics in music. The other players in the trio are Richard Davis on bass and the English drummer Art Morgan. & lt;/p & gt; & lt;section id= & quot;features & quot; & gt; & lt;h3 & gt;Features & lt;/h3 & gt; & lt;ul & gt; & lt;li & gt;Limited Edition - 1000 Copies & lt;/li & gt; & lt;li & gt;2021 Repress & lt;/li & gt; & lt;li & gt;180g Vinyl & lt;/li & gt; & lt;li & gt;Mono & lt;/li & gt; & lt;li & gt;Re-mastered from the original mono master tapes & lt;/li & gt; & lt;li & gt;Pressed by Optimal in Germany using the Metal Mothers from Pallas & lt;/li & gt; & lt;li & gt;Facsimile reissue using the original photo by Jean-Pierre Leloir for the back cover (front photo is lost) & lt;/li & gt; & lt;li & gt;Double insert using an original photo by JP Leloir from the session & lt;/li & gt; & lt;li & gt;Each record has been visually checked to prevent defects & lt;/li & gt; & lt;li & gt;Import & lt;/li & gt; & lt;/ul & gt; & lt;/section & gt; & lt;section id= & quot;musicians & quot; & gt; & lt;h3 & gt;Musicians & lt;/h3 & gt; & lt;table & gt; & lt;tr & gt; & lt;th & gt;Ronnell Bright & lt;/th & gt; & lt;td & gt;piano & lt;/td & gt; & lt;/tr & gt; & lt;tr & gt; & lt;th & gt;Richard Davis & lt;/th & gt; & lt;td & gt;bass & lt;/td & gt; & lt;/tr & gt; & lt;tr & gt; & lt;th & gt;Art Morgan & lt;/th & gt; & lt;td & gt;drums & lt;/td & gt; & lt;/tr & gt; & lt;/table & gt; & lt;/section & gt; & lt;section id= & quot;selections & quot; & gt; & lt;h3 & gt;Selections & lt;/h3 & gt; & lt;h4 & gt;Side A: & lt;/h4 & gt; & lt;ol & gt; & lt;li & gt;R And R Groove & lt;/li & gt; & lt;li & gt;Johnny Pate's Blues & lt;/li & gt; & lt;li & gt;Things Ain't What They Used To Be & lt;/li & gt; & lt;li & gt;Sail' Em & lt;/li & gt; & lt;/ol & gt; & lt;h4 & gt;Side B: & lt;/h4 & gt; & lt;ol & gt; & lt;li & gt;The Champ & lt;/li & gt; & lt;li & gt;Easy Listening Blues & lt;/li & gt; & lt;li & gt;Chasing Sarah & lt;/li & gt; & lt;li & gt;Doxology & lt;/li & gt; & lt;/ol & gt; & lt;/section & gt;

The Ronnell Bright Trio The Ronnell Bright Trio 180g LP (Mono) (Vinyl)

$ 47.51 ~~$ 47.99~~ 1% Off

& lt;header & gt; & lt;p & gt; & lt;strong & gt;Numbered, Limited Edition & quot;Countryside Green & quot; Vinyl! & lt;br & gt; Soundtrack To Award-Winning Film On 180g Audiophile Vinyl Double LP! & lt;br & gt; Deluxe & quot;Leather-Look & quot; Gatefold Packaging & amp; Customized PVC Jacket! & lt;/strong & gt; & lt;/p & gt; & lt;/header & gt; & lt;header & gt; & lt;p & gt; & lt;strong & gt;2019 Grammy Award Nominee: & lt;/strong & gt; & lt;br & gt; & amp;#8226; Best Compilation Soundtrack For Visual Media & lt;br & gt; & amp;#8226; Best Song Written for Visual Media: & quot;Mystery Of Love & quot; (Sufjan Stevens) & lt;/p & gt; & lt;/header & gt; & lt;p & gt;Call Me By Your Name, the film by Luca Guadagnino, is a sensual and transcendent tale of first love, based on the acclaimed novel by Andr & amp;#233; Aciman. Summer of 1983, Northern Italy. An American-Italian is enamored by an American student who comes to study and live with his family. Together they share an unforgettable summer full of music, food, and romance that will forever change them. & lt;/p & gt; & lt;p & gt;The film received critical acclaim. Critics praised in particular Chalamet, Hammer and Stuhlbarg's performances, Guadagnino's direction and the screenplay. Call Me By Your Name won a variety of awards, including Academy, BAFTA and GLAAD Awards and many more. Sufjan Stevens's song & quot;Mystery Of Love & quot; was nominated for the Academy Award for Best Original Song at the 90th Academy Awards. & lt;/p & gt; & lt;p & gt;Luca Guadagnino wanted the film's music to be connected to Elio, a young pianist who likes to transcribe and adapt pieces in order to get close to Oliver. The music is used to reflect the time, the characters' family, level of education and & quot;the kind of canon they would be a part of. & quot; Guadagnino found himself resonating with Sufjan Stevens' lyricism through his work and initially asked Stevens to record an original song. Eventually, Stevens contributed three songs to the soundtrack: & quot;Visions Of Gideon & quot;, which was used at the end of the film, & quot;Mystery Of Love & quot;, which was featured in the film's first trailer, and a new rendition of & quot;Futile Devices & quot; with piano. Stevens penned the songs by using the script, the book, and the conversations with the director about the characters. It marks Sufjan Stevens' first soundtrack for a feature film. & lt;/p & gt; & lt;p & gt;The vinyl package of Call Me By Your Name includes a poster, an insert and the 180-gram records are housed in 2 exclusive printed innersleeves. This is a limited edition of 20,000 copies on & quot;countryside green & quot; vinyl. The heavyweight jacket has a deluxe leather laminate finish. The records are housed in a customized PVC jacket, and there's an exclusive CMBYN closing sticker on the back of the PVC jacket. & lt;/p & gt; & lt;section id= & quot;features & quot; & gt; & lt;h3 & gt;Features & lt;/h3 & gt; & lt;ul & gt; & lt;li & gt;180g Audiophile Vinyl & lt;/li & gt; & lt;li & gt;Double LP & lt;/li & gt; & lt;li & gt;Deluxe heavyweight cardboard gatefold with leather look finish & lt;/li & gt; & lt;li & gt;Customized PVC protected sleeve & lt;/li & gt; & lt;li & gt;Exclusive CMBYN closing sticker on PVC jacket & lt;/li & gt; & lt;li & gt;2 printed innersleeves & lt;/li & gt; & lt;li & gt;Insert & lt;/li & gt; & lt;li & gt;Poster & lt;/li & gt; & lt;li & gt;3 songs by Sufjan Stevens & lt;/li & gt; & lt;li & gt;Songs by Ryuichi Sakamoto, Giorgio Moroder, The Psychedelic Furs & amp; others & lt;/li & gt; & lt;li & gt;Multiple award-winning movie & lt;/li & gt; & lt;li & gt;Import & lt;/li & gt; & lt;li & gt;Made in the EU & lt;/li & gt; & lt;li & gt;Exclusive Numbered, Limited Edition Of 20,000 Copies on & quot;Countryside Green & quot; Vinyl & lt;/li & gt; & lt;/ul & gt; & lt;/section & gt; & lt;section id= & quot;selections & quot; & gt; & lt;h3 & gt;Selections & lt;/h3 & gt; & lt;h4 & gt;Side One: & lt;/h4 & gt; & lt;ol & gt; & lt;li & gt;Hallelujah Junction - 1st Movement - John Adams & lt;/li & gt; & lt;li & gt;M.A.Y. In The Backyard - Ryuichi Sakamoto & lt;/li & gt; & lt;li & gt;J'adore Venise - Loredana Bert & amp;#232; & lt;/li & gt; & lt;li & gt;Paris Latino - Bandolero & lt;/li & gt; & lt;/ol & gt; & lt;h4 & gt;Side Two: & lt;/h4 & gt; & lt;ol & gt; & lt;li & gt;Sonatine bureaucratique - Frank Glazer & lt;/li & gt; & lt;li & gt; & quot;Zion h & amp;#246;rt die W & amp;#228;chter singen & quot; - Alessio Bax & lt;/li & gt; & lt;li & gt;Lady Lady Lady - Giorgio Moroder & amp; Joe Esposito & lt;/li & gt; & lt;/ol & gt; & lt;h4 & gt;Side Three: & lt;/h4 & gt; & lt;ol & gt; & lt;li & gt;Une barque sur l'oc & amp;#233;an - Andr & amp;#233; Laplante & lt;/li & gt; & lt;li & gt;Futile Devices (Doveman Remix) - Sufjan Stevens & lt;/li & gt; & lt;li & gt;Germination - Ryuichi Sakamoto & lt;/li & gt; & lt;li & gt;Words - F.R. David & lt;/li & gt; & lt;li & gt;E la vita - Marco Armani & lt;/li & gt; & lt;/ol & gt; & lt;h4 & gt;Side Four: & lt;/h4 & gt; & lt;ol & gt; & lt;li & gt;Mystery Of Love - Sufjan Stevens & lt;/li & gt; & lt;li & gt;Radio Varsavia - Franco Battiato & lt;/li & gt; & lt;li & gt;Love My Way - The Psychedelic Furs & lt;/li & gt; & lt;li & gt;Le jardin f & amp;#233;erique - Val & amp;#233;ria Szerv & amp;#225;nszky & amp; Ronald Cavaye & lt;/li & gt; & lt;li & gt;Visions Of Gideon - Sufjan Stevens & lt;/li & gt; & lt;/ol & gt; & lt;/section & gt;

Call Me By Your Name Soundtrack Numbered Limited Edition 180g Import 2LP (Countryside Green Vinyl)

$ 45.59 ~~$ 47.99~~ 5% Off

& lt;header & gt; & lt;p & gt; & lt;strong & gt;Historic 2007 Troubadour Reunion On 180g Vinyl 2LP! & lt;br & gt; Available On Vinyl For The First Time! & lt;br & gt; Lacquers Cut by Bernie Grundman! Pressed at QRP! & lt;/strong & gt; & lt;/p & gt; & lt;/header & gt; & lt;p & gt;In November of 1970, James Taylor and Carole King first performed together at The Troubadour in West Hollywood, California. Thirty-six years later, they returned for a three-night, six-show run to celebrate the venue's 50th anniversary. This remarkable recording features 15 songs and 75 minutes of stunning performances of their collective biggest hits including & quot;You've Got A Friend & quot;, & quot;Fire And Rain & quot;, & quot;I Feel The Earth Move & quot; and more. This album is available for the first time on vinyl and comes as a 180g 2-LP set. & lt;/p & gt; & lt;section id= & quot;features & quot; & gt; & lt;h3 & gt;Features & lt;/h3 & gt; & lt;ul & gt; & lt;li & gt;180g Vinyl & lt;/li & gt; & lt;li & gt;Double LP & lt;/li & gt; & lt;li & gt;Historic 2007 performance & lt;/li & gt; & lt;li & gt;First time on vinyl & lt;/li & gt; & lt;li & gt;Lacquers cut by Bernie Grundman at Bernie Grundman Mastering & lt;/li & gt; & lt;li & gt;Pressed at Quality Record Pressings & lt;/li & gt; & lt;li & gt;Gatefold jacket & lt;/li & gt; & lt;li & gt;RIAA Certified Gold release & lt;/li & gt; & lt;li & gt;Made in USA & lt;/li & gt; & lt;/ul & gt; & lt;/section & gt; & lt;section id= & quot;selections & quot; & gt; & lt;h3 & gt;Selections & lt;/h3 & gt; & lt;h4 & gt;Side A: & lt;/h4 & gt; & lt;ol & gt; & lt;li & gt;Blossom & lt;/li & gt; & lt;li & gt;So Far Away & lt;/li & gt; & lt;li & gt;Machine Gun Kelly & lt;/li & gt; & lt;li & gt;Carolina In My Mind & lt;/li & gt; & lt;/ol & gt; & lt;h4 & gt;Side B: & lt;/h4 & gt; & lt;ol & gt; & lt;li & gt;It's Too Late & lt;/li & gt; & lt;li & gt;Smackwater Jack & lt;/li & gt; & lt;li & gt;Something In The Way She Moves & lt;/li & gt; & lt;li & gt;Will You Love Me Tomorrow & lt;/li & gt; & lt;/ol & gt; & lt;h4 & gt;Side C: & lt;/h4 & gt; & lt;ol & gt; & lt;li & gt;Country Road & lt;/li & gt; & lt;li & gt;Fire And Rain & lt;/li & gt; & lt;li & gt;Sweet Baby James & lt;/li & gt; & lt;li & gt;I Feel The Earth Move & lt;/li & gt; & lt;/ol & gt; & lt;h4 & gt;Side D: & lt;/h4 & gt; & lt;ol & gt; & lt;li & gt;You've Got A Friend & lt;/li & gt; & lt;li & gt;Up On The Roof & lt;/li & gt; & lt;li & gt;You Can Close Your Eyes & lt;/li & gt; & lt;/ol & gt; & lt;/section & gt;

Carole King & James Taylor Live At The Troubadour 180g 2LP (Vinyl)

$ 39.89 ~~$ 41.99~~ 5% Off

& lt;font color= & quot;#FF0000 & quot; & gt; & lt;b & gt;180g Vinyl LP! Rare Three Blind Mice Jazz Gem! & lt;/b & gt; & lt;/font & gt; & lt;br & gt; & lt;br & gt; & lt;font color= & quot;#FF0000 & quot; & gt; & lt;b & gt; & quot;This is the best audiophile system demonstration LP I have heard in ages, and a must-own. & quot; - positive-feedback.com & lt;/b & gt; & lt;/font & gt; & lt;br & gt; & lt;br & gt; & lt;b & gt;This item not eligible for any further discount offers! & lt;/b & gt; & lt;br & gt; & lt;br & gt; Impex has always had a special place in their hearts for Shoji Yokouchis Greensleeves. Standards, original tunes, and traditional pieces (like the title track), are interpreted in unexpectedly funky, soulful ways. The master guitarist is given immeasurable support by organist Yuri Tashiro. Her playing is alternately moody and spry, fiery and funky. Impexs vinyl reissue preserves the originals clear, exacting sound (check out the bass on Tashiros organ!) while improving surface noise and presentation. This rare gem of Tee Fujiis repertoire is yet another entertaining listen for Three Blind Mice fans from their friends at Impex Records! & lt;br & gt; & lt;br & gt; & lt;b & gt; & quot;I am familiar, of course, with this prestige audiophile label from Japan, but only own two of their recordings: Midnight Sugar and Girl Talk. Both are famous superb recordings, and offer amazing audiophile sound and performances of top notch jazz arrangements. They have been reissued often by TBM and other companies, worldwide. That said, Greensleeves has never been reissued on LP by anyone, anywhere! Maybe Greensleeves was just too exciting, too bold, too dynamic, too melodic, too unusual to include a Hammond B3 organ, or maybe just ALL of the above! & quot; & lt;br & gt; & lt;br & gt; & quot;I cannot understand how [Chris] Bellman got 100% of the dynamics, power, subterranean deep powerful bass, delicate guitar, bass riffs, and drums all on a 33 RPM release without the instruments colliding into one another. I am shocked by the RTI pressing of such utter quiet and explosive punch... harmonics and layered realistic textures lived in the room as the needle found its groove. Imaging is pin-point stable and precise, and dynamics never overload. & quot; & lt;br & gt; & lt;br & gt; & quot;If this is not the ultimate audiophile demonstration LP released this year, then none will be released. I dare you to stop listening to this LP once the first cut has commenced! With mostly standards jazzed up for the brilliant musicians to love to play, I was constantly tapping my toes and reminiscing on when I first heard a certain melody. What great fun! & quot; & lt;br & gt; & lt;br & gt; & quot; ...Packaged by Impex in slick classy gloss and full color, Greensleeves is a high-quality production for a top jazz collection. Prediction: this release will triple in price! For those smart enough to buy multiple copies and put extras away, a bonus awaits them! This is the best audiophile system demonstration LP I have heard in ages, and a must-own. Thank you Impex! Greensleeves receives my highest BUY recommendation! & quot; & lt;/b & gt; - Robert H. Levi, positive-feedback.com, & lt;a href= & quot;https://positive-feedback.com/reviews/music-reviews/impex-records-greensleeves/ & quot; & gt; & lt;font color= & quot;#0000FF & quot; & gt; & lt;b & gt;Read the entire review! & lt;/b & gt; & lt;/font & gt; & lt;/a & gt; & lt;br & gt; & lt;br & gt; & lt;b & gt;Features: & lt;/b & gt; & lt;br & gt; & amp;bull; 180g Vinyl LP! & lt;br & gt; & amp;bull; Rare Three Blind Mice Jazz Gem! & lt;br & gt; & amp;bull; Pressed at R.T.I.! & lt;br & gt; & lt;br & gt; & lt;b & gt;Musicians: & lt;/b & gt; & lt;br & gt; Kunimitsu Inaba, bass & lt;br & gt; Hajime Ishimatsu, drums & lt;br & gt; Shoji Yokouchi, electric guitar, folk guitar, gut guitar & lt;br & gt; Yuri Tashiro, Hammond organ & lt;br & gt; & lt;br & gt; & lt;b & gt;Selections: & lt;br & gt; Side A: & lt;/b & gt; & lt;br & gt; 1. Willow Weep For Me & lt;br & gt; 2. Moanin' & lt;br & gt; 3. Misty & lt;br & gt; 4. Drink Up Your Vodka Martini & lt;br & gt; & lt;b & gt;Side B: & lt;/b & gt; & lt;br & gt; 1. New Orleans Sunday & lt;br & gt; 2. Greensleeves & lt;br & gt; 3. Your Watch Is Ten Minutes Slow & lt;br & gt; & lt;br & gt; Recorded September 6 & amp; 8 1978

Shoji Yokouchi Trio Greensleeves 180g LP (Vinyl)

$ 39.89 ~~$ 41.99~~ 5% Off

& lt;header & gt; & lt;p & gt;Coming December 17, 2021 pre-order your copy today! Orders with both pre-order and in stock items will have all in stock items shipped immediately! & lt;/p & gt; & lt;/header & gt; & lt;header & gt; & lt;p & gt; & lt;strong & gt;New Album From Jerry Cantrell Of Alice In Chains! & lt;br & gt; Pressed On 180g Electric Blue Colored Vinyl! & lt;/strong & gt; & lt;/header & gt; & lt;p & gt;Shortly after his December 2019 LA shows, Jerry Cantrell entered the studio to begin work on Brighten. The album was produced by Cantrell, Tyler Bates, and co-produced by engineer Paul Figueroa. & lt;/p & gt; & lt;p & gt; & quot;It was like an old school seventies record where a multitude of musicians played so it's not a set band. I got to make music with a bunch of people I never had before, along with friends like Duff, Tyler & amp; Gil who I've worked with previously. I've always been a fan of bands that were heavy on harmony; I've been lucky enough to have that relationship with Layne Staley and now William DuVall. Greg and I worked together in a similar fashion and blended nicely. We were creating and changing this thing all the way up until the end. It took way longer than I wanted it to, but it became an even better record. This album offers cleaner glimpses of what I grew up on, listened to, and am still inspired by today. I was raised by two country fans, so I think you can hear that energy in there as well. This album has prominent roles for keys, strings, and pedal steel, which I haven't incorporated in such a heavy fashion before. & quot; - Jerry Cantrell & lt;/p & gt; & lt;blockquote cite= & quot;www.allmusic.com & quot; & gt; Peppered with regret yet tempered by hope, Brighten doesn't waste a note or a lyric. Cantrell and company honed these pieces over a long, challenging year (2020), and you can hear the attention to detail throughout the LP's agreeable, just-over-40-minute runtime. Confident, inward-looking, forgiving, yet bruising in all the right places, it's not just a great album by Cantrell's standards; it's a great record, period. & lt;footer & gt; -James Christopher Monger, AllMusic.com, 4/5 stars (The AllMusic 2021 Year In Review - Best Of 2021) & lt;/footer & gt; & lt;/blockquote & gt; & lt;br & gt; & lt;br & gt; & lt;a name= & quot;SS & quot; & gt; & lt;/a & gt; & lt;iframe width= & quot;560 & quot; height= & quot;315 & quot; src= & quot;https://www.youtube.com/embed/F76Vp9ODy6s & quot; frameborder= & quot;0 & quot; allowfullscreen & gt; & lt;/iframe & gt; & lt;br & gt; & lt;br & gt; & lt;section id= & quot;features & quot; & gt; & lt;h3 & gt;Features & lt;/h3 & gt; & lt;ul & gt; & lt;li & gt;180g Vinyl LP & lt;/li & gt; & lt;li & gt;Electric Blue Vinyl & lt;/li & gt; & lt;li & gt;Glow-In-The-Dark Packaging & lt;/li & gt; & lt;/ul & gt; & lt;/section & gt; & lt;section id= & quot;selections & quot; & gt; & lt;h3 & gt;Selections & lt;/h3 & gt; & lt;ol & gt; & lt;li & gt;Atone & lt;/li & gt; & lt;li & gt;Brighten & lt;/li & gt; & lt;li & gt;Prism of Doubt & lt;/li & gt; & lt;li & gt;Black Hearts and Evil Done & lt;/li & gt; & lt;li & gt;Siren Song & lt;/li & gt; & lt;li & gt;Had To Know & lt;/li & gt; & lt;li & gt;Nobody Breaks You & lt;/li & gt; & lt;li & gt;Dismembered & lt;/li & gt; & lt;li & gt;Goodbye & lt;/li & gt; & lt;/ol & gt; & lt;/section & gt;

Jerry Cantrell Brighten 180g LP (Electric Blue Vinyl)

