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Clarence "Gatemouth" Brown Alright Again! 150g LP (Vinyl)
& lt;font color= & quot;#FF0000 & quot; & gt; & lt;b & gt;1983 Grammy Winning Album Reissued on 150g Vinyl! & lt;/b & gt; & lt;/font & gt; & lt;br & gt; & lt;br & gt; Winner of the 1983 GRAMMY® Award for Best Traditional Blues Album, Alright Again! put the famed multi-instrumentalist roots musician back on the radar. Brown performs both original tracks, and covers songs by such blues heroes as T-Bone Walker and Percy Mayfield, as well as a song by his protégé, Albert Collins. Proclaimed by Allmusic.com to be: & lt;b & gt;“One of the most satisfying…discs of all for the discerning blues fan,” & lt;/b & gt; this LP is a must have for roots fans. & lt;br & gt; & lt;br & gt; Clarence & quot;Gatemouth & quot; Brown was an American musician from Louisiana and Texas. He is best known for his work as a blues musician, but embraced other styles of music, having & quot;spent his career fighting purism by synthesizing old blues, country, jazz, Cajun music and R & amp;B styles. & quot; His work also encompasses rock and roll, rock music, folk, electric blues, and Texas blues. & lt;br & gt; & lt;br & gt; He was an acclaimed multi-instrumentalist, who played an array of musical instruments such as guitar, fiddle, mandolin, viola as well as harmonica and drums. Brown is regarded as one of the most influential exponents of blues fiddle and has had enormous influence in American fiddle circles. His two biggest musical influences were Louis Jordan and T-Bone Walker. & lt;br & gt; & lt;br & gt; & lt;b & gt;Features: & lt;/b & gt; & lt;br & gt; • 150g Vinyl & lt;br & gt; & lt;br & gt; & lt;b & gt;Musicians: & lt;/b & gt; & lt;br & gt; Clarence Gatemouth Brown, vocals, guitar, violin & lt;br & gt; Larry Sieberth, piano & lt;br & gt; David & quot;Fingers & quot; Fender, hammond organ, piano & lt;br & gt; Red Lane, rhythm guitar & lt;br & gt; Myron Dove, bass & lt;br & gt; Lloyd Herrman, drums & lt;br & gt; Bill & quot;Foots & quot; Samuel, alto saxophone, tenor saxophone & lt;br & gt; Joe & quot;Champagnski & quot; Sunseri, baritone saxophone & lt;br & gt; Stanton Davis, Jr, trumpet & lt;br & gt; Jim McMillen, trombone & lt;br & gt; & lt;br & gt; & lt;b & gt;Selections: & lt;br & gt; Side A: & lt;/b & gt; & lt;br & gt; 1. Frosty & lt;br & gt; 2. Strollin' With Bones & lt;br & gt; 3. Give Me Time To Explain & lt;br & gt; 4. Baby Take It Easy & lt;br & gt; 5. Sometimes I Slip & lt;br & gt; & lt;b & gt;Side B: & lt;/b & gt; & lt;br & gt; 1. I Feel Alright Again & lt;br & gt; 2. Alligator Boogaloo & lt;br & gt; 3. Dollar Got the Blues & lt;br & gt; 4. Honey In the Be-Bo & lt;br & gt; 5. Gate Walks To Board
Rounder
Clarence "Gatemouth" Brown Alright Again! 150g LP (Vinyl)
Steve Martin & Edie Brickell So Familiar 180g LP (Vinyl)
& lt;a href=javascript:; & quot; onclick= & quot;document.location.hash='SS'; & quot; & gt; & lt;img src= & quot;/content/images/playbutton.gif & quot; hspace= & quot;10 & quot; align= & quot;left & quot; border= & quot;0 & quot; & gt; & lt;font color= & quot;0000FF & quot; & gt; & lt;b & gt;Click Here for Video Sample! & lt;/b & gt; & lt;/font & gt; & lt;/a & gt; & lt;br & gt; & lt;br & gt; & lt;font color= & quot;#FF0000 & quot; & gt; & lt;b & gt;180g Vinyl LP From Grammy-Winning Duo! & lt;/b & gt; & lt;/font & gt; & lt;br & gt; & lt;br & gt; Highly anticipated follow-up to the Grammy-winning bluegrass duo's & quot;Love Has Come For You & quot;. Steve Martin's banjo accompanies Brickell's vocals. & lt;br & gt; & lt;br & gt; Produced by Peter Asher, So Familiar features contributions from Mike Einziger of Incubus and Béla Fleck. & lt;br & gt; & lt;br & gt; & lt;b & gt; & quot;The pair's first studio album, Love Has Come For You, released in 2013, sold 104,000 in the U.S., according to Nielsen Music, and spent 18 weeks at No. 1 on the Bluegrass Albums chart. It also hit No. 21 on the Billboard 200 -- Martin's highest charting album since A Wild and Crazy Guy hit No. 2 in 1978. The album's title track won Brickell and Martin the 2013 Grammy Award for best American roots song. Brickell -- who is married to Paul Simon -- hit No. 4 on the Billboard 200 with the 1988 album Shooting Rubberbands at the Stars. & quot; & lt;/b & gt; - billboard.com & lt;br & gt; & lt;br & gt; & lt;a name= & quot;SS & quot; & gt; & lt;/a & gt; & lt;iframe width= & quot;560 & quot; height= & quot;315 & quot; src= & quot;https://www.youtube.com/embed/g8Njd1s9its & quot; frameborder= & quot;0 & quot; allowfullscreen & gt; & lt;/iframe & gt; & lt;br & gt; & lt;br & gt; & lt;b & gt;Features: & lt;/b & gt; & lt;br & gt; • 180g Vinyl & lt;br & gt; • Produced by Peter Asher & lt;br & gt; • Includes MP3 Download Card & lt;br & gt; & lt;br & gt; & lt;b & gt;Selections: & lt;br & gt; Side A: & lt;/b & gt; & lt;br & gt; 1. So Familiar & lt;br & gt; 2. Always Will & lt;br & gt; 3. Way Back In the Day & lt;br & gt; 4. Won't Go Back & lt;br & gt; 5. I'm By Your Side & lt;br & gt; 6. I Had A Vision & lt;br & gt; & lt;b & gt;Side B: & lt;/b & gt; & lt;br & gt; 1. I Have You & lt;br & gt; 2. Another Round & lt;br & gt; 3. Mine All Mine & lt;br & gt; 4. Heart of The Dreamer & lt;br & gt; 5. My Baby & lt;br & gt; 6. Heartbreaker
Rounder
Steve Martin & Edie Brickell So Familiar 180g LP (Vinyl)
Sierra Hull Weighted Mind LP (Vinyl)
& lt;a href=javascript:; & quot; onclick= & quot;document.location.hash='SS'; & quot; & gt; & lt;img src= & quot;/content/images/playbutton.gif & quot; hspace= & quot;10 & quot; align= & quot;left & quot; border= & quot;0 & quot; & gt; & lt;font color= & quot;0000FF & quot; & gt; & lt;b & gt;Click Here for Video Sample! & lt;/b & gt; & lt;/font & gt; & lt;/a & gt; & lt;br & gt; & lt;br & gt; & lt;font color= & quot;#FF0000 & quot; & gt; & lt;b & gt;2017 Grammy Nominated Album! Features Strong Yet Delicate Female Vocals! & lt;br & gt; Featuring Guest Performances by Alison Krauss, Abigail Washburn & amp; Rhiannon Giddens! & lt;/b & gt; & lt;/font & gt; & lt;br & gt; & lt;br & gt; Sierra Hull, the singer and mandolinist and former child prodigy who signed with Rounder at age 13, and distinguished herself by becoming the first bluegrass musician to receive a Presidential Scholarship to the prestigious Berklee College of Music, has announced the release of her first new album in five years. That album is titled & quot;Weighted Mind & quot;. & lt;br & gt; & lt;br & gt; 15-time GRAMMY® winner Béla Fleck produced the recording, which features eleven compelling new compositions written or co-written by Hull, and one traditional tune for which she and Fleck provided a new arrangement. & lt;br & gt; & lt;br & gt; Sierra Hull's strong yet delicate vocals bring to mind those of fellow Rounder recording artist & lt;b & gt;Alison Krauss & lt;/b & gt;. & lt;br & gt; & lt;br & gt; & lt;a name= & quot;SS & quot; & gt; & lt;/a & gt; & lt;iframe width= & quot;560 & quot; height= & quot;315 & quot; src= & quot;https://www.youtube.com/embed/heTA2FGlu8s & quot; frameborder= & quot;0 & quot; allowfullscreen & gt; & lt;/iframe & gt; & lt;br & gt; & lt;br & gt; & lt;b & gt; & quot;As it happens the now-24-year-old artist wrote many of her 11 original songs while battling an identity crisis both personal and professional. Much of her personal anguish apparently stems from a seriously broken heart, as heated kissoffs & quot;Birthday & quot; and brutally frank heartbreaks & quot;I'll be Fine & quot; assert with searing incisiveness. & quot; & lt;/b & gt; - David McGee, & lt;i & gt;The Absolute Sound & lt;/i & gt;, 4/5 Music, 4/5 Sonics & lt;br & gt; & lt;br & gt; & lt;b & gt;Features: & lt;/b & gt; & lt;br & gt; • Vinyl LP & lt;br & gt; • Limited Time Digital Download of Full Album & lt;br & gt; & lt;br & gt; & lt;b & gt;Selections: & lt;br & gt; Side A: & lt;/b & gt; & lt;br & gt; 1. Stranded & lt;br & gt; 2. Compass & lt;br & gt; 3. Choices and Changes & lt;br & gt; 4. Wings of The Dawn & lt;br & gt; 5. Birthday & lt;br & gt; 6. Weighted Mind & lt;br & gt; & lt;b & gt;Side B: & lt;/b & gt; & lt;br & gt; 1. Fallen Man & lt;br & gt; 2. The In-Between & lt;br & gt; 3. Lullaby & lt;br & gt; 4. Queen of Hearts / Royal Tea & lt;br & gt; 5. I'll Be Fine & lt;br & gt; 6. Black River
Rounder
Sierra Hull Weighted Mind LP (Vinyl)
Madeleine Peyroux Careless Love LP (Vinyl)
& lt;font color= & quot;#FF0000 & quot; & gt; & lt;b & gt;2004 Album Reissued On Vinyl LP! & lt;/b & gt; & lt;/font & gt; & lt;br & gt; & lt;br & gt; With the release of her sophomore album, 2004's Careless Love, Peyroux’s potential as an artist is truly realized. Her smoky voice and knowing delivery make each song her own, whether she’s singing vintage tunes by W.C. Handy and Hank Williams, or contemporary songs by Leonard Cohen and Elliott Smith. Producer Larry Klein (Joni Mitchell, Shawn Colvin) weaves strands of acoustic blues, country ballads, classic jazz, torch songs and pop into a vibrant fabric that is both timeless and thoroughly up to date, with Peyroux’s arresting vocals always front and center. Don't Wait Too Long is an original by Peyroux and was co-written with Jesse Harris and Norah Jones. & lt;br & gt; & lt;br & gt; Named & lt;b & gt; & quot;One of the best albums of 2004 & quot; & lt;/b & gt; by Newsweek, The Wall Street Journal and CNN. & lt;br & gt; & lt;br & gt; & lt;b & gt; & quot;With her sultry alto and penchant for injecting strains of country and blues into her jazzy vocal pop...Peyroux imbues everything with an inviting late-night intimacy... & quot; & lt;/b & gt; - The Philadelphia Inquirer & lt;br & gt; & lt;br & gt; & lt;b & gt;Features: & lt;/b & gt; & lt;br & gt; & amp;bull; Vinyl LP & lt;br & gt; & amp;bull;Gatefold jacket & lt;br & gt; & lt;br & gt; & lt;b & gt;Musicians: & lt;br & gt; & lt;/b & gt;Madeleine Peyroux & lt;br & gt; Larry Goldings, keyboard & lt;br & gt; David Piltch, bass & lt;br & gt; Dean Parks, guitar & lt;br & gt; Jay Bellerose, drums & lt;br & gt; Lee Thornburg & lt;br & gt; Scott Amendola & lt;br & gt; & lt;br & gt; & lt;b & gt;Selections: & lt;/b & gt; & lt;br & gt; & lt;b & gt;Side A: & lt;/b & gt; & lt;br & gt; 1. Dance Me to the End of Love & lt;br & gt; 2. Don't Wait Too Long & lt;br & gt; 3. Don't Cry Baby & lt;br & gt; 4. You're Gonna Make Me Lonesome When You Go & lt;br & gt; 5. Between the Bars & lt;br & gt; 6. No More & lt;br & gt; & lt;br & gt; & lt;b & gt;Side B: & lt;/b & gt; & lt;br & gt; 7. Lonesome Road & lt;br & gt; 8. J'Ai Deux Amours & lt;br & gt; 9. Weary Blues & lt;br & gt; 10. I'll Look Around & lt;br & gt; 11. Careless Love & lt;br & gt; 12. This Is Heaven to Me
