Eric Dolphy Complete Uppsala Concert Vol. 1 LP (Vinyl)
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& lt;p & gt; & lt;strong & gt;Live Recording On Vinyl LP! & lt;/strong & gt; & lt;/p & gt;
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& lt;p & gt;Recorded Live in Sweden in September 1961, the Uppsala Concert is an important document from Eric Dolphy's first Swedish tour as leader of an obscure but talented local quartet featuring Rony Johansson (piano), Kurt Lindgren (bass), and Rune Carlsson (drums). Master Dolphy shines, as always, on all his instruments alto sax, bass clarinet, and flute, while the track list consists of a rare mix of standards such as Milt Jackson's & quot;Bags Groove & quot;, Monk's & quot;52nd Street Theme & quot;, Cole Porter's & quot;What Is This Thing Called Love? & quot;, and the famous unaccompanied alto sax version of & quot;Laura & quot;, all this plus a 20-minute long version of Dolphy's blues & quot;245 & quot; where every single note played by Dolphy sounds as pure gold.
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& lt;li & gt;Vinyl LP & lt;/li & gt;
& lt;li & gt;Recorded at Vastmanlands-Dala Nation, Uppsala, Sweden on September 4th, 1961 & lt;/li & gt;
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& lt;th & gt;Eric Dolphy & lt;/th & gt;
& lt;td & gt;alto saxophone, bass clarinet, flute & lt;/td & gt;
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& lt;th & gt;Rony Johansson & lt;/th & gt;
& lt;td & gt;piano & lt;/td & gt;
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& lt;th & gt;Kurt Lindgren & lt;/th & gt;
& lt;td & gt;bass & lt;/td & gt;
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& lt;th & gt;Rune Carlsson & lt;/th & gt;
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& lt;h3 & gt;Selections & lt;/h3 & gt;
& lt;h4 & gt;Side A: & lt;/h4 & gt;
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& lt;li & gt;What Is This Thing Called Love? & lt;/li & gt;
& lt;li & gt;245 & lt;/li & gt;
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& lt;h4 & gt;Side B: & lt;/h4 & gt;
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& lt;li & gt;Bag's Groove & lt;/li & gt;
& lt;li & gt;Laura & lt;/li & gt;
& lt;li & gt;52nd St. Theme & lt;/li & gt;
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Nina Simone Live At Town Hall 1959 LP (Vinyl)
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& lt;p & gt; & lt;strong & gt;The Original Concert That Inspired Simone's 3rd Album, Now On Vinyl LP! & lt;/strong & gt; & lt;/p & gt;
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& lt;p & gt;This is the epic Town Hall concert held by Nina Simone (with Jimmy Bond on bass and Albert & quot;Tootie & quot; Heath on drums) in New York on September 15th 1959 and originally released as her second album for Colpix Records, even though some of the songs featured
in the concert were subsequently re-recorded in a studio for the album release. The repertoire included both traditional material and original songs written by Nina herself, plus some beautiful renditions of standards such as Gershwin's & quot;Summertime & quot;
and Billie Holiday's & quot;Fine and Mellow. & quot; & lt;/p & gt;
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& lt;h3 & gt;Features & lt;/h3 & gt;
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& lt;li & gt;Vinyl LP & lt;/li & gt;
& lt;li & gt;Live tracks recorded at The Town Hall, New York, September 15, 1959 & lt;/li & gt;
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& lt;h4 & gt;Side A: & lt;/h4 & gt;
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& lt;li & gt;Exactly Like You & lt;/li & gt;
& lt;li & gt;The Other Woman & lt;/li & gt;
& lt;li & gt;Under The Lowest & lt;/li & gt;
& lt;li & gt;You Can Have Him & lt;/li & gt;
& lt;li & gt;Summertime & lt;/li & gt;
& lt;li & gt;Cotton Eyed Joe & lt;/li & gt;
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& lt;h4 & gt;Side B: & lt;/h4 & gt;
