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Big Star Radio City LP (Vinyl)
& lt;header & gt; & lt;p & gt; & lt;strong & gt;180g Vinyl LP! & lt;/strong & gt; & lt;/p & gt; & lt;/header & gt; & lt;p & gt; & lt;strong & gt;Rolling Stone 500 Greatest Albums of All Time - Rated 405/500! & lt;br & gt; Rolling Stone 500 Greatest Songs of All Time - & quot;September Gurls & quot; - Rated 180/500! & lt;/strong & gt; & lt;/p & gt; & lt;p & gt;Seemingly snake-bit from the start, Big Star's pure creative side exploded with their first two albums, both of which would eventually become icons of American Power Pop. This Memphis foursome, originally founded by Chris Bell in 1971 and joined shortly thereafter by the legendary chameleon Alex Chilton, would suffer due to personnel issues and distribution problems by their label, delaying their place in musical history. One of the ultimate cult bands in popular music, #1 Record and Radio City would both influence artists-to-come such as Tom Petty, R.E.M., The Replacements and The Bangles, to name just a few. Both titles placed within Rolling Stone magazine's poll of The 500 Greatest Albums of All Time. & lt;/p & gt; & lt;p & gt;Radio City is the second album by the American rock group Big Star. Released in 1974, Radio City was recorded during 1973 at Memphis' Ardent Studios. Though not a commercial success at the time, it is now recognized as a milestone album in the history of power pop music. & lt;/p & gt; & lt;p & gt;Radio City is notable for its unique, chewy guitar sound and live-sounding yet meticulous textures. The album shows a southern US band under the influence of British Invasion bands such as The Beatles and The Kinks. & lt;/p & gt; & lt;p & gt;Radio City features the Big Star line up of Alex Chilton, Andy Hummel and Jody Stephens. & lt;/p & gt; & lt;blockquote cite= & quot;quote source & quot; & gt; On this lean, guitar-driven LP, they come up with a new, upside-down pop sound, filtering their love of the Beatles through their Memphis-soul roots. Towering achievement: the blissful, sad 'September Gurls.' & lt;footer & gt; -Rolling Stone & lt;/footer & gt; & lt;/blockquote & gt; & lt;blockquote cite= & quot;www.pastemagazine.com & quot; & gt; Reissues of Big Star's work are abundant, including multiple repressings of these albums, but unless you're willing to take out a second mortgage to afford OG copies of #1 Record and Radio City, this is truly your best bet. Both Craft pressings were taken from the original analog master tapes and sound exactly as you'd hope. The rockers explode, the ballads melt, and everything in between feels as cushy and warm as ever. If you have some Christmas cash still burning a hole in your pocket, use it to get these into your collection. & lt;footer & gt; -Robert Ham, Paste Magazine & lt;/footer & gt; & lt;/blockquote & gt; & lt;section id= & quot;features & quot; & gt; & lt;h3 & gt;Features & lt;/h3 & gt; & lt;ul & gt; & lt;li & gt;180g Vinyl LP & lt;/li & gt; & lt;li & gt;Recorded at Ardent Studios in Memphis & lt;/li & gt; & lt;li & gt;All Analog mastering by Jeff Powell at Take Out Vinyl in Memphis & lt;/li & gt; & lt;li & gt;Pressed at Memphis Record Pressing & lt;/li & gt; & lt;li & gt;Made in USA & lt;/li & gt; & lt;/ul & gt; & lt;/section & gt; & lt;section id= & quot;musicians & quot; & gt; & lt;h3 & gt;Musicians & lt;/h3 & gt; & lt;table & gt; & lt;tr & gt; & lt;th & gt;Alex Chilton & lt;/th & gt; & lt;td & gt;guitars, vocals & lt;/td & gt; & lt;/tr & gt; & lt;tr & gt; & lt;th & gt;Andy Hummel & lt;/th & gt; & lt;td & gt;bass guitar, piano, vocals & lt;/td & gt; & lt;/tr & gt; & lt;tr & gt; & lt;th & gt;Jody Stephens & lt;/th & gt; & lt;td & gt;drums, vocals & lt;/td & gt; & lt;/tr & gt; & lt;/table & gt; & lt;/section & gt; & lt;section id= & quot;selections & quot; & gt; & lt;h3 & gt;Selections & lt;/h3 & gt; & lt;h4 & gt;Side One: & lt;/h4 & gt; & lt;ol & gt; & lt;li & gt;O My Soul & lt;/li & gt; & lt;li & gt;Life Is White & lt;/li & gt; & lt;li & gt;Way Out West & lt;/li & gt; & lt;li & gt;What's Goin Ahn & lt;/li & gt; & lt;li & gt;You Get What You Deserve & lt;/li & gt; & lt;/ol & gt; & lt;h4 & gt;Side Two: & lt;/h4 & gt; & lt;ol & gt; & lt;li & gt;Mod Lang & lt;/li & gt; & lt;li & gt;Back Of A Car & lt;/li & gt; & lt;li & gt;Daisy Glaze & lt;/li & gt; & lt;li & gt;She's A Mover & lt;/li & gt; & lt;li & gt;September Gurls & lt;/li & gt; & lt;li & gt;Morpha Too & lt;/li & gt; & lt;li & gt;I'm In Love With A Girl & lt;/li & gt; & lt;/ol & gt; & lt;/section & gt;
Craft Recordings
Big Star Radio City LP (Vinyl)
David Porter Victim of The Joke?... An Opera 180g LP (Vinyl)
& lt;header & gt; & lt;p & gt; & lt;strong & gt; 180g Vinyl LP! & lt;br & gt;All-Analog Mastering by Jeff Powell at Take Out Vinyl! & lt;br & gt; Pressed at Memphis Record Pressing! & lt;/strong & gt; & lt;/p & gt; & lt;/header & gt; & lt;p & gt;The third solo album from David Porter was a concept album released in 1971. This audiophile release is the first vinyl reissue since it's original release. Porter has been listed by Rolling Stone as one of the '100 Greatest Songwriters of All Time' with songs written for the likes of Aretha Franklin, Mariah Carey, James Brown and more. The album includes both originals and covers of the Beatles' & quot;Help! & quot; and the Tin Pan Alley tune & quot;The Masquerade Is Over & quot;. & lt;/p & gt; & lt;section id= & quot;features & quot; & gt; & lt;h3 & gt;Features & lt;/h3 & gt; & lt;ul & gt; & lt;li & gt;180g Vinyl LP & lt;/li & gt; & lt;li & gt;Cut from their original analog tapes by Jeff Powell at Take Out Vinyl! & lt;/li & gt; & lt;li & gt;Pressed at Memphis Record Pressing! & lt;/li & gt; & lt;li & gt;First time reissued on vinyl & lt;/li & gt; & lt;li & gt;Songwriters Hall of Fame inductee & lt;/li & gt; & lt;/ul & gt; & lt;/section & gt; & lt;section id= & quot;selections & quot; & gt; & lt;h3 & gt;Selections & lt;/h3 & gt; & lt;h4 & gt;Act I: & lt;/h4 & gt; & lt;ol & gt; & lt;li & gt;Scene 1: If I Give It Up I Want It Back & lt;/li & gt; & lt;li & gt;Scene 2: When You Have To Sneak (You Have To Sneak) & lt;/li & gt; & lt;li & gt;Scene 3: Help & lt;/li & gt; & lt;li & gt;Scene 4: I'm Afraid The Masquerade Is Over & lt;/li & gt; & lt;/ol & gt; & lt;h4 & gt;Act II: & lt;/h4 & gt; & lt;ol & gt; & lt;li & gt;Scene I: Storm In The Summertime & lt;/li & gt; & lt;li & gt;Scene 2: Pretty Inside & lt;/li & gt; & lt;li & gt;Scene 3: Human & lt;/li & gt; Scene 4: Airplane Ticket, Bus Ride, Can I Borrow Your Car? & lt;/li & gt; & lt;/ol & gt; & lt;/section & gt;
Craft Recordings
David Porter Victim of The Joke?... An Opera 180g LP (Vinyl)
Billy F. Gibbons The Big Bad Blues LP (Vinyl)
& lt;font color= & quot;#FF0000 & quot; & gt; & lt;b & gt;Blues Album On Vinyl LP! & lt;/b & gt; & lt;/font & gt; & lt;br & gt; & lt;br & gt; Big Bad Blues, as the title suggests, focuses on the ZZ Top frontman's lifelong love of the blues and rock & amp; roll, showcasing the blues-influenced vocals and guitar licks that have together served as the foundation for his numerous hits over the past five decades. The album features 11 tracks balancing some classic covers like & quot;Rollin' and Tumblin' & quot; and & quot;Standing Around Crying & quot;, along with some of Billy's signature new blues originals. & lt;br & gt; & lt;br & gt; & lt;b & gt;Features: & lt;/b & gt; & lt;br & gt; & amp;bull; Vinyl LP & lt;br & gt; & amp;bull; Limited time MP3 download card & lt;br & gt; & lt;br & gt; & lt;b & gt;Selections: & lt;br & gt; Side 1: & lt;/b & gt; & lt;br & gt; 1. Missin' Yo' Kissin' & lt;br & gt; 2. My Baby She Rocks & lt;br & gt; 3. Second Line & lt;br & gt; 4. Standing Around Crying & lt;br & gt; 5. Let The Left Hand Know & lt;br & gt; & lt;b & gt;Side 2: & lt;/b & gt; & lt;br & gt; 1. Bring It To Jerome & lt;br & gt; 2. That's What She Said & lt;br & gt; 3. Mo' Slower Blues & lt;br & gt; 4. Hollywood 151 & lt;br & gt; 5. Rollin' And Tumblin' & lt;br & gt; 6. Crackin' Up
Craft Recordings
Billy F. Gibbons The Big Bad Blues LP (Vinyl)
John Coltrane Coltrane '58: The Prestige Recordings 180g 8LP Set (Vinyl)
& lt;a href=javascript:; & quot; onclick= & quot;document.location.hash='SS'; & quot; & gt; & lt;img src= & quot;/content/images/playbutton.gif & quot; hspace= & quot;10 & quot; align= & quot;left & quot; border= & quot;0 & quot; & gt; & lt;font color= & quot;0000FF & quot; & gt; & lt;b & gt;Click Here for Video Sample! & lt;/b & gt; & lt;/font & gt; & lt;/a & gt; & lt;br & gt; & lt;br & gt; & lt;font color= & quot;#FF0000 & quot; & gt; & lt;b & gt;Prestige 70 Series From Craft Recordings! & lt;br & gt; 180g Vinyl 8LP Set! & lt;br & gt; Remastered From Original Analog Tapes by Paul Blakemore! & lt;br & gt;Pressed at RTI! & lt;/b & gt; & lt;/font & gt; & lt;br & gt; & lt;br & gt; 2019 marks the 70th anniversary of Prestige Records, one of the most revered jazz labels in the world. Throughout the ’50s and ’60s, Prestige was at the forefront of modern jazz, releasing sessions from some of the most influential names in music, including Miles Davis, John Coltrane, Thelonious Monk, Stan Getz, and Sonny Rollins. To honor the history of this pioneering label and its exceptional output, Craft Recordings releases a variety of content throughout the year. & lt;br & gt; & lt;br & gt; Kicking off the campaign is this box set on 180g vinyl 8LP set which chronicles the saxophonist’s breakout year. & lt;br & gt; & lt;br & gt; Coltrane’s breakout year, when his mature sound first grabbed ears and his own recordings began to sell consistently, was 1958. This release chronicles the exciting story session by session, featuring all 37 tracks Coltrane recorded as a leader or co-leader for the independent Prestige Records label in those twelve months. This collection captures him in creative high gear—developing the signature improvisational style that journalist Ira Gitler famously dubbed & quot;sheets of sound. & quot; & lt;br & gt; & lt;br & gt; The timely release marks the 70th year since the founding of Prestige and comes just after the 60th anniversary of these recordings. & lt;br & gt; & lt;br & gt; Includes eight 180-gram LPs, remastered from the original analog tapes by Paul Blakemore (all of which were recorded by renowned engineer Rudy Van Gelder) and cut by Clint Holley from 24-bit/192kHz transfers. The lavish, linen-wrapped, portfolio-style book features an eye-catching design and 40 pages containing extensive liner notes by Grammy-winning American music historian Ashley Kahn, rare ephemera and historical photographs of the saxophonist and his collaborators, including several taken by renowned jazz photographers Francis Wolff and Esmond Edwards. & lt;br & gt; & lt;br & gt; Featuring Red Garland, Kenny Burrell, Donald Byrd, Paul Chambers, Freddie Hubbard, Art Taylor, Jimmy Cobb and more. & lt;br & gt; & lt;br & gt; & lt;b & gt; & quot;Arranged in chronological order according to the session dates, this massive and handsomely appointed set is a wonderful deep dive in this early part of Coltrane's career as a bandleader and sideman, even if he doesn't reach the dizzying heights that he reached a year earlier with Blue Train and two years later with Giant Steps. The bulk of these recordings feel simply like he is in practice mode, trying out various combinations and styles to see if they fit. That resulted in pleasant tunes like the 18 minute 'Sweet Sapphire Blues,' which is dominated by [Donald] Byrd and pianist Red Garland, and conflagrations like 'Goldsboro Express,' a Coltrane hard bop original where he's backed up only by bassist Paul Chambers and drummer Art Taylor, which gives him plenty of room to vamp and swing. The joy of a set like this is being able to track Coltrane's artistic progression from the start of one year to its close. In fact, these eight discs work like bookends as the first was taken from a session in January of '58 and the last comes from December. The differences over a 12 month period are subtle but a close listen reveals some extra muscle strength driving the session and improvisation at the end of '58, as well as some melodic decisions that presage his modal period. Combined with the illuminating liner notes from Coltrane biographer Ashley Khan, the music in this set is a treasure. & quot; & lt;/b & gt; - Robert Ham, Paste Magazine & lt;br & gt; & lt;br & gt; & lt;a name= & quot;SS & quot; & gt; & lt;/a & gt; & lt;iframe width= & quot;560 & quot; height= & quot;315 & quot; src= & quot;https://www.youtube.com/embed/cxWOhUHqmJ0 & quot; frameborder= & quot;0 & quot; allow= & quot;accelerometer; autoplay; encrypted-media; gyroscope; picture-in-picture & quot; allowfullscreen & gt; & lt;/iframe & gt; & lt;br & gt; & lt;br & gt; & lt;b & gt;Features: & lt;/b & gt; & lt;br & gt; & amp;bull; 60th Anniversary John Coltrane Chronology & lt;br & gt; & amp;bull; 180g Vinyl 8LP Set & lt;br & gt; & amp;bull; Remastered From Original Analog Tapes by Paul Blakemore & lt;br & gt; & amp;bull; Cut from 192K digital transfers & lt;br & gt; & amp;bull; Pressed at RTI & lt;br & gt; & amp;bull; Housed in lavish, linen-wrapped, portfolio-style book featuring an eye-catching design and debossed lettering on cover and spine & lt;br & gt; & amp;bull; 40 page book contains rare ephemera and extensive liner notes by Grammy-winning American music historian Ashley Kahn & lt;br & gt; & amp;bull; Historical musician photos by renowned jazz photographers Francis Wolff and Esmond Edwards & lt;br & gt; & lt;br & gt; & lt;b & gt;Musicians: & lt;/b & gt; & lt;br & gt; John Coltrane, tenor saxophone & lt;br & gt; Kenny Burrell, guitar & lt;br & gt; Donald Byrd, trumpet & lt;br & gt; Paul Chambers, bass & lt;br & gt; Jimmy Cobb, drums & lt;br & gt; Tommy Flanagan, piano & lt;br & gt; Red Garland, piano & lt;br & gt; Louis Hayes, drums & lt;br & gt; Wilbur Harden, trumpet, flugelhorn & lt;br & gt; Freddie Hubbard, trumpet & lt;br & gt; Art Taylor, drums & lt;br & gt; & lt;br & gt; & lt;b & gt;Selections: & lt;br & gt; LP 1: & lt;br & gt; Side A: & lt;/b & gt; & lt;br & gt; 1. Lush Life & lt;br & gt; 2. Come Rain Or Come Shine & lt;br & gt; & lt;b & gt;Side B: & lt;/b & gt; & lt;br & gt; 1. The Believer & lt;br & gt; 2. Nakatini Serenade & lt;br & gt; & lt;br & gt; & lt;b & gt;LP 2: & lt;br & gt; Side A: & lt;/b & gt; & lt;br & gt; 1. Lover & lt;br & gt; 2. Russian Lullaby & lt;br & gt; 3. Theme For Ernie & lt;br & gt; 4. You Say You Care & lt;br & gt; & lt;b & gt;Side B: & lt;/b & gt; & lt;br & gt; 1. Good Bait & lt;br & gt; 2. I Want To Talk About You & lt;br & gt; & lt;br & gt; & lt;b & gt;LP 3: & lt;br & gt; Side A: & lt;/b & gt; & lt;br & gt; 1. Lyresto & lt;br & gt; 2. Why Was I Born & lt;br & gt; 3. Freight Trane & lt;br & gt; 4. I Never Knew & lt;br & gt; & lt;b & gt;Side B: & lt;/b & gt; & lt;br & gt; 1. Big Paul & lt;br & gt; 2. I See Your Face Before Me & lt;br & gt; & lt;br & gt; & lt;b & gt;LP 4: & lt;br & gt; Side A: & lt;/b & gt; & lt;br & gt; 1. Rise And Shine & lt;br & gt; 2. Little Melonae & lt;br & gt; & lt;b & gt;Side B: & lt;/b & gt; & lt;br & gt; 1. If There Is Someone Lovelier Than You & lt;br & gt; 2. By The Numbers & lt;br & gt; & lt;br & gt; & lt;b & gt;LP 5: & lt;br & gt; Side A: & lt;/b & gt; & lt;br & gt; 1. Black Pearls & lt;br & gt; 2. Lover Come Back To Me & lt;br & gt; & lt;b & gt;Side B: & lt;/b & gt; & lt;br & gt; 1. Sweet Sapphire Blues & lt;br & gt; & lt;br & gt; & lt;b & gt;LP 6: & lt;br & gt; Side A: & lt;/b & gt; & lt;br & gt; 1. Spring is Here & lt;br & gt; 2. Invitation & lt;br & gt; & lt;b & gt;Side B: & lt;/b & gt; & lt;br & gt; 1. I'm A Dreamer (Aren't We All) & lt;br & gt; 2. Love Thy Neighbor & lt;br & gt; & lt;br & gt; & lt;b & gt;LP 7: & lt;br & gt; Side A: & lt;/b & gt; & lt;br & gt; 1. Don't Take Your Love From Me & lt;br & gt; 2. Stardust & lt;br & gt; & lt;b & gt;Side B: & lt;/b & gt; & lt;br & gt; 1. My Ideal & lt;br & gt; 2. I'll Get By (As Long As I Have You) & lt;br & gt; 3. Do I Love You Because You Are Beautiful? & lt;br & gt; & lt;br & gt; & lt;b & gt;LP 8: & lt;br & gt; Side A: & lt;/b & gt; & lt;br & gt; 1. Then I'll Be Tired Of You & lt;br & gt; 2. Something I Dreamed Last Night & lt;br & gt; & lt;b & gt;Side B: & lt;/b & gt; & lt;br & gt; 1. Bahia & lt;br & gt; 2. Goldsboro Express & lt;br & gt; 3. Time After Time
Craft Recordings
John Coltrane Coltrane '58: The Prestige Recordings 180g 8LP Set (Vinyl)
Embrace Drawn From Memory 180g LP (Vinyl)
& lt;header & gt; & lt;p & gt; & lt;strong & gt;Reissued On 180g Vinyl LP! & lt;br & gt;Pressed at Memphis Record Pressing! & lt;/strong & gt; & lt;/p & gt; & lt;/header & gt; & lt;p & gt;Following in the footsteps of Oasis and the Verve, Embrace became a late '90s pop sensation in post Brit-pop Britain. This vinyl represents the first reissue of their influential 2000 sophomore album, Drawn From Memory. The format has been long out-of-print, making this in-demand for collectors and fans alike. Upon its initial release, NME proclaimed it & quot;trawls emotional depths, plays to its strengths, comforts and encourages, strong in the knowledge that sometimes the good really will out & quot;. & lt;/p & gt; & lt;p & gt;The 2000 released album features the singles & quot;Hooligan & quot;, & quot;You're Not Alone & quot;, & quot;Save Me & quot;, and & quot;I Wouldn't Wanna Happen To You & quot;. & lt;/p & gt; & lt;blockquote cite= & quot;quote source & quot; & gt; [The album] trawls emotional depths, plays to its strengths, comforts and encourages, strong in the knowledge that sometimes the good really will out. & lt;footer & gt; -NME & lt;/footer & gt; & lt;/blockquote & gt; & lt;section id= & quot;features & quot; & gt; & lt;h3 & gt;Features & lt;/h3 & gt; & lt;ul & gt; & lt;li & gt;180g Vinyl & lt;/li & gt; & lt;li & gt;Pressed at Memphis Record Pressing & lt;/li & gt; & lt;li & gt;First vinyl reissue & lt;/li & gt; & lt;li & gt;Made in USA & lt;/li & gt; & lt;/ul & gt; & lt;/section & gt; & lt;section id= & quot;selections & quot; & gt; & lt;h3 & gt;Selections & lt;/h3 & gt; & lt;h4 & gt;Side A: & lt;/h4 & gt; & lt;ol & gt; & lt;li & gt;The Love It Takes & lt;/li & gt; & lt;li & gt;You're Not Alone & lt;/li & gt; & lt;li & gt;Save Me & lt;/li & gt; & lt;li & gt;Drawn From Memory & lt;/li & gt; & lt;li & gt;Bunker Song & lt;/li & gt; & lt;li & gt;New Adam New Eve & lt;/li & gt; & lt;/ol & gt; & lt;h4 & gt;Side B: & lt;/h4 & gt; & lt;ol start= & quot;7 & quot; & gt; & lt;li & gt;Hooligan & lt;/li & gt; & lt;li & gt;Yeah You & lt;/li & gt; & lt;li & gt;Liars Tears & lt;/li & gt; & lt;li & gt;I Wouldn't Wanna Happen To You & lt;/li & gt; & lt;li & gt;I Had A Time & lt;/li & gt; & lt;/ol & gt; & lt;/section & gt;
Craft Recordings
Embrace Drawn From Memory 180g LP (Vinyl)
Doris Day The Love Album LP (Vinyl)
& lt;header & gt; & lt;p & gt; & lt;strong & gt;First Time Vinyl Release! & lt;br & gt; Her Final Full Studio Album! & lt;/strong & gt; & lt;/p & gt; & lt;/header & gt; & lt;p & gt;Recorded in 1967 and featuring the Grammy Hall of Fame singer-actress' favorite romantic standards, The Love Album represented the most sensual, intimate vocals of Day's legendary career. It's considered by critics to be among her best from the 1960's and Day considered it her favorite album. An expanded CD release in 2016 added new artwork that is used here on this first ever LP release. & lt;/p & gt; & lt;section id= & quot;features & quot; & gt; & lt;h3 & gt;Features & lt;/h3 & gt; & lt;ul & gt; & lt;li & gt;First Time On Vinyl LP & lt;/li & gt; & lt;li & gt;Final full studio album & lt;/li & gt; & lt;li & gt;Made in the EU & lt;/li & gt; & lt;/ul & gt; & lt;/section & gt; & lt;section id= & quot;selections & quot; & gt; & lt;h3 & gt;Selections & lt;/h3 & gt; & lt;h4 & gt;Side One: & lt;/h4 & gt; & lt;ol & gt; & lt;li & gt;For All We Know & lt;/li & gt; & lt;li & gt;Snuggled On Your Shoulder & lt;/li & gt; & lt;li & gt;Are You Lonesome Tonight? & lt;/li & gt; & lt;li & gt;Street Of Dreams & lt;/li & gt; & lt;li & gt;Oh, How I Miss You Tonight & lt;/li & gt; & lt;li & gt;Life Is Just A Bowl Of Cherries & lt;/li & gt; & lt;!--More tracks go here in & lt;li & gt; tags-- & gt; & lt;/ol & gt; & lt;h4 & gt;Side Two: & lt;/h4 & gt; & lt;ol & gt; & lt;li & gt;All Alone & lt;/li & gt; & lt;li & gt;A Faded Summer Love & lt;/li & gt; & lt;li & gt;Sleepy Lagoon & lt;/li & gt; & lt;li & gt;Wonderful One & lt;/li & gt; & lt;li & gt;If I Had My Life To Live Over / Let Me Call You Sweetheart & lt;/li & gt; & lt;/ol & gt; & lt;/section & gt;
Craft Recordings
Doris Day The Love Album LP (Vinyl)
R.E.M. Monster 180g 2LP (Vinyl)
