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Plas Johnson Positively Numbered Limited Edition 180g 2LP (Black Vinyl)
& lt;font color= & quot;#FF0000 & quot; & gt; & lt;b & gt;Half-Speed Mastered by Stan Ricker! & lt;/b & gt; & lt;/font & gt; & lt;br & gt; & lt;br & gt; & lt;font color= & quot;#FF0000 & quot; & gt;Featured in Michael Fremer's Heavy Rotation in the February 2007 Issue of Stereophile! & lt;/font & gt; & lt;br & gt; & lt;br & gt; Famous for his tenor saxophone part in the theme for the Pink Panther movie (1963), Plas Johnson is a versatile player conversant in blues, R & amp;B and hard bop. A Louisiana native, Johnson made his recording debut in New Orleans, but then moved to Los Angeles where he became a studio musician. He's worked with Johnny Otis and Charles Brown and recorded as a leader for a variety of labels. In 1990 he toured with the Gene Harris Superband. & lt;br & gt; & lt;br & gt; Great cooking session with Johnson and Herb Ellis, Bobbye Hall, Jake Hanna, Mike Melvoin, Jimmie Smith. & lt;br & gt; & lt;br & gt; Plas Johnson also plays the sax solo for Neil Hefti's signature music for & quot;The Odd Couple & quot; TV series. He has recorded with countless musicians including: Frank Sinatra, Barbara Streisand, Ella Fitzgerald, Ray Charles and many others. & lt;br & gt; & lt;br & gt; & quot;Positively & quot; is one of his best recordings, and features Ray Brown on bass, Herb Ellis on guitar, Jake Hanna and Jimmy Smith on drums, and others. & lt;br & gt; & lt;br & gt; This limited 2-LP set is half-speed mastered from the original analog master tapes, by Stan Ricker and Plated and Pressed at RTI on HQ-180 gram vinyl.. Stan Ricker spent countless hours and worked extra hard on this release. They are individually numbered and housed in gatefold jackets. Clifford Bailey added artwork on the inner gatefold. There is an excellent bonus track 'Parking Lot Blues' from & quot;The Blues & quot; by Plas Johnson. & lt;br & gt; & lt;br & gt; & lt;b & gt;Features: & lt;/b & gt; & lt;br & gt; • Numbered, Limited Edition & lt;br & gt; • 1/2 Speed Mastering by Stan Ricker & lt;br & gt; • Deluxe HQ-180 Gram Double Vinyl & lt;br & gt; • Gatefold Jacket & lt;br & gt; • Audiophile Inner Sleeves & lt;br & gt; • Pressed at RTI & lt;br & gt; • Black Vinyl & lt;br & gt; & lt;br & gt; Musicians: & lt;br & gt; Plas Johnson, alto & amp; tenor saxophones & lt;br & gt; Ray Brown, bass & lt;br & gt; Herb Ellis, guitar & lt;br & gt; Bobbye Hall, congas & lt;br & gt; Jake Hanna, drums (2, 4-5, 7-9) & lt;br & gt; Jimmie Smith, drums (1, 3, 6, 10) & lt;br & gt; Mike Melvoin, keyboards & lt;br & gt; & lt;br & gt; & lt;b & gt;Selections: & lt;br & gt; LP1 & lt;/b & gt; & lt;br & gt; 1. Positively & lt;br & gt; 2. Lover Man (Oh, Where Can You Be?) & lt;br & gt; 3. Let's Get It All Together & lt;br & gt; 4. Easy For You To Say & lt;br & gt; 5. Never More & lt;br & gt; 6. My Foolish Heart & lt;br & gt; & lt;b & gt;LP2 & lt;/b & gt; & lt;br & gt; 7. Careless Love & lt;br & gt; 8. A Cottage For Sale & lt;br & gt; 9. Dirty Leg Blues & lt;br & gt; 10. Sea Sea & lt;br & gt; & lt;b & gt;Bonus Track: & lt;/b & gt; & lt;br & gt; 11. Park Lot Blues
Pure Audiophile