$ 36.47 ~~$ 38.39~~ 5% Off

& lt;font color= & quot;#FF0000 & quot; & gt; & lt;b & gt;180 Gram Vinyl! Cut from the Original Analog Master Tapes by Kevin Gray and Robert Pincus! Pressed at RTI! & lt;/b & gt; & lt;/font & gt; & lt;br & gt; & lt;br & gt; & lt;font color= & quot;#FF0000 & quot; & gt; & lt;b & gt;Rolling Stone 500 Greatest Songs of All Time - That's The Way Of The World - Rated 337/500! & lt;br & gt; Rolling Stone 500 Greatest Albums of All Time - Rated 486/500! & lt;/b & gt; & lt;/font & gt; & lt;br & gt; & lt;br & gt; & lt;b & gt;This item not eligible for any further discount offers! & lt;/b & gt; & lt;br & gt; & lt;br & gt; The 1975 album & quot;That's The Way Of the World & quot; was also the soundtrack for a 1975 motion picture of the same name which featured some of the band members of Earth, Wind, & amp; Fire in cameo roles. The album includes the ballad & quot;Reasons & quot; alongside the #1 US pop and R & amp;B hit single & quot;Shining Star & quot; as well as the title track which reached #12 on the pop chart. & lt;br & gt; & lt;br & gt; & lt;b & gt; & quot;Before he got into African thumb pianos and otherworldly philosophizing, EWF founder Maurice White was a session drummer at Chess Studios. EWF's sixth album is make-out music of the gods. & quot; & lt;/b & gt; - rollingstone.com & lt;br & gt; & lt;br & gt; & lt;b & gt; & quot;Earth, Wind & amp; Fire has delivered more than its share of excellent albums, but if a person could own only one EWF release, the logical choice would be That's the Way of the World, which was the band's best album as well as its best-selling. Open Our Eyes had been a major hit and sold over half a million units, but it was World that established EWF as major-league, multi-platinum superstars. Fueled by gems ranging from the sweaty funk of & quot;Shining Star & quot; and & quot;Yearnin' Learnin' & quot; to the gorgeous ballad & quot;Reasons & quot; and the unforgettable title song, EWF's sixth album sold at least five million units. And some of the tracks that weren't major hits, such as the exuberant & quot;Happy Feelin' & quot; and the gospel-influenced & quot;See the Light, & quot; are equally powerful. There are no dull moments on World, one of the strongest albums of the 1970s and EWF's crowning achievement. & quot; & lt;/b & gt; - allmusic.com & lt;br & gt; & lt;br & gt; & lt;b & gt;Features: & lt;/b & gt; & lt;br & gt; 180 Gram Vinyl & lt;br & gt; Cut from the Original Analog Master Tapes by Kevin & quot;Dr. Groove & quot; Gray and Robert & quot;Mr. Record & quot; Pincus & lt;br & gt; Pressed at RTI & lt;br & gt; Gatefold Jacket & lt;br & gt; & lt;br & gt; & lt;b & gt;Selections: & lt;br & gt; Side 1: & lt;br & gt; & lt;/b & gt;1. Shining Star & lt;br & gt; 2. That's the Way Of the World & lt;br & gt; 3. Happy Feelin' & lt;br & gt; 4. All About Love & lt;br & gt; & lt;b & gt;Side 2: & lt;br & gt; & lt;/b & gt;1. Yearnin' Learnin' & lt;br & gt; 2. Reasons & lt;br & gt; 3. Africano & lt;br & gt; 4. See the Light

Earth, Wind & Fire That's The Way Of The World Limited Edition 180g LP (Vinyl)

$ 39.89 ~~$ 41.99~~ 5% Off

& lt;header & gt; & lt;p & gt; & lt;strong & gt;New Stereo Mix Half-Speed Mastered On 180g Vinyl LP! & lt;br & gt; Sourced Directly From Original Session & amp; Rooftop Performance 8-Track Tapes! & lt;/strong & gt; & lt;/p & gt; & lt;/header & gt; & lt;p & gt; & lt;strong & gt;Rolling Stone 500 Greatest Albums of All Time - Rated 392/500! & lt;/strong & gt; & lt;/p & gt; & lt;p & gt;The Let It Be album has been newly mixed by producer Giles Martin and engineer Sam Okell. All the new Let It Be releases feature the new stereo mix of the album as guided by the original & quot;reproduced for disc & quot; version by Phil Spector and sourced directly from the original session and rooftop performance eight-track tapes. & lt;/p & gt; & lt;section id= & quot;features & quot; & gt; & lt;h3 & gt;Features & lt;/h3 & gt; & lt;ul & gt; & lt;li & gt;180g Vinyl & lt;/li & gt; & lt;li & gt;Half-Speed Mastered & lt;/li & gt; & lt;li & gt;Newly mixed by Giles Martin & amp; Sam Okell & lt;/li & gt; & lt;li & gt;New stereo mix guided by original & quot;reproduced for disc & quot; version by Phil Spector & lt;/li & gt; & lt;li & gt;Sourced directly from the original session & amp; rooftop performance 8-track tapes & lt;/li & gt; & lt;li & gt;Made in Canada & lt;/li & gt; & lt;/ul & gt; & lt;/section & gt; & lt;section id= & quot;selections & quot; & gt; & lt;h3 & gt;Selections & lt;/h3 & gt; & lt;h4 & gt;Side One: & lt;/h4 & gt; & lt;ol & gt; & lt;li & gt;Two Of Us & lt;/li & gt; & lt;li & gt;Dig A Pony & lt;/li & gt; & lt;li & gt;Across The Universe & lt;/li & gt; & lt;li & gt;I Me Mine & lt;/li & gt; & lt;li & gt;Dig It & lt;/li & gt; & lt;li & gt;Let It Be & lt;/li & gt; & lt;li & gt;Maggie Mae & lt;/li & gt; & lt;/ol & gt; & lt;h4 & gt;Side Two: & lt;/h4 & gt; & lt;ol & gt; & lt;li & gt;I've Got A Feeling & lt;/li & gt; & lt;li & gt;One After 909 & lt;/li & gt; & lt;li & gt;The Long And Winding Road & lt;/li & gt; & lt;li & gt;For You Blue & lt;/li & gt; & lt;li & gt;Get Back & lt;/li & gt; & lt;/ol & gt; & lt;/section & gt;

The Beatles Let It Be (Special Edition) Half-Speed Mastered 180g LP (Vinyl)

$ 29.94 ~~$ 31.19~~ 4% Off

Muddy Waters Electric Mud (2021 Reissue) Import LP (Vinyl)

$ 26.76 ~~$ 27.59~~ 3% Off

& lt;header & gt; & lt;p & gt; & lt;strong & gt;Metallica's Eponymous Classic Album On 180g Double LP! & lt;br & gt; Remastered By Bob Ludwig At Gateway Mastering! & lt;/strong & gt; & lt;/p & gt; & lt;/header & gt; & lt;p & gt;It's finally here! Metallica's eponymous album, better known as The Black Album, is remastered on 180 gram vinyl double LP. The Black Album is one of the most commercially successful and critically acclaimed records of all time, with global sales of over 35 million, and contains a series of unrelenting singles, & quot;Enter Sandman & quot;, & quot;The Unforgiven & quot;, & quot;Nothing Else Matters & quot;, & quot;Wherever I May Roam & quot; and & quot;Sad But True & quot;. Remastered by Bob Ludwig at Gateway Mastering and overseen by executive producer Greg Fidelman. & lt;/p & gt; & lt;section id= & quot;features & quot; & gt; & lt;h3 & gt;Features & lt;/h3 & gt; & lt;ul & gt; & lt;li & gt;180g Vinyl & lt;/li & gt; & lt;li & gt;Double LP & lt;/li & gt; & lt;li & gt;Remastered by Bob Ludwig at Gateway Mastering & lt;/li & gt; & lt;li & gt;Overseen by Executive Producer Greg Fidelman & lt;/li & gt; & lt;li & gt;Limited-Time Digital Download Card (MP3) & lt;/li & gt; & lt;/ul & gt; & lt;/section & gt; & lt;section id= & quot;selections & quot; & gt; & lt;h3 & gt;Selections & lt;/h3 & gt; & lt;h4 & gt;Side One: & lt;/h4 & gt; & lt;ol & gt; & lt;li & gt;Enter Sandman & lt;/li & gt; & lt;li & gt;Sad But True & lt;/li & gt; & lt;li & gt;Holier Than Thou & lt;/li & gt; & lt;/ol & gt; & lt;h4 & gt;Side Two: & lt;/h4 & gt; & lt;ol & gt; & lt;li & gt;The Unforgiven & lt;/li & gt; & lt;li & gt;Wherever I May Roam & lt;/li & gt; & lt;li & gt;Don't Tread On Me & lt;/li & gt; & lt;/ol & gt; & lt;h4 & gt;Side Three: & lt;/h4 & gt; & lt;ol & gt; & lt;li & gt;Through The Never & lt;/li & gt; & lt;li & gt;Nothing Else Matters & lt;/li & gt; & lt;li & gt;Of Wolf And Man & lt;/li & gt; & lt;/ol & gt; & lt;h4 & gt;Side Four: & lt;/h4 & gt; & lt;ol & gt; & lt;li & gt;The God That Failed & lt;/li & gt; & lt;li & gt;My Friend Of Misery & lt;/li & gt; & lt;li & gt;The Struggle Within & lt;/li & gt; & lt;/ol & gt; & lt;/section & gt;

Metallica Metallica 180g 2LP (Vinyl)

$ 29.69 ~~$ 29.99~~ 1% Off

& lt;header & gt; & lt;p & gt; & lt;strong & gt;High Quality Pure Analogue 180g Vinyl LP! & lt;/strong & gt; & lt;/p & gt; & lt;/header & gt; & lt;p & gt;The Doobie Brothers weren't brothers, nor were they called Doobie. The band started life as Pud in 1969 in Chateau Libert & amp;#233;, a club in the mountains of California. The group took on the slang name for marihuana cigarettes (doobie) one year later. The Doobies' music, however, never sounded like that of befuddled, half-stoned junkies. Heavy metal hard rock was their thing which made their record company Warner target the bikers of the rocker scene. The idea backfired, though, because the band had far more to offer than explosive hard rock. & lt;/p & gt; & lt;p & gt;The album The Captain And Me is considered to be the group's most concentrated and versatile production since it contrasts aggressive, hard numbers with gentle ones full of melodiousness. The very first number, & quot;Natural Thing & quot;, shows how winsome vocal folk music and electric guitar riffs can be amalgamated into rock music. Amongst these titles, decidedly angry numbers such as & quot;Without You & quot; and & quot;Evil Woman & quot; became real trailblazers. Now and then, an extensive harp solo or nonchalant licks from the acoustic guitar remind one of the pungent bluegrass style emanating from the South. That even the sweet wailing of the steel guitar ( & quot;South City Midnight Lady & quot;) finds room for expression seems quite logical in this well-thought-out musical concept. & lt;/p & gt; & lt;p & gt;This Speakers Corner LP was remastered using pure analogue components only, from the master tapes through to the cutting head. All royalties and mechanical rights have been paid. & lt;/p & gt; & lt;section id= & quot;features & quot; & gt; & lt;h3 & gt;Features & lt;/h3 & gt; & lt;ul & gt; & lt;li & gt;180g High Quality Vinyl & lt;/li & gt; & lt;li & gt;Pure Analogue & lt;/li & gt; & lt;li & gt;Made from the original, analogue master tapes & lt;/li & gt; & lt;li & gt;Gatefold jacket & lt;/li & gt; & lt;li & gt;Pressed at Pallas in Germany & lt;/li & gt; & lt;li & gt;Import & lt;/li & gt; & lt;/ul & gt; & lt;/section & gt; & lt;section id= & quot;selections & quot; & gt; & lt;h3 & gt;Selections & lt;/h3 & gt; & lt;h4 & gt;Side One: & lt;/h4 & gt; & lt;ol & gt; & lt;li & gt;Natural Thing & lt;/li & gt; & lt;li & gt;Long Train Runnin' & lt;/li & gt; & lt;li & gt;China Grove & lt;/li & gt; & lt;li & gt;Dark Eyed Cajun Woman & lt;/li & gt; & lt;li & gt;Clear As The Driven Snow & lt;/li & gt; & lt;/ol & gt; & lt;h4 & gt;Side Two: & lt;/h4 & gt; & lt;ol & gt; & lt;li & gt;Without You & lt;/li & gt; & lt;li & gt;South City Midnight Lady & lt;/li & gt; & lt;li & gt;Evil Woman & lt;/li & gt; & lt;li & gt;Ukiah & lt;/li & gt; & lt;li & gt;The Captain And Me & lt;/li & gt; & lt;/ol & gt; & lt;/section & gt;

The Doobie Brothers The Captain And Me 180g Import LP (Vinyl)

$ 40.31 ~~$ 41.99~~ 4% Off

& lt;header & gt; & lt;p & gt; & lt;strong & gt;180g Vinyl LP Half-Speed Mastered At Abbey Road Studios! & lt;br & gt; New Stereo Mix Sourced From The Original Session Files! & lt;br & gt; Alternative Cover + Bonus 7 & quot; of & quot;Scarlet & quot; With Etching! & lt;/strong & gt; & lt;/p & gt; & lt;/header & gt; & lt;p & gt;Another prized jewel in the Rolling Stones' unmatched catalog is restored to its full glory. Features the new stereo album mix, sourced from the original session files. Mastered at half speed by Miles Showell at Abbey Road Studios, London. Alternative cover + bonus etched 7 & quot; pressing of & quot;Scarlet. & quot; & lt;/p & gt; & lt;section id= & quot;features & quot; & gt; & lt;h3 & gt;Features & lt;/h3 & gt; & lt;ul & gt; & lt;li & gt;Limited Edition & lt;/li & gt; & lt;li & gt;180g Vinyl LP & lt;/li & gt; & lt;li & gt;New Stereo Album Mix & lt;/li & gt; & lt;li & gt;Sourced from the Original Session Files & lt;/li & gt; & lt;li & gt;Half-Speed Mastered by Miles Showell at Abbey Road Studios & lt;/li & gt; & lt;li & gt;Bonus 45rpm 7 & quot; Vinyl Single with Side-B Etching & lt;/li & gt; & lt;li & gt;Alternative Cover & lt;/li & gt; & lt;li & gt;Gatefold jacket & lt;/li & gt; & lt;li & gt;Made in Czech Republic & lt;/li & gt; & lt;/ul & gt; & lt;/section & gt; & lt;section id= & quot;selections & quot; & gt; & lt;h3 & gt;Selections & lt;/h3 & gt; & lt;h4 & gt;LP & lt;/h4 & gt; & lt;h5 & gt;Side One: & lt;/h5 & gt; & lt;ol & gt; & lt;li & gt;Dancing With Mr. D. & lt;/li & gt; & lt;li & gt;100 Years Ago & lt;/li & gt; & lt;li & gt;Coming Down Again & lt;/li & gt; & lt;li & gt;Doo Doo Doo Doo Doo (Heartbreaker) & lt;/li & gt; & lt;li & gt;Angie & lt;/li & gt; & lt;/ol & gt; & lt;h5 & gt;Side Two: & lt;/h5 & gt; & lt;ol & gt; & lt;li & gt;Silver Train & lt;/li & gt; & lt;li & gt;Hide Your Love & lt;/li & gt; & lt;li & gt;Winter & lt;/li & gt; & lt;li & gt;Can You Hear The Music & lt;/li & gt; & lt;li & gt;Star Star & lt;/li & gt; & lt;/ol & gt; & lt;h4 & gt;7 & quot; Vinyl Single & lt;/h4 & gt; & lt;h5 & gt;Side A: & lt;/h5 & gt; & lt;ol & gt; & lt;li & gt;Scarlet & lt;/li & gt; & lt;/ol & gt; & lt;h5 & gt;Side B: & lt;/h5 & gt; & lt;p & gt;Etching & lt;/p & gt; & lt;/section & gt;

The Rolling Stones Goats Head Soup Half-Speed Mastered 180g LP & 45rpm 7" Vinyl Single

$ 35.27 ~~$ 35.99~~ 2% Off

& lt;header & gt; & lt;p & gt; & lt;strong & gt;40th Anniversary Remaster On 180g Vinyl LP! & lt;br & gt; Remastered by Stephen Marcussen! & lt;/strong & gt; & lt;/p & gt; & lt;/header & gt; & lt;p & gt;Tattoo You celebrates 40 years with the release of a brand new remastered edition of the chart topping, multiplatinum 1981 album. The 40th anniversary edition, remastered by Stephen Marcussen, includes such enduring favorites as & quot;Hang Fire & quot;, & quot;Waiting On A Friend & quot; (showcasing jazz saxophone giant Sonny Rollins) and of course the opening track that's been a band signature ever since, & quot;Start Me Up & quot;. & lt;/p & gt; & lt;p & gt;In the wake of the release of Emotional Rescue in 1980, the future of the Rolling Stones seemed in the balance. Sure, they'd survived the wild 1960s and even wilder '70s, but as the new decade dawned, they were in uncharted territory. No rock and roll band had lasted nearly 20 years. Still, plans were afoot. & lt;/p & gt; & lt;p & gt;With preparations proceeding for a massive tour of the United States at the end of 1981 and another the following year in Europe, a new album was urgently required. But the band's future was anything but certain. Reflecting on the relationships between the various Stones during the Tattoo You period, Mick says, & quot;The difficulty in growing up in a rock and roll band, I think, is that you start with this gang of people and, as anyone knows that's been in a gang, that gang simply can't last forever. & quot; & lt;/p & gt; & lt;p & gt;The Stones, however, were determined to carry on. With everyone on a much-needed break after the completion of Emotional Rescue, but with an album owed to the powers that be, the band hit on a novel approach to make it. Chris Kimsey - a veteran of Stones sessions - relates how he knew that some of the band's outtakes from the 1970s had the potential to be powerful masters. He was tasked with uncovering the best of whatever might be buried in the band's rich archive. & lt;/p & gt; & lt;p & gt; & quot;For Tattoo You, & quot; recalls Ron Wood, & quot;we realized that there was a lot of great music that we had recorded in the past that had never been released, particularly from all the material we had amassed during the Some Girls and Emotional Rescue sessions. & quot; & lt;/p & gt; & lt;p & gt; & quot;The music had to age like good wine, & quot; Keith adds with a chuckle. & lt;/p & gt; & lt;p & gt;Diligently, Kimsey set about his work. For three months he toiled, listening to every reel of tape he could lay his hands on that had rolled during a Stones session in the 1970s. Every step of the way, the band were involved. & lt;/p & gt; & lt;p & gt;Not surprisingly, it was the Paris session material for Emotional Rescue and, especially, Some Girls - when Keith Richards was living under the threat of spending time in jail after his February 1977 drug bust in Toronto, Canada - that turned out to be a boon for the team. Describing his drive and focus at that time, Keith says, & quot;When I returned to the fold after 'closing down the laboratory,' I came back into the studio with Mick and the band to say, 'Thanks, man, for shouldering the burden.' & quot; & lt;/p & gt; & lt;p & gt;Eventually, Kimsey had found enough great songs for an album. He sent another set of cassettes of rough mixes to Mick and Keith and waited for their responses. They loved what they heard and were convinced an extraordinarily strong and, considering its disparate sources, remarkably cohesive album was within their grasp. & lt;/p & gt; & lt;p & gt;In the autumn of 1980, Mick met up with Kimsey in a suburb of Paris. In a damp, cavernous warehouse, with the Rolling Stones Mobile truck parked inside, they began working in earnest on what would eventually become Tattoo You. After several months of recording, Mick then convened with Keith in New York to add the finishing touches to the album. Finally, to put the project to bed, the masterful mix by Bob Clearmountain and Gary Lyons made tracks taken from so many unrelated sources sound unified. & lt;/p & gt; & lt;section id= & quot;features & quot; & gt; & lt;h3 & gt;Features & lt;/h3 & gt; & lt;ul & gt; & lt;li & gt;40th Anniversary & lt;/li & gt; & lt;li & gt;180g Vinyl & lt;/li & gt; & lt;li & gt;2021 Remaster by Stephen Marcussen & lt;/li & gt; & lt;/ul & gt; & lt;/section & gt; & lt;section id= & quot;selections & quot; & gt; & lt;h3 & gt;Selections & lt;/h3 & gt; & lt;h4 & gt;Side A: & lt;/h4 & gt; & lt;ol & gt; & lt;li & gt;Start Me Up & lt;/li & gt; & lt;li & gt;Hang Fire & lt;/li & gt; & lt;li & gt;Slave & lt;/li & gt; & lt;li & gt;Little T & amp; A & lt;/li & gt; & lt;li & gt;Black Limousine & lt;/li & gt; & lt;li & gt;Neighbours & lt;/li & gt; & lt;/ol & gt; & lt;h4 & gt;Side B: & lt;/h4 & gt; & lt;ol & gt; & lt;li & gt;Worried About You & lt;/li & gt; & lt;li & gt;Tops & lt;/li & gt; & lt;li & gt;Heaven & lt;/li & gt; & lt;li & gt;No Use In Crying & lt;/li & gt; & lt;li & gt;Waiting On A Friend & lt;/li & gt; & lt;/ol & gt; & lt;/section & gt;

The Rolling Stones Tattoo You (2021 Remaster) 180g LP (Vinyl)