& lt;header & gt; & lt;p & gt; & lt;strong & gt;25th Anniversary Reissue Of Acclaimed Album On 180g Double LP! & lt;br & gt; Expanded Edition Includes Original LP + 2019 Remixed Version! & lt;/strong & gt; & lt;/p & gt; & lt;/header & gt; & lt;p & gt;This expanded anniversary edition of Monster, offering the original album and the 2019 remixed version, is available on two 180-gram vinyl LPs featuring reimagined cover art by longtime R.E.M. designer Chris Bilheimer. & lt;/p & gt; & lt;p & gt;When Monster was released in September 1994, the members of R.E.M. were at a crossroads in their career. Singer Michael Stipe, guitarist Peter Buck, bassist Mike Mills and drummer Bill Berry were decompressing from the massive commercial and critical success of 1991's Out Of Time and 1992's Automatic For The People. In just a few years, the Athens, GA, four-piece had become one of the biggest, most recognizable bands in the world, thanks to hits like & quot;Losing My Religion & quot;, & quot;Man On The Moon & quot; and & quot;Everybody Hurts & quot;. It had also been six years since the group had toured. & lt;/p & gt; & lt;p & gt;By the time that work began on Monster, they were itching to end their self-imposed hiatus and get back on the road. The band was also looking for a sonic shake-up. While R.E.M.'s last two albums were full of ballads, acoustic rock songs and intricate arrangements, the group was ready to record something grittier, brasher and highly playable on stage. In his liner notes, journalist Matthew Perpetua writes that Monster & quot;had no precedent in the band's catalogue, & quot; adding that R.E.M had & quot;never been this distorted and dirty, or this glam or this flirty. & quot; Buck recalls, & quot;We were trying to feel like a different band ... We wanted to get away from who we were. & quot; The group was also reeling from the strange nature of celebrity and identity, and many of the songs in this album reflect that. Perpetua notes, & quot;There's no question that the characters on Monster are all dealing with obsession in some form or another, whether it's the infatuated narrator of 'Crush With Eyeliner,' the lovelorn protagonist of 'Strange Currencies,' or the cackling supervillain in 'I Took Your Name.' & quot; As dark as some of the subject matter is, though, R.E.M. still infuses the songs with a dash of absurdity, irony and a humorous wink. & lt;/p & gt; & lt;p & gt;Highlights off the album include the distortion-soaked first single, & quot;What's The Frequency, Kenneth? & quot; which plays off the farce of media and marketing that pervaded Gen X pop-culture, while the catchy & quot;Star 69 & quot; is a detective story, based on the '90s phone service of the same name (a precursor to caller ID). The second single, & quot;Bang and Blame & quot; features Sonic Youth's Thurston Moore, as well as actress Rain Phoenix--whose brother, River, had recently passed away and was Monster's dedicatee. & quot;Let Me In & quot; is an ode to Nirvana frontman Kurt Cobain, who had died by suicide just months before. Mills, who swapped his bass for Cobain's guitar on the track, shares, & quot;It's Michael's cathartic release in response to the loss of a good friend and someone we all felt creatively aligned with. & quot; & lt;/p & gt; & lt;p & gt;The band's new artistic direction proved to be a hit. Monster debuted at No. 1 on the Billboard 200 and would be certified four-times Platinum in the U.S. Rolling Stone offered this praise: & lt;strong & gt; & quot;R.E.M.'s exceptional pop craftsmanship, their luminous melodic inventions, their sense of mission--in short, everything fundamental--are still there and shining more brightly than ever ... Monster is one urgent-sounding album, and that's as it should be. & quot; & lt;/strong & gt; & lt;/p & gt; & lt;p & gt;In addition to having the chance to reflect on Monster, R.E.M. also had the opportunity to revisit the album creatively with their longtime producer, Scott Litt. Litt, who struggled with the original mix, recalls, & lt;strong & gt; & quot;I had told the band through the years that if there was ever a chance to take another shot at mixing the album, I wanted to do it. & quot; & lt;/strong & gt; Now, 25 years later, he's had the chance, and the results are striking. On some songs, according to Perpetua, Litt's work features & lt;strong & gt; & quot;Entirely different vocal takes and instrumental parts that were either buried or excised from the original album mix. & quot; & lt;/strong & gt; Mills adds, & lt;strong & gt; & quot;I think as he listened to it over the years, he began to hear a different way to realize those songs. & quot; & lt;/strong & gt; Ultimately, with this reissue, fans will not only have the opportunity to re-discover Monster but also, perhaps, see the album in a completely new light. & lt;/p & gt; & lt;section id= & quot;features & quot; & gt; & lt;h3 & gt;Features & lt;/h3 & gt; & lt;ul & gt; & lt;li & gt;25th Anniversary Expanded Edition & lt;/li & gt; & lt;li & gt;180g Vinyl & lt;/li & gt; & lt;li & gt;Double LP & lt;/li & gt; & lt;li & gt;Original LP remastered by Greg Calibi at Sterling Sound from the original analog master & lt;/li & gt; & lt;li & gt;Special 2019 remix LP from original producer Scott Litt & lt;/li & gt; & lt;li & gt;Reimagined cover art by longtime R.E.M. designer Chris Bilheimer & lt;/li & gt; & lt;li & gt;Gatefold jacket & lt;/li & gt; & lt;li & gt;New liner notes featuring interviews from members of the band & lt;/li & gt; & lt;li & gt;Made in the USA & lt;/li & gt; & lt;/ul & gt; & lt;/section & gt; & lt;section id= & quot;selections & quot; & gt; & lt;h3 & gt;Selections & lt;/h3 & gt; & lt;h4 & gt;Side A: & lt;/h4 & gt; & lt;ol & gt; & lt;li & gt;What's The Frequency, Kenneth? & lt;/li & gt; & lt;li & gt;Crush With Eyeliner & lt;/li & gt; & lt;li & gt;King Of Comedy & lt;/li & gt; & lt;li & gt;I Don't Sleep, I Dream & lt;/li & gt; & lt;li & gt;Star 69 & lt;/li & gt; & lt;li & gt;Strange Currencies & lt;/li & gt; & lt;/ol & gt; & lt;h4 & gt;Side B: & lt;/h4 & gt; & lt;ol start = & quot;7 & quot; & gt; & lt;li & gt;Tongue & lt;/li & gt; & lt;li & gt;Bang And Blame & lt;/li & gt; & lt;li & gt;I Took Your Name & lt;/li & gt; & lt;li & gt;Let Me In & lt;/li & gt; & lt;li & gt;Circus Envy & lt;/li & gt; & lt;li & gt;You & lt;/li & gt; & lt;/ol & gt; & lt;h4 & gt;Side C: & lt;/h4 & gt; & lt;ol & gt; & lt;li & gt;What's The Frequency, Kenneth? (Remix) & lt;/li & gt; & lt;li & gt;Crush With Eyeliner (Remix) & lt;/li & gt; & lt;li & gt;King Of Comedy (Remix) & lt;/li & gt; & lt;li & gt;I Don't Sleep, I Dream (Remix) & lt;/li & gt; & lt;li & gt;Star 69 (Remix) & lt;/li & gt; & lt;li & gt;Strange Currencies (Remix) & lt;/li & gt; & lt;/ol & gt; & lt;h4 & gt;Side D: & lt;/h4 & gt; & lt;ol start = & quot;7 & quot; & gt; & lt;li & gt;Tongue (Remix) & lt;/li & gt; & lt;li & gt;Bang And Blame (Remix) & lt;/li & gt; & lt;li & gt;I Took Your Name (Remix) & lt;/li & gt; & lt;li & gt;Let Me In (Remix) & lt;/li & gt; & lt;li & gt;Circus Envy (Remix) & lt;/li & gt; & lt;li & gt;You (Remix) & lt;/li & gt; & lt;/ol & gt; & lt;/section & gt;
Craft Recordings
R.E.M. Monster 180g 2LP (Vinyl)
Young M.C. Stone Cold Rhymin' LP (Vinyl)
& lt;font color= & quot;#FF0000 & quot; & gt; & lt;b & gt;Debut Album Reissued On Vinyl LP! & lt;/b & gt; & lt;/font & gt; & lt;br & gt; & lt;br & gt; The debut album from rapper Young MC was originally released in 1989 on Delicious Vinyl. The album reached No. 9 on the Billboard Top Pop Albums chart and contains his biggest hit & quot;Bust A Move & quot;. & lt;br & gt; & lt;br & gt; Cut at Elysian masters under the supervision of Dave Cooley and pressed at Memphis Record Pressing. & lt;br & gt; & lt;br & gt; & lt;b & gt;Features: & lt;/b & gt; & lt;br & gt; & amp;bull; Vinyl LP & lt;br & gt; & lt;br & gt; & lt;b & gt;Selections: & lt;br & gt; Side A: & lt;br & gt; & lt;/b & gt; 1. I Come Off & lt;br & gt; 2. Principal's Office & lt;br & gt; 3. Bust A Move & lt;br & gt; 4. Non Stop & lt;br & gt; 5. Fastest Rhyme & lt;br & gt; 6. My Name Is Young & lt;br & gt; & lt;b & gt;Side B: & lt;/b & gt; & lt;br & gt; 1. Know How & lt;br & gt; 2. Roll With the Punches & lt;br & gt; 3. I Let 'Em Know & lt;br & gt; 4. Pick Up the Pace & lt;br & gt; 5. Got More Rhymes & lt;br & gt; 6. Stone Cold Buggin' & lt;br & gt; 7. Just Say No
Craft Recordings
Young M.C. Stone Cold Rhymin' LP (Vinyl)
Azar Lawrence Summer Solstice 180g LP (Vinyl)
& lt;header & gt; & lt;p & gt; & lt;strong & gt;Long Out-Of-Print 1975 Spiritual Jazz Album Reissued On 180g Vinyl LP! & lt;br & gt; All-Analog Mastering From The Original Tapes by Kevin Gray at Cohearent Audio! & lt;br & gt; Pressed at QRP! & lt;/strong & gt; & lt;/p & gt; & lt;/header & gt; & lt;p & gt;Shortly after John Coltrane's death in 1967, Azar Lawrence, at just 19 years old, was chosen by Elvin Jones (for 3.5 years) then McCoy Tyner (for 5 years) to fill the shoes of Mr. Coltrane. Lawrence has also contributed as a sideman to Miles Davis, Freddie Hubbard and Woody Shaw. He has recorded and played with Miles Davis on his Dark Magus album, and wrote and recorded with Earth, Wind & amp; Fire and Marvin Gaye to name a few! & lt;/p & gt; & lt;p & gt;Lawrence released Summer Solstice on Prestige Records in 1975, produced by Orrin Keepnews. It featured Raul de Souza, Gerald Hayes, Amaury Trist & amp;#227;o, Dom Salvador, Ron Carter and Guilherme Franco on the songs & quot;Novo Ano & quot; and & quot;Highway & quot;, which were composed by Amaury Trist & amp;#227;o, and Lawrence, Souza, Albert Dailey, Carter and Billy Hart on all other selections. & lt;/p & gt; & lt;section id= & quot;features & quot; & gt; & lt;h3 & gt;Features & lt;/h3 & gt; & lt;ul & gt; & lt;li & gt;180g Vinyl & lt;/li & gt; & lt;li & gt;Ron Carter on bass and Albert Dailey on piano & lt;/li & gt; & lt;li & gt;All-Analog mastering from the original tapes by Kevin Gray at Cohearent Audio & lt;/li & gt; & lt;li & gt;Pressed at QRP & lt;/li & gt; & lt;li & gt;Jazz Dispensary Top Shelf Series & lt;/li & gt; & lt;li & gt;Made in USA & lt;/li & gt; & lt;/ul & gt; & lt;/section & gt; & lt;section id= & quot;musicians & quot; & gt; & lt;h3 & gt;Musicians & lt;/h3 & gt; & lt;table & gt; & lt;tr & gt; & lt;th & gt;Azar Lawrence & lt;/th & gt; & lt;td & gt;soprano and tenor sax, percussion on 1-2 and 2-2, wood flute introduction on 1-1 & lt;/td & gt; & lt;/tr & gt; & lt;tr & gt; & lt;th & gt;Raul de Souza & lt;/th & gt; & lt;td & gt;trombone & lt;/td & gt; & lt;/tr & gt; & lt;tr & gt; & lt;th & gt;Gerald Hayes & lt;/th & gt; & lt;td & gt;flute on 1-2 and 2-2 & lt;/td & gt; & lt;/tr & gt; & lt;tr & gt; & lt;th & gt;Amaury Tristao & lt;/th & gt; & lt;td & gt;acoustic guitar on 1-2 and 2-2 & lt;/td & gt; & lt;/tr & gt; & lt;tr & gt; & lt;th & gt;Dom Salvador & lt;/th & gt; & lt;td & gt;piano on 1-2 and 2-2 & lt;/td & gt; & lt;/tr & gt; & lt;tr & gt; & lt;th & gt;Ron Carter & lt;/th & gt; & lt;td & gt;bass & lt;/td & gt; & lt;/tr & gt; & lt;tr & gt; & lt;th & gt;Guilherme Franco & lt;/th & gt; & lt;td & gt;drums and percussion on 1-2 and 2-2, percussion on 1-1, voice on 1-2 & lt;/td & gt; & lt;/tr & gt; & lt;tr & gt; & lt;th & gt;Albert Dailey & lt;/th & gt; & lt;td & gt;piano & lt;/td & gt; & lt;/tr & gt; & lt;tr & gt; & lt;th & gt;Billy Hart & lt;/th & gt; & lt;td & gt;drums & lt;/td & gt; & lt;/tr & gt; & lt;/table & gt; & lt;/section & gt; & lt;section id= & quot;selections & quot; & gt; & lt;h3 & gt;Selections & lt;/h3 & gt; & lt;h4 & gt;Side 1: & lt;/h4 & gt; & lt;ol & gt; & lt;li & gt;From The Point Of Love & lt;/li & gt; & lt;li & gt;Novo Ano & lt;/li & gt; & lt;li & gt;From The Point Of Light & lt;/li & gt; & lt;/ol & gt; & lt;h4 & gt;Side 2: & lt;/h4 & gt; & lt;ol & gt; & lt;li & gt;Summer Solstice & lt;/li & gt; & lt;li & gt;Highway & lt;/li & gt; & lt;/ol & gt; & lt;/section & gt;
Craft Recordings
Azar Lawrence Summer Solstice 180g LP (Vinyl)
Terry Callier The New Folk Sound of Terry Callier 180g 2LP (Vinyl)
& lt;font color= & quot;#FF0000 & quot; & gt; & lt;b & gt;Expanded 2LP Edition Of Timeless Soul, Jazz & amp; Folk-Infused Debut On 180g Vinyl! & lt;br & gt; The First Official Vinyl Reissue! & lt;br & gt; Cut by Kevin Gray at Cohearent Audio! Pressed at RTI! & lt;/b & gt; & lt;/font & gt; & lt;br & gt; & lt;br & gt; Terry Callier’s The New Folk Sound of Terry Callier is available as a official vinyl reissue cut from the original analog master tapes. This deluxe reissue features unreleased tracks, new liner notes, and bonus tracks. Almost a lost album, The New Folk Sound of Terry Callier encompasses Terry's blues voice and jazz, soul, gospel music fusion. The New Folk Sound of Terry Callier conveys the promise and power of Callier in his earliest days. Two 180g black vinyl LPs in 2 pocket gatefold tip-on. & lt;br & gt; & lt;br & gt; & lt;b & gt; & quot;The career of Terry Callier was a long-simmering affair that took the better part of three decades to finally boil over into some kind of solid success. His first album, reissued this month by Craft Recordings, was recorded for Prestige Records in 1964, but didn't come out until four years later after the producer absconded with the tapes. By the time it was finally released, as writer Jason P. Woodbury says in his liner notes, 'the quiet, moody folk of the LP was out of step with the heady times…and it failed to register a commercial impact.' A few years later, Callier had left his acoustic roots behind for soul-jazz, issuing a trio of records in the early '70s, including the masterpiece What Color Is Love, which is being brought back into circulation thanks to Geffen. His steady, vibrato-laden voice didn't change from one record to the other, only his decision to move from spiritually-minded concerns to those of the body. Callier was brought from the brink of obscurity thanks to record collectors and artists like Beth Orton and Massive Attack who cited him as an inspiration and helped him find a modern audience. And they have helped keep his older material in the minds of music obsessives, playing no small part in the reissues of these two albums. You really can't go wrong with either one. Keep both in circulation on a lazy Sunday and they'll each set the mood: New Folk Sound for the morning and twilight hours, Love giving the afternoon and early evening a nice sense of purpose and groove. & quot; & lt;/b & gt; - Paste Magazine & lt;br & gt; & lt;br & gt; & lt;b & gt;Features: & lt;/b & gt; & lt;br & gt; & amp;bull; Expanded Deluxe Edition & lt;br & gt; & amp;bull; 180g Vinyl & lt;br & gt; & amp;bull; Double LP & lt;br & gt; & amp;bull; First official vinyl reissue & lt;br & gt; & amp;bull; Lacquers cut by Kevin Gray at Cohearent Audio & lt;br & gt; & amp;bull; Pressed at RTI & lt;br & gt; & amp;bull; 2-pocket gatefold tip-on jacket & lt;br & gt; & amp;bull; New liner notes & lt;br & gt; & amp;bull; Previously unreleased alternate versions & lt;br & gt; & lt;br & gt; & lt;b & gt;Musicians: & lt;/b & gt; & lt;br & gt; Terry Callier, guitar, vocals & lt;br & gt; Terbour Attenborough, bass & lt;br & gt; John Tweedle, bass & lt;br & gt; & lt;br & gt; & lt;b & gt;Selections: & lt;br & gt; Side 1: & lt;/b & gt; & lt;br & gt; 1. 900 Miles & lt;br & gt; 2. Oh Dear, What Can The Matter Be & lt;br & gt; 3. Johnny Be Gay if You Can Be & lt;br & gt; 4. Cotton Eyed Joe & lt;br & gt; & lt;b & gt;Side 2: & lt;/b & gt; & lt;br & gt; 1. It's About Time & lt;br & gt; 2. Promenade In Green & lt;br & gt; 3. Spin Spin Spin & lt;br & gt; 4. I'm A Drifter & lt;b & gt; & lt;br & gt; Side 3: & lt;/b & gt; & lt;br & gt; 1. Jack O'Diamonds & lt;br & gt; 2. Golden Apples Of The Sun & lt;br & gt; 3. Promenade in Green (take 1)* & lt;br & gt; & lt;b & gt;Side 4: & lt;/b & gt; & lt;br & gt; 1. Be My Woman (take 1)* & lt;br & gt; 2. 900 Miles (take 1)* & lt;br & gt; 3. It's About Time (take 2)* & lt;br & gt; 4. Oh Dear, What Can The Matter Be (take 2)* & lt;br & gt; & lt;br & gt; *Previously unreleased
Craft Recordings
Terry Callier The New Folk Sound of Terry Callier 180g 2LP (Vinyl)
Mindy Smith One Moment More 180g LP (Vinyl)
& lt;font color= & quot;#FF0000 & quot; & gt; & lt;b & gt;Critically Acclaimed Debut Album On 180g Vinyl LP! & lt;br & gt; First Time On Vinyl! & lt;br & gt; Includes The Hit Singles & quot;Come To Jesus & quot; & amp; & quot;Jolene & quot;! & lt;/b & gt; & lt;/font & gt; & lt;br & gt; & lt;br & gt; Mindy Smith's debut album, One Moment More, was released in 2004 on CD only and is now released on vinyl LP by Craft Recordings. & lt;br & gt; & lt;br & gt; In 2003, Smith recorded a cover of & quot;Jolene & quot; for the tribute album Just Because I'm A Woman: Songs of Dolly Parton, which drew attention to the singer/songwriter from New York. Mindy Smith won the award for Emerging Artist of the Year from the Americana Music Association in 2004. & lt;br & gt; & lt;br & gt; For this album, Smith is joined by a host of musicians including Will Kimbrough, Dan Dugmore, Sonny Landreth and Dolly Parton providing backing vocals on & quot;Jolene & quot;. & lt;br & gt; & lt;br & gt; & lt;b & gt;Features: & lt;/b & gt; & lt;br & gt; & amp;bull; 180g Vinyl LP & lt;br & gt; & amp;bull; First time on vinyl & lt;br & gt; & amp;bull; 15th anniversary & lt;br & gt; & amp;bull; Mastered by Paul Blakemore & lt;br & gt; & amp;bull; Lacquers cut by Clint Holley at Well Made Music & lt;br & gt; & amp;bull; Gatefold jacket & lt;br & gt; & lt;br & gt; & lt;b & gt;Selections: & lt;br & gt; Side A: & lt;/b & gt; & lt;br & gt; 1. Come To Jesus & lt;br & gt; 2. Falling & lt;br & gt; 3. Raggedy Ann & lt;br & gt; 4. Fighting For It All & lt;br & gt; 5. Train Song & lt;br & gt; 6. It's Amazing & lt;br & gt; & lt;b & gt;Side B: & lt;/b & gt; & lt;br & gt; 1. Angel Doves & lt;br & gt; 2. Down In Flames & lt;br & gt; 3. Hurricane & lt;br & gt; 4. Hard To Know & lt;br & gt; 5. One Moment More & lt;br & gt; 6. Jolene
Craft Recordings
Mindy Smith One Moment More 180g LP (Vinyl)
The Zombies R.I.P. - The Lost Album LP (Vinyl)
& lt;header & gt; & lt;p & gt; & lt;strong & gt; & quot;Lost & quot; Album On Vinyl LP! & lt;/strong & gt; & lt;/p & gt; & lt;/header & gt; & lt;p & gt;The & quot;lost & quot; album from the Rock and Roll Hall of Fame inductees. Assembled in the wake of the success of & quot;Time of the Season & quot; the album includes the band's last recordings and other assorted unreleased numbers. Includes the two singles, & quot;Imagine the Swan & quot; and & quot;If It Don't Work Out. & quot; While this LP has appeared in a box set and as a special edition in recent years, this constitutes the first ever widely available release in the U.S. and Canada. & lt;/p & gt; & lt;blockquote cite= & quot;pastemagazine.com & quot; & gt; About 14 months after the release of a boxed set compiling the Zombies' studio recordings, Varèse and Craft Recordings have broken three of the LPs out of that collection for the vinyl market. And as it was when they were a part of last year's box, this trio of reissues sound fantastic, with a crisp and clean remastering job by Steve Massie that stays true to '60s recording technology while giving a gentle polish to the source material. & lt;footer & gt; -Robert Ham, Paste Magazine & lt;/footer & gt; & lt;/blockquote & gt; & lt;section id= & quot;features & quot; & gt; & lt;h3 & gt;Features & lt;/h3 & gt; & lt;ul & gt; & lt;li & gt;Vinyl LP & lt;/li & gt; & lt;li & gt;Mastered for vinyl by Steve Massie for Steve Massie Productions & lt;/li & gt; & lt;li & gt;Made in USA & lt;/li & gt; & lt;!--More features go here in & lt;li & gt; tags-- & gt; & lt;/ul & gt; & lt;/section & gt; & lt;section id= & quot;selections & quot; & gt; & lt;h3 & gt;Selections & lt;/h3 & gt; & lt;h4 & gt;Side A: & lt;/h4 & gt; & lt;ol & gt; & lt;li & gt;She Loves The Way They Love Her & lt;/li & gt; & lt;li & gt;Imagine The Swan & lt;/li & gt; & lt;li & gt;Smokey Day & lt;/li & gt; & lt;li & gt;Girl Help Me & lt;/li & gt; & lt;li & gt;I Could Spend The Day & lt;/li & gt; & lt;li & gt;Conversation Off Floral Street & lt;/li & gt; & lt;/ol & gt; & lt;h4 & gt;Side B: & lt;/h4 & gt; & lt;ol & gt; & lt;li & gt;If It Don't Work Out & lt;/li & gt; & lt;li & gt;I'll Call You Mine [mono mix] & lt;/li & gt; & lt;li & gt;I'll Keep Trying & lt;/li & gt; & lt;li & gt;I Know She Will & lt;/li & gt; & lt;li & gt;Don't Cry For Me & lt;/li & gt; & lt;li & gt;Walking In The Sun & lt;/li & gt; & lt;/ol & gt; & lt;/section & gt;
Craft Recordings
The Zombies R.I.P. - The Lost Album LP (Vinyl)
Buck Owens & Susan Raye The Very Best of Buck Owens & Susan Raye LP (Vinyl)
& lt;header & gt; & lt;p & gt; & lt;strong & gt;A Showcase of Owens' & amp; Raye's Duet Partnership On Vinyl LP! & lt;/strong & gt; & lt;/p & gt; & lt;/header & gt; & lt;p & gt;Susan Raye's first recordings in 1970 as Buck Owens' duet partner were an immediate success. The albums We're Gonna Get Together and The Great White Horse were Top 20 hits that year, as were the title tracks to each album as well as a third single, & quot;Togetherness & quot;. & lt;/p & gt; & lt;p & gt;Country Music Hall of Fame member Buck Owens was the first bona fide country star of the & quot;Bakersfield Sound & quot; in the 1960s. Susan Raye appeared as a regular guest on Hee Haw, hosted by Owens for 30 years. & lt;/p & gt; & lt;section id= & quot;features & quot; & gt; & lt;h3 & gt;Features & lt;/h3 & gt; & lt;ul & gt; & lt;li & gt;Vinyl LP & lt;/li & gt; & lt;li & gt;Mastered for vinyl by Chas Ferry & lt;/li & gt; & lt;li & gt;Made in EU & lt;/li & gt; & lt;/ul & gt; & lt;/section & gt; & lt;section id= & quot;selections & quot; & gt; & lt;h3 & gt;Selections & lt;/h3 & gt; & lt;h4 & gt;Side A: & lt;/h4 & gt; & lt;ol & gt; & lt;li & gt;We're Gonna Get Together - Capitol single 2731, Country #13, 1970 & lt;/li & gt; & lt;li & gt;Togetherness - Capitol single 2791, Country #12, 1970; From the album We're Gonna Get Together, Capitol 448, 1970 & lt;/li & gt; & lt;li & gt;Together Again - From the album We're Gonna Get Together, Capitol 448, 1970 & lt;/li & gt; & lt;li & gt;Cryin' Time - Capitol single 3358(B), 1972 & lt;/li & gt; & lt;li & gt;Love Is Strange - Capitol single 4100, Country #20, 1975 & lt;/li & gt; & lt;li & gt;The Great White Horse - Capitol single 2871, Country #8, 1970; From the album The Great White Horse, Capitol 558, 1970 & lt;/li & gt; & lt;li & gt;Today I Started Loving You Again - From the album The Great White Horse, Capitol 558, 1970 & lt;/li & gt; & lt;/ol & gt; & lt;h4 & gt;Side B: & lt;/h4 & gt; & lt;ol & gt; & lt;li & gt;I Don't Care (Just As Long As You Love Me) - From the album The Great White Horse, Capitol 558, 1970 & lt;/li & gt; & lt;li & gt;Think Of Me When You're Lonely - From the album The Great White Horse, Capitol 558, 1970 & lt;/li & gt; & lt;li & gt;Your Tender Loving Care - Capitol single 2871(B), 1970 & lt;/li & gt; & lt;li & gt;Looking Back To See - Capitol single 3368, Country #13, 1972 & lt;/li & gt; & lt;li & gt;The Good Old Days (Are Here Again) - Capitol single 3601, Country #35, 1973 & lt;/li & gt; & lt;li & gt;Sweethearts In Heaven - Capitol single 4100(B), 1975 & lt;/li & gt; & lt;li & gt;Love Makes The World Go Around - From the album The Good Ol' Days (Are Here Again), Capitol 11204, 1973 & lt;/li & gt; & lt;/ol & gt; & lt;/section & gt;
Craft Recordings
Buck Owens & Susan Raye The Very Best of Buck Owens & Susan Raye LP (Vinyl)
Creedence Clearwater Revival Creedence Clearwater Revival Half-Speed Mastered 180g LP (Vinyl)
