Buy Guitar Pedals & Effects Products online in United States

Ernie Ball 6166 Mono Volume Pedal

$ 161.97 ~~$ 170.49~~

Dimensions (Overall): 6.0 inches (L), 2.25 inches (H) x 5.5 inches (W) x 6.0 inches (D)Weight: .95 poundsEffect Type: Multiple EffectsWarranty: No Applicable Warranty. To obtain a copy of the manufacturer's or supplier's warranty for this item prior to purchasing the item, & bull; High-end preamp, buffer and booster & bull; Discrete Class-A input stage & bull; 130 dB dynamic range thanks to 30 V technology & bull; Select between Buffer and Booster modes & bull; Neutral, studio quality soundThe Lehle Sunday Driver II is a high-end preamp and DI box all in a conveniently compact format. Its circuit is based on a discrete Class A circuit with JFET technology and provides two modes of operation, selected by a mode selector switch with gold-plated contacts: "D" stands for Driver: in this mode, guitar signal is amplified, with absolutely no modification, at the input impedance of a guitar amp, efficiently eliminating losses on the route through leads and effects; the signal remains strong and clear, retaining its full dynamics. The second setting "S" — as in Sunday — multiplies the input impedance by five, bringing out previously inaudible details and, as gain increases, giving guitar a characteristic and unmistakable warmth that has given this preamp its name - the result is a sound as mellow as a sunny Sunday afternoon. Even at the maximum +18 dB gain setting, the Lehle Sunday Driver II always stays clean and absolutely free of background noise, thanks to its studio-standard overall dynamic range of 130 dB. To exploit the dynamics of tube amplifiers to the full, the input voltage is also rectified from the power supply socket, then filtered, stabilized and transformed to 30 V. can use it as a DI box on stage or as a high-end preamp in the studio as well: the output of the Lehle Sunday Driver II can be tapped in balanced and the pedal be powered via phantom power. Whether as a cable driver for stadium gigs, in complex effects setups, or as a recording preamp — with its broad output range of 20 to 100,000 Hz, the Lehle Sunday Driver II can be used anywhere. And not just on Sundays.

Lehle Sunday Driver II Preamp, Buffer and Boost

$ 217.79 ~~$ 219.99~~

Dunlop CBM535Q Cry Baby Q Mini Wah Effects Pedal

$ 161.69 ~~$ 164.99~~

Morley 20/20 Power Wah Effects Pedal

$ 145.25 ~~$ 152.90~~

BBE Two Timer Analog Delay Guitar Effects Pedal

$ 130.67 ~~$ 131.99~~

Dimensions (Overall): 6.5 inches (L), 3.5 inches (H) x 4.0 inches (W) x 6.5 inches (D)Weight: .61 poundsEffect Type: Distortion, Fuzz, and OverdriveWarranty: No Applicable Warranty. To obtain a copy of the manufacturer's or supplier's warranty for this item prior to purchasing the item, & bull; Built in the U.S.A. & bull; High grade components picked for their superior sound and response & bull; True bypass & bull; 9v-18v power jack (no battery connector inside) & bull; Five controls-Volume, Distortion, Filter, Gain Switch and Voice SwitchBased on an infamous circuit from a classic “Rodent-based” 1980’s high gain distortion pedal, the Ratsbane is Brian’s answer to the countless requests he has received to build his interpretation of this much-loved design.If are looking for a single pedal solution with multiple degrees of gain from light overdrive to full out saturated fuzz tones, then ’ll surely love the Ratsbane. The Ratsbane is based on a true benchmark sound amongst guitarists that has been heard on thousands of famous recordings. The full, dynamic range, and sheer sonic force of this circuit is what makes it a true king amongst distortion pedals. Turn the distortion control all the way down for a deep but powerful gain booster. Crank it up and will find rich harmonic overtones and a throaty, fuzz-like distortion. The “secret sauce” for this circuit has always been the filter control. Turn it counter-clockwise to cut straight through the mix with precision and high-frequency attack that lets tone soar with absolute clarity. Turn it clockwise to filter the top end, for a warm, buttery, yet clear tone. This natural full-range distortion, mixed with its unique filter control, delivers a classic cranked tube-amp sound that crosses genres and generations of music.In typical Wampler fashion, Brian improved the circuit’s flexibility by adding two new switches. The Gain switch offers three distinct choices. In the middle gives the “stock” gain for this pedal. Flick it either right or left for 2 additional turbocharged gain stages can play with. The left position offers a firm, yet smooth boost in gain, whereas the right delivers an insane level of creamy distortion. The Voice switch subtly alters the compression and clipping of this pedal. It tightens the distortion to be more manageable with greater levels of gain, while rolling back some of the fuzz qualities, to deliver a modern, high gain distortionThe Ratsbane is a versatile little gain machine that can tap into inner bluesman, propel to stadium rock heights, or give the noise and cutting energy to let metal roots scream through. Like its name suggests, this pedal was is designed to eliminate the need for any other pedal in its class.CONTROLSDistortion: Controls the total amount of distortion. Volume: Controls the total output volume of the pedal. Filter: Controls the high end roll off. Counter-clockwise is maximum high end, clockwise is minimumGain: Three stage gain control, middle is stock, left and right turbocharge the gain stages.Voice: Two voicing options that completely alter the compression and clipping of the signal.Power: This pedal was designed around the usage of a 9V or 18V DC power source and is intended to sound its best at 9V. To avoid damage to the pedal, do not exceed 18V DC, do not use center pin positive adapters, and do not use AC power. Use only a 9v-18vdc power source that is intended for guitar pedals. NOTE: this pedal cannot be run from a battery, external power supply only.