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& lt;li & gt;Return Home & lt;/li & gt;
& lt;li & gt;Wild Is The Wind & lt;/li & gt;
& lt;li & gt;Fine And Mellow & lt;/li & gt;
& lt;li & gt;Black Is The Color (Of My True Love's Hair) & lt;/li & gt;
& lt;li & gt;Love Me Or Leave Me & lt;/li & gt;
& lt;li & gt;My Baby Just Cares For Me & lt;/li & gt;
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Chet Baker The Koln Concert 1955 Volume I LP (Vinyl)
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& lt;p & gt; & lt;strong & gt;Chet Baker Live On Vinyl LP! & lt;/strong & gt; & lt;/p & gt;
& lt;/header & gt;
& lt;p & gt;Unreleased for many years, and now on two LPs, here's the famous Chet Baker's concert in Koln in October 1955 featuring pianist Dick Twardzik, bassist Jimmy Bond and drummer Pete Littman, plus guests on a couple of tracks, German reed specialists Hans
Koller and Willi Sanner respectively on tenor and baritone sax. A particularly soulful performance based on a strong and varied track list comprising some of Baker's favorite standards such as & quot;My Funny Valentine & quot; and & quot;I'll Remember April & quot; (both found on Volume II) plus Twardzik's
original & quot;Yellow Tango & quot; (found on Volume I). This concert is also sadly remembered as one of Twardzik's last performances before his premature death from an overdose just 12 days later. & lt;/p & gt;
& lt;section id= & quot;features & quot; & gt;
& lt;h3 & gt;Features & lt;/h3 & gt;
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& lt;li & gt;Vinyl LP & lt;/li & gt;
& lt;li & gt;Recorded live at the Koln Borsensaal, October 9, 1955 & lt;/li & gt;
& lt;li & gt;Import & lt;/li & gt;
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& lt;section id= & quot;musicians & quot; & gt;
& lt;h3 & gt;Musicians & lt;/h3 & gt;
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& lt;th & gt;Chet Baker & lt;/th & gt;
& lt;td & gt;trumpet & lt;/td & gt;
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& lt;th & gt;Dick Twardzik & lt;/th & gt;
& lt;td & gt;piano & lt;/td & gt;
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& lt;th & gt;Jimmy Bond & lt;/th & gt;
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& lt;th & gt;Pete Littman & lt;/th & gt;
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& lt;section id= & quot;selections & quot; & gt;
& lt;h3 & gt;Selections & lt;/h3 & gt;
& lt;h4 & gt;Side A: & lt;/h4 & gt;
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& lt;li & gt;Announcement By Gigi Campi And Chet Baker & lt;/li & gt;
& lt;li & gt;Exitus & lt;/li & gt;
& lt;li & gt;Announcement By Chet Baker & lt;/li & gt;
& lt;li & gt;Tommyhawk & lt;/li & gt;
& lt;li & gt;Imagination & lt;/li & gt;
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& lt;h4 & gt;Side B: & lt;/h4 & gt;
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& lt;li & gt;Chet Baker Presents Dick Twardzik's Solo Feature & lt;/li & gt;
& lt;li & gt;Yellow Tango & lt;/li & gt;
& lt;li & gt;Someone To Watch Over Me & lt;/li & gt;
& lt;li & gt;C.T.A. & lt;/li & gt;
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Chet Baker The Koln Concert 1955 Volume II LP (Vinyl)
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& lt;p & gt; & lt;strong & gt;Chet Baker Live On Vinyl LP! & lt;/strong & gt; & lt;/p & gt;
& lt;/header & gt;
& lt;p & gt;Unreleased for many years, and now on two LPs, here's the famous Chet Baker's concert in Koln in October 1955 featuring pianist Dick Twardzik, bassist Jimmy Bond and drummer Pete Littman, plus guests on a couple of tracks, German reed specialists Hans
Koller and Willi Sanner respectively on tenor and baritone sax. A particularly soulful performance based on a strong and varied track list comprising some of Baker's favorite standards such as & quot;My Funny Valentine & quot; and & quot;I'll Remember April & quot; (both found on Volume II) plus Twardzik's
original & quot;Yellow Tango & quot; (found on Volume I). This concert is also sadly remembered as one of Twardzik's last performances before his premature death from an overdose just 12 days later. & lt;/p & gt;
