Johnny Cash The Lure Of The Grand Canyon 180g LP & CD (Vinyl)
Originally released on Columbia Records in 1961, Johnny Cashs 11th album, The Lure of the Grand Canyon, was unlike anything he had ever done before. Most significantly, it was not even an album of Cashs music, rather a concept album consisting primarily of American composer Ferde Grofés Grand Canyon Suite. Cash gives his tribute to Grofé in the conclusive track, an 11-minute spoken word piece about a day at the Canyon. & lt;br & gt; & lt;br & gt; & lt;b & gt;Features: & lt;/b & gt; & lt;br & gt; 180g High Quality Vinyl LP & lt;br & gt; Includes bonus CD & lt;br & gt; Dig-A-Log - includes both CD & amp; LP for comparison & lt;br & gt; & lt;br & gt; & lt;b & gt;Selections: & lt;/b & gt; & lt;br & gt; 1. Sunrise & lt;br & gt; 2. Painted Desert & lt;br & gt; 3. On The Trail & lt;br & gt; 4. Sunset & lt;br & gt; 5. Cloudburst & lt;br & gt; 6. Spoken Commentary by Johnny Cash
Johnny Cash Now There Was A Song 180g LP + CD (Vinyl)
Originally released in 1960 on Columbia, Now, There Was A Song! gave Johnny Cash a chance to pay tribute to his own musical influences and the songs that made country music great. Songs like Hank Williams Im So Lonesome I Could Cry (1947), Ernest Tubbs I Will Miss You When You Go (1952) and Hank Thompsons Honky Tonk Girl (1954), greatly influenced a young Cash in his own development as an artist and performer. & quot;Now, There Was A Song! & quot; was his first album purely made up of covers, and the title isn't lying - these are some pretty dadgum good songs! & lt;br & gt; & lt;br & gt; & lt;b & gt;Features: & lt;/b & gt; & lt;br & gt; 180g High Quality Vinyl LP & lt;br & gt; Includes bonus CD & lt;br & gt; Dig-A-Log - includes both CD & amp; LP for comparison & lt;br & gt; & lt;br & gt; & lt;b & gt;Selections: & lt;/b & gt; & lt;br & gt; 1. Seasons Of My Heart & lt;br & gt; 2. I Feel Better All Over & lt;br & gt; 3. I Couldn't Keep From Crying & lt;br & gt; 4. Time Changes Everything & lt;br & gt; 5. My Shoes Keep Walking Back To You & lt;br & gt; 6. I'd Just Be Fool Enough (To Fall) & lt;br & gt; 7. Transfusion Blues & lt;br & gt; 8. Why Do You Punish Me & lt;br & gt; 9. I WIll Miss You When You Go & lt;br & gt; 10. I'm So Lonesome I Could Cry & lt;br & gt; 11. Just One More & lt;br & gt; 12. Honky-Tonk Girl
Miltinho Miltinho E Samba 180g LP & CD (Vinyl)
& lt;font color= & quot;#FF0000 & quot; & gt; & lt;b & gt;180g Vinyl Includes Bonus CD! & lt;/b & gt; & lt;/font & gt; & lt;br & gt; & lt;br & gt; Milton Santos de Almeida aka Miltinho has a respectable resumé in Brazilian music as a singer and instrumentalist and as a leader in several successful samba ensembles. His instrument before the microphone was the tambourine. He was one of the first panderista vocal ensembles in Brazil combining two skills: singing and playing. And speaking of bands, Miltinho was in one of the most successful groups in the 1940s, the Anjos do Inferno, who toured with Carmen Miranda. On Miltinho É Samba (1963), he is accompanied by the Orquestra RGE with arrangements and musical direction by Maestro Rubens Perez (Pocho) and Nelsinho. & lt;br & gt; & lt;br & gt; The great Miltinho, a Brazilian music legend. The Miltinho's poem is the voice of the hands, the tears, the young girl and woman. The voice that tells the stars of the sky, the