Rounder
Madeleine Peyroux Careless Love LP (Vinyl)
Nathaniel Rateliff In Memory Of Loss 180g 2LP (Vinyl)
& lt;font color= & quot;#FF0000 & quot; & gt; & lt;b & gt;180g Deluxe Edition Double LP! First Time Ever on Vinyl! & lt;/b & gt; & lt;/font & gt; & lt;br & gt; & lt;br & gt; The first things you notice are the voice and the space. That voice belongs to Nathaniel Rateliff, a man who’s earned the twang and hard-knock weariness that shines through on his 2010 Rounder debut. The space comes courtesy of producer Brian Deck (Califone, Iron & amp; Wine, Modest Mouse), who helped transform 8-track bedroom demos into miniature epics of contrast, beauty, and yearning. & lt;br & gt; & lt;br & gt; In Memory of Loss is a stunning, heartbreaking sonic document from a singer-songwriter who’s made his way from a childhood in Bay, Missouri (pop. 60) to the national stage. Rateliff’s debut album is rooted in a bygone era. It’s both fresh and classic, imbued with a melancholy nostalgia, the rough candor of rock 'n' roll’s past and the warmth and earnestness of folk storytellers. No wonder Time Out New York says Rateliff conjures & lt;b & gt; & quot;the ghosts of Nick Drake and Gram Parsons. & quot; & lt;/b & gt; & lt;br & gt; & lt;br & gt; These tracks, with their soulful minimalism, hint of the music he grew up on – Van Morrison, Muddy Waters, The Beatles – yet Rateliff is also at home in what may be called, for lack of a better term, the neo-folk revival. His voice is so confident that you can occasionally imagine the music dropping out entirely, a song propelled solely by Rateliff’s a capella strengths – equal parts church spiritual and TV On The Radio riffing on The Pixies. & lt;br & gt; & lt;br & gt; Nathaniel says of the album: & lt;b & gt;“My goal is to make people have honest emotions and a real experience by listening to music in the same way that I feel, the same way that most people feel when they listen to music, that it touches them in some way. & quot; & lt;/b & gt; & lt;br & gt; & lt;br & gt; This persistent troubadour has struggled and persevered to this point. Now, the wider world is ready for Nathaniel Rateliff. & lt;br & gt; & lt;br & gt; & lt;b & gt;Features: & lt;/b & gt; & lt;br & gt; • 180g Vinyl & lt;br & gt; • Double LP & lt;br & gt; • Deluxe Edition & lt;br & gt; • First time on vinyl & lt;br & gt; • New artwork & lt;br & gt; • Includes 3 bonus tracks & lt;br & gt; & lt;br & gt; & lt;b & gt;Selections: & lt;br & gt; LP 1 & lt;br & gt; Side A: & lt;/b & gt; & lt;br & gt; 1. Once In A Great While & lt;br & gt; 2. Early Spring Till & lt;br & gt; 3. We Never Win & lt;br & gt; 4. Brakeman & lt;br & gt; 5. Longing And Losing & lt;br & gt; & lt;b & gt;Side B: & lt;/b & gt; & lt;br & gt; 1. Oil & amp; Lavender & lt;br & gt; 2. Shroud & lt;br & gt; 3. You Should’ve Seen The Other Guy & lt;br & gt; 4. Whimper And Wail & lt;br & gt; & lt;br & gt; & lt;b & gt;LP 2 & lt;br & gt; Side C: & lt;/b & gt; & lt;br & gt; 1. Boil & amp; Fight & lt;br & gt; 2. When We Could & lt;br & gt; 3. A Lamb On The Stone & lt;br & gt; 4. When You’re Here & lt;br & gt; 5. Happy Just To Be & lt;br & gt; & lt;b & gt;Side D: & lt;/b & gt; & lt;br & gt; 1. Laughing (bonus track) & lt;br & gt; 2. You Make All The Noise (bonus track) & lt;br & gt; 3. Pounds And Pounds (bonus track)
Rounder
Nathaniel Rateliff In Memory Of Loss 180g 2LP (Vinyl)
George Thorogood Party of One LP (Vinyl)
& lt;font color= & quot;#FF0000 & quot; & gt; & lt;b & gt;Raw Solo Recordings On Vinyl LP! & lt;br & gt; First-Ever Solo Album! & lt;/b & gt; & lt;/font & gt; & lt;br & gt; & lt;br & gt; George Thorogood releases his first ever SOLO album titled & quot;Party of One & quot;. & lt;br & gt; & lt;br & gt; The collection features 14 solo recordings of George's raw and stripped down performances of traditional blues, classics, and modern blues songs. & lt;br & gt; & lt;br & gt; Party of One features John Lee Hooker's & quot;One Bourbon, One Scotch, One Beer & quot;, Hank Williams' & quot;Pictures From Life's Other Side & quot;, and The Rolling Stones' & quot;No Expectations & quot;. & lt;br & gt; & lt;br & gt; PARTY OF ONE was produced by Grammy-winner Jim Gaines (John Lee Hooker, Luther Allison, and Stevie Ray Vaughan), who reunites with Thorogood on the debut solo project, having produced several of Thorogood’s biggest albums to date (RIDE ‘TIL I DIE, THE HARD STUFF, THE DIRTY DOZEN). The album’s primarily acoustic instrumentation – including slide, Dobro, and harmonica – is performed entirely by Thorogood, raw and stripped down, with an intimate one-on-one feel. & lt;br & gt; & lt;br & gt; Says Thorogood: & lt;b & gt; & quot;I think this is a project that’s long overdue. Maybe it should have been the very first album I ever made. After playing with the band for all these years, I had to kind of reverse my hands and my head in order to do this thing justice. & quot; & lt;/b & gt; Thorogood continues, & lt;b & gt; & quot;But I think Destroyers fans – and hardcore blues fans, too – are ready for the unexpected. My whole career, I’ve always said, ‘Just give them what you are, and they’re either going to dig it or not.’ This record is what I was, what I am, and what I always will be. & quot; & lt;/b & gt; & lt;br & gt; & lt;br & gt; PARTY OF ONE is Thorogood’s return to Rounder Records, the roots label with which he first signed in 1976 to record the three hit albums that launched his recording career, beginning with his debut, GEORGE THOROGOOD AND THE DESTROYERS. Says Rounder co-founder Ken Irwin: “George’s coming back is a nice completing of the circle. This record shows his talent as a storyteller in a very different setting, with all the emotion in his guitar and vocals. It’s a really intimate record, but it’s unmistakably a George Thorogood record, too.” & lt;br & gt; & lt;br & gt; On the album, Thorogood delivers the full spectrum of modern blues masters. & lt;br & gt; & lt;br & gt; & lt;b & gt;Features: & lt;/b & gt; & lt;br & gt; • Vinyl LP & lt;br & gt; • Limited time full album digital download & lt;br & gt; & lt;br & gt; & lt;b & gt;Selections: & lt;br & gt; Side One: & lt;/b & gt; & lt;br & gt; 1. I'm A Steady Rollin' Man & lt;br & gt; 2. Soft Spot & lt;br & gt; 3. Tallahassee Women & lt;br & gt; 4. Wang Dang Doodle & lt;br & gt; 5. Boogie Chillen & lt;br & gt; 6. No Expectations & lt;br & gt; 7. Bad News & lt;br & gt; & lt;b & gt;Side Two: & lt;/b & gt; & lt;br & gt; 1. Down The Highway & lt;br & gt; 2. Got To Move & lt;br & gt; 3. Born With The Blues & lt;br & gt; 4. The Sky Is Crying & lt;br & gt; 5. The Hookers (If You Miss 'Im...I Got 'Im) & lt;br & gt; 6. Pictures From Life's Other Side & lt;br & gt; 7. One Bourbon, One Scotch, One Beer (Live from Rockline)
Rounder
George Thorogood Party of One LP (Vinyl)
Chris Hillman Bidin' My Time LP (Vinyl)
& lt;a href=javascript:; & quot; onclick= & quot;document.location.hash='SS'; & quot; & gt; & lt;img src= & quot;/content/images/playbutton.gif & quot; hspace= & quot;10 & quot; align= & quot;left & quot; border= & quot;0 & quot; & gt; & lt;font color= & quot;0000FF & quot; & gt; & lt;b & gt;Click Here for Video Sample! & lt;/b & gt; & lt;/font & gt; & lt;/a & gt; & lt;br & gt; & lt;br & gt; & lt;font color= & quot;#FF0000 & quot; & gt; & lt;b & gt;Vinyl LP Features Tom Petty, David Crosby, Roger McGuinn, Herb Pedersen, Benmont Tench & amp; More! & lt;/b & gt; & lt;/font & gt; & lt;br & gt; & lt;br & gt; & lt;b & gt;Chris Hillman & lt;/b & gt;, a founding member of the & lt;b & gt;Byrds & lt;/b & gt;, & lt;b & gt;Flying Burrito Brothers & lt;/b & gt;, & lt;b & gt;Manassas & lt;/b & gt;, and the & lt;b & gt;Desert Rose Band & lt;/b & gt;, is widely acknowledged as a seminal figure in the creation of country rock and an architect of American popular music. Hillman releases Bidin' My Time, his first studio album in over a decade. & lt;b & gt;Tom Petty & lt;/b & gt; produced the album at his studio in Southern California, and Hillman's longtime collaborator and co-founder of the Desert Rose Band & lt;b & gt;Herb Pedersen & lt;/b & gt; served as Executive Producer. & lt;br & gt; & lt;br & gt; Featured performers and guests on the recording include Byrds co-founders & lt;b & gt; David Crosby & lt;/b & gt; and & lt;b & gt;Roger McGuinn & lt;/b & gt;; Desert Rose Band alumni & lt;b & gt;Pedersen & lt;/b & gt;, & lt;b & gt;John Jorgenson & lt;/b & gt;, and & lt;b & gt;Jay Dee Maness & lt;/b & gt;; & lt;b & gt;Petty and fellow Heartbreakers Mike Campbell & lt;/b & gt;, & lt;b & gt;Steve Ferrone & lt;/b & gt;, and & lt;b & gt;Benmont Tench & lt;/b & gt;; & lt;b & gt;Mark Fain, Josh Jové & lt;/b & gt;, and & lt;b & gt;Gabe Witcher & lt;/b & gt;. & lt;br & gt; & lt;br & gt; The album kicks off with a new recording of Pete Seeger's and Welsh poet Idris Davies' & quot;The Bells of Rhymney, & quot; which the Byrds recorded for their debut, Mr. Tambourine Man. It's always been Hillman's favorite song the band ever recorded. Crosby and Pedersen contribute otherworldly harmonies to the tune, which swells from stripped-down folk into a