Wampler GEARBOX Andy Wood Signature Overdrive Effects Pedal Orange
Dimensions (Overall): 6.75 inches (L), 3.5 inches (H) x 5.0 inches (W) x 6.75 inches (D)Weight: 1.35 poundsEffect Type: Distortion, Fuzz, and OverdriveWarranty: No Applicable Warranty. To obtain a copy of the manufacturer's or supplier's warranty for this item prior to purchasing the item, & bull; Dual Independent drives based on two of Brian Wampler’s Classic Circuits - a Tweaked Tumnus on Channel 1 and a modified Pinnacle on Channel 2 & bull; Independent Volume and Gain controls for both channels, Tone Control for channel 1, Bass, Middle, Treble and Noise Gate controls on Channel 2 & bull; Channel Order switch with two pairs of Input and Output jacks & bull; Power draw: 52mA at 9v & bull; 9v power jack - DC supply only, do not exceed 9v DC, battery IncludedThe Gearbox Andy Wood Overdrive Effects Pedal from Wampler is the signature overdrive pedal of one this generations' most influential guitarists. After demonstrating his outstanding electric guitar skills by being crowned champion of Guitar Center’s “Guitarmageddon” competition at only 22 years of age, Andy went on to tour professionally with a wide range of acts including Rascal Flatts, Gary Allan, Locash, Scott Stapp and Sebastian Bach. Andy has definitively blurred the lines of preconceived genres with his most recent album, “Junktown”, a masterpiece of different guitar styles and progressive southern inspired fusion. "Junktown" was recorded with a prototype of what is now the Wampler Gearbox Andy Wood Signature pedal.The Gearbox features modified versions of two of Brian Wampler’s best loved drive circuits: the Tumnus and the Pinnacle. This combination makes the Gearbox one of the most versatile dual pedals Wampler has ever created. A top-switchable stacking order control, dual inputs and outputs, a unique noise gate and premium quality components make the Gearbox the single pedal solution that delivers.
MXR Eric Gales Raw Dawg Overdrive Effect Pedal Black
Dimensions (Overall): 6.0 inches (L), 2.75 inches (H) x 4.5 inches (W) x 6.0 inches (D)Weight: .71 poundsEffect Type: Distortion, Fuzz, and OverdriveWarranty: No Applicable Warranty. To obtain a copy of the manufacturer's or supplier's warranty for this item prior to purchasing the item, Eric Gales serves up some of the tastiest licks in the business, and he needs to have just the right seasoning on hand when it’s time to turn up the heat. The MXR Raw Dawg Overdrive is designed to do just that. A custom circuit, this pedal is based on a classic OD famous for its grit and crunch—but we balanced out the midrange and bumped up the gain for a sweeter, more natural sound even when cranked. The simple three-knob interface of Output, Tone, and Drive controls is all need to perfect own recipes. In an MXR mini housing, the Raw Dawg Overdrive delivers tons of sonic flavor in a pedlaboard-friendly package.