moon phases and drops of seawater. In the voice of Milton, the world takes on new measures: & quot;In my hands the farewell / Into your hands my life. & quot; Miltinho's samba is played with the dexterity of who carves a stone. & lt;br & gt; & lt;br & gt; This 180g high quality vinyl features a free bonus CD of the album, so that you can have the analog and the digital for the price of one. & lt;br & gt; & lt;br & gt; & lt;b & gt;Features: & lt;/b & gt; & lt;br & gt; 180g Vinyl & lt;br & gt; Includes bonus CD of the album & lt;br & gt; Import & lt;br & gt; & lt;br & gt; & lt;b & gt;Selections: & lt;br & gt; Side A: & lt;/b & gt; & lt;br & gt; 1. Poema Das Maos & lt;br & gt; 2. So Vou De Mulher & lt;br & gt; 3. Lamento Bebop & lt;br & gt; 4. O Tema E Solidao & lt;br & gt; 5. O Velho E A Moca & lt;br & gt; 6. Saudade, Fique Comigo & lt;br & gt; & lt;b & gt;Side B: & lt;/b & gt; & lt;br & gt; 1. Baba De Mulher & lt;br & gt; 2. Lembrancas & lt;br & gt; 3. Chorando, Chorando & lt;br & gt; 4. Nos Dois A Sos & lt;br & gt; 5. Um Dono So & lt;br & gt; 6. Que Sabe Voce De Mim
Etta James Etta James 180g LP & CD (Vinyl)
& lt;font color= & quot;#FF0000 & quot; & gt; & lt;b & gt;180g Vinyl & amp; Bonus CD! & lt;/b & gt; & lt;/font & gt; & lt;br & gt; & lt;br & gt; After the huge success of her first two albums At Last! and The Second Time Around, Etta James in 1962 suddenly became THE Queen of soul music and this record, originally released on Argo Records, shored up her fame, paving the way to her ascent to stardom. This edition contains two bonus tracks taken from the singles of that period. This 180g LP release also contains a CD of the full album. & lt;br & gt; & lt;br & gt; & lt;b & gt;Features: & lt;/b & gt; & lt;br & gt; 180g Vinyl & lt;br & gt; Includes bonus CD & lt;br & gt; Import & lt;br & gt; & lt;br & gt; & lt;b & gt;Selections: & lt;br & gt; Side One: & lt;/b & gt; & lt;br & gt; 1. Waiting For Charlie To Come Home & lt;br & gt; 2. Guess Again & lt;br & gt; 3. A Lover's Mourn & lt;br & gt; 4. You Can Count On Me & lt;br & gt; 5. If I Can't Have You & lt;br & gt; 6. Street Of Tears & lt;br & gt; & lt;b & gt;Side Two: & lt;/b & gt; & lt;br & gt; 1. Something's Got A Hold On Me & lt;br & gt; 2. My Dear & lt;br & gt; 3. Nobody But You & lt;br & gt; 4. Let Me Know & lt;br & gt; 5. Spoonful & lt;br & gt; 6. Stop The Wedding
Billie Holiday Billie's Best 2LP (Clear Vinyl)
& lt;font color= & quot;#FF0000 & quot; & gt; & lt;b & gt;Audiophile Clear Vinyl Double LP! & lt;/b & gt; & lt;/font & gt; & lt;br & gt; & lt;br & gt; This selection is drawn from Billie Holiday's recordings of the mid-1950s. Her voice possessed a unique presence, a sound that seems lit up by a resilient vitality. Producer Norman Granz set Holiday among the small jazz combos that suited her talents best, groups that included some of the finest soloists of her generation, such as trumpeter Harry & quot;Sweets & quot; Edison and saxophonists Benny Carter and Ben Webster. Granz also supplied ideal rhythm sections, with pianist Jimmy Rowles and guitarists Kenny Burrell and Barney Kessel making appearances here. There's more room to stretch out than was available on the early Columbia and Commodore recordings, and the results are relaxed and profound treatments of some great songs. & lt;br & gt; & lt;br & gt; Audiophile Clear Vinyl is