Plas Johnson Positively Numbered Limited Edition 180g 2LP (Black Vinyl)
Bill Berry Short Cake Numbered Limited Edition Half-Speed Mastered 180g 2LP (Black Vinyl)
& lt;font color= & quot;#FF0000 & quot; & gt; & lt;b & gt;Half-Speed Mastered by Stan Ricker! & lt;/b & gt; & lt;/font & gt; & lt;br & gt; & lt;br & gt; Bill Berry played trumpet and cornet in The Duke Ellington Orchestra. The only small group release on Concord by this superbly talented Ellington alumnus, Shortcake actually features TWO groups - a terrific quintet including Frank Capp, Dave Frishberg, Mundell Lowe and Monty Budwig, and a larger group including Bill Watrous, Nick Ceroli, Marshall Royal, and other great L.A. musicians of the 1980's. Everything is crisp yet relaxed, the solo work is inspired, and the arrangements for the larger group are creative without being constraining or fussy. This is fun, sophisticated, and swinging; in other words, outstanding jazz. & lt;br & gt; & lt;br & gt; Audiophile LP collectors will always remember Bill Berry for & quot;For Duke & quot; the sensational direct-to-disc recording. & quot;Shortcake & quot; is a favorite of Jazz fans, and for good reason. Don't miss this limited 33 and 1/3, individually numbered, & quot;Lab Reference Series & quot; 2-LP set. & lt;br & gt; & lt;br & gt; & lt;b & gt;Features: & lt;/b & gt; & lt;br & gt; • Numbered, Limited Edition & lt;br & gt; • 1/2 Speed Mastering by Stan Ricker & lt;br & gt; • Deluxe HQ-180 Gram Double Vinyl & lt;br & gt; • Gatefold Jacket & lt;br & gt; • Audiophile Inner Sleeves & lt;br & gt; • Pressed at RTI & lt;br & gt; • Black Vinyl & lt;br & gt; & lt;br & gt; Musicians: & lt;br & gt; Bill Berry, cornet & lt;br & gt; Marshal Royal, sax, clarinet & lt;br & gt; Lew Tabackin, sax, flute & lt;br & gt; Bill Watrous, trombone & lt;br & gt; Mundell Lowe, guitar & lt;br & gt; Alan Broadbent, piano & lt;br & gt; Dave Frishberg, piano & lt;br & gt; Monty Budwig, bass & lt;br & gt; Frankie Capp, drums & lt;br & gt; & lt;br & gt; & lt;b & gt;Selections: & lt;/b & gt; & lt;br & gt; 1. Avalon & lt;br & gt; 2. Betty & lt;br & gt; 3. Bloose & lt;br & gt; 4. I Didn't Know About You & lt;br & gt; 5. Royal Garden Blues & lt;br & gt; 6. Moon Song & lt;br & gt; 7. I'm Getting Sentimental over You & lt;br & gt; 8. I Hadn't Anyone 'Til You & lt;br & gt; 9. What Am I Here For? & lt;br & gt; 10. It Don't Mean A Thing & lt;br & gt; 11. Stella By Starlight
Pure Audiophile
Bill Berry Short Cake Numbered Limited Edition Half-Speed Mastered 180g 2LP (Black Vinyl)
The Monty Alexander Trio Full Steam Ahead Numbered Limited Edition Half-Speed Mastered 180g 2LP (Black Vinyl)
& lt;header & gt; & lt;p & gt; & lt;strong & gt;Out Of Print! Only a few copies left! & lt;/strong & gt; & lt;/p & gt; & lt;/header & gt; & lt;font color= & quot;#FF0000 & quot; & gt; & lt;b & gt;Numbered, Limited Edition 180g Vinyl LP! & lt;br & gt;Half-Speed Mastered by Stan Ricker! & lt;/b & gt; & lt;/font & gt; & lt;br & gt; & lt;br & gt; Distinguished New Yorker magazine jazz critic Whitney Balliett must have had someone like Monty Alexander in mind when he wrote that the fundamental intent of jazz “is to entertain and recharge the spirit with new beauties.” Indeed, the