TWA DYNAMORPH - envelope-controlled harmonic generator
Dimensions (Overall): 9.0 inches (L), 4.0 inches (H) x 6.0 inches (W) x 9.0 inches (D)Weight: 1.5 poundsEffect Type: Wah and FilterWarranty: No Applicable Warranty. To obtain a copy of the manufacturer's or supplier's warranty for this item prior to purchasing the item, & bull; CONTROL DESCRIPTIONS & bull; ECDYSIS (Drive) – Controls the amount of signal level going into the circuit’s diode array. More drive yields more apparent change to the distortion’s EQ components; effectively “morphing” the tone. Turn clockwise for more drivedistortionfilteringmorphing effect. & bull; OUTPUT – Controls overall output level of the pedal. Turn clockwise for more output level (volume).Distortion? Fuzz? Filter? Synth? Dynamorph is all of these, and much more.Featuring a distortion circuit where the amount and type of saturation is intricately and inextricably linked to the input signal level, Dynamorph creates multi-layered, highly complex waveforms that twist and morph instrument’s harmonic structure in bizarre yet decidedly musical ways.Add to this an envelope-detection circuit that allows control of distortion events via playing dynamics, and have the extremely powerful tool for musical expression that is Dynamorph.Depending on control settings and playing technique, Dynamorph can create an almost unlimited variety of filthy, flittering filter effects that will add depth and dimension to notes. Tight chirps, greasy gurgles, and long, yawning sweeps are all available by simply varying picking attack.A light touch with low Drive settings can yield sagging, fuzzy burps that reside somewhere between a “starved voltage” fuzz and a dirty Moog filter set to tight decay.Increased Drive settings create higher order harmonics that subsequently drop in pitch as the note decays (think swept resonant filter). Playing double stops and chords will generate bizarre intermodulation effects that border on ring modulation but with less dissonance.Turning up the Gain makes the Drive hit harder (a lot harder), resulting in extreme compression and more complex, thick harmonics with massive sustain.Digging in hard with higher Drive & Gain settings will bury notes under a torrent of waveforms battling for evolutional supremacy – the victor finally blossoming into a screaming, searing siren-song.Turning on the Morph function opens up an entirely new range of control over these effects, as the amount of Drive can now be controlled via playing dynamics as well. Notes will swell from zero volume into sustained harmonic glory, their tonal characteristics reacting and morphing in real time to the level changes preset by the Instar & Gestation controls.All of these tonal transformations can be further adjusted via the Mode switch that selects between two different overall EQ settings for the pedal. If things need to be reigned in a bit, just blend in some dry signal using the Ametaboly/Holometaboly control.For even further control options, the Morph function can also be controlled manually via an external expression pedal, allowing notes to be swelled in and out at will to create massive, sizzling synth pads.If ’ve grown bored with the status quo of disappointing drives and flatulent fuzzes, then plug into the DM-02 Dynamorph and witness tone transform from an inchworm into a 600-Lb. mutant metallic Butterfly – with teeth.TECH TALK At the heart of the DM-02 Dynamorph circuit is a string of full-wave rectifiers. In front of this diode array sit two high-gain preamps set in series – the output levels of these pre’s are controlled by the Drive and Gain controls accordingly.As the diodes are hit with increasing signal level from the preamps, they bias either positive or negative, or not at all. The resultant waveform is a combination of many, including sine, triangle, square, and interactions of all of these. The more level that the diodes are hit with, the more non-linear and wackier (technical term) things will get.This primordial harmonic soup is then passed along to an op-amp that sums it all. However, since these distortion events are non-linear in nature, there is also subtraction, which yields further tonal filtering and changes to the waveform output.The Morph circuit is a high-gain VCA to activate the Drive; a smooth gate that makes the harmonics sweep versus level, tracking the incoming signal from the instrument. The more drive, the more the apparent EQ of the distortion changes, again, giving notes a varying degree of harmonic “movement
Walrus Audio Polychrome Flanger Effects Pedal Black
Dimensions (Overall): 5.7 inches (L), 2.8 inches (H) x 4.5 inches (W) x 5.7 inches (D)Weight: .87 poundsEffect Type: Chorus, Phaser, and FlangerWarranty: No Applicable Warranty. To obtain a copy of the manufacturer's or supplier's warranty for this item prior to purchasing the item, & bull; Dimensions & bull; 4.77” x 2.9” x 2.3” & bull; Power requirements & bull; 9VDC (50mA minimum) & bull; *Power supply not includedThe Walrus Audio Polychrome Flanger is a true bypass, all analog Flanger with familiar lat controls from the Julia and Lillian. The D-F-V blend knob and the shape and voice switches dial in a wealth of colorful flange while the Shape Switch lets select from sine, triangle or random LFO waves to modulate the delay line. The Voice Switch lets select between two voices for the flanging effect. In the down position, the flanger is more traditional and full frequency. In the up position, get a more complex and notched flange effect with less low end. The D-F-V (Dry, Flange, Vibrato) knob lets blend the dry and delayed signal from full dry at minimum (no effect), to traditional flange at noon to full pitch vibrato at maximum. Top mounted input, output, and power jacks as well as soft switch relay bypassing make the Polychrome fit well on board and ensure smooth operation for years to come.