layered rock-and-roll cry. & quot;I decided to cut it again because I wanted to sing with David and Herb, two great tenors, & quot; Hillman says. & quot;David just loves Herb's singing, and at 75 years old, David is still a powerful singer -- one of the best I've ever worked with or been around. & quot; & lt;br & gt; & lt;br & gt; Another Byrds nod, & quot;Here She Comes Again & quot; was co-written by Hillman and McGuinn, and until now, had only been recorded on a live album in Australia. Hillman plays bass on the track -- the instrument he originally played with the Byrds but hadn't picked up in more than 30 years. & quot;She Don't Care About Time & quot; was written by Byrds co-founder Gene Clark, who died in 1991. Hillman had always felt the song, which was the original b-side to & quot;Turn! Turn! Turn!, & quot; never quite got the attention it deserves. & lt;br & gt; & lt;br & gt; Hillman also indulged in an exercise every songwriter craves: he reworked & quot;Old John Robertson, & quot; first featured on The Notorious Byrd Brothers in 1968, to write & quot;New Old John Robertson. & quot; An ambling story song about a kind old man who lived in Hillman's tiny hometown, the tune revels in Hillman's bluegrass roots. The album also includes interpretations of the Everly Brothers' & quot;Walk Right Back, & quot; Petty's & quot;Wildflowers, & quot; and & quot;When I Get a Little Money, & quot; written by family friend Nathan Barrow. & lt;br & gt; & lt;br & gt; Hillman's originals confirm what a fierce songwriter he remains. Front-porch jam session & quot;Such is the World We Live In & quot; wonders what Hillman's great-grandfather would say about current events. The song epitomizes Hillman's distinct ability to bemoan ills without abandoning hope. Album standout & quot;Restless, & quot; another self-penned original, saunters as Hillman delivers a muscled vocal performance. Honest but loving, & quot;Given All That I Can See, & quot; a favorite of Hillman's he calls the record's & quot;sort-of gospel song, & quot; is a timely call for mercy and grace in an era beleaguered by hate and fear. & lt;br & gt; & lt;br & gt; The project captures a rarity: a seasoned artist who has never sounded better, making music with old friends for the sheer love of it. & quot;I did everything I felt was right in the moment, & quot; Hillman says of the recording process, before adding with characteristic humility, & quot;I did my very best. That's all any of us can do. & quot; & lt;br & gt; & lt;br & gt; & lt;a name= & quot;SS & quot; & gt; & lt;/a & gt; & lt;iframe width= & quot;560 & quot; height= & quot;315 & quot; src= & quot;https://www.youtube.com/embed/n0JHaMoqBdw & quot; frameborder= & quot;0 & quot; allowfullscreen & gt; & lt;/iframe & gt; & lt;br & gt; & lt;br & gt; & lt;b & gt;Features: & lt;/b & gt; & lt;br & gt; • Vinyl LP & lt;br & gt; • Produced by Tom Petty & lt;br & gt; • Includes limited time full album download card with bonus track & quot;Let Me Get Out Of This World Alive & quot; - exclusive to vinyl LP purchase & lt;br & gt; & lt;br & gt; & lt;b & gt;Selections: & lt;br & gt; Side A: & lt;/b & gt; & lt;br & gt; 1. Bells Of Rhymney & lt;br & gt; 2. Bidin' My Time & lt;br & gt; 3. Given All I Can See & lt;br & gt; 4. Different Rivers & lt;br & gt; 5. Here She Comes Again & lt;br & gt; 6. Walk Right Back & lt;br & gt; & lt;b & gt;Side B: & lt;/b & gt; & lt;br & gt; 1. Such Is The World That We Live In & lt;br & gt; 2. When I Get A Little Money & lt;br & gt; 3. She Don't Care About Time & lt;br & gt; 4. New Old John Robertson & lt;br & gt; 5. Restless & lt;br & gt; 6. Wildflowers
Rounder
Chris Hillman Bidin' My Time LP (Vinyl)
Steve Martin and The Steep Canyon Rangers The Long Awaited Album 180g LP (Vinyl)
& lt;a href=javascript:; & quot; onclick= & quot;document.location.hash='SS'; & quot; & gt; & lt;img src= & quot;/content/images/playbutton.gif & quot; hspace= & quot;10 & quot; align= & quot;left & quot; border= & quot;0 & quot; & gt; & lt;font color= & quot;0000FF & quot; & gt; & lt;b & gt;Click Here for Video Sample! & lt;/b & gt; & lt;/font & gt; & lt;/a & gt; & lt;br & gt; & lt;br & gt; & lt;font color= & quot;#FF0000 & quot; & gt; & lt;b & gt;'Long Awaited Album' On 180g Vinyl LP! & lt;br & gt; Brand New Original Material Written By Steve Martin! & lt;/b & gt; & lt;/font & gt; & lt;br & gt; & lt;br & gt; Comedian and bluegrass musician Steve Martin releases his first album since 2015, with the tongue in cheek title & quot;The Long Awaited Album & quot;. He paired up with Edie Brickell on his 2015 album, So Familiar, while his latest release features The Steep Canyon Rangers. The album contains the lead single & quot;Caroline & quot; which, of course, features Steve's banjo and vocals. As Martin reveals to rollingstone.com, & lt;b & gt; & quot;Research has shown that there are many, many songs with the title Caroline...However, this is the only good one. & quot; & lt;/b & gt; & lt;br & gt; & lt;br & gt; & quot;The Long-Awaited Album, & quot; Steve Martin’s project with the North Carolina group the Steep Canyon Rangers, is full of stories that mix humor and melancholy, whimsy and realism, rich characters and evocative details. And lots of banjos. That instrument—so dexterously, even acrobatically picked and strummed—proves just as crucial to relating these tales as the lyrics themselves, each chord and riff revealing depths to Martin’s narrators and to his musical talent. & lt;br & gt; & lt;br & gt; & lt;a name= & quot;SS & quot; & gt; & lt;/a & gt; & lt;iframe width= & quot;560 & quot; height= & quot;315 & quot; src= & quot;https://www.youtube.com/embed/1b5NfvIlHOM & quot; frameborder= & quot;0 & quot; allowfullscreen & gt; & lt;/iframe & gt; & lt;br & gt; & lt;br & gt; & lt;b & gt;Features: & lt;/b & gt; & lt;br & gt; • 180g Vinyl LP & lt;br & gt; • Limited time full album download card & lt;br & gt; & lt;br & gt; & lt;b & gt;Selections: & lt;br & gt; Side A: & lt;/b & gt; & lt;br & gt; 1. Santa Fe & lt;br & gt; 2. Caroline & lt;br & gt; 3. All Night Long & lt;br & gt; 4. Canadian Girl & lt;br & gt; 5. Office Supplies & lt;br & gt; 6. Bad Night & lt;br & gt; & lt;b & gt;Side B: & lt;/b & gt; & lt;br & gt; 1. Strangest Christmas Yet & lt;br & gt; 2. Always Will & lt;br & gt; 3. So Familiar & lt;br & gt; 4. Nights In The Lab & lt;br & gt; 5. Angeline The Barista & lt;br & gt; 6. On The Water & lt;br & gt; 7. Girl From River Run & lt;br & gt; 8. Promonotory Point
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Steve Martin and The Steep Canyon Rangers The Long Awaited Album 180g LP (Vinyl)
Gregg Allman Southern Blood LP (Vinyl)
& lt;font color= & quot;#FF0000 & quot; & gt; & lt;b & gt;2018 Grammy Award Nominee! & lt;br & gt; • Best American Roots Song: & quot;My Only True Friend & quot; & lt;br & gt; • Best Americana Album: Southern Blood & lt;/b & gt; & lt;/font & gt; & lt;br & gt; & lt;br & gt; & lt;font color= & quot;#FF0000 & quot; & gt; & lt;b & gt;Final Studio Album! & lt;br & gt; Black Vinyl Version With Deluxe Gatefold Packaging! & lt;/b & gt; & lt;/font & gt; & lt;br & gt; & lt;br & gt; Rounder releases the final studio album from rock and roll legend, Gregg Allman. The album has been a long time in the making and represents the culmination of one of the most prolific careers in classic rock history. & lt;br & gt; & lt;br & gt; The album is pressed on 150g black vinyl LP and is housed in a gatefold jacket. Also includes full album download card + 2 live bonus tracks. & lt;br & gt; & lt;br & gt; Produced by Don Was and recorded in Muscle Shoals, AL at the renowned Fame Studios, this record reaches back to the sound and recording techniques that first inspired the early Allman Brothers records. Guests include The McCrary Sisters, Buddy Miller, and Jackson Browne. & lt;br & gt; & lt;br & gt; & lt;b & gt; & quot;The final album by Gregg Allman, who died in May, is a moving farewell statement à la twilight masterworks by Leonard Cohen and David Bowie. Yet while Southern Blood is rich with intimations of mortality, it's easygoing, too, with a laid-back generosity that recalls Allman's kindest Seventies work – see his warm take on Lowell George's Southern-rock salvo 'Willin',' or versions of tender folk reckonings by his friends Tim Buckley and Jackson Browne. The most moving moment is the searching blues 'My Only True Friend,' sung as a conversation with his brother Duane. 'It feels like home is just around the bend,' he sings. It's the elegiac sound of gracefully moving on. & quot; & lt;/b & gt; - Rolling Stone, 50 Best Albums of 2017 & lt;br & gt; & lt;br & gt; & lt;b & gt;Features: & lt;/b & gt; & lt;br & gt; • Black Vinyl Version! & lt;br & gt; • 150g Vinyl & lt;br & gt; • Deluxe gatefold packaging & lt;br & gt; • Limited time full album download card + 2 live bonus tracks & lt;br & gt; & lt;br & gt; & lt;b & gt;Selections: & lt;br & gt; Side One: & lt;/b & gt; & lt;br & gt; 1. My Only True Friend & lt;br & gt; 2. Once I Was & lt;br & gt; 3. Going Going Gone & lt;br & gt; 4. Black Muddy River & lt;br & gt; 5. I Love The Life I Live & lt;br & gt; & lt;b & gt;Side Two: & lt;/b & gt; & lt;br & gt; 1. Willin' & lt;br & gt; 2. Blind Bats And Swamp Rats & lt;br & gt; 3. Out Of Left Field & lt;br & gt; 4. Love Like Kerosene & lt;br & gt; 5. Song For Adam (featuring Jackson Browne)
Rounder
Gregg Allman Southern Blood LP (Vinyl)
The Indigo Girls Look Long 2LP (Vinyl)