& lt;section id= & quot;features & quot; & gt;
& lt;h3 & gt;Features & lt;/h3 & gt;
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& lt;li & gt;Vinyl LP & lt;/li & gt;
& lt;li & gt;Recorded live at the Koln Borsensaal, October 9, 1955 & lt;/li & gt;
& lt;li & gt;Import & lt;/li & gt;
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& lt;section id= & quot;musicians & quot; & gt;
& lt;h3 & gt;Musicians & lt;/h3 & gt;
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& lt;th & gt;Chet Baker & lt;/th & gt;
& lt;td & gt;trumpet & lt;/td & gt;
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& lt;th & gt;Dick Twardzik & lt;/th & gt;
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& lt;th & gt;Jimmy Bond & lt;/th & gt;
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& lt;th & gt;Pete Littman & lt;/th & gt;
& lt;td & gt;drums & lt;/td & gt;
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& lt;th & gt;Hans Koller & lt;/th & gt;
& lt;td & gt;tenor sax & lt;/td & gt;
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& lt;th & gt;Willi Sanner & lt;/th & gt;
& lt;td & gt;baritone sax & lt;/td & gt;
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& lt;section id= & quot;selections & quot; & gt;
& lt;h3 & gt;Selections & lt;/h3 & gt;
& lt;h4 & gt;Side A: & lt;/h4 & gt;
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& lt;li & gt;My Funny Valentine & lt;/li & gt;
& lt;li & gt;Announcement & lt;/li & gt;
& lt;li & gt;Cool Blues & lt;/li & gt;
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& lt;h4 & gt;Side B: & lt;/h4 & gt;
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& lt;li & gt;I'll Remember April & lt;/li & gt;
& lt;li & gt;Exitus & lt;/li & gt;
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The Thelonious Monk Quartet Live In Amsterdam LP (Vinyl)
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& lt;p & gt; & lt;strong & gt;The High Priest Of Bop On Vinyl LP! & lt;/strong & gt; & lt;/p & gt;
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& lt;p & gt;The legendary Monk's quartet appearance at the world-famous Concertgebouw in Amsterdam in May 1961. The high priest of Bop, one of the most important, if enigmatic, figures in modern Jazz together with three of his main disciples, tenor sax specialist
Charlie Rouse and the ultra dynamic rhythm section of John Ore - double bass and Frankie Dunlop - drums, in a wonderful performance based on super tight renditions of classic tunes such as & quot;Jackie-ing & quot;, & quot;Straight No Chaser & quot;, & quot;Crepuscule With Nellie & quot;
and & quot;Rhythm-a-Ning & quot;. Surely, both the band and a packed house had a ball that night!!! & lt;/p & gt;
& lt;section id= & quot;features & quot; & gt;
& lt;h3 & gt;Features & lt;/h3 & gt;
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& lt;li & gt;Vinyl LP & lt;/li & gt;
& lt;li & gt;Recorded at Concertgebouw, Amsterdam, May 20,1961 & lt;/li & gt;
& lt;li & gt;Manufactured in Europe & lt;/li & gt;
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& lt;section id= & quot;musicians & quot; & gt;
& lt;h3 & gt;Musicians & lt;/h3 & gt;
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& lt;th & gt;Thelonious Monk & lt;/th & gt;
& lt;td & gt;piano & lt;/td & gt;
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& lt;th & gt;Charlie Rouse & lt;/th & gt;
& lt;td & gt;tenor saxophone & lt;/td & gt;
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& lt;th & gt;John Ore & lt;/th & gt;
& lt;td & gt;bass & lt;/td & gt;
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& lt;th & gt;Frankie Dunlop & lt;/th & gt;
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& lt;h3 & gt;Selections & lt;/h3 & gt;
& lt;h4 & gt;Side A: & lt;/h4 & gt;
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& lt;li & gt;Jackie-ing & lt;/li & gt;
& lt;li & gt;Straight No Chaser & lt;/li & gt;
& lt;li & gt;Crepuscule With Nellie & lt;/li & gt;