Morley Gold Series ABC Switcher Black
Dimensions (Overall): 6.63 inches (L), 2.0 inches (H) x 4.38 inches (W) x 6.63 inches (D)Weight: 1.4 poundsEffect Type: Multiple EffectsWarranty: No Applicable Warranty. To obtain a copy of the manufacturer's or supplier's warranty for this item prior to purchasing the item, & bull; Flexible routing: route one input to three outputs or reverse it and route three inputs to one output & bull; Bypass switches for each channel & bull; Handy LEDs let know which channels are active & bull; True Bypass & bull; Passive design, can be used without a power source (only the LEDs require power)The Morley Gold Series ABC switcher adds an extra channel to Morley's iconic ABY pedal. This extra channel adds to its versatility, making it the perfect tool for multi-instrumentalists and those who like to use multiple amps at the same time. can use as many as three amps at the same time or select between them. This is great for live sound as well since have an additional output to send to the board. For splitting signal, it is recommend using the Morley ABY MIX or ABC Pro (sold separately) as those are better suited for splitting.With the Gold Series ABC switcher can route one input to three outputs or reverse it and route three inputs to one output. This makes switching between instruments or amplifiers easy. It’s also completely passive, so it doesn’t need a power source to function. Only the LEDs require power, which conserves battery life.
Lehle Dual Expression Pedal
Dimensions (Overall): 8.6 inches (L), 2.1 inches (H) x 4.0 inches (W) x 8.6 inches (D)Weight: 1.84 poundsEffect Type: Volume and ExpressionWarranty: No Applicable Warranty. To obtain a copy of the manufacturer's or supplier's warranty for this item prior to purchasing the item, & bull; Lehle Dual Expression pedal Expression Pedal with 2 outputs & bull; Controls all common devices with expression inputs & bull; Magnetic sensor technology, without mechanical wear & bull; Precise control from digital potentiometers & bull; MIDI via USBExpress self, twice. The LEHLE DUAL EXPRESSION is an active, wear-free expression pedal equipped with a precise magnetic sensor. Known from the LEHLE VOLUME pedals, this sensor uses the Hall effect, named after Edwin Hall, to measure the strength of magnetic fields.In the LEHLE DUAL EXPRESSION the Hall sensor is accurately calibrated to the built-in magnet and the control range of the pedal – where the pedal moves only the magnet, whose distance is measured by the Hall sensor.Two digital potentiometers, working with analogue voltages, are used for the precise and reliable generation of the expression data.This technology allows distinctly more accurate operation than is offered by conventional expression pedals with mechanical potentiometers. There is no mechanical wear, avoiding the need for maintenance or complicated adjustments. Both outputs can control nearly all common devices with expression inputs from 5k to 100k, regardless if TS, TRS or RTS – the polarity can be switched and stored using the soft-push buttons.Alternatively, the 10k output can be set to work as a latching or momentary switch, if the pedal is pushed in fully toe position. Then e.g. the channel of an amp can be changed or, connected to a switch-input of a digital device, any desired function can be controlled.Via the USB socket can send MIDI data to a computer, in order to control midi compatible software.In use, the LEHLE DUAL EXPRESSION is extremely smooth and steady under foot, as it is equipped with low-friction bearings of a high-performance polymer. By means of an adjusting screw the mobility of the pedal can be modified with great precision.Compared to the LEHLE MONO VOLUME we were able to reduce the weight by 50% and the size by 35% – with the same rugged stability. It’s even 2 cm flatter, however the pedal range stays the same - just as comfortable and responsive as the larger models.Light, small, and twice the precise expression: LEHLE DUAL EXPRESSION.