Wampler Ratsbane Distortion Effects Pedal Gray

$ 163.32 ~~$ 164.97~~

MXR M222 Talk Box

$ 177.64 ~~$ 186.99~~

Dimensions (Overall): 11.5 inches (L), 3.5 inches (H) x 7.5 inches (W) x 11.5 inches (D)Weight: 2.85 poundsEffect Type: Distortion, Fuzz, and OverdriveWarranty: No Applicable Warranty. To obtain a copy of the manufacturer's or supplier's warranty for this item prior to purchasing the item, & bull; Tube: Ruby 12AX7AC5 HG & bull; Tone control & bull; A channel: Passive BassTreble tonestack & bull; B channel: Passive BassTreble tonestack – Active MidSweep control – Gain: -18 to +6 dB – Freq : 300Hz à 1.5kHzThe Two Notes Audio Engineering Le Lead’s Channel A shines on the fusion of a clean to slight crunch tone of a perfect melody. Kicking in Channel B unleashes the fury of a super-tight, modern high-gain amp, enhanced with the powerful mid sweep Eq. Hot Fusion takes it all over the top; huge gain, sustain and with the combined EQ’s, everything from metal to all out fuzz at fingertips. Will be able to master its strength?From the moment Two Notes launched the Torpedo C.A.B., they believed it was possible to build a high quality pedalboard to entirely replace a conventional tube amplifier system: the complete floor rig. Even with an almost limitless choice of available guitar effects, finding a very good preamplifier in a pedal format was challenging. This is why Two notes is proud to premier its line of tube preamplifiers: Le Clean, Le Crunch, Le Lead and Le Bass.The conceptThe selection of a preamplifier is the core of overall tone and thus requires the greatest attention. When building a complete floor rig, only the very best will make the cut. The Two notes preamplifiers are a True High Voltage Design running internally at 200 volts to preserve the interaction between and guitar while working perfectly with other effect pedals. Each of the four different versions deliver the unique tube warmth, dynamics, and the musical compression from the amps we know and love, now in a more convenient pedal package. And, of course, can use them as an elaborate tube overdrive, in front of favorite amplifier!Two channels plus Fusion modeThe A and B channels are totally independent, each with their own voicing and eq section: Bass and Treble on A, Bass, Mid with Mid Sweep and Treble for B. On Channel A will find a lower gain tube stage with a pre-gain EQ using a more vintage design approach, while Channel B offers more gain and a very powerful post-EQ (with mid sweep). The exclusive Fusion modes open new horizons.Switching & multi-channel modeEach preamp features 2 channel footswitches, A and B. Simultaneously pressing A and B will ac- tivate the Fusion mode. Pressing A, B or A and B will also send a specific Midi Program Change command, that can be used to select a preset on Midi multi effects and/or Torpedo C.A.B.. In addition, the preamplifier may respond to a Program Change sent from another Midi device al- lowing a seamless integration into any pedalboard switching system. Combining several Two notes preamps on pedalboard makes things really interesting.Connected via Midi, each preamp will listen to the others. They can be configured in Multi-channel mode: pressing A on preamp 1 will by- pass preamp 2, like the channels of an amplifier. Alternately, when this mode is off: traditional on/off switching for all preamps, a preamp can be a boost/overdrive for the one that follows.High-quality electronic designTwo notes is first and foremost a team of music lovers who are all great admirers of musicians. Two Notes designers are highly qualified engineers, technicians and musicians, whose purpose is to facilitate the life of guitar and bass players without infringing on their playing habits. Their mission consists in providing them with studio-grade products that are specifically designed for the guitar and bass.Integrated speaker simulationThis analog speaker simulation is specifically voiced for Le Preamp Model, and based on the Torpedo simulator. This speaker simulation affects the DI output and the Headphones output.ConnectionsLe Preamp can be used in various configurations: as a traditional preamplifier, it can be connected to a power amplifier and cabinet, or in the Return input (or Power Amp In) of a guitar or bass amplifier

Two Notes Audio Engineering Le Lead Preamp Effects Pedal

$ 344.84 ~~$ 362.99~~

Bogner Harlow V2 BOOST + BLOOM With Transformer Guitar Effects Pedal Blue

$ 194.03 ~~$ 197.99~~

Carl Martin Plexitone Overdrive Pedal

$ 289.67 ~~$ 292.60~~

Dimensions (Overall): 6.1 inches (L), 2.2 inches (H) x 5.4 inches (W) x 6.1 inches (D)Weight: 1.0 poundsEffect Type: Multiple EffectsWarranty: No Applicable Warranty. To obtain a copy of the manufacturer's or supplier's warranty for this item prior to purchasing the item, & bull; Gold-plated switches & bull; No hum loops & bull; StereoThe Little Lehle is a genuine True-Bypass Looper / Switcher pedal. It can be used to manage an effect-loop or as a simple A/B box. Two instruments can be optionally routed to one amplifier input, or one instrument switched back and forth between two amplifiers. The gold-plated-contact switcher contained in the unit switches with maximum signal fidelity. The separate switching level for the ground contacts makes ground loops impossible. The Little Lehle offers full stereo functionality, with all jacks and internal switching contacts executed in stereo. 1 - Input signal - The input signal enters via this socket. Like all the jacks on the Little Lehle, the jack is of stereo type. The Little Lehle thus switches stereo signals (such as stereo effects or keyboards) and symmetrical signals (like those from microphones, for instance) and, of course, simple mono signals, like that of an electric guitar. The LED (6) shows green when the signal is present on the output (4) together with the ground (earth) connection. Press the trigger (7) and the stereo signal and ground connection are routed to the S jack (2). The LED (6) will now show red. Switching of the ground connections eliminates the possibility of hum loops. 2 - Send - The "S" stands for "Send". Depending on the mode selected, this jack is either connected to the input or inputs of one or more effect units, to a second amplifier or, for example, to a tuner. 3 - Return - "R" stands for "Return". This jack can be used for connection to the output of the effect unit(s) or, for example, can also be used for connection of a second instrument. It has no function if the Little Lehle pedal is used as an A/B box for operation with two amplifiers. 4 - Output - The output signal is routed out of the Little Lehle via this socket. The LED (6) shows green when the input signal together with the ground connection is directly present here. Pressing the trigger (7) routes the R(eturn) jack signal (3) together with the ground connection to the output jack. 5 - Power supply - The Little Lehle guitar pedal requires an 8 to 20V power supply for operation of the LEDs. Polarity is of no importance. The supply voltage is internally rectified and stabilized in order to guarantee trouble-free operation. A thermal cut-out automatically trips and switches the unit off if a short-circuit occurs. A correctly fitting plug connector for the power-supply socket is supplied with the Little Lehle. This can be soldered to the required power unit if necessary. 6 - LEDs behind a magnifying lens - The high-intensity LEDs, which are located under a light guide system with an optical lens, clearly indicate the current switching state - even under bright spotlights. 7 - Indestructible switching mechanism - Two parallel slide switches with gold-plated contacts, which switch the stereo signal together with the ground connections, are actuated inside the switcher by means of a practically indestructible switching mechanism. The slide switches switch virtually silently, since they function completely bounce-free. 8 - Solid box / easy to fix - The base of the Little Lehle pedal can be secured without difficulty. First remove the four housing screws for the cover, and then screw the base of the switch to a base-plate using the two Screws supplied with the unit, the washers and the spacer elements.