$ 30.25 ~~$ 31.19~~ 3% Off

& lt;header & gt; & lt;p & gt;Coming December 17, 2021 pre-order your copy today! Orders with both pre-order and in stock items will have all in stock items shipped immediately! & lt;/p & gt; & lt;/header & gt; & lt;header & gt; & lt;p & gt; & lt;strong & gt;20th Anniversary Double LP! & lt;br & gt; Pressed On Exclusive Opaque Yellow Vinyl! & lt;br & gt; Featuring & quot;Whenever, Wherever & quot;, & quot;Objection (Tango) & quot; & amp; & quot;Underneath Your Clothes & quot;! & lt;/strong & gt; & lt;/p & gt; & lt;/header & gt; & lt;p & gt;2021 marks the 20th anniversary of Shakira's hit crossover album, Laundry Service. Originally released on November 13th 2001, The album was written and produced by Shakira and features the #1 single & quot;Suerte (Whenever, Wherever) & quot;, & quot;Objection (Tango) & quot; and & quot;Underneath Your Clothes & quot;. To commemorate its 20th year, the LP will be reissued on an exclusive opaque yellow vinyl. & lt;/p & gt; & lt;blockquote cite= & quot;www.allmusic.com & quot; & gt; 'Whenever, Wherever,' this album's infectious lead single, is to Shakira what 'Livin' la Vida Loca' was to Ricky Martin: the major hit that brought her to English-speaking audiences in a big way. For Shakira, singing and writing in mostly English was no doubt a challenge - Spanish, after all, is the Colombian star's primary language. But it's a challenge that she handles impressively well. Shakira, it turns out, sings quite convincingly in English - and her creativity is at a high level on melodic, hooky pop/rock like 'Rules' and 'Ready for the Good Times.' ... Laundry Service is an excellent English-language debut for the South American vocalist. & lt;footer & gt; -Alex Henderson, AllMusic & lt;/footer & gt; & lt;/blockquote & gt; & lt;section id= & quot;features & quot; & gt; & lt;h3 & gt;Features & lt;/h3 & gt; & lt;ul & gt; & lt;li & gt;20th Anniversary & lt;/li & gt; & lt;li & gt;Exclusive Opaque Yellow Vinyl & lt;/li & gt; & lt;li & gt;Double LP & lt;/li & gt; & lt;/ul & gt; & lt;/section & gt; & lt;section id= & quot;selections & quot; & gt; & lt;h3 & gt;Selections & lt;/h3 & gt; & lt;h4 & gt;Side A: & lt;/h4 & gt; & lt;ol & gt; & lt;li & gt;Objection (Tango) & lt;/li & gt; & lt;li & gt;Underneath Your Clothes & lt;/li & gt; & lt;li & gt;Whenever, Wherever & lt;/li & gt; & lt;/ol & gt; & lt;h4 & gt;Side B: & lt;/h4 & gt; & lt;ol & gt; & lt;li & gt;Rules & lt;/li & gt; & lt;li & gt;The One & lt;/li & gt; & lt;li & gt;Ready For The Good Times & lt;/li & gt; & lt;/ol & gt; & lt;h4 & gt;Side C: & lt;/h4 & gt; & lt;ol & gt; & lt;li & gt;Fool & lt;/li & gt; & lt;li & gt;Te Dejo Madrid & lt;/li & gt; & lt;li & gt;Poem To A Horse & lt;/li & gt; & lt;/ol & gt; & lt;h4 & gt;Side D: & lt;/h4 & gt; & lt;ol & gt; & lt;li & gt;Que Me Quedas Tu & lt;/li & gt; & lt;li & gt;Eyes Like Yours (Ojos Asi) & lt;/li & gt; & lt;li & gt;Suerte (Whenever, Wherever) & lt;/li & gt; & lt;li & gt;Te Aviso, Te Anuncio (Tango) & lt;/li & gt; & lt;/ol & gt; & lt;/section & gt;

Shakira Laundry Service 20th Anniversary 2LP (Opaque Yellow Vinyl)

$ 43.50 ~~$ 44.39~~ 2% Off

Train Drops Of Jupiter LP (Bronze Vinyl)

$ 27.04 ~~$ 27.59~~ 2% Off

& lt;header & gt; & lt;p & gt;Coming December 10, 2021 pre-order your copy today! Orders with both pre-order and in stock items will have all in stock items shipped immediately! & lt;/p & gt; & lt;/header & gt; & lt;header & gt; & lt;p & gt; & lt;strong & gt;Blue Note Classic Vinyl Reissue Series! & lt;br & gt; 180g Vinyl LP! & lt;br & gt; Mastered By Kevin Gray From Original Analog Tapes! & lt;br & gt; Pressed At Optimal! & lt;/strong & gt; & lt;/p & gt; & lt;/header & gt; & lt;p & gt;The Incredible Jimmy Smith was a self-taught keyboard virtuoso who gave up the piano in 1954 in favor of the Hammond B3 organ, setting up shop in a warehouse in Philadelphia and woodshedding for a year before emerging with a revolutionary approach to the instrument that immediately caught the ear of Alfred Lion. The Blue Note founder recorded the B3 innovator as often as he could between 1956-1963 in a range of different settings and released a tremendous run of albums that laid the foundation for the Soul Jazz movement. Drawn from three different sessions recorded in 1958-1959, Home Cookin' featured Smith in a quartet with tenor saxophonist & lt;strong & gt;Percy France, & lt;/strong & gt; guitarist & lt;strong & gt;Kenny Burrell, & lt;/strong & gt; and drummer & lt;strong & gt;Donald Bailey, & lt;/strong & gt; and it stands as one of the most deeply soulful albums Smith ever made. The band gives a soul jazz symposium on this seven-song set that includes covers of tunes by Ma Rainey, Ray Charles, and Jimmy McGriff along with originals by Smith and Burrell. & lt;/p & gt; & lt;p & gt;This Blue Note Classic Vinyl Edition is all-analog, mastered by Kevin Gray from the original master tapes, and pressed on 180g vinyl at Optimal. & lt;/p & gt; & lt;blockquote cite= & quot;www.allmusic.com & quot; & gt; Jimmy Smith's voluminous catalog is remarkably solid throughout and Home Cookin' is a recommended starting place for burgeoning enthusiasts as well as a substantial entry for the initiated. & lt;footer & gt; -Lindsay Planer, AllMusic.com, 4/5 stars & lt;/footer & gt; & lt;/blockquote & gt; & lt;section id= & quot;features & quot; & gt; & lt;h3 & gt;Features & lt;/h3 & gt; & lt;ul & gt; & lt;li & gt;Blue Note Classic Vinyl Reissue Series & lt;/li & gt; & lt;li & gt;180g Vinyl LP & lt;/li & gt; & lt;li & gt;All-Analog Pressing & lt;/li & gt; & lt;li & gt;Mastered by Kevin Gray from Original Analog Tapes & lt;/li & gt; & lt;li & gt;Manufactured at Optimal in Germany & lt;/li & gt; & lt;/ul & gt; & lt;/section & gt; & lt;section id= & quot;musicians & quot; & gt; & lt;h3 & gt;Musicians & lt;/h3 & gt; & lt;table & gt; & lt;tr & gt; & lt;th & gt;Donald Bailey & lt;/th & gt; & lt;td & gt;drums & lt;/td & gt; & lt;/tr & gt; & lt;tr & gt; & lt;th & gt;Kenny Burrell & lt;/th & gt; & lt;td & gt;guitar & lt;/td & gt; & lt;/tr & gt; & lt;tr & gt; & lt;th & gt;Percy France & lt;/th & gt; & lt;td & gt;tenor sax & lt;/td & gt; & lt;/tr & gt; & lt;tr & gt; & lt;th & gt;Jimmy Smith & lt;/th & gt; & lt;td & gt;organ & lt;/td & gt; & lt;/tr & gt; & lt;!--More musician rows go here-- & gt; & lt;/table & gt; & lt;/section & gt; & lt;section id= & quot;selections & quot; & gt; & lt;h3 & gt;Selections & lt;/h3 & gt; & lt;h4 & gt;Side A: & lt;/h4 & gt; & lt;ol & gt; & lt;li & gt;See See Rider & lt;/li & gt; & lt;li & gt;Sugar Hill & lt;/li & gt; & lt;li & gt;I Got A Woman & lt;/li & gt; & lt;/ol & gt; & lt;h4 & gt;Side B: & lt;/h4 & gt; & lt;ol & gt; & lt;li & gt;Messin' Around & lt;/li & gt; & lt;li & gt;Gracie & lt;/li & gt; & lt;li & gt;Come On Baby & lt;/li & gt; & lt;li & gt;Motorin' Along & lt;/li & gt; & lt;/ol & gt; & lt;/section & gt;

Jimmy Smith Home Cookin' (Blue Note Classic Vinyl Edition) 180g LP

$ 29.94 ~~$ 31.19~~ 4% Off

& lt;header & gt; & lt;p & gt; & lt;strong & gt;21st Anniversary 3LP Set! & lt;br & gt; Half-Speed Mastered Pressings Of Kid A & amp; Amnesiac! & lt;br & gt; Includes A Bonus LP Of Unreleased Material! & lt;/strong & gt; & lt;/p & gt; & lt;/header & gt; & lt;p & gt; & quot;We humbly submit KID A MNESIA & lt;br & gt; It's a coming of age for Kid A & amp; Amnesiac and it's joined by a new album, Kid Amnesiae, a memory palace of half-remembered, half-forgotten sessions & amp; unreleased material. & quot; - Radiohead & lt;/p & gt; & lt;p & gt;21 years since the release of Radiohead's seminal albums, Kid A and Amnesiac, comes a combined and expanded reissue, KID A MNESIA. Here put back together as originally intended, with an additional disc of bonus material - including 2 original unreleased recordings from the era: & quot;If You Say The Word & quot; and & quot;Follow Me Around & quot;. & lt;/p & gt; & lt;a name= & quot;SS & quot; & gt; & lt;/a & gt; & lt;iframe width= & quot;560 & quot; height= & quot;315 & quot; src= & quot;https://www.youtube.com/embed/vnhKaCjCIqM & quot; frameborder= & quot;0 & quot; allowfullscreen & gt; & lt;/iframe & gt; & lt;br & gt; & lt;br & gt; & lt;section id= & quot;features & quot; & gt; & lt;h3 & gt;Features & lt;/h3 & gt; & lt;ul & gt; & lt;li & gt;21st Anniversary & lt;/li & gt; & lt;li & gt;3LP Set & lt;/li & gt; & lt;li & gt;Kid A (LP) & amp; Amnesiac (LP) - Half-Speed Mastered & lt;/li & gt; & lt;li & gt;KID AMNESIAE (LP) - 12 tracks of half-remembered, half-forgotten sessions & amp; unreleased material & lt;/li & gt; & lt;li & gt;3 pocket gatefold artwork package with printed inner sleeves & lt;/li & gt; & lt;/ul & gt; & lt;/section & gt; & lt;section id= & quot;selections & quot; & gt; & lt;h3 & gt;Selections & lt;/h3 & gt; & lt;h4 & gt;LP1 - Kid A (Half-Speed Mastered) & lt;/h4 & gt; & lt;h5 & gt;Side A: & lt;/h5 & gt; & lt;ol & gt; & lt;li & gt;Everything In Its Right Place & lt;/li & gt; & lt;li & gt;Kid A & lt;/li & gt; & lt;li & gt;The National Anthem & lt;/li & gt; & lt;li & gt;How To Disappear Completely & lt;/li & gt; & lt;li & gt;Treefingers & lt;/li & gt; & lt;/ol & gt; & lt;h5 & gt;Side B: & lt;/h5 & gt; & lt;ol & gt; & lt;li & gt;Optimistic & lt;/li & gt; & lt;li & gt;In Limbo & lt;/li & gt; & lt;li & gt;Idioteque & lt;/li & gt; & lt;li & gt;Morning Bell & lt;/li & gt; & lt;li & gt;Motion Picture Soundtrack & lt;/li & gt; & lt;/ol & gt; & lt;h4 & gt;LP2 - Amnesiac (Half-Speed Mastered) & lt;/h4 & gt; & lt;h5 & gt;Side C: & lt;/h5 & gt; & lt;ol & gt; & lt;li & gt;Packt Like Sardines in a Crushd Tin Box & lt;/li & gt; & lt;li & gt;Pyramid Song & lt;/li & gt; & lt;li & gt;Pulk/Pull Revolving Doors & lt;/li & gt; & lt;li & gt;You And Whose Army? & lt;/li & gt; & lt;li & gt;I Might Be Wrong & lt;/li & gt; & lt;/ol & gt; & lt;h5 & gt;Side D: & lt;/h5 & gt; & lt;ol & gt; & lt;li & gt;Knives Out & lt;/li & gt; & lt;li & gt;Morning Bell/Amnesiac & lt;/li & gt; & lt;li & gt;Dollars And Cents & lt;/li & gt; & lt;li & gt;Hunting Bears & lt;/li & gt; & lt;li & gt;Like Spinning Plates & lt;/li & gt; & lt;li & gt;Life In A Glasshouse & lt;/li & gt; & lt;/ol & gt; & lt;h4 & gt;LP3 - KID AMNESIAE & lt;/h4 & gt; & lt;h5 & gt;Side E: & lt;/h5 & gt; & lt;ol & gt; & lt;li & gt;Like Spinning Plates ('Why Us?' Version) & lt;/li & gt; & lt;li & gt;Untitled v1 & lt;/li & gt; & lt;li & gt;Fog (Again Again Version) & lt;/li & gt; & lt;li & gt;If You Say The Word & lt;/li & gt; & lt;li & gt;Follow Me Around & lt;/li & gt; & lt;/ol & gt; & lt;h5 & gt;Side F: & lt;/h5 & gt; & lt;ol & gt; & lt;li & gt;Pulk/Pull (True Love Waits Version) & lt;/li & gt; & lt;li & gt;Untitled v2 & lt;/li & gt; & lt;li & gt;The Morning Bell (In The Dark Version) & lt;/li & gt; & lt;li & gt;Pyramid Strings & lt;/li & gt; & lt;li & gt;Alt. Fast Track & lt;/li & gt; & lt;li & gt;Untitled v3 & lt;/li & gt; & lt;li & gt;How To Disappear Into Strings & lt;/li & gt; & lt;/ol & gt; & lt;/section & gt;

Radiohead KID A MNESIA Half-Speed Mastered 2LP & 1LP (Vinyl)

$ 71.27 ~~$ 71.99~~ 1% Off

& lt;header & gt; & lt;p & gt; & lt;strong & gt;25th Anniversary Reissue On 180g Vinyl 2LP! & lt;br & gt; Remastered With Lacquers Cut by Kevin Gray at Cohearent Audio! & lt;br & gt; Pressed at RTI! & lt;/strong & gt; & lt;/p & gt; & lt;/header & gt; & lt;p & gt;Celebrating the 25th anniversary of R.E.M.'s tenth studio album, New Adventures In Hi-Fi, this special pressing - replicating the original gatefold package - offers the newly remastered album across 2-LPs, pressed on 180-gram vinyl, with lacquers cut by Kevin Gray at Cohearent Audio. The platinum-selling album features the singles & quot;Bittersweet Me & quot;, & quot;Electrolite & quot; and & quot;E-Bow The Letter & quot;. & lt;/p & gt; & lt;p & gt;First released in September 1996, New Adventures in Hi-Fi endures as one of R.E.M.'s most acclaimed albums and stands as a favorite among band members and fans alike. The album was a global success, achieving platinum certification in the US and peaking at No.2 on the Billboard 200. Elsewhere, the album went to No.1 in more than a dozen countries, including Australia, the UK, and Canada. Critically, New Adventures in Hi-Fi received wide praise and was named as one of the best albums of the year by such outlets as Rolling Stone, Spin, Mojo, Entertainment Weekly, and the NME. Over the decades, the title has achieved cult status, with several press retrospectives ranking it among the top albums in R.E.M.'s rich catalog of releases. & lt;/p & gt; & lt;p & gt;Recorded at the height of their fame, New Adventures in Hi-Fi also marks R.E.M.'s final album with drummer and founding member & lt;strong & gt;Bill Berry & lt;/strong & gt;, who left the group amicably the following year. Perhaps most remarkable, however, is that the album found the band taking a unique creative approach: writing and recording much of the LP on the road, during their 1995 Monster tour. & lt;/p & gt; & lt;p & gt;While writing new material on the road wasn't an unusual feat for R.E.M., New Adventures was unlike anything they had done before. As they embarked on tour, the band sought to create an abstract travelogue documenting every emotion and experience as it happened. & lt;strong & gt; & quot;We wanted to make a record about being on the road without singing about being on the road, & quot; & lt;/strong & gt; bassist & lt;strong & gt;Mike Mills & lt;/strong & gt; explains in the liner notes. & lt;strong & gt; & quot;The idea was that the feeling of being on the road would come through in the sound and feel of the record itself. & quot; & lt;/strong & gt; & lt;/p & gt; & lt;p & gt;The band traveled with a mobile recording truck, capturing new songs on an 8-track during soundchecks (as well as in various backstage areas and on the tour bus). & lt;strong & gt; & quot;The idea was, 'Let's challenge ourselves,' & quot; & lt;/strong & gt; guitarist & lt;strong & gt;Peter Buck & lt;/strong & gt; tells journalist Mark Blackwell. & lt;strong & gt; & quot;My feeling was, it'll show exactly where we're at right now in a way that maybe some of the records don't at all. This record was just an attempt to be who we were at that minute. & quot; & lt;/strong & gt; & lt;/p & gt; & lt;p & gt;The year-long outing, which began in January 1995, marked R.E.M.'s first tour in six years. As one of the biggest bands in the world, the quartet played to packed arenas across North America, Europe, Australia, and Japan, with support from acts like Sonic Youth and Radiohead. But along the way, the tour was marred by medical emergencies. In March, Berry collapsed on stage from an aneurism and spent the next month recuperating. Mills, meanwhile, underwent intestinal surgery in June. A month later, Stipe had emergency surgery for a hernia (which, he asserts, occurred while performing the song, & quot;Undertow & quot;). & lt;/p & gt; & lt;p & gt;After the band returned from the eventful - yet highly successful - run of dates, they entered the studio with their longtime producer, & lt;strong & gt;Scott Litt & lt;/strong & gt;, to record a few final tracks and put finishing touches on others. Among them was the epic, seven-minute-long & quot;Leave & quot;; & quot;E-Bow The Letter & quot; featuring backing vocals from the legendary singer-songwriter & lt;strong & gt;Patti Smith & lt;/strong & gt;; & quot;New Test Leper & quot;, which Buck proclaims is his favorite R.E.M. song; and & quot;How The West Was Won And Where It Got Us & quot;, one of several songs on the album inspired by Stipe's experiences living in Los Angeles. & lt;/p & gt; & lt;p & gt;Upon its release, New Adventures in Hi-Fi marked R.E.M.'s longest studio album, with a total run-time of 65 minutes. Filled with cinematic storytelling, haunting effects, and dissonant notes, New Adventures in Hi-Fi found R.E.M. exploring diverse sonic territories - particularly in songs like & quot;Low Desert & quot; which, Berry describes, is & quot;just dusty and kind of slow and it's swampy...I feel isolated when I listen to that song, but it's a good thing. & quot; Stipe adds that the song offers such questions as, & quot;What are we doing in the desert? What are we doing in the American West? What are we doing in this unlivable, uninhabitable place? & quot; Other tracks, like & quot;Departure & quot; and & quot;The Wake-Up Bomb & quot; deliver classic R.E.M. rock vibes. & lt;/p & gt; & lt;p & gt;The band looks back on New Adventures in Hi-Fi with great pride. Buck, perhaps, sums it up best. & lt;strong & gt; & quot;Most records, you go in the studio and you just do 'em. And years later all you really remember is vaguely where you stayed, and the songs and the recording process. But this one I remember every bit of it. It was an experience. It was f**king tough, but we made a record. And it was as challenging as anything I've ever done. & quot; & lt;/strong & gt; & lt;/p & gt; & lt;blockquote cite= & quot;www.pastemagazine.com & quot; & gt; Fresh from the experience of making Monster, arguably the group's loudest record, and surviving the aneurysm that felled drummer Bill Berry, R.E.M. were feeling confident in their abilities as a band. So much so that they decided to use the off-hours of their 1995-96 tour to craft the material for their next album, 1996's New Adventures in Hi-Fi. The volume and drive of Monster remained but it was kept in check with songs that felt closer to the dark, jangling spirit of Automatic For The People. They sought such ground later, but it was only on Adventures that they reached it and planted their flag with the smoky beauty of 'E-Bow The Letter' and 'New Test Leper,' and the oxidized crumble of 'The Wake-Up Bomb' and 'Binky The Doormat.' While the deluxe CD version of this 25th anniversary re-release is packed with bonus stuff, the vinyl edition sticks to the original tracklist with some nicely fattened sound. It's more than enough. & lt;footer & gt; -Robert Ham, Paste Magazine & lt;/footer & gt; & lt;/blockquote & gt; & lt;section id= & quot;features & quot; & gt; & lt;h3 & gt;Features & lt;/h3 & gt; & lt;ul & gt; & lt;li & gt;25th Anniversary Edition & lt;/li & gt; & lt;li & gt;180g Vinyl & lt;/li & gt; & lt;li & gt;Double LP & lt;/li & gt; & lt;li & gt;Remastered & lt;/li & gt; & lt;li & gt;Lacquers cut by Kevin Gray at Cohearent Audio & lt;/li & gt; & lt;li & gt;Pressed at RTI & lt;/li & gt; & lt;li & gt;Gatefold jacket & lt;/li & gt; & lt;/ul & gt; & lt;/section & gt; & lt;section id= & quot;selections & quot; & gt; & lt;h3 & gt;Selections & lt;/h3 & gt; & lt;h4 & gt;Side One: & lt;/h4 & gt; & lt;ol & gt; & lt;li & gt;How The West Was Won And Where It Got Us & lt;/li & gt; & lt;li & gt;The Wake-Up Bomb & lt;/li & gt; & lt;li & gt;New Test Leper & lt;/li & gt; & lt;/ol & gt; & lt;h4 & gt;Side Two: & lt;/h4 & gt; & lt;ol & gt; & lt;li & gt;Undertow & lt;/li & gt; & lt;li & gt;E-Bow The Letter & lt;/li & gt; & lt;li & gt;Leave & lt;/li & gt; & lt;/ol & gt; & lt;h4 & gt;Side Three: & lt;/h4 & gt; & lt;ol & gt; & lt;li & gt;Departure & lt;/li & gt; & lt;li & gt;Bittersweet Me & lt;/li & gt; & lt;li & gt;Be Mine & lt;/li & gt; & lt;li & gt;Binky The Doormat & lt;/li & gt; & lt;/ol & gt; & lt;h4 & gt;Side Four: & lt;/h4 & gt; & lt;ol & gt; & lt;li & gt;Zither & lt;/li & gt; & lt;li & gt;So Fast, So Numb & lt;/li & gt; & lt;li & gt;Low Desert & lt;/li & gt; & lt;li & gt;Electrolite & lt;/li & gt; & lt;/ol & gt; & lt;/section & gt;

R.E.M. New Adventures In Hi-Fi (25th Anniversary) 180g 2LP (Vinyl)