& lt;header & gt; & lt;p & gt; & lt;strong & gt;Double LP! & lt;/strong & gt; & lt;/p & gt; & lt;/header & gt; & lt;p & gt;Amy Ray and Emily Saliers are Indigo Girls. Together they write, arrange, record and perform music which and have become a vital part of the lives of their worldwide devoted fanbase. Their first new studio album in 5 years, Look Long is a testament to their storied 40-year career. The album is produced by John Reynolds at Peter Gabriel's Real World Studio in England and features 11 brand new tracks, all written by the pair. & lt;/p & gt; & lt;p & gt; The double LP is housed in a double-pocket gatefold packaging and includes a poster. & lt;/p & gt; & lt;a name= & quot;SS & quot; & gt; & lt;/a & gt; & lt;iframe width= & quot;560 & quot; height= & quot;315 & quot; src= & quot;https://www.youtube.com/embed/0cNiqMUjb4E & quot; frameborder= & quot;0 & quot; allowfullscreen & gt; & lt;/iframe & gt; & lt;br & gt; & lt;br & gt; & lt;section id= & quot;features & quot; & gt; & lt;h3 & gt;Features & lt;/h3 & gt; & lt;ul & gt; & lt;li & gt;Double LP & lt;/li & gt; & lt;li & gt;Gatefold jacket & lt;/li & gt; & lt;li & gt;11 & quot; x 11 & quot; printed insert & lt;/li & gt; & lt;li & gt;Made in USA & lt;/li & gt; & lt;/ul & gt; & lt;/section & gt; & lt;section id= & quot;selections & quot; & gt; & lt;h3 & gt;Selections & lt;/h3 & gt; & lt;h4 & gt;Side A: & lt;/h4 & gt; & lt;ol & gt; & lt;li & gt;Shit Kickin' & lt;/li & gt; & lt;li & gt; Look Long & lt;/li & gt; & lt;li & gt; Howl At The Moon & lt;/li & gt; & lt;/ol & gt; & lt;h4 & gt;Side B: & lt;/h4 & gt; & lt;ol & gt; & lt;li & gt;When We Were Writers & lt;/li & gt; & lt;li & gt; Change My Heart & lt;/li & gt; & lt;li & gt; K.C. Girl & lt;/li & gt; & lt;/ol & gt; & lt;h4 & gt;Side C: & lt;/h4 & gt; & lt;ol & gt; & lt;li & gt;Country Radio & lt;/li & gt; & lt;li & gt;Muster & lt;/li & gt; & lt;li & gt;Feel This Way Again & lt;/li & gt; & lt;/ol & gt; & lt;h4 & gt;Side D: & lt;/h4 & gt; & lt;ol & gt; & lt;li & gt;Favorite Flavor & lt;/li & gt; & lt;li & gt;Sorrow And Joy & lt;/li & gt; & lt;/ol & gt; & lt;/section & gt;
Rounder
The Indigo Girls Look Long 2LP (Vinyl)
Billy Strings Home 2LP (Vinyl)
& lt;header & gt; & lt;p & gt; & lt;strong & gt;Rising Bluegrass Star's Second Studio Album On Double LP! & lt;/strong & gt; & lt;/p & gt; & lt;/header & gt; & lt;p & gt; & lt;strong & gt;TAS Rated 4.5/5 Music, 4/5 Sonics in the February 2020 Issue of The Absolute Sound! & lt;/strong & gt; & lt;/p & gt; & lt;header & gt; & lt;p & gt; & lt;strong & gt;2021 Grammy Award Winner: & lt;/strong & gt; & lt;br & gt; & amp;#8226; Best Bluegrass Album: Home & lt;/p & gt; & lt;/header & gt; & lt;p & gt;Billy Strings has been hailed as the future of bluegrass, transcending tradition and genre with his high velocity, flat-picking guitar technique and intense, confessional songwriting. From the jump, Strings has infused bluegrass with his own experiences and inspirations, adopting traditional sonic and lyrical idioms to confront contemporary social truths. Songs like & quot;Away From The Mire & quot; and the remarkable title track are rooted in the past but as now as next week, animated by electrifying musicianship, inventive production, and Strings' irrepressible ambition. HOME marks a landmark on this constantly moving artist's ongoing creative journey, its fearless songs and freewheeling approach recasting string-based American music in his own inimitable image. & lt;/p & gt; & lt;p & gt;Born William Apostol, the Lansing, MI native was raised up on bluegrass guitar by his stepfather, Terry Barber, a gifted amateur picker in his own right. Dubbed Billy Strings by an aunt who presciently saw his burgeoning ability, he & quot;got into electricity & quot; in his teens and began fusing high-speed technique with his own equally breakneck charisma in a middle school grindcore band. & quot;I learned to play music playing bluegrass, & quot; Strings says, & quot;but I learned how to perform in a metal band. & quot; After making an auspicious solo debut with 2016's self-titled EP, Strings impelled bluegrass towards heretofore-uncharted new terrain on his extraordinary debut album, TURMOIL & amp; TINFOIL. Released via Strings' own Apostol Recording Company, the markedly powerful collection rocketed Strings to the forefront of contemporary Americana, debuting at #3 on Billboard's & quot;Top Bluegrass Albums & quot; chart whilst earning critical applause equivalent to its popular success. Then as now, Strings and his crack band - including banjo player Billy Failing, bassist Royal Masat, and mandolin player Jarrod Walker - honed their sound by performing more than 200 gigs a year, traveling America's blue highways and byways in a black Sprinter van to bring their music to the people. & lt;/p & gt; & lt;p & gt;HOME was recorded in January 2019 during a rare hiatus from the road, mere days after Strings' sold-out three-night New Year's Eve run at Pontiac, MI's Flagstar Strand Theater. With TURMOIL & amp; TINFOIL producer Glenn Brown (Greensky Bluegrass, Marcus Miller) back at the helm, Springs and Co. spent six days working at Nashville's legendary Blackbird Studios' Studio D followed by an additional week at Zac Brown's Southern Ground Nashville. Rightly hailed for their precision picking and groove-locked on-stage interplay, Strings and the band played it equally live in the studio, simply counting off and letting the songs take flight. Traditional recording techniques were eschewed for more of & quot;a rock 'n' roll approach & quot; utilizing an array of old compressors and vintage microphones. As ever, Strings took great pleasure in seeing just how far he can push bluegrass without abandoning its core tenets. Songs like & quot;Running & quot; and & quot;Highway Hypnosis & quot; see Strings in forward motion once again, wedding guitar, banjo, bass, and mandolin, with harmonium and eastern percussion, classical string arrangements, and a distinctive distortion Brown creates by running Strings' vocals through a 1950 Bell PA head meant for electric guitar. & quot;The studio gives you the freedom to do whatever you want, & quot; he says. & quot;You can add piano, or I could play a 12-string guitar, or we could all get xylophones - it's endless possibility. I like making records like that. I think about how the Beatles did it, those guys were trying everything they could think of. & quot; & lt;/p & gt; & lt;p & gt;HOME sees featured appearances from Strings' Nashville former housemate, TK Award-winning guitarist Molly Tuttle (lending vocals to & quot;Must Be Seven & quot;), fiddler John Mailander (Bruce Hornsby, Peter Rowan, Tony Trischka), Detroit-based tabla player John Churchville, and 14x GRAMMY® Award-winning dobro master Jerry Douglas. Billy Strings made his Grand Ole Opry debut in March 2019, performing two original songs on the legendary broadcast, and is unabashedly exultant at his current place at the bluegrass table, evidenced by an ever-growing list of collaborations with some of the music's greatest heroes. & lt;/p & gt; & lt;p & gt;With its sonic flair, dazzling technique and forward-thinking enthusiasm, HOME is a strikingly assured manifestation of an increasingly matchless musical vision. Billy Strings is utterly unto himself, a once-in-a-lifetime guitarist, singer, and songwriter whose ingenuity, versatility, and sheer sense of commitment affirm his spot as one of the most visionary and idiosyncratic artists in all of contemporary American music. & lt;/p & gt; & lt;p & gt; & lt;strong & gt; & quot;Yes, Billy Strings is a real person's name, and a more apt moniker would be difficult to find. This is Mr. Strings' first album and he's a young guy, but he's already a seasoned pro whose scintillating performances at festivals and clubs have created quite a buzz in the bluegrass/acoustic music world... All the members of the Billy Strings band are superlative pickers who can turn any tune into a long jam if the spirit moves them in that direction... while there's a strong bluegrass element in their instrumental rigor, the album includes electric instruments with an occasional psychedelic edge. The production borders on lush, with multiple layers and plenty of studio effects. While markedly different from his live arrangements, these more full-orchestrated versions indicate that Billy Strings is far more than just another fast picker with hot licks to spare. & quot; & lt;/strong & gt; - Steven Stone, The Absolute Sound, February 2020 & lt;/p & gt; & lt;blockquote cite= & quot;www.glidemagazine.com & quot; & gt; Billy Strings' talents are clear as Home joins Greensky Bluegrass's All For Money as the strongest releases in this genre for 2019. & lt;footer & gt; -Glide Magazine & lt;/footer & gt; & lt;/blockquote & gt; & lt;blockquote cite= & quot;www.nodepression.com & quot; & gt; Strings, a 26-year-old Michigan native, stuns on his cosmic new album, Home. The young warrior completes a challenging feat on this record as he strikes a thoughtful balance between traditional playing on short cuts and warmly weird psychedelic journeying on several other selections, most notably two seven-minute-plus recordings: 'Away From The Mire' and 'Home.' The former finds Strings and his top-tier bandmates engrossed in trippy instrumentation, like a bluegrass jam band that sounds less like Jerry Garcia and David Grisman and more like what old-time music might be like in 2045. Few in modern bluegrass are going to such deep space frontiers. Home demonstrates that Strings is primed to keep exploring the outer reaches of roots music. & lt;footer & gt; -No Depression & lt;/footer & gt; & lt;/blockquote & gt; & lt;a name= & quot;SS & quot; & gt; & lt;/a & gt; & lt;iframe width= & quot;560 & quot; height= & quot;315 & quot; src= & quot;https://www.youtube.com/embed/OWdaWKP-88s & quot; frameborder= & quot;0 & quot; allowfullscreen & gt; & lt;/iframe & gt; & lt;br & gt; & lt;br & gt; & lt;section id= & quot;features & quot; & gt; & lt;h3 & gt;Features & lt;/h3 & gt; & lt;ul & gt; & lt;li & gt;Double LP & lt;/li & gt; & lt;li & gt;Gatefold jacket & lt;/li & gt; & lt;li & gt;Made in USA & lt;/li & gt; & lt;/ul & gt; & lt;/section & gt; & lt;section id= & quot;musicians & quot; & gt; & lt;h3 & gt;Musicians & lt;/h3 & gt; & lt;table & gt; & lt;tr & gt; & lt;th & gt;Billy Strings & lt;/th & gt; & lt;td & gt;guitar, vocals, banjo & lt;/td & gt; & lt;/tr & gt; & lt;tr & gt; & lt;th & gt;Billy Failing & lt;/th & gt; & lt;td & gt;banjo, vocals & lt;/td & gt; & lt;/tr & gt; & lt;tr & gt; & lt;th & gt;Jarrod Walker & lt;/th & gt; & lt;td & gt;mandolin, vocals & lt;/td & gt; & lt;/tr & gt; & lt;tr & gt; & lt;th & gt;Royal Masat & lt;/th & gt; & lt;td & gt;bass, vocals & lt;/td & gt; & lt;/tr & gt; & lt;tr & gt; & lt;th & gt;John Mailander & lt;/th & gt; & lt;td & gt;violin (Side A Tracks 1, 2, 4, Side B Tracks 1-3, Side C Track 1) & lt;/td & gt; & lt;/tr & gt; & lt;tr & gt; & lt;th & gt;Molly Tuttle & lt;/th & gt; & lt;td & gt;vocals (Side A Track 2) & lt;/td & gt; & lt;/tr & gt; & lt;tr & gt; & lt;th & gt;Jerry Douglas & lt;/th & gt; & lt;td & gt;dobro (Side C Track 4, Side D Track 1) & lt;/td & gt; & lt;/tr & gt; & lt;tr & gt; & lt;th & gt;Christian Sedelmyer & lt;/th & gt; & lt;td & gt;violin, viola (Side B Track 1) & lt;/td & gt; & lt;/tr & gt; & lt;tr & gt; & lt;th & gt;Kaitlyn Raitz & lt;/th & gt; & lt;td & gt;cello (Side B Track 1) & lt;/td & gt; & lt;/tr & gt; & lt;tr & gt; & lt;th & gt;John Churchville & lt;/th & gt; & lt;td & gt;tablas (Side B Track 1) & lt;/td & gt; & lt;/tr & gt; & lt;tr & gt; & lt;th & gt;Megan Campbell & lt;/th & gt; & lt;td & gt;vocals (Side B Track 1) & lt;/td & gt; & lt;/tr & gt; & lt;tr & gt; & lt;th & gt;Glenn Brown & lt;/th & gt; & lt;td & gt;shaker, finger cymbals, string arrangement, sitar (Side B Track 1), buchla CM100 (Side A Track 1, Side C Track 1, Side D Track 2), vibes (Side A Track 4), harmonium (Side D Track 2) & lt;/td & gt; & lt;/tr & gt; & lt;/table & gt; & lt;/section & gt; & lt;section id= & quot;selections & quot; & gt; & lt;h3 & gt;Selections & lt;/h3 & gt; & lt;h4 & gt;Side A: & lt;/h4 & gt; & lt;ol & gt; & lt;li & gt;Taking Water & lt;/li & gt; & lt;li & gt;Must Be Seven & lt;/li & gt; & lt;li & gt;Running & lt;/li & gt; & lt;li & gt;Away From The Mire & lt;/li & gt; & lt;/ol & gt; & lt;h4 & gt;Side B: & lt;/h4 & gt; & lt;ol & gt; & lt;li & gt;Home & lt;/li & gt; & lt;li & gt;Watch It Fall & lt;/li & gt; & lt;li & gt;Long Forgotten Dream & lt;/li & gt; & lt;/ol & gt; & lt;h4 & gt;Side C: & lt;/h4 & gt; & lt;ol & gt; & lt;li & gt;Highway Hypnosis & lt;/li & gt; & lt;li & gt;Enough To Leave & lt;/li & gt; & lt;li & gt;Hollow Heart & lt;/li & gt; & lt;li & gt;Love Like Me & lt;/li & gt; & lt;/ol & gt; & lt;h4 & gt;Side D: & lt;/h4 & gt; & lt;ol & gt; & lt;li & gt;Everything's The Same & lt;/li & gt; & lt;li & gt;Guitar Peace & lt;/li & gt; & lt;li & gt;Freedom & lt;/li & gt; & lt;/ol & gt; & lt;/section & gt;
Rounder
Billy Strings Home 2LP (Vinyl)
The Airborne Toxic Event Hollywood Park 2LP (Vinyl)
& lt;header & gt; & lt;p & gt; & lt;strong & gt;Sixth Studio Album On Double LP! & lt;/strong & gt; & lt;/p & gt; & lt;/header & gt; & lt;p & gt;In conjunction with frontman Mikel Jollett's memoir, The Airborne Toxic Event has completed an album by the same name. Hollywood Park is a 12-song concept record drawing from themes in the book, and incorporates real audio from Jollett's family, gospel singers and orchestral flourishes from violins to timpani to horns. Hollywod Park illustrates dashed dreams & amp; difficult times of childhood, as well as the confusion of an adult life spent nursing the wounds. It is an ultimate redemption story on finding self-acceptance and love of family. & lt;/p & gt; & lt;blockquote cite= & quot;quote source & quot; & gt; Jollett is as wide-ranging a singer as he is a songwriter. His style of delivery varies track by track. The smooth, patient repetition on 'Come On Out' creates a contemplative post-punk vibe. His voice breaks with emotion against a thick sonic background on 'Brother, How Was the War?' From the heavy grunge of 'Hollywood Park' to the folk rock of 'Carry Me,' Jollett knows how to get his story across. These reflections of a dark past aren't happy, but the music that carries them is engaging and often catchy. & lt;footer & gt; -Anne E. Johnson, Stereophile, September 2020 & lt;/footer & gt; & lt;/blockquote & gt; & lt;a name= & quot;SS & quot; & gt; & lt;/a & gt; & lt;iframe width= & quot;560 & quot; height= & quot;315 & quot; src= & quot;https://www.youtube.com/embed/khSLRfZ4wBA & quot; frameborder= & quot;0 & quot; allowfullscreen & gt; & lt;/iframe & gt; & lt;br & gt; & lt;br & gt; & lt;section id= & quot;features & quot; & gt; & lt;h3 & gt;Features & lt;/h3 & gt; & lt;ul & gt; & lt;li & gt;Double LP & lt;/li & gt; & lt;li & gt;Gatefold jacket & lt;/li & gt; & lt;li & gt;Made in USA & lt;/li & gt; & lt;/ul & gt; & lt;/section & gt; & lt;section id= & quot;selections & quot; & gt; & lt;h3 & gt;Selections & lt;/h3 & gt; & lt;h4 & gt;Side A: & lt;/h4 & gt; & lt;ol & gt; & lt;li & gt;Hollywood Park & lt;/li & gt; & lt;li & gt;Brother, How Was The War? & lt;/li & gt; & lt;li & gt;Carry Me & lt;/li & gt; & lt;/ol & gt; & lt;h4 & gt;Side B: & lt;/h4 & gt; & lt;ol & gt; & lt;li & gt;Come On Out & lt;/li & gt; & lt;li & gt;I Don't Want To Be Here Anymore & lt;/li & gt; & lt;li & gt;All The Children & lt;/li & gt; & lt;/ol & gt; & lt;h4 & gt;Side C: & lt;/h4 & gt; & lt;ol & gt; & lt;li & gt;Everything I Love Is Broken & lt;/li & gt; & lt;li & gt;All These Engagements & lt;/li & gt; & lt;li & gt;The Place We Meet A Thousand Feet Beneath The Racetrack & lt;/li & gt; & lt;/ol & gt; & lt;h4 & gt;Side D: & lt;/h4 & gt; & lt;ol & gt; & lt;li & gt;The Common Touch & lt;/li & gt; & lt;li & gt;The Place We Meet A Thousand Feet Beneath The Racetrack [Reprise] & lt;/li & gt; & lt;li & gt;True. & lt;/li & gt; & lt;/ol & gt; & lt;/section & gt;
Rounder
The Airborne Toxic Event Hollywood Park 2LP (Vinyl)
Amythyst Kiah Wary + Strange LP (Vinyl)
& lt;header & gt; & lt;p & gt; & lt;strong & gt;Grammy-Nominated Americana Artist On Vinyl LP! & lt;br & gt; Rounder Records Debut From Member of Our Native Daughters Supergroup! & lt;/strong & gt; & lt;/p & gt; & lt;/header & gt; & lt;p & gt; & lt;strong & gt;2021 Americana Music Association Award Nominee: & lt;/strong & gt; & lt;br & gt; & amp;#8226; Emerging Act Of The Year: Amythyst Kiah & lt;br & gt; & amp;#8226; Song Of The Year: & quot;Black Myself & quot; & lt;/p & gt; & lt;p & gt;The Rounder Records debut from Amythyst Kiah, Wary + Strange marks the glorious collision of two vastly different worlds: the iconoclastic alt-rock that first sparked her musical passion, and the roots/old-time-music scene where she's found breakout success in recent years, including recognition from Rolling Stone as & lt;strong & gt; & quot;one of Americana's great up-and-coming secrets. & quot; & lt;/strong & gt; Along with tapping into the vibrant musicality she honed in part through her studies in East Tennessee State University's Bluegrass, Old Time, Country Music program, the Chattanooga-bred singer/songwriter expands on the uncompromising artistry she's displayed as a member of & lt;strong & gt;Our Native Daughters & lt;/strong & gt; - an all-women-of-color supergroup whose Kiah-penned standout & quot;Black Myself & quot; earned a & lt;strong & gt;GRAMMY nomination & lt;/strong & gt; for & lt;strong & gt;Best American Roots Song & lt;/strong & gt; and won & lt;strong & gt;Song of the Year & lt;/strong & gt; at the & lt;strong & gt;Folk Alliance International Awards & lt;/strong & gt;. & lt;/p & gt; & lt;p & gt;Produced by & lt;strong & gt;Tony Berg & lt;/strong & gt; (Phoebe Bridgers, Amos Lee, Andrew Bird) and made with esteemed musicians like & lt;strong & gt;Blake Mills & lt;/strong & gt;, Wary + Strange arrives as a deeply immersive body of work, endlessly redefining the limits of roots music in its inventive rhythms and textures. With an unforgettable voice that's both unfettered and exquisitely controlled, Kiah gracefully interlaces political commentary and personal revelation, ultimately offering a raw yet nuanced examination of grief, alienation, and the hard-won triumph of total self-acceptance. & lt;/p & gt; & lt;blockquote cite= & quot;quote source & quot; & gt; She revisits it with a fuller studio production, reinforcing its distorted guitar with more effects, more layers and a bigger beat, adding extra clout. & lt;footer & gt; -The New York Times on & quot;Black Myself & quot; & lt;/footer & gt; & lt;/blockquote & gt; & lt;blockquote cite= & quot;quote source & quot; & gt; Breakthrough for an artist on the rise. & lt;footer & gt; -NPR Music on & quot;Black Myself & quot; & lt;/footer & gt; & lt;/blockquote & gt; & lt;blockquote cite= & quot;quote source & quot; & gt; Blistering...A must-listen about living in the land of white privilege. & lt;footer & gt; -Billboard on & quot;Black Myself & quot; & lt;/footer & gt; & lt;/blockquote & gt; & lt;a name= & quot;SS & quot; & gt; & lt;/a & gt; & lt;iframe width= & quot;560 & quot; height= & quot;315 & quot; src= & quot;https://www.youtube.com/embed/h1N9pFB-phQ & quot; frameborder= & quot;0 & quot; allowfullscreen & gt; & lt;/iframe & gt; & lt;br & gt; & lt;br & gt; & lt;a name= & quot;SS & quot; & gt; & lt;/a & gt; & lt;iframe width= & quot;560 & quot; height= & quot;315 & quot; src= & quot;https://www.youtube.com/embed/yZ9FHcgwJsc & quot; frameborder= & quot;0 & quot; allowfullscreen & gt; & lt;/iframe & gt; & lt;br & gt; & lt;br & gt; & lt;section id= & quot;features & quot; & gt; & lt;h3 & gt;Features & lt;/h3 & gt; & lt;ul & gt; & lt;li & gt;Vinyl LP & lt;/li & gt; & lt;li & gt;Gatefold jacket & lt;/li & gt; & lt;/ul & gt; & lt;/section & gt; & lt;section id= & quot;selections & quot; & gt; & lt;h3 & gt;Selections & lt;/h3 & gt; & lt;h4 & gt;Side A: & lt;/h4 & gt; & lt;ol & gt; & lt;li & gt;Soapbox & lt;/li & gt; & lt;li & gt;Black Myself & lt;/li & gt; & lt;li & gt;Wild Turkey & lt;/li & gt; & lt;li & gt;Hangover Blues & lt;/li & gt; & lt;li & gt;Fancy Drones (Fracture Me) & lt;/li & gt; & lt;li & gt;Firewater & lt;/li & gt; & lt;/ol & gt; & lt;h4 & gt;Side B: & lt;/h4 & gt; & lt;ol & gt; & lt;li & gt;Tender Organs & lt;/li & gt; & lt;li & gt;Ballad Of Lost & lt;/li & gt; & lt;li & gt;Sleeping Queen & lt;/li & gt; & lt;li & gt;Opaque & lt;/li & gt; & lt;li & gt;Soapbox [Reprise] & lt;/li & gt; & lt;/ol & gt; & lt;/section & gt;