Lehle Little Lehle True Bypass Effects Loop Switcher Guitar Pedal

$ 170.71 ~~$ 175.99~~

Outlaw Effects Late Riser Volume Swell Effects Pedal

$ 85.16 ~~$ 86.90~~

Pro Co Deucetone Rat Boost Guitar Effects Pedal

$ 242.87 ~~$ 252.99~~

Pigtronix Pigtronix MAD Constellator Analog Delay Pedal

$ 190.07 ~~$ 197.99~~

Darkglass Microtubes X7 Distortion Bass Effects Pedal

$ 344.95 ~~$ 351.99~~

NUX Morning Star Overdrive Effects Pedal

$ 57.02 ~~$ 59.40~~

Carl Martin Boost Kick

$ 176.09 ~~$ 177.87~~

Danelectro The Breakdown Overdrive Effects Pedal

$ 162.26 ~~$ 163.90~~

Dimensions (Overall): 5.5 inches (L), 2.6 inches (H) x 4.4 inches (W) x 5.5 inches (D)Weight: .54 poundsEffect Type: Distortion, Fuzz, and OverdriveWarranty: No Applicable Warranty. To obtain a copy of the manufacturer's or supplier's warranty for this item prior to purchasing the item, The MXR Timmy Overdrive provides a huge, responsive range of gritty and textured tones that enhance the sound of rig while preserving its fundamental character—and in an MXR mini housing, this pedal will free up some serious pedalboard space. It’s based on a design created by veteran pedal builder Paul Cochrane that’s widely celebrated among high level pros, from first-call Nashville session player Kenny Greenberg to first call L.A. player Lyle Workman to rockstar Brad Whitford. When Paul decided to bring his pedal to a wider audience, he chose to work with the MXR design team. “It’s an honor to work with MXR,” Paul says. “My first ever pedal was a Phase 90.”Thanks to Paul’s inventive implementation of clipping options and tone controls, this pedal is a working guitar player’s dream come true. The Clip switch provides three different clipping styles that cover a multitude of playing situations, whether need an always-on sound that’s big and bold with a ton of headroom to slam the front end of amp, a more compressed and saturated sound for fat, gnarly chords, or anything in between. The Bass and Treble controls offer further refinement of sonic profile. Firstly, they’re cut-only, keeping the character of signal intact and making it super easy to dial in a clean boost. Secondly, Paul wired the the Bass control to affect pre-OD signal so that can maintain low end at lower Gain settings and the Treble control to affect post-OD signal so that can adjust the top end to keep dirty settings smooth and musical. Finally, the MXR design team worked closely with Paul to select an op-amp that perfectly complements his expertly crafted design. They landed on the LF353, a trusty component well-respected by Dunlop engineers for providing high output, high gain, and hi-fi signal delivery. The resulting MXR Timmy Overdrive is a professional-grade must-have for players who want sweet, harmonic breakup that responds to playing dynamics and maintains the personality of rig at a fraction of the size of a standard pedal.

MXR Timmy Overdrive Effects Pedal

$ 141.56 ~~$ 142.99~~

Carl Martin Compressor/Limiter Pedal

$ 301.09 ~~$ 307.23~~

Ampeg Classic Analog Bass Preamp Pedal

$ 137.27 ~~$ 142.99~~

Morley 20/20 Bad Horsie Wah Effects Pedal

$ 194.93 ~~$ 196.90~~

MXR Tap Tempo Guitar Effects Pedal

$ 42.67 ~~$ 43.99~~

Dimensions (Overall): 4.9 inches (L), 2.6 inches (H) x 2.7 inches (W) x 4.9 inches (D)Weight: .56 poundsEffect Type: Distortion, Fuzz, and OverdriveModel name: 625875Warranty: 1 Year Limited Warranty. To obtain a copy of the manufacturer's or supplier's warranty for this item prior to purchasing the item, & bull; Silicon-based fuzz: The silicon-based SIC1 favors the high frequencies that are otherwise lost with a germanium-based pedal, while delivering plenty of gain and endless sustain. & bull; True Bypass Design: Keep the cleanest signal path with zero loss and no coloring when the pedal is turned off. & bull; Metal Housing, Small Footprint: The all-metal construction ensures long-term durability and reliability, while the small footprint means it will fit comfortably on your pedal board. & bull; Universal Power: All Stage Right effects pedals are powered using a universal tip-negative 9V power adapter (available separately). & bull; The SIC1 isn't just a high-gain distortion unit. Rolling down your guitar's volume uncovers the pedal's versatility, creating super creamy, vintage tones that rival the tone from any other fuzz pedal, regardless of transistor choice. Turn your volume back up and increase the pedal's gain to create lush stoner rock or metal fuzz tones that are both modern and timeless.Fuzz pedals typically come in two varieties, depending on the type of transistor used. Classic fuzz pedals using germanium transistors are usually considered the warmer of the two, but they can be temperamental and expensive. On the other hand, fuzz pedals using silicon transistors are more reliable and less expensive, but tend to sound harsh and bright, without any warmth or musicality. The Stage Right SIC1 is a new type of fuzz pedal which combines the value, reliability, and contemporary sound of a silicon-based unit with the warmth and musicality of a germanium-based fuzz. Featuring plenty of gain and volume, the SIC1 delivers bright and round fuzz tones, while favoring the high frequencies typically lost on a germanium-based pedal. Additionally, it provides endless sustain is similar to that of other contemporary high-gain distortion pedals.