made using the highest quality co-polymer available and processed without any carbon additive in order to dramatically reduce the & quot;electrical distortion & quot; often found on records. & lt;br & gt; & lt;br & gt; By itself the co-polymer of vinyl is transparent. In order to make the record black in color the plant must use a carbon additive with trace metals that can become magnetized. This is what causes electrical distortion during playback. & lt;br & gt; & lt;br & gt; & lt;br & gt; & lt;b & gt;Features: & lt;/b & gt; & lt;br & gt; Audiophile Clear Vinyl (ACV) & lt;br & gt; 140g & lt;br & gt; 25 minutes maximum per side & lt;br & gt; Import & lt;br & gt; & lt;br & gt; & lt;b & gt;Musicians: & lt;/b & gt; & lt;br & gt; Harry & quot;Sweets & quot; Edison, trumpet & lt;br & gt; Benny Carter, Ben Webster, saxophone & lt;br & gt; Jimmy Rowles, piano & lt;br & gt; Kenny Burrell, Barney Kessel, guitar & lt;br & gt; & lt;br & gt; & lt;b & gt;Selections: & lt;br & gt; Side 1: & lt;/b & gt; & lt;br & gt; 1. What A Little Moonlight Can Do & lt;br & gt; 2. A Foggy Day & lt;br & gt; 3. Come Rain Or Come Shine & lt;br & gt; 4. Comes Love & lt;br & gt; & lt;b & gt;Side 2: & lt;/b & gt; & lt;br & gt; 1. He's Funny That Way & lt;br & gt; 2. Stars Fell On Alabama & lt;br & gt; 3. Gone With The Wind & lt;br & gt; 4. They Can't Take That Away From Me & lt;br & gt; & lt;b & gt;Side 3: & lt;/b & gt; & lt;br & gt; 1. East Of The Sun (And West Of The Moon) & lt;br & gt; 2. Everything I Have Is Yours & lt;br & gt; 3. Stormy Blues & lt;br & gt; 4. Speak Low & lt;br & gt; & lt;b & gt;Side 4: & lt;/b & gt; & lt;br & gt; 1. April In Paris & lt;br & gt; 2. I've Got My Love To Keep Me Warm & lt;br & gt; 3. Some Other Spring & lt;br & gt; 4. All The Way
Ravi Shankar Improvisations 180g LP (Vinyl)
& lt;font color= & quot;#FF0000 & quot; & gt; & lt;b & gt;180 Gram Vinyl! Ahead-of-the-Curve Jazz-Indian Fusion! A Visionary Recording! & lt;/b & gt; & lt;/font & gt; & lt;br & gt; & lt;br & gt; & quot;Indian classical music is principally based on melody and rhythm, not on harmony, counterpoint, chords, modulation and the other basics of Western classical music. & lt;br & gt; & lt;br & gt; The system of Indian music known as Raga Sangeet can be traced back nearly two thousand years to its origin in the Vedic hymns of the Hindu temples, the fundamental source of all Indian music. Thus, as in Western music, the roots of Indian classical music are religious. To us, music can be a spiritual discipline on the path to self-realisation, for we follow the traditional teaching that sound is God - Nada Brahma: By this process individual consciousness can be elevated to a realm of awareness where the revelation of the true meaning of the universe - its eternal and unchanging essence - can be joyfully experienced. Our ragas are the vehicles by which this essence can be perceived... & lt;br & gt; & lt;br & gt; Indian music is much more appreciated and respected today in the west. Many composers and musicians have been influenced by our music. The openness, willingness to learn, and sincere enthusiasm of western audiences are a continuing source of inspiration and delight. & quot; & lt;i & gt;- Ravi Shankar & lt;/i & gt; & lt;br & gt; & lt;br & gt; & lt;b & gt; & quot;First released in 1961, Improvisations features some ahead-of-the-curve