Blackstar HT Venue Series Stage 60 60W 1x12 Tube Guitar Combo Amp MKII Black
Dimensions (Overall): 29.0 inches (L), 14.95 inches (H) x 24.4 inches (W) x 29.0 inches (D)Weight: 65.15 poundsStyle: ComboWattage Output: 60 wattsWarranty: No Applicable Warranty. To obtain a copy of the manufacturer's or supplier's warranty for this item prior to purchasing the item, & bull; Power: 60W (tube) & bull; Attenuation to 6W & bull; Tubes: two 12AX7 (preamp); two EL34 (power amp) & bull; Two footswitchable channels & bull; Single inputSince the launch in 2010, HT Venue has become one of the world’s best-selling valve amp lines. Its name is already synonymous with class-leading tone and flexibility, but now, after more than 3 years of intensive R & D and market research, Blackstar is about to release the stunning next generation of HT Venue valve amplifiers.HT Venue MkII takes this award-winning line and elevates it to a new level of professional performance, and adds every major enhancement that the market has requested; resulting in a massively flexible and powerful feature set, yet remains intuitive and musician-friendly.When enhancing the tonal quality, Blackstar’s engineering team started by benchmarking the finest vintage and new valve amps on the planet (including our own), some of which cost five times the price of HT Venue. The mission was then “simple”: improve on these sonic references in the way Blackstar is renowned for, and combine the sounds into a cohesive, creative product.With that in mind, players can expect a number of enhancements from Blackstar’s new HT Venue MkII amplifiers. For starters, the clean channel now features market leading clean tones, through huge improvements in both the pure quality and the flexibility, made possible by the addition of controls for bass, treble and a footswitchable Voice switch. These improvements are sure to rank HT Venue MkII among the best of the clean valve amps.In addition to the clean channel enhancements, players can expect richer, more complex overdrive tones from the drive channel(s) in HT Venue MkII. The drive channels are fuller and even more responsive than the original Venue series, and each overdrive channel features its own Voice switch. The high gain voices are tight and focused, drawing on the original award-winning HT Venue Series, while the mid-gain tones are perfect for those players who prefer “edge of breakup” tones, and then either push the amp with pedals or clean up the tones with the guitar’s volume knob.In keeping with the Venue series’ player-centric design philosophy, all modes are footswitchable, resulting in the widest possible selection of stage-accessible valve tones. In addition, a switchable power reduction circuit is included, giving reliable, transparent attenuation down to 10% of the amp’s rated power. It’s perfect for those playing environments where volume limitations prevent other valve amps from getting to their sweet spot. For players who are doing recording sessions, the Venue MkII also includes a professional USB recording output, which is the simplest way to record authentic valve tone. Other pro features on all Venue MkII models include a footswitchable boost on all channels, direct output with built-in speaker cabinet emulation and a studio quality reverb, newly designed in-house by the engineers at Blackstar. Lastly, all of the Venue MkII models have been reengineered physically to be more compact, lightweight, practical and portable.Blackstar’s Venue series’ were built to outfit the widest range of players from all music genres with the best in all-valve, versatile, high-quality amplification. The Venue MkII continues with that philosophy, and makes a great amp even better.
Darkglass Darkglass Microtubes X Ultra Bass Preamp Pedal
Dimensions (Overall): 5.55 inches (L), 3.3 inches (H) x 5.0 inches (W) x 5.55 inches (D)Weight: 1.43 poundsEffect Type: Bass EffectsWarranty: No Applicable Warranty. To obtain a copy of the manufacturer's or supplier's warranty for this item prior to purchasing the item, & bull; 6-band Graphic EQ: Low Shelf, 250Hz, 500Hz, 1.5kHz, 3kHz and High-Shelf & bull; Switchable Impulse Response Cabinet Simulation & bull; Auxiliary Input: connect r PC or phone to play along with r favorite songs or backing tracks & bull; Clean channel: bypass the distortion and low pass filter for a crystal clean tone & bull; Parallel processing split by two variable low-pass and high-pass filters at the inputThe Darkglass Microtubes X series brings the studio method producers have been using the years to cover the whole bass distortion spectrum: from articulate high gain to punchy mild overdrive, raw and gnarly fuzz and everything in between. now have absolute control in constructing vision of what the perfect bass distortion texture, definition, and size should have.The Microtubes X Ultra is a powerful preamp pedal featuring all the great controls that its predecessor has that allow users to select exactly what frequencies they want to compress and saturate for the low and treble respectively, but with four major additions providing an additional layer of flexibility, while maintaining the same compact footprint, making it an extremely complete tool for the modern bassist.
Warm Audio TB12 Black Tonebeast Microphone Preamp
& bull; Versatile tones from vintage to modern & bull; Capacitor select & bull; Supplies phantom power & bull; Bypass transformerThe Tone Beast is a great mic pre with loads of gain that can effortlessly capture an array of sources very well. With top-notch CineMag transformers and multiple discrete signal paths, it's hard to beat its big, bold, fully-professional sound at its price.
The Tone Beast is a mic pre that likes to be pushed and when pushed will colorize signal ever so sweetly. The 2 opamps and 2 output transformers at the flip of their switches won't appear to be much different, but as one drives the pre into harmonic distortion, the unique character of each of these components becomes apparent. Additionally the Tone Beast is customizable and allows for other opamps to be sourced and easily swapped into the unit. I've pulled my best tones from this pre right at the saturation point (as loud as I can push the gain before clipping). The output control on the TB12 allows to limit the signal exiting the preamp even when pushing the gain to really hot levels, giving maximum control.
The x731 (Melcor 1731) and x18 (Dean Jensen's 918) Op Amps saturate a bit differently. The 1731 breaks up faster and has more color when pushed. The 918 is fairly linear/clean with a smidge of character and does not break-up/saturate as quickly. The 100% steel output transformer colors the signal more than the 50% nickel transformer when pushed. However, both are designed to impart character. The 50% nickel transformer will impart less character and provide greater high and low frequencies. For an ultra clean, character-lacking tone, try the x18 while bypassing the output transformers completely.
Have no fear of hurting the Beast, can push it very hard into full-on distortions if wish, and these can sound quite nice on electric guitar, bass or anything else that likes some nice grit.
When hand building mic pres I learned a bit about the "subtle" differences component choices can make. A little change here, and another there often times became a huge deal in a finished mix, but often times is not very noticeable at first take. The different component options in the TB12 are subtle, but when driven into saturation are noticeable and can make a big difference to the way final mix will sound.
Home-based musicians and professional studios alike will find the Tone Beast to be an extremely powerful and fully professional piece of gear that is capable of warming and shaping signals/mixes in a way that is very pleasing to the ear.
History behind the tone beast
In the '60s and '70s many console/preamplifier builders hid the operational amplifier (Op amp) stage of their preamps by cramming its components into a small box and then attaching the box to the circuit board. Inside these small boxes, the components were covered in glue to make them hard to disassemble/analyze. Manufacturers of that day felt the character these Op Amps imparted was unique enough to protect.
A trend grew in the industry where the little box the Op Amp components sat in became of similar size and shape between manufacturers. These boxes eventually mounted to the PCB board with the same number of pins, spaced identically, even from different manufacturers. could remove an Op Amp from one console preamp and place it in another of a different manufacturer without much headache/difficulty.
The TB12 uses this same square shaped op amp and pin configuration as these originals but not enclosed in plastic and glue. The TB12 is designed so that users can remove the stock opamps and replace them with their own. If are a tone FREAK like me will love the ability to do this. Beware that Warm Audio may not be able to warranty a unit that has been opened and tinkered with. Below are some examples of 6 pin opamps that can pop right into the Tone Beast.
Quilter Labs SA200-RACKMOUNT Steelaire Rackmount 200W Guitar Amp Head
Dimensions (Overall): 24.0 inches (L), 8.0 inches (H) x 12.0 inches (W) x 24.0 inches (D)Weight: 10.3 poundsStyle: HeadWattage Output: 200 wattsWarranty: No Applicable Warranty. To obtain a copy of the manufacturer's or supplier's warranty for this item prior to purchasing the item, & bull; Power: 200W (400 watts of internal headroom for maximum voltage swing) & bull; Two channels & bull; Dual inputs: Supports multiple instruments or buffered pedal loop & bull; Input mode selector: Selects Ch1, Mute, Ch2, or Ch1+2 & bull; Controls: 4-band EQ, mode select, limiter, tremolo, rate, reverb, master, swell, toneThe Quilter Steelaire Rackmount is the solution for player who needs big power in a compact head. Equally at home in a rack or sitting gently atop choice of cabinet, the Steelaire Rackmount represents the future of amplification technology. The Steelaire Rackmount utilizes a patented technology that combines a fully regulated switchmode power supply and proprietary class-D power amplification with our own secret sauce to add warmth and resolution normally reserved for hand-wired boutique tube amplifiers costing many thousands of dollars.Quilter starts with twice the normal input impedance to extract the maximum response from instrument pickups. The engineers finish with a 400 watt internal power amplifier section, which they limit to a maximum output of 200 watts for speaker compatibility. The reserve headroom lets the speaker “breathe” and deliver a bigger sound. The high input and output impedances combine with the speaker’s natural frequency response curve to deliver even more tone than thought possible, together with amazing amounts of unstressed power to choice of speakers. Put simply, there is nothing like it.The Steelaire Rackmount delivers its full 200 watts, with plenty of reserve voltage swing, into loads ranging from 2-8 ohms. With selectable input channels, a 4-band EQ, an adjustable limiter, tremolo, and a full-service reverb section, get a full tool kit to optimize the sound of instrument. In addition, a unique rear-panel effects loop with 9 volt DC supply allows to customize the sound of amp by wiring in accessory pedals of choice, with integrated control using one of our 6 position remote switches. (Foot controller or leg mount remote, available separately.)
Stagg BLAXX Looper Pedal for Electric and Bass Guitars Gray
Dimensions (Overall): 4.75 inches (L), 2.5 inches (H) x 2.5 inches (W) x 4.75 inches (D)Weight: .64 poundsEffect Type: Loopers and SamplersWarranty: No Applicable Warranty. To obtain a copy of the manufacturer's or supplier's warranty for this item prior to purchasing the item, & bull; Housing: Die-cast metal & bull; Foot switch: True bypass & bull; Foot switch functions: Record, play, loop, cancel, delete loops, stop & bull; Volume control: Rotary & bull; Maximum recording time: 10 minutesBLAXX looper pedal for electric and bass guitars in a sturdy metal casing.
Line 6 Spider V 120 MKII 120W 1x12 Guitar Combo Amp Black
Dimensions (Overall): 24.72 inches (L), 15.75 inches (H) x 24.25 inches (W) x 24.72 inches (D)Weight: 37.8 poundsStyle: ComboWattage Output: 120 wattsWarranty: No Applicable Warranty. To obtain a copy of the manufacturer's or supplier's warranty for this item prior to purchasing the item, & bull; Power: 120W & bull; Classic Speaker mode for organic sound and feel & bull; Artist, Iconic Song, and classic amp presets & bull; 200+ amps, cabs, and effects & bull; Tuner, metronome, jam-along drum loops, and 60-second looperStep onstage or in the studio with an amp that can deliver almost any tone music demands. Whether like to plug in and rock a traditional amp tone, or enjoy tweaking parameters until ’ve devised an absolutely unique and awe-inspiring sound, the Line 6 Spider V 120 MkII amp gives the tools to create exactly what want. Classic Speaker mode provides an organic sound and feel, while all-new presets—including vintage amp presets voiced by a renowned tube-amp maker and Artist and Iconic Song collections—provide with authentic building blocks from which to craft sound into raging metal, ambient landscapes, chiming pop, or virtually anything can conjure up. Whatever drives creativity, the Spider V 120 MkII amp gets there with all the ease or complexity that defines personal musical mantra. Never settle. Own tone.Spider V 60, Spider V 120, and Spider V 240 models are wireless ready. Relay G10T transmitter sold separately. Spider V wireless ready amps are also compatible with any Line 6 RF2 transmitter, like those included with the Relay G30, G50, G55, and G90, that is using firmware 2.00 or higher. The Relay G10T is compatible with typical 1/4" output jacks used on most passive and active instruments. Guitars that have non-standard jack wiring may require a 1/4" mono adapter for use with Relay G10.
