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Iron & Wine Live At Third Man Records LP (Vinyl)

$ 21.37 ~~$ 21.59~~

& lt;a href=javascript:; & quot; onclick= & quot;document.location.hash='SS'; & quot; & gt; & lt;img src= & quot;/content/images/playbutton.gif & quot; hspace= & quot;10 & quot; align= & quot;left & quot; border= & quot;0 & quot; & gt; & lt;font color= & quot;0000FF & quot; & gt; & lt;b & gt;Click Here for Video Sample! & lt;/b & gt; & lt;/font & gt; & lt;/a & gt; & lt;br & gt; & lt;br & gt; & lt;font color= & quot;#FF0000 & quot; & gt; & lt;b & gt;Grammy Award-Winning Rock Band's 3rd Studio Album on Vinyl LP! & lt;br & gt; Featuring A Cover Of Donovan's & quot;Hey Gyp (Dig The Slowness) & quot;! & lt;/b & gt; & lt;/font & gt; & lt;br & gt; & lt;br & gt; The Raconteurs Jack White, Brendan Benson, Jack Lawrence, and Patrick Keeler announce the release of their long-awaited new album, HELP US STRANGER, which is the GRAMMY® Award-winning rock band's third studio LP and first new album in more than a decade. & lt;br & gt; & lt;br & gt; HELP US STRANGER sees the mighty combo reassembled, stronger and perhaps even more vital than ever before as they continue to push rock 'n' roll forward into its future, bonding prodigious riffs, blues power, sinewy psychedelia, Detroit funk, and Nashville soul via Benson and White's uncompromising songcraft and the band's steadfast musical muscle. With HELP US STRANGER, The Raconteurs have returned right when they are needed most, unified and invigorated with boundless ambition, infinite energy and a collectivist spirit operating at the peak of its considerable powers, once again creating a sound and fury only possible when all four of its members come together. & lt;br & gt; & lt;br & gt; White and Benson wrote all the songs on HELP US STRANGER except one cover, & quot;Hey Gyp (Dig The Slowness) & quot;, which was written by Donovan. Recorded at Third Man Studio in Nashville, TN, the album was produced by The Raconteurs and engineered by Joshua V. Smith. Longtime friends and musical collaborators helped make HELP US STRANGER, including keyboardist/multi-instrumentalist Dean Fertita (The Dead Weather, Queens of the Stone Age) and Lillie Mae Rische and her sister Scarlett Rische. The album was mixed by Vance Powell and The Raconteurs at Blackbird Studios in Nashville. & lt;br & gt; & lt;br & gt; & lt;b & gt; & quot;It doesn't feel like that long since the group's sophomore set because the ease with which they fall into these songs, picking up where they left off on 2008's Consolers Of The Lonely, shows the four piece has a connection that may transcend the music. From the throbbing Led Zeppelin-styled hard rock of 'Don't Bother Me' (complete with short drum solo), to the following Elton John/10cc influenced piano ballad 'Shine The Light On Me' and the riff-rawk driven 'What's Yours is Mine,' these four guys play together like a well-oiled machine, not one that has been idle for a decade. Sure, Jack White is a busy guy. But based on the quality of the music he makes with his Raconteurs buddies on Help Us Stranger, here's hoping he won't go another ten years before delivering its follow-up. & quot; & lt;/b & gt; - American Songwriter, 4/5 & lt;br & gt; & lt;br & gt; & lt;b & gt; & quot;There's nothing that White and Benson have cooked up on Help Me Stranger that sounds like genre-reliant clock-punching; instead, they make playing around in the classic-rock sandbox sound like so much fun that you have to wonder why it took them eleven years to get back in the habit together. Hopefully, next time around they'll make a point of getting together again sooner. & quot; & lt;/b & gt; - Stereogum & lt;br & gt; & lt;br & gt; & lt;b & gt; & quot;Always Jack White's most melodic project, his partnership with Brendan Benson's bubblegum pop and the Greenhornes rhythm section makes for a bracingly addictive listen. Opening with the stabbing guitar lines of 'Bored And Razed' the record plunges into ragged acoustic strut on near title cut 'Help Me Stranger' before seguing into the pensive, palatial Benson-sung 'Only Child'. Picking up exactly where they left off, The Raconteurs' denim-clad early '70s reference points are in check, delivered in gleeful, exuberant, electrifying fashion. 'Sunday Driver' is a Led Zep stomper, while heavy duty Donovan cover 'Hey Gyp' is a barn-storming freakbeat fuzz-out. 'What's Yours Is Mine' is a sleazy Deep Purple workout aided by a curious cowbell, but closer 'Thoughts And Prayers' is a violin-aided hoedown worthy of a place on Led Zeppelin III. Its gloriously unkempt charm seems to sum up the album as a whole - purely and simply the sound of a group of musicians having the absolute time of their lives. & quot; & lt;/b & gt; - ClashMusic.com, 8/10 & lt;br & gt; & lt;br & gt; & lt;a name= & quot;SS & quot; & gt; & lt;/a & gt; & lt;iframe width= & quot;560 & quot; height= & quot;315 & quot; src= & quot;https://www.youtube.com/embed/pDtIABGdc18 & quot; frameborder= & quot;0 & quot; allowfullscreen & gt; & lt;/iframe & gt; & lt;br & gt; & lt;br & gt; & lt;a name= & quot;SS & quot; & gt; & lt;/a & gt; & lt;iframe width= & quot;560 & quot; height= & quot;315 & quot; src= & quot;https://www.youtube.com/embed/aNvUD1AsLHc & quot; frameborder= & quot;0 & quot; allowfullscreen & gt; & lt;/iframe & gt; & lt;br & gt; & lt;br & gt; & lt;b & gt;Features: & lt;/b & gt; & lt;br & gt; & amp;bull; Vinyl LP & lt;br & gt; & amp;bull; Pressed in Detroit & lt;br & gt; & lt;br & gt; & lt;b & gt;Selections: & lt;br & gt; Side A: & lt;/b & gt; & lt;br & gt; 1. Bored And Razed & lt;br & gt; 2. Help Me Stranger & lt;br & gt; 3. Only Child & lt;br & gt; 4. Don't Bother Me & lt;br & gt; 5. Shine The Light On Me & lt;br & gt; 6. Somedays (I Don't Feel Like Trying) & lt;br & gt; & lt;b & gt;Side B: & lt;/b & gt; & lt;br & gt; 7. Hey Gyp (Dig The Slowness) & lt;br & gt; 8. Sunday Driver & lt;br & gt; 9. Now That You're Gone & lt;br & gt; 10. Live A Lie & lt;br & gt; 11. What's Yours Is Mine & lt;br & gt; 12. Thoughts And Prayers

The Raconteurs Help Us Stranger LP (Vinyl)

$ 20.51 ~~$ 21.59~~

& lt;font color= & quot;#FF0000 & quot; & gt; & lt;b & gt;180g Double LP Remastered by Bob Ludwig! & lt;br & gt; Cut by Chris Bellman at Bernie Grundman Mastering! & lt;/b & gt; & lt;/font & gt; & lt;br & gt; & lt;br & gt; & lt;font color= & quot;#FF0000 & quot; & gt; & lt;b & gt;Rolling Stone 500 Greatest Albums of All Time - Rated 60/500! & lt;/b & gt; & lt;/font & gt; & lt;br & gt; & lt;br & gt; Trout Mask Replica is a touchstone in the history of recorded music. The mix of dada absurdist blues and previously unexplored experimental avenues has long been praised as one of the greatest albums of all time. As so eloquently put by John Peel, & lt;b & gt;''If there has been anything in the history of popular music which could be described as a work of art in a way that people who are involved in other areas of art would understand, then Trout Mask Replica is probably that work.'' & lt;/b & gt; & lt;br & gt; & lt;br & gt; In full partnership with the Zappa Family Trust and to celebrate the relaunch of the seminal Bizarre label imprint, Third Man Records is proud to announce Captain Beefheart and the Magic Band's Trout Mask Replica. & lt;br & gt; & lt;br & gt; Out of print on vinyl for nearly ten years, this remaster was helmed by industry legend Bob Ludwig and cut by the estimable Chris Bellman at Bernie Grundman Mastering. Utilizing crystalline-quality safety masters kept in the Zappa family vault for decades by the trustworthy Joe Travers, the audio here is positively glorious. Every last skronk breathes full life into the room. Every twisted guitar figure uncurls onto paths previously unpaved. Every last bark and howl shines resolute through the vast emptiness of your mind. & lt;br & gt; & lt;br & gt; Previous countless Trout Mask Replica repressings used scans of scans of scans of the cover image, but the original Cal Schenkel cover photo has been tracked down and reproduced here at its clearest - its resolution from the original release in 1969. If you've only ever seen a jpg online or fuzzy, smeared-looking CD issues from the '90s, be prepared to be wowed by the fully engaging spectrum this iconic image casts. This 2xLP is pressed on heavyweight 180-gram black vinyl for that full-on frenetic feeling. & lt;br & gt; & lt;br & gt; & lt;b & gt; & quot;Over five decades, Trout Mask Replica has proven incredibly durable, still sounding as bracing and radical as any rock music since. That's even clearer in this remaster, sourced not from the decayed original masters but from less-worn backups. But was the music worth what Beefheart put the Magic Band through? French and Harkleroad have both said that though they wouldnt want to endure it all again, they were thrilled to have created such a landmark. They certainly deserve more credit than they got from Beefheart, who often claimed to be the sole songwriter (he even left French off the original album credits completely, apparently as punishment for leaving the band before it was released). But luckily each member's vital contribution is loud and clear in every note, beat, and weird and wonderful turn. Captain Beefheart might have led this cult, but Trout Mask Replica is the work of a collectivea serendipitous line of charged neurons that wired together to make something truly magical. & quot; & lt;/b & gt; - Paste Magazine, Best New Reissue, Rated 10/10, April 2018 & lt;br & gt; & lt;br & gt; & lt;blockquote cite= & quot;www.analogplanet.com & quot; & gt; Upon its release, Captain Beefheart & amp; His Magic Band's Trout Mask Replica immediately took on a life of its own. Its odd blend of blues, rock, free jazz, and purely avant-garde ideas make it sound more like a work of visual art than a conventional collection of musical songs, and makes you wonder if an album this strange can even be performed. In spite of the cult-like sessions, Trout Mask Replica really is a masterpiece for the ages; Beefheart's compositions on a piano he couldn't play truly question the boundaries of music, and each song warps your mind. This Third Man reissue is done 100% correctly: cut by Chris Bellman from hi-res digital files (the original master is unusable and the safeties from which much of this is sourced are incomplete), plated at Pallas, pressed at Third Man Pressing, housed in a Stoughton tip-on gatefold faithful to the original, and all for the price of $25. & lt;footer & gt; -Analog Planet's Best Reissues of the Decade, March 2020 & lt;/footer & gt; & lt;/blockquote & gt; & lt;b & gt;Features: & lt;/b & gt; & lt;br & gt; & amp;bull; 180g Vinyl & lt;br & gt; & amp;bull; Double LP & lt;br & gt; & amp;bull; Remastered by Bob Ludwig & lt;br & gt; & amp;bull; Cut by Chris Bellman at Bernie Grundman Mastering & lt;br & gt; & amp;bull; In partnership with the Zappa Family Trust & lt;br & gt; & amp;bull; Cover photo reproduced from the original Cal Schenkel photo & lt;br & gt; & amp;bull; Gatefold Stoughton tip-on jacket & lt;br & gt; & amp;bull; Booklet insert & lt;br & gt; & lt;br & gt; & lt;b & gt;Selections: & lt;br & gt; Side A: & lt;/b & gt; & lt;br & gt; 1. Frownland & lt;br & gt; 2. The Dust Blows Forward 'N The Dust Blows Back & lt;br & gt; 3. Dachau Blues & lt;br & gt; 4. Ella Guru & lt;br & gt; 5. Hair Pie: Bake 1 & lt;br & gt; 6. Moonlight On Vermont & lt;br & gt; & lt;b & gt;Side B: & lt;/b & gt; & lt;br & gt; 1. Pachuco Cadaver & lt;br & gt; 2. Bill's Corpse & lt;br & gt; 3. Sweet Sweet Bulbs & lt;br & gt; 4. Neon Meate Dream Of A Octafish & lt;br & gt; 5. China Pig & lt;br & gt; 6. My Human Gets Me Blues & lt;br & gt; 7. Dali's Car & lt;br & gt; & lt;b & gt;Side C: & lt;/b & gt; & lt;br & gt; 1. Hair Pie: Bake 2 & lt;br & gt; 2. Pena & lt;br & gt; 3. Well & lt;br & gt; 4. When Big Joan Sets Up & lt;br & gt; 5. Fallin' Ditch & lt;br & gt; 6. Sugar 'N Spikes & lt;br & gt; 7. Ant Man Bee & lt;br & gt; & lt;b & gt;Side D: & lt;/b & gt; & lt;br & gt; 1. Orange Claw Hammer & lt;br & gt; 2. Wild Life & lt;br & gt; 3. She's Too Much For My Mirror & lt;br & gt; 4. Hobo Chang Ba & lt;br & gt; 5. The Blimp (Mousetrap Replica) & lt;br & gt; 6. Steal Softly Thru Snow & lt;br & gt; 7. Old Fart At Play & lt;br & gt; 8. Veteran's Day Poppy