Rounder
Amythyst Kiah Wary + Strange LP (Vinyl)
Sierra Ferrell Long Time Coming LP (Vinyl)
& lt;header & gt; & lt;p & gt; & lt;strong & gt;Singer/Songwriter's Spellbinding Voice Blends Jazz, Country, Blues & amp; More On Vinyl LP! & lt;/strong & gt; & lt;/p & gt; & lt;/header & gt; & lt;p & gt;With her spellbinding voice and time-bending sensibilities, Sierra Ferrell makes music that's as fantastically vagabond as the artist herself. On her highly anticipated Rounder debut Long Time Coming, Ferrell shares a dozen songs beautifully unbound by genre or era, instantly transporting her audience to an infinitely more enchanted world. & lt;/p & gt; & lt;blockquote cite= & quot;quote source & quot; & gt; Meet West Virginia's Sierra Ferrell, now in Nashville and newly signed to Rounder. She's been wandering the country busking and adventuring, and she's got a tremendous voice that's joyously lilting, and at once vintage and contemporary. She sings with abandon, with a huge repertoire that spans jazz, country and cowboy music, with undertones of the blues. & lt;footer & gt; -NPR Music & lt;/footer & gt; & lt;/blockquote & gt; & lt;blockquote cite= & quot;quote source & quot; & gt; In addition to a standout voice and catchy, jangling riffs that speak to music lovers, Ferrell has an edge to her that demands you take notice. A quiet confidence paired with an internal poetic darkness that grabs you from the sea of talented Americana artists flooding the scene. Ferrell is a timeless artist that is perfect for this time. & lt;footer & gt; -No Depression & lt;/footer & gt; & lt;/blockquote & gt; & lt;a name= & quot;SS & quot; & gt; & lt;/a & gt; & lt;iframe width= & quot;560 & quot; height= & quot;315 & quot; src= & quot;https://www.youtube.com/embed/Rnr9oqwlg78 & quot; frameborder= & quot;0 & quot; allowfullscreen & gt; & lt;/iframe & gt; & lt;br & gt; & lt;br & gt; & lt;a name= & quot;SS & quot; & gt; & lt;/a & gt; & lt;iframe width= & quot;560 & quot; height= & quot;315 & quot; src= & quot;https://www.youtube.com/embed/6fPqmceCf90 & quot; frameborder= & quot;0 & quot; allowfullscreen & gt; & lt;/iframe & gt; & lt;br & gt; & lt;br & gt; & lt;a name= & quot;SS & quot; & gt; & lt;/a & gt; & lt;iframe width= & quot;560 & quot; height= & quot;315 & quot; src= & quot;https://www.youtube.com/embed/YEYSUpPirJM & quot; frameborder= & quot;0 & quot; allowfullscreen & gt; & lt;/iframe & gt; & lt;br & gt; & lt;br & gt; & lt;section id= & quot;features & quot; & gt; & lt;h3 & gt;Features & lt;/h3 & gt; & lt;ul & gt; & lt;li & gt;Vinyl LP & lt;/li & gt; & lt;/ul & gt; & lt;/section & gt; & lt;section id= & quot;selections & quot; & gt; & lt;h3 & gt;Selections & lt;/h3 & gt; & lt;h4 & gt;Side A: & lt;/h4 & gt; & lt;ol & gt; & lt;li & gt;The Sea & lt;/li & gt; & lt;li & gt;Jeremiah & lt;/li & gt; & lt;li & gt;Bells Of Every Chapel & lt;/li & gt; & lt;li & gt;At The End Of The Rainbow & lt;/li & gt; & lt;li & gt;West Virginia Waltz & lt;/li & gt; & lt;li & gt;Silver Dollar & lt;/li & gt; & lt;/ol & gt; & lt;h4 & gt;Side B: & lt;/h4 & gt; & lt;ol start = & quot;7 & quot; & gt; & lt;li & gt;Far Away Across The Sea & lt;/li & gt; & lt;li & gt;Why'd Ya Do It & lt;/li & gt; & lt;li & gt;Give It Time & lt;/li & gt; & lt;li & gt;In Dreams & lt;/li & gt; & lt;li & gt;Made Like That & lt;/li & gt; & lt;li & gt;Whispering Waltz & lt;/li & gt; & lt;/ol & gt; & lt;/section & gt;
Rounder
Sierra Ferrell Long Time Coming LP (Vinyl)
Sarah Jarosz World On the Ground LP (Vinyl)
& lt;p & gt; & lt;strong & gt;TAS Super LP List! Special Merit: Informal & lt;/strong & gt; & lt;/p & gt; & lt;header & gt; & lt;p & gt; & lt;strong & gt;Stirring Music From Singer/Songwriter On Vinyl LP! & lt;/strong & gt; & lt;/p & gt; & lt;/header & gt; & lt;header & gt; & lt;p & gt; & lt;strong & gt;2021 Grammy Award Winner: & lt;/strong & gt; & lt;br & gt; & amp;#8226; Best Americana Album: World On The Ground & lt;/p & gt; & lt;/header & gt; & lt;header & gt; & lt;p & gt; & lt;strong & gt;2021 Grammy Award Nominee: & lt;/strong & gt; & lt;br & gt; & amp;#8226; Best American Roots Song: & quot;Hometown & quot; & lt;/p & gt; & lt;/header & gt; & lt;p & gt; & lt;strong & gt;2021 Americana Music Association Award Nominee For Album Of The Year! & lt;/strong & gt; & lt;/p & gt; & lt;p & gt;Sarah Jarosz's fifth studio album World On The Ground is arguably her finest work to date. Jarosz worked closely with producer John Leventhal on World On The Ground, which offers up some of Jarosz's best songwriting to date, and showcases that she is one of the most stirring musicians of her generation. This 10-song album is thoroughly beautiful and a testament to Jarosz's innate ability to capture the hearts of fans around the globe. & lt;/p & gt; & lt;section id= & quot;features & quot; & gt; & lt;h3 & gt;Features & lt;/h3 & gt; & lt;ul & gt; & lt;li & gt;Vinyl LP & lt;/li & gt; & lt;li & gt;Made in USA & lt;/li & gt; & lt;/ul & gt; & lt;/section & gt; & lt;section id= & quot;selections & quot; & gt; & lt;h3 & gt;Selections & lt;/h3 & gt; & lt;h4 & gt;Side A: & lt;/h4 & gt; & lt;ol & gt; & lt;li & gt;Eve & lt;/li & gt; & lt;li & gt;Pay It No Mind & lt;/li & gt; & lt;li & gt;Hometown & lt;/li & gt; & lt;li & gt;Johnny & lt;/li & gt; & lt;li & gt;Orange And Blue & lt;/li & gt; & lt;/ol & gt; & lt;h4 & gt;Side B: & lt;/h4 & gt; & lt;ol & gt; & lt;li & gt;I'll Be Gone & lt;/li & gt; & lt;li & gt;Maggie & lt;/li & gt; & lt;li & gt;What Do I Do & lt;/li & gt; & lt;li & gt;Empty Square & lt;/li & gt; & lt;li & gt;Little Satchel & lt;/li & gt; & lt;!--More tracks go here in & lt;li & gt; tags-- & gt; & lt;/ol & gt; & lt;/section & gt;
Rounder
Sarah Jarosz World On the Ground LP (Vinyl)
Keb' Mo' Good To Be... 2LP (Vinyl)
& lt;header & gt; & lt;p & gt;Coming May 13, 2022 pre-order your copy today! Orders with both pre-order and in stock items will have all in stock items shipped immediately! & lt;/p & gt; & lt;/header & gt; & lt;header & gt; & lt;p & gt; & lt;strong & gt;New Album From Keb' Mo' On Double LP! & lt;/strong & gt; & lt;/p & gt; & lt;/header & gt; & lt;p & gt;Written partially in Nashville and partially in the Compton house & amp;#160;Keb' grew up in, & amp;#160;Good To Be... & amp;#160;weaves & amp;#160;together past and present into & amp;#160;a & amp;#160;heartwarming tapestry spanning more than forty years of sonic evolution. Joined by a variety of collaborators, including & amp;#160;country legend & lt;strong & gt;Vince Gill, & lt;/strong & gt; famed producer & lt;strong & gt;Tom & amp;#160;Hambridge & amp;#160;(B.B. King, Buddy Guy), Darius Rucker, Kristin Chenoweth, & lt;/strong & gt; & amp;#160;and & lt;strong & gt;Old Crow Medicine Show, & lt;/strong & gt; & amp;#160;Good To Be...is a deeply cohesive and optimistic collection of music about & amp;#160;appreciating & amp;#160;what you've got, where you come from, and & amp;#160;who & amp;#160;you get to share it with. & lt;/p & gt; & lt;section id= & quot;features & quot; & gt; & lt;h3 & gt;Features & lt;/h3 & gt; & lt;ul & gt; & lt;li & gt;Double Vinyl LP & lt;/li & gt; & lt;li & gt;Side-D Etching & lt;/li & gt; & lt;/ul & gt; & lt;/section & gt; & lt;section id= & quot;selections & quot; & gt; & lt;h3 & gt;Selections & lt;/h3 & gt; & lt;h4 & gt;Side A: & lt;/h4 & gt; & lt;ol & gt; & lt;li & gt;Good to Be (Home Again) & lt;/li & gt; & lt;li & gt;So Easy & lt;/li & gt; & lt;li & gt;Sunny and Warm & lt;/li & gt; & lt;li & gt;Good Strong Woman (feat. Darius Rucker) & lt;/li & gt; & lt;li & gt;The Medicine Man (feat. Old Crow Medicine Show) & lt;/li & gt; & lt;/ol & gt; & lt;h4 & gt;Side B: & lt;/h4 & gt; & lt;ol & gt; & lt;li & gt;Marvelous to Me & lt;/li & gt; & lt;li & gt;Lean on Me & lt;/li & gt; & lt;li & gt;Like Love & lt;/li & gt; & lt;li & gt;Dressed Up in Blue & lt;/li & gt; & lt;/ol & gt; & lt;h4 & gt;Side C: & lt;/h4 & gt; & lt;ol & gt; & lt;li & gt;'62 Chevy & lt;/li & gt; & lt;li & gt;Louder & lt;/li & gt; & lt;li & gt;So Good to Me & lt;/li & gt; & lt;li & gt;Quiet Moments (feat. Kristin Chenoweth) & lt;/li & gt; & lt;/ol & gt; & lt;h4 & gt;Side D: & lt;/h4 & gt; & lt;p & gt;Etching & lt;/p & gt; & lt;/section & gt;
Rounder
Keb' Mo' Good To Be... 2LP (Vinyl)
Robert Plant & Alison Krauss Raise The Roof 180g 2LP (Vinyl)