title of the book from which the above quotation is taken, The Sound of Surprise, serves as an apt description of what Jamaican-born pianist Alexander has been producing ever since he crashed the big-time jazz scene in the late 1960s. & lt;br & gt; & lt;br & gt; What sets him apart from most of his keyboard colleagues is the enormous range of his musical interests. He not only has paid his dues as a performer but, perhaps more importantly, as a listener as well. He brings the joy of celebration to his work: a celebration of his life in music and the music of his life. Delightful surprises abound in both the selection of his material and the execution of same. & lt;br & gt; & lt;br & gt; The seventh album for Monty on the Concord Jazz label has bassist Ray Brown and drummer Frank Gant lending & lt;br & gt; sterling support. As is always the case with an Alexander album, the tunes reflect Monty’s broad musical interests and discriminating taste. & lt;br & gt; & lt;br & gt; The kickoff selection is Miles Davis’ blues a la mode, Freddie Freeloader, highlighted by Monty’s earthy improvisations over Ray’s driving bass line. Monty gets inside the piano for a bit of string strumming to embellish the trio’s poignantly beautiful Latin treatment of Antonio Carlos Jobim’s Once I Loved. Ray’s Idea is indeed a Brown conception, one brilliantly orchestrated by Gil Fuller for the Dizzy Gillespie big band of 1946, of which Ray was a precocious 18-year-old member. A landmark in big band bebop, the tune was included in the album at Monty’s suggestion. Ray, in fact, had to have his memory of his own brainstorm refreshed before the sparkling trio version heard here could be crystallized. & lt;br & gt; & lt;br & gt; Next up is a gorgeous solo piano treatment by Monty of Because You’re Mine, title song of a Mario Lanza movie and one of several beautiful early 1950s ballads written by Russian-born film composer Nikolaus Brodszky (“Be My Love” and “Wonder Why” are among his other notable creations). Mick Jagger’s and Keith Richard’s I Can’t Get No Satisfaction takes on a new dimension of “soul” in the trio’s high speed version of this Rolling Stones hit, Monty offering a touch of comic relief at the conclusion of the piece. Rodgers and Hammerstein’s Happy Talk, a curiously neglected gem from South Pacific, emerges fresher than ever as the Side Two opener. From here the trio segues into Estate (pronounced es-tot-ay and meaning “summer” in Italian), a touching lament written by two Italian Brunos, namely Brighetti and Martino. Monty’s piano is at its lyrical best, and Brown provides a profound “amen” coda. Randy Weston’s march-like jazz classic, Hi-Fly gets a loving treatment from the trio, and a sneakily playful introduction by Monty leads into a rousing Just Friends that climaxes a regal, full-course musical feast. & lt;br & gt; & lt;br & gt; This album is going to be around as long as there are ears to appreciate the versatile genius of Monty Alexander. - Gordon Raddue & lt;br & gt; & lt;br & gt; & lt;b & gt;Features: & lt;/b & gt; & lt;br & gt; & amp;bull; Numbered, Limited Edition & lt;br & gt; & amp;bull; 1/2 Speed Mastering by Stan Ricker & lt;br & gt; & amp;bull; Mastered