& lt;font color= & quot;#FF0000 & quot; & gt; & lt;b & gt;Half-Speed Mastered 180g Vinyl LP! & lt;br & gt; Mastered by Miles Showell at Abbey Road Studios! & lt;/b & gt; & lt;/font & gt; & lt;br & gt; & lt;br & gt; A 50th anniversary edition of Creedence Clearwater Revival's 1968 debut studio album, features the band's classic hits & quot;Porterville & quot; and & quot;Suzie Q. & quot;, plus their iconic cover of & quot;I Put A Spell On You & quot;. The album has been mastered at half-speed at Abbey Road Studios, benefiting from an exacting process that allows for an exceptional level of sonic clarity and punch, bringing these classic recordings a new vibrancy. This 180-gram LP comes housed in a handsome tip-on jacket replicating the packaging. & lt;br & gt; & lt;br & gt; & lt;b & gt;Features: & lt;/b & gt; & lt;br & gt; & amp;bull; 50th Anniversary & lt;br & gt; & amp;bull; 180g Vinyl & lt;br & gt; & amp;bull; Half-Speed Mastered by Miles Showell at Abbey Road Studios & lt;br & gt; & amp;bull; Handsome tip-on jacket replicating original packaging & lt;br & gt; & amp;bull; Made in Germany & lt;br & gt; & lt;br & gt; & lt;b & gt;Selections: & lt;br & gt; Side One: & lt;/b & gt; & lt;br & gt; 1. I Put A Spell On You & lt;br & gt; 2. The Working Man & lt;br & gt; 3. Suzie Q. & lt;br & gt; & lt;b & gt;Side Two: & lt;/b & gt; & lt;br & gt; 1. Ninety-Nine And A Half (Won't Do) & lt;br & gt; 2. Get Down Woman & lt;br & gt; 3. Porterville & lt;br & gt; 4. Gloomy & lt;br & gt; 5. Walk On The Water
Craft Recordings
Creedence Clearwater Revival Creedence Clearwater Revival Half-Speed Mastered 180g LP (Vinyl)
Keb Mo Oklahoma LP (Vinyl)
& lt;header & gt; & lt;p & gt; & lt;strong & gt;Vinyl LP Features the Sizzling & quot;I Remember You & quot;! & lt;br & gt; Mastered by Bernie Grundman! & lt;/strong & gt; & lt;/p & gt; & lt;/header & gt; & lt;header & gt; & lt;p & gt; & lt;strong & gt;2020 Grammy Award Winner: & lt;/strong & gt; & lt;br & gt; & amp;#8226; Best Americana Album: Oklahoma & lt;/p & gt; & lt;/header & gt; Keb' Mo's first solo album since 2014's Bluesamericana includes a collaboration with Rosanne Cash as well as appearances by Jaci Velasquez, Robbie Brooks More and Robert Randolph. & lt;br & gt; & lt;br & gt; & lt;b & gt; & quot;Keb’ Mo’ deals with the enduring power of a memory in the sizzling new song “I Remember You.” The track is the latest release from the modern bluesman’s upcoming album Oklahoma... & lt;br & gt; & lt;br & gt; & quot;Over a muscular groove, Keb’ Mo’ tells a story of one guy and his unforgettable encounter with a beguiling woman. & quot;My name is Junior, from Memphis, Tennessee/My daddy was a hustler, and a stranger to me. & quot; Tough as this character sounds, he’s no match for the lady in a red dress, who’s dancing at the bar and sipping a margarita. But just like that, she’s out the door and gone forever, leaving Junior with only a delicious memory he can indulge from time to time. Keb’ Mo’ calls the song & quot;a little fantasy about a high-class woman in a low-class joint. & quot; & lt;/b & gt; - rollingstone.com & lt;br & gt; & lt;br & gt; & lt;a name= & quot;SS & quot; & gt; & lt;/a & gt; & lt;iframe width= & quot;560 & quot; height= & quot;315 & quot; src= & quot;https://www.youtube.com/embed/us1klKNsFbM & quot; frameborder= & quot;0 & quot; allow= & quot;accelerometer; autoplay; encrypted-media; gyroscope; picture-in-picture & quot; allowfullscreen & gt; & lt;/iframe & gt; & lt;br & gt; & lt;br & gt; & lt;b & gt;Features: & lt;/b & gt; & lt;br & gt; & amp;bull; Vinyl LP & lt;br & gt; & amp;bull; Vinyl mastered by Bernie Grundman at Bernie Grundman Mastering, Hollywood, CA & lt;br & gt; & amp;bull; Made in USA & lt;br & gt; & lt;br & gt; & lt;b & gt;Selections: & lt;br & gt; Side A: & lt;/b & gt; & lt;br & gt; 1. I Remember You & lt;br & gt; 2. Oklahoma & lt;br & gt; 3. Put A Woman In Charge (feat. Rosanne Cash) & lt;br & gt; 4. This Is My Home & lt;br & gt; 5. Don't Throw It Away & lt;br & gt; & lt;b & gt;Side B: & lt;/b & gt; & lt;br & gt; 1. The Way I & lt;br & gt; 2. Ridin' On A Train & lt;br & gt; 3. I Should've & lt;br & gt; 4. Cold Outside & lt;br & gt; 5. Beautiful Music (feat. Robbie Brooks Moore)
Craft Recordings
Keb Mo Oklahoma LP (Vinyl)
Creed Human Clay 2LP (Vinyl)
& lt;header & gt; & lt;p & gt; & lt;strong & gt;20th Anniversary Double LP Reissue! & lt;/strong & gt; & lt;/p & gt; & lt;/header & gt; & lt;p & gt;The two-LP set is housed in a gatefold jacket and marks the first vinyl availability of the album since a limited edition pressing in 1999. & lt;/p & gt; & lt;p & gt;Human Clay, which has sold over 20 million units worldwide, includes the hits & quot;Higher & quot;, & quot;What If & quot;, & quot;Are You Ready? & quot; and the Grammy Award-winning single, & quot;With Arms Wide Open & quot;. & lt;/p & gt; & lt;p & gt;Driven by the anthemic first single & quot;Higher & quot;, Human Clay debuted at Number One on the Billboard 200, and Creed quickly became one of the biggest bands in the world. In July of the following year, the band scored their first Number One hit on the pop charts with the third single, & quot;With Arms Wide Open & quot;. The track--which front man Scott Stapp wrote when he found out that he was going to be a father--earned the band a Grammy for Best Rock Song in 2001. & lt;/p & gt; & lt;p & gt;To-date, Human Clay has sold well over 11 million copies in the U.S., earning a rare Diamond certification from the RIAA, joining the ranks of The Beatles' Abbey Road, Prince's Purple Rain and Nirvana's Nevermind. & lt;/p & gt; & lt;section id= & quot;features & quot; & gt; & lt;h3 & gt;Features & lt;/h3 & gt; & lt;ul & gt; & lt;li & gt;20th Anniversary & lt;/li & gt; & lt;li & gt;Double LP Reissue & lt;/li & gt; & lt;li & gt;First time reissued on vinyl & lt;/li & gt; & lt;li & gt;Gatefold jacket & lt;/li & gt; & lt;li & gt;Made in the EU & lt;/li & gt; & lt;/ul & gt; & lt;/section & gt; & lt;section id= & quot;selections & quot; & gt; & lt;h3 & gt;Selections & lt;/h3 & gt; & lt;h4 & gt;LP I: & lt;/h4 & gt; & lt;h5 & gt;Side A: & lt;/h5 & gt; & lt;ol & gt; & lt;li & gt;Are You Ready? & lt;/li & gt; & lt;li & gt;What If & lt;/li & gt; & lt;li & gt;Beautiful & lt;/li & gt; & lt;/ol & gt; & lt;h5 & gt;Side B: & lt;/h5 & gt; & lt;ol & gt; & lt;li & gt;Say I & lt;/li & gt; & lt;li & gt;Wrong Way & lt;/li & gt; & lt;li & gt;Faceless Man & lt;/li & gt; & lt;/ol & gt; & lt;h4 & gt;LP II & lt;/h4 & gt; & lt;h5 & gt;Side A: & lt;/h5 & gt; & lt;ol & gt; & lt;li & gt;Never Die & lt;/li & gt; & lt;li & gt;With Arms Wide Open & lt;/li & gt; & lt;li & gt;Higher & lt;/li & gt; & lt;/ol & gt; & lt;h5 & gt;Side B: & lt;/h5 & gt; & lt;ol & gt; & lt;li & gt;Wash Away Those Years & lt;/li & gt; & lt;li & gt;Inside Us All & lt;/li & gt; & lt;/ol & gt; & lt;/section & gt;
Craft Recordings
Creed Human Clay 2LP (Vinyl)
Nickel Creek This Side 180g 45rpm 2LP (Vinyl)
& lt;header & gt; & lt;p & gt; & lt;strong & gt;Grammy-Winning Best Contemporary Folk Album On 180g 45rpm Double LP! & lt;br & gt; Mastered by Chris Bellman at Bernie Grundman Mastering! & lt;/strong & gt; & lt;/p & gt; & lt;/header & gt; & lt;p & gt;This Side solidifies Nickel Creek's position as the single most original and inventive bluegrass band to emerge in the early 2000s. The album, produced by Alison Krauss, topped the Billboard Top Bluegrass and Top Independent charts upon release and went Gold in the U.S., winning the band a GRAMMY & amp;#174; award for Best Contemporary Folk Album. Highlights include & quot;Speak & quot;, & quot;Smoothie Song & quot; and & quot;This Side & quot;, plus a cover of Pavement's & quot;Spit On A Stranger & quot;. & lt;/p & gt; & lt;blockquote cite= & quot;quote source & quot; & gt; Music Innovators for the New Millennium & lt;footer & gt; -TIME & lt;/footer & gt; & lt;/blockquote & gt; & lt;section id= & quot;features & quot; & gt; & lt;h3 & gt;Features & lt;/h3 & gt; & lt;ul & gt; & lt;li & gt;180g Vinyl & lt;/li & gt; & lt;li & gt;45rpm & lt;/li & gt; & lt;li & gt;Double LP & lt;/li & gt; & lt;li & gt;Produced by Alison Krauss & lt;/li & gt; & lt;li & gt;Mastered from the original high-resolution sources by Chris Bellman at Bernie Grundman Mastering & lt;/li & gt; & lt;li & gt;Gatefold jacket & lt;/li & gt; & lt;li & gt;Made in the EU & lt;/li & gt; & lt;/ul & gt; & lt;/section & gt; & lt;section id= & quot;selections & quot; & gt; & lt;h3 & gt;Selections & lt;/h3 & gt; & lt;h4 & gt;Side One: & lt;/h4 & gt; & lt;ol & gt; & lt;li & gt;Smoothie Song & lt;/li & gt; & lt;li & gt;Spit On A Stranger & lt;/li & gt; & lt;li & gt;Speak & lt;/li & gt; & lt;li & gt;Hanging By A Thread & lt;/li & gt; & lt;/ol & gt; & lt;h4 & gt;Side Two: & lt;/h4 & gt; & lt;ol & gt; & lt;li & gt;I Should've Known Better & lt;/li & gt; & lt;li & gt;This Side & lt;/li & gt; & lt;li & gt;Green And Gray & lt;/li & gt; & lt;/ol & gt; & lt;h4 & gt;Side Three: & lt;/h4 & gt; & lt;ol & gt; & lt;li & gt;Seven Wonders & lt;/li & gt; & lt;li & gt;House Carpenter & lt;/li & gt; & lt;li & gt;Beauty And The Mess & lt;/li & gt; & lt;/ol & gt; & lt;h4 & gt;Side Four: & lt;/h4 & gt; & lt;ol & gt; & lt;li & gt;Sabra Girl & lt;/li & gt; & lt;li & gt;Young & lt;/li & gt; & lt;li & gt;Brand New Sidewalk & lt;/li & gt; & lt;/ol & gt; & lt;/section & gt;
Craft Recordings
Nickel Creek This Side 180g 45rpm 2LP (Vinyl)
Johnnie Taylor Who's Making Love 180g LP (Vinyl)
& lt;header & gt; & lt;p & gt; & lt;strong & gt;Classic '60s Album On 180g Vinyl LP! & lt;br & gt;All-Analog Mastering by Jeff Powell at Take Out Vinyl! & lt;br & gt; Pressed at Memphis Record Pressing! & lt;/strong & gt; & lt;/p & gt; & lt;/header & gt; & lt;p & gt;Johnnie Taylor replaced Sam Cooke in the group The Soul Stirrers. While he was no novice in the '60s upon his arrival at Stax, it took the industry by surprise when his 1968 album & quot;Who's Making Love & quot; became a top-selling album. & lt;/p & gt; & lt;p & gt;Johnnie Taylor was dubbed 'The Philosopher of Soul' by Stax. Championed by Sam Cooke, Taylor's voice was smooth as cream with a hint of funk that would sneak up on his listener. & lt;/p & gt; & lt;section id= & quot;features & quot; & gt; & lt;h3 & gt;Features & lt;/h3 & gt; & lt;ul & gt; & lt;li & gt;180g Vinyl LP & lt;/li & gt; & lt;li & gt;Cut from their original analog tapes by Jeff Powell at Take Out Vinyl & lt;/li & gt; & lt;li & gt;Pressed at Memphis Record Pressing & lt;/li & gt; & lt;!--More features go here in & lt;li & gt; tags-- & gt; & lt;/ul & gt; & lt;/section & gt; & lt;section id= & quot;selections & quot; & gt; & lt;h3 & gt;Selections & lt;/h3 & gt; & lt;h4 & gt;Side 1: & lt;/h4 & gt; & lt;ol & gt; & lt;li & gt;Who's Making Love & lt;/li & gt; & lt;li & gt;I'm Not The Same Person & lt;/li & gt; & lt;li & gt;Hold On This Time & lt;/li & gt; & lt;li & gt;Woman Across The River & lt;/li & gt; & lt;li & gt;Can't Trust Your Neighbor & lt;/li & gt; & lt;/ol & gt; & lt;h4 & gt;Side 2: & lt;/h4 & gt; & lt;ol start= & quot;6 & quot; & gt; & lt;li & gt;Take Care Of Your Homework & lt;/li & gt; & lt;li & gt;I'm Trying & lt;/li & gt; & lt;li & gt;Poor Make Believer & lt;/li & gt; & lt;li & gt;Mr. Nobody Is Somebody & lt;/li & gt; & lt;li & gt;I'd Rather Drink Muddy Water & lt;/li & gt; & lt;/ol & gt; & lt;/section & gt;
Craft Recordings
Johnnie Taylor Who's Making Love 180g LP (Vinyl)
Social Distortion Live At the Roxy 2LP (Vinyl)
& lt;font color= & quot;#FF0000 & quot; & gt; & lt;b & gt;First & amp; Only Live Album From The Punk Rock Icons On Double LP! & lt;br & gt; Blistering Live Set Featuring & quot;The Story Of My Life & quot;, & quot;Bad Luck & quot;, & quot;Ball & amp; Chain & quot;, & quot;Ring Of Fire & quot; & amp; More! & lt;/b & gt; & lt;/font & gt; & lt;br & gt; & lt;br & gt; This live album was originally released in 1998 and was the last album to feature rhythm guitarist Dennis Dannell. Dannell died on February 29, 2000 after apparently suffering a brain aneurysm at his Newport Beach home. & amp;nbsp; & lt;br & gt; & lt;br & gt; The album features live performances of the single & quot;Story of My Life, & quot;Under my Thumb & quot;, written by Mick Jagger and Keith Richards as well as Johnny Cash's & quot;Ring of Fire & quot;. & lt;br & gt; & lt;br & gt; & lt;b & gt;Features: & lt;/b & gt; & lt;br & gt; & amp;bull; Double LP & lt;br & gt; & amp;bull; First (and only) live album from Social Distortion & lt;br & gt; & amp;bull; 18x24 replica of poster that came with the original 1998 LP pressing, featuring Mike Ness onstage & lt;br & gt; & lt;br & gt; & lt;b & gt;Selections: & lt;br & gt; Side A: & lt;/b & gt; & lt;br & gt; 1. Story Of My Life & lt;br & gt; 2. Bad Luck & lt;br & gt; 3. Under My Thumb & lt;br & gt; 4. Prison Bound & lt;br & gt; & lt;b & gt;Side B: & lt;/b & gt; & lt;br & gt; 1. Mommy's Little Monster & lt;br & gt; 2. Mass Hysteria & lt;br & gt; 3. The Creeps & lt;br & gt; 4. Another State Of Mind & lt;br & gt; 5. Let It Be Me & lt;br & gt; & lt;b & gt;Side C: & lt;/b & gt; & lt;br & gt; 1. No Pain, No Gain & lt;br & gt; 2. Cold Feelings & lt;br & gt; 3. Telling Them & lt;br & gt; 4. I Was Wrong & lt;br & gt; 5. 1945 & lt;br & gt; & lt;b & gt;Side D: & lt;/b & gt; & lt;br & gt; 1. Don't Drag Me Down & lt;br & gt; 2. Ball & amp; Chain & lt;br & gt; 3. Ring Of Fire
Craft Recordings
Social Distortion Live At the Roxy 2LP (Vinyl)
The Bar-Kays Gotta Groove 180g LP (Vinyl)
& lt;header & gt; & lt;p & gt; & lt;strong & gt; 50th Anniversary Reissue On 180g Vinyl LP! & lt;br & gt;All-Analog Mastering by Jeff Powell at Take Out Vinyl! & lt;br & gt; Pressed at Memphis Record Pressing! & lt;/strong & gt; & lt;/p & gt; & lt;/header & gt; & lt;p & gt;Gotta Groove includes the psychedelic grooves of two-part song & quot;Don't Stop Dancing (To the Music), & quot; the jazz-tinged soul of Marvin Gaye cover, & quot;If This World Were Mine, & quot; and instrumental renditions of The Beatles' & quot;Yesterday & quot; and & quot;Hey Jude. & quot; The album had a similar sound as Sly and The Family Stone with a little more funk in the mix. & lt;/p & gt; & lt;p & gt;The Bar-Kays were the soul group that rose like a phoenix. All but two of the group on Stax's Volt label who created the instrumental smash 'Soul Finger' were claimed by the plane crash that also killed Otis Redding. The two surviving members, James Alexander and Ben Cauley, wouldn't let the music die so to speak. They formed a new line-up and signed to Volt records. & lt;/p & gt; & lt;blockquote cite= & quot;quote source & quot; & gt; & quot;A celebration of life and music that ranks among the funkiest, hardest-driving LPs ever released under the Stax aegis. & quot; & lt;footer & gt; -Allmusic.com & lt;/footer & gt; & lt;/blockquote & gt; & lt;section id= & quot;features & quot; & gt; & lt;h3 & gt;Features & lt;/h3 & gt; & lt;ul & gt; & lt;li & gt;180g Vinyl LP & lt;/li & gt; & lt;li & gt;All analog mastering by Jeff Powell at Take Out Vinyl & lt;/li & gt; & lt;li & gt;Pressed at Memphis Record Pressing & lt;/li & gt; & lt;li & gt;Made in USA & lt;/li & gt; & lt;/ul & gt; & lt;/section & gt; & lt;section id= & quot;selections & quot; & gt; & lt;h3 & gt;Selections & lt;/h3 & gt; & lt;h4 & gt;Side 1: & lt;/h4 & gt; & lt;ol & gt; & lt;li & gt;Don't Stop Dancing (To The Music) Part I & lt;/li & gt; & lt;li & gt;If This World Was Mine & lt;/li & gt; & lt;li & gt;In The Hole & lt;/li & gt; & lt;li & gt;Funky Thang & lt;/li & gt; & lt;li & gt;Jiving Round & lt;/li & gt; & lt;li & gt;Grab This Thing & lt;/li & gt; & lt;/ol & gt; & lt;h4 & gt;Side 2: & lt;/h4 & gt; & lt;ol & gt; & lt;li & gt;Don't Stop Dancing (To The Music) Part II & lt;/li & gt; & lt;li & gt;Street Walker & lt;/li & gt; & lt;li & gt;Yesterday & lt;/li & gt; & lt;li & gt;Humpin' & lt;/li & gt; & lt;li & gt;Hey Jude & lt;/li & gt; & lt;/ol & gt; & lt;/section & gt;
Craft Recordings
The Bar-Kays Gotta Groove 180g LP (Vinyl)
Joan Baez Joan Baez 180g LP (Vinyl)
& lt;font color= & quot;#FF0000 & quot; & gt; & lt;b & gt;Landmark 1960 Debut From Folk Icon On 180g Vinyl LP! & lt;br & gt; Cut From Original Stereo Tape By Kevin Gray at Cohearent Audio! & lt;br & gt; Pressed & amp; Plated at RTI! & lt;/b & gt; & lt;/font & gt; & lt;br & gt; & lt;br & gt; Joan Baez’s landmark 1960 debut album was honored by the National Academy of Recording Arts & amp; Sciences in 2011, who inducted it into the Grammy® Hall Of Fame; and by the Library of Congress in 2015, who selected it to be preserved in the National Recording Registry. Long out of print on vinyl, this reissue is cut from the original stereo tapes by Kevin Gray at Cohearent Audio, pressed and plated at RTI and housed in a Stoughton old-style tip-on jacket. & lt;br & gt; & lt;br & gt; & lt;b & gt; & quot;The indefatigable Kevin Gray had the stereo master tapes at his disposal, and used an all-analog process to bring new life to Baez's moving renditions of traditional folk classics like 'House of the Rising Sun' and 'Henry Martin.' The music and performances are breathtaking and occasionally devastating, with Baez finding some fresh nuance and power in these oft-told tales. & quot; & lt;/b & gt; - Paste Magazine & lt;br & gt; & lt;br & gt; & lt;b & gt;Features: & lt;/b & gt; & lt;br & gt; & amp;bull; 180g Vinyl LP & lt;br & gt; & amp;bull; All-analog mastering from the original stereo tapes by Kevin Gray at Cohearent Audio & lt;br & gt; & amp;bull; Pressed & amp; Plated at RTI & lt;br & gt; & amp;bull; Stoughton old-style tip-on jacket & lt;br & gt; & lt;br & gt; & lt;b & gt;Selections: & lt;br & gt; Side One: & lt;/b & gt; & lt;br & gt; 1. Silver Dagger & lt;br & gt; 2. East Virginia & lt;br & gt; 3. Fare Thee Well & lt;br & gt; 4. House Of The Rising Sun & lt;br & gt; 5. All My Trials & lt;br & gt; 6. Wildwood Flower & lt;br & gt; 7. Donna Donna & lt;br & gt; & lt;b & gt;Side Two: & lt;/b & gt; & lt;br & gt; 1. John Riley & lt;br & gt; 2. Rake And Rambling Boy & lt;br & gt; 3. Little Moses & lt;br & gt; 4. Mary Hamilton & lt;br & gt; 5. Henry Martin & lt;br & gt; 6. El Preso Numero Nueve
Craft Recordings
Joan Baez Joan Baez 180g LP (Vinyl)
The Sound of Music: Original Broadway Cast Recording 180g 2LP (Vinyl)
& lt;header & gt; & lt;p & gt; & lt;strong & gt;Original Broadway Cast On 180g Vinyl Double LP! & lt;br & gt; Mastered From Original 3-Track Master Tape by Ryan Smith at Sterling Sound! & lt;br & gt;Pressed at RTI! & lt;/strong & gt; & lt;/p & gt; & lt;/header & gt; & lt;p & gt;The Sound of Music has become one of the most enduring and successful musicals among the great American musicals, featuring beloved standards such as & quot;My Favorite Things, & quot; & quot;Edelweiss, & quot; & quot;Do-Re-Mi & quot; and & quot;The Sound of Music. & quot; This 1959 Broadway production--starring Mary Martin and Theodore Bikel- won five Tony Awards including & quot;Best Musical. & quot; Upon original release, this cast album spent 16 weeks as number 1 on the Billboard chart. Mastered from the original 3-track master tape and pressed on 180g vinyl. & lt;/p & gt; & lt;section id= & quot;features & quot; & gt; & lt;h3 & gt;Features & lt;/h3 & gt; & lt;ul & gt; & lt;li & gt;180g Vinyl & lt;/li & gt; & lt;li & gt;Double LP & lt;/li & gt; & lt;li & gt;Mastered from original 3-track master tape by Ryan Smith at Sterling Sound & lt;/li & gt; & lt;li & gt;Pressed at RTI & lt;/li & gt; & lt;li & gt;60th anniversary of the original 1959 Broadway production & lt;/li & gt; & lt;Gatefold jacket & lt;/li & gt; & lt;/ul & gt; & lt;/section & gt; & lt;section id= & quot;selections & quot; & gt; & lt;h3 & gt;Selections & lt;/h3 & gt; & lt;ol & gt; & lt;li & gt;Preludium (Nuns) & lt;/li & gt; & lt;li & gt;The Sound Of Music (Mary Martin) & lt;/li & gt; & lt;li & gt;Maria (Elizabeth Howell, Karen Shepard, Muriel O'Malley, Patricia Neway) & lt;/li & gt; & lt;li & gt;My Favorite Things (Mary Martin, Patricia Neway) & lt;/li & gt; & lt;li & gt;Do-Re-Mi (Mary Martin, Children) & lt;/li & gt; & lt;!--More tracks go here in & lt;li & gt; tags-- & gt; & lt;/ol & gt; & lt;h4 & gt;Side B: & lt;/h4 & gt; & lt;ol start= & quot;6 & quot; & gt; & lt;li & gt;Sixteen Going On Seventeen (Brian Davies, Lauri Peters) & lt;/li & gt; & lt;li & gt;The Lonely Goatherd (Mary Martin, Children) & lt;/li & gt; & lt;li & gt;How Can Love Survive? (Kurt Kasznar, Marion Marlowe) & lt;/li & gt; & lt;li & gt;The Sound Of Music (Reprise) (Mary Martin, Children, Theodore Bikel) & lt;/li & gt; & lt;/ol & gt; & lt;h4 & gt;Side C: & lt;/h4 & gt; & lt;ol & gt; & lt;li & gt;Laendler (Orchestra) & lt;/li & gt; & lt;li & gt;So Long, Farewell (Children) & lt;/li & gt; & lt;li & gt;Climb Ev'ry Mountain (Patricia Neway) & lt;/li & gt; & lt;li & gt;No Way To Stop It (Marion Marlowe, Kurt Kasznar, Theodore Bikel) & lt;/li & gt; & lt;/ol & gt; & lt;h4 & gt;Side D: & lt;/h4 & gt; & lt;ol start= & quot;5 & quot; & gt; & lt;li & gt;An Ordinary Couple (Mary Martin, Theodore Bikel) & lt;/li & gt; & lt;li & gt;Processional (Ensemble) & lt;/li & gt; & lt;li & gt;Sixteen Going On Seventeen (Reprise) (Mary Martin, Lauri Peters) & lt;/li & gt; & lt;li & gt;Edelweiss (Mary Martin, Theodore Bikel, Children) & lt;/li & gt; & lt;li & gt;Climb Ev'ry Mountain (Reprise) (Patricia Neway, Company) & lt;/li & gt; & lt;/ol & gt; & lt;/section & gt;
Craft Recordings
The Sound of Music: Original Broadway Cast Recording 180g 2LP (Vinyl)
Creedence Clearwater Revival Live at Woodstock 2LP (Vinyl)
& lt;font color= & quot;#FF0000 & quot; & gt; & lt;b & gt;Historic Live Performance On Double LP! & lt;/b & gt; & lt;/font & gt; & lt;br & gt; & lt;br & gt; This long sought-after release celebrates the 50th anniversary of Woodstock, by giving fans a front-row seat to relive CCR’s hour-long set as it was performed that historic night in August of 1969. Kicking off with & quot;Born on the Bayou, & quot; the album features the band’s biggest singles of the day including & quot;Proud Mary, & quot; & quot;Bad Moon Rising, & quot; & quot;Green River, & quot; & quot;Proud Mary & quot; and more. Full of creative energy, John, Tom, Stu, and Doug delve deep into their music, playing extended improvisations of & quot;I Put a Spell on You, & quot; & quot;Keep on Chooglin’ & quot; and & quot;Suzie Q. & quot; & lt;br & gt; & lt;br & gt; & lt;b & gt;Features: & lt;/b & gt; & lt;br & gt; & amp;bull; Double LP & lt;br & gt; & amp;bull; Long-awaited release of legendary 1969 performance & lt;br & gt; & amp;bull; Gatefold jacket & lt;br & gt; & amp;bull; Made in USA & lt;br & gt; & lt;br & gt; & lt;b & gt;Selections: & lt;br & gt; Side One: & lt;/b & gt; & lt;br & gt; 1. Born On The Bayou & lt;br & gt; 2. Green River & lt;br & gt; 3. Ninety-Nine And A Half (Won’t Do) & lt;br & gt; & lt;b & gt;Side Two: & lt;/b & gt; & lt;br & gt; 1. Bootleg & lt;br & gt; 2. Commotion & lt;br & gt; 3. Bad Moon Rising & lt;br & gt; 4. Proud Mary & lt;br & gt; & lt;b & gt;Side Three: & lt;/b & gt; & lt;br & gt; 1. I Put A Spell On You & lt;br & gt; 2. The Night Time Is The Right Time & lt;br & gt; 3. Keep On Chooglin’ & lt;br & gt; & lt;b & gt;Side Four: & lt;/b & gt; & lt;br & gt; 1. Suzie Q.