jazz-Indian fusion, thanks to Ravi Shankar's collaboration with bassist Gary Peacock and saxophonist Bud Shank. The album also includes Shankar's improvisations on the theme he wrote for the film 'Pather Panchali,' by Indian filmmaker Satyajit Ray, as well as the three-part 'Raga Rageshri.' A visionary recording. & quot; & lt;/b & gt; - Heather Phares, allmusic.com & lt;br & gt; & lt;br & gt; & lt;b & gt;Features: & lt;br & gt; & lt;/b & gt; 180g Vinyl & lt;br & gt; Import & lt;br & gt; & lt;br & gt; & lt;b & gt;Musicians: & lt;br & gt; & lt;/b & gt;Ravi Shankar, sitar & lt;br & gt; Bud Shank, flute & lt;br & gt; Gary Peacock, bass & lt;br & gt; Harahar Rao, tambor & lt;br & gt; Nodu C. Mullick, tambor & lt;br & gt; Louis Hayes, drums & lt;br & gt; Dennis Budimir, guitar & lt;br & gt; & lt;br & gt; & lt;b & gt;Selections: & lt;br & gt; Side 1: & lt;/b & gt; & lt;br & gt; 1. Improvisation on the Theme Music from Pather Panchali & lt;br & gt; 2. Fire Night & lt;br & gt; 3. Karnataki & lt;br & gt; & lt;b & gt;Side 2: & lt;/b & gt; & lt;br & gt; 4. Raga Rageshri Part 1 (Alap) & lt;br & gt; 5. Raga Rageshri Part 2 (Jor) & lt;br & gt; 6. Raga Rageshri Part 3 (Gat)
The Modern Jazz Quartet At Music Inn With Guest Artist Jimmy Giuffre Numbered Limited Edition LP (Clear Vinyl)
& lt;font color= & quot;#FF0000 & quot; & gt; & lt;b & gt;Audiophile Clear Vinyl! & lt;br & gt;Numbered, Limited Edition - 500 Copies & lt;/b & gt; & lt;/font & gt; & lt;br & gt; & lt;br & gt; For seven summers, Philip and Stephanie Barber, the proprietors of the Music Inn, a rambling, relaxed summer resort outside of Lenox, have been offering their guests panel discussions of jazz and folk music. Complementing these discussions, the Barbers have staged jazz and folk music concerts in their Music Barn & lt;br & gt; & lt;br & gt; During the summer of 1956, the Jazz program at Music Inn was broadened. The Modern Jazz Quartet was invited to be the Inn's & quot;jazz group in residence & quot; for the last three weeks in August, not to perform (although they did give two concerts) but to have an opportunity to prepare new material, rehearse, explore new ideas and to take a physical and spiritual breather. & lt;br & gt; & lt;br & gt; Audiophile Clear Vinyl is made using the highest quality co-polymer available and processed without any carbon additive in order to dramatically reduce the & quot;electrical distortion & quot; often found on records. & lt;br & gt; & lt;br & gt; & lt;b & gt;Features: & lt;/b & gt; & lt;br & gt; Numbered, Limited Edition & lt;br & gt; Only 500 Copies & lt;br & gt; Audiophile Clear Vinyl & lt;br & gt; Import & lt;br & gt; & lt;br & gt; & lt;b & gt;Musicians: & lt;/b & gt; & lt;br & gt; Wilbur de Paris & lt;br & gt; Dizzy Gillespie & lt;br & gt; Jimmy Giuffre & lt;br & gt; Teday Charles & lt;br & gt; Pee Wee Russell & lt;br & gt; Max Roach & lt;br & gt; Bill Russo & lt;br & gt; Charlie Mingus & lt;br & gt; Sammy Price & lt;br & gt; Rex Stewart & lt;br & gt; Oscar Pettiford & lt;br & gt; Teo Macero & lt;br & gt; & lt;br & gt; & lt;b & gt;Selections: & lt;br & gt; Side A: & lt;/b & gt; & lt;br & gt; 1. Oh Bess, Oh Where's My Bess & lt;br & gt; 2. A Fugue For Music Inn & lt;br & gt; 3. Two Degrees East, Three Degrees West & lt;br & gt; 4. Serenade & lt;br & gt; & lt;br & gt; & lt;b & gt;Side B: & lt;/b & gt; & lt;br & gt; 1. Fun & lt;br & gt; 2. Sun Dance & lt;br & gt; 3. The Man That Got Away & lt;br & gt; 4. A Morning In Paris & lt;br & gt; 5. England's Carol #1 & lt;br & gt; & lt;br & gt;