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& lt;header & gt; & lt;p & gt;Coming December 10, 2021 pre-order your copy today! Orders with both pre-order and in stock items will have all in stock items shipped immediately! & lt;/p & gt; & lt;/header & gt; & lt;header & gt; & lt;p & gt; & lt;strong & gt;25th Anniversary Limited Edition 45rpm 180g Vinyl 2LP! & lt;br & gt; Hi-Res Mastering Using Original Sources! & lt;br & gt; First Time Ever On Vinyl! & lt;/strong & gt; & lt;/p & gt; & lt;/header & gt; & lt;p & gt;Recorded live at at the famous Blues Alley club in Washington, D.C., in January 1996. It was the last album recorded by Eva Cassidy before her death in November 1996. & lt;/p & gt; & lt;blockquote cite= & quot;www.allmusic.com & quot; & gt; Live at Blues Alley is an excellent showcase for her vocal talents and her ability to make even the most familiar tune uniquely her own... She sounds as if she had a ball performing the Irving Berlin number, while her subtle reading of the Louis Armstrong tune is nothing less than extraordinary... Ultimately, the slower songs are the most stirring, particularly her rendition of 'Fields of Gold.' Her tear-jerking version of the Sting tune could very well be one of the greatest cover songs ever recorded... Live at Blues Alley was the only solo album released during Eva Cassidy's lifetime, and it's an excellent introduction to a performer who never lived to witness the impact her voice made on her fans all over the world. & lt;footer & gt; -William Cooper, AllMusic & lt;/footer & gt; & lt;/blockquote & gt; & lt;blockquote cite= & quot;quote source & quot; & gt; She could sing anything and make it sound like the only music that mattered. & lt;footer & gt; -The Washington Post & lt;/footer & gt; & lt;/blockquote & gt; & lt;section id= & quot;features & quot; & gt; & lt;h3 & gt;Features & lt;/h3 & gt; & lt;ul & gt; & lt;li & gt;180g Vinyl & lt;/li & gt; & lt;li & gt;Double LP & lt;/li & gt; & lt;li & gt;45rpm & lt;/li & gt; & lt;li & gt;Gatefold jacket & lt;/li & gt; & lt;li & gt;Import & lt;/li & gt; & lt;/ul & gt; & lt;/section & gt; & lt;section id= & quot;selections & quot; & gt; & lt;h3 & gt;Selections & lt;/h3 & gt; & lt;ol & gt; & lt;li & gt;Cheek To Cheek & lt;/li & gt; & lt;li & gt;Stormy Monday & lt;/li & gt; & lt;li & gt;Bridge Over Troubled Water & lt;/li & gt; & lt;li & gt;Fine And Mellow & lt;/li & gt; & lt;li & gt;People Get Ready & lt;/li & gt; & lt;li & gt;Blue Skies & lt;/li & gt; & lt;li & gt;Tall Trees In Georgia & lt;/li & gt; & lt;li & gt;Fields Of Gold & lt;/li & gt; & lt;li & gt;Autumn Leaves & lt;/li & gt; & lt;li & gt;Honeysuckle Rose & lt;/li & gt; & lt;li & gt;Take Me To The River & lt;/li & gt; & lt;li & gt;What A Wonderful World & lt;/li & gt; & lt;li & gt;Oh, Had I A Golden Thread (Studio Recording) & lt;/li & gt; & lt;/ol & gt; & lt;/section & gt;

Eva Cassidy Live At Blues Alley 180g 45rpm 2LP (Vinyl)

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& lt;font color= & quot;#FF0000 & quot; & gt; & lt;b & gt;Out Of Print! Only a few copies left! & lt;/b & gt; & lt;/font & gt; & lt;br & gt; & lt;br & gt; & lt;font color= & quot;#FF0000 & quot; & gt; & lt;b & gt;Great Sounding Classical Title from EMI! & lt;/b & gt; & lt;/font & gt; & lt;br & gt; & lt;br & gt; & lt;font color= & quot;#FF0000 & quot; & gt; & lt;b & gt;180g Audiophile Vinyl Cut from the Original EMI Stereo Analogue Master Tapes at Abbey Road Studios! & lt;/b & gt; & lt;/font & gt; & lt;br & gt; & lt;br & gt; Joint winner of The 1962 International Tchaikovsky Piano Competition, (with Ashkenazy), John Odgon was a phenomenal pianist and composer, a gentle giant of a man but a troubled genius plagued by mental and later physical health problems that culminated in his premature death at the age of only 52. His recorded legacy is considerable but his inaugural recordings for EMI remain special for capturing in superb stereo his artistry at the start of his international career. & lt;br & gt; & lt;br & gt; In the original review in The Gramophone of July 1962, T.H. remarked that it was & quot;a record that will certainly enhance his reputation the word over...the intellect in control of the emotions, allied to a really remarkable technique, brings nobility, to the first movement in particular, that is rare and very affecting. & lt;br & gt; & lt;br & gt; Recorded 29-31 January 1962, No.1 Studio, Abbey Road, London. Recording Producer: Peter Andry & amp; Ronald Kinloch Anderson. Balance Engineer: Neville Boyling & lt;br & gt; & lt;br & gt; Cut at Abbey Road Studios from the original stereo analogue master tapes with the Neumann VMS82 lathe fed an analogue pre-cut signal from a specially adapted Studer A80 tape deck with additional advance playback head, making the cut a totally analogue process. & lt;br & gt; & lt;br & gt; Pressed on 180g vinyl to audiophile standards using the original EMI presses by The Vinyl Factory in Hayes, England. & lt;br & gt; & lt;br & gt; & lt;b & gt;Features: & lt;/b & gt; & lt;br & gt; Hi-Q Records Supercuts 180g Vinyl & lt;br & gt; Cut at Abbey Road Studios from the original EMI stereo analogue master tapes & lt;br & gt; Superior Audiophile Pressing & lt;br & gt; Features original album artwork & lt;br & gt; Made in England & lt;br & gt; & lt;b & gt; & lt;br & gt; Musicians: & lt;/b & gt; & lt;br & gt; John Ogdon, piano & lt;br & gt; The Philharmonia Orchestra & lt;br & gt; John Pritchard, conductor & lt;br & gt; & lt;br & gt; & lt;b & gt;Selections: & lt;br & gt; Rachmaninov (1873-1943) & lt;br & gt; Concerto No. 2 in C minor, Op. 18 & lt;br & gt; Side A: & lt;/b & gt; & lt;br & gt; 1. 1st Movement: Allegro moderato & lt;br & gt; 2. 2nd Movement: Adagio sostenuto & lt;br & gt; & lt;br & gt; & lt;b & gt;Side B: & lt;/b & gt; & lt;br & gt; 1. 3rd Movement: Allegro scherzando & lt;br & gt; 2. Prelude in G minor, Op.23 No.5 & lt;br & gt; 3. Prelude in G major, Op.32 No.5 & lt;br & gt; 4. Prelude in G sharp minor, Op.32 No.12 & lt;br & gt;

Rachmaninov Piano Concerto No. 2 180g Hi-Q LP (Vinyl)

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& lt;img src= & quot;/content/images/ORGLogo200.jpg & quot; align= & quot;right & quot; hspace= & quot;10 & quot; vspace= & quot;10 & quot; width= & quot;200 & quot; height= & quot;91 & quot; & gt; & lt;font color= & quot;#FF0000 & quot; & gt; & lt;b & gt;Numbered, Limited Edition 180g 45rpm Double Vinyl! Pressed at RTI! & lt;br & gt; Mastered by Bernie Grundman from the Original Analog Master Tapes! & lt;/b & gt; & lt;/font & gt; & lt;br & gt; & lt;br & gt; Dances with Wolves is the original soundtrack to the 1990 Academy Award and Golden Globe winning film, Dances with Wolves. The original score and songs were composed and conducted by John Barry. For the Dances With Wolves Soundtrack, John Barry won the 1991 Academy Award for Best Original Score and the 1992 Grammy Award for Best Instrumental Composition Written for a Motion Picture or for Television. & lt;br & gt; & lt;br & gt; This release is newly remastered by Bernie Grundman on his completely upgraded all analogue mastering system and reissued on audiophile 45rpm LP for the first time! & lt;br & gt; & lt;br & gt; Dances with Wolves is a 1990 American epic western film directed, produced by, and starring Kevin Costner. It is a film adaptation of the 1988 book of the same name by Michael Blake and tells the story of a Union Army lieutenant who travels to the American frontier to find a military post, and his dealings with a group of Lakota Indians. & lt;br & gt; & lt;br & gt; & lt;b & gt; & quot;John Barry's fifth Oscar-winning score is a profoundly moving body of music... & quot;The Buffalo Hunt & quot; is one of the finest pieces of music the man ever wrote. & quot; & lt;/b & gt; -Bruce Eder, allmusic.com & lt;br & gt; & lt;br & gt; & lt;b & gt;Features: & lt;/b & gt; & lt;br & gt; Numbered, Limited Edition & lt;br & gt; 180g Audiophile Vinyl & lt;br & gt; 45rpm & lt;br & gt; 2LP Set & lt;br & gt; Mastered by Bernie Grundman from the original analog master tapes & lt;br & gt; Pressed at RTI & lt;br & gt; Deluxe laminated gatefold jacket & lt;br & gt; & lt;br & gt; & lt;b & gt;Selections: & lt;br & gt; LP 1 - Side A: & lt;/b & gt; & lt;br & gt; 1. Main Title - Looks Like A Suicide & lt;br & gt; 2. The John Dunbar Theme & lt;br & gt; 3. Journey to Fort Sedgewick & lt;br & gt; 4. Ride to Fort Hays & lt;br & gt; 5. The Death of Timmons & lt;br & gt; & lt;b & gt;LP 1 - Side B: & lt;/b & gt; & lt;br & gt; 1. Two Socks - The Wolf Theme & lt;br & gt; 2. Pawnee Attack & lt;br & gt; 3. Kicking Bird's Gift & lt;br & gt; 4. Journey to the Buffalo Killing Ground & lt;br & gt; 5. The Buffalo Hunt & lt;br & gt; & lt;br & gt; & lt;b & gt;LP 2 - Side C: & lt;/b & gt; & lt;br & gt; 1. Stands With a Fist Remembers & lt;br & gt; 2. The Love Theme & lt;br & gt; 3. The John Dunbar Theme & lt;br & gt; 4. Two Socks at Play & lt;br & gt; 5. The Death of Cisco & lt;br & gt; & lt;b & gt;LP 2 - Side D: & lt;/b & gt; & lt;br & gt; 1. Rescue of Dances with Wolves & lt;br & gt; 2. The Loss of the Journal and the Return to the Winter Camp & lt;br & gt; 3. Farewell and End Title

John Barry Dances with Wolves Soundtrack Numbered Limited Edition 180g 45rpm 2LP (Vinyl)

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& lt;header & gt; & lt;p & gt; & lt;strong & gt;High Quality Pure Analogue 180g Vinyl LP! & lt;/strong & gt; & lt;/p & gt; & lt;/header & gt; & lt;p & gt;It was John Lewis, pianist of the Modern Jazz Quartet, who brought Ornette Coleman to the renowned Atlantic label, having heard him play in Los Angeles. & quot;Ornette Coleman is doing the only really new thing in jazz ..., & quot; he reportedly said. The present initial Atlantic album was released just in time to coincide with the New York debut of the Coleman Quartet in November 1959. Lewis was sure that Coleman would open up new paths for jazz, and his opinion is reflected in the title of the album - & quot;The Shape Of Jazz To Come. & quot; & lt;/p & gt; & lt;p & gt;After the rather worn-out hard bop routine of the past years, this music was like a breath of fresh air. The fast numbers ( & quot;Eventuality, & quot; & quot;Chronology & quot;) remind one of wildly hyped-up bebop. Other numbers ( & quot;Congeniality, & quot; & quot;Focus On Sanity & quot;) juggle with catchy, almost folk-like short motifs. This album contains two of Coleman's most beautiful compositions: & quot;Peace & quot; and & quot;Lonely Woman, & quot; which was later given lyrics and often heard in its vocal version. & lt;/p & gt; & lt;p & gt;The Mulligan-Baker Quartet provided the model for the pianoless quartet - and when the band swings along once in a while with a moderato tempo, it is truly reminiscent of cool jazz. Be that as it may, the two wind instrumentalists just love the frenetic & quot;cry & quot; and the intentionally & quot;imprecise & quot; interplay. Clearly defined stanzas or traditional harmonic forms were not for them. The jazz musicologist Peter N. Wilson wrote: & quot;A record, which is not unjustifiably so entitled & quot; about this LP which was given 5 stars by the magazine Rolling Stone. & lt;/p & gt; & lt;p & gt;This Speakers Corner LP was remastered using pure analogue components only, from the master tapes through to the cutting head. & lt;/p & gt; & lt;blockquote cite= & quot;www.allmusic.com & quot; & gt; Ornette Coleman's Atlantic debut, The Shape of Jazz to Come, was a watershed event in the genesis of avant-garde jazz, profoundly steering its future course and throwing down a gauntlet that some still haven't come to grips with. The record shattered traditional concepts of harmony in jazz, getting rid of not only the piano player but the whole idea of concretely outlined chord changes. The pieces here follow almost no predetermined harmonic structure, which allows Coleman and partner Don Cherry an unprecedented freedom to take the melodies of their solo lines wherever they felt like going in the moment, regardless of what the piece's tonal center had seemed to be.... But at this point, Coleman's desire for freedom was directly related to his sense of melody - which was free-flowing, yes, but still very melodic...Any understanding of jazz's avant-garde should begin here. & lt;footer & gt; -Steve Huey, AllMusic.com, 5/5 stars & lt;/footer & gt; & lt;/blockquote & gt; & lt;section id= & quot;features & quot; & gt; & lt;h3 & gt;Features & lt;/h3 & gt; & lt;ul & gt; & lt;li & gt;180g High Quality Vinyl LP & lt;/li & gt; & lt;li & gt;Pure Analogue & lt;/li & gt; & lt;li & gt;Made from the original, analogue master tapes & lt;/li & gt; & lt;li & gt;Pressed at Pallas in Germany & lt;/li & gt; & lt;li & gt;Import & lt;/li & gt; & lt;/ul & gt; & lt;/section & gt; & lt;section id= & quot;musicians & quot; & gt; & lt;h3 & gt;Musicians & lt;/h3 & gt; & lt;table & gt; & lt;tr & gt; & lt;th & gt;Ornette Coleman & lt;/th & gt; & lt;td & gt;alto sax & lt;/td & gt; & lt;/tr & gt; & lt;tr & gt; & lt;th & gt;Don Cherry & lt;/th & gt; & lt;td & gt;cornet & lt;/td & gt; & lt;/tr & gt; & lt;tr & gt; & lt;th & gt;Charlie Haden & lt;/th & gt; & lt;td & gt;bass & lt;/td & gt; & lt;/tr & gt; & lt;tr & gt; & lt;th & gt;Billy Higgins & lt;/th & gt; & lt;td & gt;drums & lt;/td & gt; & lt;/tr & gt; & lt;/table & gt; & lt;/section & gt; & lt;section id= & quot;selections & quot; & gt; & lt;h3 & gt;Selections & lt;/h3 & gt; & lt;h4 & gt;Side One: & lt;/h4 & gt; & lt;ol & gt; & lt;li & gt;Lonely Woman & lt;/li & gt; & lt;li & gt;Eventually & lt;/li & gt; & lt;li & gt;Peace & lt;/li & gt; & lt;/ol & gt; & lt;h4 & gt;Side Two: & lt;/h4 & gt; & lt;ol & gt; & lt;li & gt;Focus On Sanity & lt;/li & gt; & lt;li & gt;Congeniality & lt;/li & gt; & lt;li & gt;Chronology & lt;/li & gt; & lt;/ol & gt; & lt;/section & gt;

Ornette Coleman The Shape Of Jazz To Come 180g LP (Vinyl)

$ 39.89 ~~$ 41.99~~ 5% Off

& lt;font color= & quot;#FF0000 & quot; & gt; & lt;b & gt;180g Vinyl Double LP Pressed at Pallas in Germany! & lt;br & gt; First Release On Vinyl! & lt;/b & gt; & lt;/font & gt; & lt;br & gt; & lt;br & gt; Sax player Wayne Shorter performs with Brad Mehldau, Brian Blade, Alex Acuna and more for this double LP collection of acoustic tracks. & amp;nbsp; & lt;br & gt; & lt;br & gt; Recorded on 180g heavy-weight vinyl to ensure quality sound, packaged in gatefold & amp;nbsp; cover, and covered by premium protective vinyl outer sleeve. & lt;br & gt; & lt;br & gt; The Play 33 1/3 LP Series is a 1st LP issue project of the masterpiece albums which have never been released on vinyl LP. The albums are released by Universal Music Korea and the heavyweight vinyl LP is pressed in Germany. Khiov designs the project, reforms the original artworks for the LP size and produces the sleeves precisely by handmade. You will have a chance to experience great analogue sounds and to enjoy splendid artworks through the series. & lt;br & gt; & lt;br & gt; & lt;b & gt; & quot;...As on Footprints Live, Shorter revisits some old tunes from his relative youth, but not nearly in the same way. In & quot;Orbits, & quot; which was given a racetrack post-bop run by the Miles Davis Quintet, Shorter slows it way, way down, virtually deconstructing the tune, backed by a quizzical chart for winds and brass...With a wild soprano wail, Shorter leads off the album with his new, absorbing boogaloo & quot;Sacajawea, & quot; one that soon morphs into searching, nearly free jazz, with a magisterial solo from the composer. At last, someone in jazz chose to deal with both tunes from Leroy Anderson's Spanish-flavored light classical masterpiece & quot;Serenata & quot; rather than just the lush second subject -- and Shorter decorates them with a complex featherweight orchestration. Though Acuna's bongos pop away in the foreground, Shorter does maintain the melancholy feeling of the familiar aria from Villa-Lobos' & quot;Bachianas Brasileiras No. 5 & quot; ... As he approached his 70th birthday, this disc seemed to confirm a long-awaited creative Indian summer for Wayne Shorter. & quot; & lt;/b & gt; - Richard s. Ginell & lt;br & gt; & lt;br & gt; & lt;b & gt;Features: & lt;/b & gt; & lt;br & gt; & amp;bull; Play 33 1/3 Series & lt;br & gt; & amp;bull; 180g Heavyweight Vinyl & lt;br & gt; & amp;bull; From Original Master of Universal Music & lt;br & gt; & amp;bull; Gatefold jacket & lt;br & gt; & amp;bull; Obi strip & lt;br & gt; & amp;bull; Insert & lt;br & gt; & amp;bull; Lacquer cut at SST (Schallplatten Schneid Technik) Bruggemann Germany & lt;br & gt; & amp;bull; Pressed at Pallas in Germany & lt;br & gt; & amp;bull; Cover sleeve printed by Khiov in Korea & lt;br & gt; & lt;br & gt; & lt;b & gt;Musicians: & lt;/b & gt; & lt;br & gt; Wayne Shorter, tenor saxophone, soprano saxophone & lt;br & gt; Danilo Perez, piano (A1, B1, C2, D1, D2) & lt;br & gt; Brad Mehldau, piano (A2, B3, C3) & lt;br & gt; John Patitucci, bass & lt;br & gt; Brian Blade, drums (A1, A2, C1, C2, C3, D2) & lt;br & gt; Terri Lyne Carrington, drums (B1, B3, D1) & lt;br & gt; Alex Acuna, percussion (B1, B2, B3, D1) & lt;br & gt; Lew Soloff, trumpet & lt;br & gt; Chris Gekker, trumpet & lt;br & gt; Jeremy Pelt, trumpet & lt;br & gt; Jim Pugh, trombone & lt;br & gt; Steve Davis, trombone & lt;br & gt; Bruce Eidem, trombone & lt;br & gt; Papo Vasquez, trombone & lt;br & gt; Michael Boschen, trombone & lt;br & gt; Chris Potter, bass clarinet, tenor saxophone & lt;br & gt; Charles Curtis, solo cello & lt;br & gt; Paul Dunkel, flute & lt;br & gt; Steven Taylor, oboe & lt;br & gt; Allen Blustine, clarinet, bass clarinet & lt;br & gt; Frank Morelli, bassoon & lt;br & gt; John Clark, horn & lt;br & gt; Stewart Rose, horn & lt;br & gt; Marcus Rojas, tuba & lt;br & gt; & lt;br & gt; & lt;b & gt;Selections: & lt;br & gt; Side A: & lt;/b & gt; & lt;br & gt; 1. Sacajawea & lt;br & gt; 2. Serenata & lt;br & gt; & lt;b & gt;Side B: & lt;/b & gt; & lt;br & gt; 1. Vendiendo Alegria & lt;br & gt; 2. Bachianas Brasileiras No. 5 & lt;br & gt; 3. Angola & lt;br & gt; & lt;b & gt;Side C: & lt;/b & gt; & lt;br & gt; 1. Interlude & lt;br & gt; 2. She Moves Through The Fair (traditional) & lt;br & gt; 3. Orbits & lt;br & gt; & lt;b & gt;Side D: & lt;/b & gt; & lt;br & gt; 1. 12th Century Carol & lt;br & gt; 2. Capricorn II

Wayne Shorter Alegria 180g 2LP (Vinyl)