Stagg BLAXX Four Mode Reverb Pedal Orange Sparkle
Dimensions (Overall): 4.75 inches (L), 2.5 inches (H) x 2.5 inches (W) x 4.75 inches (D)Weight: .64 poundsEffect Type: Delay and ReverbWarranty: No Applicable Warranty. To obtain a copy of the manufacturer's or supplier's warranty for this item prior to purchasing the item, & bull; Housing: Die-cast metal & bull; Foot switch: True bypass & bull; Controls: Mode Decay Mix level & bull; Mode selector: Hall Plate Shimmer Spring & bull; LED indicator: On offThe BLAXX Reverb Pedal lets add a classic reverb sound to tone that is deep, full and spacious. This pedal features four distinct modes.
Fuchs Wildcard 2x12 100W Tube Guitar Combo Amp
Dimensions (Overall): 31.0 inches (L), 14.0 inches (H) x 21.0 inches (W) x 31.0 inches (D)Weight: 50.0 poundsStyle: ComboWattage Output: 100 wattsWarranty: No Applicable Warranty. To obtain a copy of the manufacturer's or supplier's warranty for this item prior to purchasing the item, & bull; Made in USA & bull; Power: 100W (tube) & bull; Tubes: three 12AX7 (preamp); 6L6 or EL34 (power amp) & bull; Two channels & bull; Speaker: 2x12" Warehouse ET-1265The Wildcard 100 100W 2x12" tube guitar combo, from Fuchs Audio Technology, has a push-pull and Class-AB output stage, which can use 6L6 or EL34 tubes. Each power tube has its own bias control, eliminating the need for matched tubes. The preamp features three 12AX7 tubes. Like its lower-powered siblings, the Wild Card 100 features two channels, which share a bass-middle-treble tone stack, a digital reverb with level and decay controls, as well as an overdrive channel with its own output tone control. The unit also features a passive effects loop, and 4Î, 8Î and 16Î outputs. The amps are built on aluminum chassis for light weight and superior tone. The power and output iron are custom made in the USA by Heyboer Corp. The amp features single-point grounding, and regulated DC power for the filaments and all relays.
Laney Cub-112 50W 1x12 Guitar Speaker Cabinet
Dimensions (Overall): 23.0 inches (L), 11.75 inches (H) x 20.25 inches (W) x 23.0 inches (D)Weight: 26.02 poundsStyle: CabinetWattage Output: 50 wattsWarranty: No Applicable Warranty. To obtain a copy of the manufacturer's or supplier's warranty for this item prior to purchasing the item, & bull; Power handling: 50W & bull; Speaker: 1x12" HH custom & bull; Input and link jacks & bull; Impedance: 8 ohm & bull; Open-back constructionThe Laney Cub-112 open-backed 1x12 Cabinet is lightweight and easy to transport and makes an ideal partner for any Laney guitar head. This cabinet delivers pure vintage tone in a small format and can be used in either landscape or portrait and is the perfect partner to the Cub-Supertop. At the heart of the cab is a custom voiced HH driver. This driver features enormously detailed and complex overtones, a warm low-end, a rich vocal mid-range and a beautifully detailed top-end. Used to reveal the complexities in the Cub-Supertop this cabinet delivers a wonderfully intricate vintage 3D tone.
Quilter Labs AV200-FC-2 2 Function Aviator, MicroPro or Steelaire Foot Controller
This two-position footswitch is designed for use with the Quilter Aviator, MicroPro, Mach 2, or Steelaire series amps or heads.Choose this controller if only want to control channel switching and reverb. For more advanced options try the Quilter 6-position or 2-position-selectable footswitches.
Ultimate Support DuraCase UR-8LTH Rolling 8-Space Rackmount Case
Dimensions (Overall): 22.8 inches (L), 18.0 inches (H) x 22.25 inches (W) x 22.8 inches (D)Weight: 22.21 poundsWarranty: No Applicable Warranty. To obtain a copy of the manufacturer's or supplier's warranty for this item prior to purchasing the item, & bull; Dual rubber wheels and retractable handle & bull; Front and rear rails & bull; Tapped rack rails are field replaceable & bull; Rack-mounting hardware included & bull; Tight, vinyl-insert gasket seals on lidsThe DuraCase line of rolling audio racks from Ultimate Support, like the UR-8LTH Rolling 8-space rackmount case, offer the right combination of features and performance for everyday musicians and audio professionals. The rolling audio rack's built-in, dual rubber wheels and retractable handle make transporting the heaviest gear easy—a smart way to save precious time and energy (and back muscles!) during load-out at the end of a long day. With strong ABS shells that are heavy-duty and ultra-light, DuraCase Rolling Audio Racks can stack, store, and transport gear efficiently and economically. All models include fully tapped front and rear rails, and come with rack-mounting hardware.
K&M 12185 Laptop Stand
Dimensions (Overall): 28.0 inches (L), 5.0 inches (H) x 16.0 inches (W) x 28.0 inches (D)Weight: 10.64 poundsWarranty: No Applicable Warranty. To obtain a copy of the manufacturer's or supplier's warranty for this item prior to purchasing the item, This K & M 12185 Laptop Stand laptop stand offers stability and safety with a generously sized tray which provides space for all common laptops. It comes with adjustable clamping bolts withrubber caps to ensure laptop is protected and will always be secured safely on the on it. To keep laptop safe and secure, all have to do is use the including clamping bolts, which are pressed on the laptop using wing nuts. When are ready to go, the tray can be removed easily without the use of tools.The height of the stand can be adjusted variably. It's robust tripod legs quickly collapse together into a compact and easy to carry package. The stand is built to exactiong standards in an eco-friendly manufacturing facility.
Laney Tony Iommi Signature Boost Effects Pedal
Dimensions (Overall): 4.9 inches (L), 2.25 inches (H) x 3.1 inches (W) x 4.9 inches (D)Weight: .8 poundsEffect Type: Distortion, Fuzz, and OverdriveWarranty: No Applicable Warranty. To obtain a copy of the manufacturer's or supplier's warranty for this item prior to purchasing the item, & bull; Drive & bull; Volume & bull; Low EQ & bull; High EQ & bull; Hi Mid, Neutral Low Mid Boost Toggle SwitchThis compact, true-bypass boost pedal is built to the specs of legendary Black Sabbath guitarist Tony Iommi. With mono/stereo output, versatile EQ controls, battery-optional power and more, this secret weapon will let tear a hole in the sky.
BBE Mini Boosta Grande Clean Boost Pedal
Dimensions (Overall): 4.75 inches (L), 2.5 inches (H) x 2.5 inches (W) x 4.75 inches (D)Weight: .48 poundsEffect Type: Distortion, Fuzz, and OverdriveWarranty: No Applicable Warranty. To obtain a copy of the manufacturer's or supplier's warranty for this item prior to purchasing the item, & bull; Up to +20dB of transparent clean boost & bull; 1MEG Ohms input impedance for proper pickup loading & bull; 1K Ohms output impedance when engaged & bull; 1% metal-film resistors for consistency & bull; High-voltage poly caps for better toneThe all-analog Boosta Grande from BBE is back in a new mini chassis to conserve space on pedalboard.A clean boost pedal does nothing but pile on gain, right? Well, some do, but that doesn’t create the experience players want. see, added gain will push the amp’s front end tubes harder, creating more of the amp’s own harmonics, but that alone will make the amp seem too bright, sacrificing the tonal balance in the process.The BBE designers call Boosta Grande a “transparent clean boost” because it doesn’t change the tonal balance of the amp, even with Boosta’s max gain of +20dB slamming those tubes. To achieve a transparent boost experience, Boosta Grande mildly rolls off some top end starting at about 1kHz so that when the amp’s front end is driven harder with gain, the additional upper harmonics generated by the tubes aren’t excessive.Boosta Grande’s mission to preserve amp amp’s tonal balance ends with careful post-EQ, but it starts with preserving the tone of guitar. Boosta Grande’s 1meg Ohm input is about the same as the front end of a good Marshall or other premium tube amp, welcoming guitar’s signal with wide-open arms, not loading down pickups. In the middle of things, can count on Boosta’s 1% metal-film resistors for consistent tone and a rugged circuit board for tour-proven reliability. When the Boosta isn’t engaged, a properly engineered true hardwire bypass means signal passes entirely around the circuit, from input jack to output jack without a hint of loading.When a transparent boost is the experience ’re after, get a Boosta Grande and let amp’s tubes sing their song with more gusto.
MXR Timmy Overdrive Effects Pedal
Dimensions (Overall): 5.5 inches (L), 2.6 inches (H) x 4.4 inches (W) x 5.5 inches (D)Weight: .54 poundsEffect Type: Distortion, Fuzz, and OverdriveWarranty: No Applicable Warranty. To obtain a copy of the manufacturer's or supplier's warranty for this item prior to purchasing the item, The MXR Timmy Overdrive provides a huge, responsive range of gritty and textured tones that enhance the sound of rig while preserving its fundamental character—and in an MXR mini housing, this pedal will free up some serious pedalboard space. It’s based on a design created by veteran pedal builder Paul Cochrane that’s widely celebrated among high level pros, from first-call Nashville session player Kenny Greenberg to first call L.A. player Lyle Workman to rockstar Brad Whitford. When Paul decided to bring his pedal to a wider audience, he chose to work with the MXR design team. “It’s an honor to work with MXR,” Paul says. “My first ever pedal was a Phase 90.”Thanks to Paul’s inventive implementation of clipping options and tone controls, this pedal is a working guitar player’s dream come true. The Clip switch provides three different clipping styles that cover a multitude of playing situations, whether need an always-on sound that’s big and bold with a ton of headroom to slam the front end of amp, a more compressed and saturated sound for fat, gnarly chords, or anything in between. The Bass and Treble controls offer further refinement of sonic profile. Firstly, they’re cut-only, keeping the character of signal intact and making it super easy to dial in a clean boost. Secondly, Paul wired the the Bass control to affect pre-OD signal so that can maintain low end at lower Gain settings and the Treble control to affect post-OD signal so that can adjust the top end to keep dirty settings smooth and musical. Finally, the MXR design team worked closely with Paul to select an op-amp that perfectly complements his expertly crafted design. They landed on the LF353, a trusty component well-respected by Dunlop engineers for providing high output, high gain, and hi-fi signal delivery. The resulting MXR Timmy Overdrive is a professional-grade must-have for players who want sweet, harmonic breakup that responds to playing dynamics and maintains the personality of rig at a fraction of the size of a standard pedal.
Kustom Sienna Pro 16 16W 1x8 Acoustic Combo Amplifier
Dimensions (Overall): 17.0 inches (L), 9.0 inches (H) x 15.0 inches (W) x 17.0 inches (D)Weight: 19.9 poundsStyle: ComboWattage Output: 16 wattsWarranty: No Applicable Warranty. To obtain a copy of the manufacturer's or supplier's warranty for this item prior to purchasing the item, & bull; Power: 30W & bull; Single input & bull; Single channel & bull; Speaker: 1x8" Sienna Pro & bull; Effects: Analog ReverbKustom Sienna Pro series acoustic instrument amplifiers can take sound farther than ever before. With its attractive tan covering, leather handle and real wood control panel, the Sienna Pro series combines good looks with great tone.
Kustom developed new speakers exclusively for the Sienna Pro Series. These speakers have a flatter response that perfectly suits the wide frequency and dynamic range generated by acoustic instruments. The result is a more natural, less “electrified” sound.