Captain Beefheart & His Magic Band Trout Mask Replica 180g 2LP (Vinyl)

$ 40.73 ~~$ 41.99~~

& lt;font color= & quot;#FF0000 & quot; & gt; & lt;b & gt;180g Vinyl LP Pressed at Third Man in Detroit! & lt;br & gt; First Ever Reissue Of Rare Texas Blues Album! & lt;/b & gt; & lt;/font & gt; & lt;br & gt; & lt;br & gt; Lightnin' Hopkins is a true folk singer. His songs are the heart of the South, the very essence of his people, their joys, their triumphs, their difficulties, their oppression. Lightnin's music, like that of any great artist, has a universal quality. When you hear it, it might be your sadness or your ecstasy that is being told - the feeling of all people, the qualities of all living, good and bad, lie in the easy cadences and pathos of Lightnin's expression. So long as folk music endures, so long will Lightnin' Hopkins be played. & lt;br & gt; & lt;br & gt; Strums the Blues is a compilation that was originally released in 1958 on the Score label. It is a collection of his legendary early Aladdin 78'' sides. These songs have been carefully remastered for this release and cut by Warren Defever and Bill Skibbe. The cover art has been reimagined by modern-day folk artist Tim Kerr. & lt;br & gt; & lt;br & gt; Lightnin' Hopkins is ranked 71 on Rolling Stone's 100 Greatest Guitarists Of All Time list. & lt;br & gt; & lt;br & gt; & lt;b & gt;Features: & lt;/b & gt; & lt;br & gt; & amp;bull; 180g Vinyl & lt;br & gt; & amp;bull; First ever reissue of very rare Texas blues album & lt;br & gt; & amp;bull; Remastered by Warren Defever and Bill Skibbe & lt;br & gt; & amp;bull; Pressed at Third Man Pressing (Detroit, MI) & lt;br & gt; & amp;bull; Stunning new album art by visual artist/musician Tim Kerr (Big Boys, Poison 13) & lt;br & gt; & amp;bull; Direct-to-board LP jacket & lt;br & gt; & lt;br & gt; & lt;b & gt;Selections: & lt;br & gt; Side 1: & lt;/b & gt; & lt;br & gt; 1. Katie May & lt;br & gt; 2. My California & lt;br & gt; 3. Honey Babe & lt;br & gt; 4. Short Haired Woman & lt;br & gt; 5. Little Mamma Blues & lt;br & gt; & lt;b & gt;Side 2: & lt;/b & gt; & lt;br & gt; 1. Shotgun & lt;br & gt; 2. Rollin' And Rollin' & lt;br & gt; 3. See See Rider & lt;br & gt; 4. So Long & lt;br & gt; 5. Mistreated

Lightnin' Hopkins Strums The Blues 180g LP (Vinyl)

$ 26.13 ~~$ 26.39~~

& lt;font color= & quot;#FF0000 & quot; & gt; & lt;b & gt;First Volume of First Blues Festival On 180g Vinyl Double LP! & lt;/b & gt; & lt;/font & gt; & lt;br & gt; & lt;br & gt; Celebrate the 50th anniversary of America's first festival dedicated to the blues with this vinyl LP. The album features previously unheard performances by B.B. King, Mississippi Fred McDowell, Howlin' Wolf, Muddy Waters, Son House, Big Mama Thornton and more! & lt;br & gt; & lt;br & gt; Third Man Records is excited to announce the release of ANN ARBOR BLUES FESTIVAL 1969, a 50th anniversary celebration collecting 24 previously unheard songs by such blues legends as Howlin Wolf, Muddy Waters, B.B. King, James Cotton, Son House, Magic Sam, T-Bone Walker, Junior Wells, Big Mama Thornton, Clifton Chenier, Son House, Mississippi Fred McDowell, Lightnin Hopkins, Pinetop Perkins, J. B. Hutto & amp; His Hawks, Roosevelt Sykes, Luther Allison, Otis Rush, Big Joe Williams, Charlie Musselwhite and more. The first ever release of music recorded live at the landmark event, ANN ARBOR BLUES FESTIVAL 1969 is available in two volumes of 2LP collectinos pressed on 180 gram vinyl. & lt;br & gt; & lt;br & gt; The historic gathering was presented by a small group of blues-obsessed University of Michigan students determined to give their blues heroes a public spotlight where they might shine before it was too late. Among those enterprising student-promoters was John Fishel, whose teenage brother Jim Fishel, gathered some friends to help record the festival as a personal memento. Taking advantage of their all-access pass and juggling a small Norelco tape recorder from set to set, the friends let the 1/4 tape roll. Though field recordings in the literal sense of the term, they capture the brilliance of the musicians, the excitement of the crowd and the loose, convivial nature of the entire festival. Those tapes, long thought to be lost, have now been lovingly restored to capture the electric energy of the landmark concert. Both volumes include never-before-seen photographs, artist biographies, an exclusive reminiscence from Jim Fishel, and extensive liner notes by Parker Fishel, Sophie Abramowitz and David Beal. & lt;br & gt; & lt;br & gt; & lt;b & gt; & quot;How these tapes came to the attention of the folks at Third Man and how they were restored to sounding far beyond my expectations considering how they were recorded, is a story for another time but the packaging is quite good including 32 black and white photos ('snapshots' would be more accurate) in each gatefold plus full sized booklets and though the opening essay repeats, it's followed by bios and photos of each performer plus well-curated suggestions for further listening. Even though Sleepy John Estes and Yank Rachell's performances are missing, the bios, photo and suggested listening are included. Yes the sound is mono and in some cases rough (including places where audience members are more on mic than are the performerssomething familiar to all bootleg connoisseurs), the overall sonics are pretty good and once you lock into the music you won't care. This is the real shit. It's been in serious 'Heavy Rotation' since the LPs arrived here (I purchased, no promos). The sound rating reflects how it sounds, but were I rating it based upon the quality of the restoration given what the tapes probably originally sounded like, the number would have been considerably higher. The restoration was all-analog until the final digitization. You won't regret buying this set. When the sound is good, it's immediate and transparent. & quot; & lt;/b & gt; - Michael Fremer, Analog Planet, Music 10/11, Sound 6/11 & lt;br & gt; & lt;br & gt; & lt;b & gt; & quot;The sound quality is often rough, but that shouldn't diminish the vitality of these collections. This festival represented a crucial pivot point in blues as the old guard stood alongside young bucks with electric instruments and a bevy of white musicians building off their foundational work. Pointing out highlights feels near to impossible, but I would direct you to spend some time with Son House's growling performance of 'Death Letter Blues,' the sultry 'Key to the Highway' by drummer/vocalist Sam Lay and his band and the prickly guitar solo on the track from Jimmy 'Fast Fingers' Dawkins' set. From there, drink in the whole thing slow and easy. You won't be disappointed. & quot; & lt;/b & gt; - Paste Magazine & lt;br & gt; & lt;br & gt; & lt;b & gt;Features: & lt;/b & gt; & lt;br & gt; & amp;bull; 180g Vinyl & lt;br & gt; & amp;bull; Double LP & lt;br & gt; & amp;bull; Celebrating the 50th anniversary of America's first festival dedicated to the blues & lt;br & gt; & amp;bull; Previously unheard performances from B.B. King, Mississippi Fred McDowell, Howlin' Wolf and more! & lt;br & gt; & amp;bull; Gatefold jacket & lt;br & gt; & amp;bull; Rare photos & lt;br & gt; & amp;bull; Exclusive liner notes & lt;br & gt; & amp;bull; Manufactured by Third Man Pressing in Detroit, MI & lt;br & gt; & lt;br & gt; & lt;b & gt;Selections: & lt;br & gt; LP 1 & lt;br & gt; Side A: & lt;/b & gt; & lt;br & gt; 1. Dirty Mother for You Roosevelt Sykes & lt;br & gt; 2. So Glad You're Mine Arthur & quot;Big Boy & quot; Crudup & lt;br & gt; 3. Too Much Alcohol J.B. Hutto & amp; His Hawks & lt;br & gt; 4. I Wonder Why Jimmy & quot;Fast Fingers & quot; Dawkins & lt;br & gt; & lt;b & gt;Side B: & lt;/b & gt; & lt;br & gt; 1. Help Me (A Tribute To Sonny Boy Williamson) Junior Wells & lt;br & gt; 2. I've Got A Mind To Give Up Living B.B. King With Sonny Freeman And The Unusuals & lt;br & gt; 3. John Henry Mississippi Fred McDowell & lt;br & gt; 4. Pinetop's Boogie Woogie Pinetop Perkins & lt;br & gt; & lt;b & gt;LP 2 & lt;br & gt; Side A: & lt;/b & gt; & lt;br & gt; 1. Introduction Big Bill Hill & lt;br & gt; 2. Everybody Must Suffer/Stone Crazy Luther Allison And The Blue Nebulae & lt;br & gt; 3. Tu M'as Promis L'amour (You Promised Me Love) Clifton Chenier & lt;br & gt; & lt;b & gt;Side B: & lt;/b & gt; & lt;br & gt; 1. Hard Luck The Original Howlin' Wolf And His Orchestra & lt;br & gt; 2. So Many Roads, So Many Trains Otis Rush