$ 71.27 ~~$ 71.99~~ 1% Off

& lt;img src= & quot;/content/images/ORGLogo200.jpg & quot; align= & quot;right & quot; hspace= & quot;10 & quot; vspace= & quot;10 & quot; width= & quot;200 & quot; height= & quot;91 & quot; & gt; & lt;b & gt; & lt;font color= & quot;#FF0000 & quot; & gt;Mastered by Bernie Grundman from the Original Analog Master Tapes & amp; Pressed at RTI! & lt;br & gt;Numbered Deluxe Laminated Gatefold Jackets! & lt;br & gt; Only 2500 Numbered Limited Edition Copies Worldwide! & lt;br & gt; & lt;/font & gt; & lt;/b & gt; & amp;nbsp; & lt;br & gt; & lt;b & gt;One Of Harry Pearson's TAS Super Disc Titles! & lt;/b & gt; & lt;br & gt; & lt;br & gt; Bernard Herrmann is known for breathing life into movies through his wonderful compositions. One of Herrmann's most popular collection of film scores, The Mysterious Film World Of Bernard Herrmann, is now available on audiophile quality 180g 45rpm Vinyl. This 1975 Phase 4 recording, originally released on London Records, pairs Bernard Hermann with the National Philharmonic Orchestra. & lt;br & gt; & lt;br & gt; Produced by Tim McDonald, this recording contains three stunning examples of film compositions which brought the fantasy of the movies closer to reality for millions of filmgoers. The three movies from Columbia Pictures are & lt;b & gt;Mysterious Island, Jason And The Argonauts & lt;/b & gt; and & lt;b & gt;The Three Worlds Of Gulliver & lt;/b & gt;. & lt;br & gt; & lt;br & gt; Sit back and let this sonic experience transport you into another space and time. & lt;br & gt; & lt;br & gt; & lt;b & gt; & quot;This album was recorded by the composer early in 1975 and has proved to be one of the more enduring parts of Bernard Herrmann's catalog, a steady seller on LP, and issued several times on CD. During the early to mid-'70s, Herrmann began re-recording many of his earlier scores at Kingsway Hall in London with the National Philharmonic Orchestra. The sound glitters, some of the brightest and richest audio of its period (attested to by the album's being part of Decca/London Phase 4 Stereo), and the performances have a dignity and intensity that makes the music -- drawn from the key parts of Herrmann's scores for the Ray Harryhausen-created fantasy films The Three Worlds of Gulliver, Mysterious Island, and Jason and the Argonauts -- seem even more serious and profound than it originally did. Herrmann tends to take the tempos slower than he did in the original scores, which gives him and the players a chance to open up the detail and nuances in the music, bringing out their surprising depth and complexity. What's more, the players sound like they're having the time of their lives playing it. & quot; & lt;/b & gt; - Bruce Eder, AllMusic & lt;br & gt; & lt;br & gt; & lt;b & gt; & quot;One reason for Mysterious Island's high level of artistic success is the wallop of a score that Bernard Herrmann wrote for it. Composed in close proximity to Psycho (1960), Mysterious Island features Herrmann firing on all cylinders, in cues ranging from pounding intensity to soaring lyrical themes, all retaining the strong air of mystery and impending doom indicated by the title; it is one of Herrmann's best. & quot; & lt;/b & gt; - Dave Lewis, AllMusic & lt;br & gt; & lt;br & gt; & lt;b & gt; & quot;Herrmann, as usual, creates striking, evocative sonic images and brilliant colours by using extraordinary combinations of instruments. For Jason and the Argonauts he chooses to ignore strings altogether. On the other hand, he expands the winds and percussion to a massively huge ensemble. In most cases he triples or quadruples the instrumental requirements over the standard symphony orchestra. Standard pairs of woodwinds are increased to: 4 flutes and piccolos, 6 oboes, 6 cor anglais, 6 clarinets, including bass and contrabass clarinets, and 6 bassoons including contra-bassoons. The mammoth brass section has 8 French horns, 6 trumpets, 6 trombones and 4 tubas! The immense battery of percussion has 26+ instruments plus 2 complete groups of 5 timpani each. The cymbals alone feature: 4 suspended cymbals, 2 separate pairs of large crash cymbals plus 1 large tam-tam and 1 medium tam-tam! For these instruments, Herrmann wrote music that explored the extreme compasses of the range of many of them, giving an impressive top-to-bottom, and wide dynamic range. He also organised the music so that it filled a wide and deep sonic stage. I have asked the question before, but I will pose it again; however did Herrmann imagine these effects and calculate the forces to interpret them? & quot; & lt;/b & gt; - Ian Lace, Film Music On The Web & lt;br & gt; & lt;br & gt; & lt;b & gt; & quot;Bernard Herrmann entered Kingsway Hall, London, on February 6, 1975, to record what was going to be the last of the four Decca/London albums of suites from his own film music. The series started in 1969 with music from five Hitchcock films, continued in 1971, and reached its peak in 1974 with The Fantasy Film World of Bernard Herrmann. The album starts off with two suites from Mysterious Island (1961) and Jason and the Argonauts (1963), 14 and 11 minutes respectively, and finishes off with a larger 25 minute suite from The Three Worlds of Gulliver (1959). The performances of the National Philharmonic Orchestra are first rate as always, following slower tempos than the original soundtracks. & quot; & lt;/b & gt; - John Norstad, The Bernard Herrmann Society & lt;br & gt; & lt;br & gt; & lt;b & gt;Features: & lt;/b & gt; & lt;br & gt; & amp;bull; Only 2500 Numbered Limited Edition Copies Worldwide & lt;br & gt; & amp;bull; Audiophile 180g Vinyl & lt;br & gt; & amp;bull; 45rpm & lt;br & gt; & amp;bull; Double LP & lt;br & gt; & amp;bull; Recorded at Kingsway Hall, London, February 1975 & lt;br & gt; & amp;bull; Mastered by Bernie Grundman from the Original Analog Master Tapes & lt;br & gt; & amp;bull; Pressed at RTI & lt;br & gt; & amp;bull; Numbered Deluxe Laminated Double Gatefold Jackets & lt;br & gt; & lt;br & gt; & lt;b & gt;Musicians: & lt;/b & gt; & lt;br & gt; National Philharmonic Orchestra & lt;br & gt; & lt;br & gt; & lt;b & gt;Selections: & lt;br & gt; Side A: & lt;br & gt; Music From The Columbia Picture & quot;Mysterious Island & quot; & lt;/b & gt; & lt;br & gt; 1. Prelude & lt;br & gt; 2. The Balloon & lt;br & gt; 3. The Giant Crab & lt;br & gt; 4. The Giant Bee & lt;br & gt; 5. The Giant Bird & lt;br & gt; & lt;b & gt;Side B: & lt;br & gt; Music From The Columbia Picture & quot;Jason And The Argonauts & quot; & lt;/b & gt; & lt;br & gt; 1. Prelude & lt;br & gt; 2. Talos & lt;br & gt; 3. Talos' Death & lt;br & gt; 4. Triton & lt;br & gt; & lt;b & gt;Side C: & lt;br & gt; Music From The Columbia Picture & quot;The Three Worlds Of Gulliver & quot; & lt;/b & gt; & lt;br & gt; 1. Overture & lt;br & gt; 2. Minuetto-Wapping & lt;br & gt; 3. Hornpipe & lt;br & gt; 4. Lilliputians 1 & amp; 2 & lt;br & gt; 5. Victory 1 & amp; 2 & lt;br & gt; 6. Escape & lt;br & gt; & lt;b & gt;Side D: & lt;br & gt; Music From The Columbia Picture & quot;The Three Worlds Of Gulliver & quot; & lt;/b & gt; & lt;br & gt; 1. The King's March & lt;br & gt; 2. Trees & lt;br & gt; 3. The Tightrope & lt;br & gt; 4. Lovers & lt;br & gt; 5. The Chess Game & lt;br & gt; 6. Pursuit & lt;br & gt; 7. Finale

Bernard Herrmann The Mysterious Film World Of Bernard Herrmann Numbered Limited Edition 180g 45rpm 2LP (Vinyl)

$ 64.67 ~~$ 65.99~~ 2% Off

& lt;header & gt; & lt;p & gt; & lt;strong & gt;180g Audiophile Double LP With Bonus Tracks! & lt;br & gt; Part Of The Timeless Records 45th Anniversary Jazz Series! & lt;br & gt; Numbered, Limited Edition Crystal Clear Vinyl - 1000 Copies! & lt;/strong & gt; & lt;/p & gt; & lt;/header & gt; & lt;p & gt;Renowned agent and jazz pioneer Wim Wigt founded Timeless Records in 1975. This Dutch record label has specialized in bebop, although it also did a sub-series of releases of Dixieland, swing and classical recordings. As of today, Timeless Records has, together with its three sub-labels, released over 900 albums. Notable releases include Dizzy Gillespie Meets Phil Woods Quintet, McCoy Tyner's Bon Voyage, Lou Donaldson's Forgotten Man, Eastern Rebellion and albums by the George Adams-Don Pullen Quartet, Chet Baker, Bill Evans, Art Blakey's Jazz Messengers and many more. & lt;/p & gt; & lt;p & gt;To celebrate the legacy of Wim Wigt's Timeless Records, Music On Vinyl is releasing a 45th anniversary jazz series. The series features albums that are part of the Timeless Records legacy and will be released throughout 2021/2022. & lt;/p & gt; & lt;p & gt;Pharoah Sanders possesses one of the most distinctive tenor saxophone sounds in jazz, which has earned him royal status amongst free jazz players, critics and collectors. Harmonically rich and heavy with overtones, his sound can be as raw and abrasive as it is possible for a saxophonist to produce. His 1987 album Africa is soulful but also searching for a strong groove at the same time. The album is recorded with & lt;strong & gt;John Hicks, Curtis Lundy & lt;/strong & gt; and & lt;strong & gt;Idris Muhammad & lt;/strong & gt; and was an explicit tribute to his late mentor John Coltrane, another giant of jazz. & lt;/p & gt; & lt;p & gt;Africa by Pharoah Sanders is available now as a limited edition of 1,000 individually numbered copies on transparent vinyl. The album includes an insert with upcoming titles from the Timeless Records 45th Anniversary Jazz series. The sleeve contains liner notes by Kevin Whitehead. & lt;/p & gt; & lt;blockquote cite= & quot;www.allmusic.com & quot; & gt; Sanders displays an uncanny resemblance to Trane's unique way of over-blowing and his special ability to get inside a ballad. Pianist John Hicks is in perfect form and contributes mightily to the success of the session....[A] joyous and worthy tribute to one of the giants of jazz. & lt;footer & gt; -Steve Loewy, AllMusic.com & lt;/footer & gt; & lt;/blockquote & gt; & lt;section id= & quot;features & quot; & gt; & lt;h3 & gt;Features & lt;/h3 & gt; & lt;ul & gt; & lt;li & gt;Timeless Records 45th Anniversary Jazz Series & lt;/li & gt; & lt;li & gt;180g Audiophile Vinyl & lt;/li & gt; & lt;li & gt;Double LP & lt;/li & gt; & lt;li & gt;Bonus Tracks & lt;/li & gt; & lt;li & gt;Sleeve Notes by Kevin Whitehead & lt;/li & gt; & lt;li & gt;Sleeve printed on heavy cardboard with linen laminate finish & lt;/li & gt; & lt;li & gt;Insert with upcoming titles from the Anniversary Jazz series & lt;/li & gt; & lt;li & gt;Import & lt;/li & gt; & lt;li & gt;Made in the EU & lt;/li & gt; & lt;li & gt;Limited edition of 1000 individually numbered copies on Crystal Clear Vinyl & lt;/li & gt; & lt;/ul & gt; & lt;/section & gt; & lt;section id= & quot;musicians & quot; & gt; & lt;h3 & gt;Musicians & lt;/h3 & gt; & lt;table & gt; & lt;tr & gt; & lt;th & gt;Pharoah Sanders & lt;/th & gt; & lt;td & gt;tenor sax & lt;/td & gt; & lt;/tr & gt; & lt;tr & gt; & lt;th & gt;John Hicks & lt;/th & gt; & lt;td & gt;piano & lt;/td & gt; & lt;/tr & gt; & lt;tr & gt; & lt;th & gt;Curtis Lundy & lt;/th & gt; & lt;td & gt;bass & lt;/td & gt; & lt;/tr & gt; & lt;tr & gt; & lt;th & gt;Idris Muhammad & lt;/th & gt; & lt;td & gt;drums & lt;/td & gt; & lt;/tr & gt; & lt;/table & gt; & lt;/section & gt; & lt;section id= & quot;selections & quot; & gt; & lt;h3 & gt;Selections & lt;/h3 & gt; & lt;h4 & gt;Side 1: & lt;/h4 & gt; & lt;ol & gt; & lt;li & gt;You've Got To Have Freedom & lt;/li & gt; & lt;li & gt;Naima & lt;/li & gt; & lt;/ol & gt; & lt;h4 & gt;Side 2: & lt;/h4 & gt; & lt;ol & gt; & lt;li & gt;Origin & lt;/li & gt; & lt;li & gt;Speak Low & lt;/li & gt; & lt;/ol & gt; & lt;h4 & gt;Side 3: & lt;/h4 & gt; & lt;ol & gt; & lt;li & gt;After The Morning & lt;/li & gt; & lt;li & gt;Africa & lt;/li & gt; & lt;/ol & gt; & lt;h4 & gt;Side 4: & lt;/h4 & gt; & lt;ol & gt; & lt;li & gt;Heart To Heart & lt;/li & gt; & lt;li & gt;Duo & lt;/li & gt; & lt;/ol & gt; & lt;/section & gt;

Pharoah Sanders, John Hicks, Curtis Lundy & Idris Muhammad Africa Numbered Limited Edition 180g Import 2LP (Clear Vinyl)

$ 41.57 ~~$ 41.99~~ 1% Off

& lt;header & gt; & lt;strong & gt; & lt;p & gt;Limited Edition 180g Vinyl LP - Only 1000 Copies! & lt;br & gt; Remastered From The Original Mono Master Tapes! & lt;br & gt; Pressed by Optimal in Germany Using The Metal Mothers From Pallas! & lt;/p & gt; & lt;/strong & gt; & lt;/header & gt; & lt;p & gt;Recorded February 13 and 14, 1958 in Paris. & lt;/p & gt; & lt;p & gt; & quot;Tenor saxophonist Barney Wilen was not quite 21 years old at the time of this meeting with Milt Jackson, Percy Heath and Kenny Clarke, three veterans of the Modern Jazz Quartet. But the young man is surprisingly mature and confident throughout the session, interpreting several of Django Reinhardt's compositions, along with a few by his French contemporaries and a pair of his own works. What's surprising about this session is the rare opportunity to hear Jackson exclusively as a pianist, as his playing is a bit more reserved than on vibes. The leader digs into his rhythm section's element with his original & quot;B.B.B. (Bag's Barney Blues) & quot;, giving them a full chorus before making a convincing statement himself. The quartet's fluid arrangement of Thelonious Monk's & quot;Epistrophy & quot; swings. Percussionist Gana M'Bow is added for both & quot;Swing 39 & quot; and & quot;Minor Swing & quot; to add an exotic touch. Wilen easily holds his own on his first major meeting on a record date with major American jazz stars. & quot; - Ken Dryden, AllMusic & lt;/p & gt; & lt;section id= & quot;features & quot; & gt; & lt;h3 & gt;Features & lt;/h3 & gt; & lt;ul & gt; & lt;li & gt;Limited Edition - 1000 Copies & lt;/li & gt; & lt;li & gt;180g Vinyl & lt;/li & gt; & lt;li & gt;Mono & lt;/li & gt; & lt;li & gt;Re-mastered from the original mono master tapes & lt;/li & gt; & lt;li & gt;Pressed by Optimal in Germany using the Metal Mothers from Pallas & lt;/li & gt; & lt;li & gt;Deluxe high-gloss flipback album jacket & lt;/li & gt; & lt;li & gt;Facsimile reissue using the original cover art & lt;/li & gt; & lt;li & gt;Double insert using a contact sheet from the session taken by unknown photographer & lt;/li & gt; & lt;li & gt;Each record has been visually checked to prevent defects & lt;/li & gt; & lt;li & gt;Import & lt;/li & gt; & lt;/ul & gt; & lt;/section & gt; & lt;section id= & quot;musicians & quot; & gt; & lt;h3 & gt;Musicians & lt;/h3 & gt; & lt;table & gt; & lt;tr & gt; & lt;th & gt;Milt Jackson & lt;/th & gt; & lt;td & gt;piano & lt;/td & gt; & lt;/tr & gt; & lt;tr & gt; & lt;th & gt;Percy Heath & lt;/th & gt; & lt;td & gt;bass & lt;/td & gt; & lt;/tr & gt; & lt;tr & gt; & lt;th & gt;Barney Wilen & lt;/th & gt; & lt;td & gt;tenor saxophone & lt;/td & gt; & lt;/tr & gt; & lt;tr & gt; & lt;th & gt;Kenny Clarke & lt;/th & gt; & lt;td & gt;drums & lt;/td & gt; & lt;/tr & gt; & lt;tr & gt; & lt;th & gt;Gana M'Bow & lt;/th & gt; & lt;td & gt;toumba ( & quot;Swing 39 & quot; & amp; & quot;Minor's Swing & quot;) & lt;/td & gt; & lt;/tr & gt; & lt;/table & gt; & lt;/section & gt; & lt;section id= & quot;selections & quot; & gt; & lt;h3 & gt;Selections & lt;/h3 & gt; & lt;h4 & gt;Side 1: & lt;/h4 & gt; & lt;ol & gt; & lt;li & gt;Swing 39 & lt;/li & gt; & lt;li & gt;Vamp & lt;/li & gt; & lt;li & gt;Menilmontant & lt;/li & gt; & lt;li & gt;John's Groove & lt;/li & gt; & lt;li & gt;B.B.B. (Bag's Barney Blues) & lt;/li & gt; & lt;/ol & gt; & lt;h4 & gt;Side 2: & lt;/h4 & gt; & lt;ol & gt; & lt;li & gt;Swingin' Parisian Rhythm (Jazz Sur Seine) & lt;/li & gt; & lt;li & gt;J'ai Ta Main & lt;/li & gt; & lt;li & gt;Nuages & lt;/li & gt; & lt;li & gt;La Route Enchant & amp;#233;e & lt;/li & gt; & lt;li & gt;Que Reste-T-il De Nos Amours? & lt;/li & gt; & lt;li & gt;Minor's Swing & lt;/li & gt; & lt;li & gt;Epistrophy & lt;/li & gt; & lt;/ol & gt; & lt;/section & gt;

Barney Wilen Jazz sur Seine 180g LP (Mono) (Vinyl)

$ 46.07 ~~$ 47.99~~ 4% Off

& lt;header & gt; & lt;p & gt; & lt;strong & gt;180g Audiophile Vinyl Double LP! & lt;br & gt; Numbered, Limited Edition Transparent Green Vinyl - 2000 Copies! & lt;/strong & gt; & lt;/p & gt; & lt;/header & gt; & lt;p & gt;The Decades Collected compilations are part of the new Collected compilation series, which is a collaboration between Universal Music and Music On Vinyl. The compilations bring together the biggest names of each decade, combined with forgotten hits and less discovered gems, giving the listener an experience of listening to their favorite tunes while uncovering new musical grounds at the same time. & lt;/p & gt; & lt;p & gt;Various Artists: Sixties Collected features Love's & quot;Alone Again Or & quot;, Cher's & quot;Bang Bang (My Baby Shot Me Down) & quot;, The Who's & quot;Pinball Wizard & quot;, Diana Ross & amp; The Supremes' & quot;Love Child & quot;, Steppenwolf's & quot;Magic Carpet Ride & quot;, The Animals' & quot;House Of The Rising Sun & quot;, The Beach Boys' & quot;Good Vibrations & quot;, David Bowie's & quot;Love You Till Tuesday & quot;, Bob Dylan's & quot;Subterranean Homesick Blues & quot;, Tom Jones' & quot;It's Not Unusual & quot;, Nina Simone's & quot;I Put A Spell On You & quot;, Rod Stewart's & quot;Handbags & amp; Gladrags & quot; and more. & lt;/p & gt; & lt;p & gt;This compilation is available as a limited edition of 2,000 individually numbered copies on transparent green colored vinyl and contains an insert with credits. & lt;/p & gt; & lt;section id= & quot;features & quot; & gt; & lt;h3 & gt;Features & lt;/h3 & gt; & lt;ul & gt; & lt;li & gt;180g Audiophile Vinyl & lt;/li & gt; & lt;li & gt;Double LP & lt;/li & gt; & lt;li & gt;Collected Compilation Series & lt;/li & gt; & lt;li & gt;High quality PVC protective sleeve & lt;/li & gt; & lt;li & gt;Insert with credits & lt;/li & gt; & lt;li & gt;Import & lt;/li & gt; & lt;li & gt;Limited edition of 2000 individually numbered copies on Transparent Green vinyl & lt;/li & gt; & lt;/ul & gt; & lt;/section & gt; & lt;section id= & quot;selections & quot; & gt; & lt;h3 & gt;Selections & lt;/h3 & gt; & lt;h4 & gt;Side A: & lt;/h4 & gt; & lt;ol & gt; & lt;li & gt;The Beach Boys - Good Vibrations & lt;/li & gt; & lt;li & gt;The Who - Pinball Wizard & lt;/li & gt; & lt;li & gt;Dusty Springfield - Son Of A Preacher Man & lt;/li & gt; & lt;li & gt;David Bowie - Love You Till Tuesday & lt;/li & gt; & lt;li & gt;Joe South - Hush & lt;/li & gt; & lt;li & gt;Marianne Faithfull - As Tears Go By & lt;/li & gt; & lt;li & gt;The First Edition - Just Dropped In (To See What Condition My Condition Was In) & lt;/li & gt; & lt;li & gt;Sly & amp; The Family Stone - Underdog & lt;/li & gt; & lt;/ol & gt; & lt;h4 & gt;Side B: & lt;/h4 & gt; & lt;ol & gt; & lt;li & gt;Love - Alone Again Or & lt;/li & gt; & lt;li & gt;Traffic - Dear Mr. Fantasy & lt;/li & gt; & lt;li & gt;Bob Dylan - Subterranean Homesick Blues & lt;/li & gt; & lt;li & gt;Cher - Bang Bang (My Baby Shot Me Down) & lt;/li & gt; & lt;li & gt;The Band - Up On Cripple Creek & lt;/li & gt; & lt;li & gt;Ten Years After - I'm Going Home & lt;/li & gt; & lt;li & gt;The Mamas & amp; The Papas - Monday, Monday & lt;/li & gt; & lt;/ol & gt; & lt;h4 & gt;Side C: & lt;/h4 & gt; & lt;ol & gt; & lt;li & gt;Tom Jones - It's Not Unusual & lt;/li & gt; & lt;li & gt;Nina Simone - I Put A Spell On You & lt;/li & gt; & lt;li & gt;The Yardbirds - Little Games & lt;/li & gt; & lt;li & gt;The Animals- House Of The Rising Sun & lt;/li & gt; & lt;li & gt;The Crazy World Of Arthur Brown - Fire & lt;/li & gt; & lt;li & gt;Diana Ross & amp; The Supremes - Love Child & lt;/li & gt; & lt;li & gt;The Blues Magoos - (We Ain't Got) Nothin' Yet & lt;/li & gt; & lt;li & gt;The Flying Burrito Brothers - Hot Burrito #1 & lt;/li & gt; & lt;/ol & gt; & lt;h4 & gt;Side D: & lt;/h4 & gt; & lt;ol & gt; & lt;li & gt;Steppenwolf - Magic Carpet Ride & lt;/li & gt; & lt;li & gt;Rod Stewart - Handbags & amp; Gladrags & lt;/li & gt; & lt;li & gt;Small Faces - Sha-La-La-La-Lee & lt;/li & gt; & lt;li & gt;Bobbie Gentry - Ode To Billie Joe & lt;/li & gt; & lt;li & gt;Thunderclap Newman - Something In The Air & lt;/li & gt; & lt;/ol & gt; & lt;/section & gt;