Gibraltar Radius Curved DJ Stand
Dimensions (Overall): 31.0 inches (L), 7.5 inches (H) x 11.0 inches (W) x 31.0 inches (D)Weight: 28.5 poundsWarranty: No Applicable Warranty. To obtain a copy of the manufacturer's or supplier's warranty for this item prior to purchasing the item, & bull; Dimensions: 30" x 30" x 36"The Gibraltar Road Series DJ station creates and perfect workspace for DJ performance. At 36" tall with 30-inch cross mounting bar and 30-inch T legs, this ultra-stable stand includes two sets of adjustable mounting arms for dual levels to support controllers and a laptop. Memory locks lock in position so set up is the same every time. Unit can be disassembled for easy transportation
Monoprice 1x12 Guitar Speaker Cabinet With Celestion Vintage 30, Designed to Match to our 30W Stage Right Head - Stage Right Series
Dimensions (Overall): 22.7 inches (L), 21.5 inches (H) x 14.2 inches (W) x 22.7 inches (D)Weight: 36.54 poundsStyle: CabinetModel name: 611899Wattage Output: 60 wattsWarranty: 1 Year Limited Warranty. To obtain a copy of the manufacturer's or supplier's warranty for this item prior to purchasing the item, & bull; Celestion Vintage 30: The Celestion V30 sound has been captured on thousands of recordings from a diverse range of notable players, including Slash, Steve Stevens, and Peter Frampton. & bull; Ideal match for 30W head: Designed to match our 30W Stage Right head. & bull; Rugged construction: The cabinet is extremely durable with metal caps for the corners and features a black, textured synthetic leather exterior for the professional, stage-ready look. & bull; Road ready: The 12in size, comfortable, leather handle, and rugged durability make this an ideal cab for the road. & bull; Its sound has been captured on thousands of recordings from a diverse range of notable players including Slash, Steve Stevens, and Peter Frampton.Loaded with an industry standard Celestion Vintage 30 speaker, the Stage Right 1x12 Guitar Speaker Cabinet is the perfect match to our Stage Right 30-Watt Tube Guitar Amplifier Head. Featuring an open back, leather handle, and a rugged textured exterior, our extension cab resembles models two or three times the price. The Celestion Vintage 30 guitar speaker features enormously detailed and complex overtones, a warm low-end, and a famously rich vocal-like mid-range. Its sound has been captured on thousands of recordings from a diverse range of notable players including Slash, Steve Stevens, and Peter Frampton.
Blackstar Fly 3W Guitar Combo Amp Pack
Dimensions (Overall): 10.3 inches (L), 5.5 inches (H) x 7.0 inches (W) x 10.3 inches (D)Weight: 4.3 poundsStyle: ComboWattage Output: 3 wattsWarranty: No Applicable Warranty. To obtain a copy of the manufacturer's or supplier's warranty for this item prior to purchasing the item, & bull; Includes FLY 3, FLY 103 and power supply & bull; FLY 3 & bull; 3-watt compact mini guitar amp & bull; 2 channels - Clean and Overdrive & bull; Patented ISF (Infinite Shape Feature)The FLY 3 is an innovative, cutting-edge 3W mini amp which combines two channels, tape delay and the Blackstar patented Infinite Shape Feature (ISF) to create the perfect compact and portable guitar amplifier. It's advantageously small and packs a punch with big tone, even at the lowest volumes. The ISF allows to infinitely change the sound of FLY 3, which gives endless possibilities on the tone of amp. The FLY 3 also features tape delay effects, allowing to make amp output resonate during play. The FLY 3 also comes with an MP3 / LINE IN jack built in, allowing to connect to MP3 player, mobile phone, laptop, tablet etc. and jam along to favourite tracks; the Emulated Output jack can also be used with headphones. Capable of being battery powered, can take the FLY 3 with wherever go as a set of portable speakers. FLY 103The FLY 103 is the official extension speaker for the FLY 3 compact mini amp. The FLY 103 comes with its own built-in cable to connect it to the FLY 3, making it a true stereo setup. When connected to the FLY 3 is makes a set of portable speakers to play music through or it can be used as a set of PC speakers or computer speakers.
Radial Engineering DiNET DAN-TX2 2-Channel Dante Network Transmitter
& bull; Connect any line-level source to a Dante network & bull; XLR, 14″ TRS, RCA and 3.5mm input jacks & bull; 24bit96kHz analog to digital conversion & bull; Handles signal levels up to +24dBu & bull; Compliant to AES67 specificationsThe DAN-TX2 is a 2-channel analog-to-digital converter that allows to connect any line level source to a Dante or AES67-compliant network. The DiNET DAN-TX2 makes it easy to transmit two channels of high-quality analog audio over a Dante or AES67-compliant network. Multiple input options are provided, with balanced XLR/TRS connectors for professional audio sources, RCA jacks for line-level consumer devices, and a 3.5mm AUX input for connection to laptops, smartphones, and tablets. Trim controls and pad switches are included for each channel, with a link switch to simplify control for stereo sources. The RJ45 network connection is compatible with Neutrik etherCON connector carriers to prevent accidental disconnection and protect cable terminations, and redundant powering is available for critical applications by using the included external power supply and Power over Ethernet (PoE) simultaneously. The DAN-TX2 can be mounted in 19" equipment racks with the optional SA series rackmount adaptor kit.
Sefour CR030 Crane Laptop/CD Player Stand Black/Yellow
Dimensions (Overall): 28.6 inches (L), 7.0 inches (H) x 8.0 inches (W) x 28.6 inches (D)Weight: 21.75 poundsWarranty: No Applicable Warranty. To obtain a copy of the manufacturer's or supplier's warranty for this item prior to purchasing the item, The CRO30 Crane Laptop/CD Player Stand has a robust mechanism which enables to lock equipment in the most ergonomic position. This a modular design stand - can choose the swivel joint set-up. It can be used free-standing with the base plates or the base plates can be removed and it can be attached directly to any stand. The patented design takes its inspiration from industrial cranes and the quality and engineering of the stand certainly live up to the name. Professionally engineered bracket' with secure bass plate works with any desk or DJ stand. Fully height adjustable - up to 20 inches. Reach adjustable. Accommodates a range of equipment up to 17 2/8 inch wide ie: pioneer CDJ850/CDJ900/CDJ1000/CDJ2000/ any CD player/ 2 x CDJ350 or laptop. Extra feature - double jointed so the equipment always faces in any position. Totally secure all metal construction. At one point the steel for the base is nearly ½ inch thick. Tiltable equipment position. Ground up design - every dimension designed for a purpose. Equipment friendly fixing plates have cut outs for heat sinks on CD players etc. Cable friendly. Suitable for the all CD turntables - can accommodate all standard laptops and effects pads.
Monoprice Mini Headphone Amplifier for Guitar, "Clean"
Dimensions (Overall): 6.2 inches (L), 1.2 inches (H) x 4.2 inches (W) x 6.2 inches (D)Weight: .17 poundsStyle: HeadsetModel name: 611500Wattage Output: 0 wattsWarranty: 1 Year Limited Warranty. To obtain a copy of the manufacturer's or supplier's warranty for this item prior to purchasing the item, & bull; However you can#39t always break out the amps and crank up the volume & bull; This amplifier providesnbspclean undistortednbspamplification to the output of instrument level devices such as electric guitars and bass guitars & bull; It features a 1/4 TS plug which plugs directly into your instrument#39s output & bull; It is powered by two AAA batteries (not included) and has a 3.5mm TRS output for listening with headphones & bull; The audio from the Aux jack is mixed with the audio from the guitar so you can play along to your favorite songs.As a guitarist, you know you need to practice regularly to hone your skills and learn new songs. However, you can't always break out the amps and crank up the volume. For those times when quiet is required, you can both practice and hear the amplified output from your instrument using this Mini Headphone Amplifier for Guitar from Monoprice!
As the perfect solution to practice your musicianship, this amplifier provides clean, undistorted amplification to the output of instrument level devices, such as electric guitars and bass guitars. It features a 1/4" TS plug, which plugs directly into your instrument's output. It is powered by two AAA batteries (not included) and has a 3.5mm TRS output for listening with headphones. An additional 3.5mm TRS auxilliary input is provided for connecting another audio source, such as an mp3 player. The audio from the Aux jack is mixed with the audio from the guitar so you can play along to your favorite songs. This amplifier is designed to produce a "Clean" sound, which is ideal for learning a new song and hearing the raw tonal differences between the different pickups, uncolored by overdrive or other effects. The amplifier includes analog Gain, Tone, and Volume controls.
Krane AMG 500 Main Deck
& bull; Creates a solid and secure loading surface on the Krane AMG 250 or 500 cart & bull; Specially engineered lightweight panels are hand-wrapped with tough industrial-grade carpeting & bull; With a puzzle-like fit, the deck interlocks with the cart's shape & bull; Creates a flat loading area to keep small items from falling through & bull; Super lightweight yet toughMake life ever easier with smart add-ons for Krane cart. These optional accessories allow to handle more loading situations and challenges with ease: Carpeted Decks create a solid loading surface for small or loose items while having a shock-absorbing industrial-grade carpeting provide extra grip for equipment.
Carl Martin Match Box Line Selector
Dimensions (Overall): 7.0 inches (L), 2.7 inches (H) x 4.4 inches (W) x 7.0 inches (D)Weight: .7 poundsEffect Type: Multiple EffectsWarranty: No Applicable Warranty. To obtain a copy of the manufacturer's or supplier's warranty for this item prior to purchasing the item, & bull; Input 1 and 2 & bull; Instrument 1 and 2 gain knobs & bull; Instrument select footswitch & bull; Output're at a gig and 've brought both an acoustic guitar and an electric guitar, but don't want to keep plugging and unplugging instruments. Carl Martin's Match Box line selector has got covered. Two instruments go through this one amp selector for seamless instrument transition. With it's select switch, can simply route either of the instruments through the amp's gain circuitry, so not only can shift between the two instruments. The line selectors can also adjust the gain in the Carl Martin Match Box, so don't have to adjust gain on amp every time change instruments.
Kustom Sienna Pro 35 30W 1x10 Acoustic Combo Amplifier
Dimensions (Overall): 19.0 inches (L), 11.0 inches (H) x 17.0 inches (W) x 19.0 inches (D)Weight: 28.6 poundsStyle: ComboWattage Output: 30 wattsWarranty: No Applicable Warranty. To obtain a copy of the manufacturer's or supplier's warranty for this item prior to purchasing the item, & bull; Power: 30W & bull; Single channel & bull; Two inputs: Instrument, microphone & bull; Speaker: 1x10" Sienna Pro; high-frequency driver & bull; Effects: Eight 24-bit digitalKustom Sienna Pro 35 30W 1x10" acoustic instrument amplifier can take sound farther than ever before. With its attractive tan covering, leather handle and real wood control panel, the Sienna Pro series combines good looks with great tone.Kustom developed new speakers exclusively for the Sienna Pro Series. These speakers have a flatter response that perfectly suits the wide frequency and dynamic range generated by acoustic instruments. The result is a more natural, less “electrified” sound. To enhance high-frequency details, select Sienna Pro models use a high-frequency driver as well. This, in tandem with the new speaker design, helps retain the unique harmonic content of each instrument and contributes a sparkling quality to the sound.The Sienna 65 & 35 Pro also features an all-new digital effects section. The new algorithms for the reverbs and delays offer heightened effect performance and a greater sense of spaciousness in the sound.