Craft Recordings
Creedence Clearwater Revival Live at Woodstock 2LP (Vinyl)
James Booker Classified LP (Vinyl)
& lt;header & gt; & lt;p & gt; & lt;strong & gt;Definitive Studio Album by The Piano Genius Of New Orleans On Vinyl LP! & lt;/strong & gt; & lt;/p & gt; & lt;/header & gt; & lt;p & gt; & lt;strong & gt;TAS Rated 4/5 Music, 3.5/5 Sonics in the January 2021 Issue of The Absolute Sound! & lt;/strong & gt; & lt;/p & gt; & lt;p & gt;A deeply complex character, Booker only released two studio albums in his lifetime. However, Classified - his unintended swan song - offers one of his greatest commercially-released performances. Recorded in 1982, it is primarily the result of a whirlwind, four-hour session. In addition to several originals, the album includes a jaunty repertoire of mainly local fare, including Fats Domino's & quot;One for the Highway & quot; and Lloyd Price's & quot;Lawdy Miss Clawdy & quot;. & lt;/p & gt; & lt;blockquote cite= & quot;www.theabsolutesound.com & quot; & gt; Some of the performances are rough, but all ooze authenticity. Booker performs solo piano and vocals on all but five tracks, which feature a rhythm section. The raucous arrangement of 'Baby Face' captures Booker's flamboyant performance style and could easily have been recorded at Tipitina's on a Saturday night. But Booker's genius for blending jazz, R & amp;B, and classical forms is most evident on the solo piano cover of 'Madame X' and his elegant rendering of the standard 'Angel Eyes.' Craft has done an admirable job remixing and remastering this LP. Meanwhile, the label is sitting on a treasure trove of live Booker sessions (last reissued in 1993 by Rounder, now owned by Craft's parent company, the Concord Music Group). Let's hope Classified portends more quality Booker reissues. & lt;footer & gt; -Greg Cahill, The Absolute Sound, January 2021, Music 4/5, Sonics 3.5/5 & lt;/footer & gt; & lt;/blockquote & gt; & lt;section id= & quot;features & quot; & gt; & lt;h3 & gt;Features & lt;/h3 & gt; & lt;ul & gt; & lt;li & gt; Vinyl LP & lt;/li & gt; & lt;li & gt; Remixed & amp; remastered audio & lt;/li & gt; & lt;li & gt;Lacquer cut by Jeff Powell at Take Out Vinyl & lt;/li & gt; & lt;li & gt;Pressed at Memphis Record Pressing & lt;/li & gt; & lt;li & gt; Single pocket jacket & lt;/li & gt; & lt;li & gt;Made in USA & lt;/li & gt; & lt;/ul & gt; & lt;/section & gt; & lt;section id= & quot;musicians & quot; & gt; & lt;h3 & gt;Musicians & lt;/h3 & gt; & lt;table & gt; & lt;tr & gt; & lt;th & gt;James Booker & lt;/th & gt; & lt;td & gt;piano, vocals & lt;/td & gt; & lt;/tr & gt; & lt;tr & gt; & lt;th & gt;Alvin & quot;Red & quot; Tyler & lt;/th & gt; & lt;td & gt;tenor saxophone & lt;/td & gt; & lt;/tr & gt; & lt;tr & gt; & lt;th & gt;James Singleton & lt;/th & gt; & lt;td & gt;bass & lt;/td & gt; & lt;/tr & gt; & lt;tr & gt; & lt;th & gt;John Vidacovich & lt;/th & gt; & lt;td & gt;drums & lt;/td & gt; & lt;/tr & gt; & lt;/table & gt; & lt;/section & gt; & lt;section id= & quot;selections & quot; & gt; & lt;h3 & gt;Selections & lt;/h3 & gt; & lt;h4 & gt;Side A: & lt;/h4 & gt; & lt;ol & gt; & lt;li & gt;All Around The World & lt;/li & gt; & lt;li & gt;One For The Highway & lt;/li & gt; & lt;li & gt;King Of The Road & lt;/li & gt; & lt;li & gt;Professor Longhair Medley: Bald Head/Tipitina & lt;/li & gt; & lt;li & gt;Baby Face & lt;/li & gt; & lt;li & gt;Madame X & lt;/li & gt; & lt;/ol & gt; & lt;h4 & gt;Side B: & lt;/h4 & gt; & lt;ol & gt; & lt;li & gt;Classified & lt;/li & gt; & lt;li & gt; Lawdy Miss Clawdy & lt;/li & gt; & lt;li & gt; Angel Eyes & lt;/li & gt; & lt;li & gt; Hound Dog & lt;/li & gt; & lt;li & gt; If You're Lonely & lt;/li & gt; & lt;li & gt; Three Keys & lt;/li & gt; & lt;/ol & gt; & lt;/section & gt;
Craft Recordings
James Booker Classified LP (Vinyl)
Ray Charles Modern Sounds in Country & Western Music LP (Vinyl)
& lt;font color= & quot;#FF0000 & quot; & gt; & lt;b & gt;Integration of Soul & amp; Country Music On Vinyl LP! & lt;/b & gt; & lt;/font & gt; & lt;br & gt; & lt;br & gt; Regarded by many critics as Ray Charles's best studio album, Modern Sounds in Country and Western Music is a landmark album in American music. The album's integration of soul and country music bent racial barriers in popular music, amid the height of the Civil Rights Movement. In the process of recording the album, Charles became one of the first African-American musicians to exercise complete artistic control over his own recording career. & lt;br & gt; & lt;br & gt; & lt;b & gt; & quot;Ray Charles was an avowed fan of country music and felt he could add something to the rootsy sound that he grew up with. So as his success was heading towards its peak and his power in the industry grew, he took the daring move to record 12 of his favorite country tunes, infusing them with the blues and jazz swing he was already known for and exposing how all these genres were influencing one another through the first half of the 20th century. The hit album and its sequel have been in and out of print since their initial release in 1962, with the most recent pressings arriving last month. And the first volume (the only one we were sent to review) has a nice sheen to it. Bob Fisher's remastering work is subtle, gently turning up the lights on Charles's inimitable vocals and bringing the rhythm section further out of the shadows. The ache of ballads like 'Born To Lose' and 'I Can't Stop Loving You' and the winking joy of 'Bye Bye Love' are still present, protected behind glass. Fisher just gives it once over with a fine chamois. & quot; & lt;/b & gt; - Paste Magazine & lt;br & gt; & lt;br & gt; & lt;b & gt;Features: & lt;/b & gt; & lt;br & gt; & amp;bull; Vinyl LP & lt;br & gt; & lt;br & gt; & lt;b & gt;Selections: & lt;br & gt; Side 1: & lt;/b & gt; & lt;br & gt; 1. Bye Bye Love & lt;br & gt; 2. You Don't Know Me & lt;br & gt; 3. Half As Much & lt;br & gt; 4. I Love You So Much It Hurts & lt;br & gt; 5. Just A Little Lovin' (Will Go A Long Way) & lt;br & gt; 6. Born To Lose & lt;br & gt; & lt;b & gt;Side 2: & lt;/b & gt; & lt;br & gt; 1. Worried Mind & lt;br & gt; 2. It Makes No Difference Now & lt;br & gt; 3. You Win Again & lt;br & gt; 4. Careless Love & lt;br & gt; 5. I Can't Stop Loving You & lt;br & gt; 6. Hey, Good Lookin'
Craft Recordings
Ray Charles Modern Sounds in Country & Western Music LP (Vinyl)
Jewel Pieces of You 2LP (Vinyl)
& lt;font color= & quot;#FF0000 & quot; & gt; & lt;b & gt;1995 Breakthrough Album On Double LP! & lt;br & gt; Includes Five Bonus Tracks! & lt;br & gt; Lacquers Cut By Chris Bellman at Bernie Grundman Mastering! & lt;/b & gt; & lt;/font & gt; & lt;br & gt; & lt;br & gt; Pieces Of You is Jewel's 1995 breakthrough album, featuring the hit singles & quot;Who Will Save Your Soul, & quot; & quot;Foolish Games & quot; and & quot;You Were Meant For Me. & quot; Pieces Of You is one of the best selling debut albums of all time, having sold over 12 million copies, and was listed at #64 on the Definitive 200 list by the Rock and Roll Hall of Fame. The vinyl reissue features five songs not included on the original CD release. & lt;br & gt; & lt;br & gt; & lt;b & gt;Features: & lt;/b & gt; & lt;br & gt; & amp;bull; Double LP & lt;br & gt; & amp;bull; Includes 5 bonus tracks & lt;br & gt; & amp;bull; Lacquers cut By Chris Bellman at Bernie Grundman Mastering & lt;br & gt; & amp;bull; Gatefold jacket & lt;br & gt; & lt;br & gt; & lt;b & gt;Selections: & lt;br & gt; Side A: & lt;/b & gt; & lt;br & gt; 1. Who Will Save Your Soul & lt;br & gt; 2. Pieces Of You & lt;br & gt; 3. Little Sister & lt;br & gt; 4. Foolish Games & lt;br & gt; 5. Near You Always & lt;br & gt; & lt;b & gt;Side B: & lt;/b & gt; & lt;br & gt; 1. Painters & lt;br & gt; 2. Morning Song & lt;br & gt; 3. Adrian & lt;br & gt; 4. I'm Sensitive & lt;br & gt; & lt;b & gt;Side C: & lt;/b & gt; & lt;br & gt; 1. You Were Meant For Me & lt;br & gt; 2. Don't & lt;br & gt; 3. Daddy & lt;br & gt; 4. Angel Standing By & lt;br & gt; 5. Amen & lt;br & gt; & lt;b & gt;Side D: & lt;/b & gt; & lt;br & gt; 1. Emily (from the motion picture & quot;The Crossing Guard & quot;) & lt;br & gt; 2. Rocker Girl & lt;br & gt; 3. Everything Breaks & lt;br & gt; 4. Cold Song & lt;br & gt; 5. Angel Needs A Ride
Craft Recordings
Jewel Pieces of You 2LP (Vinyl)
Vince Guaraldi Peanuts Portraits LP (Vinyl)
& lt;header & gt; & lt;p & gt; & lt;strong & gt;Classic Peanuts Character Themes On Vinyl LP! & lt;br & gt; First-Ever Vinyl Release! & lt;/strong & gt; & lt;/p & gt; & lt;/header & gt; & lt;p & gt;Featuring the vivid musical cues that Guaraldi wrote for the cast of the Peanuts characters, this 'Peanuts Portraits' LP adds new dimensions to beloved regulars like Charlie Brown, Peppermint Patty, Schroeder and Sally. In addition to nine songs performed by Guaraldi, the album also includes two classic Peanuts tunes recorded by pianist George Winston. Eight of the selections (including Winston renditions of & quot;Linus And Lucy & quot; and & quot;Masked Marvel & quot;), make their vinyl debut on Peanuts Portraits. & lt;/p & gt; & lt;section id= & quot;features & quot; & gt; & lt;h3 & gt;Features & lt;/h3 & gt; & lt;ul & gt; & lt;li & gt;Vinyl LP & lt;/li & gt; & lt;li & gt;9 tracks performed by Vince Guaraldi & lt;/li & gt; & lt;li & gt;2 classic Peanuts tunes recorded by pianist George Winston & lt;/li & gt; & lt;li & gt;8 of the tracks on vinyl for the first time & lt;/li & gt; & lt;li & gt;Liner notes feature character profiles of the classic Peanuts gang & lt;/li & gt; & lt;li & gt;Made in USA & lt;/li & gt; & lt;/ul & gt; & lt;/section & gt; & lt;section id= & quot;selections & quot; & gt; & lt;h3 & gt;Selections & lt;/h3 & gt; & lt;h4 & gt;Side A: & lt;/h4 & gt; & lt;ol & gt; & lt;li & gt;Linus And Lucy & lt;/li & gt; & lt;li & gt;Sally's Blues & lt;/li & gt; & lt;li & gt;Blue Charlie Brown (Version #2) & lt;/li & gt; & lt;li & gt;Peppermint Patty & lt;/li & gt; & lt;li & gt;Charlie's Blues (Variation) & lt;/li & gt; & lt;li & gt;Joe Cool & lt;/li & gt; & lt;/ol & gt; & lt;h4 & gt;Side B: & lt;/h4 & gt; & lt;ol & gt; & lt;li & gt;Frieda (With The Naturally Curly Hair) (Alternate) & lt;/li & gt; & lt;li & gt;Schroeder (Alternate) & lt;/li & gt; & lt;li & gt;Little Birdie (vocal Vince Guaraldi) & lt;/li & gt; & lt;li & gt;Masked Marvel & lt;/li & gt; & lt;li & gt;Linus And Lucy & lt;/li & gt; & lt;/ol & gt; & lt;/section & gt;
Craft Recordings
Vince Guaraldi Peanuts Portraits LP (Vinyl)
Vince Guaraldi It's the Great Pumpkin, Charlie Brown Soundtrack LP (Vinyl)
& lt;header & gt; & lt;p & gt; & lt;strong & gt;Official Vinyl Release Of Vince Guaraldi's Score From The Beloved Halloween Classic! & lt;br & gt; B-Side Features Pumpkin Etching! & lt;/strong & gt; & lt;/p & gt; & lt;/header & gt; & lt;p & gt;The soundtrack for the classic Halloween time made for TV movie with Charlie Brown and the gang features music by Vince Guaraldi, one of the best-selling jazz musicians of all time. Featuring & quot;The Great Pumpkin Waltz & quot; and & quot;Linus And Lucy & quot;, the album is one of the most desired soundtracks in the beloved collection of music from the iconic Peanuts animated TV specials. It's The Great Pumpkin, Charlie Brown, is available for the first time ever via Craft Recordings. & lt;/p & gt; & lt;section id= & quot;features & quot; & gt; & lt;h3 & gt;Features & lt;/h3 & gt; & lt;ul & gt; & lt;li & gt;Vinyl LP & lt;/li & gt; & lt;li & gt;Official vinyl release & lt;/li & gt; & lt;li & gt;Pumpkin etching on B-side & lt;/li & gt; & lt;li & gt;New liner notes by Peanuts historian Derrick Bang & lt;/li & gt; & lt;li & gt;Introduction from 'It's The Great Pumpkin, Charlie Brown' executive producer, Lee Mendelson & lt;/li & gt; & lt;li & gt;Made in USA & lt;/li & gt; & lt;/ul & gt; & lt;/section & gt; & lt;section id= & quot;selections & quot; & gt; & lt;h3 & gt;Selections & lt;/h3 & gt; & lt;ol & gt; & lt;li & gt;Linus And Lucy & lt;/li & gt; & lt;li & gt;Graveyard Theme & lt;/li & gt; & lt;li & gt;Snoopy And The Leaf/Frieda (With The Naturally Curly Hair) & lt;/li & gt; & lt;li & gt;The Great Pumpkin Waltz & lt;/li & gt; & lt;li & gt;Linus And Lucy (Reprise) & lt;/li & gt; & lt;li & gt;Charlie Brown Theme / Happy Linus & lt;/li & gt; & lt;li & gt;The Great Pumpkin Waltz (Reprise) & lt;/li & gt; & lt;li & gt;The Red Baron/Military Drum March & lt;/li & gt; & lt;li & gt;The Great Pumpkin Waltz (2nd Reprise) & lt;/li & gt; & lt;li & gt;Trick Or Treat & lt;/li & gt; & lt;li & gt;Fanfare / Breathless / Trick Or Treat (Reprise) & lt;/li & gt; & lt;li & gt;Charlie Brown Theme (Reprise) & lt;/li & gt; & lt;li & gt;Breathless & lt;/li & gt; & lt;li & gt;It's A Long Way To Tipperary / There's A Long, Long Trail A-Winding / Pack Up Your Troubles In Your Old Kit Bag / Roses Of Picardy & lt;/li & gt; & lt;li & gt;Trick Or Treat (2nd Reprise) & lt;/li & gt; & lt;li & gt;Linus And Lucy (2nd Reprise) & lt;/li & gt; & lt;li & gt;Charlie Brown Theme (2nd Reprise) & lt;/li & gt; & lt;/section & gt;
Craft Recordings
Vince Guaraldi It's the Great Pumpkin, Charlie Brown Soundtrack LP (Vinyl)
R.E.M. In Time: The Best Of R.E.M. 1988-2003 180g 2LP (Vinyl)
& lt;font color= & quot;#FF0000 & quot; & gt; & lt;b & gt;Best of Collection On 180g Vinyl Double LP! & lt;br & gt; Includes 2 Previously Unreleased Tracks! & lt;/b & gt; & lt;/font & gt; & lt;br & gt; & lt;br & gt; In Time: The Best Of R.E.M. 1988-2003 is more than a greatest hits collection, it's an opportunity to reflect on the astonishing creative and cultural influence of one of the most innovative and enduring bands of modern rock history. Originally released in late 2003, the double-LP set makes its debut on audiophile-quality, 180g vinyl and is housed in a deluxe gatefold jacket. & lt;br & gt; & lt;br & gt; One of the most revered groups to emerge from the American underground, singer Michael Stipe, guitarist Peter Buck, bassist Mike Mills and drummer Bill Berry—who amicably retired from the band in 1997—helped originate college rock during the post-punk scene of the '80s, and went on to become one of most popular and critically acclaimed bands in the world; their idiosyncratic blend of brash tunefulness, poetic lyrics, chiming guitars and evocative vocals served as a soundtrack to the cultural tide of the late '80s and '90s. & lt;br & gt; & lt;br & gt; The songs included on In Time offer more than just a collection of charting hits. Rather, listeners will hear the evolution of a band on the rise, reaching and surfing the peak of its fame. In his original song-by-song liner notes, Peter Buck writes: & lt;b & gt; & quot;If you think about it, our career can be divided into…two parts: pre-'Losing My Religion' and post-'Losing My Religion.' & quot; & lt;/b & gt; Buck explains that before the band's breakthrough, chart-topping 1991 hit, & lt;b & gt; & quot;R.E.M. was a large cult band touring ten months a year. Respected and successful, we were still considered kind of minor league. Afterward, we had hit singles, platinum albums, we were on the covers of all kinds of unlikely magazines, and, at least for a couple of years, were one of the biggest bands in the world. All of which is irrelevant. & quot; & lt;/b & gt; & lt;br & gt; & lt;br & gt; Highlights from In Time include fan favorites like & quot;What's the Frequency, Kenneth? & quot; (off 1994's Monster), & quot;Orange Crush & quot; from Green (1988), and & quot;Daysleeper & quot;, from 1998's Up. Listeners can also expect R.E.M.'s most iconic hits, like Automatic for the People's soulful hit single & lt;b & gt; & quot;Everybody Hurts & quot; & lt;/b & gt;, a song which, Buck recounts, & lt;b & gt; & quot;doesn't really belong to [the band] anymore; it belongs to everybody who has ever gotten any solace from it. & quot; & lt;/b & gt; & lt;br & gt; & lt;br & gt; Among the 18 tracks on the compilation are two songs which had previously been exclusive to soundtracks: & quot;All The Right Friends & quot; from 2001's Vanilla Sky, and & quot;The Great Beyond & quot;, written for the 1999 Andy Kaufman biopic, Man on the Moon; a film which borrowed its title from R.E.M.'s 1992 single about the late comedian. Also on the album are two previously unreleased tracks, 2003's & quot;Animal & quot; and & quot;Bad Day & quot;, a song which was conceived of in the mid-'80s, but remained unfinished until 2003. & lt;br & gt; & lt;br & gt; Having established a powerful legacy as one of the most enduring and essential rock bands in popular music history, R.E.M. pioneered the alt-rock movement of the '90s, influencing the likes of Nirvana, Pavement and Pearl Jam. Formed in 1980, the group enjoyed an extraordinary three-decade-long run of creative vitality and multi-platinum sales before amiably disbanding in 2011. Despite great success, the band members never lost track of their core values—remaining outspoken in their views about political, social and environmental issues, and never wavering when it came to artistic integrity. Throughout the course of their career together, R.E.M. released a total of 15 studio albums, won three Grammy Awards and were inducted into the Rock and Roll Hall of Fame in 2006. & lt;br & gt; & lt;br & gt; & lt;b & gt;Features: & lt;/b & gt; & lt;br & gt; & amp;bull; 180g Vinyl & lt;br & gt; & amp;bull; Double LP & lt;br & gt; & amp;bull; 2 previously unreleased tracks & lt;br & gt; & amp;bull; 2 tracks previously exclusive to soundtracks & lt;br & gt; & amp;bull; Gatefold jacket & lt;br & gt; & amp;bull; Made in U.S.A. & lt;br & gt; & lt;br & gt; & lt;b & gt;Selections: & lt;br & gt; Side One: & lt;/b & gt; & lt;br & gt; 1. Man On The Moon & lt;br & gt; 2. The Great Beyond & lt;br & gt; 3. Bad Day & lt;br & gt; 4. What's The Frequency, Kenneth? & lt;br & gt; & lt;b & gt;Side Two: & lt;/b & gt; & lt;br & gt; 1. All The Way To Reno & lt;br & gt; 2. Losing My Religion & lt;br & gt; 3. E-Bow The Letter & lt;br & gt; 4. Orange Crush & lt;br & gt; 5. Imitation Of Life & lt;br & gt; & lt;b & gt;Side Three: & lt;/b & gt; & lt;br & gt; 1. Daysleeper & lt;br & gt; 2. Animal & lt;br & gt; 3. The Sidewinder Sleeps Tonite & lt;br & gt; 4. Stand & lt;br & gt; 5. Electrolite & lt;br & gt; & lt;b & gt;Side Four: & lt;/b & gt; & lt;br & gt; 1. All The Right Friends & lt;br & gt; 2. Everybody Hurts & lt;br & gt; 3. At My Most Beautiful & lt;br & gt; 4. Nightswimming
Craft Recordings
R.E.M. In Time: The Best Of R.E.M. 1988-2003 180g 2LP (Vinyl)
Soul Explosion 2LP (Vinyl)
& lt;font color= & quot;#FF0000 & quot; & gt; & lt;b & gt;50th Anniversary Reissue On Double LP! & lt;br & gt; Stax Records' Defining Hits Collection! First-Ever Vinyl Reissue! & lt;/b & gt; & lt;/font & gt; & lt;br & gt; & lt;br & gt; Soul Explosion is a double LP, first-time vinyl reissue celebrating the 50th anniversary of Stax Record’s defining hits collection, featuring 28 tracks including chart-toppers and deeper cuts. & lt;br & gt; & lt;br & gt; The Stax Soul Explosion 2-LP reissue celebrates the 50th anniversary of the Memphis label’s defining hits collection. Features powerful soul tracks like “Private Number” by Judy Clay & amp; William Bell, “Who’s Making Love” by Johnnie Taylor and “I’ve Never Found A Girl (To Love Me Like You Do)” by Eddie Floyd. The set features 28 tracks, including chart-toppers and deeper cuts. & lt;br & gt; & lt;br & gt; In 1968 Stax was working overtime to reinvent itself in the wake of Otis Redding's untimely December '67 passing and the dissolution of a deal with Atlantic Records that gave the label perpetual rights to Stax's back catalog. When the deal ended, Stax also lost one of their leading artists, Sam & amp; Dave, who were signed to Atlantic, but released their music on Stax. Though Stax lost nearly all of the songs they had recorded from 1957 through 1968, they still had the talented musicians, songwriters and producers who had made them. Al Bell, who had just been promoted to Vice President of the label, quickly realized that Stax needed more than hits if they were going to survive. They needed to rebuild their back catalog. In 1969, Bell steered Stax into a prolific period of recording that united Stax's creative forces in the common goal of getting the label back on its feet. This rebuilding phase was labeled the Soul Explosion. During this remarkable rebuilding phase, 30 singles and 27 albums were recorded in eight months. & lt;br & gt; & lt;br & gt; & lt;b & gt;Features: & lt;/b & gt; & lt;br & gt; & amp;bull; 50th Anniversary of original Soul Explosion LP release & lt;br & gt; & amp;bull; Double LP & lt;br & gt; & amp;bull; Gatefold jacket & lt;br & gt; & amp;bull; First-ever vinyl reissue & lt;br & gt; & amp;bull; Made in Memphis! & lt;br & gt; & amp;bull; Lacquers cut by Jeff Powell at Take Out Vinyl & lt;br & gt; & amp;bull; Pressed at Memphis Record Pressing & lt;br & gt; & lt;br & gt; & lt;b & gt;Selections: & lt;br & gt; Side A: & lt;/b & gt; & lt;br & gt; 1. Who’s Making Love - Johnnie Taylor & lt;br & gt; 2. I Like Everything About You - Jimmy Hughes & lt;br & gt; 3. Hang 'Em High - Booker T. & amp; The MG's & lt;br & gt; 4. Where Do I Go - Carla Thomas & lt;br & gt; 5. I've Never Found A Girl (To Love Me Like You Do) - Eddie Floyd & lt;br & gt; 6. Smell Of Incense - Southwest F.O.B. & lt;br & gt; 7. Cold Feet- Albert King & lt;br & gt; & lt;b & gt;Side B: & lt;/b & gt; & lt;br & gt; 1. Soul Limbo - Booker T. & amp; The MG's & lt;br & gt; 2. So Nice - The Mad Lads & lt;br & gt; 3. Bring It On Home To Me - Eddie Floyd & lt;br & gt; 4. Private Number - William Bell & amp; Judy Clay & lt;br & gt; 5. Long Walk To D.C. - The Staple Singers & lt;br & gt; 6. I've Got A Sure Thing - Ollie & amp; The Nightingales & lt;br & gt; 7. Copy Kat - The Bar-Kays & lt;br & gt; & lt;b & gt;Side C: & lt;/b & gt; & lt;br & gt; 1. Soul Clap '69 - Booker T. & amp; The MG's & lt;br & gt; 2. Hear My Call - The Staple Singers & lt;br & gt; 3. Save Your Love For Me - Johnnie Taylor & lt;br & gt; 4. Peeped Around Yonder's Bend - Jimmy Hughes & lt;br & gt; 5. Book Of Love - Carla Thomas & lt;br & gt; 6. These Old Memories - The Mad Lads & lt;br & gt; 7. Mercy, Mercy, Mercy - Southwest F.O.B. & lt;br & gt; & lt;b & gt;Side D: & lt;/b & gt; & lt;br & gt; 1. Hot Hips - The Bar-Kays & lt;br & gt; 2. Heartache Mountain - Ollie & amp; The Nightingales & lt;br & gt; 3. Twenty Years From Today - Johnnie Taylor & lt;br & gt; 4. It's Wrong To Be Loving You - Eddie Floyd & lt;br & gt; 5. It's Me - Judy Clay & lt;br & gt; 6. Booker's Theme - Booker T. & amp; The MG's & lt;br & gt; 7. Left Hand Woman (Get Right With Me) - Albert King