from the Original Master Tapes & lt;br & gt; & amp;bull; Deluxe HQ-180 Gram Double Vinyl & lt;br & gt; & amp;bull; 3 Bonus Tracks featuring Herb Ellis and John Frigo & lt;br & gt; & amp;bull; Gatefold Jacket & lt;br & gt; & amp;bull; Audiophile Inner Sleeves & lt;br & gt; & amp;bull; Pressed at RTI & lt;br & gt; & amp;bull; Black Vinyl & lt;br & gt; & lt;br & gt; Musicians: & lt;br & gt; Monty Alexander, piano & lt;br & gt; Ray Brown, bass & lt;br & gt; Frank Gant, drums & lt;br & gt; & lt;br & gt; & lt;b & gt;Selections: & lt;br & gt; LP 1 & lt;/b & gt; & lt;br & gt; 1. Freddie Freeloader & lt;br & gt; 2. Once I Loved & lt;br & gt; 3. Ray's Idea & lt;br & gt; 4. Because You're Mine & lt;br & gt; 5. I Can't Get No Satisfaction & lt;br & gt; 6. Happy Talk & lt;br & gt; 7. Estate & lt;br & gt; & lt;b & gt;LP 2 & lt;/b & gt; & lt;br & gt; 1. Hi-Fly & lt;br & gt; 2. Just Friends & lt;br & gt; & lt;b & gt;Bonus Tracks: & lt;/b & gt; & lt;br & gt; 3. Straighten Up and Fly Right & lt;br & gt; 4. High Heeled Sneakers & lt;br & gt; 5. Renewal
Pure Audiophile
The Monty Alexander Trio Full Steam Ahead Numbered Limited Edition Half-Speed Mastered 180g 2LP (Black Vinyl)
Ray Charles & Count Basie Ray Sings Basie Swings Numbered Limited Edition Half-Speed Mastered 180g 2LP (Black Vinyl)
& lt;font color= & quot;#FF0000 & quot; & gt; & lt;b & gt;Half-Speed Mastered by Stan Ricker! & lt;/b & gt; & lt;/font & gt; & lt;br & gt; & lt;br & gt; & lt;font color= & quot;#FF0000 & quot; & gt;Featured in Michael Fremer's Heavy Rotation in the November 2007 Issue of Stereophile! & lt;/font & gt; & lt;br & gt; & lt;br & gt; This album is comprised of 12 vintage recordings unearthed from the master tape vaults. The 'Genius' Ray Charles sings as he is backed by none other than the Count Basie Orchestra for some truly extraordinary music. Modern technology has made it possible to recreate and re-record these beauties under the direction of Bill Hughes for one swingin' record! & lt;br & gt; & lt;br & gt; & lt;b & gt;Features: & lt;/b & gt; & lt;br & gt; • Numbered, Limited Edition & lt;br & gt; • 1/2 Speed Mastering by Stan Ricker & lt;br & gt; • Mastered from the Original Master Tapes & lt;br & gt; • Deluxe HQ-180 Gram Double Vinyl & lt;br & gt; • Gatefold Jacket & lt;br & gt; • Audiophile Inner Sleeves & lt;br & gt; • Pressed at RTI & lt;br & gt; • Black Vinyl & lt;br & gt; & lt;br & gt; & lt;b & gt;Selections: & lt;br & gt; & lt;/b & gt; 1. Oh, What A Beautiful Morning & lt;br & gt; 2. Let The Good Times Roll & lt;br & gt; 3. How Long Has This Been Going On? & lt;br & gt; 4. Every Saturday Night & lt;br & gt; 5. Busted & lt;br & gt; 6. Cryin' Time & lt;br & gt; 7. I Can't Stop Loving You & lt;br & gt; 8. Come Live With Me & lt;br & gt; 9. Feel So Bad & lt;br & gt; 10. The Long And Winding Road & lt;br & gt; 11. Look What They've Done To My Song & lt;br & gt; 12. Georgia On My Mind & lt;br & gt; & lt;b & gt;Bonus Track: & lt;br & gt; & lt;/b & gt; 13. Them That Got - The Count Basie Orhcestra
Pure Audiophile
Ray Charles & Count Basie Ray Sings Basie Swings Numbered Limited Edition Half-Speed Mastered 180g 2LP (Black Vinyl)
Karrin Allyson Footprints Numbered Limited Edition 180g 2LP (Autographed) (Black Vinyl)