Sixties Collected Numbered Limited Edition 180g Import 2LP (Transparent Green Vinyl)

$ 47.03 ~~$ 47.99~~ 2% Off

& lt;header & gt; & lt;p & gt; & lt;strong & gt;20th Anniversary Limited Edition Blue Vinyl Double LP! & lt;/strong & gt; & lt;/p & gt; & lt;/header & gt; & lt;p & gt;In celebration of the 20th anniversary of Grammy award-winning, multi-platinum artist Jill Scott's debut album, Who Is Jill Scott? Words And Sounds Vol. 1, the album is reissued on limited edition blue vinyl double LP. & lt;/p & gt; & lt;p & gt;Released in the United States on July 18, 2000 by Hidden Beach Recordings to positive acclaim, the album was nominated for Best R & amp;B Album at the 2001 Grammy Awards, whereas & quot;Gettin' In The Way & quot;, & quot;A Long Walk & quot;, and & quot;He Loves Me (Lyzel In E Flat) & quot; were nominated for Best Female R & amp;B Vocal Performance in 2001, 2002, and 2003, respectively. & lt;/p & gt; & lt;p & gt;The twelfth track, & quot;The Roots (Interlude) & quot;, is an excerpt of the live version of The Roots' 1999 song & quot;You Got Me & quot; (originally featuring Erykah Badu), which Scott co-wrote. Following twenty-six four-second blank tracks after the seventeenth track, & quot;Show Me & quot;, a remix of & quot;Love Rain & quot; featuring rapper Mos Def appears alongside the album's bonus track, & quot;Try & quot;. & lt;/p & gt; & lt;blockquote cite= & quot;www.allmusic.com & quot; & gt; There is no existing slot in R & amp;B/hip-hop into which this album fits, which only means a new one will have to be created. & lt;footer & gt; -AllMusic & lt;/footer & gt; & lt;/blockquote & gt; & lt;section id= & quot;features & quot; & gt; & lt;h3 & gt;Features & lt;/h3 & gt; & lt;ul & gt; & lt;li & gt;20th Anniversary Limited Edition & lt;/li & gt; & lt;li & gt;Blue Vinyl & lt;/li & gt; & lt;li & gt;Double LP & lt;/li & gt; & lt;li & gt;Remastered & lt;/li & gt; & lt;/ul & gt; & lt;/section & gt; & lt;section id= & quot;selections & quot; & gt; & lt;h3 & gt;Selections & lt;/h3 & gt; & lt;h4 & gt;Side One: & lt;/h4 & gt; & lt;ol & gt; & lt;li & gt;Jilltro & lt;/li & gt; & lt;li & gt;Do You Remember & lt;/li & gt; & lt;li & gt;Exclusively & lt;/li & gt; & lt;li & gt;Gettin' In The Way & lt;/li & gt; & lt;li & gt;A Long Walk & lt;/li & gt; & lt;/ol & gt; & lt;h4 & gt;Side Two: & lt;/h4 & gt; & lt;ol & gt; & lt;li & gt;I Think It's Better & lt;/li & gt; & lt;li & gt;He Loves Me (Lyzel In E Flat) & lt;/li & gt; & lt;li & gt;It's Love & lt;/li & gt; & lt;li & gt;The Way & lt;/li & gt; & lt;/ol & gt; & lt;h4 & gt;Side Three: & lt;/h4 & gt; & lt;ol & gt; & lt;li & gt;Honey Molasses & lt;/li & gt; & lt;li & gt;Love Rain & lt;/li & gt; & lt;li & gt;The Roots (Interlude) & lt;/li & gt; & lt;li & gt;Slowly Surely & lt;/li & gt; & lt;li & gt;One Is The Magic # & lt;/li & gt; & lt;li & gt;Watching Me & lt;/li & gt; & lt;/ol & gt; & lt;h4 & gt;Side Four: & lt;/h4 & gt; & lt;ol & gt; & lt;li & gt;Brotha & lt;/li & gt; & lt;li & gt;Show Me & lt;/li & gt; & lt;li & gt;Try & lt;/li & gt; & lt;li & gt;Love Rain (Remix feat. Mos Def) & lt;/li & gt; & lt;/ol & gt; & lt;/section & gt;

Jill Scott Who Is Jill Scott? Words And Sounds Vol. 1 2LP (Blue Vinyl)

$ 39.89 ~~$ 41.99~~ 5% Off

& lt;font color= & quot;#FF0000 & quot; & gt; & lt;b & gt;Out Of Print! Only a few copies left! & lt;/b & gt; & lt;/font & gt; & lt;br & gt; & lt;br & gt; & lt;font color= & quot;#FF0000 & quot; & gt; & lt;b & gt;Great Sounding Classical Title from EMI! & lt;/b & gt; & lt;/font & gt; & lt;br & gt; & lt;br & gt; & lt;font color= & quot;#FF0000 & quot; & gt; & lt;b & gt;180g Audiophile Vinyl Cut from the Original EMI Stereo Analogue Master Tapes at Abbey Road Studios! & lt;/b & gt; & lt;/font & gt; & lt;br & gt; & lt;br & gt; Otto Klemperer conducts the Philharmonia Orchestra for this recording of Nowak's 1953 edition of Bruckner's Fourth Symphony. & lt;br & gt; & lt;br & gt; This is one of four LPs that EMI/Columbia released for Otto Klemperers 80th birthday in 1965. Bruckners Symphonies were relatively unknown to the record-buying public in the 1960s, when complete cycles, like Bernard Haitinks were still in the process of being recorded. Klemperer uses the Nowak edition of 1953, based on the 1886 revision of the score and gives an idiosyncratic interpretation, with outer movements faster than you would expect from this conductor, that nonetheless preserves the architecture of symphony, captured in vintage EMI/Kingsway Hall sound. & lt;br & gt; & lt;br & gt; In the review of the stereo LP in The Gramophone of may 1965, Deryck Cooke, no less, enthused: This is one of those rare occasions when a Bruckner symphony is presented in a single span, and the blazing climaxes seem all the more inspiring because theyre revealed as growing quite naturally out of what has gone before...Klemperers performance has a mighty and noble objectivity throughout. & lt;br & gt; & lt;br & gt; Recorded 18-20 & amp; 24-26 September 1963, Kingsway Hall, London. & lt;br & gt; & lt;br & gt; Cut at Abbey Road Studios from the original stereo analogue master tapes with the Neumann VMS82 lathe fed an analogue pre-cut signal from a specially adapted Studer A80 tape deck with additional advance playback head, making the cut a totally analogue process. & lt;br & gt; & lt;br & gt; Pressed on 180g vinyl to audiophile standards using the original EMI presses by The Vinyl Factory in Hayes, England. & lt;br & gt; & lt;br & gt; & lt;b & gt;Features: & lt;/b & gt; & lt;br & gt; Hi-Q Records Supercuts 180g Vinyl & lt;br & gt; Cut at Abbey Road Studios from the original EMI stereo analogue master tapes & lt;br & gt; Superior Audiophile Pressing & lt;br & gt; Features original album artwork & lt;br & gt; Made in England & lt;br & gt; & lt;br & gt; & lt;b & gt;Musicians: & lt;/b & gt; & lt;br & gt; Philharmonia Orchestra & lt;br & gt; Otto Klemperer, conductor & lt;br & gt; & lt;br & gt; & lt;b & gt;Selections: & lt;br & gt; Anton Bruckner (1824-1896) & lt;br & gt; Symphony No. 4 in E flat Major & quot;Romantic & quot; & lt;br & gt; 1953 edition (Nowak) & lt;br & gt; Side 1: & lt;/b & gt; & lt;br & gt; 1. Band 1: First Movement: Bewegt, nich zu schnell & lt;br & gt; 2. Band 2: Second Movement: Andante, quasi allegretto & lt;br & gt; & lt;b & gt;Anton Bruckner & lt;br & gt; Symphony No. 4 in E flat Major & quot;Romantic & quot; (cont.) & lt;br & gt; Side 2: & lt;/b & gt; & lt;br & gt; 3. Band 1: Third Movement: Scherzo (Bewegt) & amp; Trio (Nicht zu schnell. Keinesfalls schleppend) & lt;br & gt; 4. Band 2: Fourth Movement: Finale (Bewegt, doch bicht zu schnell)

Bruckner Symphony No. 4 "Romantic" 180g LP (Vinyl)

$ 41.15 ~~$ 41.99~~ 2% Off

Cat Stevens Teaser And The Firecat (50th Anniversary Edition) 180g LP (Vinyl)

$ 30.57 ~~$ 31.19~~ 2% Off

& lt;header & gt; & lt;p & gt; & lt;strong & gt;50th Anniversary Limited Edition White Vinyl LP! & lt;/strong & gt; & lt;/p & gt; & lt;/header & gt; & lt;p & gt;Released in 1971, Pictures At An Exhibition turns 50 this year and BMG is honoring the anniversary of its release with a special limited edition white vinyl pressing. Pictures At An Exhibition was recorded during a performance at Newcastle City Hall on March 26, 1971. It features the band performing a & quot;rockified & quot; version of Mussorgsky's 1874 suite for piano and is a prime example of ELP's musical prowess and forward-thinking approach. & lt;/p & gt; & lt;p & gt;The album peaked at #10 in the US and #3 in the UK. & lt;/p & gt; & lt;section id= & quot;features & quot; & gt; & lt;h3 & gt;Features & lt;/h3 & gt; & lt;ul & gt; & lt;li & gt;Limited Edition & lt;/li & gt; & lt;li & gt;50th Anniversary & lt;/li & gt; & lt;li & gt;White Vinyl & lt;/li & gt; & lt;li & gt;Remastered & lt;/li & gt; & lt;li & gt;Gatefold jacket & lt;/li & gt; & lt;li & gt;Manufactured in the UK & lt;/li & gt; & lt;/ul & gt; & lt;/section & gt; & lt;section id= & quot;selections & quot; & gt; & lt;h3 & gt;Selections & lt;/h3 & gt; & lt;h4 & gt;Side 1: & lt;/h4 & gt; & lt;ol & gt; & lt;li & gt;Promenade, Pt. 1 & lt;/li & gt; & lt;li & gt;The Gnome & lt;/li & gt; & lt;li & gt;Promenade, Pt. 2 & lt;/li & gt; & lt;li & gt;The Sage & lt;/li & gt; & lt;li & gt;The Old Castle & lt;/li & gt; & lt;li & gt;Blues Variation & lt;/li & gt; & lt;/ol & gt; & lt;h4 & gt;Side 2: & lt;/h4 & gt; & lt;ol & gt; & lt;li & gt;Promenade, Pt. 3 & lt;/li & gt; & lt;li & gt;The Hut Of Baba Yaga, Pt. 1 & lt;/li & gt; & lt;li & gt;The Curse Of Baba Yaga & lt;/li & gt; & lt;li & gt;The Hut Of Baba Yaga, Pt. 2 & lt;/li & gt; & lt;li & gt;The Great Gates Of Kiev & lt;/li & gt; & lt;li & gt;Nutrocker & lt;/li & gt; & lt;/ol & gt; & lt;/section & gt;

Emerson, Lake & Palmer Pictures At An Exhibition LP (White Vinyl)

$ 37.24 ~~$ 38.39~~ 3% Off

& lt;font color= & quot;#FF0000 & quot; & gt; & lt;b & gt;Mastered by Bernie Grundman and Bob Donnelly from the Original Analog Master Tapes! & lt;br & gt; 100% Analog 180g Vinyl LP! & lt;/b & gt; & lt;/font & gt; & lt;br & gt; & lt;br & gt; & lt;b & gt;This item not eligible for any further discount offers! & lt;/b & gt; & lt;br & gt; & lt;br & gt; Friday Night In San Francisco is a 1981 live album by Al Di Meola, John McLaughlin and Paco de Lucia. It was described by jazz author and critic Walter Kolosky as & quot;a musical event that could be compared to the Benny Goodman Band's performance at Carnegie Hall in 1938...[it] may be considered the most influential of all live acoustic guitar albums. All the tracks except Guardian Angel were recorded live at The Warfield Theatre on December 5, 1980 in San Francisco. & lt;br & gt; & lt;br & gt; This debut recording on Columbia Records became a landmark recording that surpassed the two million mark in sales. The three virtuosos in the Trio toured together from 1980 through 1983. & lt;br & gt; & lt;br & gt; Ah the Mediterranean... Filled with fine foods, wines, beautiful people, and the inspirational style of music that descended upon the able fingers of these guitar giants. This is by far one of the hottest guitar albums ever to bless sweet vinyl. Al Dimeola, John McLaughlin, & amp; Paco Delucia play classical guitars (the kind with the nylon strings) in a flamenco / jazz style that will blow your socks off! & lt;br & gt; & lt;br & gt; Paco de Lucia was a Spanish flamenco guitarist, composer and producer. A leading proponent of the New Flamenco style, he helped legitimize flamenco among the establishment in Spain, and was one of the first flamenco guitarists to have successfully crossed over into other genres of music such as classical and jazz. De Lucia was noted for his fast and fluent finger style runs. His collaborations with guitarists John McLaughlin and Al Di Meola saw him gain wider popularity outside his native Spain. & lt;br & gt; & lt;br & gt; Al Di Meola is an acclaimed jazz fusion and Latin jazz guitarist, composer, and record producer. With a musical career that has spanned more than three decades, he has become respected as one of the most influential guitarists in jazz to date. Albums such as Friday Night In San Francisco have earned him both artistic and commercial success with a solid fan base throughout the world. A prolific composer and prodigious six-string talent, Di Meola has amassed over 20 albums as a leader while collaborating on a dozen or so others. & lt;br & gt; & lt;br & gt; John McLaughlin is an English guitarist, bandleader and composer. His music includes many genres of jazz and rock, which he coupled with an interest in Indian classical music to become one of the pioneering figures in fusion. In 2010, guitarist Jeff Beck called him & lt;b & gt; & quot;the best guitarist alive. & quot; & lt;/b & gt; In 2003, McLaughlin was ranked 49th in Rolling Stone's & quot;100 Greatest Guitarists of All Time. & quot; After contributing to several key British groups of the early sixties and making his first solo record, he moved to the US where he played with Tony Williams' group Lifetime and then with Miles Davis on his landmark electric-jazz fusion albums: In A Silent Way, Bitches Brew, A Tribute To Jack Johnson and On The Corner. & lt;br & gt; & lt;br & gt; & lt;b & gt; & quot;Recorded in 1981 at San Francisco's Garfield Theatre, there must have been magic in the air that Friday night. John McLaughlin, Al Di Meola, and Paco De Lucia put on a show that was by most accounts an amazing turning point in concert and recording history...No percussion, no bass, no piano, no brass. Just three of the finest guitarists alive providing an acoustic masterpiece of breath taking melodic interludes and mind boggling improvisation...For me, the tough choice for & quot;King of the Hill & quot; is between the Impex 180 Gram Numbered Limited Edition and the ORG 45 RPM...The ORG has a rich natural presentation with a liquidity that is quite alluringstill plenty of dynamic punch and immediacy. The Impex is slightly more detailed with a locked in sound stage and imaging to die for. No edge. No fatigue. Just very refined and tangible. The Impex would be my choice as it does a better job of defining the differences between the harmonics and sound of all three musicians and guitarsmuch of which was lost in the digital renditions and only slightly more clarified on vinyl. But I am splitting hairs here on these last two. Both are absolute killer pressings and either would be an outstanding addition to your collection. & quot; & lt;/b & gt; - Robert S. Youman, positive-feedback.com & lt;br & gt; & lt;br & gt; & lt;b & gt; & quot;Loose and spontaneous, this (mainly) live album is a meeting of three of the greatest guitarists in the world for an acoustic summit the likes of which the guitar-playing community rarely sees. Broken up into three duo and two trio performances, Friday Night in San Francisco catches all three players at the peaks of their quite formidable powers. & quot; & lt;/b & gt; - www.allmusic.com & lt;br & gt; & lt;br & gt; & lt;b & gt; & quot;I wish I could remember here I was on, and more than that I wish I could remember that I was at the Warfield Theatre in San Francisco on December, 5, 1980, where this concert was recorded. Three of the worlds great guitar players played on the same bill, and their performances were to die for. The Guitar Trio formed in 1979, was originally composed of McLaughlin, Paco De Lucia, and Larry Coryell, but after the release of this album, Al Di Meola replaced Coryell as a member. McLaughlin, the senior and perhaps best-known member of the group, was an early advocate of jazz fusion, and the elements he fused included principally electric jazz and Indian classical music, with some blues, flamenco and western classical music mixed in. A list of the groups he was associated with would exceed the word count of this article, but his albums with Miles Davis, The Mahavishnu Orchestra, and Shakti are well represented in the collections of any guitar fan. Di Meola, known for his lightning speed and technical prowess, trained at Berklee College of Music and came to prominence as a member of Return To Forever. Of Italian heritage, his playing extracts the essence of Mediterranean and flamenco. Sadly, Paco De Lucia passed away in 2014, leaving a powerful body of work (including this live masterpiece). Where the other two members incorporate flamenco into their music, de Lucia was first and foremost a flamenco guitar artist, and in his case, he incorporated jazz and classical music into his flamenco art. Like Di Meola and McLaughlin, he could play with lightning speed. Many music lovers first came to flamenco music through its use in jazz. Flamenco, however, dates back to the eighteenth century. Associated with the Romani people of Spain (gypsies), its roots spread wider, encompassing musical styles throughout the Andalusia area of Spain. Today, the sounds of flamenco guitar, castanets and hand-clapping have spread across a wide spectrum of performance styles. Some of my most treasured discs include a three 10 disc set titled Anthologie De Cante Flamenco on Ducretet-Thomson (LA1051-52-53) published in the early 1950s and Carmen Amayas Queen of the Gypsies on Decca DL 9616. These are likely some of the same records Di Meola, McLaughlin, and De Lucia pored over as youngsters, learning their craft. None of them, however, remained hide-bound or stuck in old ways of thinking, and their updated take on the Andalusia spirit was never more in evidence than in this mostly live recording. Frequently, putting three superstars together on a single disc backfires (the magic almost happened again on their later studio album, Passion, Grace and Fire), but here the three play at their respective peaks and the result is one of the great guitar discs of all time. The LP has never been out of print, and has always been considered an audiophile demonstration record. Even before cracking the seal on my copy of the new Impex reissue, I began seeing reports on the internet, claiming that an original pressing blew away the new reissue, or that it was doomed to failure because modern 180 grams records always sound inferior due to chemicals incorporated into the vinyl compound. Rather than sending the review copy back to Impex, I decided to listen to it and compare it to an original US pressing as well as the last reissue from the Original Recording Group (ORG) released in 2012, but no longer available. The Impex reissue was mastered from the original analogue master tapes by Bernie Grundman, with Impexs Bob Donnelly sitting in (but not credited in the wax). Its an edition limited to 3,000 copies and pressed at RTI in California. Unlike Impexs recent Legrand Jazz, the cover is not the ultra heavy cardboard version used there, but it is still heavy stock cardboard. The sound is rich yet retains all the detail of the original. The Columbia original, by comparison, sounds a bit threadbare, where the Impex adds plenty of instrumental body and stage depth. Its a big step up from the original and edges out the ORG 45 rpm version by a hair. A huge sonic and musical thumbs up! & quot;Recording: 10 Music: 10 & lt;/b & gt; - Dennis Davis, & lt;i & gt;HI-FI+ & lt;/i & gt; & lt;br & gt; & lt;br & gt; & lt;b & gt;Features: & lt;/b & gt; & lt;br & gt; Mastered by Bernie Grundman and Bob Donnelly from the Original Analog Master Tapes! & lt;br & gt; 100% Analog 180g Vinyl LP! & lt;br & gt; Plated and pressed at RTI, supervised by Rick Hashimoto & lt;br & gt; & lt;br & gt; & lt;b & gt;Musicians: & lt;/b & gt; & lt;br & gt; Al Di Meola, guitar & lt;br & gt; John McLaughlin, guitar & lt;br & gt; Paco de Lucía, guitar & lt;br & gt; & lt;br & gt; & lt;b & gt;Selections: & lt;br & gt; Side One: & lt;br & gt; 1. Mediterranean Sundance/Rio Ancho & lt;/b & gt; & lt;br & gt; Composers: Al Di Meola and Paco DeLucia & lt;br & gt; Performed by: Paco DeLucia (Left Channel) and Al Di Meola (Right Channel) & lt;br & gt; & lt;b & gt;2. Short Tales Of The Black Forest & lt;/b & gt; & lt;br & gt; Composer: Chick Corea & lt;br & gt; Performed by John McLaughlin (Left Channel) and Al Di Meola (Right Channel) & lt;br & gt; & lt;b & gt;Side Two: & lt;br & gt; 1. Frevo Rasgado & lt;/b & gt; & lt;br & gt; Composer: Egberto Gismonti & lt;br & gt; Performed by John McLaughlin (Left Channel) and Paco DeLucia (Right Channel) & lt;br & gt; & lt;b & gt;2. Fantasia Suite & lt;/b & gt; & lt;br & gt; Composer: Al Di Meola & lt;br & gt; Performed by Paco DeLucia (Left Channel), John McLaughlin (Middle Channel), and Al Di Meola (Right Channel) & lt;br & gt; & lt;b & gt;3. Guardian Angel & lt;/b & gt; & lt;br & gt; Composer: John McLaughlin & lt;br & gt; Performed by Paco DeLucia (Left Channel), John McLaughlin (Middle Channel), and Al Di Meola (Right Channel)