Craft Recordings
Soul Explosion 2LP (Vinyl)
Taking Back Sunday/XX (Twenty) 2LP (Vinyl)
& lt;font color= & quot;#FF0000 & quot; & gt; & lt;b & gt;Career Retrospective On Double LP! & lt;br & gt; Includes 2 Newly Recorded Tracks! & lt;/b & gt; & lt;/font & gt; & lt;br & gt; & lt;br & gt; Twenty is a career retrospective, celebrating 20 years of Taking Back Sunday. The collection spans all seven of their full-length studio albums: Tell All Your Friends, Where You Want To Be, Louder Now, New Again, Taking Back Sunday, Happiness Is and Tidal Wave. Whether your introduction to the band was singing along to & quot;A Decade Under The Influence & quot; in a sweaty club or hearing & quot;MakeDamnSure & quot; or & quot;Sink Into Me & quot; on the radio, Twenty is a look back at some of the highlights from this genre-defying band. Additionally, fans can hear newly recorded songs, which hint at the direction that Taking Back Sunday are heading in the coming years. & lt;br & gt; & lt;br & gt; & lt;b & gt;Features: & lt;/b & gt; & lt;br & gt; & amp;bull; Double LP & lt;br & gt; & amp;bull; 2 newly recorded tracks & lt;br & gt; & amp;bull; Gatefold jacket & lt;br & gt; & lt;br & gt; & lt;b & gt;Selections: & lt;br & gt; Side A: & lt;/b & gt; & lt;br & gt; 1. Cute Without The 'E' (Cut From The Team) & lt;br & gt; 2. You're So Last Summer & lt;br & gt; 3. Timberwolves At New Jersey & lt;br & gt; 4. A Decade Under The Influence & lt;br & gt; 5. Set Phasers To Stun & lt;br & gt; 6. One-Eighty By Summer & lt;br & gt; & lt;b & gt;Side B: & lt;/b & gt; & lt;br & gt; 1. Liar (It Takes One To Know One) & lt;br & gt; 2. Makedamnsure & lt;br & gt; 3. What's It Feel Like To Be A Ghost? & lt;br & gt; 4. My Blue Heaven & lt;br & gt; 5. Sink Into Me & lt;br & gt; 6. Everything Must Go & lt;br & gt; & lt;b & gt;Side C: & lt;/b & gt; & lt;br & gt; 1. Faith (When I Let You Down) & lt;br & gt; 2. Call Me In The Morning & lt;br & gt; 3. Flicker, Fade & lt;br & gt; 4. Better Homes And Gardens & lt;br & gt; & lt;b & gt;Side D: & lt;/b & gt; & lt;br & gt; 1. Tidal Wave & lt;br & gt; 2. You Can't Look Back & lt;br & gt; 3. Call Come Running & lt;br & gt; 4. All Ready To Go & lt;br & gt; 5. A Song For Dan
Craft Recordings
Taking Back Sunday/XX (Twenty) 2LP (Vinyl)
John Lee Hooker Country Blues Of John Lee Hooker 180g LP (Vinyl)
& lt;font color= & quot;#FF0000 & quot; & gt; & lt;b & gt;60th Anniversary Reissue On 180g Vinyl LP! & lt;br & gt; All-Analog Mastering From the Original Stereo Tapes by Kevin Gray at Cohearent Audio! & lt;br & gt; Pressed at Memphis Record Pressing! & lt;/b & gt; & lt;/font & gt; & lt;br & gt; & lt;br & gt; John Lee Hooker's 1959 debut on Riverside Records is perhaps the truest to his Mississippi roots. Unaccompanied and playing acoustically instead of his usual amplified guitar, he turned in a wonderfully varied set of deep Delta blues, moans, boogies, one field holler, and even a bit of hokum. Some songs are autobiographical, others reworkings of blues standards–all stamped with the hauntingly personal Hooker touch. The audio for this 60th anniversary release is sourced from the original stereo tapes that were mastered on all analog by Kevin Gray at Cohearent Audio. It's pressed on 180-gram vinyl at Memphis Record Pressing. & lt;br & gt; & lt;br & gt; & lt;b & gt; & quot;the music on it is as pungent and dusty and stinging as it was when it was first released 60 years ago and sounds present and clear thanks to the steady mastering work of Kevin Gray. Hooker was already a vital presence in the blues scene with electric singles like 'Boogie Chillen' and 'Crawlin' King Snake' already under his belt. This session, recorded in Detroit in early 1959, was proof that he had just as much bite and grit when using an acoustic guitar. The wail and moan of the blues idiom was ever-present, but swimming alongside it is a musing quality that turns 'Behind The Plow' and 'Church Bell Tone' into haunting expressions of Hooker's past as the son of a sharecropper and preacher. A vital document for anyone with an interest in the history of Delta blues and this once-in-a-generation talent. & quot; & lt;/b & gt; - Paste Magazine & lt;br & gt; & lt;br & gt; & lt;b & gt;Features: & lt;/b & gt; & lt;br & gt; & amp;bull; 60th Anniversary Reissue & lt;br & gt; & amp;bull; 180g Vinyl & lt;br & gt; & amp;bull; All-analog mastering from the original stereo tapes by Kevin Gray at Cohearent Audio & lt;br & gt; & amp;bull; Pressed at Memphis Record Pressing & lt;br & gt; & lt;br & gt; & lt;b & gt;Selections: & lt;br & gt; Side 1: & lt;/b & gt; & lt;br & gt; 1. Black Snake & lt;br & gt; 2. How Long Blues & lt;br & gt; 3. Wobblin' Baby & lt;br & gt; 4. She's Long, She's Tall, She Weeps Like A Willow Tree & lt;br & gt; 5. Pea Vine Special & lt;br & gt; 6. Tupelo Blues & lt;br & gt; 7. I'm Prison Bound & lt;br & gt; & lt;b & gt;Side 2: & lt;/b & gt; & lt;br & gt; 1. I Rowed A Little Boat & lt;br & gt; 2. Water Boy & lt;br & gt; 3. Church Bell Tone & lt;br & gt; 4. Good Mornin', Lil' School Girl & lt;br & gt; 5. Behind The Plow
Craft Recordings
John Lee Hooker Country Blues Of John Lee Hooker 180g LP (Vinyl)
Merle Haggard Working In Tennessee LP (Vinyl)
& lt;font color= & quot;#FF0000 & quot; & gt; & lt;b & gt;Final Studio Album On Vinyl LP! & lt;br & gt; First Vinyl Reissue Since Original Album Release! & lt;/b & gt; & lt;/font & gt; & lt;br & gt; & lt;br & gt; Merle’s final studio album features a guest appearance by Willie Nelson on “Workin’ Man Blues”. Influential writer Robert Christgau gave the album an A- and wrote & lt;b & gt;“Now 74 and short half a lung, he’s not making the best music of his life, just the best albums...” & lt;/b & gt; & lt;br & gt; & lt;br & gt; & lt;b & gt;Features: & lt;/b & gt; & lt;br & gt; & amp;bull; Vinyl LP & lt;br & gt; & amp;bull; First vinyl reissue since its original album release & lt;br & gt; & amp;bull; Featuring Willie Nelson, Ben Haggard and Theresa Haggard & lt;br & gt; & amp;bull; Lacquers cut by Clint Holley at Well Made Music & lt;br & gt; & amp;bull; Pressed at Memphis Record Pressing & lt;br & gt; & lt;br & gt; & lt;b & gt;Selections: & lt;br & gt; Side A: & lt;/b & gt; & lt;br & gt; 1. Working In Tennessee & lt;br & gt; 2. Down On The Houseboat & lt;br & gt; 3. Cocaine Blues & lt;br & gt; 4. What I Hate & lt;br & gt; 5. Sometimes I Dream & lt;br & gt; 6. Under The Bridge & lt;br & gt; & lt;b & gt;Side B: & lt;/b & gt; & lt;br & gt; 1. Too Much Boogie Woogie & lt;br & gt; 2. Truck Driver's Blues & lt;br & gt; 3. Laugh It Off & lt;br & gt; 4. Workin' Man Blues (with Willie Nelson & amp; Ben Haggard) & lt;br & gt; 5. Jackson (due with Merle and Theresa Haggard)
Craft Recordings
Merle Haggard Working In Tennessee LP (Vinyl)
Buddy Guy A Man & The Blues 180g LP (Vinyl)
& lt;font color= & quot;#FF0000 & quot; & gt; & lt;b & gt;180g Vinyl LP! & lt;br & gt; Lacquers Cut From Original Analog Masters by Capitol Mastering's Ron McMaster! & lt;/b & gt; & lt;/font & gt; & lt;br & gt; & lt;br & gt; The second studio album from Buddy Guy was recorded in 1968 for Vanguard Records. The guitarist performs alongside pianist Otis Spann, bassist Jack Myers, Wayne Bennett on rhythm guitar and more. & lt;br & gt; & lt;br & gt; Buddy Guy’s legendary electric guitar licks and passionate vocals are on display in this influential, 1968 album, where the celebrated musician bridges Chicago blues with R & amp;B. Remastered from the original analog tapes, this 50th anniversary edition of the album is pressed on 180-gram vinyl and housed in an old-school-style, tip-on jacket. & lt;br & gt; & lt;br & gt; & quot;The Original Blues Brothers, & quot; as Rolling Stone dubbed them (Buddy Guy and Junior Wells), were frequent studio and stage collaborators throughout the ‘60s and ’70s, producing some of their finest recorded work together. 2018 marks the 50th anniversary for both Buddy Guy’s A Man and the Blues and Junior Well’s Coming at You, seminal albums from the Vanguard Records archives that were among the first to capture Chicago’s signature electric blues sound. Both titles are reissued on 180-gram vinyl cut from the original analog masters by Capitol Mastering’s Ron McMaster. & lt;br & gt; & lt;br & gt; & lt;b & gt;Features: & lt;/b & gt; & lt;br & gt; & amp;bull; 180g Vinyl & lt;br & gt; & amp;bull; 50th Anniversary Edition & lt;br & gt; & amp;bull; Lacquers cut from the original analog masters by Ron McMaster at Capitol Mastering & lt;br & gt; & amp;bull; Old-school tip-on jacket & lt;br & gt; & lt;br & gt; & lt;b & gt;Musicians: & lt;/b & gt; & lt;br & gt; Buddy Guy, solo guitar, vocals & lt;br & gt; Otis Spann, piano & lt;br & gt; Wayne Bennett, rhythm guitar & lt;br & gt; Jack Myers, bass & lt;br & gt; Donald Hankins, sax & lt;br & gt; Aaron Corthen, sax & lt;br & gt; Bobby Fields, sax & lt;br & gt; Lonny Taylor, drums & lt;br & gt; Fred Below, drums & lt;br & gt; & lt;br & gt; & lt;b & gt;Selections: & lt;br & gt; Side One: & lt;/b & gt; & lt;br & gt; 1. A Man And The Blues & lt;br & gt; 2. I Can't Quit The Blues & lt;br & gt; 3. Money (That's What I Want) & lt;br & gt; 4. One Room Country Shack & lt;br & gt; 5. Mary Had A Little Lamb & lt;br & gt; & lt;b & gt;Side Two: & lt;/b & gt; & lt;br & gt; 1. Just Playing My Axe & lt;br & gt; 2. Sweet Little Angel & lt;br & gt; 3. Worry, Worry & lt;br & gt; 4. Jam On A Monday Morning
Craft Recordings
Buddy Guy A Man & The Blues 180g LP (Vinyl)
The Fania All Stars Live at Yankee Stadium 2LP (Vinyl)
& lt;header & gt; & lt;p & gt; & lt;strong & gt;Performances at Yankee Stadium Reissued On Double LP! & lt;br & gt; Volumes 1 & amp; 2 Released As 2LP Set For The First Time! & lt;br & gt; All Analog Mastering From Original Tapes by Kevin Gray at Cohearent Audio! & lt;/strong & gt; & lt;/p & gt; & lt;/header & gt; & lt;p & gt;The date Friday, August 23, 1973, is an historic one for Latin music. That night, Jerry Masucci, the ultimate gambler, was the last man laughing as his most bizarre gambit to date became a total success-- his Fania All Stars poured 40,000 screaming fans into the Yankee Stadium for an unforgettable night of superb music. On November 1973, Fania reprises this concert in Puerto Rico, opening the new Roberto Clemente Coliseum. & lt;/p & gt; & lt;section id= & quot;features & quot; & gt; & lt;h3 & gt;Features & lt;/h3 & gt; & lt;ul & gt; & lt;li & gt;Double LP & lt;/li & gt; & lt;li & gt;Legendary 1973 concert & lt;/li & gt; & lt;li & gt;Performances by Johnny Pacheco, Celia Cruz, Willie Colon, Hector Lavoe and more & lt;/li & gt; & lt;li & gt;Volumes 1 & amp; 2 released as a 2LP set for the first time & lt;/li & gt; & lt;li & gt;Inducted into the National Recording Registry in 2003 & lt;/li & gt; & lt;li & gt;All Analog mastering from original tapes by Kevin Gray at Cohearent Audio & lt;/li & gt; & lt;li & gt;Gatefold jacket & lt;/li & gt; & lt;li & gt;Made in the USA & lt;/li & gt; & lt;/ul & gt; & lt;/section & gt; & lt;section id= & quot;selections & quot; & gt; & lt;h3 & gt;Selections & lt;/h3 & gt; & lt;h4 & gt;Side A: & lt;/h4 & gt; & lt;ol & gt; & lt;li & gt;Que Rico Suena Mi Tambor (vocal: Ismael Miranda) & lt;/li & gt; & lt;li & gt;Soy Guajiro (vocal: Santos Colon) & lt;/li & gt; & lt;li & gt;Diosa Del Ritmo (vocal: Celia Cruz) & lt;/li & gt; & lt;/ol & gt; & lt;h4 & gt;Side B: & lt;/h4 & gt; & lt;ol & gt; & lt;li & gt;Pueblo Latino (vocal: Pete & quot;Conde & quot; Rodriguez) & lt;/li & gt; & lt;li & gt;Mi Gente (vocal: Hector Lavoe) & lt;/li & gt; & lt;/ol & gt; & lt;h4 & gt;Side C: & lt;/h4 & gt; & lt;ol & gt; & lt;li & gt;Hermandad Fania (vocal: Bobby Cruz) & lt;/li & gt; & lt;li & gt;Bemba Colora (vocal: Celia Cruz) & lt;/li & gt; & lt;/ol & gt; & lt;h4 & gt;Side D: & lt;/h4 & gt; & lt;ol & gt; & lt;li & gt;Mi Debilidad (vocal: Ismael Quintana) & lt;/li & gt; & lt;li & gt;Echate Pa'lla (vocal: Justo Betancourt) & lt;/li & gt; & lt;li & gt;Congo Bongo (vocals: Hector Lavoe & amp; Cheo Feliciano) & lt;/li & gt; & lt;/ol & gt; & lt;/section & gt;
Craft Recordings
The Fania All Stars Live at Yankee Stadium 2LP (Vinyl)
Nickel Creek Nickel Creek 180g 45rpm 2LP (Vinyl)
& lt;header & gt; & lt;p & gt; & lt;strong & gt;Striking 2000 Breakthrough Album On 180g 45rpm Double LP! & lt;br & gt; Mastered by Chris Bellman at Bernie Grundman Mastering! & lt;/strong & gt; & lt;/p & gt; & lt;/header & gt; & lt;p & gt;While Nickel Creek's earlier recordings showed off their musical prowess, the trio consider their self-titled 2000 release to be their official debut. Released on Sugar Hill Records and produced by Alison Krauss, the album incorporates elements of rock, alternative, jazz and even classical. Featuring both traditional & amp; original material, Nickel Creek showcases the band's unique style as well as their deft songwriting skills; highlights include & quot;The Lighthouse's Tale & quot; and & quot;When You Come Back Down & quot;. & lt;/p & gt; & lt;blockquote cite= & quot;quote source & quot; & gt; an album... unafraid to push the boundaries of its primary genre, and packing the musical chops to bring such an eclectic vision to life. & lt;footer & gt; -NPR Music & lt;/footer & gt; & lt;/blockquote & gt; & lt;blockquote cite= & quot;www.pastemagazine.com & quot; & gt; Modern bluegrass ensemble Nickel Creek had been a going concern for the better part of a decade when they recorded their 2000 self-titled album with the godmother of Americana Alison Krauss. And this young, hungry trio - Chris Thile, Sarah Watkins and her brother Sean - rose to the occasion with a hearty collection of songs that left ample room to show off their instrumental prowess and well-honed musical and vocal harmony. To honor the 20th anniversary of that release, the band has re-released it, along with the two follow-up albums that helped reach the Billboard Top 20 and netted them Grammy Awards, on vinyl. To sweeten the deal, each one was cut at 45 RPM to help amplify the music - a fair tradeoff for having to return to the turntable frequently to flip the record or swap out one record for another. The albums themselves are as great as ever, full of heart and the obvious love that these three have for one another, and chock-a-block with great songs - a balance of lovely originals with adaptations of material by Dylan, Pavement and Carrie Newcomer. & lt;footer & gt; -Robert Ham, Paste Magazine & lt;/footer & gt; & lt;/blockquote & gt; & lt;section id= & quot;features & quot; & gt; & lt;h3 & gt;Features & lt;/h3 & gt; & lt;ul & gt; & lt;li & gt;180g Vinyl & lt;/li & gt; & lt;li & gt;45rpm & lt;/li & gt; & lt;li & gt;Double LP & lt;/li & gt; & lt;li & gt;Produced by Alison Krauss & lt;/li & gt; & lt;li & gt;Mastered from the original high-resolution sources by Chris Bellman at Bernie Grundman Mastering & lt;/li & gt; & lt;li & gt;Gatefold jacket & lt;/li & gt; & lt;li & gt;Made in the EU & lt;/li & gt; & lt;/ul & gt; & lt;/section & gt; & lt;section id= & quot;selections & quot; & gt; & lt;h3 & gt;Selections & lt;/h3 & gt; & lt;h4 & gt;Side One: & lt;/h4 & gt; & lt;ol & gt; & lt;li & gt;Ode To A Butterfly & lt;/li & gt; & lt;li & gt;The Lighthouse's Tale & lt;/li & gt; & lt;li & gt;Out Of The Woods & lt;/li & gt; & lt;/ol & gt; & lt;h4 & gt;Side Two: & lt;/h4 & gt; & lt;ol & gt; & lt;li & gt;In The House Of Tom Bombadil & lt;/li & gt; & lt;li & gt;Reasons Why & lt;/li & gt; & lt;li & gt;When You Come Back Down & lt;/li & gt; & lt;/ol & gt; & lt;h4 & gt;Side Three: & lt;/h4 & gt; & lt;ol & gt; & lt;li & gt;Sweet Afton & lt;/li & gt; & lt;li & gt;Cuckoo's Nest & lt;/li & gt; & lt;li & gt;The Hand Song & lt;/li & gt; & lt;/ol & gt; & lt;h4 & gt;Side Four: & lt;/h4 & gt; & lt;ol & gt; & lt;li & gt;Robin And Marian & lt;/li & gt; & lt;li & gt;The Fox & lt;/li & gt; & lt;li & gt;Pastures New & lt;/li & gt; & lt;/ol & gt; & lt;/section & gt;
Craft Recordings
Nickel Creek Nickel Creek 180g 45rpm 2LP (Vinyl)
Jewel Joy: A Holiday Collection LP (Vinyl)
& lt;img src= & quot;/content/images/christmasbells.gif & quot; align= & quot;right & quot; hspace= & quot;10 & quot; & quot; & gt; & lt;header & gt; & lt;p & gt; & lt;strong & gt;First Time On Vinyl! & lt;/strong & gt; & lt;/p & gt; & lt;/header & gt; & lt;p & gt;20th anniversary reissue of Jewel's platinum-selling holiday album, featuring both original holiday songs as well as seasonal favorites such as & quot;Winter Wonderland & quot;, & quot;Rudolph The Red-Nosed Reindeer & quot; and & quot;Silent Night. & quot;. First time on vinyl. & lt;/p & gt; & lt;section id= & quot;features & quot; & gt; & lt;h3 & gt;Features & lt;/h3 & gt; & lt;ul & gt; & lt;li & gt;20th Anniversary & lt;/li & gt; & lt;li & gt;Vinyl LP & lt;/li & gt; & lt;li & gt;First time on vinyl & lt;/li & gt; & lt;li & gt;Vinyl mastering by George Horn and Anne-Marie Suenram at Fantasy Studios & lt;/li & gt; & lt;li & gt;Made in USA & lt;/li & gt; & lt;/ul & gt; & lt;/section & gt; & lt;section id= & quot;selections & quot; & gt; & lt;h3 & gt;Selections & lt;/h3 & gt; & lt;h4 & gt;Side A: & lt;/h4 & gt; & lt;ol & gt; & lt;li & gt;Joy To The World & lt;/li & gt; & lt;li & gt;O Holy Night & lt;/li & gt; & lt;li & gt;Silent Night & lt;/li & gt; & lt;li & gt;Winter Wonderland & lt;/li & gt; & lt;li & gt;O Little Town Of Bethlehem & lt;/li & gt; & lt;li & gt;Ave Maria & lt;/li & gt; & lt;li & gt;Hark! The Herald Angels Sing & lt;/li & gt; & lt;/ol & gt; & lt;h4 & gt;Side B: & lt;/h4 & gt; & lt;ol & gt; & lt;li & gt;Rudolph The Red-Nosed Reindeer & lt;/li & gt; & lt;li & gt;Face Of Love & lt;/li & gt; & lt;li & gt;Medley: Go Tell It On The Mountain / Life Uncommon / From A Distance & lt;/li & gt; & lt;li & gt;I Wonder As I Wander & lt;/li & gt; & lt;li & gt;Gloria & lt;/li & gt; & lt;li & gt;Hands (Christmas Version) & lt;/li & gt; & lt;/ol & gt; & lt;/section & gt;
Craft Recordings
Jewel Joy: A Holiday Collection LP (Vinyl)
Dave Alvin King of California 2LP (Vinyl)
& lt;font color= & quot;#FF0000 & quot; & gt; & lt;b & gt;25th Anniversary Edition On Double LP! & lt;br & gt; Roots Rock Masterpiece - First Time On Vinyl! & lt;br & gt; Contains 3 Bonus Tracks Including Previously Unreleased & quot;Riverbed Rag & quot;! & lt;/b & gt; & lt;/font & gt; & lt;br & gt; & lt;br & gt; Craft Recordings is pleased to announce the 25th anniversary reissue of GRAMMY®-award winning artist Dave Alvin’s King of California. Available for the first time on vinyl, the album was originally released in 1994, to critical acclaim on Hightone Records. Available for the first time on vinyl, the album was originally released in 1994, to critical acclaim on Hightone Records. The remastered, expanded edition includes a previously unreleased instrumental studio track, & quot;Riverbed Rag, & quot; along with bonus material. & lt;br & gt; & lt;br & gt; Recorded in Los Angeles the day after the historic 1994 Northridge earthquake and produced by Greg Leisz, King of California had its genesis in the album’s title track, a readymade folk ballad, written for his mother, in which an aspiring suitor heads west to make his fortune in the wild, still-young Golden State. & lt;b & gt; & quot;King of California is when I decided 'this is when I let the song tell me what it sounds like,' & quot; & lt;/b & gt; says Alvin. & lt;b & gt; & quot;Ever since then, that’s been my rule. It sounds ridiculous, but it was something I had to learn. & quot; & lt;/b & gt; & lt;br & gt; & lt;br & gt; Featuring acoustic interpretations of some of the finest songs in his catalog, along with new, folk-inflected compositions, and notable covers, Dave Alvin found the true measure of his own voice with King of California. & lt;b & gt; & quot;It was ironic that for a guy who was known as a loud guitar player and questionable singer, his best seller was an acoustic album, & quot; & lt;/b & gt;says Alvin. & lt;br & gt; & lt;br & gt; Included are songs written and originally recorded during the '80s: & quot;Barn Burning & quot; from American Music(1980) the debut album from The Blasters, & quot;Bus Station & quot; and & quot;Leaving & quot; from the Blasters’ Non Fiction(1983), & quot;Little Honey, & quot; written with X’s John Doe and featured on the Blasters’ Hard Line(1985), and & quot;Fourth of July, & quot; which appeared on both X’s See How We Are(1997) and on Alvin’s solo album Romeo’s Escape(1987). & quot;Every Night About This Time & quot; also appeared on the latter album. & lt;br & gt; & lt;br & gt; Like the records Alvin made as a member of the Blasters, King of California features a variety of covers, including Tom Russell’s’ & quot;Blue Wing, & quot; Dallas singer-pianist Whistlin’ Alex Moore’s & quot;West Texas Blues & quot; (retitled & quot;East Texas Blues & quot;), Memphis Slim’s classic & quot;Mother Earth, & quot; and & quot;What Am I Worth, & quot; a George Jones song, featured here as a duet with the incomparable Syd Straw. The album also includes co-writes with Rosie Flores ( & quot;Goodbye Again & quot;) & lt;br & gt; & lt;br & gt; The expanded edition includes a previously unreleased track from the recording sessions, & quot;Riverbed Rag, & quot; an instrumental designed for a guitar-dobro duel by Alvin and Leisz, and inspired by the usually dry San Gabriel River that both musicians grew up exploring. Two additional covers, Merle Haggard’s & quot;Kern River, & quot; originally recorded for the 1994 Haggard tribute album Tulare Dust (co-produced by Alvin and Tom Russell), and Katy Moffatt’s & quot;The Cuckoo, & quot; from her 1999 Alvin-produced album Loose Diamond, round out the bonus tracks. & lt;br & gt; & lt;br & gt; & lt;b & gt; & quot;I’m real proud of [King of California] twenty-five years later, & quot; & lt;/b & gt; Alvin says. & lt;b & gt; & quot;The whole process was a revelation, to record with everybody in the studio sitting roughly in a circle. Sitting there on the edge of my chair with an acoustic guitar knowing that if I blow this chord we have to start over. And I could use my voice; when I was recording electric my voice couldn’t lead the band. In this situation I could. That allowed a certain openness and freedom I hadn’t experienced before. And for Greg, this was his baby, his chance to produce me and get my voice right. His calmness in all of this led to the vibe of the record. & quot; & lt;/b & gt; & lt;br & gt; & lt;br & gt; & lt;b & gt;Features: & lt;/b & gt; & lt;br & gt; & amp;bull; 25th Anniversary Edition & lt;br & gt; & amp;bull; Double LP & lt;br & gt; & amp;bull; First time available on vinyl & lt;br & gt; & amp;bull; 3 bonus tracks including one previously unreleased & lt;br & gt; & amp;bull; Gatefold jacket & lt;br & gt; & amp;bull; New liner notes by Grammy-nominated writer and author Chris Morris & lt;br & gt; & amp;bull; Made in USA & lt;br & gt; & lt;br & gt; & lt;b & gt;Selections: & lt;br & gt; Side A: & lt;/b & gt; & lt;br & gt; 1. King Of California & lt;br & gt; 2. Barn Burning & lt;br & gt; 3. Fourth Of July & lt;br & gt; 4. Goodbye Again (Duet With Rosie Flores) & lt;br & gt; & lt;b & gt;Side B: & lt;/b & gt; & lt;br & gt; 1. East Texas Blues & lt;br & gt; 2. Every Night About This Time & lt;br & gt; 3. Bus Station & lt;br & gt; 4. Mother Earth & lt;br & gt; 5. Blue Wing & lt;br & gt; & lt;b & gt;Side C: & lt;/b & gt; & lt;br & gt; 1. Little Honey & lt;br & gt; 2. (I Won't Be) Leaving & lt;br & gt; 3. What I Am Worth (Duet With Syd Straw) & lt;br & gt; 4. Border Radio & lt;br & gt; & lt;b & gt;Side D - Bonus Tracks: & lt;/b & gt; & lt;br & gt; 1. Riverbed Rag* & lt;br & gt; 2. The Cuckoo (Duet With Katy Moffat) & lt;br & gt; 3. Kern River & lt;br & gt; & lt;br & gt; *Previously unreleased