The Ann Arbor Blues Festival 1969 - Volume 1 180g 2LP (Vinyl)

$ 35.27 ~~$ 35.99~~

& lt;header & gt; & lt;p & gt; & lt;strong & gt;Melodically Crafted Power Pop Gems On Vinyl LP! & lt;br & gt; First Ever Vinyl Pressing of Raconteurs Co-Leader's 1996 Debut Album! & lt;/strong & gt; & lt;/p & gt; & lt;/header & gt; & lt;p & gt;Melodically crafted power pop gems that Brendan spent his early years writing, arranging and recording, hunched over his Tascam 4-track in various bedrooms across Detroit and San Francisco. One Mississippi is the first time Brendan went in to a studio to record his very personal songs and present them with a full band. & lt;strong & gt;A lost masterpiece that gave a taste of what listeners had to look forward to. & lt;/strong & gt; & lt;/p & gt; & lt;p & gt;Years before ''Detroit'' was the first word on the lips of taste-fakers, hype-stokers, scene-stealers and fame-lords the world over, Brendan Benson's sheep-in-wolves' clothing debut album One Mississippi was the unassuming first shot fired from the city and players that would soon become feted beyond their wildest imagination. & lt;/p & gt; & lt;p & gt;From the gallant album-opener ''Tea'' (a song which particularly resonated with Japanese fans, of whom hundreds excitedly sent him fan mail containing tea bags) through the propulsive swell of ''Sittin' Pretty'' and the undeniable ''hit'' of ''Crosseyed'' to the quirky ''Insects Rule'' (which was jammed on live by Foo Fighters?!?!?)... Benson's craft is fully on display here. With half the songs here cowritten by the estimable Jason Falkner (Jellyfish, Beck), the end result is & lt;strong & gt;an unabashed pop album, accentuated by Brendan's brilliant turn of phrase and preternatural ear for a melody & lt;/strong & gt;. The album also stands out as the first full-length project helmed by venerated super-producer Ethan Johns (Paul McCartney, Kings of Leon) with One Mississippi serving as a unifying point in the careers of Johns, Benson and Falkner that found them all mutually ascendant. & lt;/p & gt; & lt;p & gt;Twenty-three years after its initial release, the Third Man Records reissue of One Mississippi is the & lt;strong & gt;FIRST-EVER vinyl pressing & lt;/strong & gt; of this seminal album. & lt;/p & gt; & lt;section id= & quot;features & quot; & gt; & lt;h3 & gt;Features & lt;/h3 & gt; & lt;ul & gt; & lt;li & gt;Vinyl LP & lt;/li & gt; & lt;li & gt;First Ever Vinyl Pressing & lt;/li & gt; & lt;/ul & gt; & lt;/section & gt; & lt;section id= & quot;selections & quot; & gt; & lt;h3 & gt;Selections & lt;/h3 & gt; & lt;h4 & gt;Side 1: & lt;/h4 & gt; & lt;ol & gt; & lt;li & gt;Tea & lt;/li & gt; & lt;li & gt;Bird's Eye View & lt;/li & gt; & lt;li & gt;Sittin' Pretty & lt;/li & gt; & lt;li & gt;I'm Blessed & lt;/li & gt; & lt;li & gt;Crosseyed & lt;/li & gt; & lt;li & gt;Me Just Purely & lt;/li & gt; & lt;li & gt;Got No Secrets & lt;/li & gt; & lt;/ol & gt; & lt;h4 & gt;Side 2: & lt;/h4 & gt; & lt;ol & gt; & lt;li & gt;How 'Bout You & lt;/li & gt; & lt;li & gt;Emma J & lt;/li & gt; & lt;li & gt;Insects Rule & lt;/li & gt; & lt;li & gt;Maginary Girl & lt;/li & gt; & lt;li & gt;House In Virginia & lt;/li & gt; & lt;li & gt;Cherries & lt;/li & gt; & lt;/ol & gt; & lt;/section & gt;

Brendan Benson One Mississippi LP (Vinyl)

$ 28.49 ~~$ 29.99~~

& lt;header & gt; & lt;p & gt; & lt;strong & gt;Collection Of 51 Tracks On Triple LP! & lt;br & gt; First Time On Vinyl! & lt;/strong & gt; & lt;/p & gt; & lt;/header & gt; & lt;p & gt; & lt;strong & gt;This item not eligible for any further discount offers! & lt;/strong & gt; & lt;/p & gt; & lt;p & gt;Released for the first time on vinyl, Sweet Dreams: The Complete Decca Studio Masters (1960 - 1963) is an absolute must for any country music fan. This beautiful collection gathers all 51 tracks that Cline recorded with Owen Bradley after she left a restrictive deal at 4 Star Records and joined on with Decca Records in 1960. & lt;/p & gt; & lt;p & gt;It's hard to believe that these songs were all recorded in such a small time frame; so many of her top hits and fan-favorites were all captured during this very fruitful period with Bradley at Decca. Right off the bat, the new sessions struck gold with the classic ''I Fall To Pieces,'' Cline's first Country #1. & lt;/p & gt; & lt;p & gt;Most notably, working with Bradley led Cline to find her signature, distinctive sound - braiding wistful country music ballads with big-band pop sensibilities that shone a spotlight on her elastic, smooth vocals, forging the path for future country-pop crossovers. With her sound in place, the duo doubled-down on their successes, with sessions that produced chart-toppers ''She's Got You,'' ''Crazy'' and ''Sweet Dreams (Of You).'' & lt;/p & gt; & lt;p & gt;Featuring absolutely stunning, powerful, full-color photos printed on the interior of the gatefold 3xLP jacket, Sweet Dreams is as just as rewarding for the eyes as the ears. The songs on this 51 track collection form the crown jewels of her discography and cement Patsy Cline's legacy as one of country music's greatest of all time. & lt;/p & gt; & lt;section id= & quot;features & quot; & gt; & lt;h3 & gt;Features & lt;/h3 & gt; & lt;ul & gt; & lt;li & gt;3LP & lt;/li & gt; & lt;li & gt;Black Vinyl & lt;/li & gt; & lt;li & gt;First time on vinyl & lt;/li & gt; & lt;li & gt;Tri-fold jacket with full-color photos printed on the interior & lt;/li & gt; & lt;/ul & gt; & lt;/section & gt; & lt;section id= & quot;selections & quot; & gt; & lt;h3 & gt;Selections & lt;/h3 & gt; & lt;h4 & gt;Side A: & lt;/h4 & gt; & lt;ol & gt; & lt;li & gt;I Fall To Pieces & lt;/li & gt; & lt;li & gt;Shoes & lt;/li & gt; & lt;li & gt;Lovin' In Vain & lt;/li & gt; & lt;li & gt;True Love & lt;/li & gt; & lt;li & gt;San Antonio Rose & lt;/li & gt; & lt;li & gt;The Wayward Wind & lt;/li & gt; & lt;li & gt;A Poor Man's Roses (Or A Rich Man's Gold) & lt;/li & gt; & lt;li & gt;Crazy & lt;/li & gt; & lt;li & gt;Who Can I Count On & lt;/li & gt; & lt;/ol & gt; & lt;h4 & gt;Side B: & lt;/h4 & gt; & lt;ol & gt; & lt;li & gt;Seven Lonely Days & lt;/li & gt; & lt;li & gt;I Love You So Much It Hurts & lt;/li & gt; & lt;li & gt;Foolin' Around & lt;/li & gt; & lt;li & gt;Have You Ever Been Lonely (Have You Ever Been Blue) & lt;/li & gt; & lt;li & gt;South Of The Border (Down Mexico Way) & lt;/li & gt; & lt;li & gt;Walkin' After Midnight & lt;/li & gt; & lt;li & gt;Strange & lt;/li & gt; & lt;li & gt;You're Stronger Than Me & lt;/li & gt; & lt;li & gt;She's Got You & lt;/li & gt; & lt;/ol & gt; & lt;h4 & gt;Side C: & lt;/h4 & gt; & lt;ol & gt; & lt;li & gt;You Made Me Love You (I Didn't Want To Do It) & lt;/li & gt; & lt;li & gt;You Belong To Me & lt;/li & gt; & lt;li & gt;Heartaches & lt;/li & gt; & lt;li & gt;Your Cheatin' Heart & lt;/li & gt; & lt;li & gt;That's My Desire & lt;/li & gt; & lt;li & gt;Half As Much & lt;/li & gt; & lt;li & gt;Lonely Street & lt;/li & gt; & lt;li & gt;Anytime & lt;/li & gt; & lt;/ol & gt; & lt;h4 & gt;Side D: & lt;/h4 & gt; & lt;ol & gt; & lt;li & gt;You Were Only Fooling (While I Was Falling In Love) & lt;/li & gt; & lt;li & gt;I Can't Help It (If I'm Falling In Love With You) & lt;/li & gt; & lt;li & gt;You're Stronger Than Me & lt;/li & gt; & lt;li & gt;When I Get Thru With You (You'll Love Me Too) & lt;/li & gt; & lt;li & gt;Imagine That & lt;/li & gt; & lt;li & gt;So Wrong & lt;/li & gt; & lt;li & gt;Why Can't He Be You & lt;/li & gt; & lt;li & gt;Your Kinda Love & lt;/li & gt; & lt;/ol & gt; & lt;h4 & gt;Side E: & lt;/h4 & gt; & lt;ol & gt; & lt;li & gt;When You Need A Laugh & lt;/li & gt; & lt;li & gt;Leavin' On Your Mind & lt;/li & gt; & lt;li & gt;Back In Baby's Arms & lt;/li & gt; & lt;li & gt;Tra Le La Le La Triangle & lt;/li & gt; & lt;li & gt;That's How A Heartache Begins & lt;/li & gt; & lt;li & gt;Faded Love & lt;/li & gt; & lt;li & gt;Someday (You'll Want Me To Want You) & lt;/li & gt; & lt;li & gt;Love Letters In The Sand & lt;/li & gt; & lt;/ol & gt; & lt;h4 & gt;Side F: & lt;/h4 & gt; & lt;ol & gt; & lt;li & gt;Blue Moon Of Kentucky & lt;/li & gt; & lt;li & gt;Sweet Dreams (Of You) & lt;/li & gt; & lt;li & gt;Always & lt;/li & gt; & lt;li & gt;Does Your Heart Beat For Me & lt;/li & gt; & lt;li & gt;Bill Bailey, Won't You Please Come Home & lt;/li & gt; & lt;li & gt;He Called Me Baby & lt;/li & gt; & lt;li & gt;Crazy Arms & lt;/li & gt; & lt;li & gt;You Took Him Off My Hands & lt;/li & gt; & lt;li & gt;I'll Sail My Ship Alone & lt;/li & gt; & lt;/ol & gt; & lt;/section & gt;