ProX T-18MRSS 18U Rack x 10U Top Mixer DJ Combo ATA Flight Case 18 RU Space
Dimensions (Overall): 41.25 inches (L), 23.0 inches (H) x 25.5 inches (W) x 41.25 inches (D)Weight: 92.4 poundsWarranty: No Applicable Warranty. To obtain a copy of the manufacturer's or supplier's warranty for this item prior to purchasing the item, & bull; Rugged, professional, road-ready construction & bull; Strong 38" plywood walls with exterior laminate & bull; Reinforced steel-ball corners & bull; 18U front-loading vertical rack, 10U slant mixer rack & bull; 20" depth fits standard 19" pro audio DJ gearThis 18U vertical rack, 10U slant mixer rack system has all the best features are looking for in a world-class flight case: strength, durability and reliability with flexible options and sizing for different applications.This heavy-duty professional combo rack is 20" deep and features 18U front loading and 10U top loading rails for a wide variety of pro DJ mixers, amplifiers, effects and any other standard 19" pro audio DJ gear. Other design highlights include a large swinging rear door (for easy wiring) with a beveled cable hole for permanent or semi-permanent installation. It also includes two handles on either side of the case and 4" locking casters for convenient transportation and mobility.This ATA-style, road-ready case has a sleek, professional look that is sure to turn heads and make setup look legit. It’s manufactured with a hard-wearing laminated surface design for added good looks and durability.All ProX cases use CNC technology during the manufacturing process to ensure consistent build quality. The durable hard rubber foams used in ProX cases contain 70% recycled content. Of that 70%, 80% of it comes from recycled plastic bottles and the remaining 20% from recycled post-industrial material.
Positive Grid BIAS Mini 300W Guitar Amp Head
Dimensions (Overall): 15.75 inches (L), 5.0 inches (H) x 14.25 inches (W) x 15.75 inches (D)Weight: 8.35 poundsStyle: HeadWattage Output: 300 wattsWarranty: No Applicable Warranty. To obtain a copy of the manufacturer's or supplier's warranty for this item prior to purchasing the item, & bull; Power: 300W & bull; 16 onboard presets & bull; Impedance: 4 ohm & bull; Effects loop & bull; Bluetooth connectivityBuilding on the foundation set by its larger Positive Grid siblings BIAS Head and BIAS Rack, BIAS MINI Guitar squeezes the same advanced component emulation engine, authentic dynamic tube amp feel and wireless connectivity into an even smaller and lighter package. Weighing just over five pounds with a built-in 300-watt power amp, nothing else on the planet comes close to BIAS MINI for small-to-medium sized gigs and recording sessions.Easy to UseTake one look at the front panel of BIAS MINI and ’ll feel right at home, because the knobs do what expect them to. Call up one of the 16 onboard presets and tweak the Gain, Bass, Mid, Treble, and Master just like ’d expect to on a normal tube head, push the Output button to cycle through controls for the amp, headphone and line outputs, and then get back to playing.Small Size, Huge ToneIn the past, good tone was both expensive and heavy, but BIAS MINI turns that notion on its head. With a built-in power amp rated at 300 watts @ 4 ohms, there’s plenty of power on tap for medium-sized gigs and recording sessions, and at just over 5 pounds in a half-rack enclosure, there’s no longer any excuse not to take favorite tones on the road with wherever go. Add to that a glitchless effects loop for favorite effects and the ability to take pedals like a champ, and BIAS MINI makes the impossible possible.Powerful SoftwareIf want to dive headlong into the world of amp customization, BIAS MINI comes with Positive Grid's amazing BIAS AMP Pro amp designer software ($199 value), which allows to recreate the sound and feel of nearly any existing amplifier. Even better, it gives the power to create an entirely new amp that is unique to and the way play. Connect via built-in Bluetooth or USB, and open up a world of component options previously only available with a soldering iron: choose between different preamp and power amp circuits, change the tubes and transformers, add clipping diodes and try out different rectifiers—all completely authentic and all in real time. It’s like having a boutique amplifier workshop at fingertips.Connect to the CloudAll BIAS products can connect to the Positive Grid ToneCloud, a cloud-based community the engineers created specifically for guitarists and musicians. It’s much more than just an online storage tank for sounds—it’s a place to discover new ideas and new tones. can download new amps created by artists and recording studios, backup and share own creations with other guitarists in the community and interact with other musicians with similar interests. BIAS AMP software features the ability to Amp Match, analyzing a source guitar tone and applying the necessary corrective processing to make a custom amp more closely match the original. Even if don’t plan on matching amps self, can still take advantage of the Tone Match feature by downloading custom amps other guitarists have matched from the ToneCloud.
Darkglass Microtubes X7 Distortion Bass Effects Pedal
Dimensions (Overall): 5.5 inches (L), 3.25 inches (H) x 5.0 inches (W) x 5.5 inches (D)Weight: 1.1 poundsEffect Type: Bass EffectsWarranty: No Applicable Warranty. To obtain a copy of the manufacturer's or supplier's warranty for this item prior to purchasing the item, & bull; Controls High Side & bull; High Pass Frequency: controls the cutoff frequency to be & bull; distorted, ranging from 100Hz (for thicker, fuzzier saturation) or & bull; 1kHz for ultra-sharp definition. & bull; High Drive: Sets the amount of distortion for the high pass side.Distorting bass has always been a very challenging engineering endeavor: in order to achieve a punchy, and aggressive distortion that is also full and fat-sounding need to reconcile two contradicting conditions: The tightness comes from attenuating bass frequencies before saturation, which will also result in a very thin signal. But boosting the lows will result in additional, unwanted fuzz. To solve this paradox, audio engineers have been using multiband distortions in the studio for a few decades now.The Microtubes X7 is the company's solution to that problem in a very compact, yet flexible form: The signal is split by two variable low pass and high pass filters at the very very beginning. The high pass signal (mostly mids and treble) is distorted with a CMOS chip, just like older Microtubes pedals. The low-pass signal (all bass) is left clean and then compressed.Letting the high side be all crunch, attack, and rich harmonics while mixing back the compressed lows to add gargantuan size to the overall mix. The result is some remarkable, almost unlimited fullness, size, aggression, and definition, regardless of how old the strings, and boomy or thin instruments. The Microtubes X7 offers all of this plus a 4-band graphic equalizer with perfectly tailored mid controls for maximum flexibility, with unbalanced parallel, affected and direct outputs.
Pigtronix Resotron Filter Effects Pedal
Dimensions (Overall): 8.6 inches (L), 4.6 inches (H) x 5.4 inches (W) x 8.6 inches (D)Weight: 1.39 poundsEffect Type: Wah and FilterWarranty: No Applicable Warranty. To obtain a copy of the manufacturer's or supplier's warranty for this item prior to purchasing the item, & bull; 24dboct Filter based on the SSM2040 chip & bull; Low Pass, Band Pass & High Pass Filter options & bull; Velocity controlled UP & DOWN envelope modes & bull; Pitch Following envelope function with variable GLIDE & bull; BLEND control mixes in Philosopher’s Tone compressionPigtronix Resotron is a multi-mode filter that brings the analog sounds of '70s era synthesizers to the world of envelope pedals for guitar, bass and beyond. Resotron is the first envelope pedal that can be made to follow the pitch of the notes play. This pitch-following ability causes the filter to move around based on what notes choose to play, just like an old-school analog keyboard synthesizer. UP and DOWN envelope modes are also included to perform the more traditional, velocity-sensitive filter movement that responds to how hard hit the strings.
A push-button OSCILLATE function turns the Resotron into an analog synthesizer pedal. This mode shorts out the PEAK knob, effectively setting it to 100% while simultaneously activating a voltage-controlled amplifier (VCA) in the output stage. With the OSCILLATE function turned on, the CUTOFF knob sets the tuning of the synth effect while the VCA instantly follows the volume of input signal. The synthesizer sounds created by the Resotron can also be radically altered by switching between the LPF, BPF and HPF modes, each of which has its own distinctive waveform and modulation characteristics when overdriven by the on-board compressor.
The multi-mode filter at the heart of the Resotron can be set to Low Pass (LPF), Band Pass (BPF) or High Pass (HPF) modes. Each of these voices has a distinctive character which can be manipulated by adjusting the PEAK knob to emphasize frequencies below, at or above the position of the CUTOFF knob. As the PEAK is increased, the resonance or “Q” of the filter becomes more extreme, up to the point of self-oscillation. A SENSITIVY control sets how dramatically the pedal will respond to playing dynamics in the UP and DOWN envelope modes, while a GLIDE control allows to set how long it takes for the filter to move between notes in the PITCH mode.
Before the signal from the input of the pedal hits the filter inside the Resotron, it passes through an optical compression stage derived from the Philosopher’s Tone pedal. The increased volume and punch from the compressor can then be mixed into the audio signal using the BLEND control without affecting the SENSITIVITY of the envelope. Resotron accepts active CV and passive TRS expression pedal inputs for foot-controlled filter sweeps and outboard modulation which is mixed in parallel with the on-board pitch-following and amplitude tracking systems. The Resotron also features a TRIGGER (aka Sidechain) input which enables the musician to use an external audio source to modulate the filter.
Blackstar HT212VOC MKII 160W 2x12 Vertical Guitar Speaker Cabinet
Dimensions (Overall): 31.75 inches (L), 15.5 inches (H) x 23.75 inches (W) x 31.75 inches (D)Weight: 49.8 poundsStyle: CabinetWattage Output: 60 wattsWarranty: No Applicable Warranty. To obtain a copy of the manufacturer's or supplier's warranty for this item prior to purchasing the item, Since the launch in 2010, Blackstar's HT Series has become one of the world's best-selling tube amp lines. The all-new MkII version of these acclaimed amplifiers elevates them to a new level of performance. This vertical 2x12 speaker cabinet is perfectly matched to complement the all-new HT-20RH MkII.
The HT-212VOC MkII delivers awesome tone and projection. These cabinets use heavy-gauge wiring and rugged semi-open construction for strength, tone and projection. Inside, two 12" Celestion Seventy/80 loudspeakers give this cabinet its voice. The HT-212VOC MkII also features a unique open/closed back design which allows players to choose between the tight response of a closed back cabinet, or the wider response of an open-back cabinet. Compact and lightweight, this cabinet is perfect for the new line of HT MkII amps.
Pro Co Deucetone Rat Boost Guitar Effects Pedal
Dimensions (Overall): 8.1 inches (L), 3.6 inches (H) x 4.6 inches (W) x 8.1 inches (D)Weight: 2.75 poundsEffect Type: Distortion, Fuzz, and OverdriveWarranty: No Applicable Warranty. To obtain a copy of the manufacturer's or supplier's warranty for this item prior to purchasing the item, & bull; 100% analog signal path & bull; Pro Co's classic, virtually indestructible steel enclosure & bull; Heavy-duty, industrial footswitches, knobs, and jacks & bull; OnOff LED indicator & bull; Sloped face for easy stompingConsisting of two independent Pro Co RAT units, each Deucetone channel can be used separately, in stereo, or cascaded together for insane distortion. Each channel on this distortion guitar effects pedal is switchable between three RAT settings. Channel A features the Vintage RAT, Turbo RAT, and Dirty RAT, while Channel B gives the choice of Vintage RAT, Turbo RAT, or Clean RAT tones. The Clean RAT is a clean boost, a tone only available in the Deucetone RAT. That's like having six RAT pedals in one effects unit. Used separately or cascaded, have fifteen RAT tones at feet. The Deucetone RAT pedal features the legendary RAT Filter control. Turn it to the right to roll off brittle high-end frequencies. Having trouble cutting through the mix? Turn the Filter down and allow the natural brightness of instrument to shine through. The Distortion and Volume controls dial in the perfect amount of gain while keeping the level consistent with clean tone. While there's no mistaking the legendary RAT tone when the guitar pedal is on, true-bypass switching ensures that when the pedal is off, there is no coloration of sound. Pro Co Sound has been building professional effects since 1979. Since then, the RAT guitar pedal has evolved from a single, hand-built prototype into a family of versatile distortion pedals.
Hamilton UniStand Guitar Amp Stand
& bull; Lightweight, portable, tilt-back amp stand & bull; Positions amp for best sound monitoring & bull; Has 4 different positions & bull; Works with open or closed back combo amps or speakers & bull; All-metal designThe Hamilton UniStand is a lightweight, portable, tilt-back stand that lets position amp to best monitor sound. The UniStand has 4 different positions to accommodate different amplifier sizes and tilting preferences. Works with either open or closed back combo amps or speakers. All metal construction. Black finish.