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& lt;h4 & gt;Side B: & lt;/h4 & gt;
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& lt;li & gt;Well You Needn't & lt;/li & gt;
& lt;li & gt;Rhythm-a-ning & lt;/li & gt;
& lt;li & gt;Body And Soul & lt;/li & gt;
& lt;li & gt;Just A Gigolo & lt;/li & gt;
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Krzysztof Komeda Live And Radio Recordings 1957-1962 Import LP (Vinyl)
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& lt;p & gt; & lt;strong & gt;Rare Recordings From The Polish Pianist & amp; Film Composer On Vinyl LP! & lt;/strong & gt; & lt;/p & gt;
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& lt;p & gt;One more step into the eclectic world of Krzystof Komeda. This is the second Naked Lunch release dedicated to the music of the great late Polish pianist and film music composer. An outstanding compilation based on Komeda's early production featuring a
variety of live and radio recordings between 1957 and 1962. Four different line ups including the Komeda trio, quartet and sextet, plus another quartet shared with tenor sax player Bernt Rosengren. A bunch of true pioneers for Jazz in Eastern Europe
searching for the perfect synthesis between the American stylistic influence and a distinctive Slavic lyricism. & lt;/p & gt;
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& lt;h3 & gt;Features & lt;/h3 & gt;
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& lt;li & gt;Vinyl LP & lt;/li & gt;
& lt;li & gt;Import & lt;/li & gt;
& lt;li & gt;Manufactured in Europe & lt;/li & gt;
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& lt;section id= & quot;musicians & quot; & gt;
& lt;h3 & gt;Musicians & lt;/h3 & gt;
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& lt;th & gt;J & amp;#243;zef Stolarz (Komeda Sekstet) & lt;/th & gt;
& lt;td & gt;bass & lt;/td & gt;
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& lt;th & gt;Jan Wr & amp;#243;blewski (Komeda Sekstet) & lt;/th & gt;
& lt;td & gt;clarinet, saxophone & lt;/td & gt;
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& lt;th & gt;Jan Zylber (Komeda Sekstet) & lt;/th & gt;
& lt;td & gt;drums & lt;/td & gt;
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& lt;th & gt;Marian Zielniewicz (Komeda Sekstet) & lt;/th & gt;
& lt;td & gt;English horn & lt;/td & gt;
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& lt;th & gt;Alfred Ciechanski (Komeda Sekstet) & lt;/th & gt;
& lt;td & gt;horn & lt;/td & gt;
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& lt;th & gt;Zdzislaw Brzeszczynski (Komeda Sekstet) & lt;/th & gt;
& lt;td & gt;trombone & lt;/td & gt;
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& lt;th & gt;Jerzy Milian (Komeda Sekstet) & lt;/th & gt;
& lt;td & gt;vibraphone & lt;/td & gt;
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& lt;th & gt;Adam Skorupka (Bernt Rosengren & amp; Krzysztof Komeda Trio) & lt;/th & gt;
& lt;td & gt;bass & lt;/td & gt;
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& lt;th & gt;Leszek Dudziak (Bernt Rosengren & amp; Krzysztof Komeda Trio) & lt;/th & gt;
& lt;td & gt;drums & lt;/td & gt;
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& lt;th & gt;Bernt Rosengren (Bernt Rosengren & amp; Krzysztof Komeda Trio) & lt;/th & gt;
& lt;td & gt;tenor saxophone & lt;/td & gt;
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& lt;th & gt;Jan Byrczek (Krzysztof Komeda-Trzcinski Quartet) & lt;/th & gt;
& lt;td & gt;bass & lt;/td & gt;
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& lt;th & gt;Tadeusz Federowski (Krzysztof Komeda-Trzcinski Quartet) & lt;/th & gt;
& lt;td & gt;drums & lt;/td & gt;
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& lt;th & gt;J & amp;#243;zef Gawrych (Krzysztof Komeda-Trzcinski Quartet) & lt;/th & gt;
& lt;td & gt;percussion & lt;/td & gt;
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& lt;th & gt;Roman & quot;Gucio & quot; Dylag (Krzysztof Komeda Trio) & lt;/th & gt;
& lt;td & gt;bass & lt;/td & gt;