Patsy Cline Sweet Dreams: The Complete Decca Studio Masters 1960-1963 3LP (Vinyl)

$ 69.37 ~~$ 70.79~~

Jack White Over and Over and Over/Everything You've Learned 45rpm 7" Vinyl

$ 8.05 ~~$ 8.39~~

& lt;font color= & quot;#FF0000 & quot; & gt; & lt;b & gt;Second Volume of First Blues Festival On 180g Vinyl Double LP! & lt;/b & gt; & lt;/font & gt; & lt;br & gt; & lt;br & gt; Celebrate the 50th anniversary of America's first festival dedicated to the blues with this 180g vinyl LP. The album features previously unheard performances by B.B. King, Mississippi Fred McDowell, Howlin' Wolf, Muddy Waters, Son House, Big Mama Thornton and more! & lt;br & gt; & lt;br & gt; Third Man Records is excited to announce the release of ANN ARBOR BLUES FESTIVAL 1969, a 50th anniversary celebration collecting 24 previously unheard songs by such blues legends as Howlin Wolf, Muddy Waters, B.B. King, James Cotton, Son House, Magic Sam, T-Bone Walker, Junior Wells, Big Mama Thornton, Clifton Chenier, Son House, Mississippi Fred McDowell, Lightnin Hopkins, Pinetop Perkins, J. B. Hutto & amp; His Hawks, Roosevelt Sykes, Luther Allison, Otis Rush, Big Joe Williams, Charlie Musselwhite and more. The first ever release of music recorded live at the landmark event, ANN ARBOR BLUES FESTIVAL 1969 is available in two volumes of 2LP collections pressed on 180 gram vinyl. & lt;br & gt; & lt;br & gt; The historic gathering was presented by a small group of blues-obsessed University of Michigan students determined to give their blues heroes a public spotlight where they might shine before it was too late. Among those enterprising student-promoters was John Fishel, whose teenage brother Jim Fishel, gathered some friends to help record the festival as a personal memento. Taking advantage of their all-access pass and juggling a small Norelco tape recorder from set to set, the friends let the 1/4 tape roll. Though field recordings in the literal sense of the term, they capture the brilliance of the musicians, the excitement of the crowd and the loose, convivial nature of the entire festival. Those tapes, long thought to be lost, have now been lovingly restored to capture the electric energy of the landmark concert. Both volumes include never-before-seen photographs, artist biographies, an exclusive reminiscence from Jim Fishel, and extensive liner notes by Parker Fishel, Sophie Abramowitz and David Beal. & lt;br & gt; & lt;br & gt; & lt;b & gt; & quot;How these tapes came to the attention of the folks at Third Man and how they were restored to sounding far beyond my expectations considering how they were recorded, is a story for another time but the packaging is quite good including 32 black and white photos ('snapshots' would be more accurate) in each gatefold plus full sized booklets and though the opening essay repeats, it's followed by bios and photos of each performer plus well-curated suggestions for further listening. Even though Sleepy John Estes and Yank Rachell's performances are missing, the bios, photo and suggested listening are included. Yes the sound is mono and in some cases rough (including places where audience members are more on mic than are the performerssomething familiar to all bootleg connoisseurs), the overall sonics are pretty good and once you lock into the music you won't care. This is the real shit. It's been in serious 'Heavy Rotation' since the LPs arrived here (I purchased, no promos). The sound rating reflects how it sounds, but were I rating it based upon the quality of the restoration given what the tapes probably originally sounded like, the number would have been considerably higher. The restoration was all-analog until the final digitization. You won't regret buying this set. When the sound is good, it's immediate and transparent. & quot; & lt;/b & gt; - Michael Fremer, Analog Planet, Music 10/11, Sound 6/11 & lt;br & gt; & lt;br & gt; & lt;b & gt; & quot;The sound quality is often rough, but that shouldn't diminish the vitality of these collections. This festival represented a crucial pivot point in blues as the old guard stood alongside young bucks with electric instruments and a bevy of white musicians building off their foundational work. Pointing out highlights feels near to impossible, but I would direct you to spend some time with Son House's growling performance of 'Death Letter Blues,' the sultry 'Key to the Highway' by drummer/vocalist Sam Lay and his band and the prickly guitar solo on the track from Jimmy 'Fast Fingers' Dawkins' set. From there, drink in the whole thing slow and easy. You won't be disappointed. & quot; & lt;/b & gt; - Paste Magazine & lt;br & gt; & lt;br & gt; & lt;b & gt;Features: & lt;/b & gt; & lt;br & gt; & amp;bull; 180g Vinyl & lt;br & gt; & amp;bull; Double LP & lt;br & gt; & amp;bull; Celebrating the 50th anniversary of America's first festival dedicated to the blues & lt;br & gt; & amp;bull; Previously unheard performances from Muddy Waters, Son House, Big Mama Thornton and more! & lt;br & gt; & amp;bull; Gatefold jacket & lt;br & gt; & amp;bull; Rare photos & lt;br & gt; & amp;bull; Exclusive liner notes & lt;br & gt; & amp;bull; Manufactured by Third Man Pressing in Detroit, MI & lt;br & gt; & lt;br & gt; & lt;b & gt;Selections: & lt;br & gt; LP 1 & lt;br & gt; Side A: & lt;/b & gt; & lt;br & gt; 1. Long Distance Call Muddy Waters & lt;br & gt; 2. Movin' And Groovin' Charlie Musselwhite & lt;br & gt; 3. I Feel So Good (I Wanna Boogie) Magic Sam & lt;br & gt; & lt;b & gt;Side B: & lt;/b & gt; & lt;br & gt; 1. Jelly Jelly Blues Shirley Griffith & lt;br & gt; 2. Mojo Boogie Big Mojo Elem & lt;br & gt; 3. Call It Stormy Monday (But Tuesday Is Just as Bad) T-Bone Walker & lt;br & gt; 4. Announcements Big Bill Hill & lt;br & gt; & lt;b & gt;LP 2 & lt;br & gt; Side A: & lt;/b & gt; & lt;br & gt; 1. Ball And Chain Big Mama Thornton And The Hound Doggers & lt;br & gt; 2. Juanita Big Joe Williams & lt;br & gt; 3. Key To The Highway Sam Lay & lt;br & gt; 4. Mojo Hand Lightnin' Hopkins & lt;br & gt; & lt;b & gt;Side B: & lt;/b & gt; & lt;br & gt; 1. Off The Wall James Cotton Blues Band & lt;br & gt; 2. Death Letter Blues Son House

The Ann Arbor Blues Festival 1969 - Volume 2 180g 2LP (Vinyl)

$ 34.91 ~~$ 35.99~~

& lt;header & gt; & lt;p & gt; & lt;strong & gt;Groundbreaking 1969 Album On 180g Vinyl LP! & lt;br & gt; First Pressing In Nearly 40 Years! & lt;/strong & gt; & lt;/p & gt; & lt;/header & gt; & lt;p & gt;Albert Ayler's 1969 album New Grass has been misunderstood from the day of its release. The album finds Ayler experimenting with soul music and digging back into his R & amp;B roots (he started his career playing saxophone with Chicago bluesman Little Walter), fusing it with the avant-garde free jazz (the one element of the record which garnered consistent praise) and adding the vocals of Rose Marie McCoy, The Soul Singers and Ayler himself. As if predicting the divisiveness of the record to follow, Ayler speaks directly to the listener and explains that New Grass is nothing like his albums before - that it is of & quot;a different dimension of his life & quot; - in the album opener & quot;Message From Albert & quot;. & lt;/p & gt; & lt;p & gt;New Grass deserves reconsideration, if not for the heavy grooves and surprising arrangements, then for its bravery in challenging norms of the time; by the '60s, jazz was well-accepted as a uniquely American art form, while soul as a genre was very much still seen as primitive. Ayler melds them together and creates something novel, adventurous, and completely his own. & lt;/p & gt; & lt;p & gt;At the time of its release, despite its divisive reception, New Grass helped break down the unnecessary walls dividing genres and revealed music's potential freedoms. The album has gone on to influence generations of Jazz, R & amp;B, Funk, Hip Hop, Post Punk, No Wave and unshrinking artists like Pharaoh Sanders, Alice Coltrane, Funkadelic, Jungle Brothers, Red Krayola, Sonic Youth and Mark E. Smith. & lt;/p & gt; & lt;blockquote cite= & quot;www.pastemagazine.com & quot; & gt; Leave it to Jack White's Third Man Records to swoop in and rescue New Grass from ignominy with a new vinyl pressing that sounds as startling and incredible as it ever has. The rhythm section especially sounds intensely present, as if Purdie and Folwell are sitting behind you and playing along as the record spins. This reissue also opens up another well of regret that Ayler wasn't able to more fully explore these sounds and ideas before his untimely death in late 1970. & lt;footer & gt; -Robert Ham, Paste Magazine & lt;/footer & gt; & lt;/blockquote & gt; & lt;blockquote cite= & quot;www.pitchfork.com & quot; & gt; Ayler's respected standing in avant-garde circles made the abrupt stylistic shift of his 1969 album New Grass all the more baffling. Instead of the structureless squall he was known for, here was Ayler singing lead on AM-radio pop songs and superimposing his unhinged sax skronk over funk, soul, and rock rhythms. Freshly remastered and reissued by Third Man in its first vinyl pressing in over 40 years, the wildly mismatched colors of New Grass still don't resemble anything else... Similar to Arthur Russell's hermetic dance tracks or Muddy Waters' surreal stabs at psychedelic rock on Electric Mud, Ayler's notion of popular music was so distanced from reality that it became its own self-contained universe. & lt;footer & gt; -Pitchfork & quot;Best New Reissue & quot; & lt;/footer & gt; & lt;/blockquote & gt; & lt;section id= & quot;features & quot; & gt; & lt;h3 & gt;Features & lt;/h3 & gt; & lt;ul & gt; & lt;li & gt;180g Vinyl & lt;/li & gt; & lt;li & gt;First pressing in almost 40 years & lt;/li & gt; & lt;li & gt;Gatefold jacket & lt;/li & gt; & lt;/ul & gt; & lt;/section & gt; & lt;section id= & quot;musicians & quot; & gt; & lt;h3 & gt;Musicians & lt;/h3 & gt; & lt;table & gt; & lt;tr & gt; & lt;th & gt;Albert Ayler & lt;/th & gt; & lt;td & gt;tenor saxophone, vocals & lt;/td & gt; & lt;/tr & gt; & lt;tr & gt; & lt;th & gt;Seldon Powell & lt;/th & gt; & lt;td & gt;tenor saxophone, flute & lt;/td & gt; & lt;/tr & gt; & lt;tr & gt; & lt;th & gt;Buddy Lucas & lt;/th & gt; & lt;td & gt;baritone saxophone & lt;/td & gt; & lt;/tr & gt; & lt;tr & gt; & lt;th & gt;Burt Collins & lt;/th & gt; & lt;td & gt;trumpet & lt;/td & gt; & lt;/tr & gt; & lt;tr & gt; & lt;th & gt;Joe Newman & lt;/th & gt; & lt;td & gt;trumpet & lt;/td & gt; & lt;/tr & gt; & lt;tr & gt; & lt;th & gt;Garnett Brown & lt;/th & gt; & lt;td & gt;trombone & lt;/td & gt; & lt;/tr & gt; & lt;tr & gt; & lt;th & gt;Call Cobbs & lt;/th & gt; & lt;td & gt;piano, harpsichord, organ & lt;/td & gt; & lt;/tr & gt; & lt;tr & gt; & lt;th & gt;Bill Folwell & lt;/th & gt; & lt;td & gt;bass & lt;/td & gt; & lt;/tr & gt; & lt;tr & gt; & lt;th & gt;Bernard & quot;Pretty & quot; Purdie & lt;/th & gt; & lt;td & gt;drums & lt;/td & gt; & lt;/tr & gt; & lt;tr & gt; & lt;th & gt;Rose Marie McCoy & lt;/th & gt; & lt;td & gt;vocals & lt;/td & gt; & lt;/tr & gt; & lt;tr & gt; & lt;th & gt;The Soul Singers & lt;/th & gt; & lt;td & gt;vocals & lt;/td & gt; & lt;/tr & gt; & lt;/table & gt; & lt;/section & gt; & lt;section id= & quot;selections & quot; & gt; & lt;h3 & gt;Selections & lt;/h3 & gt; & lt;h4 & gt;Side A: & lt;/h4 & gt; & lt;ol & gt; & lt;li & gt;Message From Albert / New Grass & lt;/li & gt; & lt;li & gt;New Generation & lt;/li & gt; & lt;li & gt;Sun Watcher & lt;/li & gt; & lt;/ol & gt; & lt;h4 & gt;Side B: & lt;/h4 & gt; & lt;ol & gt; & lt;li & gt;New Ghosts & lt;/li & gt; & lt;li & gt;Heart Love & lt;/li & gt; & lt;li & gt;Everybody's Movin & lt;/li & gt; & lt;li & gt;Free At Last & lt;/li & gt; & lt;/ol & gt; & lt;/section & gt;