Craft Recordings
Dave Alvin King of California 2LP (Vinyl)
R.E.M. Monster 180g LP (Vinyl)
& lt;header & gt; & lt;p & gt; & lt;strong & gt;25th Anniversary Reissue Of Acclaimed Album On 180g Vinyl LP! & lt;br & gt;Remastered From The Original Analog Master! & lt;/strong & gt; & lt;/p & gt; & lt;/header & gt; & lt;p & gt;When Monster was released in September 1994, the members of R.E.M. were at a crossroads in their career. Singer Michael Stipe, guitarist Peter Buck, bassist Mike Mills and drummer Bill Berry were decompressing from the massive commercial and critical success of 1991's Out Of Time and 1992's Automatic For The People. In just a few years, the Athens, GA, four-piece had become one of the biggest, most recognizable bands in the world, thanks to hits like & quot;Losing My Religion & quot;, & quot;Man On The Moon & quot; and & quot;Everybody Hurts & quot;. It had also been six years since the group had toured. & lt;/p & gt; & lt;p & gt;By the time that work began on Monster, they were itching to end their self-imposed hiatus and get back on the road. The band was also looking for a sonic shake-up. While R.E.M.'s last two albums were full of ballads, acoustic rock songs and intricate arrangements, the group was ready to record something grittier, brasher and highly playable on stage. In his liner notes, journalist Matthew Perpetua writes that Monster & quot;had no precedent in the band's catalogue, & quot; adding that R.E.M had & quot;never been this distorted and dirty, or this glam or this flirty. & quot; Buck recalls, & quot;We were trying to feel like a different band ... We wanted to get away from who we were. & quot; The group was also reeling from the strange nature of celebrity and identity, and many of the songs in this album reflect that. Perpetua notes, & quot;There's no question that the characters on Monster are all dealing with obsession in some form or another, whether it's the infatuated narrator of 'Crush With Eyeliner,' the lovelorn protagonist of 'Strange Currencies,' or the cackling supervillain in 'I Took Your Name.' & quot; As dark as some of the subject matter is, though, R.E.M. still infuses the songs with a dash of absurdity, irony and a humorous wink. & lt;/p & gt; & lt;p & gt;Highlights off the album include the distortion-soaked first single, & quot;What's The Frequency, Kenneth? & quot; which plays off the farce of media and marketing that pervaded Gen X pop-culture, while the catchy & quot;Star 69 & quot; is a detective story, based on the '90s phone service of the same name (a precursor to caller ID). The second single, & quot;Bang and Blame & quot; features Sonic Youth's Thurston Moore, as well as actress Rain Phoenix--whose brother, River, had recently passed away and was Monster's dedicatee. & quot;Let Me In & quot; is an ode to Nirvana frontman Kurt Cobain, who had died by suicide just months before. Mills, who swapped his bass for Cobain's guitar on the track, shares, & quot;It's Michael's cathartic release in response to the loss of a good friend and someone we all felt creatively aligned with. & quot; & lt;/p & gt; & lt;p & gt;The band's new artistic direction proved to be a hit. Monster debuted at No. 1 on the Billboard 200 and would be certified four-times Platinum in the U.S. Rolling Stone offered this praise: & lt;strong & gt; & quot;R.E.M.'s exceptional pop craftsmanship, their luminous melodic inventions, their sense of mission--in short, everything fundamental--are still there and shining more brightly than ever ... Monster is one urgent-sounding album, and that's as it should be. & quot; & lt;/strong & gt; & lt;/p & gt; & lt;section id= & quot;features & quot; & gt; & lt;h3 & gt;Features & lt;/h3 & gt; & lt;ul & gt; & lt;li & gt;25th Anniversary Reissue & lt;/li & gt; & lt;li & gt;180g Vinyl & lt;/li & gt; & lt;li & gt;Remastered by Greg Calibi at Sterling Sound from the original analog master & lt;/li & gt; & lt;li & gt;Original cover art by Chris Bilheimer & lt;/li & gt; & lt;li & gt;Made in the USA & lt;/li & gt; & lt;/ul & gt; & lt;/section & gt; & lt;section id= & quot;selections & quot; & gt; & lt;h3 & gt;Selections & lt;/h3 & gt; & lt;h4 & gt;Side C: & lt;/h4 & gt; & lt;ol & gt; & lt;li & gt;What's The Frequency, Kenneth? & lt;/li & gt; & lt;li & gt;Crush With Eyeliner & lt;/li & gt; & lt;li & gt;King Of Comedy & lt;/li & gt; & lt;li & gt;I Don't Sleep, I Dream & lt;/li & gt; & lt;li & gt;Star 69 & lt;/li & gt; & lt;li & gt;Strange Currencies & lt;/li & gt; & lt;/ol & gt; & lt;h4 & gt;Side D: & lt;/h4 & gt; & lt;ol start = & quot;7 & quot; & gt; & lt;li & gt;Tongue & lt;/li & gt; & lt;li & gt;Bang And Blame & lt;/li & gt; & lt;li & gt;I Took Your Name & lt;/li & gt; & lt;li & gt;Let Me In & lt;/li & gt; & lt;li & gt;Circus Envy & lt;/li & gt; & lt;li & gt;You & lt;/li & gt; & lt;/ol & gt; & lt;p & gt;Note: This is a single LP with 2 sides of music. There are only sides & quot;C & quot; and & quot;D & quot; with no side & quot;A & quot; or & quot;B & quot; & lt;/p & gt; & lt;/section & gt;
Craft Recordings
R.E.M. Monster 180g LP (Vinyl)
Nickel Creek Why Should The Fire Die? 180g 45rpm 2LP (Vinyl)
& lt;header & gt; & lt;p & gt; & lt;strong & gt;Genre-Expanding 2005 Album On 180g 45rpm Double LP! & lt;br & gt; All Analog Mastering From The Original Tapes by Chris Bellman at Bernie Grundman Mastering! & lt;/strong & gt; & lt;/p & gt; & lt;/header & gt; & lt;p & gt;As Nickel Creek integrated more rock and pop elements into their music, they went in a new direction with their 2005 album - enlisting producers Eric Valentine & amp; Tony Berg. Why Should The Fire Die? features original material such as & quot;When in Rome & quot;, & quot;Helena & quot; and & quot;Jealous Moon & quot;. It also includes a cover of Bob Dylan's & quot;Tomorrow Is A Long Time & quot;. The Billboard Top 20 album earned two GRAMMY & amp;#174; nominations; Best Contemporary Folk Album and Best Country Instrumental Performance ( & quot;Scotch & amp; Chocolate & quot;). & lt;/p & gt; & lt;blockquote cite= & quot;quote source & quot; & gt; sheer musical brilliance... & lt;footer & gt; -BBC Music & lt;/footer & gt; & lt;/blockquote & gt; & lt;section id= & quot;features & quot; & gt; & lt;h3 & gt;Features & lt;/h3 & gt; & lt;ul & gt; & lt;li & gt;180g Vinyl & lt;/li & gt; & lt;li & gt;45rpm & lt;/li & gt; & lt;li & gt;Double LP & lt;/li & gt; & lt;li & gt;All Analog mastering from the original tapes by Chris Bellman at Bernie Grundman Mastering & lt;/li & gt; & lt;li & gt;Produced by Eric Valentine & amp; Tony Berg & lt;/li & gt; & lt;li & gt;Gatefold jacket & lt;/li & gt; & lt;li & gt;Made in the EU & lt;/li & gt; & lt;/ul & gt; & lt;/section & gt; & lt;section id= & quot;selections & quot; & gt; & lt;h3 & gt;Selections & lt;/h3 & gt; & lt;h4 & gt;Side One: & lt;/h4 & gt; & lt;ol & gt; & lt;li & gt;When In Rome & lt;/li & gt; & lt;li & gt;Somebody More Like You & lt;/li & gt; & lt;li & gt;Jealous Of The Moon & lt;/li & gt; & lt;/ol & gt; & lt;h4 & gt;Side Two: & lt;/h4 & gt; & lt;ol & gt; & lt;li & gt;Scotch & amp; Chocolate & lt;/li & gt; & lt;li & gt;Can't Complain & lt;/li & gt; & lt;li & gt;Tomorrow Is A Long Time & lt;/li & gt; & lt;/ol & gt; & lt;h4 & gt;Side Three: & lt;/h4 & gt; & lt;ol & gt; & lt;li & gt;Eveline & lt;/li & gt; & lt;li & gt;Stumptown & lt;/li & gt; & lt;li & gt;Anthony & lt;/li & gt; & lt;li & gt;Best Of Luck & lt;/li & gt; & lt;/ol & gt; & lt;h4 & gt;Side Four: & lt;/h4 & gt; & lt;ol & gt; & lt;li & gt;Doubting Thomas & lt;/li & gt; & lt;li & gt;First And Last Waltz & lt;/li & gt; & lt;li & gt;Helena & lt;/li & gt; & lt;li & gt;Why Should The Fire Die? & lt;/li & gt; & lt;/ol & gt; & lt;/section & gt;
Craft Recordings
Nickel Creek Why Should The Fire Die? 180g 45rpm 2LP (Vinyl)
Delaney & Bonnie Home 180g LP (Vinyl)
& lt;header & gt; & lt;p & gt; & lt;strong & gt;Down-Home Classic On 180g Vinyl LP! & lt;br & gt;All-Analog Mastering by Jeff Powell at Take Out Vinyl! & lt;br & gt; Pressed at Memphis Record Pressing! & lt;/strong & gt; & lt;/p & gt; & lt;/header & gt; & lt;p & gt;Delaney and Bonnie's down-home classic mixes blues with blue-eyed soul and had a profound influence on Eric Clapton. The album, named after a log cabin in Mississippi, features backing by a cast that includes Booker T and The MG's. & lt;/p & gt; & lt;p & gt;Following their 1969 debut album, Home, the husband and wife duo of Delaney and Bonnie Bramlett expanded their group to include superstars George Harrison, Eric Clapton and Leon Russell. & lt;/p & gt; & lt;section id= & quot;features & quot; & gt; & lt;h3 & gt;Features & lt;/h3 & gt; & lt;ul & gt; & lt;li & gt;180g Vinyl LP & lt;/li & gt; & lt;li & gt;Cut from their original analog tapes by Jeff Powell at Take Out Vinyl & lt;/li & gt; & lt;li & gt;Pressed at Memphis Record Pressing & lt;/li & gt; & lt;!--More features go here in & lt;li & gt; tags-- & gt; & lt;/ul & gt; & lt;/section & gt; & lt;section id= & quot;selections & quot; & gt; & lt;h3 & gt;Selections & lt;/h3 & gt; & lt;h4 & gt;Side I: & lt;/h4 & gt; & lt;ol & gt; & lt;li & gt;It's Been A Long Time Coming & lt;/li & gt; & lt;li & gt; A Right Now Love & lt;/li & gt; & lt;li & gt;We Can Love & lt;/li & gt; & lt;li & gt;My Baby Specializes & lt;/li & gt; & lt;li & gt;Everybody Loves A Winner & lt;/li & gt; & lt;/ol & gt; & lt;h4 & gt;Side II: & lt;/h4 & gt; & lt;ol & gt; & lt;li & gt;Things Get Better & lt;/li & gt; & lt;li & gt;Just Plain Beautiful & lt;/li & gt; & lt;li & gt; Hard To Say Goodbye & lt;/li & gt; & lt;li & gt; Pour Your Love On Me & lt;/li & gt; & lt;li & gt; Piece Of My Heart & lt;/li & gt; & lt;/ol & gt; & lt;/section & gt;
Craft Recordings
Delaney & Bonnie Home 180g LP (Vinyl)
Doug Clifford Cosmo 180g LP (Vinyl)
& lt;font color= & quot;#FF0000 & quot; & gt; & lt;b & gt;Remastered & amp; Pressed On 180g Vinyl! & lt;/b & gt; & lt;/font & gt; & lt;br & gt; & lt;br & gt; 1972’s Cosmo - the only solo effort from Creedence Clearwater Revival’s drummer Doug & quot;Cosmo & quot; Clifford - was released shortly after the breakup of the legendary band. With elements of country and R & amp;B, Cosmo features CCR’s Stu Cook, Donald & quot;Duck & quot; Dunn and members of Tower of Power performing both original material and covers from the day. Available for the first time in 45 years, the LP is newly remastered by Clifford, pressed on 180-gram vinyl and housed in an old-school-style, tip-on jacket. & lt;br & gt; & lt;br & gt; & lt;b & gt;Features: & lt;/b & gt; & lt;br & gt; & amp;bull; 180g Vinyl & lt;br & gt; & amp;bull; Remastered by Doug Clifford & lt;br & gt; & amp;bull; Old-school tip-on jacket & lt;br & gt; & lt;br & gt; & lt;b & gt;Musicians: & lt;/b & gt; & lt;br & gt; Doug Clifford, drums, lead vocals & lt;br & gt; Stu Cook, rhythm guitar & lt;br & gt; Donald & quot;Duck & quot; Dunn, bass guitar & lt;br & gt; Judiyaba, cello & lt;br & gt; John Mingo Lewis, maracas, conga & lt;br & gt; John McFee, guitar, steel guitar & lt;br & gt; Steve Miller, piano & lt;br & gt; Armando Peraza, bongos, guitas & lt;br & gt; Tower Of Power Horn Section: & lt;br & gt; Greg Adams, trumpet & lt;br & gt; Emilio Castillo, tenor sax & lt;br & gt; Mic Gillette, trumpet, trombone & lt;br & gt; Stephen Kupka, baritone sax & lt;br & gt; Skip Mesquite, tenor sax & lt;br & gt; Walter Hawkins, vocals & lt;br & gt; Lynette Hawkins, vocals & lt;br & gt; Feddie Smith, vocals & lt;br & gt; Eddie Bayers, vocals & lt;br & gt; & lt;br & gt; & lt;b & gt;Selections: & lt;br & gt; Side 1: & lt;/b & gt; & lt;br & gt; 1. Latin Music & lt;br & gt; 2. Regret It (For The Rest Of Your Life) & lt;br & gt; 3. Guitars, Drums & amp; Girls & lt;br & gt; 4. I'm A Man & lt;br & gt; 5. She's About A Mover & lt;br & gt; 6. I Just Want To Cry & lt;br & gt; & lt;b & gt;Side 2: & lt;/b & gt; & lt;br & gt; 1. Get Your Raise & lt;br & gt; 2. Daydream & lt;br & gt; 3. Take A Train & lt;br & gt; 4. Death Machine & lt;br & gt; 5. Swingin' In A Hammock
Craft Recordings
Doug Clifford Cosmo 180g LP (Vinyl)
Booker T. & The MG's Melting Pot 180g LP (Vinyl)
& lt;header & gt; & lt;p & gt; & lt;strong & gt;Final Album To Feature The Clasic Lineup On 180g Vinyl LP! & lt;br & gt;All-Analog Mastering by Jeff Powell at Take Out Vinyl! & lt;br & gt; Pressed at Memphis Record Pressing! & lt;/strong & gt; & lt;/p & gt; & lt;/header & gt; & lt;p & gt;The 1971 studio album, Melting Pot, was the last album to feature the group's classic lineup including Booker T. Jones, Steve Cropper, Donald Dunn and Al Jackson, Jr. The album also features the Pepper Sings providing background vocals. & lt;/p & gt; & lt;blockquote cite= & quot;quote source & quot; & gt; & quot;Altogether, as an album, it works really well, with the group's customary taste and precision balanced against a new looseness and a return to earlier, funky playing patterns. That's more than enough to make it the best Booker T. album in some time, the Memphis Gas of the Year, and a Major Rock Event for everyone. & quot; & lt;footer & gt; -Rolling Stone & lt;/footer & gt; & lt;/blockquote & gt; & lt;section id= & quot;features & quot; & gt; & lt;section id= & quot;features & quot; & gt; & lt;h3 & gt;Features & lt;/h3 & gt; & lt;ul & gt; & lt;li & gt;180g Vinyl LP & lt;/li & gt; & lt;li & gt;All analog mastering by Jeff Powell at Take Out Vinyl & lt;/li & gt; & lt;li & gt;Pressed at Memphis Record Pressing & lt;/li & gt; & lt;li & gt;Made in USA & lt;/li & gt; & lt;/ul & gt; & lt;/section & gt; & lt;section id= & quot;selections & quot; & gt; & lt;h3 & gt;Selections & lt;/h3 & gt; & lt;h4 & gt;Side I: & lt;/h4 & gt; & lt;ol & gt; & lt;li & gt;Melting Pot & lt;/li & gt; & lt;li & gt;Back Home & lt;/li & gt; & lt;li & gt;Chicken Pox & lt;/li & gt; & lt;li & gt;Fuquawi & lt;/li & gt; & lt;/ol & gt; & lt;h4 & gt;Side II: & lt;/h4 & gt; & lt;ol & gt; & lt;li & gt;Kinda Easy Like & lt;/li & gt; & lt;li & gt;Hi Ride & lt;/li & gt; & lt;li & gt;L.A. Jazz Song & lt;/li & gt; & lt;li & gt;Sunny Monday & lt;/li & gt; & lt;/ol & gt; & lt;/section & gt;
Craft Recordings
Booker T. & The MG's Melting Pot 180g LP (Vinyl)
R.E.M. The Best of R.E.M. at the BBC 180g 2LP (Vinyl)
& lt;font color= & quot;#FF0000 & quot; & gt; & lt;b & gt;TAS Rated 4/5 Music, 3/5 Sonics in the February 2019 Issue of The Absolute Sound! & lt;/b & gt; & lt;/font & gt; & lt;br & gt; & lt;br & gt; & lt;font color= & quot;#FF0000 & quot; & gt; & lt;b & gt;180g Vinyl Double LP! Cut At Abbey Road Studios! & lt;br & gt; Collection Of In-Studio Sessions, TV Performances & amp; Live Broadcasts From The BBC Archives! & lt;/b & gt; & lt;/font & gt; & lt;br & gt; & lt;br & gt; R.E.M. grew up with the BBC, and this historic relationship is lovingly celebrated across an incredible collection that beautifully illustrates the career trajectory of one of modern music's greatest bands. & lt;br & gt; & lt;br & gt; In the U.S., R.E.M. came to attention in the early '80s and developed a fanbase around the band's relentless touring schedule and college radio airplay – a uniquely American network of local radio stations playing & quot;alternative & quot; music. The band's emergence in Europe also stemmed around their live forays in England, France, the Netherlands and Germany starting in '83. From this time, the BBC embraced the band – not only with airplay, but also with interviews, TV appearances and in-studio sessions. This strong bond between R.E.M. and the BBC throughout the band's career is celebrated here with Best Of R.E.M. At The BBC 180 gram 2LP set. The audio is delineated first by in-session performances - from 1991's Into The Night, to John Peel Sessions and through to the Radio 1 Live Lounge in 2008. & lt;br & gt; & lt;br & gt; The live broadcasts begin with a rough and tumble show in 1984 at Nottingham's Rock City, the stunning 1995 return from a 6 year touring hiatus for the Monster Tour at The National Bowl at Milton Keynes, followed by a blistering headline performance at Glastonbury's Pyramid Stage in 1999 and rounded out with 2004's intimate performance for 200 BBC-invited guests at London's St. James' Church. & lt;br & gt; & lt;br & gt; The band's history with the BBC is documented with a newly written overview of the BBC/R.E.M. connection by rock journalist Tom Doyle. & lt;br & gt; & lt;br & gt; & lt;b & gt; & quot;The wax edition is packed with well-known and less-familiar singles and should satisfy those R.E.M. fans who don't require deep cuts or repeat performs of songs that continued to work their way into the set list. ANd the vinyl still presents a broad spectrum of music, with intimate un-plugged selections balancing electric material that ranges from highly melodic pop to raw and exhilarating rock and roll. Like a good concert, BBC saves some of the biggest hits (including & quot;Losing My Religion & quot; and & quot;Man On the Moon & quot;) for last. And the version of & quot;Everybody Hurts & quot; that launches Side D so clearly sends the audience into a swoon (the single was a Top Ten hit in the UK) that fans in the States may reconsider where to place that song in R.E.M.'s canon. & quot; & lt;/b & gt; - Jeff Wilson, & lt;i & gt;The Absolute Sound & lt;/i & gt;, February 2019 & lt;br & gt; & lt;br & gt; & lt;b & gt;Features: & lt;/b & gt; & lt;br & gt; & amp;bull; 180g Vinyl & lt;br & gt; & amp;bull; Double LP & lt;br & gt; & amp;bull; Cut at Abbey Road Studios & lt;br & gt; & amp;bull; Gatefold jacket & lt;br & gt; & lt;br & gt; & lt;b & gt;Selections: & lt;br & gt; LP 1 - Best Of BBC Sessions & lt;br & gt; Side A: & lt;br & gt; & lt;/b & gt;Recorded for Nicky Campbell Session Into The Night on BBC Radio 1, First broadcast on 13 March 1991: & lt;br & gt; 1. World Leader Pretend & lt;br & gt; 2. Radio Song & lt;br & gt; 3. Losing My Religion & lt;br & gt; Recorded for John Peel Session on BBC Radio 1, First broadcast on 25 October 1998: & lt;br & gt; 4. Lotus & lt;br & gt; 5. At My Most Beautiful & lt;br & gt; & lt;b & gt;Side B: & lt;br & gt; & lt;/b & gt;Recorded for Mark and Lard on BBC Radio 1, First broadcast on 15 October 2003: & lt;br & gt; 1. Bad Day & lt;br & gt; 2. Orange Crush & lt;br & gt; Recorded for Drivetime on BBC Radio 2, First broadcast 15 October 2003: & lt;br & gt; 3. Man On The Moon & lt;br & gt; 4. Imitation Of Life & lt;br & gt; Recorded for Radio 1 Live Lounge on BBC Radio 1, First broadcast 26 March 2008: & lt;br & gt; 5. Supernatural Superserious & lt;br & gt; & lt;b & gt;LP 2 - Best Of BBC Live Broadcasts & lt;br & gt; Side C: & lt;br & gt; & lt;/b & gt;Recorded for In Concert on BBC Radio 1, Presented by Pete Drummond, First broadcast on 21 November 1984 from Rock City, Nottingham: & lt;br & gt; 1. Driver 8 & lt;br & gt; 2. Radio Free Europe & lt;br & gt; Recorded for BBC Radio 1, First broadcast on 30 July 1995 from Milton Keynes: & lt;br & gt; 3. What’s The Frequency, Kenneth? & lt;br & gt; 4. Drive & lt;br & gt; 5. Half A World Away & lt;br & gt; 6. Pop Song 89 & lt;br & gt; & lt;b & gt;Side D: & lt;br & gt; & lt;/b & gt;Recorded for BBC Radio 1, First broadcast on 25 June 1999 from Pyramid Stage Glastonbury Festival: & lt;br & gt; 1. Everybody Hurts & lt;br & gt; 2. Its The End Of The World As We Know It (And I Feel Fine) & lt;br & gt; Recorded for BBC Radio 2, First broadcast on 15 September 2004 from St. James’s Church, London: & lt;br & gt; 3. Losing My Religion & lt;br & gt; 4. Man On The Moon
Craft Recordings
R.E.M. The Best of R.E.M. at the BBC 180g 2LP (Vinyl)
Creedence Clearwater Revival Willy And The Poor Boys Half-Speed Mastered 180g LP (Vinyl)
& lt;header & gt; & lt;p & gt; & lt;strong & gt;Half-Speed Mastered 180g Vinyl LP! & lt;br & gt; Mastered by Miles Showell at Abbey Road Studios! & lt;/strong & gt; & lt;/p & gt; & lt;/header & gt; & lt;header & gt; & lt;p & gt; & lt;strong & gt;Rolling Stone 500 Greatest Albums of All Time - Rated 309/500! & lt;/strong & gt; & lt;/p & gt; & lt;/header & gt; & lt;p & gt;This 50th anniversary edition of Creedence Clearwater Revival's fourth studio album, originally released in 1969, is pressed on 180g vinyl mastered at half-speed for optimum audio quality by award-winning engineer Miles Showell at Abbey Road Studios in London. The release marks the first time the album has been available as a half-speed master individually; it was previously only part of CCR's 7LP Studio Album Collections box set. & lt;/p & gt; & lt;p & gt;Willy And The Poor Boys was released just three months after Green River, in November, to great critical and commercial approval. It featured the powerful anti-Vietnam message song & quot;Fortunate Son & quot; as well as familiar Creedence staples such as & quot;Down On The Corner & quot;, & quot;It Came Out Of The Sky & quot; and & quot;Midnight Special & quot;. The LP reached No. 3 on the Billboard album chart. & lt;/p & gt; & lt;p & gt;Mastered at half-speed at Abbey Road Studios, Willy And The Poor Boys benefits from an exacting process that allows for an exceptional level of sonic clarity and punch, bringing these classic recordings a new vibrancy. This 180-gram LP comes housed in a handsome tip-on jacket replicating the packaging of the original pressing. & lt;/p & gt; & lt;blockquote cite= & quot;www.pastemagazine.com & quot; & gt; Getting in under the gold anniversary wire, Craft Recordings has cut new vinyl editions of the final two CCR albums of '69, using hi-res transfers of the original analog tapes and mastered/cut at half-speed. The resulting LPs are loud and precise, with a lot of open space filled up comfortably with the liquid grooves of rhythm section of Doug Clifford and Stu Cook. These new versions are also a new chance for young listeners to fully appreciate how CCR slipped between stations, with elements of country, R & amp;B, pure blues and firebrand rock playing through each one. & lt;footer & gt; -Robert Ham, Paste Magazine & lt;/footer & gt; & lt;/blockquote & gt; & lt;section id= & quot;features & quot; & gt; & lt;h3 & gt;Features & lt;/h3 & gt; & lt;ul & gt; & lt;li & gt;50th Anniversary & lt;/li & gt; & lt;li & gt;180g Vinyl & lt;/li & gt; & lt;li & gt;Half-Speed Mastered by Miles Showell at Abbey Road Studios & lt;/li & gt; & lt;li & gt;Available as a stand-alone half-speed master LP for the first time & lt;/li & gt; & lt;li & gt;Handsome tip-on jacket replicating original packaging & lt;/li & gt; & lt;li & gt;Made in Germany & lt;/li & gt; & lt;/ul & gt; & lt;/section & gt; & lt;section id= & quot;selections & quot; & gt; & lt;h3 & gt;Selections & lt;/h3 & gt; & lt;h4 & gt;Side One: & lt;/h4 & gt; & lt;ol & gt; & lt;li & gt;Down On The Corner & lt;/li & gt; & lt;li & gt;It Came Out Of The Sky & lt;/li & gt; & lt;li & gt;Cotton Fields & lt;/li & gt; & lt;li & gt;Poorboy Shuffle & lt;/li & gt; & lt;li & gt;Feelin' Blue & lt;/li & gt; & lt;/ol & gt; & lt;h4 & gt;Side Two: & lt;/h4 & gt; & lt;ol & gt; & lt;li & gt;Fortunate Son & lt;/li & gt; & lt;li & gt;Don't Look Now (It Ain't You Or Me) & lt;/li & gt; & lt;li & gt;The Midnight Special & lt;/li & gt; & lt;li & gt;Side O' The Road & lt;/li & gt; & lt;li & gt;Effigy & lt;/li & gt; & lt;/ol & gt; & lt;/section & gt;