Wampler Ratsbane Distortion Effects Pedal Gray
Dimensions (Overall): 6.5 inches (L), 3.5 inches (H) x 4.0 inches (W) x 6.5 inches (D)Weight: .61 poundsEffect Type: Distortion, Fuzz, and OverdriveWarranty: No Applicable Warranty. To obtain a copy of the manufacturer's or supplier's warranty for this item prior to purchasing the item, & bull; Built in the U.S.A. & bull; High grade components picked for their superior sound and response & bull; True bypass & bull; 9v-18v power jack (no battery connector inside) & bull; Five controls-Volume, Distortion, Filter, Gain Switch and Voice SwitchBased on an infamous circuit from a classic “Rodent-based” 1980’s high gain distortion pedal, the Ratsbane is Brian’s answer to the countless requests he has received to build his interpretation of this much-loved design.If are looking for a single pedal solution with multiple degrees of gain from light overdrive to full out saturated fuzz tones, then ’ll surely love the Ratsbane. The Ratsbane is based on a true benchmark sound amongst guitarists that has been heard on thousands of famous recordings. The full, dynamic range, and sheer sonic force of this circuit is what makes it a true king amongst distortion pedals. Turn the distortion control all the way down for a deep but powerful gain booster. Crank it up and will find rich harmonic overtones and a throaty, fuzz-like distortion. The “secret sauce” for this circuit has always been the filter control. Turn it counter-clockwise to cut straight through the mix with precision and high-frequency attack that lets tone soar with absolute clarity. Turn it clockwise to filter the top end, for a warm, buttery, yet clear tone. This natural full-range distortion, mixed with its unique filter control, delivers a classic cranked tube-amp sound that crosses genres and generations of music.In typical Wampler fashion, Brian improved the circuit’s flexibility by adding two new switches. The Gain switch offers three distinct choices. In the middle gives the “stock” gain for this pedal. Flick it either right or left for 2 additional turbocharged gain stages can play with. The left position offers a firm, yet smooth boost in gain, whereas the right delivers an insane level of creamy distortion. The Voice switch subtly alters the compression and clipping of this pedal. It tightens the distortion to be more manageable with greater levels of gain, while rolling back some of the fuzz qualities, to deliver a modern, high gain distortionThe Ratsbane is a versatile little gain machine that can tap into inner bluesman, propel to stadium rock heights, or give the noise and cutting energy to let metal roots scream through. Like its name suggests, this pedal was is designed to eliminate the need for any other pedal in its class.CONTROLSDistortion: Controls the total amount of distortion. Volume: Controls the total output volume of the pedal. Filter: Controls the high end roll off. Counter-clockwise is maximum high end, clockwise is minimumGain: Three stage gain control, middle is stock, left and right turbocharge the gain stages.Voice: Two voicing options that completely alter the compression and clipping of the signal.Power: This pedal was designed around the usage of a 9V or 18V DC power source and is intended to sound its best at 9V. To avoid damage to the pedal, do not exceed 18V DC, do not use center pin positive adapters, and do not use AC power. Use only a 9v-18vdc power source that is intended for guitar pedals. NOTE: this pedal cannot be run from a battery, external power supply only.
Way Huge Electronics WM42 Mini Russian Pickle Fuzz Effects Pedal
Dimensions (Overall): 5.0 inches (L), 2.5 inches (H) x 3.0 inches (W) x 5.0 inches (D)Weight: .53 poundsEffect Type: Distortion, Fuzz, and OverdriveWarranty: No Applicable Warranty. To obtain a copy of the manufacturer's or supplier's warranty for this item prior to purchasing the item, & bull; Same smooth, creamy fuzz tones in a more pedalboard-friendly package & bull; Clear midrange and a fat bottom end & bull; Simple three-knob control interface & bull; Perfect for '90s-era grunge, swinging stoner grooves, and garage rock riffageNow in a Way Huge Electronics Smalls housing, the Russian-Pickle Fuzz dishes out smooth, creamy fuzz tones in a much more pedalboard-friendly package. It’s got the exact same circuit and controls as the original, so can keep trembling the earth with the same punchy midrange and fat bottomed thunder. Whether 're going for '90s-era grunge, swinging stoner grooves, or raw two-piece garage rock riffage, the Russian-Pickle Fuzz is the perfect comrade for pedalboard.
Carl Martin Comp Limiter Compressor Effects Pedal
Dimensions (Overall): 5.5 inches (L), 2.55 inches (H) x 3.25 inches (W) x 5.5 inches (D)Weight: .74 poundsEffect Type: CompressorWarranty: No Applicable Warranty. To obtain a copy of the manufacturer's or supplier's warranty for this item prior to purchasing the item, & bull; Power requirement: 9V & bull; Draw: 200mA & bull; Die-cast case & bull; Top-mounted IOCompression and limiting are very serious business when it comes to guitar players. These effects can take tone from being extremely musical to sounding like are playing through a crushed tin can. Sound familiar? The Carl Martin Comp Limiter has been developed by Carl on the request of several musicians who wanted studio-quality compression in a user-friendly yet versatile, board-friendly pedal that can be tweaked on the fly. In order to save space and knobs, and to make this super dynamic pedal easy to use, Carl pre-set the Threshold and Response controls, leaving only the Compression and Level controls to control how much compression and where it sits in the mix. All the same quality, clarity and performance of a studio-level compressor, but in a small footprint, super easy format! Remember, the Comp Limiter also incorporates the special CM developed DC/DC converter circuitry. This enables the pedal to run with +-12V internally (which is necessary in order to maintain the same sonic quality and headroom), while still using a regular 9V DC 200mA external power supply. Cool two-tone anodized die-cast body which heavy duty switch and head mounted Input/Output/9v. Bigger sound, bigger tone, all analog, all Carl Martin!
Stage Right by Monoprice 9V Power Supply for Guitar Pedals
Dimensions (Overall): 4.1 inches (L), 1.9 inches (H) x 3.4 inches (W) x 4.1 inches (D)Weight: .21 poundsModel name: 611690Warranty: 1 Year Limited Warranty. To obtain a copy of the manufacturer's or supplier's warranty for this item prior to purchasing the item, & bull; This AC adapter is intended for use with the Monoprice guitar effects pedals, as well as guitar effects pedals from other manufacturers. & bull; It boasts a cable length of 9.8 feet (3 meters), which means you don't need to have an unsightly power strip next to your pedal board. & bull; It has a tip negative & bull; With input power of 100~240 VAC, 50/60 Hz, 0.2A and an output power of 9 VDC, 500mA & bull; DC connector barrel/pin diameter is 5.5mm/2.1mmPower your guitar effects pedal with this 9V Power Supply for Guitar Pedals from Monoprice!
Carl Martin Boost Kick
Dimensions (Overall): 5.9 inches (L), 3.1 inches (H) x 5.0 inches (W) x 5.9 inches (D)Weight: .7 poundsEffect Type: Distortion, Fuzz, and OverdriveWarranty: No Applicable Warranty. To obtain a copy of the manufacturer's or supplier's warranty for this item prior to purchasing the item, & bull; Gives extra boost needed for a good solo & bull; Level control determines the amount of boost & bull; Punch, attack, and edge controls function as an EQ section, allowing the creation of a full and varied range of solo sounds without limiting overall sonic quality & bull; A remote jack allows connection of the unit to a remote footswitch if required & bull; High-quality switchDesigned to give that extra boost needed for a good solo. The level control determines the amount of boost (up to 20dB). Punch, attack, and edge controls function as an EQ section. They allow the creation of a full and varied range of solo sounds that can cut through the mix. High-quality switch. True bypass. External AC adapter plug. A remote jack allows connection of the unit to a remote footswitch if required.
Fryette Deliverance Sixty D60 Series II 60W Tube Guitar Amp Head
Dimensions (Overall): 34.25 inches (L), 14.25 inches (H) x 17.25 inches (W) x 34.25 inches (D)Weight: 47.4 poundsStyle: HeadWattage Output: 60 wattsWarranty: No Applicable Warranty. To obtain a copy of the manufacturer's or supplier's warranty for this item prior to purchasing the item, & bull; Power: 60W (tube) & bull; Tubes: one 12AX7 Tung-Sol, three 12AX7AC, one 12AT7C (preamp); two Electro Harmonix KT88 & bull; Front panel: Input, Gain I, Gain II, Bright Switch MoreLess Switch, Master Volume, Solo Volume, Treble, Middle Bass, Presence and Depth & bull; Rear panel: Ground Switch, AC Input, Mains Fuse, DC Fuse, Dual Parallel Speaker Output Jacks Impedance Selector & bull; Impedance: 4, 8, 16 ohmThe Deliverance Series II amplifier is the long-awaited evolution of one of Fryette Amplification’s most popular amplifiers.
New for 2019, the Deliverance Series II offers a Solo Volume mode and a totally transparent, super low noise effects loop, both of which can be controlled using a remote footswitch.
In addition, the More Mode toggle switch (that activates an additional tube gain stage) can now be assignable to the Solo Volume mode for additional tube gain boost on the fly. The newly added Bright toggle switch function can also be set to operate manually, assigned to the More mode or activated together with Solo mode using the footswitch.
The Deliverance preamp section has a broad dynamic range, which accounts for its extra touch-sensitivity and excellent guitar volume control response. In addition, clean and overdriven voicing’s can easily be dialed up using the unique GAIN I / GAIN II structure with a little icing via the highly effective Presence and Depth controls. From there, just working guitar volume and tone controls will yield a surprising range of voicings.
The Deliverance power amp section utilizes KT88 power tubes for robust low mids and sparkling high end harmonics. It is designed for big round tone and dynamic response at low to medium guitar volumes and a rapid but smooth transition into saturation, turning rich and thick at full guitar volume. This combination of preamp voicing and power amp response makes the Deliverance amplifier an ideal partner for any instrument, from a vintage Tele to a fully blown 7-string metal axe.
Specially designed, precision wound power and output transformers produce optimum performance, reliability and stability, delivering excellent power tube response and just the right amount of natural output transformer saturation and compression.
Whether prefer the pavement pounding torque of the Deliverance One-Twenty or the chunky authority of the Deliverance Sixty, 'll be rewarded with an unbelievable array of tonal options that belie their simple front panel control set.
Odyssey F-28 Foldout Stand
Dimensions (Overall): 30.0 inches (L), 5.0 inches (H) x 22.0 inches (W) x 30.0 inches (D)Weight: 28.0 poundsWarranty: No Applicable Warranty. To obtain a copy of the manufacturer's or supplier's warranty for this item prior to purchasing the item, This portable folding stand holds DJ equipment at a comfortable height and provides a shelf to keep stuff on. It's best suited for supporting racks, cases, and consoles and it folds away when not in use for easy storage. The handle ensures easy transport. Complete professional DJ rig with Odyssey's F-28 foldout DJ stand. 21"W x 28"H x 17-1/2"D. 28 lbs.