Miles Davis Young Man With The Horn Vol. I Hand-Numbered Limited Edition LP (Clear Vinyl)
& lt;font color= & quot;#FF0000 & quot; & gt; & lt;b & gt;Volume 1 On Hand-Numbered, Limited Edition Clear Vinyl LP! & lt;/b & gt; & lt;/font & gt; & lt;br & gt; & lt;br & gt; A stunning collection in 3 volumes documenting the early years of the great Miles Davis. The first steps into the legend of the Young Man with the Horn! & lt;br & gt; & lt;br & gt; Audiophile Clear Vinyl is made using the highest quality co-polymer available and processed without any carbon additive in order to dramatically reduce the & quot;electrical distortion & quot; often found on records. By itself the co-polymer of vinyl is transparent. In order to make the record black in color the plant must use a carbon additive with trace metals that can become magnetized. This is what causes electrical distortion during playback. That is the reason why we choose to offer our records in the following manner: Audiophile Clear Vinyl (ACV), 140gr, 25 minutes maximum per side. & lt;br & gt; & lt;br & gt; & lt;b & gt;Features: & lt;/b & gt; & lt;br & gt; Hand-Numbered, Limited Edition & lt;br & gt; Audiophile Clear Vinyl (ACV) & lt;br & gt; 140g Vinyl & lt;br & gt; 25 minutes maximum per side & lt;br & gt; Import & lt;br & gt; & lt;br & gt; & lt;b & gt;Musicians: & lt;br & gt; Side 1 - Tracks 1-4: Recorded January 17, 1951: & lt;/b & gt; & lt;br & gt; Sonny Rollins, tenor saxophone & lt;br & gt; Bennie Green, trombone & lt;br & gt; John Lewis, piano & lt;br & gt; Percy Heath, bass & lt;br & gt; Roy Haynes, drums & lt;br & gt; & lt;b & gt;Tracks 5-8 - Recorded March 8, 1951: & lt;/b & gt; & lt;br & gt; Lee Konitz, saxophone & lt;br & gt; Sal Mosca, piano & lt;br & gt; Billy Bauer, guitar & lt;br & gt; Arnold Fishkin, bass & lt;br & gt; Art Blakey, drums & lt;br & gt; & lt;b & gt;Side 2 - Recorded October 5, 1951: & lt;/b & gt; & lt;br & gt; Sonny Rollins, tenor saxophone & lt;br & gt; Walter Bishop, piano & lt;br & gt; Tommy Potter, bass & lt;br & gt; Art Blakey, drums & lt;br & gt; & lt;br & gt; & lt;b & gt;Selections: & lt;br & gt; Side 1: & lt;/b & gt; & lt;br & gt; 1. Blue Room & lt;br & gt; 2. Morpheus & lt;br & gt; 3. Down & lt;br & gt; 4. Whispering & lt;br & gt; 5. Odjenar & lt;br & gt; 6. Hibeck & lt;br & gt; 7. Yesterday & lt;br & gt; 8. Ezz-Thetic & lt;br & gt; & lt;b & gt;Side 2: & lt;/b & gt; & lt;br & gt; 1. Out Of The Blue & lt;br & gt; 2. My Old Flame & lt;br & gt; 3. Blung & lt;br & gt; 4. Conception
Miles Davis Young Man With The Horn Vol. II Hand-Numbered Limited Edition LP (Clear Vinyl)
& lt;font color= & quot;#FF0000 & quot; & gt; & lt;b & gt;Volume 2 On Hand-Numbered, Limited Edition Clear Vinyl LP! & lt;/b & gt; & lt;/font & gt; & lt;br & gt; & lt;br & gt; A stunning collection in 3 volumes documenting the early years of the great Miles Davis. The first steps into the legend of the Young Man with the Horn! & lt;br & gt; & lt;br & gt; Audiophile Clear Vinyl is made using the highest quality co-polymer available and processed without any carbon additive in order to dramatically reduce the & quot;electrical distortion & quot; often found on