Monoprice SIC1 Silicon Fuzz Guitar Pedal - True Bypass Circuit Design, Metal Housing, Small Footprint - Stage Right Series

$ 39.47 ~~$ 40.69~~

Stagg BLAXX Looper Pedal for Electric and Bass Guitars Gray

$ 119.78 ~~$ 120.99~~

Dimensions (Overall): 3.2 inches (L), 1.0 inches (H) x 2.25 inches (W) x 3.2 inches (D)Weight: .04 poundsEffect Type: Distortion, Fuzz, and OverdriveWarranty: No Applicable Warranty. To obtain a copy of the manufacturer's or supplier's warranty for this item prior to purchasing the item, & bull; EQBass level - External knob adjusts for more or less bass. +- 20dB & bull; Bass freq - Internal trimmer selects which bass frequency is being adjusted & bull; Bass Q - Internal trimmer adjusts how narrow or wide the selected frequency is & bull; Mid Level - External knob adjusts for more or less mids. +- 20dB & bull; Mid Freq - External knob selects which mid-frequency is being adjustedFuzz ... the sound of rock and righteous indignation worldwide. That spitting, snarling and surly sound of rock legends past and present.The MODERN FUZZ DELUXE analog plug-in module from Jackson Audio takes faithful recreations of historic fuzz circuits and brings them together allowing to create classic fuzz sounds as well as new fuzz sounds that are impossible with the original circuits. The MODERN FUZZ DELUXE plug-in expands the tones available by adding two additional types of clipping. With the jumper set in the DIST (distortion) position on pedal, this plug-in makes the clipping smoother and with more headroom. With the jumper set in the OD (overdrive) position, the clipping is smoother still and has the feel and vibe of a vintage overdrive.The idea of creating a modular fuzz came about as Jackson Audio were trying to decide which style of fuzz would be the most musical fuzz of all time. The answer quickly became, "All of them!" All of them are different, and all of them bring something unique sonically. With the MODERN FUZZ DELUXE plug-in, can update fuzz sound completely and turn pedal into a whole new pedal with a simple and affordable plug-in swap."In the 30 years since I began playing guitar, I have always loved fuzz pedals. I've bought countless versions of them over the years, but in my mind, they've always had a massive shortcoming. They desperately need more effective tone controls! That's why I designed the MODERN FUZZ DELUXE plug-in with a 3-band, fully parametric EQ." - Brad Jackson EQ and especially the mids, are where the guitar makes its stand. Not enough mids and guitar is lost in the mix. Too much highs and tone is piercing and off-putting. Too much bass and compete sonically with the bass drum and bass player. With the parametric EQ on the MODERN FUZZ DELUXE plug-in, have nine controls at disposal to fully sculpt tone and make sure the riffs are laying down are never lost in the mix.

Jackson Audio MODERN FUZZ DELUXE Analog Plug-in Module

$ 53.89 ~~$ 54.99~~

Dunlop Jimi Hendrix Octavio Mini Effects Pedal

$ 140.13 ~~$ 142.99~~

Dimensions (Overall): 8.6 inches (L), 4.6 inches (H) x 5.4 inches (W) x 8.6 inches (D)Weight: 1.39 poundsEffect Type: Wah and FilterWarranty: No Applicable Warranty. To obtain a copy of the manufacturer's or supplier's warranty for this item prior to purchasing the item, & bull; 24dboct Filter based on the SSM2040 chip & bull; Low Pass, Band Pass & High Pass Filter options & bull; Velocity controlled UP & DOWN envelope modes & bull; Pitch Following envelope function with variable GLIDE & bull; BLEND control mixes in Philosopher’s Tone compressionPigtronix Resotron is a multi-mode filter that brings the analog sounds of '70s era synthesizers to the world of envelope pedals for guitar, bass and beyond. Resotron is the first envelope pedal that can be made to follow the pitch of the notes play. This pitch-following ability causes the filter to move around based on what notes choose to play, just like an old-school analog keyboard synthesizer. UP and DOWN envelope modes are also included to perform the more traditional, velocity-sensitive filter movement that responds to how hard hit the strings. A push-button OSCILLATE function turns the Resotron into an analog synthesizer pedal. This mode shorts out the PEAK knob, effectively setting it to 100% while simultaneously activating a voltage-controlled amplifier (VCA) in the output stage. With the OSCILLATE function turned on, the CUTOFF knob sets the tuning of the synth effect while the VCA instantly follows the volume of input signal. The synthesizer sounds created by the Resotron can also be radically altered by switching between the LPF, BPF and HPF modes, each of which has its own distinctive waveform and modulation characteristics when overdriven by the on-board compressor. The multi-mode filter at the heart of the Resotron can be set to Low Pass (LPF), Band Pass (BPF) or High Pass (HPF) modes. Each of these voices has a distinctive character which can be manipulated by adjusting the PEAK knob to emphasize frequencies below, at or above the position of the CUTOFF knob. As the PEAK is increased, the resonance or “Q” of the filter becomes more extreme, up to the point of self-oscillation. A SENSITIVY control sets how dramatically the pedal will respond to playing dynamics in the UP and DOWN envelope modes, while a GLIDE control allows to set how long it takes for the filter to move between notes in the PITCH mode. Before the signal from the input of the pedal hits the filter inside the Resotron, it passes through an optical compression stage derived from the Philosopher’s Tone pedal. The increased volume and punch from the compressor can then be mixed into the audio signal using the BLEND control without affecting the SENSITIVITY of the envelope. Resotron accepts active CV and passive TRS expression pedal inputs for foot-controlled filter sweeps and outboard modulation which is mixed in parallel with the on-board pitch-following and amplitude tracking systems. The Resotron also features a TRIGGER (aka Sidechain) input which enables the musician to use an external audio source to modulate the filter.