Maxon GE601 Graphic Equalizer
Dimensions (Overall): 6.0 inches (L), 2.5 inches (H) x 3.7 inches (W) x 6.0 inches (D)Weight: .7 poundsEffect Type: Equalization and BoostWarranty: No Applicable Warranty. To obtain a copy of the manufacturer's or supplier's warranty for this item prior to purchasing the item, Covering six carefully selected frequency bands from 100Hz to 3.2kHz and offering +/-12dB of cut or boost, the GE601 can be used as a tone filter, feedback eliminator, pickup simulator, or level booster. Its wide frequency range makes it suitable for use with a variety of instruments.
Stagg BLAXX Chorus Pedal Effects Pedal Yellow
Dimensions (Overall): 4.8 inches (L), 2.5 inches (H) x 2.55 inches (W) x 4.8 inches (D)Weight: .6 poundsEffect Type: Chorus, Phaser, and FlangerWarranty: No Applicable Warranty. To obtain a copy of the manufacturer's or supplier's warranty for this item prior to purchasing the item, & bull; Housing: Die-cast metal & bull; Foot switch: True bypass & bull; Controls: Rate, depth and level & bull; LED indicator: On off & bull; Input and output: 6.35 mm (14") jackThe BLAXX Chorus Effects Pedal from Stagg is a chorus pedal for electric guitars. The Stagg chorus pedal features a die-cast housing, a True Bypass footswitch and controls for Rate, Depth and Level.
Emma Electronic ReezaFRATZzitz II Overdrive and Distortion Guitar Effects Pedal
Dimensions (Overall): 6.3 inches (L), 2.3 inches (H) x 4.3 inches (W) x 6.3 inches (D)Weight: .95 poundsEffect Type: Distortion, Fuzz, and OverdriveWarranty: No Applicable Warranty. To obtain a copy of the manufacturer's or supplier's warranty for this item prior to purchasing the item, & bull; Footswitch & bull; Level dial & bull; Lowhigh control & bull; Bias dial & bull; Gain dialThe Emma Electronic ReezaFRATzitz II overdrive and distortion pedal emulates the distortion characteristics of a real tube amp as faithfully as possible. The second generation ReezaFRATzitz pedal is based on the best-sounding Reeza 1 Emma could find. ReezaFRATzitz added low- and high-frequency controls that give unprecedented tonal control over the OD pedal. An included Bias knob controls the inner workings of the ReezaFRATzitz pedal from class B (far left) to class A (far right) and anywhere in between. can alter the signal's harmonic structure to provide a much wider range of tonal options than standard overdrive-distortion pedal. Class A mode provides smoother clipping ala' Vox AC30 while Class B is more akin to classic Marshall amp tones. Additional controls for Level, Gain, and the previously mentioned Low and High tone controls fine-tune the Reezafratzitz to taste. An ingenious ReezaFRATzitz circuit is the 'untrue bypass' that at Emma Electronic is known as 'the overlord of the beast.' There are many myths about mechanical true bypass. In a pedal like the ReezaFRATzitz and their PisdiYAUwot, will want and will get the 'untrue bypass' circuit.