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& lt;th & gt;Rune Carlson (Krzysztof Komeda Trio) & lt;/th & gt;
& lt;td & gt;drums & lt;/td & gt;
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& lt;th & gt;Krzysztof Komeda & lt;/th & gt;
& lt;td & gt;piano & lt;/td & gt;
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& lt;!--More musician rows go here-- & gt;
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& lt;h3 & gt;Selections & lt;/h3 & gt;
& lt;h4 & gt;Side A: & lt;/h4 & gt;
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& lt;li & gt;All The Things You Are - Komeda Sekstet (Polish Radio Gdansk, 1957) & lt;/li & gt;
& lt;li & gt;That Second - Komeda Sekstet (Polish Radio Poznan, 1957) & lt;/li & gt;
& lt;li & gt;Ballad For Bernt - Bernt Rosengren & amp; Krzystof Komeda Trio (Polish Radio Warszawa, 1961) & lt;/li & gt;
& lt;li & gt;Crazy Girl - Bernt Rosengren & amp; Krzysztof Komeda Trio (Live at 4. Jazz Jamboree, Warszawa, 1961) & lt;/li & gt;
& lt;li & gt;Cherry - Bernt Rosengren & amp; Krzysztof Komeda Trio (Live at 4. Jazz Jamboree, Warszawa, 1961) & lt;/li & gt;
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& lt;h4 & gt;Side B: & lt;/h4 & gt;
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& lt;li & gt;Temat Bez Tytulu (Theme Without Title) - Krzysztof Komeda-Trzcinski Quartet (Polish Radio Warszawa, Studio 1, 1959) & lt;/li & gt;
& lt;li & gt;First Etude From Jazz Ballet - Krzysztof Komeda Trio (Live at 5. Jazz Jamboree, Warszawa, 1962) & lt;/li & gt;
& lt;li & gt;Ballad For Bernt - Krzysztof Komeda Trio (Live at 5. Jazz Jamboree, Warszawa, 1962) & lt;/li & gt;
& lt;li & gt;Crazy Girl - Krzysztof Komeda Trio (Live at 5. Jazz Jamboree, Warszawa, 1962) & lt;/li & gt;
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Mento: Jamaica's Original Music Import LP (Vinyl)
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& lt;p & gt; & lt;strong & gt;The Original Jamaican Folk Music On Vinyl LP! & lt;/strong & gt; & lt;/p & gt;
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& lt;p & gt;If you are in search of the origins of Jamaican music this is a great album to start with. Mento was the original Jamaican folk music that predates ska and reggae. Played exclusively on acoustic instruments, Mento was based on both African and European
elements. The 1950s was Mento's golden age, as many artists recorded songs using a variety of rhythms and styles. It was the peak of Mento's creativity and popularity and the birth of Jamaica's recording industry. Features Laurel Aitken, Ben Bowers
with The Babba Motta Orchestra, Hubert Porter, Count Lasher's Seven, Count Lasher, Lord Flea, Harold Richardson & amp; The Ticklers, Harold Richardson, Wrigglers, Lord Fly, Count Lasher & amp; His Quintet, Boysie Grant, and Boysie Grant & amp; Reynold's
Calypso Clippers. & lt;/p & gt;
& lt;section id= & quot;features & quot; & gt;
& lt;h3 & gt;Features & lt;/h3 & gt;
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& lt;li & gt;Vinyl LP & lt;/li & gt;
& lt;li & gt;Manufactured in Europe & lt;/li & gt;
& lt;!--More features go here in & lt;li & gt; tags-- & gt;
& lt;/ul & gt;
& lt;/section & gt;
& lt;section id= & quot;selections & quot; & gt;
& lt;h3 & gt;Selections & lt;/h3 & gt;
& lt;h4 & gt;Side A: & lt;/h4 & gt;
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& lt;li & gt;Laurel Aitken - Sweet Chariot & lt;/li & gt;
& lt;li & gt;Ben Bowers with The Babba Motta Orchestra - Brown Skin Girl & lt;/li & gt;
& lt;li & gt;Hubert Porter - Not Me (Man Smart, Woman Smarter) & lt;/li & gt;
& lt;li & gt;Count Lasher's Seven - Mango Time & lt;/li & gt;
& lt;li & gt;Count Lasher - Doctor & lt;/li & gt;
& lt;li & gt;Lord Flea - It All Began With Adam And Eve & lt;/li & gt;
& lt;li & gt;Harold Richardson & amp; The Ticklers - Healin' In The Balmyard & lt;/li & gt;
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& lt;h4 & gt;Side B: & lt;/h4 & gt;
& lt;ol & gt;
& lt;li & gt;Harold Richardson - Country Gal & lt;/li & gt;