Albert Ayler New Grass 180g LP (Vinyl)

$ 30.25 ~~$ 31.19~~

& lt;header & gt; & lt;p & gt; & lt;strong & gt;'Southern New Age' Album On Vinyl LP! & lt;br & gt; 8 Tracks Of Hard Ambient Psych All Created Using A 1967 Emmons Push/Pull Pedal Steel Guitar! & lt;/strong & gt; & lt;/p & gt; & lt;/header & gt; & lt;p & gt; & lt;strong & gt;Michael Fremer Rated 9/11 Music, 9/11 Sonics! & lt;/strong & gt; & lt;/p & gt; & lt;p & gt;This recording, which can justifiably be described as & quot;new age & quot; in the most essential sense, represents a radical new approach to the versatile and cosmic instrument of the steel guitar. This is something new under the sun, a total reinvention of an iconic instrument. Quite literally, there has never been anything else quite like it. All of the sounds heard on this album were made with a 1967 Emmons Push/Pull pedal steel guitar by Luke Schneider, a popular session musician in Nashville, Tennessee. Luke has been an important band member for artists such as Caitlin Rose, Margo Price and Orville Peck. & lt;/p & gt; & lt;p & gt;Altar Of Harmony is extraordinarily cinematic, an epic musical devotional to higher realms - booming music of the spheres. Regardless of its origins, the expression unmistakable. This is the sound of Valhalla, of heaven, planetary alignment, of total eclipse. This is the sound of an angelic army roaring into battle. This is the heavy metal thunder of the future we were promised. Music for the end of the world. At very least, music of transformation. Sunset on the old way of life, sunrise on the new. & lt;/p & gt; & lt;p & gt; & lt;strong & gt;Third Man Records put out a new age album. Play this record to find out why. & lt;/strong & gt; & lt;/p & gt; & lt;blockquote cite= & quot;www.analogplanet.com & quot; & gt; This is an abstract sonic spectacular that will wake up the ghosts lurking within your stereo system and send them (and you) floating across an enormous, harmonically enriched cinematic soundstage populated by layers of swirls, zooms, shooting stars and a comet or two. Nicely pressed at Third Man Pressing so the music 'pops' flourescent paint on a black velvet canvas. & lt;footer & gt; -Michael Fremer, Analog Planet, Music 9/11, Sound 9/11 & lt;/footer & gt; & lt;/blockquote & gt; & lt;section id= & quot;features & quot; & gt; & lt;h3 & gt;Features & lt;/h3 & gt; & lt;ul & gt; & lt;li & gt;Vinyl LP & lt;/li & gt; & lt;li & gt;Manufactured by Third Man Pressing in Detroit, MI & lt;/li & gt; & lt;/ul & gt; & lt;/section & gt; & lt;section id= & quot;selections & quot; & gt; & lt;h3 & gt;Selections & lt;/h3 & gt; & lt;h4 & gt;Side One: & lt;/h4 & gt; & lt;ol & gt; & lt;li & gt;Anteludium & lt;/li & gt; & lt;li & gt;Lex Universum & lt;/li & gt; & lt;li & gt;Somnificus & lt;/li & gt; & lt;li & gt;Exspirio & lt;/li & gt; & lt;/ol & gt; & lt;h4 & gt;Side Two: & lt;/h4 & gt; & lt;ol & gt; & lt;li & gt;Mundi Tuum Est & lt;/li & gt; & lt;li & gt;Umbra & lt;/li & gt; & lt;li & gt;Invicta Affectio & lt;/li & gt; & lt;li & gt;Derelictico & lt;/li & gt; & lt;/ol & gt; & lt;/section & gt;

Luke Schneider Altar Of Harmony LP (Vinyl)

$ 22.11 ~~$ 22.79~~

& lt;header & gt; & lt;p & gt; & lt;strong & gt;1993 Major Label Debut On 180g Vinyl LP! & lt;br & gt; Includes Vinyl-Only Bonus Track ''Rocket Reducer No. 62 (Rama Lama Fa Fa Fa)''! & lt;/strong & gt; & lt;/p & gt; & lt;/header & gt; & lt;p & gt;Signed to Atlantic Records in the hubbub after Nirvana's Nevermind exploded, the Melvins' fifth album Houdini was a conscious attempt by the band to make a record that wouldn't alienate their fans but that the band members themselves would also enjoy. Their best-selling release by a country-mile, this album crested at number 29 on on the Billboard Heatseekers chart. Houdini would be most folks' introduction to the band, and songs like ''Honey Bucket'' received MTV airplay. & lt;/p & gt; & lt;section id= & quot;features & quot; & gt; & lt;h3 & gt;Features & lt;/h3 & gt; & lt;ul & gt; & lt;li & gt;180g Vinyl & lt;/li & gt; & lt;li & gt;Mastered directly from original analog tapes & lt;/li & gt; & lt;li & gt;Pressed at United Record Pressing & lt;/li & gt; & lt;li & gt;Six tracks produced by Kurt Cobain & lt;/li & gt; & lt;li & gt;Vinyl-only bonus track ''Rocket Reducer No. 62 (Rama Lama Fa Fa Fa)'' originally by the MC5 & lt;/li & gt; & lt;li & gt;Cover art by legendary artist Frank Kozik & lt;/li & gt; & lt;li & gt;Single pocket direct to board gatefold sleeve & lt;/li & gt; & lt;li & gt;Made in the U.S.A. & lt;/li & gt; & lt;/ul & gt; & lt;/section & gt; & lt;section id= & quot;selections & quot; & gt; & lt;h3 & gt;Selections & lt;/h3 & gt; & lt;h4 & gt;Side A: & lt;/h4 & gt; & lt;ol & gt; & lt;li & gt;Hooch & lt;/li & gt; & lt;li & gt;Night Goat & lt;/li & gt; & lt;li & gt;Lizzy & lt;/li & gt; & lt;li & gt;Going Blind & lt;/li & gt; & lt;li & gt;Honey Bucket & lt;/li & gt; & lt;li & gt;Hag Me & lt;/li & gt; & lt;/ol & gt; & lt;h4 & gt;Side B: & lt;/h4 & gt; & lt;ol & gt; & lt;li & gt;Set Me Straight & lt;/li & gt; & lt;li & gt;Sky Pup & lt;/li & gt; & lt;li & gt;Joan Of Arc & lt;/li & gt; & lt;li & gt;Teet & lt;/li & gt; & lt;li & gt;Copache & lt;/li & gt; & lt;li & gt;Pearl Bomb & lt;/li & gt; & lt;li & gt;Rocket Reducer No. 62 (Rama Lama Fa Fa Fa) & lt;/li & gt; & lt;/ol & gt; & lt;/section & gt;

Melvins Houdini 180g LP (Vinyl)