Craft Recordings
Creedence Clearwater Revival Willy And The Poor Boys Half-Speed Mastered 180g LP (Vinyl)
Sergio Mendes & Brasil '66 Greatest Hits LP (Vinyl)
& lt;font color= & quot;#FF0000 & quot; & gt; & lt;b & gt;Essential Collection Of Cool Bossa Nova Brilliance On Vinyl LP! & lt;/b & gt; & lt;/font & gt; & lt;br & gt; & lt;br & gt; Featuring 12 popular songs by arguably the most successful Brazilian artist of all time, Sergio Mendes, and his band Brasil '66, this collection offers the artist's signature blend of bossa nova and samba, paired with distinctive pop instrumentation. Originally released in 1970, the LP includes the group's biggest hits of the day, including & quot;Look of Love & quot;, & quot;Mais Que Nada & quot; as well as covers of Simon & amp; Garfunkel's & quot;Scarborough Fair & quot; and The Beatles' & quot;Fool On The Hill & quot;. & lt;br & gt; & lt;br & gt; & lt;b & gt;Features: & lt;/b & gt; & lt;br & gt; & amp;bull; Vinyl LP & lt;br & gt; & lt;br & gt; & lt;b & gt;Selections: & lt;br & gt; Side One: & lt;/b & gt; & lt;br & gt; 1. Mais Que Nada & lt;br & gt; 2. Scarborough Fair & lt;br & gt; 3. With A Little Help From My Friends & lt;br & gt; 4. Like A Lover & lt;br & gt; 5. Look Of Love & lt;br & gt; 6. Night And Day & lt;br & gt; & lt;b & gt;Side Two: & lt;/b & gt; & lt;br & gt; 1. The Fool On The Hill & lt;br & gt; 2. Goin' Out Of My Head & lt;br & gt; 3. Look Around & lt;br & gt; 4. So Many Stars & lt;br & gt; 5. Day Tripper & lt;br & gt; 6. Pretty World
Craft Recordings
Sergio Mendes & Brasil '66 Greatest Hits LP (Vinyl)
Natalie Cole Holly & Ivy 180g LP (Vinyl)
& lt;header & gt; & lt;p & gt; & lt;strong & gt;180g Vinyl LP! & lt;br & gt; Remastered by George Horn & amp; Anne-Marie Suenram at Fantasy Studios! & lt;br & gt; Pressed at RTI! & lt;/strong & gt; & lt;/p & gt; & lt;/header & gt; & lt;p & gt;The 25th anniversary reissue of Natalie Cole's bestselling album Holly & amp; Ivy, out on vinyl for the first time, features 12 holiday standards, including & quot;Jingle Bells, & quot; & quot;I'll Be Home For Christmas & quot; and & quot;The Christmas Song. & quot; Certified gold by the RIAA, this album was co-produced by Tommy LiPuma and offers an R & amp;B twist on holiday favorites, including several songs which Cole's iconic father, Nat King Cole, made popular decades before. This reissue has been remastered by George Horn and Anne-Marie Suenram at Fantasy Studios and pressed on 180-gram vinyl at RTI. & lt;/p & gt; & lt;section id= & quot;features & quot; & gt; & lt;h3 & gt;Features & lt;/h3 & gt; & lt;ul & gt; & lt;li & gt;25th Anniversary & lt;/li & gt; & lt;li & gt;180g Vinyl & lt;/li & gt; & lt;li & gt;First time on vinyl & lt;/li & gt; & lt;li & gt;Remastered by George Horn and Anne-Marie Suenram at Fantasy Studios & lt;/li & gt; & lt;li & gt;Pressed at RTI & lt;/li & gt; & lt;li & gt;Made in USA & lt;/li & gt; & lt;/ul & gt; & lt;/section & gt; & lt;section id= & quot;selections & quot; & gt; & lt;h3 & gt;Selections & lt;/h3 & gt; & lt;h4 & gt;Side A: & lt;/h4 & gt; & lt;ol & gt; & lt;li & gt;Jingle Bells & lt;/li & gt; & lt;li & gt;Caroling, Caroling & lt;/li & gt; & lt;li & gt;The First Noel & lt;/li & gt; & lt;li & gt;No More Blue Christmas & lt;/li & gt; & lt;li & gt;Christmas Medley: Jingle Bell Rock / Winter Wonderland / Little Drummer Boy / I'll Be Home For Christmas & lt;/li & gt; & lt;li & gt;Merry Christmas Baby & lt;/li & gt; & lt;/ol & gt; & lt;h4 & gt;Side B: & lt;/h4 & gt; & lt;ol & gt; & lt;li & gt;Joy To The World & lt;/li & gt; & lt;li & gt;The Little Boy That Santa Claus Forgot & lt;/li & gt; & lt;li & gt;A Song For Christmas & lt;/li & gt; & lt;li & gt;Silent Night & lt;/li & gt; & lt;li & gt;The Christmas Song (Chestnuts Roasting On An Open Fire) & lt;/li & gt; & lt;li & gt;The Holly & amp; The Ivy & lt;/li & gt; & lt;/ol & gt; & lt;/section & gt;
Craft Recordings
Natalie Cole Holly & Ivy 180g LP (Vinyl)
The Traveling Wilburys The Traveling Wilburys Vol. 1 LP (Picture Disc) (Vinyl)
& lt;font color= & quot;#FF0000 & quot; & gt; & lt;b & gt;Super-Group Debut Album On Limited Edition Picture Disc LP! & lt;br & gt; Includes The Hits & quot;End Of The Line & quot; & amp; & quot;Handle With Care & quot;! & lt;/b & gt; & lt;/font & gt; & lt;br & gt; & lt;br & gt; The Traveling Wilburys would have never referred to themselves as a supergroup. Though comprised of some of the biggest names in modern music, the band was much more nonchalant than that. Formed out of genuine friendship and spontaneity (and some would say pure kismet), the Traveling Wilburys were & lt;b & gt;George Harrison, Bob Dylan, Jeff Lynne, Tom Petty, & lt;/b & gt; and & lt;b & gt;Roy Orbison. & lt;/b & gt; & lt;br & gt; & lt;br & gt; The music they created together on their 1988 debut would win GRAMMY®s and garner platinum plaques, but, more than anything, it was a testament to the group's enduring chemistry and collective genius. Craft Recordings' 30th-anniversary 12-inch picture-disc reissue of The Traveling Wilburys Vol. 1 celebrates this blue moon moment in rock 'n' roll history. & lt;br & gt; & lt;br & gt; The A-side features the band's logo, with the B-side displaying an Alberto Tolot photo of the Wilburys. This limited edition 12 & quot; vinyl is housed in a die-cut sleeve revealing the picture disc in all its glory. & lt;br & gt; & lt;br & gt; & lt;b & gt;Features: & lt;/b & gt; & lt;br & gt; & amp;bull; Limited Edition Picture Disc & lt;br & gt; & amp;bull; 30th Anniversary & lt;br & gt; & amp;bull; A-side features the band's logo & lt;br & gt; & amp;bull; B-side features an Alberto Tolot photo of the group & lt;br & gt; & amp;bull; Die-cut sleeve & lt;br & gt; & lt;br & gt; & lt;b & gt;Selections: & lt;br & gt; Side One: & lt;/b & gt; & lt;br & gt; 1. Handle With Care & lt;br & gt; 2. Dirty World & lt;br & gt; 3. Rattled & lt;br & gt; 4. Last Night & lt;br & gt; 5. Not Alone Any More & lt;br & gt; & lt;b & gt;Side Two: & lt;/b & gt; & lt;br & gt; 1. Congratulations & lt;br & gt; 2. Heading For The Light & lt;br & gt; 3. Margarita & lt;br & gt; 4. Tweeter And The Monkey Man & lt;br & gt; 5. End Of The Line
Craft Recordings
The Traveling Wilburys The Traveling Wilburys Vol. 1 LP (Picture Disc) (Vinyl)
Roy Clark Greatest Hits LP (Vinyl)
& lt;header & gt; & lt;p & gt; & lt;strong & gt;Greatest Hits Collection On Vinyl LP! & lt;/strong & gt; & lt;/p & gt; & lt;/header & gt; & lt;p & gt;Roy Clark was one of the most important and influential musicians in country music. As the host of Hee Haw, Clark enjoyed a 30-million viewership from 1969-1997. His instrumental skill had an enormous effect on generations of musicians. & lt;/p & gt; & lt;p & gt; Clark was a member of the Grand Ole Opry and the Country Music Hall of Fame and was posthumously featured in Ken Burns' documentary on Country music. The only greatest hits album in print, this record includes the #1 hit & quot;Come Live With Me & quot; and the Top 10 crossover smash & quot;Yesterday When I Was Young & quot;. & lt;/p & gt; & lt;section id= & quot;features & quot; & gt; & lt;h3 & gt;Features & lt;/h3 & gt; & lt;ul & gt; & lt;li & gt;Vinyl LP & lt;/li & gt; & lt;li & gt;Mastered for vinyl by Chas Ferry & lt;/li & gt; & lt;/ul & gt; & lt;/section & gt; & lt;section id= & quot;selections & quot; & gt; & lt;h3 & gt;Selections & lt;/h3 & gt; & lt;h4 & gt;Side A: & lt;/h4 & gt; & lt;ol & gt; & lt;li & gt;The Tips Of My Fingers - From the album Yesterday When I Was Young; Dot 25953, 1969 & lt;/li & gt; & lt;li & gt;Yesterday When I Was Young - Dot single 17246; 1969 & lt;/li & gt; & lt;li & gt;Right Or Left At Oak Street - Dot single 17324; 1969 & lt;/li & gt; & lt;li & gt;I Never Picked Cotton - Dot single 17349; 1970 & lt;/li & gt; & lt;li & gt;Thank God And Greyhound - Dot single 17355; 1970 & lt;/li & gt; & lt;li & gt;Magnificent Sanctuary Band - Dot single 17395; 1971 & lt;/li & gt; & lt;li & gt;The Lawrence Welk-Hee Haw Counter-Revolution Polka - Dot single 17426; 1972 & lt;/li & gt; & lt;/ol & gt; & lt;h4 & gt;Side B: & lt;/h4 & gt; & lt;ol & gt; & lt;li & gt;Come Live With Me - Dot single 17449; 1973 & lt;/li & gt; & lt;li & gt;Riders In The Sky - From the album Superpicker; Dot 26008, 1973 & lt;/li & gt; & lt;li & gt;Somewhere Between Love And Tomorrow - Dot single 17480; 1973 & lt;/li & gt; & lt;li & gt;Honeymoon Feelin' - Dot single 17498; 1974 & lt;/li & gt; & lt;li & gt;Heart To Heart - ABC/Dot single 17565; 1975 & lt;/li & gt; & lt;li & gt;If I Had To Do It All Over Again - ABC/Dot single 17605; 1976 & lt;/li & gt; & lt;li & gt;Think Summer - ABC/Dot single 17626; 1976 & lt;/li & gt; & lt;/ol & gt; & lt;/section & gt;
Craft Recordings
Roy Clark Greatest Hits LP (Vinyl)
The Kenny Wayne Shepherd Band The Traveler 180g LP (Vinyl)
& lt;font color= & quot;#FF0000 & quot; & gt; & lt;b & gt;Original Music + Two Covers On 180g Vinyl LP! & lt;/b & gt; & lt;/font & gt; & lt;br & gt; & lt;br & gt; & lt;b & gt;Kenny Wayne Shepherd Band Distills a Quarter Century Onstage to Deliver the Traveler & lt;/b & gt; & lt;br & gt; & lt;br & gt; The Traveler is an album of experience and profound resonance by the Kenny Wayne Shepherd Band. Recorded in Los Angeles, while the band was on a break from their uncompromising tour schedule that left them road-tested and ready to rock, The Traveler showcases some world-class musicians: vocalist & lt;b & gt;Noah Hunt & lt;/b & gt;, drummer & lt;b & gt;Chris & quot;Whipper & quot; Layton & lt;/b & gt; (formerly of Stevie Ray Vaughan’s Double Trouble), bassist & lt;b & gt;Kevin McCormick & lt;/b & gt;, and keyboardists & lt;b & gt;Jimmy McGorman & lt;/b & gt; and & lt;b & gt;Joe Krown & lt;/b & gt;. The album features ten songs including eight new originals co-written by Kenny Wayne Shepherd and some of Nashville’s most in-demand songwriters, plus incendiary & lt;b & gt;covers of Buffalo Springfield’s & quot;Mr. Soul & quot; and Joe Walsh’s & quot;Turn to Stone. & quot; & lt;/b & gt; & lt;br & gt; & lt;br & gt; & lt;b & gt; & quot;Because of my family, my friends, and my fans I’ve been able to explore the depths of music and chase songs wherever they may lead me, & quot; & lt;/b & gt; says Kenny Wayne. & lt;b & gt; & quot;We’ve been able to do things and go places that were once just a dream, and it’s all because of the music and the people who support it. The Traveler is a return on their investment. & quot; & lt;/b & gt; & lt;br & gt; & lt;br & gt; Co-produced by Shepherd and Marshall Altman, The Traveler features some of the most distinctive music of Kenny Wayne’s storied career. New originals & quot;Woman Like You, & quot; & quot;Long Time Running, & quot; & quot;I Want You, & quot; & quot;Gravity & quot; and & quot;Tailwind & quot; (whose heartfelt lyrical metaphor provides the album’s title image) offer a scintillating balance of finesse and firepower, while the artist pays tribute to his influences with the album’s two covers. The seed for Shepherd’s menacing take on & quot;Mr. Soul & quot; was planted when he performed the song at a benefit show with Springfield founders Stephen Stills and Neil Young, and his epic reading of Joe Walsh’s & quot;Turn to Stone & quot; was first performed by Shepherd at a fundraising concert honoring Walsh. & lt;br & gt; & lt;br & gt; Now a quarter century into a career that started when he was 16, Shepherd is staying busier than ever with the release of The Traveler. & lt;br & gt; & lt;br & gt; Kenny Wayne Shepherd has sold millions of albums worldwide and, in addition to his five Grammy nominations, has won two Billboard Music Awards, a pair of Orville H. Gibson awards, the Blues Foundation’s Keeping The Blues Alive award and two Blues Music awards. & lt;br & gt; & lt;br & gt; & lt;b & gt;Features: & lt;/b & gt; & lt;br & gt; & amp;bull; 180g Vinyl LP & lt;br & gt; & amp;bull; Mastering by Bob Ludwig, Gateway Studios, Portland, Maine & lt;br & gt; & amp;bull; Limited time download code & lt;br & gt; & amp;bull; Made in the EU & lt;br & gt; & lt;br & gt; & lt;b & gt;Selections: & lt;/b & gt; & lt;br & gt; 1. Woman Like You & lt;br & gt; 2. Long Time Running & lt;br & gt; 3. I Want You & lt;br & gt; 4. Tailwind & lt;br & gt; 5. Gravity & lt;br & gt; 6. We All Alright & lt;br & gt; 7. Take It On Home & lt;br & gt; 8. Mr. Soul & lt;br & gt; 9. Better With Time & lt;br & gt; 10. Turn To Stone
Craft Recordings
The Kenny Wayne Shepherd Band The Traveler 180g LP (Vinyl)
Embrace If You've Never Been 180g LP (Vinyl)
& lt;header & gt; & lt;p & gt; & lt;strong & gt;Reissued On 180g Vinyl LP! & lt;br & gt;Pressed at Memphis Record Pressing! & lt;/strong & gt; & lt;/p & gt; & lt;/header & gt; & lt;p & gt;Following in the footsteps of Oasis and the Verve, Embrace became a late '90s pop sensation in post Brit-pop Britain. This vinyl represents the first reissue of their third album, If You've Never Been. The album showed a dramatic shift in direction from their earlier sound, displaying their versatility in a thoughtful, tender approach to the body of work. The format has been long out-of-print since its original 2001 release, making this in-demand for collectors and fans alike. & lt;/p & gt; & lt;p & gt;The 2001 released album features the singles & quot;Wonder & quot; and & quot;Make It Last & quot; as well as the title track. & lt;/p & gt; & lt;blockquote cite= & quot;quote source & quot; & gt; Their most compelling piece of work to date. & lt;footer & gt; -Drowned in Sound & lt;/footer & gt; & lt;/blockquote & gt; & lt;section id= & quot;features & quot; & gt; & lt;h3 & gt;Features & lt;/h3 & gt; & lt;ul & gt; & lt;li & gt;180g Vinyl & lt;/li & gt; & lt;li & gt;Pressed at Memphis Record Pressing & lt;/li & gt; & lt;li & gt;First vinyl reissue & lt;/li & gt; & lt;li & gt;Made in USA & lt;/li & gt; & lt;/ul & gt; & lt;/section & gt; & lt;section id= & quot;selections & quot; & gt; & lt;h3 & gt;Selections & lt;/h3 & gt; & lt;h4 & gt;Side A: & lt;/h4 & gt; & lt;ol & gt; & lt;li & gt;Over & lt;/li & gt; & lt;li & gt;I Hope You're Happy Now & lt;/li & gt; & lt;li & gt;Wonder & lt;/li & gt; & lt;li & gt;Many Will Learn & lt;/li & gt; & lt;li & gt;It's Gonna Take Time & lt;/li & gt; & lt;/ol & gt; & lt;h4 & gt;Side B: & lt;/h4 & gt; & lt;ol start= & quot;6 & quot; & gt; & lt;li & gt;Hey, What You Trying To Say & lt;/li & gt; & lt;li & gt;If You've Never Been In Love With Anything & lt;/li & gt; & lt;li & gt;Make It Last & lt;/li & gt; & lt;li & gt;Happiness Will Get You In The End & lt;/li & gt; & lt;li & gt;Satellites & lt;/li & gt; & lt;/ol & gt; & lt;/section & gt;
Craft Recordings
Embrace If You've Never Been 180g LP (Vinyl)
Abbey Lincoln Abbey Is Blue 180g LP (Vinyl)
& lt;header & gt; & lt;p & gt; & lt;strong & gt;180g Vinyl LP Pressed at RTI! & lt;br & gt; Lincoln's Breakthrough Album On Riverside! & lt;br & gt; Featuring an All-Star Lineup Including Kenny Dorham, Stanley Turrentine, Wynton Kelly, Sam Jones, Philly Joe Jones, Max Roach & amp; More! & lt;br & gt; All Analog Mastering From The Original Tapes by Kevin Gray at Cohearent Audio! & lt;/strong & gt; & lt;/p & gt; & lt;/header & gt; & lt;p & gt; & lt;strong & gt;TAS Rated 5/5 Music, 3.5/5 Sonics in the September 2021 Issue of The Absolute Sound! & lt;/strong & gt; & lt;/p & gt; & lt;p & gt;Abbey Is Blue is the fourth album by American jazz vocalist Abbey Lincoln, featuring tracks recorded in 1959 for Riverside Records. A breakout performance for the jazz legend - this album displays Lincoln perfectly poised between jazz for show and jazz with a purpose. The album features an all-star lineup that includes Kenny Dorham, Stanley Turrentine, Wynton Kelly, Sam Jones, Philly Joe Jones and Max Roach. 180G LP. Single Tip-On Jacket. & lt;/p & gt; & lt;blockquote cite= & quot;www.pastemagazine.com & quot; & gt; In 1960, Abbey Lincoln was given a major platform for her vocal talents on Max Roach's daring political jazz album We Insist!. It opened the doors to collaborations with Eric Dolphy and Cedar Walton, as well as acting gigs for TV and film. That work has often overshadowed Lincoln's earlier efforts, like this wonderful collection recorded for Riverside in 1959. The music is delicate and restrained. The musicians - Stanley Turrentine, Julian Priester and Philly Joe Jones, among them - sneak into the picture cautiously, not daring to pull focus from Lincoln's cooly powerful vocals. She exerts no effort and avoids all flights of musical fancy. Lincoln states her case plainly and beautifully. And this new edition, remastered by the great Kevin Gray at Cohearant Audio, feels as rich and indulgent as a lava cake. & lt;footer & gt; -Robert Ham, Paste Magazine & lt;/footer & gt; & lt;/blockquote & gt; & lt;blockquote cite= & quot;www.theabsolutesound.com & quot; & gt; We all get the blues, and sometimes it takes a musician who has plunged into the depths to help us come out on the other side. Abbey Lincoln was able to do just that. & lt;footer & gt; -Jeff Wilson, The Absolute Sound, September 2021, Music 5/5, Sonics 3.5/5 & lt;/footer & gt; & lt;/blockquote & gt; & lt;section id= & quot;features & quot; & gt; & lt;h3 & gt;Features & lt;/h3 & gt; & lt;ul & gt; & lt;li & gt;180g Vinyl LP & lt;/li & gt; & lt;li & gt;All analog mastering from the original tapes by Kevin Gray at Cohearent Audio & lt;/li & gt; & lt;li & gt;Pressed at RTI & lt;/li & gt; & lt;li & gt;Single Tip-On Jacket & lt;/li & gt; & lt;li & gt;Made in USA & lt;/li & gt; & lt;/ul & gt; & lt;/section & gt; & lt;section id= & quot;musicians & quot; & gt; & lt;h3 & gt;Musicians & lt;/h3 & gt; & lt;table & gt; & lt;tr & gt; & lt;th & gt;Abbey Lincoln & lt;/th & gt; & lt;td & gt;vocals & lt;/td & gt; & lt;/tr & gt; & lt;tr & gt; & lt;th & gt;Kenny Dorham & lt;/th & gt; & lt;td & gt;trumpet (A2, A4-A5, B2-B4) & lt;/td & gt; & lt;/tr & gt; & lt;tr & gt; & lt;th & gt;Tommy Turrentine & lt;/th & gt; & lt;td & gt;trumpet (A1, A3, B1, B5) & lt;/td & gt; & lt;/tr & gt; & lt;tr & gt; & lt;th & gt;Stanley Turrentine & lt;/th & gt; & lt;td & gt;tenor sax (A1, A3, B1, B5) & lt;/td & gt; & lt;/tr & gt; & lt;tr & gt; & lt;th & gt;Julian Priester & lt;/th & gt; & lt;td & gt;trombone (A1, A3, B1, B5) & lt;/td & gt; & lt;/tr & gt; & lt;tr & gt; & lt;th & gt;Les Spann & lt;/th & gt; & lt;td & gt;guitar (A2, A4-A5, B2-B4) flute (A5) & lt;/td & gt; & lt;/tr & gt; & lt;tr & gt; & lt;th & gt;Wynton Kelly & lt;/th & gt; & lt;td & gt;piano (A2, A4-A5) & lt;/td & gt; & lt;/tr & gt; & lt;tr & gt; & lt;th & gt;Cedar Walton & lt;/th & gt; & lt;td & gt;piano (A3, B1) & lt;/td & gt; & lt;/tr & gt; & lt;tr & gt; & lt;th & gt;Phil Wright & lt;/th & gt; & lt;td & gt;piano (B2-B4) & lt;/td & gt; & lt;/tr & gt; & lt;tr & gt; & lt;th & gt;Bobby Boswell & lt;/th & gt; & lt;td & gt;bass (A1, A3, B1, B5) & lt;/td & gt; & lt;/tr & gt; & lt;tr & gt; & lt;th & gt;Sam Jones & lt;/th & gt; & lt;td & gt;bass (A2, A4-A5, B2-B4) & lt;/td & gt; & lt;/tr & gt; & lt;tr & gt; & lt;th & gt;Philly Joe Jones & lt;/th & gt; & lt;td & gt;drums (A2, A4-A5, B2-B4) & lt;/td & gt; & lt;/tr & gt; & lt;tr & gt; & lt;th & gt;Max Roach & lt;/th & gt; & lt;td & gt;drums (A1, A3, B1, B5) & lt;/td & gt; & lt;/tr & gt; & lt;/table & gt; & lt;/section & gt; & lt;section id= & quot;selections & quot; & gt; & lt;h3 & gt;Selections & lt;/h3 & gt; & lt;h4 & gt;Side 1: & lt;/h4 & gt; & lt;ol & gt; & lt;li & gt;Afro-Blue & lt;/li & gt; & lt;li & gt;Lonely House & lt;/li & gt; & lt;li & gt;Let Up & lt;/li & gt; & lt;li & gt;Thursday's Child & lt;/li & gt; & lt;li & gt;Brother, Where Are You? & lt;/li & gt; & lt;/ol & gt; & lt;h4 & gt;Side 2: & lt;/h4 & gt; & lt;ol & gt; & lt;li & gt;Laugh, Clown, Laugh & lt;/li & gt; & lt;li & gt;Come Sunday & lt;/li & gt; & lt;li & gt;Softly, As In A Morning Sunrise & lt;/li & gt; & lt;li & gt;Lost In The Stars & lt;/li & gt; & lt;li & gt;Long As You're Living & lt;/li & gt; & lt;/ol & gt; & lt;/section & gt;
Craft Recordings
Abbey Lincoln Abbey Is Blue 180g LP (Vinyl)
Pete Rodriguez I Like It Like That (A Mi Me Gusta Asi) 180g LP (Vinyl)
& lt;header & gt; & lt;p & gt; & lt;strong & gt;Genre-Defining Album On 180g Vinyl LP! & lt;br & gt; All-Analog Mastering From The Original Tapes by Kevin Gray at Cohearent Audio! & lt;/strong & gt; & lt;/p & gt; & lt;/header & gt; & lt;p & gt;The album that defined the Latin boogaloo sound by Bronx-born, Puerto Rican bandleader and pianist Pete Rodriguez, known as & quot;The King of Boogaloo. & quot; Released in 1967 on Alegre Records, the album's hits include & quot;I Like It Like That, & quot; & quot;Micaela & quot; and & quot;El Hueso. & quot; The irresistible title track topped the charts and became one of the most influential Latin dance songs of the era. 180-gram vinyl, ALL-ANALOG mastering by Dave Cooley at Elysian Masters. & lt;/p & gt; & lt;section id= & quot;features & quot; & gt; & lt;h3 & gt;Features & lt;/h3 & gt; & lt;ul & gt; & lt;li & gt;180g Vinyl LP & lt;/li & gt; & lt;li & gt;All-Analog mastering from the original tapes by Kevin Gray at Cohearent Audio & lt;/li & gt; & lt;li & gt;Pressed at Memphis Record Pressing & lt;/li & gt; & lt;li & gt;Made in USA & lt;/li & gt; & lt;!--More features go here in & lt;li & gt; tags-- & gt; & lt;/ul & gt; & lt;/section & gt; & lt;section id= & quot;selections & quot; & gt; & lt;h3 & gt;Selections & lt;/h3 & gt; & lt;h4 & gt;Side A: & lt;/h4 & gt; & lt;ol & gt; & lt;li & gt;I Like It (I Like It Like That) & lt;/li & gt; & lt;li & gt;El Hueso & lt;/li & gt; & lt;li & gt;Pete's Madness & lt;/li & gt; & lt;/ol & gt; & lt;h4 & gt;Side B: & lt;/h4 & gt; & lt;ol & gt; & lt;li & gt;Micaela & lt;/li & gt; & lt;li & gt;3 And 1 & lt;/li & gt; & lt;li & gt;Si Quieres Bailar & lt;/li & gt; & lt;li & gt;Soy El Rey & lt;/li & gt; & lt;/ol & gt; & lt;/section & gt;