& lt;font color= & quot;#FF0000 & quot; & gt; & lt;b & gt;Out Of Print! Only 1 Copy Available! & lt;br & gt; Personally Autographed by Karrin Allyson, vocalists Nancy King and Jon Hendricks and drummer Todd Strait! & lt;br & gt; Low Numbered Serial #43! Limited To Only 100 Copies! & lt;/b & gt; & lt;/font & gt; & lt;br & gt; & lt;br & gt; & lt;font color= & quot;#FF0000 & quot; & gt; & lt;b & gt;Half-Speed Mastered by Stan Ricker! & lt;/b & gt; & lt;/font & gt; & lt;br & gt; & lt;br & gt; & lt;b & gt;This item not eligible for any further discount offers! & lt;/b & gt; & lt;br & gt; & lt;br & gt; Grammy nominated singer Karrin Allyson has never been satisfied merely to repeat herself. With Footprints she fulfills the dream of recording with two of her vocal heroes — Jon Hendricks and Nancy King — while illustrating that she too is undeniably one of today’s most distinctive and masterful jazz vocal stylists. The album also introduces Chris Caswell, whose literate, inventive new lyrics bring fresh perspectives to several of the modern jazz perennials featured herein. With a spirit that is, by turns, ebullient and affecting: Footprints shows Karrin Allyson to be a pacesetter among contemporary jazz singers. & lt;br & gt; & lt;br & gt; & lt;b & gt; & quot;FOOTPRINTS is just one more illustration (as if one were needed!) why Karrin Allyson is one of the most significant jazz singers out there today. & quot; & lt;/b & gt; - Jim Wilke, Jazz After Hours & lt;br & gt; & lt;br & gt; Features: & lt;br & gt; • Cover Personally Autographed by Karrin Allyson! & lt;br & gt; • Numbered, Limited Edition & lt;br & gt; • Rare Low Numbered Copies! & lt;br & gt; • 1/2 Speed Mastering by Stan Ricker & lt;br & gt; • 180 Gram Black Audiophile Vinyl 2LP Set & lt;br & gt; • Deluxe Inner Sleeves & lt;br & gt; & lt;br & gt; Musicians: & lt;br & gt; Karrin Allyson- vocals, piano (LP1-6), shaker (LP1-1) & lt;br & gt; Jon Hendricks - vocals (LP1-5,LP2-6), whistle solo (LP1-5) & lt;br & gt; Nancy King - vocals (LP1-2,4,7, LP2-1,2,6) & lt;br & gt; Bruce Barth - piano, Fender Rhodes (LP1-6) & lt;br & gt; Peter Washington - bass & lt;br & gt; Todd Strait - drums & lt;br & gt; Frank Wess - tenor saxophone (LP1-3, LP2-3), flute (LP2-4) & lt;br & gt; Nick Phillips - trumpet (LP1-7) & lt;br & gt; & lt;br & gt; & lt;b & gt;Selections: & lt;br & gt; LP 1 & lt;/b & gt; & lt;br & gt; 1. Something Worth Waiting For (Con Alma) & lt;br & gt; 2. All You Need to Say (Never Say Yes) & lt;br & gt; 3. Lightning (Lazy Bird) & lt;br & gt; 4. A Long Way to Go (Equinox) & lt;br & gt; 5. Strollin’ & lt;br & gt; 6. I Found the Turnaround (The Turnaround) & lt;br & gt; 7. Follow the Footprints (Footprints) & lt;br & gt; & lt;b & gt;LP 2 & lt;/b & gt; & lt;br & gt; 1. Life Is a Groove (Jordu) & lt;br & gt; 2. A Tree and Me & lt;br & gt; 3. I Can’t Say (Teaneck) & lt;br & gt; 4. But I Was Cool & lt;br & gt; 5. Give Me a Break (Unit 7) & lt;br & gt; 6. Everybody’s Boppin’ & lt;br & gt; Bonus Tracks: & lt;br & gt; 7. The Duke & lt;br & gt; 8. Airegin & lt;br & gt; & lt;br & gt; & lt;b & gt;Product Reviews: & lt;/b & gt; & lt;br & gt; & quot;Of all the jazz divas singing today, Karrin Allyson