Wampler Reflection Reverb Effects Pedal
Dimensions (Overall): 6.7 inches (L), 3.5 inches (H) x 4.0 inches (W) x 6.7 inches (D)Weight: .81 poundsEffect Type: Delay and ReverbWarranty: No Applicable Warranty. To obtain a copy of the manufacturer's or supplier's warranty for this item prior to purchasing the item, & bull; 9v-18v power jack & bull; 2 voicings: studio-grade plate and big tank-like spring & bull; Infinite Decay and up to 140ms early reflection make it as organic as possible & bull; Internal dip switch for true bypassbuffered to allow ‘trails’ (factory set to True Bypass) & bull; Internal dip switch for ‘dry kill’ that just has the reverb sounding (factory set to ‘off’)Thanks to the power of today’s digital technology, there are more options for attaining great reverb effects than ever before. But imagine being able to get the same washes of tone, that often emanate from some overly complicated stompbox computers, from a compact, single-button pedal with straightforward controls. That’s exactly what ’ll find with the Wampler Reflection. A flip of a switch shifts from swampy, springy goodness to a studio-grade plate reverb. Then manipulate that ambiance on the fly, thanks to the intuitive control lat. And with internal switches to control the effect’s tails and dry signal, the Reflection will integrate perfectly into almost any guitar rig. So, when ’re done surfing through menus while ’re trying to perform, but still demand pristine trails of tone, put the Wampler Reflection reverb pedal on our board and never look back.Two reverbs in oneThe spring and plate reverbs onboard the Reflection have been expertly voiced to sit as comfortably on a surf rocker’s board as they will adding subtle air in a studio environment. The spring setting faithfully replicates the boing and drip of the classic effect, while the plate places tone in 3-dimensional spaces that add beauty and character to everything play.Just the right amount of controlThe life of a performing guitarist doesn’t offer a lot of time for tone-tweaking on the job. That was a guiding consideration when crafting the Reflection reverb. ’re able to conjure the detailed tones with the twist of decay, tone, pre-delay, and reverb volume knobs. ’ll also find internal controls for allowing the tails to ring through and for adding or removing guitar’s original signal.
Emma Electronic StinkBug Classic Overdrive Guitar Effects Pedal
Dimensions (Overall): 6.25 inches (L), 2.25 inches (H) x 4.25 inches (W) x 6.25 inches (D)Weight: 1.0 poundsEffect Type: Distortion, Fuzz, and OverdriveWarranty: No Applicable Warranty. To obtain a copy of the manufacturer's or supplier's warranty for this item prior to purchasing the item, & bull; Footswitch & bull; Level dial & bull; Lowhigh control & bull; Gain dial & bull; Rugged housingThe Emma Electronic StinkBug classic overdrive pedal has the best of what's out there, but keeps the body and character of guitar's sound intact. With the StinkBug pedal, the mids respond well, and the highs and lows are right out front for blues rock and pop. In addition, Emma chose a circuit with a particularly nice warmth to it. The Low and High controls give great control of the amount of mids in the pedal. Turn them both down, and the mid-range comes out, but without being nasal. Turn them up, and the mids gets slightly scooped, still keeping the sound full and punchy. The Emma StinkBug pedal works great for blues, pop, and rock. It sings well and has great mid-range response.
Morley ABC Pro Switcher/Combiner Pedal
Dimensions (Overall): 8.3 inches (L), 3.1 inches (H) x 5.6 inches (W) x 8.3 inches (D)Weight: 2.02 poundsEffect Type: Multiple EffectsWarranty: No Applicable Warranty. To obtain a copy of the manufacturer's or supplier's warranty for this item prior to purchasing the item, With the Morley ABC Pro switcher/combiner, can route one instrument signal to three output sources, which lets select between either output independently or combined. It features isolated channels, so there's no crosstalk or bleed-through. The ABC Pro uses Ebtech custom isolation transformers to prevent ground loops. And the silent switching means there's no “pops” when switching. Polarity reverse and ground lift switches provide quiet operation. Lastly, it features LED indication, cold rolled steel housing, powers from 9V battery or adapter.
Eventide MixingLink Guitar Effects Pedals Mic Pre with FX Loop
Dimensions (Overall): 9.2 inches (L), 3.3 inches (H) x 6.8 inches (W) x 9.2 inches (D)Weight: 1.55 poundsEffect Type: Loopers and SamplersWarranty: No Applicable Warranty. To obtain a copy of the manufacturer's or supplier's warranty for this item prior to purchasing the item, & bull; FX Loop Send and Return supports Balanced and Unbalanced signals - interfaces with consoles or guitar pedals easily & bull; Latching or Momentary Footswitch control of FX Loop for performance effects & bull; Works with a wide range of microphones including condenser and ribbon mics with up to 65dB of clean gain & bull; Aux IO connection supporting stereo input and send & bull; Guitar Amp output and Headphone monitor output with separate master volume controlThis I/O station for multiple devices has many typical uses, but its versatility lends it a universal usefulness that can adapt to many different challenges in the studio, the rehearsal room or on stage.