Pigtronix Resotron Filter Effects Pedal

$ 271.16 ~~$ 273.90~~

Malekko Heavy Industry Malekko Scrutator Sample Rate and Bit Reducer Pedal

$ 205.82 ~~$ 207.90~~

Dimensions (Overall): 5.5 inches (L), 2.8 inches (H) x 5.4 inches (W) x 5.5 inches (D)Weight: 1.37 poundsEffect Type: Delay and ReverbWarranty: No Applicable Warranty. To obtain a copy of the manufacturer's or supplier's warranty for this item prior to purchasing the item, & bull; 3 Delay Effects - '70s Analog, '60s Tape and '80s Digital & bull; Delay Level, Time and Repeat & bull; Tap tempo with Tap Subdivision options & bull; 3 Reverb Effects - Spring, Plate and Hall & bull; Reverb level and decay controlThe NUX Atlantic delay and reverb features three classic delays and three classic reverbs, as well as a “Shimmer” effect that lets create a dreamy waterfall shimmer-especially handy for intros, interludes and outros. And now, because of NUX’s latest Core Image Technology, the Verdugo Series effect pedals offer pro-level sound enhancement.NUX Atlantic Delay effects-'70s (40ms - 400ms): Retro-delay meets modern technology, without losing the realistic BBD-effected repeats, so essential for capturing the '70s retro feel.-'60s (55ms - 550ms): A warm and dusty tape-echo machine effect, packed with an array of analog-only goodies. Saturated colors that turn any sound into vintage. Tweak the Repeat knob to the max and use the Time knob to get an experience, just like the real Tape-Echo Machine.-'80s (80ms - 800ms): A digital era invention, crystal clear repeats. Digitally-copied clean repeats carry signal without absolutely zero color particles. This is the best option if don’t want to mix favorite chorus with another colorization effect — or favorite modulation effect.Tap Tempo: Instantly synch-up delays with the tempo want to accompany. Simply tap the tempo with foot. Tap Tempo Speed range is 125 ms - 1500 ms for all delay types.Before using the Tap Tempo, can set the TAP Division to control the delay speed and delay pattern.For example; adjusting a delay effect to play Rockabilly or Rock 'n Roll impossible with the Tap Tempo. Set the Time knob to 1/4 and use the Tap Tempo to sync the delay speed with the drum beat, delay speed will be 4 times faster than Tap Tempo speed. Enjoy with the sharp-synced rock 'n' roll groove.Another suggestion; if the drum beat is too fast to catch with the Tap Tempo. Use 1/2 and TAP the switch in half speed of the tempo, delay speed will be 2 times faster, problem solved.NUX Atlantic Reverb effects-Spring Reverb: Creates a polyphonic atmosphere filter that catches the sound reflections from deep down spring reverb tank. can adjust the tank size with the level knob and set the reflection distance with the decay knob.-Plate Reverb & Shimmer: Straight and clean reflections inside a flat-walled room. can control the room-size with the Level knob and then tweak the Delay bounce point with the Decay knob. If hold down the Reverb switch, straight reflections will be heated and swirled throughout the inside of the room creating a Shimmer effect.-Hall Reverb: The sound of a well-designed hall. Whether the hall size is big or small, the reflections will be emitted by wall furniture. can adjust the interior hall-size, from a small garage to a huge structure with the Level knob and increase or decrease the number of objects on the walls with the Decay knob. Less decay means more objects and faster reflection fading.Inside RoutingNUX Atlantic Delay & Reverb pedal also has inside routing-control between the effects so can choose which effect comes first. On Serial Mode, can create a deep-reflection reverb with wet or dry repeats, or can split guitar signal, and add both effects in the parallel chain. Each effect will be mixed with separated dry signals.Input/OutputsThe Atlantic has a 6.35 mm stereo input and 2 outputs for the ultimate delay and reverb experience.By plugging a TRS cable into the pedal's input, can add the Atlantic to any effect chain via Send/Return connection by using a “Y” cable or “Insert” cable. It has an Input Level toggle switch, +4 dB / -10 dB (high impedance / low impedance)

NUX Atlantic Delay & Reverb Effects Pedal

$ 162.26 ~~$ 163.90~~

Dimensions (Overall): 6.5 inches (L), 3.6 inches (H) x 3.9 inches (W) x 6.5 inches (D)Weight: .94 poundsEffect Type: Distortion, Fuzz, and OverdriveWarranty: No Applicable Warranty. To obtain a copy of the manufacturer's or supplier's warranty for this item prior to purchasing the item, & bull; Responds to guitar controls and picking nuance exactly like the amp & bull; Gain control and gain structure switch, takes from gritty to hard rock with ease & bull; Ideal for use with both clean and overdriven amps & bull; Controls for bass, mid, treble, presence, volume and gain are intuitive forquick ‘dialin’ & bull; 2position side-mounted Gain Structureswitch lets choose from low-focused gain orhigh gain madness!Dave Friedman’s Small Box all-tube amplifier is well known for being one of the most flexible and touch-responsive amplifiers on the market today. can now get the same tonal versatility, sensitivity and harmonically rich overdrive as this legendary amp with Friedman’s new Small Box overdrive pedal. The Small Box pedal packs the same intuitive control set as the amplifier, allowing to dial in perfect shade of rock, from vintage Plexi goodness to high gain madness. Whether want a high-output cleaner tone for pushing amp hard,or a thick gritty drive that will sit well in any classic to modern rock band, a sweep of the gain control easily gets there. If want to reign in the gain some more, simply flip the side mounted gain switch and it will simulate the Plexi-Channel of the Small Box amplifier. To experience the Small Box’s accolade-garnering Friedman tone, put this overdrive pedal on board today.British rock at its bestThe Small Box overdrive can scream with an unabashedly rock 'n' roll voice while still being surprisingly versatile. can go from screaming high gain to a killer dirty boost by simply rolling the pedal's gain knob back and flipping the gain structure switch to “lower gain mode”. The Small Box Overdrive pedal delivers tube like tone in a small pedal format which can be used either into a clean amp or to boost an already over-driven amp.

Friedman Smallbox Overdrive Effects Pedal Black

$ 213.39 ~~$ 219.99~~

Dimensions (Overall): 4.75 inches (L), 2.5 inches (H) x 2.5 inches (W) x 4.75 inches (D)Weight: .48 poundsEffect Type: Distortion, Fuzz, and OverdriveWarranty: No Applicable Warranty. To obtain a copy of the manufacturer's or supplier's warranty for this item prior to purchasing the item, & bull; Up to +20dB of transparent clean boost & bull; 1MEG Ohms input impedance for proper pickup loading & bull; 1K Ohms output impedance when engaged & bull; 1% metal-film resistors for consistency & bull; High-voltage poly caps for better toneThe all-analog Boosta Grande from BBE is back in a new mini chassis to conserve space on pedalboard.A clean boost pedal does nothing but pile on gain, right? Well, some do, but that doesn’t create the experience players want. see, added gain will push the amp’s front end tubes harder, creating more of the amp’s own harmonics, but that alone will make the amp seem too bright, sacrificing the tonal balance in the process.The BBE designers call Boosta Grande a “transparent clean boost” because it doesn’t change the tonal balance of the amp, even with Boosta’s max gain of +20dB slamming those tubes. To achieve a transparent boost experience, Boosta Grande mildly rolls off some top end starting at about 1kHz so that when the amp’s front end is driven harder with gain, the additional upper harmonics generated by the tubes aren’t excessive.Boosta Grande’s mission to preserve amp amp’s tonal balance ends with careful post-EQ, but it starts with preserving the tone of guitar. Boosta Grande’s 1meg Ohm input is about the same as the front end of a good Marshall or other premium tube amp, welcoming guitar’s signal with wide-open arms, not loading down pickups. In the middle of things, can count on Boosta’s 1% metal-film resistors for consistent tone and a rugged circuit board for tour-proven reliability. When the Boosta isn’t engaged, a properly engineered true hardwire bypass means signal passes entirely around the circuit, from input jack to output jack without a hint of loading.When a transparent boost is the experience ’re after, get a Boosta Grande and let amp’s tubes sing their song with more gusto.