reminds me the most of a mother singing lullabies to her child. She has one of the most tender, knowing voices I’ve ever heard. Each song she sings sounds as if she is giving a private recital. Footprints is Karrin Allyson’s dream album. Not only did she get the chance to sing with musicians she had long admired, such as bassist Peter Washington, tenor sax man Frank Wess, and vocalists Jon Hendricks and Nancy King, but she was able to create a vocal album from numbers that had been strictly instrumental. & quot; - John Crossett, Soundstage.com & lt;br & gt; & lt;br & gt; & quot;Another aspect of Footprints that aids in the intimate feel is the sound. The LP is half-speed mastered by the legendary Stan Ricker, so you hear Allyson’s voice with startling realism. This album exudes a quiet, confident sound that transports the listener to Sear Sound Recording Studio, where Allyson made this recording for Concord Records. The four dead-silent 180-gram surfaces allow all information embedded in the grooves to blossom -- yes, this is another of those single albums stretched over four sides. Combine all this with a wide, deep soundstage, excellent tonal balance, and good timbre and you get instruments that bloom fully in your listening room. & quot; - John Crossett, Soundstage.com & lt;br & gt; & lt;br & gt; & quot;Pure Audiophile’s practice of stretching a single album out over four LP sides ensures that all the music in the grooves -- from the deepest bass notes to the highest treble transient -- comes alive. Yes, you might think these records are a tad on the expensive side, but when you factor in all you get for your money the cost doesn’t seem at all out of line. This version of Footprints is poised to become an instant audiophile classic. Don’t miss it. & quot; - John Crossett, Soundstage.com
Pure Audiophile
Karrin Allyson Footprints Numbered Limited Edition 180g 2LP (Autographed) (Black Vinyl)
Sergio Mendes Timeless 180g 2LP (Blue Vinyl)
& lt;font color= & quot;#FF0000 & quot; & gt; & lt;b & gt;Half-Speed Mastered by Stan Ricker! & lt;/b & gt; & lt;/font & gt; & lt;br & gt; & lt;br & gt; & lt;font color= & quot;#FF0000 & quot; & gt; & lt;b & gt;Featured in Michael Fremer's Heavy Rotation in the August 2009 Issue of Stereophile! & lt;/b & gt; & lt;/font & gt; & lt;br & gt; & lt;br & gt; Timeless is the magnificent new album by the legendary Sergio Mendes. Produced by and featuring Will.I.Am of the Black Eyed Peas, this album is a wholly original synthesis of music from the man who - 40 years ago - brought Brazil 66 and & quot;Mas Que Nada & quot; to the world. Timeless beautifully blends the urban culture of Brazil, samba and bossa nova with the urban culture of America, hip hop and rap, the results of which are truly spectacular. & lt;br & gt; & lt;br & gt; & lt;b & gt;Features: & lt;/b & gt; & lt;br & gt; • Limited Edition & lt;br & gt; • 1/2 Speed Mastering by Stan Ricker & lt;br & gt; • Deluxe HQ-180 Gram Double Vinyl & lt;br & gt; • Gatefold Jacket & lt;br & gt; • Audiophile Inner Sleeves & lt;br & gt; • Pressed at RTI & lt;br & gt; • Blue Vinyl & lt;br & gt; & lt;br & gt; & lt;b & gt;Selections: & lt;br & gt; LP 1 & lt;/b & gt; & lt;br & gt; 1. Mas Que