$ 26.76 ~~$ 27.59~~

& lt;header & gt; & lt;p & gt;Coming February 18, 2022 pre-order your copy today! Orders with both pre-order and in stock items will have all in stock items shipped immediately! & lt;/p & gt; & lt;/header & gt; & lt;header & gt; & lt;p & gt; & lt;strong & gt;Live Album On Double LP! & lt;br & gt; First Ever Vinyl Collection Of Recorded Material! & lt;br & gt; Supergroup Of Bob Weir, Don Was, Jay Lane, Jeff Chimenti & amp; Greg Leisz! & lt;/strong & gt; & lt;/p & gt; & lt;/header & gt; & lt;p & gt;Bobby Weir & amp; Wolf Bros - consisting of Bob Weir, Don Was, Jay Lane and Jeff Chimenti - release their first ever vinyl collection of recorded material. Bobby Weir & amp; Wolf Bros: Live In Colorado is their debut with the Third Man Records label. & lt;/p & gt; & lt;p & gt;Bobby Weir & amp; Wolf Bros: Live In Colorado features a collection of songs recorded at the band's live performances at the historic Red Rocks Park & amp; Amphitheatre in Morrison, Colorado and the Gerald R. Ford Amphitheater in Vail, Colorado on June 8, 9, 11 and 12, 2020. These shows were the group's first live audience concerts in over a year and featured Greg Leisz on pedal steel, along with The Wolfpack: Alex Kelly, Brian Switzer, Adam Theis, Mads Tolling and Sheldon Brown. & quot;Been too long, & quot; Weir said of the performances, & quot;but I can't think of a better place to pick it back up... & quot; & lt;/p & gt; & lt;p & gt;Weir explains & quot;I've been workin' in my spare time on expanding the sonic coloration of the songs I do. The Wolfpack is basically a step toward full orchestration - and further, I gotta say, these guys are game. We worked on the arrangements a bit but eventually we needed to trot it all out and play it for folks - and right at that moment, the folks in Colorado reached out and told us they were gonna open up. Holy Shit, WTF? Let's Go. & quot; & lt;/p & gt; & lt;p & gt;Third Man Records says & quot;When Don approached us about this project of course we all jumped at the opportunity. The whole live music experience is so important to everyone here at Third Man Records and the chance to work with a few of the all time greats, well it seems like a miracle. & quot; & lt;/p & gt; & lt;p & gt;Bob Weir, a founding member of the legendary Grateful Dead, who received a GRAMMY Lifetime Achievement Award in 2007 - is one of rock's finest and most distinctive rhythm guitarists. Weir has been honored with the Americana Music Association's Lifetime Achievement Award, the Les Paul Spirit Award, as well as a Goodwill Ambassador for the United Nations Development Program. His first solo album in more than ten years, Blue Mountain (2016), was critically praised upon release. Weir currently plays with Bobby Weir & amp; Wolf Bros, originally a trio formed in 2018 alongside Don Was and Jay Lane. The band set out performing the expansive catalogue of Grateful Dead, Bobby's solo albums and more and has toured extensively throughout the US. & lt;/p & gt; & lt;p & gt;Don Was is a GRAMMY-winning producer and founder of the '80s funk-rock band Was (Not Was), known for hits such as & quot;Walk The Dinosaur & quot; and & quot;Spy In The House Of Love & quot;. As an in-demand, highly acclaimed producer, Was has been honored with four GRAMMY Awards for his production work in each of the past three decades, including Best Album honors for work with the Rolling Stones and Bonnie Raitt. Production credits include the Rolling Stones, Willie Nelson, Roy Orbison, Gregg Allman, John Mayer and Neil Young. Albums produced by Was have achieved dozens of multi-Platinum, Platinum and Gold certifications and have sold more than 90 million copies worldwide. As one of music's top bass players, Was has collaborated with countless musicians throughout his storied career, spanning a multitude of genres. & lt;/p & gt; & lt;p & gt;Jay Lane is a longtime Weir collaborator and drummer, who played with Weir's RatDog for more than 16 years. He was also one of Primus' first drummers and recently performed with Phil Lesh and Friends. & lt;/p & gt; & lt;p & gt;Acclaimed keyboardist Jeff Chimenti has a long history of working with former members of Grateful Dead having performed with Bob Weir & amp; RatDog, The Dead and Further. He has been a member of Dead & amp; Company since the band's formation in 2015. In 2020, Jeff Chimenti joined the Wolf Bros and the band began featuring The Wolfpack - a string and brass quintet consisting Alex Kelly, Brian Switzer, Adam Theis, Mads Tolling and Sheldon Brown. & lt;/p & gt; & lt;p & gt;Multi-instrumentalist, songwriter and producer Greg Leisz sat in with the group in 2020-2021 on pedal steel and appears on Bobby Weir & amp; Wolf Bros: Live In Colorado. Leisz received the Lifetime Achievement Award from the Americana Music Association in 2010, and a GRAMMY in 2011 for his work with Ray LaMontagne and the Pariah Dogs on God Willing & amp; Creek Don't Rise. & lt;/p & gt; & lt;a name= & quot;SS & quot; & gt; & lt;/a & gt; & lt;iframe width= & quot;560 & quot; height= & quot;315 & quot; src= & quot;https://www.youtube.com/embed/LwmwFOUo_Rs & quot; frameborder= & quot;0 & quot; allowfullscreen & gt; & lt;/iframe & gt; & lt;br & gt; & lt;br & gt; & lt;section id= & quot;features & quot; & gt; & lt;h3 & gt;Features & lt;/h3 & gt; & lt;ul & gt; & lt;li & gt;Double LP & lt;/li & gt; & lt;li & gt;Black Vinyl & lt;/li & gt; & lt;/ul & gt; & lt;/section & gt; & lt;section id= & quot;selections & quot; & gt; & lt;h3 & gt;Selections & lt;/h3 & gt; & lt;ol & gt; & lt;li & gt;New Speedway Boogie & lt;/li & gt; & lt;li & gt;Hard Rain's A-Gonna Fall & lt;/li & gt; & lt;li & gt;Big River & lt;/li & gt; & lt;li & gt;West L.A. Fadeaway & lt;/li & gt; & lt;li & gt;My Brother Esau & lt;/li & gt; & lt;li & gt;Only A River & lt;/li & gt; & lt;li & gt;Looks Like Rain & lt;/li & gt; & lt;li & gt;Lost Sailor / Saint Of Circumstance & lt;/li & gt; & lt;/ol & gt; & lt;/section & gt;

Bobby Weir & Wolf Bros Bobby Weir & Wolf Bros: Live In Colorado 2LP (Vinyl)

$ 29.69 ~~$ 29.99~~

& lt;header & gt; & lt;p & gt; & lt;strong & gt;Essential Career-Spanning Collection On Double LP! & lt;/strong & gt; & lt;/p & gt; & lt;/header & gt; & lt;p & gt;In 1997 a brother and sister climbed into the third floor attic of their Southwest Detroit family homestead and bashed out a primitive cover of David Bowie's & quot;Moonage Daydream & quot;. In an alternate reality, it's all they ever do musically. The brother leads a spartan life as a dutiful upholsterer and the sister finishes culinary school and continues to make heartwarming food. & lt;/p & gt; & lt;p & gt;But that doesn't happen. Something sparks in both of them. They take their simple guitar-drums-voice approach to a local open mic night on Bastille Day. The performance was just good enough to keep them going. In what feels like a whirlwind, they record and release two 7-inch singles for a local indie label. A not-so-local indie offers to put out a full length album. & lt;/p & gt; & lt;p & gt;They start touring. Another album. More touring. Another album. Folks REALLY start to pay attention. CRAZY touring. More albums, accolades, wildest dream after wildest dream coming true. & quot;World-renowned & quot; becomes an appropriate descriptor as does & quot;long-building overnight sensation. & quot; & lt;/p & gt; & lt;p & gt;It is with extreme reverence that they present to you The White Stripes Greatest Hits. & lt;/p & gt; & lt;p & gt;The first-ever official anthology of recordings from the iconic rock duo, Jack and Meg White, is an essential career-spanning collection highlighting 26 previously released songs. From late Nineties flashes of brilliance through early 2000s underground anthems, masterful MTV Moon Man moments, Grammy-grabbing greatness, and worldwide stadium chants, the songs here are as wide-ranging as you can imagine. & lt;/p & gt; & lt;p & gt;In an era of streaming where the idea of a & quot;Greatest Hits & quot; album may seem irrelevant - that an act's most streamed songs are considered their de facto & quot;hits & quot; - they wholeheartedly believe that great bands deserve & quot;Greatest Hits & quot; and that a large part of Third Man Records' and The White Stripes' successes have been built on zigging when the rest of the music business is zagging. & lt;/p & gt; & lt;p & gt;Thus, for a great band with great fans, a greatest hits compilation for The White Stripes is not only appropriate, but absolutely necessary. & lt;/p & gt; & lt;blockquote cite= & quot;www.allmusic.com & quot; & gt; Like the other archival releases that appeared after the White Stripes called it quits in 2011, The White Stripes Greatest Hits is filled with the same detail, wit, and willingness to subvert expectations that made the band so dynamic when they were active....The idiosyncratic track list shuffles the pages of the Stripes' songbook, bringing new life to their music in the process. & lt;footer & gt; -Heather Phares, Allmusic.com, 4.5/5 stars & lt;/footer & gt; & lt;/blockquote & gt; & lt;section id= & quot;features & quot; & gt; & lt;h3 & gt;Features & lt;/h3 & gt; & lt;ul & gt; & lt;li & gt;Double LP & lt;/li & gt; & lt;li & gt;Gatefold jacket & lt;/li & gt; & lt;li & gt;Manufactured by Third Man Pressing in Detroit, MI & lt;/li & gt; & lt;/ul & gt; & lt;/section & gt; & lt;section id= & quot;selections & quot; & gt; & lt;h3 & gt;Selections & lt;/h3 & gt; & lt;h4 & gt;Disc One & lt;/h4 & gt; & lt;h5 & gt;Side A: & lt;/h5 & gt; & lt;ol & gt; & lt;li & gt;Let's Shake Hands & lt;/li & gt; & lt;li & gt;The Big Three Killed My Baby & lt;/li & gt; & lt;li & gt;Fell In Love With A Girl & lt;/li & gt; & lt;li & gt;Hello Operator & lt;/li & gt; & lt;li & gt;I'm Slowly Turning Into You & lt;/li & gt; & lt;li & gt;The Hardest Button To Button & lt;/li & gt; & lt;li & gt;The Nurse & lt;/li & gt; & lt;/ol & gt; & lt;h5 & gt;Side B: & lt;/h5 & gt; & lt;ol start= & quot;8 & quot; & gt; & lt;li & gt;Screwdriver & lt;/li & gt; & lt;li & gt;Dead Leaves And The Dirty Ground & lt;/li & gt; & lt;li & gt;Death Letter & lt;/li & gt; & lt;li & gt;We're Going To Be Friends & lt;/li & gt; & lt;li & gt;The Denial Twist & lt;/li & gt; & lt;li & gt;I Just Don't Know What To Do With Myself & lt;/li & gt; & lt;li & gt;Astro & lt;/li & gt; & lt;/ol & gt; & lt;h4 & gt;Disc Two & lt;/h4 & gt; & lt;h5 & gt;Side C: & lt;/h5 & gt; & lt;ol start= & quot;15 & quot; & gt; & lt;li & gt;Conquest & lt;/li & gt; & lt;li & gt;Jolene & lt;/li & gt; & lt;li & gt;Hotel Yorba & lt;/li & gt; & lt;li & gt;Apple Blossom & lt;/li & gt; & lt;li & gt;Blue Orchid & lt;/li & gt; & lt;li & gt;Ball And Biscuit & lt;/li & gt; & lt;/ol & gt; & lt;h5 & gt;Side D: & lt;/h5 & gt; & lt;ol start= & quot;21 & quot; & gt; & lt;li & gt;I Fought Piranhas & lt;/li & gt; & lt;li & gt;I Think I Smell A Rat & lt;/li & gt; & lt;li & gt;Icky Thump & lt;/li & gt; & lt;li & gt;My Doorbell & lt;/li & gt; & lt;li & gt;You're Pretty Good Looking (For A Girl) & lt;/li & gt; & lt;li & gt;Seven Nation Army & lt;/li & gt; & lt;/ol & gt; & lt;/section & gt;

The White Stripes The White Stripes Greatest Hits 2LP (Vinyl)