Odyssey Innovative Designs
Two Notes Audio Engineering Le Lead Preamp Effects Pedal
Dimensions (Overall): 11.5 inches (L), 3.5 inches (H) x 7.5 inches (W) x 11.5 inches (D)Weight: 2.85 poundsEffect Type: Distortion, Fuzz, and OverdriveWarranty: No Applicable Warranty. To obtain a copy of the manufacturer's or supplier's warranty for this item prior to purchasing the item, & bull; Tube: Ruby 12AX7AC5 HG & bull; Tone control & bull; A channel: Passive BassTreble tonestack & bull; B channel: Passive BassTreble tonestack – Active MidSweep control – Gain: -18 to +6 dB – Freq : 300Hz à 1.5kHzThe Two Notes Audio Engineering Le Lead’s Channel A shines on the fusion of a clean to slight crunch tone of a perfect melody. Kicking in Channel B unleashes the fury of a super-tight, modern high-gain amp, enhanced with the powerful mid sweep Eq. Hot Fusion takes it all over the top; huge gain, sustain and with the combined EQ’s, everything from metal to all out fuzz at fingertips. Will be able to master its strength?From the moment Two Notes launched the Torpedo C.A.B., they believed it was possible to build a high quality pedalboard to entirely replace a conventional tube amplifier system: the complete floor rig. Even with an almost limitless choice of available guitar effects, finding a very good preamplifier in a pedal format was challenging. This is why Two notes is proud to premier its line of tube preamplifiers: Le Clean, Le Crunch, Le Lead and Le Bass.The conceptThe selection of a preamplifier is the core of overall tone and thus requires the greatest attention. When building a complete floor rig, only the very best will make the cut. The Two notes preamplifiers are a True High Voltage Design running internally at 200 volts to preserve the interaction between and guitar while working perfectly with other effect pedals. Each of the four different versions deliver the unique tube warmth, dynamics, and the musical compression from the amps we know and love, now in a more convenient pedal package. And, of course, can use them as an elaborate tube overdrive, in front of favorite amplifier!Two channels plus Fusion modeThe A and B channels are totally independent, each with their own voicing and eq section: Bass and Treble on A, Bass, Mid with Mid Sweep and Treble for B. On Channel A will find a lower gain tube stage with a pre-gain EQ using a more vintage design approach, while Channel B offers more gain and a very powerful post-EQ (with mid sweep). The exclusive Fusion modes open new horizons.Switching & multi-channel modeEach preamp features 2 channel footswitches, A and B. Simultaneously pressing A and B will ac- tivate the Fusion mode. Pressing A, B or A and B will also send a specific Midi Program Change command, that can be used to select a preset on Midi multi effects and/or Torpedo C.A.B.. In addition, the preamplifier may respond to a Program Change sent from another Midi device al- lowing a seamless integration into any pedalboard switching system. Combining several Two notes preamps on pedalboard makes things really interesting.Connected via Midi, each preamp will listen to the others. They can be configured in Multi-channel mode: pressing A on preamp 1 will by- pass preamp 2, like the channels of an amplifier. Alternately, when this mode is off: traditional on/off switching for all preamps, a preamp can be a boost/overdrive for the one that follows.High-quality electronic designTwo notes is first and foremost a team of music lovers who are all great admirers of musicians. Two Notes designers are highly qualified engineers, technicians and musicians, whose purpose is to facilitate the life of guitar and bass players without infringing on their playing habits. Their mission consists in providing them with studio-grade products that are specifically designed for the guitar and bass.Integrated speaker simulationThis analog speaker simulation is specifically voiced for Le Preamp Model, and based on the Torpedo simulator. This speaker simulation affects the DI output and the Headphones output.ConnectionsLe Preamp can be used in various configurations: as a traditional preamplifier, it can be connected to a power amplifier and cabinet, or in the Return input (or Power Amp In) of a guitar or bass amplifier
Two Notes Audio Engineering
Dunlop CBM535Q Cry Baby Q Mini Wah Effects Pedal
Dimensions (Overall): 6.0 inches (L), 3.45 inches (H) x 3.45 inches (W) x 6.0 inches (D)Weight: 1.3 poundsEffect Type: Wah and FilterWarranty: No Applicable Warranty. To obtain a copy of the manufacturer's or supplier's warranty for this item prior to purchasing the item, & bull; The perfect balance of wah control and pedalboard efficiency & bull; Four different frequency sweep ranges to set r own tonal character & bull; Adjustable, switchable boost allows to step out in front of the mix & bull; Q control shapes wah response from narrow to wide & bull; Equipped with the legendary red Fasel InductorThe Dunlop Cry Baby Mini 535Q Wah provides the perfect balance of wah control and pedalboard-efficiency. Set the tonal character of sound with the Range Selector, which allows to choose one of the standard 535Q Wah’s four most popular sweep ranges. With the Q control, can shape the wah’s response, from a narrow bandpass that emphasizes higher end harmonics to a wide bandpass that emphasizes lower end harmonics. If want to a bump up to the front of the mix, just crank the Volume control and then kick the Boost switch to engage the level change. There’s a handy LED next to the Boost switch that lets know when it’s active.The Cry Baby Mini 535Q Wah comes in at half the size of the standard version, and on the inside, it sports the legendary red Fasel Inductor. If want to save space while retaining ultimate control over Cry Baby Wah sound, this pedal belongs on pedalboard.
Dunlop Echoplex Preamp Guitar Effects Pedal
Dimensions (Overall): 5.5 inches (L), 2.5 inches (H) x 4.4 inches (W) x 5.5 inches (D)Weight: .8 poundsEffect Type: Distortion, Fuzz, and OverdriveWarranty: No Applicable Warranty. To obtain a copy of the manufacturer's or supplier's warranty for this item prior to purchasing the item, & bull; Faithful reproduction of the legendary Echoplex EP-3 front end & bull; Gain boost up to +11dB & bull; True-Bypass & bull; Field-effect Transistor (FET) & bull; Runs on 9V powerWhen the Echoplex EP-3 came out, guitar players were hooked by the way its preamp sweetened up their sound. Soon, the EP-3 made its way onto the records of top guitar players-from Jimmy Page to Eddie Van Halen and Eric Johnson-as much for its tone conditioning ability as its tape echo effect. Now, can put the EP-3's legendary secret sauce right on pedal board. Dunlop's EP101 Echoplex Preamp recreates the magic of the EP-3's front end, featuring a Field-effect Transistor (FET) just like the original and following the exact same signal path. The Gain control allows to boost signal by up to +11dB, with light asymmetrical clipping at higher settings for a bit of nice organic grit. The Echoplex Preamp runs on standard 9-volt power and contains power management circuitry to guarantee constant headroom performance throughout the normal life of a 9-volt battery. With a heavy-duty Phase 90-sized housing, a replica EP-3 knob, true bypass switching and a status LED, the Echoplex Preamp is built to take a beating on the road so can leave fragile vintage piece at home.
Ampeg Classic Analog Bass Preamp Pedal
Dimensions (Overall): 6.0 inches (L), 3.25 inches (H) x 3.5 inches (W) x 6.0 inches (D)Weight: .79 poundsEffect Type: Bass EffectsWarranty: No Applicable Warranty. To obtain a copy of the manufacturer's or supplier's warranty for this item prior to purchasing the item, & bull; Delivers a wide range of authentic Ampeg tones & bull; Classic 3-band tone stack plus volume & bull; Ultra-Hi and Ultra-Lo circuits for tonal flexibility & bull; True bypass, analog design with incredible signal-to-noise ratio & bull; Roadworthy all-metal chassis constructionThe Ampeg Classic Analog Bass Preamp pedal is like having a choice of Ampeg amps right on pedal board. Dial in a wide range of authentic Ampeg tones with the 3-band tone stack and highly flexible Ultra-Hi and Ultra-Lo circuits. It’s the most affordable way into the pure analog bass tone of Ampeg.
Fuchs Mantis Jr. 1x12 100W Tube Guitar Combo Amp
Dimensions (Overall): 31.0 inches (L), 14.0 inches (H) x 21.0 inches (W) x 31.0 inches (D)Weight: 55.0 poundsStyle: ComboWattage Output: 100 wattsWarranty: No Applicable Warranty. To obtain a copy of the manufacturer's or supplier's warranty for this item prior to purchasing the item, & bull; Power: 100W (tube) & bull; Tubes: three 12AX7 (preamp); 6L6 or EL34 (power amp) & bull; Two channels & bull; Speaker: 1x12" Warehouse ET-1265 & bull; Impedance: 4, 8, 16 ohmsThe Mantis Jr 1x12 100W combo features a Warehouse ET-1265 speaker combined with a tuned rear-ported enclosure, which gives all Fuchs combos full and powerful low end for a box of this size an portability. Unlike other combos, in which the rear is more than 75% open, the Fuchs combos are more than 75% closed and feature a port that produces a deep, strong low end unheard of in a combo platform. The Mantis Jr. is based on the ODS/Casino sized chassis platform, has two channels with a shared bass, middle, treble tone stack, a passive effects loop and 4-8-16 ohm outputs and will include a two-way footswitch for channel switching and gain boost. The two channels each feature a distinct voicing: Channel 1 is a traditional classic English style EQ with tons of gain on tap, cleans up easily from the guitar, and works equally well for chunky rhythm or "brown sound" lead tones. Channel 2 features a higher gain structure with a more strident clipping structure for "modern rock and metal tones." This amp also features an internal user adjustable preset gain boost, has both a presence and thrust control which alter the damping and voicing of the high and low end of the power amp section respectively.
Animals Pedal Vintage Van Overdrive Effects Pedal Candle Orange
Dimensions (Overall): 5.25 inches (L), 2.4 inches (H) x 2.9 inches (W) x 5.25 inches (D)Weight: .55 poundsEffect Type: Distortion, Fuzz, and OverdriveWarranty: No Applicable Warranty. To obtain a copy of the manufacturer's or supplier's warranty for this item prior to purchasing the item, The Vintage Van Overdrive from Animals Pedal is a versatile overdrive/boost pedal that delivers an array of tone-enriching sounds, ranging from clean boost to medium gain dirt. The pedal responds well to both single coil and humbucker pickups, delivering a sharp, thick tone through the former and a musical attack with smooth, silky sustain through the latter. In Boost mode, can also use the VVOD to boost favorite effect, to enrich the tone of a digital amp, or to give a rich, full push to tube amp.
The Vintage Van Overdrive offers a well-balanced tonality that sounds great across the full EQ spectrum.
Monoprice LP3 Looper Guitar Pedal - 3 Tracks and 90 Minutes of Recording Time, Unlimited Overdubs, True Bypass Design - Stage Right Series
Dimensions (Overall): 5.1 inches (L), 2.6 inches (H) x 2.7 inches (W) x 5.1 inches (D)Weight: .52 poundsEffect Type: Loopers and SamplersModel name: 625876Warranty: 1 Year Limited Warranty. To obtain a copy of the manufacturer's or supplier's warranty for this item prior to purchasing the item, & bull; 3 Tracks and 90 Minutes of Recording Time: Featuring 30 minutes of recording time for each of its 3 tracks, the LP3 is a powerful tool for working on new song ideas, practicing at home, and performing on stage. & bull; Unlimited Overdubs: Create huge effect by overdubbing and stacking takes with no limit, other than the 30 minute recording time per track. Because the tracks are recorded digitally, you can create an unlimited number of overdubs without losing any fidelity. & bull; True Bypass Design: Keep the cleanest signal path with zero loss and no coloring when the pedal is turned off. & bull; Metal housing, save small footprint: The all-metal construction ensures long-term durability and reliability, while the small footprint means it will fit comfortably on your pedal board. & bull; Universal Power: All Stage Right effects pedals are powered using a universal tip-negative 9V power adapter (available separately).Looper pedals can be both a fun and powerful addition to your board. They are great for developing song ideas, creating a backing track for practicing solos, or helping you create interesting sections or effects for use on stage. The Stage Right LP3 Looper delivers the same fun and functionality of similar higher-end units at a fraction of the cost. Featuring three tracks for recording, the LP3 provides virtually unlimited overdubs and up to 30 minutes of recording time per track. Its minimalist but intuitive design means you can create loops in seconds, without compromising any features or functionality. Simply connect the pedal, step on it, and begin recording. Press the pedal again to playback your recorded track and press it again during playback to create an overdub layer. You can delete previous layers (with an undo function) and can save all layers into a single track, giving you a powerful and easy to use loop recorder.
Carl Martin Plexitone Overdrive Pedal
Dimensions (Overall): 10.3 inches (L), 2.7 inches (H) x 5.6 inches (W) x 10.3 inches (D)Weight: 2.25 poundsEffect Type: Distortion, Fuzz, and OverdriveWarranty: No Applicable Warranty. To obtain a copy of the manufacturer's or supplier's warranty for this item prior to purchasing the item, & bull; 3-channel overdrive pedal & bull; Clean 20dB boost & bull; Crunch channel & bull; High-gain channel & bull; Tone and level knobsWith the Carl Martin Plexitone Overdrive Effects Pedal, get a crunch channel, a high gain channel, and a 20dB clean boost channel for every tone want: subtle overdrive, hard-rock crunch, high-gain shred, or bass-heavy grunge. An integrated regulated power supply gives all the headroom 'll need.