BBE Mini Boosta Grande Clean Boost Pedal

$ 98.00 ~~$ 98.99~~

Dimensions (Overall): 5.0 inches (L), 2.3 inches (H) x 3.5 inches (W) x 5.0 inches (D)Weight: .87 poundsEffect Type: Delay and ReverbWarranty: No Applicable Warranty. To obtain a copy of the manufacturer's or supplier's warranty for this item prior to purchasing the item, & bull; Power requirement: 9V battery (or optional 9V adapter) & bull; 7 delay types & bull; 40ms – 2000ms & bull; 40 seconds looper & bull; Nux Original TSAC TechnologyThe NUX Time Core Deluxe offers awesome, user-friendly delay sounds all wrapped up in one little box. get a total of 7 different delay types offering a wide variety of delay effects from: 40ms Doubled Rock 'n' Roll delay, then all the way to 1,500ms, with an absolutely mesmerizing wash for ambient echo!Each delay mode has its own characteristic sound, tweak-able to personalize preset. Fill lead tone for solos or experience new and interesting ways to enhance rhythm guitar performance.7 Delay ModesTape - Saturated repeats, a tape machine touchDigital - Crystal clear repeats, best if use any other modulation effectsAnalog - Simulates the BBD algorithm and every repeat of the sound reusing the previous repeat. It comes down to personal taste.Ping Pong - Repeats will bounce on left and right. Stereo output connection recommended.Pan - Repeats have a pan algorithm and it will bounce from left to middle and then to right. Stereo output connection recommended.Reverse - Repeats will play backward. can explore the dark side of the moon!Hold - 40 seconds loop stationTap Tempo can customize the delay speed by using Time knob or press and hold the footswitch for 2 seconds to activate TAP TEMPO function. After choose a delay mode, Time Knob controls the delay speed, Mix Knob controls the effected signal and dry signal balance and Repeat Knob adjusting the amount of repeats.Stereo ConnectionIt has Stereo Inputs and Outputs for a better experience and flexible routing, can use Time Core Deluxe in any effect chains with different connection methods.Bypass / T-LockTime Core Deluxe comes with a 3-way toggle-switch allowing to change between 2 Bypass modes and NUX’s unique Tone Lock (T-Lock) function.T-LOCK MODE: A physical dead-man switch designed to protect parameter tweaks during performance.NORMAL MODE: True Bypass which bypasses the effects circuit.TAIL MODE: Buffered Tail Bypass which maintains the effect of the last note played.

NUX Time Core Deluxe Delay Effects Pedal

$ 107.81 ~~$ 108.90~~

Dimensions (Overall): 5.75 inches (L), 2.5 inches (H) x 4.1 inches (W) x 5.75 inches (D)Weight: .88 poundsEffect Type: Distortion, Fuzz, and OverdriveWarranty: No Applicable Warranty. To obtain a copy of the manufacturer's or supplier's warranty for this item prior to purchasing the item, & bull; Power requirement: 9VDC center negative; 100mA minimum & bull; Power supply sold separatelyThe Kangra Filter Fuzz is a true-bypass, two-in-one pedal that provides a spatty and thick octave fuzz, and a psychedelic filter that can be ran independently, or with the fuzz feeding into it. This is no rhythm player’s fuzz either. Dig in and play dirty with broken fuzz lead lines that’ll rip time and space apart at the seams. SNL Guitarist and fuzz fanatic, Jared Scharff, approached Walrus about doing a modern filtered fuzz inspired by his favorite vintage fuzz pedal, the Kay Fuzz Tone. Working together through hours of texts, calls, emails and mailing prototypes back and forth, the Kangra came to life with plenty of grit, teeth and vintage vibe, as well as pronounced modern features. Fuzz Get two different styles of fuzz with the M/V Switch. In the modern position (M), notice a more forgiving fuzz with longer and tighter sustain, while the Vintage position (V) feels starved with spatty breakup and grittier, shorter sustain. Filter The Kangra also has a versatile filter with Resonance, Sensitivity, Frequency and Envelope Filter controls. Use the filter on its own to add a unique shape to sound, or flip the Envelope Filter switch and open up funky sixties style tones. “On the filter, I wanted to go for that vintage mpc 3000 low pass type of thing … Or similar to doing a low pass plug-in for a track, or like a DJ would do without it being too wah pedal-like, and this achieved that.” - Jared Scharff The art was inspired by a once in a life time expedition Jared took to the Kangra Valley near the Himalaya Mountains. It was there his journey inspired new ideas that can only approximated by the Kangra Filter Fuzz. The pedal comes in a peach enclosure with art by Adam Forster in white and blue inks.