$ 35.63 ~~$ 35.99~~

& lt;header & gt; & lt;p & gt; & lt;strong & gt;Original Stooges Lineup's Final Concert Unearthed On Vinyl LP! & lt;br & gt; Featuring A Full Performance of Their 1970 Masterpiece 'Fun House'! & lt;br & gt; A Must Have! & lt;/strong & gt; & lt;/p & gt; & lt;/header & gt; & lt;p & gt;Recently uncovered & lt;strong & gt;high quality soundboard recording & lt;/strong & gt; of the Stooges' famous final show with their & lt;strong & gt;original lineup & lt;/strong & gt; and with bassist Dave Alexander, playing Fun House in full just before release. An unearthed gem in Stooges history. & lt;/p & gt; & lt;p & gt;The apocryphal tale of the Stooges performance at the Goose Lake festival has been told countless times over the past five decades. Bassist Dave Alexander, due to nerves or overindulgence or what ever you choose to fill in the blank, absolutely spaces in front of 200,000 attendees. He does not play a single note on stage. He is summarily fired by Iggy Pop immediately following the gig. Here starts the beginning of the end of the Stooges. & lt;/p & gt; & lt;p & gt;But what if that simply...wasn't the case? What if you could prove otherwise? Well, it'd be the proto-punk equivalent of having an immediate, on-the-scene, man on the street report of all those folkies booing Dylan's electric set at Newport in '65. Irrefutable evidence of what ACTUALLY went down. & lt;/p & gt; & lt;p & gt;Found buried in the basement of a Michigan farmhouse amongst other tasty analog artifacts of the same era, the 1/4 & quot; stereo two-track tape of the Stooges' complete performance at Goose Lake on August 8th, 1970 is the Rosetta Stone for fans of this seminal band. & lt;/p & gt; & lt;p & gt; & lt;strong & gt;Not only is this the last ever performance of the original godhead Stooges line-up, but it is the ONLY known soundboard recording of said line-up. & lt;/strong & gt; Playing the entirety of their canonical 1970 masterpiece Fun House, & lt;strong & gt;the sound, the performance, everything about this record is revelatory. & lt;/strong & gt; & lt;/p & gt; & lt;p & gt;Would you believe that...Alexander actually DID play bass on this occasion? Or that, despite a handful of flubs, he manages to hold his own? Especially on the bass-led songs & quot;Dirt & quot; and & quot;Fun House & quot;? Does Iggy provoke the crowd to tear down festival barriers? Did the powers that be pull the plug on the Stooges? So many questions are answered only to have more arise. & lt;/p & gt; & lt;p & gt;Released to coincide with the 50th anniversary of the performance, Live at Goose Lake: August 8th 1970, is the rare release that literally rewrites the history of these Rock and Roll Hall of Fame inductees. & lt;/p & gt; & lt;blockquote cite= & quot;pastemagazine.com & quot; & gt; When the stars align and all five men are in sync, they sound unstoppable - oozing lava and sexual ferocity all over the attendees of this outdoor event. & lt;footer & gt; -Robert Ham, Paste Magazine & lt;/footer & gt; & lt;/blockquote & gt; & lt;section id= & quot;features & quot; & gt; & lt;h3 & gt;Features & lt;/h3 & gt; & lt;ul & gt; & lt;li & gt;Vinyl LP & lt;/li & gt; & lt;li & gt;Black Vinyl & lt;/li & gt; & lt;li & gt;Soundboard recording of original Stooges line-up's final performance & lt;/li & gt; & lt;li & gt;Audio restoration by Vance Powell (The White Stripes, Chris Stapleton) & lt;/li & gt; & lt;li & gt;Mastered by Bill Skibbe at Third Man Mastering & lt;/li & gt; & lt;li & gt;Liner notes by Jaan Uhelzski (Cream Magazine) & lt;/li & gt; & lt;/ul & gt; & lt;/section & gt; & lt;section id= & quot;selections & quot; & gt; & lt;h3 & gt;Selections & lt;/h3 & gt; & lt;h4 & gt;Side A: & lt;/h4 & gt; & lt;ol & gt; & lt;li & gt;Intro & lt;/li & gt; & lt;li & gt;Loose & lt;/li & gt; & lt;li & gt;Down On The Street & lt;/li & gt; & lt;li & gt;T.V. Eye & lt;/li & gt; & lt;li & gt;Dirt & lt;/li & gt; & lt;/ol & gt; & lt;h4 & gt;Side B: & lt;/h4 & gt; & lt;ol & gt; & lt;li & gt;1970 (I Feel Alright) & lt;/li & gt; & lt;li & gt;Fun House & lt;/li & gt; & lt;li & gt;L.A. Blues & lt;/li & gt; & lt;/ol & gt; & lt;/section & gt;

The Stooges Live At Goose Lake: August 8th, 1970 LP (Vinyl)

$ 21.88 ~~$ 22.79~~

& lt;header & gt; & lt;p & gt; & lt;strong & gt;180g Vinyl Double LP! & lt;br & gt;Cover Features Foil/Holographic Stamping! & lt;/strong & gt; & lt;/p & gt; & lt;/header & gt; & lt;p & gt; & lt;strong & gt;TAS Rated 4/5 Music, 4/5 Sonics in the April 2020 Issue of The Absolute Sound! & lt;/strong & gt; & lt;/p & gt; & lt;header & gt; & lt;p & gt; & lt;strong & gt;2021 Grammy Award Nominee: & lt;/strong & gt; & lt;br & gt; & amp;#8226; Album Of The Year: Everyday Life & lt;br & gt; & amp;#8226; Best Recording Package: Everyday Life & lt;/p & gt; & lt;/header & gt; & lt;p & gt; & lt;strong & gt; & quot;...This virtual double album offers a range of emotion by splitting songs into distinct Sunrise and Sunset sections. It opens with a contemplative symphonic instrumental titled & quot;Sunrise & quot; and delivers multiple musical styles. Frontman Chris Martin ponders a host of topics ripped from today's headlines - everyday life, if you will. Those include gun control (Guns), police brutality (Trouble In Town), the refugee crisis (Orphans), and the restorative nature of faith (Broken). But Every Day Life also looks at love and friendship. The album offers a global perspective thanks to two Nigerian musicians (Femi Kuti and Tiwa Savage) and a Belgian rapper (Stromae). A call to embrace the family of man, & quot;Arabesque & quot; percolates with Pakistani rhythms, and & quot;When I Need a Friend & quot; is buoyed by a Nigerian choir. Fans of the band's stadium-rock anthems might find Everyday Life challenging, yet this collection of songs is an uplifting balm for troubled times. & quot; & lt;/strong & gt;- Greg Cahill, & lt;i & gt;The Absolute Sound Magazine, & lt;/i & gt; April 2020 & lt;/p & gt; & lt;p & gt;Colplay's 'Everyday Life' album, featuring a vintage looking cover with Foil/Holographic Stamping, contains the singles & quot;Arabesque & quot; and & quot;Orphans. & lt;/p & gt; & lt;p & gt; & quot;It's all about just being human, & quot; frontman Chris Martin told Annie Mac on BBC Radio 1. & quot;Every day is great and every day is terrible...It just feels kind of free. There's so much life bursting out on the planet. & quot; & lt;/p & gt; & lt;p & gt; & quot;[The album] is our reaction to the perceived negativity that's everywhere. And there is a lot of trouble, but there's also so much positivity and so much great life happening. So in a way, it's just trying to make sense of things, saying what we feel and what we see. & quot; & lt;/p & gt; & lt;section id= & quot;features & quot; & gt; & lt;h3 & gt;Features & lt;/h3 & gt; & lt;ul & gt; & lt;li & gt;180g Vinyl & lt;/li & gt; & lt;li & gt;Double LP & lt;/li & gt; & lt;li & gt;Black vinyl & lt;/li & gt; & lt;li & gt;Cover features foil/holographic stamping & lt;/li & gt; & lt;li & gt;Manufactured at Third Man Pressing in Detroit, MI & lt;/li & gt; & lt;li & gt;Explicit Content & lt;/li & gt; & lt;/ul & gt; & lt;/section & gt; & lt;section id= & quot;selections & quot; & gt; & lt;h3 & gt;Selections & lt;/h3 & gt; & lt;h4 & gt;Sunrise - Side A: & lt;/h4 & gt; & lt;ol & gt; & lt;li & gt;Sunrise & lt;/li & gt; & lt;li & gt; Church & lt;/li & gt; & lt;li & gt; Trouble In Town & lt;/li & gt; & lt;li & gt; Broken & lt;/li & gt; & lt;/ol & gt; & lt;h4 & gt;Sunrise - Side B: & lt;/h4 & gt; & lt;ol start= & quot;5 & quot; & gt; & lt;li & gt;Daddy & lt;/li & gt; & lt;li & gt; WOTW / POTP & lt;/li & gt; & lt;li & gt; Arabesque & lt;/li & gt; & lt;li & gt; When I Need A Friend & lt;/li & gt; & lt;/ol & gt; & lt;h4 & gt;Sunset - Side C: & lt;/h4 & gt; & lt;ol & gt; & lt;li & gt;Guns & lt;/li & gt; & lt;li & gt;Orphans & lt;/li & gt; & lt;li & gt;Eko & lt;/li & gt; & lt;li & gt;Cry Cry Cry & lt;/li & gt; & lt;/ol & gt; & lt;h4 & gt;Sunset - Side D: & lt;/h4 & gt; & lt;ol start= & quot;5 & quot; & gt; & lt;li & gt;Old Friends & lt;/li & gt; & lt;li & gt;Bani Adam & lt;/li & gt; & lt;li & gt;Champion Of The World & lt;/li & gt; & lt;li & gt;Everyday Life & lt;/li & gt; & lt;/ol & gt; & lt;/section & gt;

Coldplay Everyday Life 180g 2LP (Vinyl)