& lt;header & gt; & lt;p & gt; & lt;strong & gt;Continuation Of A Remarkable Collaboration On 180g Vinyl Double LP! & lt;br & gt; Covers Of Calexico, the Everly Brothers, Lucinda Williams, Bert Jansch, Merle Haggard & amp; More! & lt;/strong & gt; & lt;/p & gt; & lt;/header & gt; & lt;p & gt;In 2007, Robert Plant and Alison Krauss released Raising Sand, one of the most acclaimed albums of the 21st Century. It was an unlikely, mesmerizing pairing of one of rock's greatest frontmen with one of country music's finest and most honored artists, produced by the legendary T Bone Burnett. Now, after 14 years, they return with Raise The Roof, a dozen songs from a range of traditions and styles that extend this remarkable collaboration in new and thrilling directions. Includes covers of songs by Calexico, the Everly Brothers, Anne Briggs, Betty Harris, Bobby Moore and the Rhythm Aces, Lucinda Williams, Bert Jansch, Ola Belle Reed, Geeshie Wiley, Merle Haggard and Maria Muldaur. & lt;/p & gt; & lt;blockquote cite= & quot;www.americansongwriter.com & quot; & gt; It may have taken 14 years to arrive, but Raise the Roof is another gem from the Plant/Krauss/Burnett team. It's surely as powerful as, and possibly better than, the twosome's impressive debut. & lt;footer & gt; -Hal Horowitz, American Songwriter & lt;/footer & gt; & lt;/blockquote & gt; & lt;blockquote cite= & quot;abcnews.go.com & quot; & gt; The songs are again an eclectic collection that includes covers of obscure rockabilly, country and folk tunes, with sources ranging from the Everly Brothers and Allen Toussaint to Calexico and Merle Haggard... But it's the vocal mix that leaves a lasting impression. Harmony involves difference, and as Krauss and Plant draw on their disparate backgrounds in bluegrass and arena rock, what emerges is a musical marvel. Singing together at the end of the British folk tune 'Go Your Way,' they each squeeze 12 notes from a single syllable, finding beauty even in the word 'woe.' & lt;footer & gt; -Steven Wine, Associated Press & lt;/footer & gt; & lt;/blockquote & gt; & lt;blockquote cite= & quot;www.pastemagazine.com & quot; & gt; Though the song selection throughout is first-rate, it's a disparate enough group of tunes that Raise the Roof would be eclectic, if it weren't for the way Plant and Krauss (and the band) come together as if they'd been doing this non-stop for the past decade and a half. Perhaps the most appealing part of the album is that regardless of what sound, style or location these songs came from - British folk, New Orleans soul, Bakersfield country - they sound cohesive and of a piece in the hands of Plant and Krauss. In other words, the singers make these songs sound like their own. & lt;footer & gt; -Eric R. Danton, Paste Magazine & lt;/footer & gt; & lt;/blockquote & gt; & lt;blockquote cite= & quot;www.allmusic.com & quot; & gt; There's a palpable pleasure in hearing Plant and Krauss harmonize and trade lines. It often feels like they're delighted that they're making an album that lives up to their debut, and it's hard not to share their thrill. & lt;footer & gt; -Stephen Thomas Erlewine, AllMusic.com, 4/5 stars (The AllMusic 2021 Year In Review - Best Of 2021) & lt;/footer & gt; & lt;/blockquote & gt; & lt;a name= & quot;SS & quot; & gt; & lt;/a & gt; & lt;iframe width= & quot;560 & quot; height= & quot;315 & quot; src= & quot;https://www.youtube.com/embed/U-sPS9y7y5c & quot; frameborder= & quot;0 & quot; allowfullscreen & gt; & lt;/iframe & gt; & lt;br & gt; & lt;br & gt; & lt;section id= & quot;features & quot; & gt; & lt;h3 & gt;Features & lt;/h3 & gt; & lt;ul & gt; & lt;li & gt;180g Vinyl & lt;/li & gt; & lt;li & gt;Double LP & lt;/li & gt; & lt;li & gt;Produced by T Bone Burnett & lt;/li & gt; & lt;li & gt;Gatefold jacket & lt;/li & gt; & lt;li & gt;Made in USA & lt;/li & gt; & lt;/ul & gt; & lt;/section & gt; & lt;section id= & quot;selections & quot; & gt; & lt;h3 & gt;Selections & lt;/h3 & gt; & lt;h4 & gt;Side One: & lt;/h4 & gt; & lt;ol & gt; & lt;li & gt;Quattro (World Drifts In) & lt;/li & gt; & lt;li & gt;The Price Of Love & lt;/li & gt; & lt;li & gt;Go Your Way & lt;/li & gt; & lt;/ol & gt; & lt;h4 & gt;Side Two: & lt;/h4 & gt; & lt;ol & gt; & lt;li & gt;Trouble With My Lover & lt;/li & gt; & lt;li & gt;Searching For My Love & lt;/li & gt; & lt;li & gt;Can't Let Go & lt;/li & gt; & lt;/ol & gt; & lt;h4 & gt;Side Three: & lt;/h4 & gt; & lt;ol & gt; & lt;li & gt;It Don't Bother Me & lt;/li & gt; & lt;li & gt;You Led Me To The Wrong & lt;/li & gt; & lt;li & gt;Last Kind Words Blues & lt;/li & gt; & lt;/ol & gt; & lt;h4 & gt;Side Four: & lt;/h4 & gt; & lt;ol & gt; & lt;li & gt;High And Lonesome & lt;/li & gt; & lt;li & gt;Going Where The Lonely Go & lt;/li & gt; & lt;li & gt;Somebody Was Watching Over Me & lt;/li & gt; & lt;/ol & gt; & lt;/section & gt;
Rounder
Robert Plant & Alison Krauss Raise The Roof 180g 2LP (Vinyl)
Bela Fleck & Abigail Washburn Echo In The Valley 180g LP (Vinyl)
& lt;font color= & quot;#FF0000 & quot; & gt; & lt;b & gt;Highly Anticipated Follow-Up From 2016 Best Folk Grammy Award-Winners On 180g Vinyl LP! & lt;/b & gt; & lt;/font & gt; & lt;br & gt; & lt;br & gt; With one eye on using the banjo to showcase America's rich heritage and the other pulling the noble instrument from its most familiar arena into new and unique realms, Béla Fleck and Abigail Washburn's second album Echo in the Valley is simultaneously familiar and wildly innovative. & lt;br & gt; & lt;br & gt; & quot;Some of the most interesting things in the world come together in strange and unique ways and show our diversity, & quot; reflects Béla, a fifteen-time Grammy award winner who is often considered the world's premier banjo player. & quot;The banjo is just one of those things. It's a great example of how the world can combine things and create surprising hybrids, & quot; a reference to the ancestral African roots of the banjo combining with Scotch-Irish music in Appalachia. & lt;br & gt; & lt;br & gt; Echo in the Valley is the follow up to Béla and Abigail's acclaimed, self-titled debut that earned the 2016 Grammy for Best Folk Album. This time around, the mission was to take their double banjo combination of three finger and clawhammer styles & quot;to the next level and find things to do together that we had not done before, & quot; says Béla. & quot;We’re expressing different emotions through past techniques and going to deeper places. & quot; The results are fascinating, especially considering their strict rules for recording: all sounds must be created by the two of them, the only instruments used are banjos (they have seven between them, ranging from a ukulele to an upright bass banjo), and they must be able to perform every recorded song live. & lt;br & gt; & lt;br & gt; Traditional tunes that are reimagined on the record include an especially soulful and bluesy rendition of & quot;Blue Ridge Mountains & quot; and one of the most indelible songs on the record, & quot;Come All You Coal Miners, & quot; connects past with present when passing along the point of view of coal-miner advocate Sarah Ogan Gunning whose passages remain poignant and powerful today. & quot;This song came from a very emotional, mother-driven, daughter-driven, wife-driven place, and there are not many songs throughout history from that perspective, so I am incredibly moved by her, & quot; Washburn explains. & lt;br & gt; & lt;br & gt; Fleck and Washburn met at a square dance and began playing music together a dozen years ago, beginning with the Sparrow Quartet. They married shortly thereafter and became parents to a cute little tot. They've been touring the globe as a duo for years, almost nonstop but for each other's performances with various other musical iterations: Béla with the likes of Béla Fleck and the Flecktones, Chick Corea and Chris Thile, among many others, and Abigail with Wu Fei (a master of the ancient 21-string Chinese zither), The Wu-Force and Uncle Earl. & lt;br & gt; & lt;br & gt; With the exception of a few restyled traditional tunes, all tracks on Echo in the Valley are originals, and are largely co-written – a different creative approach from their first album, where songs were mostly his or hers. & quot;This time, we really wanted to truly write together, & quot; Béla adds. & quot;We spent a lot of our time on the lyrics, deciding what we want the songs to communicate, both literally and under the surface. & quot; Béla and Abigail's creative process on Echo in the Valley is sonically made manifest in the record's major themes of harmony, empathy and surrender. As Abigail explains, the intense, intimate collaboration that Fleck and Washburn put forward on this project required & quot;a spirit of staying strong, but also a willingness to release into the other's ideas to create something new, & quot; possibly something bigger and more beautiful than one could do on one's own. & lt;br & gt; & lt;br & gt; & lt;b & gt; & quot;The follow-up to their 2014 self-titled debut finds the husband-and-wife duo exploring new territory by restricting their creative path: They only used banjos on their latest set of songs, and ensured all recordings could be reproduced live. The resulting conversations they have -- a mix of original songs (all co-written for the first time in their career as a duo) and covers of Clarence Ashley and Sarah Ogan Gunning -- reveal a quiet muscularity. The limitations, rather than stripping away their imaginative prowess, instead lay fecund ground. If 2017 really is the 'Year of the Banjo,' then Béla and Abby are its exciting exemplars, showcasing just how much fun can be had on the edge. & quot; & lt;/b & gt; - Amanda Wicks, The Bluegrass Situation & lt;br & gt; & lt;br & gt; & lt;b & gt;Features: & lt;/b & gt; & lt;br & gt; • 180g Vinyl LP & lt;br & gt; • Limited time full album download card & lt;br & gt; & lt;b & gt; & lt;br & gt; Selections: & lt;br & gt; Side One: & lt;/b & gt; & lt;br & gt; 1. Over The Divide & lt;br & gt; 2. Take Me To Harlan & lt;br & gt; 3. Let It Go & lt;br & gt; 4. Don't Let It Bring You Down & lt;br & gt; 5. Medley: Sally In The Garden / Big Country / Molly Put The Kettle On & lt;br & gt; & lt;b & gt;Side Two: & lt;/b & gt; & lt;br & gt; 1. My Home's Across The Blue Ridge Mountains & lt;br & gt; 2. Hello Friend & lt;br & gt; 3. If I Could Talk To A Younger Me & lt;br & gt; 4. On This Winding Road & lt;br & gt; 5. Come All You Coal Miners & lt;br & gt; 6. Bloomin' Rose
Rounder
Bela Fleck & Abigail Washburn Echo In The Valley 180g LP (Vinyl)
Samantha Fish Faster LP (Vinyl)