Walrus Audio Kangra Filter Fuzz Effects Pedal

$ 210.14 ~~$ 218.90~~

MXR Dyna Comp Deluxe Compressor Effects Pedal

$ 137.27 ~~$ 142.99~~

Carl Martin Comp Limiter Compressor Effects Pedal

$ 215.55 ~~$ 219.95~~

Dunlop Volume (X) 8 Pedal Black

$ 130.67 ~~$ 131.99~~

Laney Tony Iommi Signature Boost Effects Pedal

$ 206.90 ~~$ 208.99~~

Morley Michael Amott Signature Mini Wah Effects Pedal

$ 291.55 ~~$ 306.90~~

Stagg BLAXX Four Mode Reverb Pedal Orange Sparkle

$ 97.01 ~~$ 98.99~~

NUX Mod Core Deluxe Modulation Effects Pedal

$ 86.03 ~~$ 86.90~~

Behringer FC600 Volume and Expression Control Foot Pedal

$ 84.08 ~~$ 85.80~~

Dimensions (Overall): 9.0 inches (L), 4.0 inches (H) x 6.0 inches (W) x 9.0 inches (D)Weight: 1.0 poundsEffect Type: Distortion, Fuzz, and OverdriveWarranty: No Applicable Warranty. To obtain a copy of the manufacturer's or supplier's warranty for this item prior to purchasing the item, & bull; CONTROL DESCRIPTIONS & bull; DRIVE – Controls the amount of signal level going into the circuit’s diode array. More drive yields more apparent change to the distortion’s EQ components; effectively “morphing” the tone. Turn clockwise for more dramatic effects. & bull; MORPH (Effect Level) – Controls the output level of the distortion effect. Turn clockwise for more output level. & bull; GAIN – Controls the output level of a high-gain preamp that sits before the rectifier array in the circuit. Gain makes the Drive control hit the rectifiers harder - a lot harder. When this occurs, more complex, thick harmonics with compression and increased sustain are some of the results. Turn Gain clockwise for more gaindistortionfilteringmorphing effect. & bull; DRY – Controls output level of Dry signal. Turn CW for more Dry signal (volume).We took the original, stripped out the envelope-controlled level section to create a pint-sized powerhouse that’s simple to use yet can still conjure cascades of cacophonous creativity. Depending on control settings and playing technique, the MiniMorph™ can expel an almost unlimited variety of filthy, flittering filter effects that will add depth and dimension to notes. Tight chirps, greasy gurgles, long, yawning sweeps are all available by simply varying picking attack. A light touch with low settings can yield sagging, fuzzy burps that reside somewhere between a “starved voltage” fuzz and a dirty Moog filter. Increased settings create higher order harmonics that subsequently drop in pitch as the note decays (think swept resonant filter).Playing double stops and chords will generate bizarre intermodulation effects that border on ring modulation but with less dissonance. Turning up the Gain Drive hits it harder (a lot harder), resulting in extreme compression and more complex, thick harmonics with massive sustain.Drive Gain will bury notes under a torrent of waveforms battling for evolutional supremacy – the victor finally blossoming into a screaming, searing siren-song.Dry Blend control allows to add in some clean signal to bring back low-end note definition and articulation.Finally, a master control determines overall output of the pedal.All of these tonal transformations can be further adjusted via the side-accessed Mode switch that selects between two different overall EQ settings. At the heart of the circuit is a string of full-wave rectifiers. In front of this diode array sit two high-gain preamps set in series – the output levels of these pre’s are controlled by the Drive Gain. As the diodes are hit with increasing signal level from the preamps, they bias either positive or negative, or not at all. The resultant waveform is a combination of many, including sine, triangle, square, and interactions of all of these. The more level that the diodes are hit with, the more non-linear and wackier (technical term) things will get. This primordial harmonic soup is then passed along to an op-amp that sums it all. However, since these distortion events are non-linear in nature, there is also subtraction, which yields further tonal filtering and changes to the waveform output.The TWA’s® proprietary “Shortest Send Switching™” - a form of relay-based True Bypass switching that provides the most transparent bypass sound available switching also automatically reverts the pedal to bypass mode if power is lost – an essential failsafe for live gigs.

TWA MINIMORPH - Dynamic Waveshaper

$ 197.50 ~~$ 207.90~~

Darkglass Darkglass Microtubes X Ultra Bass Preamp Pedal

$ 490.04 ~~$ 494.99~~

Walrus Audio Deep Six Compressor V3 Limited Edition Effects Pedal

$ 210.14 ~~$ 218.90~~

MXR M-102 Dyna Comp Compressor Pedal

$ 85.35 ~~$ 87.99~~

Mooer Woodverb Effects Pedal

$ 106.72 ~~$ 107.80~~

Animals Pedal Vintage Van Overdrive Effects Pedal Candle Orange

$ 104.54 ~~$ 108.90~~

Acoustic 6 LOOP TRUE BYPASS PROGRAMMABLE PEDAL SWITCHING FLOOR CONTROLLER

$ 160.04 ~~$ 164.99~~

Dimensions (Overall): 5.1 inches (L), 2.6 inches (H) x 2.7 inches (W) x 5.1 inches (D)Weight: .52 poundsEffect Type: Loopers and SamplersModel name: 625876Warranty: 1 Year Limited Warranty. To obtain a copy of the manufacturer's or supplier's warranty for this item prior to purchasing the item, & bull; 3 Tracks and 90 Minutes of Recording Time: Featuring 30 minutes of recording time for each of its 3 tracks, the LP3 is a powerful tool for working on new song ideas, practicing at home, and performing on stage. & bull; Unlimited Overdubs: Create huge effect by overdubbing and stacking takes with no limit, other than the 30 minute recording time per track. Because the tracks are recorded digitally, you can create an unlimited number of overdubs without losing any fidelity. & bull; True Bypass Design: Keep the cleanest signal path with zero loss and no coloring when the pedal is turned off. & bull; Metal housing, save small footprint: The all-metal construction ensures long-term durability and reliability, while the small footprint means it will fit comfortably on your pedal board. & bull; Universal Power: All Stage Right effects pedals are powered using a universal tip-negative 9V power adapter (available separately).Looper pedals can be both a fun and powerful addition to your board. They are great for developing song ideas, creating a backing track for practicing solos, or helping you create interesting sections or effects for use on stage. The Stage Right LP3 Looper delivers the same fun and functionality of similar higher-end units at a fraction of the cost. Featuring three tracks for recording, the LP3 provides virtually unlimited overdubs and up to 30 minutes of recording time per track. Its minimalist but intuitive design means you can create loops in seconds, without compromising any features or functionality. Simply connect the pedal, step on it, and begin recording. Press the pedal again to playback your recorded track and press it again during playback to create an overdub layer. You can delete previous layers (with an undo function) and can save all layers into a single track, giving you a powerful and easy to use loop recorder.