Bogner Burnley V2 Classic Distortion With Transformer Guitar Effects Pedal Purple
Dimensions (Overall): 6.25 inches (L), 3.1 inches (H) x 3.5 inches (W) x 6.25 inches (D)Weight: .86 poundsEffect Type: Distortion, Fuzz, and OverdriveWarranty: No Applicable Warranty. To obtain a copy of the manufacturer's or supplier's warranty for this item prior to purchasing the item, & bull; True Bypass & bull; New compact housing & bull; Controls: Level, Tone, Bloom (adjusts the amount of compression) & bull; Jewel Light:Reacts to the dynamics of r playing, depending on the output level of r instrumentThe BognerHarlow V2 is a unique boost pedal with a “Bloom” compression feature, which brings a dynamic three-dimensional punch and tastefully transparent squeeze to guitar tone arsenal. Delivering a wide range of boost -from crystal-clear light boost to a thick and meaty high-output assault on amp’s input section –the Harlow sounds so good; ’ll never want to turn it off. At the heart of the Harlow is a custom audio transformer which serves up rich, studio quality, buttery tones with ultra-dynamic responses and stunning sound inspired by the classic mixing consoles of the 1960’s.
Two Notes Audio Engineering Le Clean Preamp Effects Pedal
Dimensions (Overall): 11.5 inches (L), 3.5 inches (H) x 7.5 inches (W) x 11.5 inches (D)Weight: 2.86 poundsEffect Type: Distortion, Fuzz, and OverdriveWarranty: No Applicable Warranty. To obtain a copy of the manufacturer's or supplier's warranty for this item prior to purchasing the item, & bull; Tube: Ruby 12AX7AC5 HG & bull; Tone control & bull; A channel: Passive BassTreble tonestack & bull; B channel: Passive BassTreble tonestack – Active MidSweep control – Gain : -18 to +6 dB – Freq : 300Hz à 1.5kHzThe Two Notes Audio Engineering Le Clean takes its inspiration from the classic amps of southern California in all shades of brown, black and silver. Channel A has a pure ultra clean texture. Channel B lets bring in classic sweet overdrive of a dark desert highway. The Cold Fusion mode gets right to the heart of Texas while Hot Fusion takes out of the blue and into the gnarliest Tweed tones.From the moment Two Notes launched the Torpedo C.A.B., they believed it was possible to build a high quality pedalboard to entirely replace a conventional tube amplifier system: the complete floor rig. Even with an almost limitless choice of available guitar effects, finding a very good preamplifier in a pedal format was challenging. This is why Two notes is proud to premier its line of tube preamplifiers: Le Clean, Le Crunch, Le Lead and Le Bass.The selection of a preamplifier is the core of overall tone and thus requires the greatest attention. When building a complete floor rig, only the very best will make the cut. The Two notes preamplifiers are a True High Voltage Design running internally at 200 volts to preserve the interaction between and guitar while working perfectly with other effect pedals. Each of the four different versions deliver the unique tube warmth, dynamics, and the musical compression from the amps we know and love, now in a more convenient pedal package. And, of course, can use them as an elaborate tube overdrive, in front of favorite amplifier!Two channels plus fusion modeThe A and B channels are totally independent, each with their own voicing and eq section: Bass and Treble on A, Bass, Mid with Mid Sweep and Treble for B. On Channel A will find a lower gain tube stage with a pre-gain EQ using a more vintage design approach, while Channel B offers more gain and a very powerful post-EQ (with mid sweep). The exclusive Fusion modes open new horizons.Switching & multi-channel modeEach preamp features 2 channel footswitches, A and B. Simultaneously pressing A and B will ac- tivate the Fusion mode. Pressing A, B or A and B will also send a specific Midi Program Change command, that can be used to select a preset on Midi multi effects and/or Torpedo C.A.B.. In addition, the preamplifier may respond to a Program Change sent from another Midi device al- lowing a seamless integration into any pedalboard switching system. Combining several Two notes preamps on pedalboard makes things really interesting.Connected via Midi, each preamp will listen to the others. They can be configured in Multi-channel mode: pressing A on preamp 1 will by- pass preamp 2, like the channels of an amplifier. Alternately, when this mode is off: traditional on/off switching for all preamps, a