John McLaughlin, Paco de Lucia & Al Di Meola Friday Night In San Francisco 180g LP (Vinyl)

$ 39.89 ~~$ 41.99~~ 5% Off

& lt;header & gt; & lt;p & gt; & lt;strong & gt;Newly Discovered 1965 Live Recording On Double LP! & lt;/strong & gt; & lt;/header & gt; & lt;p & gt; & lt;strong & gt;Michael Fremer Rated 8/11 Music, 7/11 Sonics! & lt;/strong & gt; & lt;/p & gt; & lt;p & gt;This newly discovered live recording of a performance of the Love Supreme suite is a revelation. Recorded at The Penthouse in Seattle on October 2, 1965, this recording transports the listener to a prime seat for a piece of musical history. While not studio-quality audio, the power of the performance shines through. This version is also of the full suite and features an expanded band that includes the same Classic Quartet and Pharoah Sanders in his first official gig as part of Coltrane's group. & lt;/p & gt; & lt;blockquote cite= & quot;quote source & quot; & gt; This is like a Da Vinci scholar discovering another Mona Lisa & lt;footer & gt; -NPR & lt;/footer & gt; & lt;/blockquote & gt; & lt;blockquote cite= & quot;www.allmusic.com & quot; & gt; It's a startling performance. The package design is simply stellar and the liner essays by critic/historian Ashley Kahn and Coltrane biographer Lewis Porter are educational, authoritative, and indispensable. & lt;footer & gt; -Thom Jurek, AllMusic.com, 4/5 stars & lt;/footer & gt; & lt;/blockquote & gt; & lt;blockquote cite= & quot;www.analogplanet.com & quot; & gt; You'll wish the musicians could have been placed on the stage to produce a great recorded blend but that's really asking for too much. As the notes describe, they were too far into their musical and spiritual world to care much about microphones or what the audience was experiencing. Excellent musical and historical annotation add to the physical package's value as does the clean, quiet double 180g Optimal pressing quality. & lt;footer & gt; -Michael Fremer, Analog Planet, Music 8/11, Sound 7/11 & lt;/footer & gt; & lt;/blockquote & gt; & lt;blockquote cite= & quot;www.pastemagazine.com & quot; & gt; Here's a rare case where the impact of the music being pressed to vinyl far outweighs the somewhat questionable sonics of the finished release. Discovered in the archives of the late musician Joe Brazil were tapes that featured a live recording of John Coltrane and an expanded backing band performing all of A Love Supreme at Seattle's The Penthouse in 1965. It is, to date, only the second known live recording of this monumental work of spiritual jazz. But unlike the many recent archival releases taken from live dates at the same venue, this wasn't recorded with broadcast quality in mind. Instead, the two microphones were set up close to McCoy Tyner's piano and Elvin Jones' drum kit. So the work of Coltrane, his fellow saxophonists Pharoah Sanders and Carlos Ward and bassists Jimmy Garrison and Donald Rafael Garrett is muted - discernible but entirely overpowered by the splashy attack of Jones and Tyner's percussive flair. Does that matter? Yes and no. The whole recording plays like the bootleg it was, which might turn off some less patient listeners. But there's no denying that the power and generosity of the moment comes through. With some audible coaxing, Coltrane pulls something deep from within his fellow musicians, sending Sanders into a frenzy of desperate groans on 'Pursuance', giving Jones space for a six minute solo and parting the curtain for Ward, a young alto player early in his career, to shine. & lt;footer & gt; -Robert Ham, Paste Magazine & lt;/footer & gt; & lt;/blockquote & gt; & lt;section id= & quot;features & quot; & gt; & lt;h3 & gt;Features & lt;/h3 & gt; & lt;ul & gt; & lt;li & gt;Double LP & lt;/li & gt; & lt;li & gt;Gatefold Jacket & lt;/li & gt; & lt;li & gt;Booklet & lt;/li & gt; & lt;li & gt;Made in Germany & lt;/li & gt; & lt;/ul & gt; & lt;/section & gt; & lt;section id= & quot;musicians & quot; & gt; & lt;h3 & gt;Musicians & lt;/h3 & gt; & lt;table & gt; & lt;tr & gt; & lt;th & gt;John Coltrane & lt;/th & gt; & lt;td & gt;saxophone & lt;/td & gt; & lt;/tr & gt; & lt;tr & gt; & lt;th & gt;McCoy Tyner & lt;/th & gt; & lt;td & gt;piano & lt;/td & gt; & lt;/tr & gt; & lt;tr & gt; & lt;th & gt;Jimmy Garrison & lt;/th & gt; & lt;td & gt;bass & lt;/td & gt; & lt;/tr & gt; & lt;tr & gt; & lt;th & gt;Elvin Jones & lt;/th & gt; & lt;td & gt;drums & lt;/td & gt; & lt;/tr & gt; & lt;tr & gt; & lt;th & gt;Pharoah Sanders & lt;/th & gt; & lt;td & gt;saxophone & lt;/td & gt; & lt;/tr & gt; & lt;/table & gt; & lt;/section & gt; & lt;section id= & quot;selections & quot; & gt; & lt;h3 & gt;Selections & lt;/h3 & gt; & lt;h4 & gt;Side A: & lt;/h4 & gt; & lt;ol & gt; & lt;li & gt;A Love Supreme, Pt. I - Acknowledgement & lt;/li & gt; & lt;/ol & gt; & lt;h4 & gt;Side B: & lt;/h4 & gt; & lt;ol & gt; & lt;li & gt;Interlude 1 & lt;/li & gt; & lt;li & gt;A Love Supreme, Pt. II - Resolution & lt;/li & gt; & lt;li & gt;Interlude 2 & lt;/li & gt; & lt;/ol & gt; & lt;h4 & gt;Side C: & lt;/h4 & gt; & lt;ol & gt; & lt;li & gt;A Love Supreme, Pt. III - Pursuance & lt;/li & gt; & lt;/ol & gt; & lt;h4 & gt;Side D: & lt;/h4 & gt; & lt;ol & gt; & lt;li & gt;Interlude 3 & lt;/li & gt; & lt;li & gt;Interlude 4 & lt;/li & gt; & lt;li & gt;A Love Supreme, Pt. IV - Psalm & lt;/li & gt; & lt;/ol & gt; & lt;/section & gt;

John Coltrane A Love Supreme: Live In Seattle 2LP (Vinyl)

$ 41.46 ~~$ 43.19~~ 4% Off

& lt;img src= & quot;/content/images/ORGLogo200.jpg & quot; align= & quot;right & quot; hspace= & quot;10 & quot; vspace= & quot;10 & quot; width= & quot;200 & quot; height= & quot;91 & quot; & gt; & lt;header & gt; & lt;p & gt; & lt;strong & gt;Mastered by Bernie Grundman from the Original Analog Master Tapes & amp; Pressed at RTI! & lt;br & gt; Numbered Deluxe Laminated Gatefold Jackets! & lt;br & gt; Only 2500 Numbered Limited Edition Copies Worldwide! & lt;/strong & gt; & lt;/p & gt; & lt;/header & gt; & lt;p & gt; & lt;strong & gt;This item not eligible for any further discount offers! & lt;/strong & gt; & lt;/p & gt; & lt;p & gt;Ernest Ansermet conducts L'Orchestre de la Suisse Romande for this audiophile 45rpm 180g Vinyl reissue of the 1960 recording of Bizet's Carmen & amp; L'Arlisienne Suites. & lt;/p & gt; & lt;p & gt;Read review by Jack Liu, www.audionet.com.tw & lt;a href= & quot;https://www.audionet.com.tw/thread-12406-1-1.html & quot; & gt; & lt;b & gt; & lt;font color= & quot;#0000FF & quot; & gt;Read now! & lt;/font & gt; & lt;/b & gt; & lt;/a & gt; & lt;/p & gt; & lt;section id= & quot;features & quot; & gt; & lt;h3 & gt;Features & lt;/h3 & gt; & lt;ul & gt; & lt;li & gt;Numbered Deluxe Laminated Double Gatefold Jackets & lt;/li & gt; & lt;li & gt;Only 2500 Numbered Limited Edition Copies Worldwide! & lt;/li & gt; & lt;li & gt;Audiophile 180g, 45rpm Vinyl & lt;/li & gt; & lt;li & gt;Double LP & lt;/li & gt; & lt;li & gt;Pressed at RTI & lt;/li & gt; & lt;li & gt;Mastered by Bernie Grundman from the Original Analog Master Tapes! & lt;/li & gt; & lt;/ul & gt; & lt;/section & gt; & lt;section id= & quot;musicians & quot; & gt; & lt;h3 & gt;Musicians & lt;/h3 & gt; & lt;table & gt; & lt;tr & gt; & lt;th & gt;L'Orchestre de la Suisse Romande & lt;/th & gt; & lt;td & gt; & lt;/td & gt; & lt;/tr & gt; & lt;tr & gt; & lt;th & gt;Ernest Ansermet & lt;/th & gt; & lt;td & gt;conductor & lt;/td & gt; & lt;/tr & gt; & lt;/table & gt; & lt;/section & gt; & lt;section id= & quot;selections & quot; & gt; & lt;h3 & gt;Selections & lt;/h3 & gt; & lt;h4 & gt;Georges Bizet (1838 - 1875) & lt;/h4 & gt; & lt;h5 & gt;Carmen Suite & lt;/h5 & gt; & lt;h5 & gt;L'Arlisienne Suite & lt;/h5 & gt; & lt;/section & gt;

Bizet Carmen & L'Arlisienne Suite Numbered Limited Edition 180g 45rpm 2LP (Vinyl)

$ 64.67 ~~$ 65.99~~ 2% Off

& lt;header & gt; & lt;p & gt; & lt;strong & gt;45rpm 180g Vinyl LP! & lt;br & gt; Mastered by Steve Hoffman & amp; Bob Attiyeh! & lt;br & gt; Lacquers Cut by Bernie Grundman! & lt;/strong & gt; & lt;/p & gt; & lt;/header & gt; & lt;p & gt; & lt;strong & gt;Executive producer: Lucile Grieder & lt;/strong & gt; & lt;/p & gt; & lt;p & gt;Sophisticated Lady Jazz Quartet rehearsed and performed some of these tunes before our concert and recording but many are the first time through; the quartet discussed the tunes and who would take what solo in which order but without rehearsal. I wanted the intensity of raw improvisation. This is possible when superb musicians tackle new material together, listening carefully to each other and playing as a single organism. Right before we recorded For Sebastian, for example, I played the opening of Variation 25 from Bach's Goldberg Variations on the piano. Misha led the quartet's improvisation from there. Music cannot get fresher than this. & lt;br & gt; - Bob Attiyeh, producer & lt;/p & gt; & lt;blockquote cite= & quot;quote source & quot; & gt; Kudos to Sophisticated Lady for some of the most intelligent and soulful playing I've heard in a long while. Mr. Wicks is clearly the Stephane Grappelli of the bass. Mr. Boyle's atomic clock accuracy was outshone only by his remarkable sensitivity and nuanced 'drumist' vocabulary. Mr. Kirkpatrick's winsome lines... took us beyond the trumpet and through the gamut of melody-instrument domains. And Mr. Bigos' hands fell lacelike over his ivories with the finesse... of traditional Portuguese tatting amid a rainbow of colored threads. & lt;footer & gt; -Peter Rutenberg & lt;/footer & gt; & lt;/blockquote & gt; & lt;blockquote cite= & quot;quote source & quot; & gt; Did I mention that each of the tracks was also cut in one take apiece? That's right, one take. Knowing this is a strong testament to the talent, passion, and technical prowess of this amazing ensemble, even before one embarks on the satisfying journey delivered by the music itself. & lt;footer & gt; -Kathryn Ballard Shut & lt;/footer & gt; & lt;/blockquote & gt; & lt;a name= & quot;SS & quot; & gt; & lt;/a & gt; & lt;iframe width= & quot;560 & quot; height= & quot;315 & quot; src= & quot;https://www.youtube.com/embed/o9v5SogYa1Q & quot; frameborder= & quot;0 & quot; allowfullscreen & gt; & lt;/iframe & gt; & lt;br & gt; & lt;br & gt; & lt;section id= & quot;features & quot; & gt; & lt;h3 & gt;Features & lt;/h3 & gt; & lt;ul & gt; & lt;li & gt;180g Vinyl & lt;/li & gt; & lt;li & gt;45rpm & lt;/li & gt; & lt;li & gt;Recorded in the Brain and Creativity Institute's Cammilleri Hall at USC, October 24-26, 2013 & lt;/li & gt; & lt;li & gt;Lacquers cut by Bernie Grundman & lt;/li & gt; & lt;li & gt;Made in Germany & lt;/li & gt; & lt;/ul & gt; & lt;/section & gt; & lt;section id= & quot;musicians & quot; & gt; & lt;h3 & gt;Musicians & lt;/h3 & gt; & lt;table & gt; & lt;tr & gt; & lt;th & gt;Misha Adair Bigos & lt;/th & gt; & lt;td & gt;piano & lt;/td & gt; & lt;/tr & gt; & lt;tr & gt; & lt;th & gt;JJ Kirkpatrick & lt;/th & gt; & lt;td & gt;trumpet & lt;/td & gt; & lt;/tr & gt; & lt;tr & gt; & lt;th & gt;Gary Wicks & lt;/th & gt; & lt;td & gt;bass & lt;/td & gt; & lt;/tr & gt; & lt;tr & gt; & lt;th & gt;Andrew James Boyle & lt;/th & gt; & lt;td & gt;drums & lt;/td & gt; & lt;/tr & gt; & lt;/table & gt; & lt;/section & gt; & lt;section id= & quot;selections & quot; & gt; & lt;h3 & gt;Selections & lt;/h3 & gt; & lt;h4 & gt;Side A: & lt;/h4 & gt; & lt;ol & gt; & lt;li & gt;Bicycles & lt;/li & gt; & lt;li & gt;Los Barriles & lt;/li & gt; & lt;/ol & gt; & lt;h4 & gt;Side B: & lt;/h4 & gt; & lt;ol & gt; & lt;li & gt;Blue Corn Moon & lt;/li & gt; & lt;li & gt;For Sebastian & lt;/li & gt; & lt;li & gt;Sketches Of A Melancholy Bass & lt;/li & gt; & lt;li & gt;Simpler Times & lt;/li & gt; & lt;/ol & gt; & lt;/section & gt;

The Sophisticated Lady Jazz Quartet Simpler Times 180g 45rpm LP (Vinyl)

$ 41.57 ~~$ 41.99~~ 1% Off

& lt;font color= & quot;#FF0000 & quot; & gt; & lt;b & gt;Out Of Print! Only a few copies left! & lt;/b & gt; & lt;/font & gt; & lt;br & gt; & lt;br & gt; & lt;font color= & quot;#FF0000 & quot; & gt; & lt;b & gt;Great Sounding Classical Title from EMI! & lt;/b & gt; & lt;/font & gt; & lt;br & gt; & lt;br & gt; & lt;font color= & quot;#FF0000 & quot; & gt; & lt;b & gt;180g Audiophile Vinyl Cut from the Original EMI Stereo Analogue Master Tapes at Abbey Road Studios! & lt;/b & gt; & lt;/font & gt; & lt;br & gt; & lt;br & gt; Paul Kletzi conducts the Philharmonic Orchestra for this recording of Mahler's 4th Symphony. Soprano Emmy Loose solos in the 4th movement. & lt;br & gt; & lt;br & gt; Paul Kletzki (1900-1973) was a Polish conductor and composer. He first joined the Lodz Philharmonic Orchestra at the age of fifteen, and after serving in the First World War, studied philosophy at the University of Warsaw. During the 1920s his compositions were championed by Toscanini and Furtwängler, who invited Kletzki to conduct the Berlin Philharmonic Orchestra in 1925. In the second half of the twentieth century, Kletzki was a renowned conductor, especially of Mahler. In 1954 he was appointed chief conductor of the Liverpool Philharmonic Orchestra. Between 1958 and 1961, he was principal conductor of the Dallas Symphony Orchestra, and from 1966 to 1970, he was the General Music Director of the Orchestre de la Suisse Romande. He made many recordings for EMI with the Philharmonia Orchestra during the 1950s and 1960s. & lt;br & gt; & lt;br & gt; Emmy Loose (1914-1987) was an Austrian operatic soprano of Czech birth, particularly associated with soubrette roles. & lt;br & gt; & lt;br & gt; Recorded April and July 1957, Kingsway Hall, London. & lt;br & gt; & lt;br & gt; Cut at Abbey Road Studios from the original stereo analogue master tapes with the Neumann VMS82 lathe fed an analogue pre-cut signal from a specially adapted Studer A80 tape deck with additional advance playback head, making the cut a totally analogue process. & lt;br & gt; & lt;br & gt; Pressed on 180g vinyl to audiophile standards using the original EMI presses by The Vinyl Factory in Hayes, England. & lt;br & gt; & lt;br & gt; & lt;b & gt;Features: & lt;/b & gt; & lt;br & gt; Hi-Q Records Supercuts 180g Vinyl & lt;br & gt; Cut at Abbey Road Studios from the original EMI stereo analogue master tapes & lt;br & gt; Superior Audiophile Pressing & lt;br & gt; Features original album artwork & lt;br & gt; Made in England & lt;br & gt; & lt;b & gt; & lt;br & gt; Musicians: & lt;/b & gt; & lt;br & gt; Emmy Loose, soprano solo (4) & lt;br & gt; Philharmonia Orchestra & lt;br & gt; Paul Kletzki, conductor & lt;br & gt; & lt;br & gt; & lt;b & gt;Selections: & lt;br & gt; Gustav Mahler (1860-1911) & lt;br & gt; Symphony No. 4 in G Major & lt;br & gt; Side A: & lt;/b & gt; & lt;br & gt; 1. First Movement: Bedachtig, nicht eilen & lt;br & gt; 2. Second Movement: In gemachlicher Bewegung & lt;br & gt; & lt;b & gt;Gustav Mahler & lt;br & gt; Symphony No. 4 in G Major (cont.) & lt;br & gt; Side B: & lt;/b & gt; & lt;br & gt; 3. Third Movement: Ruhevoll & lt;br & gt; 4. Fourth Movement: Sehr behaglich

Mahler Symphony No. 4 180g LP (Vinyl)

$ 41.15 ~~$ 41.99~~ 2% Off

Female Audiophile 180g LP (Vinyl)

$ 46.07 ~~$ 47.99~~ 4% Off

& lt;header & gt; & lt;p & gt; & lt;strong & gt;180g Audiophile Vinyl Double LP! & lt;br & gt; Numbered, Limited Edition Transparent Red Vinyl - 2000 Copies! & lt;/strong & gt; & lt;/p & gt; & lt;/header & gt; & lt;p & gt;The Decades Collected compilations are part of the new Collected compilation series, which is a collaboration between Universal Music and Music On Vinyl. The compilations bring together the biggest names of each decade, combined with forgotten hits and less discovered gems, giving the listener an experience of listening to their favorite tunes while uncovering new musical grounds at the same time. & lt;/p & gt; & lt;p & gt;Various Artists: Seventies Collected features classic tracks and forgotten gems: Queen's & quot;Somebody To Love & quot;, Billy Joel's & quot;Movin' Out (Anthony's Song) & quot;, Lou Reed's & quot;Vicious & quot;, Blondie's & quot;Atomic & quot;, Paul McCartney & amp; Wings' & quot;Mrs. Vandebilt & quot;, Rodriguez's & quot;Sugarman & quot;, Patti Smith Group's & quot;Dancing Barefoot & quot;, Roxy Music's & quot;Dance Away & quot;, Big Star's & quot;Thirteen & quot;, Leon Russell's & quot;A Song For You & quot;, 10CC's & quot;Dreadlock Holiday & quot;, Grace Jones's & quot;La Vie En Rose & quot;, Rush's & quot;Closer To The Heart & quot;, Gerry Rafferty's & quot;Right Down The Line & quot;, Minnie Riperton's & quot;Les Fleurs & quot;, The Brothers Johnson's & quot;Strawberry Letter 23 & quot; and more. & lt;/p & gt; & lt;p & gt;This compilation is available as a limited edition of 2,000 individually numbered copies on transparent red colored vinyl and contains an insert with credits. & lt;/p & gt; & lt;section id= & quot;features & quot; & gt; & lt;h3 & gt;Features & lt;/h3 & gt; & lt;ul & gt; & lt;li & gt;180g Audiophile Vinyl & lt;/li & gt; & lt;li & gt;Double LP & lt;/li & gt; & lt;li & gt;Collected Compilation Series & lt;/li & gt; & lt;li & gt;High quality PVC protective sleeve & lt;/li & gt; & lt;li & gt;Insert with credits & lt;/li & gt; & lt;li & gt;Import & lt;/li & gt; & lt;li & gt;Made in the Netherlands & lt;/li & gt; & lt;li & gt;Limited edition of 2000 individually numbered copies on Transparent Red vinyl & lt;/li & gt; & lt;/ul & gt; & lt;/section & gt; & lt;section id= & quot;selections & quot; & gt; & lt;h3 & gt;Selections & lt;/h3 & gt; & lt;h4 & gt;Side A: & lt;/h4 & gt; & lt;ol & gt; & lt;li & gt;Queen - Somebody To Love & lt;/li & gt; & lt;li & gt;Billy Joel - Movin' Out (Anthony's Song) & lt;/li & gt; & lt;li & gt;Little River Band - Help Is On Its Way & lt;/li & gt; & lt;li & gt;Blondie - Atomic & lt;/li & gt; & lt;li & gt;10CC - Dreadlock Holiday & lt;/li & gt; & lt;li & gt;The Allman Brothers Band - Ramblin' Man & lt;/li & gt; & lt;/ol & gt; & lt;h4 & gt;Side B: & lt;/h4 & gt; & lt;ol & gt; & lt;li & gt;Paul McCartney & amp; Wings - Mrs. Vandebilt & lt;/li & gt; & lt;li & gt;Lou Reed - Vicious & lt;/li & gt; & lt;li & gt; Ike & amp; Tina Turner - Workin' Together & lt;/li & gt; & lt;li & gt;Thin Lizzy - Dancing In The Moonlight (It's Caught Me In Its Spotlight) & lt;/li & gt; & lt;li & gt;Free - Wishing Well & lt;/li & gt; & lt;li & gt;Grace Jones - La Vie En Rose & lt;/li & gt; & lt;li & gt;Bachman-Turner Overdrive - You Ain't Seen Nothing Yet & lt;/li & gt; & lt;/ol & gt; & lt;h4 & gt;Side C: & lt;/h4 & gt; & lt;ol & gt; & lt;li & gt;The Moody Blues - Question & lt;/li & gt; & lt;li & gt;Rodriguez - Sugar Man & lt;/li & gt; & lt;li & gt;Patti Smith Group - Dancing Barefoot & lt;/li & gt; & lt;li & gt;Roxy Music - Dance Away & lt;/li & gt; & lt;li & gt;McGuinn, Clark & amp; Hillman - Don't You Write Her Off & lt;/li & gt; & lt;li & gt;Elkie Brooks - Pearl's A Singer & lt;/li & gt; & lt;li & gt;Rush - Closer To The Heart & lt;/li & gt; & lt;/ol & gt; & lt;h4 & gt;Side D: & lt;/h4 & gt; & lt;ol & gt; & lt;li & gt;Three Dog Night - Mama Told Me (Not To Come) & lt;/li & gt; & lt;li & gt;Gerry Rafferty - Right Down The Line & lt;/li & gt; & lt;li & gt;Dobie Gray - Drift Away & lt;/li & gt; & lt;li & gt;Minnie Riperton - Les Fleurs & lt;/li & gt; & lt;li & gt;The Brothers Johnson - Strawberry Letter 23 & lt;/li & gt; & lt;li & gt;Big Star - Thirteen & lt;/li & gt; & lt;li & gt;Leon Russell - A Song For You & lt;/li & gt; & lt;/ol & gt; & lt;/section & gt;