records. By itself the co-polymer of vinyl is transparent. In order to make the record black in color the plant must use a carbon additive with trace metals that can become magnetized. This is what causes electrical distortion during playback. That is the reason why we choose to offer our records in the following manner: Audiophile Clear Vinyl (ACV), 140gr, 25 minutes maximum per side. & lt;br & gt; & lt;br & gt; & lt;b & gt;Features: & lt;/b & gt; & lt;br & gt; Hand-Numbered, Limited Edition & lt;br & gt; Audiophile Clear Vinyl (ACV) & lt;br & gt; 140g Vinyl & lt;br & gt; 25 minutes maximum per side & lt;br & gt; Import & lt;br & gt; & lt;br & gt; & lt;b & gt;Musicians: & lt;br & gt; Side 1 - Recorded May 9, 1952: & lt;/b & gt; & lt;br & gt; Jackie McLean, alto saxophone & lt;br & gt; Jay Jay Johnson, trombone & lt;br & gt; & quot;Gil & quot; Coggins, piano & lt;br & gt; Oscar Pettiford, bass & lt;br & gt; Kenny Clarke, drums & lt;br & gt; & lt;b & gt;Side 2 - Recorded February 19, 1953: & lt;/b & gt; & lt;br & gt; Al Cohn, tenor saxophone & lt;br & gt; Zoot Sims, tenor saxophone & lt;br & gt; Sonny Truitt, trombone & lt;br & gt; John Lewis, piano & lt;br & gt; Leonard Gaskin, bass & lt;br & gt; Kenny Clarke, drums & lt;br & gt; & lt;br & gt; & lt;b & gt;Selections: & lt;br & gt; Side 1: & lt;/b & gt; & lt;br & gt; 1. Dear Old Stockholm & lt;br & gt; 2. Donna & lt;br & gt; 3. Wouldn't You & lt;br & gt; 4. Yesterdays & lt;br & gt; 5. How Deep Is The Ocean & lt;br & gt; 6. Chance It & lt;br & gt; & lt;b & gt;Side 2: & lt;/b & gt; & lt;br & gt; 1. Tasty Pudding & lt;br & gt; 2. Floppy & lt;br & gt; 3. Willie The Wailer & lt;br & gt; 4. For Adults Only
Miles Davis Young Man With The Horn Vol. III Hand-Numbered Limited Edition LP (Clear Vinyl)
& lt;font color= & quot;#FF0000 & quot; & gt; & lt;b & gt;Volume 3 On Hand-Numbered, Limited Edition Clear Vinyl LP! & lt;/b & gt; & lt;/font & gt; & lt;br & gt; & lt;br & gt; A stunning collection in 3 volumes documenting the early years of the great Miles Davis. The first steps into the legend of the Young Man with the Horn! & lt;br & gt; & lt;br & gt; Audiophile Clear Vinyl is made using the highest quality co-polymer available and processed without any carbon additive in order to dramatically reduce the & quot;electrical distortion & quot; often found on records. By itself the co-polymer of vinyl is transparent. In order to make the record black in color the plant must use a carbon additive with trace metals that can become magnetized. This is what causes electrical distortion during playback. That is the reason why we choose to offer our records in the following manner: Audiophile Clear Vinyl (ACV), 140gr, 25 minutes maximum per side. & lt;br & gt; & lt;br & gt; & lt;b & gt;Features: & lt;/b & gt; & lt;br & gt; Hand-Numbered, Limited Edition & lt;br & gt; Audiophile Clear Vinyl (ACV) & lt;br & gt; 140g Vinyl & lt;br & gt; 25 minutes maximum per side & lt;br & gt; Import & lt;br & gt; & lt;br & gt; & lt;b & gt;Musicians: & lt;br & gt; Side 1 - Recorded April 20, 1953: & lt;/b & gt; & lt;br & gt; Jimmy Heath, tenor saxophone & lt;br & gt; Jay Jay Johnson, trombone & lt;br & gt; & quot;Gil & quot; Coggins, piano & lt;br & gt; Percy Heath, bass & lt;br & gt; Art Blakey, drums & lt;br & gt; & lt;b & gt;Side 2 - Recorded March 6, 1954: & lt;/b & gt; & lt;br & gt; Horace Silver, piano & lt;br & gt; Percy Heath, bass & lt;br & gt; Art Blakey, drums & lt;br & gt; & lt;br & gt; & lt;b & gt;Selections: & lt;br & gt; Side 1: & lt;/b & gt; & lt;br & gt; 1. Kelo & lt;br & gt; 2. Enigma & lt;br & gt; 3. Ray's Idea & lt;br & gt; 4. Tempus Fugit & lt;br & gt; 5. CTA & lt;br & gt; 6. I Waited For You & lt;br & gt; & lt;b & gt;Side 2: & lt;/b & gt; & lt;br & gt; 1. Take Off & lt;br & gt; 2. Lazy Susan & lt;br & gt; 3. The Leap & lt;br & gt; 4. Well You Needn't & lt;br & gt; 5. Weirdo & lt;br & gt; 6. It Never Entered My Mind
Elvis Presley The 50s In Stereo Numbered Limited Edition LP (Orange Vinyl)
& lt;font color= & quot;#FF0000 & quot; & gt; & lt;b & gt;One-Time Pressing On Orange Vinyl LP! & lt;br & gt; Numbered, Limited Edition - Only 500 Copies Worldwide! & lt;/b & gt; & lt;/font & gt; & lt;br & gt; & lt;br & gt; Almost all Elvis fans growing up in the 1960s and 1970s unwittingly listened to his 1950s catalogue in electronically reprocessed stereo. Whether loved or loathed, such releases were pretty much all there was on offer back then, unless one could afford to track down expensive, original mono copies of his earliest tracks. & lt;br & gt; & lt;br & gt; So great was the public demand for modern stereo records in the early 1960s that most major labels branded their own procesess for converting existing mono material to stereo (or 'fake stereo', as it became known) with some labels producing better results than others. RCA had begun their conversions of Elvis' 1950s mono masters into a stereo-sounding effect in 1961, though after Elvis returned from his stint in the army in 1960 he was already being recorded in true stereo anyway. You only need listen to the sound quality of the 1960 'Living Stereo' version of the Elvis Is Back album to appreciate technological advances made by the US recording industry in just two years. As far as RCA was concerned, mono was to be considered a thing of the past. & lt;br & gt; & lt;br & gt; Tastes change, however, and in the late 1970s RCA began to reissue original mono masters, giving many curious fans their first opportunity to hear how these early Rock 'n' Roll tracks had originally sounded. Once compact discs arrived on the scene in the 1980s, the electronically reprocessed stereo phenomenon was truly dead and buried. Hardly any such faux-stereo recordings, by this point considered wholly unfashionable, ever made it onto a digital format. The few that did are now highly collectible. & lt;br & gt; & lt;br & gt; Elvis Presley: The 50s In Stereo contains original recordings remixed in NEOPHONIC High Fidelity, a new process by which mono recordings have been lovingly converted into a crisp, sharp, and altogether more realistic stereo-sounding effect. & lt;br & gt; & lt;br & gt; & lt;b & gt;Features: & lt;/b & gt; & lt;br & gt; Numbered, Limited Edition - Only 500 copies & lt;br & gt; Orange Vinyl LP & lt;br & gt; Color-coordinated sleeve artwork & lt;br & gt; NEOPHONIC High Fidelity (re-engineered stereo 2017/18) & lt;br & gt; Stunning album artwork featuring a high gloss, flip back sleeve and full color inner sleeve & lt;br & gt; Features the NEOPHONIC Stereo single version of & quot;My Baby Left Me & quot; b/w & quot;Blue Moon Of Kentucky & quot; (456540EB / 45654EP) & lt;br & gt; One-time pressing & lt;br & gt; Import & lt;br & gt; & lt;br & gt; & lt;b & gt;Selections: & lt;br & gt; Side One: & lt;/b & gt; & lt;br & gt; 1. Mystery Train (NEOPHONIC Stereo Version - 2018) & lt;br & gt; 2. Baby Let's Play House (NEOPHONIC Stereo Version - 2018) & lt;br & gt; 3. Blue Moon Of Kentucky (NEOPHONIC Stereo Version - 2017) & lt;br & gt; 4. Good Rockin' Tonight (NEOPHONIC Stereo Version - 2018) & lt;br & gt; 5. One Sided Love Affair (NEOPHONIC Stereo Version - 2018) & lt;br & gt; 6. Any Way You Want Me (That's How I Will Be) (NEOPHONIC Stereo Version - 2018) & lt;br & gt; & lt;b & gt;Side Two: & lt;/b & gt; & lt;br & gt; 1. I Got A Woman (NEOPHONIC Stereo Version - 2018) & lt;br & gt; 2. Lawdy, Miss Clawdy (NEOPHONIC Stereo Version - 2018) & lt;br & gt; 3. My Baby Left Me (NEOPHONIC Stereo Version - 2017) & lt;br & gt; 4. Don't (NEOPHONIC Stereo Version - 2018) & lt;br & gt; 5. Dixieland Rock (NEOPHONIC Stereo Version - 2018) & lt;br & gt; 6. I Got Stung (NEOPHONIC Stereo Version - 2018)
Howlin' Wolf Rarities From The Singles As & Bs 1951-62 Hand-Numbered Limited Edition LP (Clear Vinyl)
& lt;font color= & quot;#FF0000 & quot; & gt; & lt;b & gt;Hand-Numbered, Limited Edition Clear Vinyl - Only 500 Copies! & lt;/b & gt; & lt;/font & gt; & lt;br & gt; & lt;br & gt; Audiophile Clear Vinyl is made using the highest quality co-polymer available and processed without any carbon additive in order to dramatically reduce the & quot;electrical distortion & quot; often found on records. By itself the co-polymer of vinyl is transparent. In order to make the record black in color the plant must use a carbon additive with trace metals that can become magnetized. This is what causes electrical distortion during playback. That is the reason why we choose to offer our records in the following manner: Audiophile Clear Vinyl (ACV), 140gr, 25 minutes maximum per side. & lt;br & gt; & lt;br & gt; The legendary Howlin' Wolf recorded dozens of stellar Chicago blues singles for RPM and Chess Records between 1951 and 1962. In this stunning compilation is a selection of incredible rarities from the first decade of his career. & lt;br & gt; & lt;br & gt; Hand-numbered limited edition of 500 copies. & lt;br & gt; & lt;br & gt; & lt;b & gt;Features: & lt;/b & gt; & lt;br & gt; & amp;bull; Hand-Numbered, Limited Edition & lt;br & gt; & amp;bull; Only 500 Copies & lt;br & gt; & amp;bull; Clear Vinyl & lt;br & gt; & amp;bull; Import & lt;br & gt; & lt;b & gt; & lt;br & gt; Selections & lt;br & gt; Side A: & lt;/b & gt; & lt;br & gt; 1. Morning At Midnight (1951) & lt;br & gt; 2. California Blues (1951) & lt;br & gt; 3. California Boogie (1951) & lt;br & gt; 4. My Last Affair (1951) & lt;br & gt; 5. My Troubles And Me (1952) & lt;br & gt; 6. Driving This Highway (1952) & lt;br & gt; 7. The Sun Is Rising (1952) & lt;br & gt; 8. Stealing My Clothes (1952) & lt;br & gt; 9. I'm The Wolf (1952) & lt;br & gt; & lt;b & gt;Side B: & lt;/b & gt; & lt;br & gt; 1. Streamline Woman (1953) & lt;br & gt; 2. I Love My Baby (1954) & lt;br & gt; 3. Rockin' Daddy (1954) & lt;br & gt; 4. I'll Be Around (1955) & lt;br & gt; 5. Who Will Be The Next (1955) & lt;br & gt; 6. I Have A Little Girl (1955) & lt;br & gt; 7. You Can't Be Beat (1956) & lt;br & gt; 8. I Better Go Now (1959) & lt;br & gt; 9. The Natchez Burning (1959) & lt;br & gt; 10. Just Like I Treat You (1962)