MXR M-102 Dyna Comp Compressor Pedal
Dimensions (Overall): 5.5 inches (L), 2.7 inches (H) x 4.6 inches (W) x 5.5 inches (D)Weight: 1.1 poundsEffect Type: CompressorWarranty: No Applicable Warranty. To obtain a copy of the manufacturer's or supplier's warranty for this item prior to purchasing the item, The MXR M-102 Dyna Comp Pedal creates infinitely clean sustain. It uses a signal-limiting processor that varies its gain so that the output signal stays constant. The MXR M-102 Dyna Comp Pedal features Output and Sensitivity knobs and LED on/off indicator.
Walrus Audio Luminary Quad Octave Generator V2 Effects Pedal
Dimensions (Overall): 5.75 inches (L), 2.5 inches (H) x 4.5 inches (W) x 5.75 inches (D)Weight: .99 poundsEffect Type: HarmonyWarranty: No Applicable Warranty. To obtain a copy of the manufacturer's or supplier's warranty for this item prior to purchasing the item, & bull; Power requirements: 9V DC (250mA minimum) & bull; Dimensions: 4.67" x 3.68" x 1.547" & bull; Power supply sold separatelyThe Walrus Audio Luminary V2 polyphonic quad octave generator pedal operates on the Analog Devices Sharc platform. The Luminary V2 gives the ability to create combinations of four separate octaves, including -2, -1, +1, and +2 octaves. Guitarists can craft many different layered sounds and textures with crystal-clear and immediate octave tracking.
The Walrus Audio Luminary V2 has three onboard presets for saving sounds, as a well as live mode for accessing up to four custom sounds at any moment. Get epic steel sounds with the modulation control disengaged. 'll find more experimental options with the filter control or a swirling chorus with the tremolo control. Couple the Walrus Audio Luminary V2 with an expression pedal to expand its creativity even more.
The four knobs across the top of the Walrus Audio Luminary V2 pedal control the level of each octave. Set the Dry/Wet control between minimum and 12 o'clock to keep the octave signal lower than dry signal for a subtle effect. Or, set it between 12 o'clock and maximum to keep dry signal lower than unity for a boastful octave sound.
Blackstar HT-5RH MkII 5W 1x12 Tube Guitar Combo Amp Black
Dimensions (Overall): 21.0 inches (L), 13.3 inches (H) x 19.0 inches (W) x 21.0 inches (D)Weight: 32.4 poundsStyle: ComboWattage Output: 5 wattsWarranty: No Applicable Warranty. To obtain a copy of the manufacturer's or supplier's warranty for this item prior to purchasing the item, Killer tones and innovative features make the Blackstar HT-5R MkII the ultimate studio and practice valve amp. Thanks to the unique 5W push-pull design utilizing the 12BH7 valve, it delivers huge tone at any volume. In addition to the re-voiced Clean & Overdrive channels, the new HT-5R MkII features USB audio output, XLR D.I. out, studio-quality reverb, power reduction and refined cosmetics.Adding the features that guitarists have requested, plus stunning new boutique cosmetics, the new HT-5R MkII redefines the compact valve amp. Using their push-pull valve power amp design, get all the dynamics and response of a 100W stack from a small combo amp. The HT-5R MkII features Blackstar's best clean and overdrive tones, including sounds inspired by classic American and British amplifiers, from clear and punchy cleans to searing overdrive. Each channel is now equipped with a footswitchable voice mode, allowing for even more tonal flexibility. Joining Blackstar’s patented ISF tone control is a USB and balanced XLR outputs for pro recording, a power reduction switch, and a newly voiced studio quality reverb.
Blackstar HT Venue Series Stage 100 MKII 100W Tube Guitar Amp Head Black
Dimensions (Overall): 28.1 inches (L), 13.9 inches (H) x 16.55 inches (W) x 28.1 inches (D)Weight: 48.4 poundsStyle: HeadWattage Output: 100 wattsWarranty: No Applicable Warranty. To obtain a copy of the manufacturer's or supplier's warranty for this item prior to purchasing the item, & bull; Power: 100W (tube) & bull; Attenuation to 10W & bull; Tubes: two 12AX7, one 12AU7, four EL34 & bull; Three footswitchable channels & bull; Controls: 3-band EQ, gain, overdrive voice switch, presence, resonance, master volume, reverb darkbright switch, FX level switchSince the launch in 2010, HT Venue has become one of the world’s best-selling valve amp lines. Its name is already synonymous with class-leading tone and flexibility, but now, after more than 3 years of intensive R & D and market research, Blackstar is about to release the stunning next generation of HT Venue valve amplifiers.HT Venue MkII takes this award-winning line and elevates it to a new level of professional performance, and adds every major enhancement that the market has requested; resulting in a massively flexible and powerful feature set, yet remains intuitive and musician-friendly.When enhancing the tonal quality, Blackstar’s engineering team started by benchmarking the finest vintage and new valve amps on the planet (including our own), some of which cost five times the price of HT Venue. The mission was then “simple”: improve on these sonic references in the way Blackstar is renowned for, and combine the sounds into a cohesive, creative product.With that in mind, players can expect a number of enhancements from Blackstar’s new HT Venue MkII amplifiers. For starters, the clean channel now features market leading clean tones, through huge improvements in both the pure quality and the flexibility, made possible by the addition of controls for bass, treble and a footswitchable Voice switch. These improvements are sure to rank HT Venue MkII among the best of the clean valve amps.In addition to the clean channel enhancements, players can expect richer, more complex overdrive tones from the drive channel(s) in HT Venue MkII. The drive channels are fuller and even more responsive than the original Venue series, and each overdrive channel features its own Voice switch. The high gain voices are tight and focused, drawing on the original award-winning HT Venue Series, while the mid-gain tones are perfect for those players who prefer “edge of breakup” tones, and then either push the amp with pedals or clean up the tones with the guitar’s volume knob.In keeping with the Venue series’ player-centric design philosophy, all modes are footswitchable, resulting in the widest possible selection of stage-accessible valve tones. In addition, a switchable power reduction circuit is included, giving reliable, transparent attenuation down to 10% of the amp’s rated power. It’s perfect for those playing environments where volume limitations prevent other valve amps from getting to their sweet spot. For players who are doing recording sessions, the Venue MkII also includes a professional USB recording output, which is the simplest way to record authentic valve tone. Other pro features on all Venue MkII models include a footswitchable boost on all channels, direct output with built-in speaker cabinet emulation and a studio quality reverb, newly designed in-house by the engineers at Blackstar. Lastly, all of the Venue MkII models have been reengineered physically to be more compact, lightweight, practical and portable.Blackstar’s Venue series’ were built to outfit the widest range of players from all music genres with the best in all-valve, versatile, high-quality amplification. The Venue MkII continues with that philosophy, and makes a great amp even better.
MXR Tap Tempo Guitar Effects Pedal
Dimensions (Overall): 5.5 inches (L), 2.5 inches (H) x 4.35 inches (W) x 5.5 inches (D)Weight: .4 poundsEffect Type: Delay and ReverbWarranty: No Applicable Warranty. To obtain a copy of the manufacturer's or supplier's warranty for this item prior to purchasing the item, & bull; Perfect for pairing with the EP103 Echoplex Delay & bull; Adjustable tipring configuration & bull; Ruggedly built, road-ready construction & bull; Can be used with a variety of pedal typesThe MXR Tap Tempo switch features adjustable tip/ring configuration so can control the delay time of a wide variety of delay pedal types. This pint-sized footswitch is ruggedly built for a lifetime on the road.
Gallien-Krueger Legacy 500 500W Bass Amp Head Black
Dimensions (Overall): 15.1 inches (L), 6.0 inches (H) x 13.3 inches (W) x 15.1 inches (D)Weight: 7.3 poundsStyle: HeadWattage Output: 500 wattsWarranty: No Applicable Warranty. To obtain a copy of the manufacturer's or supplier's warranty for this item prior to purchasing the item, The Legacy Series represents 50 years of design, innovation and industry experience at Gallien-Krueger. Bob Gallien remains at the helm of the company, still working in the lab daily, as he did in the beginning, to create the best sounding, most versatile, and reliable professional bass gear available. Because the Legacy Series shares the same designer as the 800RB, it shares the same DNA and the same level of innovation, with a more evolved feature set and construction concept. The introduction of the 800RB, in 1980, cemented Gallien-Krueger as a leader in solid-state bass amplification, with its signature growl, clarity, power and features that were ahead of its time. The Legacy Series of heads captures that same aesthetic while adding something all its own. From clean, clear, biting tones, to saturated overdrive, the Legacy series has it all. Coming in 500, 800 and 1,200W Class D models, the Legacy heads are ready for the biggest stages, the smallest living rooms, and everything in between. To improve performance and reliability, the Legacy Series uses a unique interconnection system that eliminates problems that can develop over time from constant vibration and temperature extremes that gear is subjected to with heavy use. Using circuit boards with gold-plated connectors, rather than cables with standard tin connectors, this type of construction delivers a more pure, reliable sound. Features include GK's classic 4-band EQ, overdrive complete with tone shaping, additional voicing filters such as "Bump," "Contour" and "Presence", balanced DI with pre- and post-EQ, an effects loop, aux. and headphone connections, and Load capacity selection, to deliver optimum power into 2-, 2.7-, 4- and 8-ohm cabinet configurations.
MXR Octavio Fuzz Effects Pedal
Dimensions (Overall): 5.5 inches (L), 2.6 inches (H) x 4.5 inches (W) x 5.5 inches (D)Weight: .67 poundsEffect Type: Distortion, Fuzz, and OverdriveWarranty: No Applicable Warranty. To obtain a copy of the manufacturer's or supplier's warranty for this item prior to purchasing the item, & bull; The classic effect made famous by Jimi Hendrix now comes in a pedalboard-friendly MXR housing & bull; Simple two-control interface coaxes out legendarily searing, synth-like tones & bull; Convenient onbypass LED and AC power jack for modern playersMade famous by Jimi Hendrix, the Octavio Fuzz and its touch-responsive octave-up saturation continue to be employed by modern players, from straight-up rockers to low ’n’ slow doomsayers. For the first time ever, that iconic effect has joined the MXR standard line. The lat is as simple as it ever has been—just set the Output and Fuzz controls to desired volume and intensity, and allow picking and plucking dynamics to coax out the pedal’s legendarily searing, synth-like tones.
NUX JTC Pro Rhythm Looper Effects Pedal
Dimensions (Overall): 5.5 inches (L), 2.8 inches (H) x 5.25 inches (W) x 5.5 inches (D)Weight: 1.39 poundsEffect Type: Loopers and SamplersWarranty: No Applicable Warranty. To obtain a copy of the manufacturer's or supplier's warranty for this item prior to purchasing the item, & bull; Power requirement: 9V negative tip & bull; 24-bit audio recording quality & bull; Up to 6 hours recording time & bull; 256 memory slots & bull; Drum rhythms in 44 and 34The NUX JTC Pro is an advanced pedal with simplified controls. It’s a dual-switch stomp-box pedal with 6 hours of recording capability and 256 loop track memories. And the audio recording quality is 24-bit and 44.1 kHz sample rate.
Dual-Switch Action
Loop and the drum controls are separated, left footswitch (LOOP) controls recording and overdubs, and start/stop plays the recorded loop tracks. It’s also TAP Tempo control, can set the drum speed by tapping the left footswitch before record a track.
Looper Action
There are 2 loop recording actions on JTC Pro; Record and Play (RP), and Record and Overdub (RD). In Record and Overdub action; JTC Pro will record it over and over while playing the previous tracks
High Quality Drum Sound - Smart Drum Fills
Right footswitch (RHYTHM) controls the drum and it adds a drum fill during the performance. Drum fills length is one measure (depends on 4/4 or 3/4 rhythms). When hit the RHYTHM button, drum fill will start immediately and it will play until the end of the current bar. For example if push the switch at 3rd beat -> drums fill length will be 2 beats only. There are 40 drum patterns and fills including Pop, Rock, Blues, Metal and more other styles with 3/4 and 4/4 beats.