& lt;li & gt;Wrigglers - Lindstead Market & amp; Day O & lt;/li & gt;
& lt;li & gt;Lord Fly - Blu-Lu-Lup & lt;/li & gt;
& lt;li & gt;Count Lasher & amp; His Quintet - Samfi Man & lt;/li & gt;
& lt;li & gt;Harold Richardson & amp; The Ticklers - Glamour Gal & lt;/li & gt;
& lt;li & gt;Boysie Grant - Solas Market & lt;/li & gt;
& lt;li & gt;Boysie Grant & amp; Reynold's Calypso Clippers - The Naughty Little Flea & lt;/li & gt;
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& lt;/section & gt;
The Origins Of Congo & Zambia Guitar Music 1957-1958 Import LP (Vinyl)
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& lt;p & gt; & lt;strong & gt;Early African Guitar Music On Vinyl LP! & lt;/strong & gt; & lt;/p & gt;
& lt;/header & gt;
& lt;p & gt;These are the historical recordings by the great ethnomusicologist Hugh Tracey. The fruit of his researches in southern Congo and in northern Zambia between 1957 and 1958. That was the time when the guitar became a popular instrument and slowly achieved
the status of cultural symbol. This collection stands as an important document of the emergence of a totally new sound in African music. A unique blend of African roots and pop music imported from the west. A must for all guitar music fans around the
globe. Features Ilunga Patrice & amp; Misomba Victor, Ngoi Nono & amp; Kabongo Anastase, Kaseba Anatole, Stephen Tsotsi Kasumali Ematambo, Stephen Tsotsi Kasumali, T. Muntali & amp; M. Sapao Mayo, The Four Pals, John Lushi, Isaac Matafwana & amp; Sunkutu, Luson Mwape Muchalo,
Willem Sivale, and F. Musonda. & lt;/p & gt;
& lt;section id= & quot;features & quot; & gt;
& lt;h3 & gt;Features & lt;/h3 & gt;
& lt;ul & gt;
& lt;li & gt;Vinyl LP & lt;/li & gt;
& lt;li & gt;Manufactured in Europe & lt;/li & gt;
& lt;!--More features go here in & lt;li & gt; tags-- & gt;
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& lt;section id= & quot;selections & quot; & gt;
& lt;h3 & gt;Selections & lt;/h3 & gt;
& lt;h4 & gt;Side A: & lt;/h4 & gt;
& lt;ol & gt;
& lt;li & gt;Ilunga Patrice & amp; Misomba Victor - Mama Josefina & lt;/li & gt;
& lt;li & gt;Ilunga Patrice & amp; Misomba Victor - Masengu & lt;/li & gt;
& lt;li & gt;Ngoi Nono & amp; Kabongo Anastase - Muleka Mwene Yombwe & lt;/li & gt;
& lt;li & gt;Kaseba Anatole - Muleka Mwene Ngoie & lt;/li & gt;
& lt;li & gt;Stephen Tsotsi Kasumali Ematambo - Waifwe Bantu & lt;/li & gt;
& lt;li & gt;Stephen Tsotsi Kasumali - Banakatekwe & lt;/li & gt;
& lt;li & gt;T. Muntali & amp; M. Sapao Mayo - Wafwa & lt;/li & gt;
& lt;/ol & gt;
& lt;h4 & gt;Side B: & lt;/h4 & gt;
& lt;ol & gt;
& lt;li & gt;The Four Pals - Nifwe Ba & lt;/li & gt;
& lt;li & gt;The Four Pals - Maselino Yaya Yoyayu & lt;/li & gt;
& lt;li & gt;John Lushi - Bamgufya Ba Kwati & lt;/li & gt;
& lt;li & gt;Isaac Matafwana & amp; Sunkutu - Katikalepuke Katikatobeke & lt;/li & gt;
& lt;li & gt;Luson Mwape Muchalo - Chilomendo Chakumena & lt;/li & gt;
& lt;li & gt;Willem Sivale - Nashe Nsapato & lt;/li & gt;
& lt;li & gt;F. Musonda - Amatstotsi Mama Amaononge Chalo & lt;/li & gt;
& lt;/ol & gt;
& lt;/section & gt;
Yusef Lateef Other Sounds Import LP (Vinyl)
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& lt;p & gt; & lt;strong & gt;1959 Album Reissued On Vinyl LP! & lt;/strong & gt; & lt;/p & gt;
& lt;/header & gt;
& lt;p & gt;Naked Lunch presents the reissue of Yusef Lateef's Other Sounds, originally released in 1959. Other Sounds was the first album on which Yusef Lateef looked beyond the confines of jazz and popular music to hear and perhaps & quot;sing & quot; the music he heard from the
East. The album was recorded in 1957 and released two years after on the New Jazz label. The lineup was comprised of Yusef Lateef (tenor saxophone, flute, tambourine, argol), Wilbur Harden (flugelhorn, balloon), Hugh Lawson (piano, Turkish finger cymbals,
7UP bottle, balloon, bells), Ernie Farrow (bass, rabat) and Oliver Jackson (drums, gong, earthboard). Surely this is one of the forerunners of the so-called & quot;world-music & quot; revolution.