$ 34.55 ~~$ 35.99~~

The White Stripes Seven Nation Army (The Glitch Mob Remix) 45rpm 7" Vinyl

$ 8.31 ~~$ 8.39~~

& lt;header & gt; & lt;p & gt; & lt;strong & gt;Emmy-Nominated Special Released On Black Vinyl LP! & lt;br & gt; Pressed at Third Man Pressing in Detroit! & lt;/strong & gt; & lt;/p & gt; & lt;/header & gt; & lt;header & gt; & lt;p & gt; & lt;strong & gt;2022 Grammy Award Nominee: & lt;/strong & gt; & lt;br & gt; & amp;#8226; Best Spoken Word Album: 8:46 & lt;/p & gt; & lt;/header & gt; & lt;p & gt;Third Man Records is proud to release a black vinyl pressing of Dave Chappelle's viral video, 8:46. The video was YouTube's top trending video of 2020 with over 30 million views on the official post and 7.5 million views on Chappelle's Instagram (@davechappelle), and has been nominated for an Emmy for Best Variety Special. & lt;/p & gt; & lt;p & gt;The video, and subsequent album, is a searing rumination in the aftermath of the murder of George Floyd that ignited worldwide outrage and led to protests on race inequality, police brutality and the criminal justice system. Filmed in Ohio on June 6, 2020, during the COVID-19 lockdown, 8:46 addresses one deadly plague, while in the grips of another. & lt;/p & gt; & lt;p & gt;The B-side of the album features poet & lt;strong & gt;Amir Sulaiman & lt;/strong & gt;'s performance of & quot;My Insides Out & quot; and & quot;We Must Win & quot;, also recorded in Ohio. It also includes & quot;White Noise & quot;, 8 minutes and 46 seconds of silence in remembrance of George Floyd and the countless victims of police brutality and systemic racism. & lt;/p & gt; & lt;p & gt;The album cover and artwork features performance and backstage photos from Chappelle's concert as well as images from various George Floyd protests in Los Angeles, CA, all taken by Grammy-nominated artist and photographer & lt;strong & gt;Mathieu Bitton & lt;/strong & gt;. Photography made available courtesy of Pilot Boy Productions, Inc. The black vinyl is pressed at & lt;strong & gt;Third Man Pressing & lt;/strong & gt; in Detroit, MI. & lt;/p & gt; & lt;p & gt;Every aspect of this project, from the performance, the directing, the sound mix and mastering, the design and photography, was completed by artists who graciously donated their time and efforts. & lt;strong & gt;Proceeds from the vinyl sales will be donated to Chappelle's high school alma mater, Duke Ellington School of the Arts in Washington, DC. & lt;/strong & gt; & lt;/p & gt; & lt;p & gt; & lt;strong & gt; & quot;When I was a student at Duke Ellington, the teachers instilled in me the notion of activism through art, & quot; & lt;/strong & gt; said Chappelle. & lt;strong & gt; & quot;We need more soldiers for great causes on the stage. & quot; & lt;/strong & gt; & lt;/p & gt; & lt;section id= & quot;features & quot; & gt; & lt;h3 & gt;Features & lt;/h3 & gt; & lt;ul & gt; & lt;li & gt;Vinyl LP & lt;/li & gt; & lt;li & gt;Black Vinyl & lt;/li & gt; & lt;li & gt;Recorded live in Yellow Springs, OH - Summer 2020 & lt;/li & gt; & lt;li & gt;Pressed at Third Man Pressing in Detroit, MI & lt;/li & gt; & lt;li & gt;Gatefold jacket & lt;/li & gt; & lt;li & gt;Proceeds from vinyl sales will be donated to Duke Ellington School of the Arts in Washington, D.C. & lt;/li & gt; & lt;/ul & gt; & lt;/section & gt; & lt;section id= & quot;selections & quot; & gt; & lt;h3 & gt;Selections & lt;/h3 & gt; & lt;h4 & gt;Side One: & lt;/h4 & gt; & lt;ol & gt; & lt;li & gt;8:46 & lt;/li & gt; & lt;/ol & gt; & lt;h4 & gt;Side Two: & lt;/h4 & gt; & lt;ol & gt; & lt;li & gt;My Insides Out - Amir Sulaiman & lt;/li & gt; & lt;li & gt;We Must Win - Amir Sulaiman & lt;/li & gt; & lt;li & gt;White Noise & lt;/li & gt; & lt;/ol & gt; & lt;/section & gt;

Dave Chappelle 8:46 LP (Vinyl)

$ 23.03 ~~$ 23.99~~

& lt;header & gt; & lt;p & gt;Coming April 8, 2022 pre-order your copy today! Orders with both pre-order and in stock items will have all in stock items shipped immediately! & lt;/p & gt; & lt;/header & gt; & lt;header & gt; & lt;p & gt; & lt;strong & gt;First Solo Full-Length In Over 4 Years On Vinyl LP! & lt;br & gt; Featuring The High Octane Rock Song & quot;Taking Me Back & quot;! & lt;/strong & gt; & lt;/p & gt; & lt;/header & gt; & lt;p & gt;Fear Of The Dawn is the fourth studio album from Jack White, founding member of The White Stripes, The Raconteurs, and The Dead Weather. True to his DIY roots, this record was recorded at White's Third Man Studio throughout 2021, mastered by Third Man Mastering, pressed to vinyl at Third Man Pressing, and released by Third Man Records. & lt;/p & gt; & lt;p & gt;Brooklyn Vegan praised the album's lead track, & quot;Taking Me Back & quot;, as & lt;strong & gt; & quot;bashing, high octane rock & quot; & lt;/strong & gt; and Paste called it & lt;strong & gt; & quot;a return to White's sweet spot. & quot; & lt;/strong & gt; & lt;/p & gt; & lt;p & gt;Born and raised in Detroit as the youngest of 10 siblings, Jack White's utilitarian approach filters through all of his work, from self-producing his own music to the Third Man empire he founded (which currently includes a pressing plant, a record label, a photo lab, a lounge/bar, and more), his upholstery and various other art and design pursuits, and anything else that crosses his desk. Over a quarter century into his professional musical career, White's ability to weave relevant, compelling, and poignant artistry into his music leaves him unparalleled. & lt;/p & gt; & lt;p & gt;A 12-time GRAMMY & amp;#174; Award-winner and 36-time nominee, all three of White's acclaimed solo albums - 2012's RIAA gold certified solo debut, Blunderbuss, 2014's Lazaretto, and 2018's Boarding House Reach - debuted at #1 on the SoundScan/Billboard 200 along with a variety of other charts. Among his myriad international honors, White's long run of career GRAMMY & amp;#174; awards and nominations saw Blunderbuss earning five nods over two years, including Album Of The Year, Best Rock Album, Best Rock Song (for & quot;Freedom At 21 & quot;), Best Rock Performance, and Best Music Video (the latter two honoring the single, & quot;I'm Shakin & quot;). Lazaretto proved equally popular with GRAMMY & amp;#174; voters, scoring a nomination as Best Alternative Music Album, while its title track received the 2015 GRAMMY & amp;#174; Award for Best Rock Performance as well an additional nod as Best Rock Song. Praised by NME as & quot;wild, mysterious and unlike anything else around...a full, lush sounding thing packed with personality and life, & quot; Boarding House Reach proved among White's most unique works, topping a variety of charts in the US and Canada while drawing applause around the world. & quot;The spirit of freaky free-play is thrilling and refreshing, a worthy end unto itself, & quot; wrote Rolling Stone. & quot;Like nearly all of White's work, it manages to feel fresh, original, and still deeply rooted in history. & quot; & lt;/p & gt; & lt;a name= & quot;SS & quot; & gt; & lt;/a & gt; & lt;iframe width= & quot;560 & quot; height= & quot;315 & quot; src= & quot;https://www.youtube.com/embed/q8IbI626k8Y & quot; frameborder= & quot;0 & quot; allowfullscreen & gt; & lt;/iframe & gt; & lt;br & gt; & lt;br & gt; & lt;section id= & quot;features & quot; & gt; & lt;h3 & gt;Features & lt;/h3 & gt; & lt;ul & gt; & lt;li & gt;Black Vinyl LP & lt;/li & gt; & lt;li & gt;Recorded at Third Man Studio throughout 2021 & lt;/li & gt; & lt;li & gt;Mastered by Third Man Mastering & lt;/li & gt; & lt;li & gt;Pressed to vinyl at Third Man Pressing & lt;/li & gt; & lt;/ul & gt; & lt;/section & gt; & lt;section id= & quot;selections & quot; & gt; & lt;h3 & gt;Selections & lt;/h3 & gt; & lt;ol & gt; & lt;li & gt;Taking Me Back & lt;/li & gt; & lt;li & gt;Fear Of The Dawn & lt;/li & gt; & lt;li & gt;The White Raven & lt;/li & gt; & lt;li & gt;Hi-De-Ho (with Q-Tip) & lt;/li & gt; & lt;li & gt;Eosophobia & lt;/li & gt; & lt;li & gt;Into The Twilight & lt;/li & gt; & lt;li & gt;Dusk & lt;/li & gt; & lt;li & gt;What's The Trick? & lt;/li & gt; & lt;li & gt;That Was Then, This Is Now & lt;/li & gt; & lt;li & gt;Eosophobia (Reprise) & lt;/li & gt; & lt;li & gt;Morning, Noon And Night & lt;/li & gt; & lt;li & gt;Shedding My Velvet & lt;/li & gt; & lt;/ol & gt; & lt;/section & gt;

Jack White Fear Of The Dawn LP (Vinyl)

$ 26.21 ~~$ 27.59~~

& lt;header & gt; & lt;p & gt; & lt;strong & gt;180g Vinyl LP! & lt;br & gt; Cut Directly From The Original Master Tapes! & lt;/strong & gt; & lt;/p & gt; & lt;/header & gt; & lt;p & gt;For this one, Jack and Meg decamped to Memphis to record at the legendary Easley-McCain Studio and walked away with a bonafide classic. Unique for a White Stripes album, as it contains no covers, no guest musicians, no blues and no guitar solos, this album would be most of the world's introduction to the band. & lt;/p & gt; & lt;p & gt;While the video for & quot;Fell In Love With A Girl & quot; could've single-handedly raised the price of LEGO stock the other jams on here are momentous, from the fuzz distorted clarion call of album opener & quot;Dead Leaves and the Dirty Ground & quot; to the finger-pointing accusations of & quot;I Think I Smell A Rat & quot; this album has everything you could ever want from the Detroit duo. & lt;/p & gt; & lt;p & gt;Cut directly from the original 1/4 & quot; master tapes, pressed on HEAVY 180-gram vinyl and lovingly ensconced in a beauteous Stoughton tip-on jacket...this album has never looked better, and perhaps, has looked markedly worse. & lt;/p & gt; & lt;blockquote cite= & quot; & quot; & gt; Forget the hype, listen to the songs. & lt;footer & gt; -The Atlantic & lt;/footer & gt; & lt;/blockquote & gt; & lt;section id= & quot;features & quot; & gt; & lt;h3 & gt;Features & lt;/h3 & gt; & lt;ul & gt; & lt;li & gt;180g Vinyl & lt;/li & gt; & lt;li & gt;Cut Directly from the Original 1/4 & quot; Master Tapes & lt;/li & gt; & lt;li & gt;Stoughton Tip-On Jacket & lt;/li & gt; & lt;/ul & gt; & lt;/section & gt; & lt;section id= & quot;selections & quot; & gt; & lt;h3 & gt;Selections & lt;/h3 & gt; & lt;h4 & gt;Side A: & lt;/h4 & gt; & lt;ol & gt; & lt;li & gt;Dead Leaves And The Dirty Ground & lt;/li & gt; & lt;li & gt;Hotel Yorba & lt;/li & gt; & lt;li & gt;I'm Finding It Harder To Be A Gentlemen & lt;/li & gt; & lt;li & gt;Fell In Love With A Girl & lt;/li & gt; & lt;li & gt;Expecting & lt;/li & gt; & lt;li & gt;Little Room & lt;/li & gt; & lt;li & gt;The Union Forever & lt;/li & gt; & lt;li & gt;The Same Boy You've Always Known & lt;/li & gt; & lt;/ol & gt; & lt;h4 & gt;Side B: & lt;/h4 & gt; & lt;ol & gt; & lt;li & gt;We're Going To Be Friends & lt;/li & gt; & lt;li & gt;Offend In Every Way & lt;/li & gt; & lt;li & gt;I Think I Smell A Rat & lt;/li & gt; & lt;li & gt;Aluminum & lt;/li & gt; & lt;li & gt;I Can't Wait & lt;/li & gt; & lt;li & gt;Now Mary & lt;/li & gt; & lt;li & gt;I Can Learn & lt;/li & gt; & lt;li & gt;This Protector & lt;/li & gt; & lt;/ol & gt; & lt;/section & gt;

The White Stripes White Blood Cells (2021 Reissue) 180g LP (Vinyl)