Monoprice LP3 Looper Guitar Pedal - 3 Tracks and 90 Minutes of Recording Time, Unlimited Overdubs, True Bypass Design - Stage Right Series

$ 49.00 ~~$ 49.49~~

Dimensions (Overall): 3.2 inches (L), 1.0 inches (H) x 2.25 inches (W) x 3.2 inches (D)Weight: .04 poundsEffect Type: Distortion, Fuzz, and OverdriveWarranty: No Applicable Warranty. To obtain a copy of the manufacturer's or supplier's warranty for this item prior to purchasing the item, & bull; EQ & bull; Bass Level: External knob. Adjusts for more or less bass. +- 20dB & bull; Bass Freq: Internal trimmer. Selects which bass frequency is being adjusted. & bull; Bass Q: Internal trimmer. Adjusts how narrow or wide the selected frequency is. & bull; Mid Level: External knob. Adjusts for more or less mids. +- 20dBFuzz ... the sound of rock and righteous indignation worldwide. That spitting, snarling and surly sound of rock legends past and present.The FUZZ GOAT HEAD analog plug-in module from Jackson Audio takes faithful recreations of historic fuzz circuits and brings them together allowing to create classic fuzz sounds as well as new fuzz sounds that are impossible with the original circuits. The FUZZ GOAT HEAD plug-in expands the tones available by adding two additional types of clipping. With the jumper set in the DIST (distortion) position on pedal, this plug-in makes the clipping smoother and with more headroom. With the jumper set in the OD (overdrive) position, the clipping is smoother still and has the feel and vibe of a vintage overdrive.The idea of creating a modular fuzz came about as Jackson Audio were trying to decide which style of fuzz would be the most musical fuzz of all time. The answer quickly became, "All of them!" All of them are different, and all of them bring something unique sonically. With the FUZZ GOAT HEAD plug-in, can update fuzz sound completely and turn pedal into a whole new pedal with a simple and affordable plug-in swap."In the 30 years since I began playing guitar, I have always loved fuzz pedals. I've bought countless versions of them over the years, but in my mind, they've always had a massive shortcoming. They desperately need more effective tone controls! That's why I designed the FUZZ GOAT HEAD plug-in with a 3-band, fully parametric EQ." - Brad Jackson EQ and especially the mids, are where the guitar makes its stand. Not enough mids and guitar is lost in the mix. Too much highs and tone is piercing and off-putting. Too much bass and compete sonically with the bass drum and bass player. With the parametric EQ on the FUZZ GOAT HEAD plug-in, have nine controls at disposal to fully sculpt tone and make sure the riffs are laying down are never lost in the mix.

Jackson Audio FUZZ GOAT HEAD Analog Plug-in Module

$ 54.44 ~~$ 54.99~~

Walrus Audio Luminary Quad Octave Generator V2 Effects Pedal

$ 343.88 ~~$ 350.90~~

AMT Electronics EX-50 Expression Guitar Effects Pedal

$ 106.67 ~~$ 107.75~~

Dimensions (Overall): 5.5 inches (L), 2.8 inches (H) x 5.25 inches (W) x 5.5 inches (D)Weight: 1.39 poundsEffect Type: Loopers and SamplersWarranty: No Applicable Warranty. To obtain a copy of the manufacturer's or supplier's warranty for this item prior to purchasing the item, & bull; Power requirement: 9V negative tip & bull; 24-bit audio recording quality & bull; Up to 6 hours recording time & bull; 256 memory slots & bull; Drum rhythms in 44 and 34The NUX JTC Pro is an advanced pedal with simplified controls. It’s a dual-switch stomp-box pedal with 6 hours of recording capability and 256 loop track memories. And the audio recording quality is 24-bit and 44.1 kHz sample rate. Dual-Switch Action Loop and the drum controls are separated, left footswitch (LOOP) controls recording and overdubs, and start/stop plays the recorded loop tracks. It’s also TAP Tempo control, can set the drum speed by tapping the left footswitch before record a track. Looper Action There are 2 loop recording actions on JTC Pro; Record and Play (RP), and Record and Overdub (RD). In Record and Overdub action; JTC Pro will record it over and over while playing the previous tracks High Quality Drum Sound - Smart Drum Fills Right footswitch (RHYTHM) controls the drum and it adds a drum fill during the performance. Drum fills length is one measure (depends on 4/4 or 3/4 rhythms). When hit the RHYTHM button, drum fill will start immediately and it will play until the end of the current bar. For example if push the switch at 3rd beat -> drums fill length will be 2 beats only. There are 40 drum patterns and fills including Pop, Rock, Blues, Metal and more other styles with 3/4 and 4/4 beats. Start/Stop Modes It has very useful and stop modes for making jam sounds like an arranged song during the performance. There are 2 Start Modes and 3 Stop Modes; Start Modes Press and hold the Stop Modes button, and select a start mode; (Ar) Auto-Recording, (Nr) Normal Recording Normal Recording - Classic hit and play looper action. JTC Pro will start recording when push the loop switch. Auto-Recording - In this mode, when push the loop switch, the JTC Pro will be standing by for recording. And it will start recording immediately when hit the guitar strings. Stop Modes After record a track, can simply push the Stop Modes button, and choose one of the modes to finish performance the way like. Normal Stop - Double hit to Loop switch and the looping track will stop immediately. Fine Stop - Double hit: The track will play until the end then it will stop, don't forget to hit finishing chord after it stop. Fade Out - The track volume will be decreased to 0 slowly in 10 seconds then it will stop. One-Shot Mode And, One Shot mode is very useful for playing any loaded backing track without looping. can load any song to play along, the supported file type is 24-bit 44.1 kHz Stereo Wave (.wav) can download NUX Audio File Converter to change the audio file format and make it compatible for JTC Pro Advanced Output Options and Frequency Optimization (FR ON/OFF) JTC Pro has 2 outputs and there are several output modes; a stereo connection to two amplifiers, or can activate the built-in speaker cabinet simulation for Right Output to send guitar signal directly to a PA system (or any PA monitor). JTC Pro’s drum sound is high quality real sound, when connect to any guitar amplifier or PA system will hear a full range and dynamic drums, still, if are using a small practice amplifier there is an optional drum frequency optimization. It makes the drum sounds more clear and helps to get a real looper experience with the smaller amplifiers. External Footswitch Input can connect NUX NMP-2 control footswitch (sold separately) or any equal pedal to use as a controller. can switch Up and Down between the memory slots. When push the UP or DOWN button, the current track will be played until the end, can switch right next to preset or jump between several presets at once.