& lt;/p & gt;
& lt;section id= & quot;features & quot; & gt;
& lt;h3 & gt;Features & lt;/h3 & gt;
& lt;ul & gt;
& lt;li & gt;Vinyl LP & lt;/li & gt;
& lt;li & gt;Import & lt;/li & gt;
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& lt;section id= & quot;musicians & quot; & gt;
& lt;h3 & gt;Musicians & lt;/h3 & gt;
& lt;table & gt;
& lt;tr & gt;
& lt;th & gt;Yusef Lateef & lt;/th & gt;
& lt;td & gt;tenor saxophone, flute, argol & lt;/td & gt;
& lt;/tr & gt;
& lt;tr & gt;
& lt;th & gt;Wilbur Harden & lt;/th & gt;
& lt;td & gt;flugelhorn & lt;/td & gt;
& lt;/tr & gt;
& lt;tr & gt;
& lt;th & gt;Hugh Lawson & lt;/th & gt;
& lt;td & gt;piano, Turkish finger cymbals & lt;/td & gt;
& lt;/tr & gt;
& lt;tr & gt;
& lt;th & gt;Ernie Farrow & lt;/th & gt;
& lt;td & gt;bass, rebob & lt;/td & gt;
& lt;/tr & gt;
& lt;tr & gt;
& lt;th & gt;Oliver Jackson & lt;/th & gt;
& lt;td & gt;drums, earth-board & lt;/td & gt;
& lt;/tr & gt;
& lt;!--More musician rows go here-- & gt;
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& lt;section id= & quot;selections & quot; & gt;
& lt;h3 & gt;Selections & lt;/h3 & gt;
& lt;h4 & gt;Side A: & lt;/h4 & gt;
& lt;ol & gt;
& lt;li & gt;All Alone & lt;/li & gt;
& lt;li & gt;Anastasia & lt;/li & gt;
& lt;li & gt;Minor Mood & lt;/li & gt;
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& lt;h4 & gt;Side B: & lt;/h4 & gt;
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& lt;li & gt;Taboo & lt;/li & gt;
& lt;li & gt;Lambert's Point & lt;/li & gt;
& lt;li & gt;Mahaba & lt;/li & gt;
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& lt;/section & gt;
Lightnin' Hopkins The Aladdin Singles 1947-1948 LP (Vinyl)
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& lt;p & gt; & lt;strong & gt;Early Performances From A Blues Master On Vinyl LP! & lt;/strong & gt; & lt;/p & gt;
& lt;/header & gt;
& lt;p & gt;The great Texas bluesman Lightnin' Hopkins (1912-1982) recorded these fabulous tracks for Aladdin in Los Angeles and Houston between 1946-1948. These early performances are considered as seminal works not only for Hopkins's career but also for the whole
history of country blues. Here, Lightnin' is mostly alone with his guitar, except on some tracks where he is joined by pianist Wilson & quot;Thunder & quot; Smith or some unknown drummer. Hopkins's intense guitar and deep voice and lyrics are at the very center
of this unprecedented music. In one word: A masterpiece! & lt;/p & gt;
& lt;section id= & quot;features & quot; & gt;
& lt;h3 & gt;Features & lt;/h3 & gt;
& lt;ul & gt;
& lt;li & gt;Vinyl LP & lt;/li & gt;
& lt;li & gt;Import & lt;/li & gt;
& lt;/ul & gt;
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& lt;section id= & quot;selections & quot; & gt;
& lt;h3 & gt;Selections & lt;/h3 & gt;
& lt;h4 & gt;Side A: & lt;/h4 & gt;
& lt;ol & gt;
& lt;li & gt;Katie Mae Blues & lt;/li & gt;
& lt;li & gt;That Mean Old Twister & lt;/li & gt;
& lt;li & gt;I Feel So Bad & lt;/li & gt;
& lt;li & gt;Rocky Mountain Blues & lt;/li & gt;
& lt;li & gt;Fast Mail Rambler & lt;/li & gt;
& lt;li & gt;Thinkin' And Worryin' & lt;/li & gt;
& lt;/ol & gt;
& lt;h4 & gt;Side B: & lt;/h4 & gt;
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& lt;li & gt;Short-Haired Woman & lt;/li & gt;
& lt;li & gt;Big Mama Jump & lt;/li & gt;
& lt;li & gt;Sugar Mama & lt;/li & gt;
& lt;li & gt;Picture On The Wall & lt;/li & gt;
& lt;li & gt;Down Home Baby & lt;/li & gt;
& lt;li & gt;Let Me Play With Your Poodle & lt;/li & gt;
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& lt;/section & gt;
Billie Holiday & Lester Young Studio Recordings Vol. 1 LP (Vinyl)
& lt;header & gt;
& lt;p & gt; & lt;strong & gt;One Of The Greatest Musical Relationships In Jazz History On Vinyl LP! & lt;/strong & gt; & lt;/p & gt;
& lt;/header & gt;
& lt;p & gt;The one-and-only Lady Day together with tenor saxophone giant Lester Young represent one of the greatest musical relationships in jazz history. The way Lester Young used to interact with Billie Holiday's deep melodies was outstanding, and after almost