Start/Stop Modes
It has very useful and stop modes for making jam sounds like an arranged song during the performance. There are 2 Start Modes and 3 Stop Modes;
Start Modes
Press and hold the Stop Modes button, and select a start mode; (Ar) Auto-Recording, (Nr) Normal Recording
Normal Recording - Classic hit and play looper action. JTC Pro will start recording when push the loop switch.
Auto-Recording - In this mode, when push the loop switch, the JTC Pro will be standing by for recording. And it will start recording immediately when hit the guitar strings.
Stop Modes
After record a track, can simply push the Stop Modes button, and choose one of the modes to finish performance the way like.
Normal Stop - Double hit to Loop switch and the looping track will stop immediately.
Fine Stop - Double hit: The track will play until the end then it will stop, don't forget to hit finishing chord after it stop.
Fade Out - The track volume will be decreased to 0 slowly in 10 seconds then it will stop.
One-Shot Mode
And, One Shot mode is very useful for playing any loaded backing track without looping. can load any song to play along, the supported file type is 24-bit 44.1 kHz Stereo Wave (.wav)
can download NUX Audio File Converter to change the audio file format and make it compatible for JTC Pro
Advanced Output Options and Frequency Optimization (FR ON/OFF)
JTC Pro has 2 outputs and there are several output modes; a stereo connection to two amplifiers, or can activate the built-in speaker cabinet simulation for Right Output to send guitar signal directly to a PA system (or any PA monitor).
JTC Pro’s drum sound is high quality real sound, when connect to any guitar amplifier or PA system will hear a full range and dynamic drums, still, if are using a small practice amplifier there is an optional drum frequency optimization. It makes the drum sounds more clear and helps to get a real looper experience with the smaller amplifiers.
External Footswitch Input
can connect NUX NMP-2 control footswitch (sold separately) or any equal pedal to use as a controller. can switch Up and Down between the memory slots. When push the UP or DOWN button, the current track will be played until the end, can switch right next to preset or jump between several presets at once.
Peavey 212-6 50W 2x12 Guitar Speaker Cabinet
Dimensions (Overall): 32.0 inches (L), 16.25 inches (H) x 22.25 inches (W) x 32.0 inches (D)Weight: 46.0 poundsStyle: CabinetWattage Output: 50 wattsWarranty: No Applicable Warranty. To obtain a copy of the manufacturer's or supplier's warranty for this item prior to purchasing the item, & bull; Power handling: 50W & bull; Speaker: 2x12 Celestion Greenback 25 & bull; Impedance: 8 ohms (stereo); 16 ohms (mono) & bull; Convertible open-backclosed-back construction & bull; Input: two 14 in.; stereo or monoThis Peavey 212-6 50W 2x12 guitar speaker cab features Peavey's top build quality and easy portability coupled with a pair of awesome Celestion Greenback 25 speakers. It also offers two inputs for use as a stereo or mono cab, plus feet on the short side to be used as a vertical 2x12.
Behringer FC600 Volume and Expression Control Foot Pedal
Dimensions (Overall): 13.75 inches (L), 3.25 inches (H) x 5.75 inches (W) x 13.75 inches (D)Weight: 3.9 poundsEffect Type: Volume and ExpressionWarranty: No Applicable Warranty. To obtain a copy of the manufacturer's or supplier's warranty for this item prior to purchasing the item, & bull; Volume control for musical instruments and high-impedance sources & bull; Expression pedal function for keyboard modulation control & bull; Heavy-duty aluminum die-cast body & bull; Ultra-smooth pedal movement for utmost control & bull; Rubberized pedal surface for non-slip action and comfortcan get louder, softer – or can get incredibly expressive with the ultra-smooth FC600. This heavy-duty foot pedal works equally well as either a volume or keyboard modulation control pedal, without tying up hands – or slowing down performance. With the FC600 in setup, total control of sound is just a step away.The FC600 is the ideal way to take control of volume, whether play keyboards, guitar or bass. Designed for use with all high-impedance instruments, the FC600 features the highest-quality components throughout, ensuring the ultimate in signal integrity. The ultra-smooth pedal movement provides complete control over volume, enabling to quickly shift from rhythm to lead levels, or to gently increase the volume for pedal-steel or cello swells that create amazing ambience.Whether ’re on the stage or in the studio, the FC600 also pulls double duty as a superb control pedal for keyboards, sound modules, effects processors and more. Keep hands in the music, and let feet take to new places.Just plug in and depress the pedal to increase the volume, then rock back on heel to decrease it – that's all there is to it. Plus, can adjust the minimum volume control to match rhythm level, or to zero for tasty swells that will mesmerize audience.
Walrus Audio Kangra Filter Fuzz Effects Pedal
Dimensions (Overall): 5.75 inches (L), 2.5 inches (H) x 4.1 inches (W) x 5.75 inches (D)Weight: .88 poundsEffect Type: Distortion, Fuzz, and OverdriveWarranty: No Applicable Warranty. To obtain a copy of the manufacturer's or supplier's warranty for this item prior to purchasing the item, & bull; Power requirement: 9VDC center negative; 100mA minimum & bull; Power supply sold separatelyThe Kangra Filter Fuzz is a true-bypass, two-in-one pedal that provides a spatty and thick octave fuzz, and a psychedelic filter that can be ran independently, or with the fuzz feeding into it. This is no rhythm player’s fuzz either. Dig in and play dirty with broken fuzz lead lines that’ll rip time and space apart at the seams.
SNL Guitarist and fuzz fanatic, Jared Scharff, approached Walrus about doing a modern filtered fuzz inspired by his favorite vintage fuzz pedal, the Kay Fuzz Tone. Working together through hours of texts, calls, emails and mailing prototypes back and forth, the Kangra came to life with plenty of grit, teeth and vintage vibe, as well as pronounced modern features.
Fuzz
Get two different styles of fuzz with the M/V Switch. In the modern position (M), notice a more forgiving fuzz with longer and tighter sustain, while the Vintage position (V) feels starved with spatty breakup and grittier, shorter sustain.
Filter
The Kangra also has a versatile filter with Resonance, Sensitivity, Frequency and Envelope Filter controls. Use the filter on its own to add a unique shape to sound, or flip the Envelope Filter switch and open up funky sixties style tones.
“On the filter, I wanted to go for that vintage mpc 3000 low pass type of thing … Or similar to doing a low pass plug-in for a track, or like a DJ would do without it being too wah pedal-like, and this achieved that.” - Jared Scharff
The art was inspired by a once in a life time expedition Jared took to the Kangra Valley near the Himalaya Mountains. It was there his journey inspired new ideas that can only approximated by the Kangra Filter Fuzz. The pedal comes in a peach enclosure with art by Adam Forster in white and blue inks.
NUX Atlantic Delay & Reverb Effects Pedal
Dimensions (Overall): 5.5 inches (L), 2.8 inches (H) x 5.4 inches (W) x 5.5 inches (D)Weight: 1.37 poundsEffect Type: Delay and ReverbWarranty: No Applicable Warranty. To obtain a copy of the manufacturer's or supplier's warranty for this item prior to purchasing the item, & bull; 3 Delay Effects - '70s Analog, '60s Tape and '80s Digital & bull; Delay Level, Time and Repeat & bull; Tap tempo with Tap Subdivision options & bull; 3 Reverb Effects - Spring, Plate and Hall & bull; Reverb level and decay controlThe NUX Atlantic delay and reverb features three classic delays and three classic reverbs, as well as a “Shimmer” effect that lets create a dreamy waterfall shimmer-especially handy for intros, interludes and outros. And now, because of NUX’s latest Core Image Technology, the Verdugo Series effect pedals offer pro-level sound enhancement.NUX Atlantic Delay effects-'70s (40ms - 400ms): Retro-delay meets modern technology, without losing the realistic BBD-effected repeats, so essential for capturing the '70s retro feel.-'60s (55ms - 550ms): A warm and dusty tape-echo machine effect, packed with an array of analog-only goodies. Saturated colors that turn any sound into vintage. Tweak the Repeat knob to the max and use the Time knob to get an experience, just like the real Tape-Echo Machine.-'80s (80ms - 800ms): A digital era invention, crystal clear repeats. Digitally-copied clean repeats carry signal without absolutely zero color particles. This is the best option if don’t want to mix favorite chorus with another colorization effect — or favorite modulation effect.Tap Tempo: Instantly synch-up delays with the tempo want to accompany. Simply tap the tempo with foot. Tap Tempo Speed range is 125 ms - 1500 ms for all delay types.Before using the Tap Tempo, can set the TAP Division to control the delay speed and delay pattern.For example; adjusting a delay effect to play Rockabilly or Rock 'n Roll impossible with the Tap Tempo. Set the Time knob to 1/4 and use the Tap Tempo to sync the delay speed with the drum beat, delay speed will be 4 times faster than Tap Tempo speed. Enjoy with the sharp-synced rock 'n' roll groove.Another suggestion; if the drum beat is too fast to catch with the Tap Tempo. Use 1/2 and TAP the switch in half speed of the tempo, delay speed will be 2 times faster, problem solved.NUX Atlantic Reverb effects-Spring Reverb: Creates a polyphonic atmosphere filter that catches the sound reflections from deep down spring reverb tank. can adjust the tank size with the level knob and set the reflection distance with the decay knob.-Plate Reverb & Shimmer: Straight and clean reflections inside a flat-walled room. can control the room-size with the Level knob and then tweak the Delay bounce point with the Decay knob. If hold down the Reverb switch, straight reflections will be heated and swirled throughout the inside of the room creating a Shimmer effect.-Hall Reverb: The sound of a well-designed hall. Whether the hall size is big or small, the reflections will be emitted by wall furniture. can adjust the interior hall-size, from a small garage to a huge structure with the Level knob and increase or decrease the number of objects on the walls with the Decay knob. Less decay means more objects and faster reflection fading.Inside RoutingNUX Atlantic Delay & Reverb pedal also has inside routing-control between the effects so can choose which effect comes first. On Serial Mode, can create a deep-reflection reverb with wet or dry repeats, or can split guitar signal, and add both effects in the parallel chain. Each effect will be mixed with separated dry signals.Input/OutputsThe Atlantic has a 6.35 mm stereo input and 2 outputs for the ultimate delay and reverb experience.By plugging a TRS cable into the pedal's input, can add the Atlantic to any effect chain via Send/Return connection by using a “Y” cable or “Insert” cable. It has an Input Level toggle switch, +4 dB / -10 dB (high impedance / low impedance)
MXR M-115 Distortion III Pedal
Dimensions (Overall): 5.5 inches (L), 2.6 inches (H) x 4.6 inches (W) x 5.5 inches (D)Weight: 1.05 poundsEffect Type: Distortion, Fuzz, and OverdriveWarranty: No Applicable Warranty. To obtain a copy of the manufacturer's or supplier's warranty for this item prior to purchasing the item, & bull; True hardwire bypass & bull; Low noise components & bull; Large dynamic output range & bull; Proprietary circuit design that delivers rich harmonics & bull; Dynamic, touch-sensitive responseDeveloped from the ground up using carefully selected components, the Distortion III pedal delivers everything from sweet singing overdrive to massive distortion crunch! It's natural and amp-like distortion is versatile enough to appeal to any playing style and transparent enough to let guitar's personality shine through. Like all MXR pedals, the Distortion III features a heavy-duty casing, switch and jacks for a lifetime of use. The initials MXR are synonymous with the effects pedal innovations that have shaped the tone of modern electric guitar. Since the 1970's, MXR has produced some of the best stomp boxes available; now comes the inspired MXR Distortion III. Starting with its proprietary circuit design that delivers rich harmonic content, the D-III carries on the MXR tradition of tough, rugged and tonally tasty stomp boxes. With its die cast chassis, robust stomp switch and carefully selected components the D-III guitar effects pedal is truly a modern day classic.