Nada (feat. Black Eyed Peas) & lt;br & gt; 2. That Heat (feat. Erykah Badu & amp; Will.I.Am) & lt;br & gt; 3. Berimbau/Consolacao (feat. Stevie Wonder & amp; Gracinha Leporace) & lt;br & gt; 4. The Frog (feat. Q-Tip & amp; Will.I.Am) & lt;br & gt; 5. Let Me (feat. Jill Scott & amp; Will.I.Am) & lt;br & gt; 6. Bananeira (Banana Tree) (feat. Mr. Vegas) & lt;br & gt; 7. Surfboard (feat. Will.I.Am) & lt;br & gt; 8. Please Baby Don't (feat. John Legend) & lt;br & gt; & lt;b & gt;LP 2 & lt;/b & gt; & lt;br & gt; 1. Samba da Bencao (Samba of the Blessing) (feat. Marcelo D2) & lt;br & gt; 2. Timeless (feat. India.Arie) & lt;br & gt; 3. Loose Ends (feat. Justin Timberlake, Pharoahe Monch & amp; Will.I.Am) & lt;br & gt; 4. Fo'-Hop (Por Tras de Bras de Pina) (feat. Guinga & amp; Marcelo D2) & lt;br & gt; 5. Lamento (No Morro) (feat. Maogani Quartet) & lt;br & gt; 6. E Menina (Hey Girl) & lt;br & gt; 7. Yes, Yes Y'All (feat. Black Thought of the Roots, Chali 2NA, Debi Nova & amp; Will.I.Am)
Pure Audiophile
Sergio Mendes Timeless 180g 2LP (Blue Vinyl)
Art Blakey & The Jazz Messengers Keystone 3 Numbered Limited Edition 180g 2LP (Red Vinyl)
& lt;font color= & quot;#FF0000 & quot; & gt; & lt;b & gt;Half-Speed Mastered by Stan Ricker! & lt;/b & gt; & lt;/font & gt; & lt;br & gt; & lt;br & gt; & lt;font color= & quot;#FF0000 & quot; & gt;Special Limited Edition Translucent Red Vinyl & lt;/font & gt; & lt;br & gt; & lt;br & gt; & lt;font color= & quot;#FF0000 & quot; & gt;Featured in Michael Fremer's Heavy Rotation in the January 2006 Issue of Stereophile! & lt;/font & gt; & lt;br & gt; & lt;br & gt; With an energetic sound that reflects the tradition of the Jazz Messengers, this is the last recording that included Wynton Marsalis as a member of Art Blakey's Jazz Messengers. & lt;br & gt; & lt;br & gt; Half-Speed Mastered by Stan Ricker at Stan Ricker Mastering, Pure Audiophile release produced by Dennis Cassidy. Limited Edition 2-LP Set with Deluxe Anti-Static Inner Sleeves. HQ-180 Gram Virgin Vinyl, plating and pressing by R.T.I. from the original Analog 2-Track Master Tapes! & lt;br & gt; & lt;br & gt; & lt;b & gt;Features: & lt;/b & gt; & lt;br & gt; • Numbered, Limited Edition & lt;br & gt; • 1/2 Speed Mastering by Stan Ricker & lt;br & gt; • Deluxe HQ-180 Gram Double Vinyl & lt;br & gt; • Gatefold Jacket & lt;br & gt; • Audiophile Inner Sleeves & lt;br & gt; • Pressed at RTI & lt;br & gt; • Red Vinyl & lt;br & gt; & lt;br & gt; Musicians: & lt;br & gt; Art Blakey, drums & lt;br & gt; Donald Brown, piano & lt;br & gt; Charles Fambrough, bass & lt;br & gt; Branford Marsalis, alto saxophone & lt;br & gt; Wynton Marsalis, trumpet & lt;br & gt; Bill Pierce, tenor saxophone & lt;br & gt; & lt;br & gt; & lt;b & gt;Selections: & lt;/b & gt; & lt;br & gt; 1. In Walked Bud & lt;br & gt; 2. In A Sentimental Mood & lt;br & gt; 3. Fuller Love & lt;br & gt; 4. Controversy & lt;br & gt; 5. Waterfalls & lt;br & gt; 6. A La Mode & lt;br & gt; & lt;br & gt; Recorded live at Keystone Korner, San Francisco, California, January 1982.
Pure Audiophile
Art Blakey & The Jazz Messengers Keystone 3 Numbered Limited Edition 180g 2LP (Red Vinyl)
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