& lt;header & gt; & lt;p & gt; & lt;strong & gt;Electrifying Blues Rock On Vinyl LP! & lt;/strong & gt; & lt;/p & gt; & lt;/header & gt; & lt;p & gt;On her new album Faster, Samantha Fish joins forces with superproducer Martin Kierszenbaum (Lady Gaga, Sting) and imbues even more intensity into her electrifying brand of blues/rock-and-roll. With Fish accompanied by legendary drummer & lt;strong & gt;Josh Freese & lt;/strong & gt; (Guns N' Roses, Nine Inch Nails, The Replacements) and bassist & lt;strong & gt;Diego Navaira & lt;/strong & gt; of The Last Bandoleros, the result is a singular body of work both irresistibly galvanizing and emotionally raw. & lt;/p & gt; & lt;section id= & quot;features & quot; & gt; & lt;h3 & gt;Features & lt;/h3 & gt; & lt;ul & gt; & lt;li & gt;Vinyl LP & lt;/li & gt; & lt;li & gt;Sleeve insert & lt;/li & gt; & lt;li & gt;Made in USA & lt;/li & gt; & lt;/ul & gt; & lt;/section & gt; & lt;section id= & quot;selections & quot; & gt; & lt;h3 & gt;Selections & lt;/h3 & gt; & lt;h4 & gt;Side A: & lt;/h4 & gt; & lt;ol & gt; & lt;li & gt;Faster & lt;/li & gt; & lt;li & gt;All Ice No Whiskey & lt;/li & gt; & lt;li & gt;Twisted Ambition & lt;/li & gt; & lt;li & gt;Hypnotic & lt;/li & gt; & lt;li & gt;Forever Together & lt;/li & gt; & lt;li & gt;Crowd Control & lt;/li & gt; & lt;/ol & gt; & lt;h4 & gt;Side B: & lt;/h4 & gt; & lt;ol start = & quot;7 & quot; & gt; & lt;li & gt;Imaginary War & lt;/li & gt; & lt;li & gt;Loud (featuring Tech N9ne) & lt;/li & gt; & lt;li & gt;Better Be Lonely & lt;/li & gt; & lt;li & gt;So-Called Lover & lt;/li & gt; & lt;li & gt;Like A Classic & lt;/li & gt; & lt;li & gt;All The Words & lt;/li & gt; & lt;/ol & gt; & lt;/section & gt;
Rounder
Samantha Fish Faster LP (Vinyl)
Shelby Lynne I Can't Imagine 180g LP (Vinyl)
& lt;font color= & quot;#FF0000 & quot; & gt; & lt;b & gt;13th Studio Album From Grammy-Winning Singer/Songwriter On 180g Vinyl! & lt;/b & gt; & lt;/font & gt; & lt;br & gt; & lt;br & gt; Perhaps the most beautifully crafted and intensely affecting set of songs since her landmark I Am Shelby Lynne in 2000, I Can’t Imagine is powered by Lynne’s lustrous vocal performance, indelible, illuminative songwriting, and the sympathetic, versatile playing of her top-flight band. & lt;br & gt; & lt;br & gt; Comprising 10 new songs written or co-written by the GRAMMY®-winning singer-songwriter, I Can’t Imagine reflects an array of Lynne’s influences—from Southern soul, Crescent City R & amp;B, and California country & amp; western to the ardent social consciousness of precursors like Woody Guthrie and even the roots 'n' blues vocalizing of Billie Holiday—all brought into clear focus by Lynne’s keen pop sensibility. & lt;br & gt; & lt;br & gt; To record I Can’t Imagine, the Virginia-born, Alabama-bred Lynne—who has lived in Southern California for the last 16 years—returned to the South, to the intimate Dockside Studio in Maurice, Louisiana. As she has on four of her last five albums (the exception being the memorable 2008 Dusty Springfield tribute Just a Little Lovin’, helmed by the late Phil Ramone), Lynne produced the new album herself. Besides five songs composed alone by Lynne, the album includes two tracks (“Love is Strong” and “Be in the Now”) co-written by Ron Sexsmith and three authored with Lynne’s band mates—“Better” and “I Can’t Imagine” with guitarist/keyboardist Pete Donnelly and “Sold the Devil (Sunshine)” with Los Angeles-based guitarist (and band leader) Ben Peeler. The other core band members here include veteran players, drummer Michael Jerome, and bassist Ed Maxwell. Additionally, gifted singer/songwriter Clarence Greenwood, better known as Citizen Cope, added his striking vocals to three tracks. & lt;br & gt; & lt;br & gt; Fiercely independent, forever authentic and thoroughly original, Shelby Lynne inhabits the same space in American music shaped by such like-minded musical renegades as Neil Young, Gram Parsons, Bobbie Gentry, Emmylou Harris, Willie Nelson, Bob Dylan and Johnny Cash. 15 years following the release of her breakthrough album I Am Shelby Lynne, (recently reissued by Rounder) she remains an artist in full creative command. Shelby Lynne’s I Can’t Imagine is an inspired work of purity and depth. & lt;br & gt; & lt;br & gt; & lt;b & gt;Features: & lt;/b & gt; & lt;br & gt; • 180g Vinyl & lt;br & gt; & lt;br & gt; & lt;b & gt;Selections: & lt;/b & gt; & lt;br & gt; 1. Paper Van Gogh & lt;br & gt; 2. Back Door Front Porch & lt;br & gt; 3. Sold the Devil (Sunshine) & lt;br & gt; 4. Son Of A Gun & lt;br & gt; 5. Down Here & lt;br & gt; 6. Love Is Strong & lt;br & gt; 7. Better & lt;br & gt; 8. Be In the Now & lt;br & gt; 9. Following You & lt;br & gt; 10. I Can't Imagine
Rounder
Shelby Lynne I Can't Imagine 180g LP (Vinyl)
Billy Strings Renewal 180g 2LP (Vinyl)
& lt;header & gt; & lt;p & gt; & lt;strong & gt;Grammy-Winning Bluegrass Artist On 180g Vinyl Double LP! & lt;/strong & gt; & lt;/p & gt; & lt;/header & gt; & lt;header & gt; & lt;p & gt; & lt;strong & gt;2022 Grammy Award Nominee: & lt;/strong & gt; & lt;br & gt; & amp;#8226; Best American Roots Performance: & quot;Love And Regret & quot; & lt;br & gt; & amp;#8226; Best Bluegrass Album: Renewal & lt;/p & gt; & lt;/header & gt; & lt;p & gt;Billy Strings has been hailed as the future of bluegrass, transcending tradition and genre with his high velocity, flat-picking guitar technique, and intense, confessional songwriting. He won a GRAMMY for Best Bluegrass Album for his 2019 release, Home. The Michigan-born, Nashville-based artist returns with, Renewal, his latest album on Rounder Records. & lt;/p & gt; & lt;section id= & quot;features & quot; & gt; & lt;h3 & gt;Features & lt;/h3 & gt; & lt;ul & gt; & lt;li & gt;180g Vinyl & lt;/li & gt; & lt;li & gt;Double LP & lt;/li & gt; & lt;li & gt;Produced by Jonathan Wilson & amp; Billy Strings & lt;/li & gt; & lt;li & gt;Gatefold jacket & lt;/li & gt; & lt;li & gt;Made in USA & lt;/li & gt; & lt;/ul & gt; & lt;/section & gt; & lt;section id= & quot;selections & quot; & gt; & lt;h3 & gt;Selections & lt;/h3 & gt; & lt;h4 & gt;Side A: & lt;/h4 & gt; & lt;ol & gt; & lt;li & gt;Know It All & lt;/li & gt; & lt;li & gt;Secrets & lt;/li & gt; & lt;li & gt;Love And Regret & lt;/li & gt; & lt;li & gt;Heartbeat Of America & lt;/li & gt; & lt;/ol & gt; & lt;h4 & gt;Side B: & lt;/h4 & gt; & lt;ol & gt; & lt;li & gt;In The Morning Light & lt;/li & gt; & lt;li & gt;This Old World & lt;/li & gt; & lt;li & gt;Show Me The Door & lt;/li & gt; & lt;li & gt;Hellbender & lt;/li & gt; & lt;/ol & gt; & lt;h4 & gt;Side C: & lt;/h4 & gt; & lt;ol & gt; & lt;li & gt;Red Daisy & lt;/li & gt; & lt;li & gt;The Fire On My Tongue & lt;/li & gt; & lt;li & gt;Nothing's Working & lt;/li & gt; & lt;li & gt;Hide And Seek & lt;/li & gt; & lt;/ol & gt; & lt;h4 & gt;Side D: & lt;/h4 & gt; & lt;ol & gt; & lt;li & gt;Ice Bridges & lt;/li & gt; & lt;li & gt;Fire Line & lt;/li & gt; & lt;li & gt;Running The Route & lt;/li & gt; & lt;li & gt;Leaders & lt;/li & gt; & lt;/ol & gt; & lt;/section & gt;
Rounder
Billy Strings Renewal 180g 2LP (Vinyl)
Way Out West
No Description Available.Genre: Country & WesternMedia Format: Compact DiskRating: Release Date: 16-SEP-1997UPC:001166131522SKU:ADIB000000372
Rounder
Way Out West
Blues Stay Away From Me
Blues Stay Away From MeUPC:011661212121SKU:ADIB0000002ZY
Rounder
Blues Stay Away From Me
Holiday
Welcome to the world of holidays, squeezed through the mesh of the Brave Combo sifter. We turned everything into a lumpy powder and mixed it well, I hope. So, no matter what you re celebrating, Brave Combo music is almost always appropriate. Raise your glass and salute the groundhog, playing spin the dreidel with his valentine, the Easter bunny. Have fun. Stop worrying so much. --Carl Finch, Brave ComboUPC:011661906921SKU:ADIB000BFNZ8I
Rounder
Holiday
Careless Love
When Madeleine Peyroux s debut, Dreamland, was released in 1996, its success threw her for a loop. She s taken eight years to create this follow-up, and, at age 30, she brings a confidence and resilience to this dozen-song set. She s able to move seamlessly between songs by writers as diverse as Elliott Smith and W.C. Handy, whose title track was popularized by Bessie Smith. Though American-born, Peyroux absorbed the language and culture of France growing up in Paris with her French-teacher mother. On her debut, she covered Edith Piaf, and this time out she wraps herself around J ai Deux Amours, which Josephine Baker sang to the Allied troops during World War II. --David GreenbergerUPC:884402757744SKU:ADIB0002NRRAG
Rounder
Careless Love
Early Mandolin Classics, V. 1
Early Mandolin Classics, V. 1UPC:011661105027SKU:ADIB0000002R7
Rounder
Early Mandolin Classics, V. 1
Polkas For A Gloomy World
Polka for a Gloomy World begins with Hosa Dyna, an old European polka taken at a breakneck tempo. Near the end of the song, accordionist Carl Finch, the Brave Combo major-domo, shouts out, Rock it, boys! And the rest of the band does just that, proving once again that the ancient 2/4 Bohemian dance doesn t have to be a sleepy shuffle reserved for elderly aunts at wedding receptions. This album proves the polka can be every bit as invigorating as a Cajun two-step, another dance music rescued from wedding-reception hell. Because Brave Combo is based in Texas--the nexus where German and Czech immigrants passed the polka and its favorite weapons, the squeezebox and the saxophone, to the local Mexican immigrants--the band draws on both the Old World and New World versions of the music, both Eddie Blazonczyk s Polka Chips Polka and Los Cuatros Tejanos de Monterey s Eloina s Marbles. In addition to the half dozen traditional European polkas, Finch has written Flying Saucer, an oompah tribute to UFOs, and has added new words to the well-worn polka standard, In Heaven, There Is No Beer. Over Barnes revved-up clarinet figure, Finch bellows that not only is there no beer in heaven but there is no sex or drugs either, so we might as well enjoy ourselves here. And Brave Combo plows through the song as if there s no tomorrow. Geoffrey HimesUPC:011661904521SKU:ADIB0000003KZ
Rounder
Polkas For A Gloomy World
Blue House
NEW Combo BLUWAVS CD and FLAC FILEUPC:011661313125SKU:ADIB000000366
Rounder
Blue House
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