preamp can be a boost/overdrive for the one that follows.High-quality electronic designTwo notes is first and foremost a team of music lovers who are all great admirers of musicians. The folks at Two Notes are highly qualified engineers, technicians, and musicians, whose purpose is to facilitate the life of guitar and bass players without infringing on their playing habits. Their mission consists in providing them with studio-grade products that are specifically designed for the guitar and bass.Integrated speaker simulationThis analog speaker simulation is specifically voiced for Le Preamp Model, and based on the Two Notes Torpedo simulator. This speaker simulation affects the DI output and the Headphones output.ConnectionsLe Preamp can be used in various configurations: as a traditional preamplifier, it can be connected to a power amplifier and cabinet, or in the Return input (or Power Amp In) of a guitar or bass amplifier. Placed before an amplifier, it acts as a boost, overdrive or distortion pedal. Alone or with the Torpedo C.A.B
Two Notes Audio Engineering
Eventide UltraTap Delay/Reverb Multi-Tap Effects Pedal Silver
Dimensions (Overall): 7.75 inches (L), 2.95 inches (H) x 4.9 inches (W) x 7.75 inches (D)Weight: 1.74 poundsEffect Type: Delay and ReverbWarranty: No Applicable Warranty. To obtain a copy of the manufacturer's or supplier's warranty for this item prior to purchasing the item, & bull; Effect Features: & bull; Slurm & bull; Chop & bull; SpdRiseRel & bull; FeedbackThe Eventide UltraTap Delay/Reverb Pedal is a unique multi-tap effect pedal capable of rhythmic delays, glitchy reverbs, huge pad-like volume swells and extraordinary modulation. The perfect tool for staccato leads, swelling chords and other evolving effects, this Eventide multi-tap effect pedal even tackles reversed reverbs with no problem. Think of UltraTap as the mother of all Echoplexes and won’t be too far off. That’s basically how it operates but with the flexibility to add as many ‘tape heads’ as necessary and expressively control their positions and levels.UltraTap's controls make it possible to discover new and unexpected effects with all the controls 'd expect in a multi-tap delay pedal—Number of Taps, Delay and Feedback. Additional controls for Spread, Slurm and Chop open up even more sonic possibilities. "Slurm" is an exclusive and innovative control that smears/slurs taps together to create truly unique reverbs and choruses while "Chop" and "Spd/Rise/Rel" combine to allow unusual and expressive modulation of the taps based on LFO shapes or the audio's envelope. "Feedback" unlocks further tone shaping capability and "Taps" selects up to 64 taps to create simple repeats or morph delays into chorus and reverb. The "Spread" function controls the 'distance' between' taps. With the knob centered, the taps are equally spaced, turn clockwise and the later taps are bunched together, counterclockwise and the early taps are bunched together. Use this control to dial in the perfect rhythmic space between taps. Onboard LFOs and envelopes to chop the sound source into stuttered rhythms and he "Tap Footswitch" allows to set the tempo of the taps.
Eventide Rose Digital Delay Effects Pedal
Dimensions (Overall): 8.0 inches (L), 2.5 inches (H) x 5.5 inches (W) x 8.0 inches (D)Weight: 1.95 poundsEffect Type: Delay and ReverbWarranty: No Applicable Warranty. To obtain a copy of the manufacturer's or supplier's warranty for this item prior to purchasing the item, & bull; 25 factory presets (5 banks of 5) & bull; Bypass Types: True, Buffered, Input Kill. Kill-Dry toggle on off for each setting & bull; Set Tap Tempo subdivision (quarter, eighth, dotted-eighth, triplet) & bull; MIDI Clock on off & bull; Eventide Device Manager preset librarian software compatibleRose from Eventide is a compact, modulated digital delay pedal featuring a unique design Eventide calls Bit Bucket Brigade. Instead of the traditional approach using a DSP chip, this design borrows from bucket brigade techniques but is free of its inherent limitations. Surrounded with analog circuitry for a warm thick sound, this approach facilitates extreme modulation of the clock yielding reverse delay and wild swings of delay by modulating the delay multiplier — the results are a completely unique sound. Rose features five modulation sources, aux switch/expression pedal/MIDI input, tap tempo, up to 50 seconds of delay and can store up to five presets.