Craft Recordings
Pete Rodriguez I Like It Like That (A Mi Me Gusta Asi) 180g LP (Vinyl)
Social Distortion Mainliner (Wreckage From The Past) LP (Vinyl)
& lt;header & gt; & lt;p & gt; & lt;strong & gt;Early Singles & amp; B-Sides From So-Cal's Finest On Vinyl LP! & lt;br & gt; Includes & quot;1945 & quot;, & quot;Moral Threat & quot; & amp; A Cover Of & quot;Under My Thumb & quot;! & lt;/strong & gt; & lt;/p & gt; & lt;/header & gt; & lt;p & gt;Formed in 1979, Social Distortion have come to be known for their distinctive brand of hard rockabilly and punk that's cut with frontman Mike Ness' melodic lyrics, chronicling hard-luck tales of love, loss and lessons learned. This collection comprises early singles and B-sides originally released circa 1981 to 1983, including & quot;1945 & quot;, & quot;Moral Threat & quot; and the cover of the Rolling Stones' & quot;Under My Thumb & quot;. & lt;/p & gt; & lt;blockquote cite= & quot;quote source & quot; & gt; [Mainliner] chronicles the formative years of Orange County's longest-running and most consistently excellent alternative-rock band. & lt;footer & gt; -LA Times & lt;/footer & gt; & lt;/blockquote & gt; & lt;section id= & quot;features & quot; & gt; & lt;h3 & gt;Features & lt;/h3 & gt; & lt;ul & gt; & lt;li & gt;Vinyl LP & lt;/li & gt; & lt;li & gt;Made in USA & lt;/li & gt; & lt;/ul & gt; & lt;/section & gt; & lt;section id= & quot;selections & quot; & gt; & lt;h3 & gt;Selections & lt;/h3 & gt; & lt;h4 & gt;Side 1: & lt;/h4 & gt; & lt;ol & gt; & lt;li & gt;1945 (Posh Boy) & lt;/li & gt; & lt;li & gt;Playpen (Posh Boy) & lt;/li & gt; & lt;li & gt;Mainliner & lt;/li & gt; & lt;li & gt;Moral Threat & lt;/li & gt; & lt;li & gt;All The Answers & lt;/li & gt; & lt;/ol & gt; & lt;h4 & gt;Side 2: & lt;/h4 & gt; & lt;ol & gt; & lt;li & gt;Justice For All & lt;/li & gt; & lt;li & gt;Under My Thumb & lt;/li & gt; & lt;li & gt;1945 (13th Floor) & lt;/li & gt; & lt;li & gt;Playpen (13th Floor) & lt;/li & gt; & lt;li & gt;Mass Hysteria & lt;/li & gt; & lt;/ol & gt; & lt;/section & gt;
Craft Recordings
Social Distortion Mainliner (Wreckage From The Past) LP (Vinyl)
Santana In Search Of Mona Lisa 12" Vinyl EP
& lt;font color= & quot;#FF0000 & quot; & gt; & lt;b & gt;Dramatic Five-Track Vinyl EP! & lt;/b & gt; & lt;/font & gt; & lt;br & gt; & lt;br & gt; On three spellbinding and transportive new songs, Carlos Santana takes listeners inside a magical and deeply personal experience he had when he visited the Louvre Museum in Paris, France and set his eyes on Leonardo da Vinci’s beguiling masterpiece. The experience of seeing the Mona Lisa for the first time came flooding back to Santana months later, when he awoke from a dream with the lyrics to what would become the songs & quot;In Search of Mona Lisa & quot; and & quot;Do You Remember Me & quot; fully formed in his mind. & lt;b & gt; & quot;It was the first time that I ever woke up and lyrics were there in a tangible way, & quot; & lt;/b & gt; he reveals. & lt;b & gt; & quot;I could just grab them and write the songs. & quot; & lt;/b & gt; & lt;br & gt; & lt;br & gt; On & quot;Do You Remember Me & quot;, Carlos begins the song with passionate melodies and an invitation to dance. Once the band kicks in with a graceful Afro-Cuban groove (courtesy of wife Cindy Blackman Santana on drums, with Karl Perazzo on congas, timbales and percussion), Santana opens up on a full five minutes of some of his most gorgeous soloing yet – his lead lines are stinging, teasing, crying and sensuous – before singers Andy Vargas and Ray Greene take over. The EP's title track sets an entirely different mood. Santana had shown his lyrics for & quot;In Search of Mona Lisa & quot; to producer Narada Michael Walden, who suggested a Bo Diddley-esque rhythm. & quot;I wasn't expecting that, but I immediately liked the idea, & quot; Santana says. With Walden rocking a rave-up drumbeat (he also overdubbed bass and keyboards), Santana lets loose with biting, wah-drenched call-and-response phrases with singer Cornell & quot;CC & quot; Carter before he takes flight on an impassioned extended guitar solo. & lt;br & gt; & lt;br & gt; While & quot;In Search of Mona Lisa & quot; was being recorded, Cindy suggested doing something more symphonic and bringing in bass master Ron Carter. & quot;That's all I needed to hear, & quot; Santana enthuses. & quot;I was like, 'Oh, my God. Of course!' & quot; The resulting track, & quot;Lovers From Another Time & quot;, unfolds much like the painting that inspired the music itself, with the dual drumming of Cindy and Walden mixing with Carter's elegant basslines to create a living and breathing canvas on which Santana splashes vibrant six-string colors and textures. & lt;br & gt; & lt;br & gt; & lt;b & gt;Features: & lt;/b & gt; & lt;br & gt; & amp;bull; 12 & quot; Vinyl EP & lt;br & gt; & lt;br & gt; & lt;b & gt;Selections: & lt;br & gt; Side 1: & lt;/b & gt; & lt;br & gt; 1. Do You Remember Me & lt;br & gt; 2. In Search Of Mona Lisa & lt;br & gt; 3. Lovers From Another Time & lt;br & gt; & lt;b & gt;Side 2: & lt;/b & gt; & lt;br & gt; 1. Do You Remember Me (Edit Version) & lt;br & gt; 2. In Search Of Mona Lisa (Edit Version)
Craft Recordings
Santana In Search Of Mona Lisa 12" Vinyl EP
Big Star #1 Record 180g LP Craft Records (Vinyl)
& lt;header & gt; & lt;p & gt; & lt;strong & gt;One Of The Most Influential Debut Albums Of All Time On 180g Vinyl LP! & lt;/strong & gt; & lt;/p & gt; & lt;/header & gt; & lt;header & gt; & lt;p & gt; & lt;strong & gt;Analog Planet Rated 10/11 Music, 9/11 Sonics! & lt;/strong & gt; & lt;/p & gt; & lt;/header & gt; & lt;p & gt; & lt;strong & gt;Rolling Stone 500 Greatest Albums of All Time - Rated 434/500! & lt;br & gt; Rolling Stone 500 Greatest Songs of All Time - & quot;Thirteen & quot; - Rated 406/500! & lt;/strong & gt; & lt;/p & gt; & lt;p & gt;Seemingly snake-bit from the start, Big Star's pure creative side exploded with their first two albums, both of which would eventually become icons of American Power Pop. This Memphis foursome, originally founded by Chris Bell in 1971 and joined shortly thereafter by the legendary chameleon Alex Chilton, would suffer due to personnel issues and distribution problems by their label, delaying their place in musical history. One of the ultimate cult bands in popular music, #1 Record and Radio City would both influence artists-to-come such as Tom Petty, R.E.M., The Replacements and The Bangles, to name just a few. Both titles placed within Rolling Stone magazine's poll of The 500 Greatest Albums of All Time. & lt;/p & gt; & lt;p & gt;#1 Record (1972) is the band's only full album to feature Chris Bell. This brilliant debut sustains a 1960's British feel mixed with a Memphis edge. The layered twin alpha-male harmonies are slightly reminiscent of Lennon and McCartney's early Parlophone sides. The singles released, & quot;When My Baby's Beside Me & quot; and & quot;Don't Lie To Me & quot; reveal surprisingly elegant songwriting from talent so young while another album track, & quot;In The Streets & quot;, would later be resurrected and slightly reworked as the main opening theme to the television sit-com That 70's Show, turning a whole new generation onto their staying power. & lt;/p & gt; & lt;blockquote cite= & quot;quote source & quot; & gt; Chilton wrote this acoustic ballad about two kids in love with rock & amp; roll, featuring the deathless couplet 'Won't you tell your dad, 'Get off my back'/Tell him what we said about 'Paint It Black.' It's simple musically; as Chilton said, 'I was still learning to play and stuff.' It never came out as a single or got any radio play, but 'Thirteen' is one of rock's most beautiful celebrations of adolescence. & lt;footer & gt; -Rolling Stone & lt;/footer & gt; & lt;/blockquote & gt; & lt;blockquote cite= & quot;www.pastemagazine.com & quot; & gt; Reissues of Big Star's work are abundant, including multiple repressings of these albums, but unless you're willing to take out a second mortgage to afford OG copies of #1 Record and Radio City, this is truly your best bet. Both Craft pressings were taken from the original analog master tapes and sound exactly as you'd hope. The rockers explode, the ballads melt, and everything in between feels as cushy and warm as ever. If you have some Christmas cash still burning a hole in your pocket, use it to get these into your collection. & lt;footer & gt; -Robert Ham, Paste Magazine & lt;/footer & gt; & lt;/blockquote & gt; & lt;blockquote cite= & quot;www.analogplanet.com & quot; & gt; Mastered by Jeff Powell at Take Out Vinyl and pressed at Memphis Record Pressings, my copy was nothing less than phenomenal... #1 Record is an album that belongs in your collection, it's as simple as that. Thanks to the sonic wonders of all analogue mastering, this album is now available in a form that pays tribute to the artist's original intentions. & lt;footer & gt; -Nathan Zeller, Analog Planet, Music 10/11, Sound 9/11 & lt;/footer & gt; & lt;/blockquote & gt; & lt;section id= & quot;features & quot; & gt; & lt;h3 & gt;Features & lt;/h3 & gt; & lt;ul & gt; & lt;li & gt;180g Vinyl LP & lt;/li & gt; & lt;li & gt;Recorded at Ardent Studios in Memphis & lt;/li & gt; & lt;li & gt;All Analog mastering by Jeff Powell at Take Out Vinyl in Memphis & lt;/li & gt; & lt;li & gt;Pressed at Memphis Record Pressing & lt;/li & gt; & lt;li & gt;Made in USA & lt;/li & gt; & lt;/ul & gt; & lt;/section & gt; & lt;section id= & quot;musicians & quot; & gt; & lt;h3 & gt;Musicians & lt;/h3 & gt; & lt;table & gt; & lt;tr & gt; & lt;th & gt;Christopher Bell & lt;/th & gt; & lt;td & gt;guitars, vocals & lt;/td & gt; & lt;/tr & gt; & lt;tr & gt; & lt;th & gt;Alex Chilton & lt;/th & gt; & lt;td & gt;guitars, vocals & lt;/td & gt; & lt;/tr & gt; & lt;tr & gt; & lt;th & gt;Andy Hummel & lt;/th & gt; & lt;td & gt;bass guitar, piano, vocals & lt;/td & gt; & lt;/tr & gt; & lt;tr & gt; & lt;th & gt;Jody Stephens & lt;/th & gt; & lt;td & gt;drums, vocals & lt;/td & gt; & lt;/tr & gt; & lt;/table & gt; & lt;/section & gt; & lt;section id= & quot;selections & quot; & gt; & lt;h3 & gt;Selections & lt;/h3 & gt; & lt;h4 & gt;Side One: & lt;/h4 & gt; & lt;ol & gt; & lt;li & gt;Feel & lt;/li & gt; & lt;li & gt;The Ballad Of El Goodo & lt;/li & gt; & lt;li & gt;In The Street & lt;/li & gt; & lt;li & gt;Thirteen & lt;/li & gt; & lt;li & gt;Don't Lie To Me & lt;/li & gt; & lt;li & gt;The India Song & lt;/li & gt; & lt;/ol & gt; & lt;h4 & gt;Side Two: & lt;/h4 & gt; & lt;ol & gt; & lt;li & gt;When My Baby's Beside Me & lt;/li & gt; & lt;li & gt;My Life Is Right & lt;/li & gt; & lt;li & gt;Give Me Another Chance & lt;/li & gt; & lt;li & gt;Try Again & lt;/li & gt; & lt;li & gt;Watch The Sunrise & lt;/li & gt; & lt;li & gt;ST100/6 & lt;/li & gt; & lt;/ol & gt; & lt;/section & gt;
Craft Recordings
Big Star #1 Record 180g LP Craft Records (Vinyl)
Junior Wells Coming At You 180g LP (Vinyl)
& lt;font color= & quot;#FF0000 & quot; & gt; & lt;b & gt;180g Vinyl LP! First Time On Vinyl In 40 Years! & lt;br & gt; Lacquers Cut From Original Analog Masters by Capitol Mastering's Ron McMaster! & lt;/b & gt; & lt;/font & gt; & lt;br & gt; & lt;br & gt; The Chicago blues vocalist, harmonica player, and recording artist, Junior Wells was one of the pioneers of the amplified blues harp-style associated with Chicago. His signature songs was & quot;Messin' With the Kid' and his 1965 album, Hoodoo Man Blues, was described by Bill Dahl as 'one of the truly classic blues albums of the 1960s. & quot; & lt;br & gt; & lt;br & gt; One of the great electric blues albums of the ‘60s, this gem features harmonica player and singer Junior Wells at his finest. With fellow Chicago musician Buddy Guy on lead guitar, Coming At You showcases the two fiery musician’s talents in the studio, as they play a selection of blues standards. Back on vinyl for the first time in over 40 years, this 50th anniversary reissue was cut from the original analog master, pressed on 180-gram vinyl, and comes housed in a tip-on jacket. & lt;br & gt; & lt;br & gt; & lt;b & gt; & quot;Another eminently solid outing by the legendary harpist that captures his trademark barroom bravado in a studio setting. The band is quite tight -- Buddy Guy and Lefty Dizz are the guitarists, Douglas Fagan plays sax, and Clark Terry, believe it or not, occupies a third of the trumpet section -- and the set list is dominated by oldies from both Sonny Boys, Willie Dixon, and John D. Loudermilk (Junior invests his & quot;Tobacco Road & quot; with a lights-out toughness that the Nashville Teens could never even imagine). & quot; & lt;/b & gt; - allmusic.com & lt;br & gt; & lt;br & gt; & quot;The Original Blues Brothers, & quot; as Rolling Stone dubbed them (Buddy Guy and Junior Wells), were frequent studio and stage collaborators throughout the ‘60s and ’70s, producing some of their finest recorded work together. 2018 marks the 50th anniversary for both Buddy Guy’s A Man and the Blues and Junior Well’s Coming at You, seminal albums from the Vanguard Records archives that were among the first to capture Chicago’s signature electric blues sound. Both titles are reissued on 180-gram vinyl cut from the original analog masters by Capitol Mastering’s Ron McMaster. & lt;br & gt; & lt;br & gt; & lt;b & gt;Features: & lt;/b & gt; & lt;br & gt; & amp;bull; 180g Vinyl & lt;br & gt; & amp;bull; 50th Anniversary Edition & lt;br & gt; & amp;bull; Available on vinyl for the first time in 40 years! & lt;br & gt; & amp;bull; Lacquers cut from the original analog masters by Ron McMaster at Capitol Mastering & lt;br & gt; & amp;bull; Tip-on jacket & lt;br & gt; & lt;br & gt; & lt;b & gt;Musicians: & lt;/b & gt; & lt;br & gt; Junior Wells, harmonica, vocals & lt;br & gt; Buddy Guy, lead guitar & lt;br & gt; Walter Williams, rhythm guitar & lt;br & gt; Douglas Fagan, tenor sax & lt;br & gt; Levi Warren, drums & lt;br & gt; Tom Crawford, bass & lt;br & gt; Clark Terry, trumpet & lt;br & gt; Wallace Davenport, trumpet & lt;br & gt; Jimmy Owens, trumpet & lt;br & gt; Tom McIntosh, trombone on & quot;Stop Breakin' Down & quot;, & quot;Little By Little & quot; and & quot;You Don't Love Me & quot; & lt;br & gt; & lt;br & gt; & lt;b & gt;Selections: & lt;br & gt; Side One: & lt;/b & gt; & lt;br & gt; 1. Stop Breakin' Down & lt;br & gt; 2. Somebody's Tippin In & lt;br & gt; 3. Five Long Years & lt;br & gt; 4. Mystery Train & lt;br & gt; 5. So Sad This Morning & lt;br & gt; 6. When My Baby Left Me & lt;br & gt; & lt;b & gt;Side Two: & lt;/b & gt; & lt;br & gt; 1. Little By Little & lt;br & gt; 2. Tobacco Road & lt;br & gt; 3. Worried Life Blues & lt;br & gt; 4. I'm Your Hoochie Coochie Man & lt;br & gt; 5. You Don't Love Me
Craft Recordings
Junior Wells Coming At You 180g LP (Vinyl)
James Taylor One Man Band 180g 2LP (Vinyl)
& lt;font color= & quot;#FF0000 & quot; & gt; & lt;b & gt;Intimate Live Re-Workings Of Classic Favorites On 180g Vinyl Double LP! & lt;br & gt; First Time On Vinyl! & lt;br & gt; Mastered by Ryan Smith at Sterling Sound & amp; Pressed at RTI!! & lt;/b & gt; & lt;/font & gt; & lt;br & gt; & lt;br & gt; This 2007 album features Taylor performing classic songs from across his catalog with just guitar and piano accompaniment. Never before available on vinyl the album has been certified Gold by RIAA. & lt;br & gt; & lt;br & gt; The album includes hits such as & quot;Country Road, & quot; & quot;You’ve Got A Friend, & quot; & quot;Sweet Baby James, & quot; & quot;Carolina In My Mind, & quot; & quot;Fire and Rain & quot; and & quot;Copperline. & quot; & lt;br & gt; & lt;br & gt; & lt;b & gt; & quot;There is something satisfying about listening to One Man Band on vinyl, as opposed to a CD or streaming. It is most likely the nostalgic feeling that you get when you put the needle on the record and hear a timeless song like 'You've Got a Friend' play over the speakers. Of course, the 180-gram vinyl sounds a lot better than that used vinyl copy of Sweet Baby James that has lasted since the 70's. Being that this is a live recording and it's the first time it's being released on vinyl, it is a perfect addition for someone who has heard the hits and would like to hear more of James Taylor as well as the lifetime Taylor fans. Music fans can't go wrong by listening to an artist that The Beatles themselves signed to Apple Records in the sixties. & quot; & lt;/b & gt; - Joey Willis, Glide Magazine & lt;br & gt; & lt;br & gt; & lt;b & gt;Features: & lt;/b & gt; & lt;br & gt; & amp;bull; 180g Vinyl & lt;br & gt; & amp;bull; Double LP & lt;br & gt; & amp;bull; First time on vinyl & lt;br & gt; & amp;bull; Mastering and lacquers cut by Ryan Smith at Sterling Sound & lt;br & gt; & amp;bull; Pressed at RTI & lt;br & gt; & amp;bull; Gatefold jacket & lt;br & gt; & amp;bull; Made in U.S.A. & lt;br & gt; & lt;br & gt; & lt;b & gt;Selections: & lt;br & gt; Side A: & lt;/b & gt; & lt;br & gt; 1. Something In The Way She Moves & lt;br & gt; 2. Never Die Young & lt;br & gt; 3. The Frozen Man & lt;br & gt; 4. Man Old Man & lt;br & gt; 5. School Song & lt;br & gt; 6. Country Road & lt;br & gt; & lt;b & gt;Side B: & lt;/b & gt; & lt;br & gt; 1. Slap Leather & lt;br & gt; 2. My Traveling Star & lt;br & gt; 3. You've Got A Friend & lt;br & gt; 4. Steamroller Blues & lt;br & gt; & lt;b & gt;Side C: & lt;/b & gt; & lt;br & gt; 1. Secret O' Life & lt;br & gt; 2. Line 'Em Up & lt;br & gt; 3. Chili Dog & lt;br & gt; 4. Shower The People & lt;br & gt; 5. Sweet Baby James & lt;br & gt; & lt;b & gt;Side D: & lt;/b & gt; & lt;br & gt; 1. Carolina In My Mind & lt;br & gt; 2. Fire And Rain & lt;br & gt; 3. Copperline & lt;br & gt; 4. You Can Close Your Eyes
Craft Recordings
James Taylor One Man Band 180g 2LP (Vinyl)
Social Distortion Sex, Love and Rock 'n' Roll LP (Vinyl)
& lt;font color= & quot;#FF0000 & quot; & gt; & lt;b & gt;2004 Studio Album On Vinyl LP Featuring & quot;Reach For The Sky & quot;! & lt;/b & gt; & lt;/font & gt; & lt;br & gt; & lt;br & gt; The sixth studio album from American punk rock icons, Social Distortion. Sex, Love and Rock ‘N’ Roll was first released 2004, eight years after White Light, White Heat, White Trash. Marking a return to their independent label roots, the album is a musical eulogy to co-founder Dennis Danell, who died in 2000. The opening track, & quot;Reach for the Sky, & quot; would go on to become one of Social Distortion's biggest hits, with & quot;Angel’s Wings & quot; still a fan favorite. & lt;br & gt; & lt;br & gt; & lt;blockquote cite= & quot;quote source & quot; & gt; There's always been genuine soul in the work of Mike Ness, but here it burns brighter than ever before. & lt;footer & gt; -Punk News & lt;/footer & gt; & lt;/blockquote & gt; & lt;section id= & quot;features & quot; & gt; & lt;h3 & gt;Features & lt;/h3 & gt; & lt;ul & gt; & lt;li & gt;Vinyl LP & lt;/li & gt; & lt;li & gt;Made in USA & lt;/li & gt; & lt;/ul & gt; & lt;/section & gt; & lt;section id= & quot;selections & quot; & gt; & lt;h3 & gt;Selections & lt;/h3 & gt; & lt;h4 & gt;Side One: & lt;/h4 & gt; & lt;ol & gt; & lt;li & gt;Reach For The Sky & lt;/li & gt; & lt;li & gt;Highway 101 & lt;/li & gt; & lt;li & gt;Don't Take Me For Granted & lt;/li & gt; & lt;li & gt;Footprints On My Ceiling & lt;/li & gt; & lt;li & gt;Nickels And Dimes & lt;/li & gt; & lt;/ol & gt; & lt;h4 & gt;Side Two: & lt;/h4 & gt; & lt;ol & gt; & lt;li & gt;I Wasn't Born To Follow & lt;/li & gt; & lt;li & gt;Winners And Losers & lt;/li & gt; & lt;li & gt;Faithless & lt;/li & gt; & lt;li & gt;Live Before You Die & lt;/li & gt; & lt;li & gt;Angel's Wings & lt;/li & gt; & lt;/ol & gt; & lt;/section & gt;
Craft Recordings
Social Distortion Sex, Love and Rock 'n' Roll LP (Vinyl)
Jewel Greatest Hits 2LP (Vinyl)
& lt;font color= & quot;#FF0000 & quot; & gt; & lt;b & gt;Career-Spanning Hits Compilation On Double LP! & lt;/b & gt; & lt;/font & gt; & lt;br & gt; & lt;br & gt; Acclaimed singer-songwriter-poet Jewel has enjoyed career longevity rare among her generation of artists. Since achieving international stardom over 20 years ago, Jewel has emerged as a charismatic live performer and a respected songwriter with twelve studio albums and four Grammy nominations to date. Craft brings together Jewel's best for a career-spanning collection that includes a single recorded specifically for this release, as well as reinterpretations of two classic hits with guest vocalists: & quot;Foolish Games & quot; with Kelly Clarkson and & quot;You Were Meant For Me & quot; with the Pistol Annies. & lt;br & gt; & lt;br & gt; & lt;b & gt;Features: & lt;/b & gt; & lt;br & gt; & amp;bull; Double LP & lt;br & gt; & amp;bull; Gatefold jacket & lt;br & gt; & amp;bull; New recordings of 2 classic hits & lt;br & gt; & amp;bull; New track & quot;Two Hearts Breaking & quot; & lt;br & gt; & lt;br & gt; & lt;b & gt;Selections: & lt;br & gt; Side 1: & lt;/b & gt; & lt;br & gt; 1. Who Will Save Your Soul & lt;br & gt; 2. You Were Meant For Me (Album Edit) & lt;br & gt; 3. Foolish Games & lt;br & gt; 4. Hands & lt;br & gt; & lt;b & gt;Side 2: & lt;/b & gt; & lt;br & gt; 1. Down So Long & lt;br & gt; 2. Jupiter (Swallow The Moon) (Single Version) & lt;br & gt; 3. Standing Still & lt;br & gt; 4. Break Me (Radio Remix) & lt;br & gt; & lt;b & gt;Side 3: & lt;/b & gt; & lt;br & gt; 1. Intuition & lt;br & gt; 2. Good Day & lt;br & gt; 3. Stronger Woman (Radio Edit) & lt;br & gt; 4. Somewhere Over The Rainbow & lt;br & gt; 5. Satisfied (Radio Edit) & lt;br & gt; & lt;b & gt;Side 4: & lt;/b & gt; & lt;br & gt; 1. You Were Meant For Me (feat. Pistol Annies)* & lt;br & gt; 2. Foolish Games (feat. Kelly Clarkson)* & lt;br & gt; 3. Two Hearts Breaking* & lt;br & gt; & lt;br & gt; *New Recording
Craft Recordings
Jewel Greatest Hits 2LP (Vinyl)
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