a century the whole atmosphere of their music is still totally unique. These sessions held in New York between 1937 and 1938, featuring heavyweights such as Benny Goodman, Teddy Wilson and the Count Basie rhythm section, Freddie Green, Walter Page,
and Papa Jo Jones, are one of the greatest treasures in American music, period. & lt;/p & gt;
& lt;section id= & quot;features & quot; & gt;
& lt;h3 & gt;Features & lt;/h3 & gt;
& lt;ul & gt;
& lt;li & gt;Vinyl LP & lt;/li & gt;
& lt;li & gt;Sessions recorded in New York 1937-1938 & lt;/li & gt;
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& lt;section id= & quot;selections & quot; & gt;
& lt;h3 & gt;Selections & lt;/h3 & gt;
& lt;h4 & gt;Side A - New York Jan-Jun 1937: & lt;/h4 & gt;
& lt;ol & gt;
& lt;li & gt;He Ain't Got Rhythm & lt;/li & gt;
& lt;li & gt;This Year's Kisses & lt;/li & gt;
& lt;li & gt;Why Was I Born? & lt;/li & gt;
& lt;li & gt;Sun Showers & lt;/li & gt;
& lt;li & gt;Yours And Mine & lt;/li & gt;
& lt;li & gt;Foolin' Myself & lt;/li & gt;
& lt;li & gt;Easy Living & lt;/li & gt;
& lt;li & gt;I'll Never Be The Same & lt;/li & gt;
& lt;/ol & gt;
& lt;h4 & gt;Side B - New York Jan-Sep 1938: & lt;/h4 & gt;
& lt;ol & gt;
& lt;li & gt;My First Impression Of You & lt;/li & gt;
& lt;li & gt;I Can't Believe That You're In Love With Me & lt;/li & gt;
& lt;li & gt;If Dreams Come True & lt;/li & gt;
& lt;li & gt;Now They Call It Swing & lt;/li & gt;
& lt;li & gt;Back In Your Own Backyard & lt;/li & gt;
& lt;li & gt;When A Woman Loves A Man & lt;/li & gt;
& lt;li & gt;The Very Thought Of You & lt;/li & gt;
& lt;li & gt;I've Got A Date With A Dream & lt;/li & gt;
& lt;li & gt;You Can't Be Mine & lt;/li & gt;
& lt;/ol & gt;
& lt;/section & gt;
Thelonious Monk At Newport 1963 LP (Vinyl)
& lt;header & gt;
& lt;p & gt; & lt;strong & gt;Monk Live On Vinyl LP! & lt;/strong & gt; & lt;/p & gt;
& lt;/header & gt;
& lt;p & gt;The legendary Thelonious Monk's appearance at the legendary Newport festival in 1963 when the so-called & quot;High Priest of Bop & quot; brought one of his greatest quartets featuring master Charlie Rouse on tenor sax, Butch Warren on bass, and Frankie Dunlop on
drums. This is a great performance based on five of Monk's classic compositions: & quot;Criss Cross & quot;, & quot;Light Blue & quot;, & quot;Nutty & quot;, & quot;Blue Monk & quot; and & quot;Epistrophy & quot;. This is pure Monk's essence, don't miss it. & lt;/p & gt;
& lt;section id= & quot;features & quot; & gt;
& lt;h3 & gt;Features & lt;/h3 & gt;
& lt;ul & gt;
& lt;li & gt;Vinyl LP & lt;/li & gt;
& lt;li & gt;Recoded at Newport Jazz Festival, Newport, RI, July 3, 1963 & lt;/li & gt;
& lt;li & gt;Import & lt;/li & gt;
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& lt;/section & gt;
& lt;section id= & quot;musicians & quot; & gt;
& lt;h3 & gt;Musicians & lt;/h3 & gt;
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& lt;tr & gt;
& lt;th & gt;Thelonious Monk & lt;/th & gt;
& lt;td & gt;piano & lt;/td & gt;
& lt;/tr & gt;
& lt;tr & gt;
& lt;th & gt;Charlie Rouse & lt;/th & gt;
& lt;td & gt;tenor sax & lt;/td & gt;
& lt;/tr & gt;
& lt;tr & gt;
& lt;th & gt;Pee Wee Russell & lt;/th & gt;
& lt;td & gt;clarinet & lt;/td & gt;
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& lt;tr & gt;
& lt;th & gt;Butch Warren & lt;/th & gt;
& lt;td & gt;bass & lt;/td & gt;
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& lt;tr & gt;
& lt;th & gt;Frankie Dunlop & lt;/th & gt;
& lt;td & gt;drums & lt;/td & gt;
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& lt;/table & gt;
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& lt;section id= & quot;selections & quot; & gt;
& lt;h3 & gt;Selections & lt;/h3 & gt;
& lt;h4 & gt;Side A: & lt;/h4 & gt;
& lt;ol & gt;
& lt;li & gt;Criss Cross & lt;/li & gt;
& lt;li & gt;Light Blue & lt;/li & gt;
& lt;li & gt;Epistrophy & lt;/li & gt;
& lt;/ol & gt;
& lt;h4 & gt;Side B: & lt;/h4 & gt;
& lt;ol & gt;
& lt;li & gt;Nutty & lt;/li & gt;
& lt;li & gt;Blue Monk & lt;/li & gt;
& lt;/ol & gt;
& lt;/section & gt;