Stagg BLAXX Two Mode Tremolo Effects Pedal Blue
Dimensions (Overall): 4.75 inches (L), 2.5 inches (H) x 2.55 inches (W) x 4.75 inches (D)Weight: .59 poundsEffect Type: Tremolo and VibratoWarranty: No Applicable Warranty. To obtain a copy of the manufacturer's or supplier's warranty for this item prior to purchasing the item, & bull; Housing: Die-cast metal & bull; Foot switch: True bypass & bull; Controls: Color, depth and speed & bull; LED indicator: On off & bull; Input and output: 14" jackThe Stagg BLAXX Tremolo pedal is designed for guitar and features two different modes. The housing is made from die-cast metal with a true bypass foot switch and an LED on/off indicator.
Morley Classic Power Fuzz Wah
Dimensions (Overall): 10.5 inches (L), 3.0 inches (H) x 6.25 inches (W) x 10.5 inches (D)Weight: 3.59 poundsEffect Type: Wah and FilterWarranty: No Applicable Warranty. To obtain a copy of the manufacturer's or supplier's warranty for this item prior to purchasing the item, & bull; One of the great Morley classics. & bull; Works with Guitar, Bass or Keys! & bull; Fuzz and Wah packed into one pedal. & bull; Fuzz circuit comes before the Wah circuit just like the original. & bull; Vintage Fuzz mode emulates that old-school ripped speaker sound that the original MPSA12 Transistors achieved.Behold the mighty Power Fuzz Wah, one of the great Morley classics. It offers Morley's widest frequency sweep and when combined with its Fuzz circuit delivers monstrous Fuzz Wah tone that will send other Wah pedals into hiding. Morley's engineers spent years recreating this classic circuit with modern components and upgrades.
Way Huge Electronics Swollen Pickle Jumbo Fuzz Effects Pedal
Dimensions (Overall): 5.0 inches (L), 2.5 inches (H) x 3.0 inches (W) x 5.0 inches (D)Weight: .58 poundsEffect Type: Distortion, Fuzz, and OverdriveWarranty: No Applicable Warranty. To obtain a copy of the manufacturer's or supplier's warranty for this item prior to purchasing the item, The Way Huge Smalls Swollen Pickle Jumbo Fuzz concentrates all the potent flavors of its predecessors into a super pedalboard-friendly housing with a simpler interface so that can plug in and serve up savory saturation in no time at all. Use the Loudness, Sustain, and Filter controls to season sound to taste. For further customization of delicious dish, flip the Scoop switch to carve out the mids for power chords that sound huge, and use the Crunch switch to toggle compression intensity. Flipping both switches down delivers the classic three-knob Swollen Pickle setup. In its condensed form, the Swollen Pickle Jumbo Fuzz is no less potent — it still has more fuzz than a moldy peach!
Stagg BLAXX 2-mode Overdrive pedal for electric guitar Blue
Dimensions (Overall): 4.75 inches (L), 2.5 inches (H) x 2.5 inches (W) x 4.75 inches (D)Weight: .64 poundsEffect Type: Distortion, Fuzz, and OverdriveWarranty: No Applicable Warranty. To obtain a copy of the manufacturer's or supplier's warranty for this item prior to purchasing the item, & bull; Housing: Die-cast metal & bull; Foot switch: True bypass & bull; Controls: Gain, level and tone & bull; Mode switch: Hot or warm & bull; LED indicator: On offBLAXX 2-mode Overdrive pedal for electric guitar.