Seventies Collected Numbered Limited Edition 180g Import 2LP (Transparent Red Vinyl)

$ 46.55 ~~$ 47.99~~ 3% Off

& lt;header & gt; & lt;p & gt; & lt;strong & gt;45rpm 180g Vinyl LP! & lt;br & gt; Lacquers Cut by Bernie Grundman! & lt;/strong & gt; & lt;/p & gt; & lt;/header & gt; & lt;header & gt; & lt;p & gt; & lt;strong & gt;Executive Producers: Craig and Diane Martin & lt;/strong & gt; & lt;/p & gt; & lt;/header & gt; & lt;p & gt;Yuko Mabuchi Plays Miles Davis has taken the jazz world by storm, winning NativeDSD's coveted Jazz Album of the Year and receiving the prestigious LAOC Audio Society Medallion. Unlike the Recording Academy, where wide-ranging members vote for their favorites, the LAOCAS Medallion has only been awarded seven times in its history, and recipients are selected by a blue ribbon panel reminiscent of the ICMA, Grand Prix du Disque, Diapason d'Or de l'Ann & amp;#233;e or Gramophone Awards. & lt;/p & gt; & lt;p & gt;Bob Levi, chairman of LAOCAS, wrote & lt;strong & gt; & quot;Yuko Mabuchi Plays Miles Davis is much better than superb. It is historic! I listened to this concert performance over and over. It is compelling. It is lively. It is at times explosive. It is always original and filled with intensely new musical ideas from many old Miles favorites. Yuko Mabuchi plays so powerfully and rhythmically; she owns this music, feels this music, believes this music. This is the real deal. This is Audiophile Gold. The more robustly you play it, the more alive and intimate it becomes. & quot; & lt;/strong & gt; & lt;/p & gt; & lt;p & gt;Yuko Mabuchi shines in two 45 RPM 180 Gram volumes, celebrating her finest concert performance yet. Many thanks to executive producers Craig & amp; Diane Martin. & lt;/p & gt; & lt;p & gt; & lt;strong & gt; & quot;I think this album is a tribute to the musical spirit of Miles Davis. After these four jazz musicians digested the master's work, they reprised the songs from their own musical frames of reference. There is a strong sense of improvisation. It is undeniable that Yuko Mabuchi, who has been training since the age of 4, has a solid technical foundation. However, I admire her freedom even more. The sound of the piano expresses self-confidence and unrestrained spontaneity. She and her colleagues inspire each other and play off of each other's musical sparks. The Japanese female pianists I know always have extreme styles. They either follow the rules or focus on flamboyant virtuosity; it is very difficult to compete in the classical music world otherwise. Jazz pianists likewise feel these same pressures. In my opinion and in fact, Yuko Mabuchi exudes a sunny sense of charm in this concert. & quot; & lt;/strong & gt; - Audiotechnique Magazine & lt;a href= & quot;https://www.yarlungnews.com/audiotechnique-yuko-mabuchi-plays-miles-davis/ & quot; & gt; & lt;b & gt; & lt;font color= & quot;#0000FF & quot; & gt;Read more! & lt;/font & gt; & lt;/b & gt; & lt;/a & gt; & lt;/p & gt; & lt;p & gt; & lt;strong & gt; & quot;The album sounds fantastic with a stunning soundstage that brings the listener to Cammilleri Hall as the musicians are performing. The record is silent until the music begins, making it a perfect demonstration record for any good mid-fi or high-end audio system. I was also impressed with JJ Kirkpatrick; he plays some tasty jazz here and complements the trio very well. Although, there are only two tunes of Miles' music heard here, Yuko Mabuchi breathes fresh air into both selections and she shows a maturity beyond her years as a composer. & quot; & lt;/strong & gt; - Eddie Carter, notoriousjazz.com/requisites & lt;a href= & quot;https://www.yarlungnews.com/yuko-mabuchi-plays-miles-davis-vol-1/ & quot; & gt; & lt;b & gt; & lt;font color= & quot;#0000FF & quot; & gt;Read more! & lt;/font & gt; & lt;/b & gt; & lt;/a & gt; & lt;/p & gt; & lt;blockquote cite= & quot;quote source & quot; & gt; This is the real deal. It is audiophile gold. & lt;footer & gt; -Bob Levi, LAOCAS Chairman & lt;/footer & gt; & lt;/blockquote & gt; & lt;blockquote cite= & quot;quote source & quot; & gt; Yuko Mabuchi combines passionate athleticism at the piano with serious musical poetry. At what became a CD release concert for much of the music on this album, fans in the 1,800-seat Segerstrom Center responded with great enthusiasm... Yuko signed CDs at intermission with the longest lines I've seen in years. Put this LP on your turntable and you will know why. & lt;footer & gt; -Rick Brown, rbhifi1.com & lt;/footer & gt; & lt;/blockquote & gt; & lt;blockquote cite= & quot;www.audiotechnique.com & quot; & gt; Yuko Mabuchi plays Miles Davis is one of those albums that can be appreciated just as much for its recording quality as it can for its musical success... Audiophiles should not miss this 'full holographic version' 45RPM vinyl pressing and experience hall ambience in a 360° effect on your favorite audio system! & lt;footer & gt; -Audiotechnique Magazine & lt;/footer & gt; & lt;/blockquote & gt; & lt;blockquote cite= & quot;www.notoriousjazz.com/requisites & quot; & gt; If you're a fan of piano jazz, I invite you to audition Yuko Mabuchi Plays Miles Davis, Volume 1. It's a live album worth investigating, and I hope will bring attention to a talented pianist who continues to exceed expectations and deserves to be heard! & lt;footer & gt; -Eddie Carter, Notorious Jazz & lt;/footer & gt; & lt;/blockquote & gt; & lt;section id= & quot;features & quot; & gt; & lt;h3 & gt;Features & lt;/h3 & gt; & lt;ul & gt; & lt;li & gt;180g Vinyl & lt;/li & gt; & lt;li & gt;45rpm & lt;/li & gt; & lt;li & gt;Steve Hoffman, Arian Jansen & amp; Bob Attiyeh & lt;/li & gt; & lt;li & gt;Vinyl Mastering: Bernie Grundman & lt;/li & gt; & lt;li & gt;Made in Germany & lt;/li & gt; & lt;/ul & gt; & lt;/section & gt; & lt;section id= & quot;musicians & quot; & gt; & lt;h3 & gt;Musicians & lt;/h3 & gt; & lt;table & gt; & lt;tr & gt; & lt;th & gt;Yuko Mabuchi & lt;/th & gt; & lt;td & gt;piano & lt;/td & gt; & lt;/tr & gt; & lt;tr & gt; & lt;th & gt;JJ Kirkpatrick & lt;/th & gt; & lt;td & gt;trumpet & lt;/td & gt; & lt;/tr & gt; & lt;tr & gt; & lt;th & gt;Del Atkins & lt;/th & gt; & lt;td & gt;bass & lt;/td & gt; & lt;/tr & gt; & lt;tr & gt; & lt;th & gt;Bobby Breton & lt;/th & gt; & lt;td & gt;drums & lt;/td & gt; & lt;/tr & gt; & lt;/table & gt; & lt;/section & gt; & lt;section id= & quot;selections & quot; & gt; & lt;h3 & gt;Selections & lt;/h3 & gt; & lt;h4 & gt;Side A: & lt;/h4 & gt; & lt;ol & gt; & lt;li & gt;All Blues (Miles Davis) & lt;/li & gt; & lt;li & gt;Blue In Green (Miles Davis) & lt;/li & gt; & lt;/ol & gt; & lt;h4 & gt;Side B: & lt;/h4 & gt; & lt;ol & gt; & lt;li & gt;Missing Miles (Yuko Mabuchi) & lt;/li & gt; & lt;li & gt;Sky With No Tears (Yuko Mabuchi) & lt;/li & gt; & lt;/ol & gt; & lt;/section & gt;

Yuko Mabuchi Plays Miles Davis Volume 1 180g 45rpm LP (Vinyl)

$ 40.73 ~~$ 41.99~~ 3% Off

& lt;header & gt; & lt;p & gt; & lt;strong & gt;180g Vinyl 45rpm Double LP! & lt;br & gt; Mastering & amp; Lacquers Cut by Bernie Grundman at Bernie Grundman Mastering! & lt;/strong & gt; & lt;/p & gt; & lt;/header & gt; & lt;p & gt;Groove Note's latest recording artist, & lt;strong & gt;Aisyah & lt;/strong & gt;, is a tremendously talented Singapore based vocalist who was recommended to them by current GRV recording star & lt;strong & gt;Vanessa Fernandez & lt;/strong & gt;. The top 10 finalist in a couple of regional vocal talent shows in her late teens, Aisyah was recently based in and recording in Malaysia for several years before returning to Singapore to pursue her own independent singing and songwriting career. & lt;/p & gt; & lt;p & gt;Groove Note is honored to have been chosen by Aisyah for her very first fully independent recording session which will also represent her first ever releases on 45 rpm Audiophile Vinyl LP and Hybrid Stereo SACD. The album was tracked and mixed on Protools HD at 24/96 by & lt;strong & gt;Roger Montejano & lt;/strong & gt;, a top studio engineer from Madrid, in late November and December 2020. Pearls will be mastered by & lt;strong & gt;Bernie Grundman & lt;/strong & gt; of BGM in Hollywood, CA, who will also cut the lacquers for the double 45 rpm LP. & lt;/p & gt; & lt;p & gt;Working with a top guitarist-arranger (Sebastian Ho), Aisyah presents a mellow groove, audiophile friendly selection of contemporary and old school R & amp;B hits and other favorites. The song selection runs the musical gamut, featuring covers of recent hits by Billie Eilish and Lianne La Havas all the way to a couple of Lou Reed and Bob Dylan classics from the '70s along with further tasty selections by the likes of Chris Isaak, Sade and Roberta Flack. (Note: the music program on the album also includes a couple of superb audiophile mixes, bonus alternate takes and a stunning and dramatic rendition of the well known standard & quot;Smile & quot;.) & lt;/p & gt; & lt;section id= & quot;features & quot; & gt; & lt;h3 & gt;Features & lt;/h3 & gt; & lt;ul & gt; & lt;li & gt;180g Audiophile Vinyl & lt;/li & gt; & lt;li & gt;45rpm & lt;/li & gt; & lt;li & gt;Double LP & lt;/li & gt; & lt;li & gt;Mastered by Bernie Grundman at Bernie Grundman Mastering & lt;/li & gt; & lt;li & gt;Lacquers cut by Bernie Grundman & lt;/li & gt; & lt;li & gt;Gatefold jacket & lt;/li & gt; & lt;li & gt;Made in the USA & lt;/li & gt; & lt;/ul & gt; & lt;/section & gt; & lt;section id= & quot;musicians & quot; & gt; & lt;h3 & gt;Musicians & lt;/h3 & gt; & lt;table & gt; & lt;tr & gt; & lt;th & gt;Aisyah & lt;/th & gt; & lt;td & gt;vocals & lt;/td & gt; & lt;/tr & gt; & lt;tr & gt; & lt;th & gt;Sebastian Ho & lt;/th & gt; & lt;td & gt;guitars & lt;/td & gt; & lt;/tr & gt; & lt;tr & gt; & lt;th & gt;Mei Sheum & lt;/th & gt; & lt;td & gt;keyboards & lt;/td & gt; & lt;/tr & gt; & lt;tr & gt; & lt;th & gt;Colin Yong & lt;/th & gt; & lt;td & gt;bass & lt;/td & gt; & lt;/tr & gt; & lt;tr & gt; & lt;th & gt;Rizal Sanip & lt;/th & gt; & lt;td & gt;drums, percussion & lt;/td & gt; & lt;/tr & gt; & lt;tr & gt; & lt;th & gt;Kenneth Lun & lt;/th & gt; & lt;td & gt;trumpet & lt;/td & gt; & lt;/tr & gt; & lt;tr & gt; & lt;th & gt;Fabian Lim & lt;/th & gt; & lt;td & gt;saxophone & lt;/td & gt; & lt;/tr & gt; & lt;tr & gt; & lt;th & gt;Han Oh & lt;/th & gt; & lt;td & gt;violin & lt;/td & gt; & lt;/tr & gt; & lt;tr & gt; & lt;th & gt;Tang Jia & lt;/th & gt; & lt;td & gt;cello & lt;/td & gt; & lt;/tr & gt; & lt;/table & gt; & lt;/section & gt; & lt;section id= & quot;selections & quot; & gt; & lt;h3 & gt;Selections & lt;/h3 & gt; & lt;h4 & gt;Side A: & lt;/h4 & gt; & lt;ol & gt; & lt;li & gt;Wicked Game & lt;/li & gt; & lt;li & gt;Wonderful & lt;/li & gt; & lt;li & gt;Pearls & lt;/li & gt; & lt;/ol & gt; & lt;h4 & gt;Side B: & lt;/h4 & gt; & lt;ol & gt; & lt;li & gt;Walk On The Wild Side & lt;/li & gt; & lt;li & gt;Killing Me Softly & lt;/li & gt; & lt;li & gt;Purple Rain & lt;/li & gt; & lt;/ol & gt; & lt;h4 & gt;Side C: & lt;/h4 & gt; & lt;ol & gt; & lt;li & gt;High & amp; Dry & lt;/li & gt; & lt;li & gt;Bellyache & lt;/li & gt; & lt;li & gt;Like A Star & lt;/li & gt; & lt;/ol & gt; & lt;h4 & gt;Side D: & lt;/h4 & gt; & lt;ol & gt; & lt;li & gt;Knocking On Heaven's Door & lt;/li & gt; & lt;li & gt;Smile & lt;/li & gt; & lt;li & gt;Wicked Game (Audiophile Mix) & lt;/li & gt; & lt;/ol & gt; & lt;/section & gt;

Aisyah Pearls 180g 45rpm 2LP (Vinyl)

$ 56.99 ~~$ 59.99~~ 5% Off

& lt;header & gt; & lt;p & gt; & lt;strong & gt;30th Anniversary Limited Collector's Edition 180g 5LP Box Set! & lt;br & gt; Over 2 Hours Of Electric Garcia! & lt;br & gt; First Time Ever On Vinyl! & lt;/strong & gt; & lt;/p & gt; & lt;/header & gt; & lt;p & gt;Selling over 360,000 CDs since its release, the beloved self-titled album, Jerry Garcia Band, was the band's first live release recorded in the spring and summer of 1990 at the Warfield in San Francisco. The iconic lineup features John Kahn, Melvin Seals, David Kemper, Gloria Jones, and Jacklyn LaBranch. In celebration of the album's 30th anniversary, it is released on vinyl for the first time. The release features over two hours of magic across five LPs and includes new liner note essays by Bill Walton and Steven Hyden plus a special etching filling out the collection's final side. & lt;/p & gt; & lt;p & gt;The Jerry Garcia Band (30th Anniversary Edition) is offered as a special Collector's Edition pressed in a limited edition of 10,000 on 180 gram weight black vinyl housed in a gold foil embossed clamshell box. & lt;/p & gt; & lt;p & gt;Originally released on CD and cassette in 1991, Jerry Garcia Band showcases the band on the stage Garcia graced more than any other - the Warfield Theatre. Though several studio records were made since the band's inception in 1975, Jerry Garcia Band holds the distinction as the only live document Garcia produced during his lifetime. Garcia's selections are a veritable tour de force that reveals the depth of his songbook and exquisite abilities as a performer and band-leader. The collection includes the band's, arguably, definitive performance of Dylan's & quot;Tangled Up In Blue & quot;, along with a handful of other staples by the Bard. Smokey's & quot;The Way You Do The Things You Do & quot; is another easy highlight with vocals so soft and sweet they're certain to put a smile on anyone's face. While & quot;Don't Let Go & quot; showcases the band's considerable chemistry that allowed them to paint so freely outside the lines. & lt;/p & gt; & lt;p & gt;As Steven Hyden notes in the album's new liner note essay, & lt;strong & gt; & quot;The result on Jerry Garcia Band is an album that feels, in the best possible sense, like church, a sacred sanctuary that a community visits when it needs to be reminded of its better and purer selves... a work of incredible warmth and wisdom that can reboot and then refresh even the weariest of hearts. & quot; & lt;/strong & gt; & lt;/p & gt; & lt;section id= & quot;features & quot; & gt; & lt;h3 & gt;Features & lt;/h3 & gt; & lt;ul & gt; & lt;li & gt;Limited Collector's Edition - 10,000 Copies & lt;/li & gt; & lt;li & gt;30th Anniversary & lt;/li & gt; & lt;li & gt;5LP Box Set & lt;/li & gt; & lt;li & gt;180g Vinyl & lt;/li & gt; & lt;li & gt;First Time Ever on Vinyl & lt;/li & gt; & lt;li & gt;Special Vinyl Etching On Final Side & lt;/li & gt; & lt;li & gt;New liner note essays by Bill Walton & amp; Steven Hyden & lt;/li & gt; & lt;li & gt;Clamshell Box with Textured Paper Wrap & amp; Gold Foil Embossing & lt;/li & gt; & lt;/ul & gt; & lt;/section & gt; & lt;section id= & quot;selections & quot; & gt; & lt;h3 & gt;Selections & lt;/h3 & gt; & lt;h4 & gt;Side A: & lt;/h4 & gt; & lt;ol & gt; & lt;li & gt;The Way You Do The Things You Do & lt;/li & gt; & lt;li & gt;Waiting for a Miracle & lt;/li & gt; & lt;/ol & gt; & lt;h4 & gt;Side B: & lt;/h4 & gt; & lt;ol & gt; & lt;li & gt;Simple Twist Of Fate & lt;/li & gt; & lt;li & gt;Get Out of My Life & lt;/li & gt; & lt;/ol & gt; & lt;h4 & gt;Side C: & lt;/h4 & gt; & lt;ol & gt; & lt;li & gt;My Sisters And Brothers & lt;/li & gt; & lt;li & gt;I Shall Be Released & lt;/li & gt; & lt;/ol & gt; & lt;h4 & gt;Side D: & lt;/h4 & gt; & lt;ol & gt; & lt;li & gt;Dear Prudence & lt;/li & gt; & lt;li & gt;Deal & lt;/li & gt; & lt;/ol & gt; & lt;h4 & gt;Side E: & lt;/h4 & gt; & lt;ol & gt; & lt;li & gt;Stop That Train & lt;/li & gt; & lt;li & gt;Se & amp;#241;Or (Tales Of Yankee Power) & lt;/li & gt; & lt;/ol & gt; & lt;h4 & gt;Side F: & lt;/h4 & gt; & lt;ol & gt; & lt;li & gt;Evangeline & lt;/li & gt; & lt;li & gt;The Night They Drove Old Dixie Down & lt;/li & gt; & lt;/ol & gt; & lt;h4 & gt;Side G: & lt;/h4 & gt; & lt;ol & gt; & lt;li & gt;Don't Let Go & lt;/li & gt; & lt;/ol & gt; & lt;h4 & gt;Side H: & lt;/h4 & gt; & lt;ol & gt; & lt;li & gt;That Lucky Old Sun & lt;/li & gt; & lt;/ol & gt; & lt;h4 & gt;Side I: & lt;/h4 & gt; & lt;ol & gt; & lt;li & gt;Tangled Up in Blue & lt;/li & gt; & lt;/ol & gt; & lt;h4 & gt;Side J: & lt;/h4 & gt; & lt;p & gt;Etching & lt;/p & gt; & lt;/section & gt;

Jerry Garcia Band Jerry Garcia Band (30th Anniversary) 180g 5LP Box Set (Vinyl)

$ 104.75 ~~$ 107.99~~ 3% Off

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