Gabor Szabo Dreams LP (White Vinyl)
& lt;header & gt;
& lt;p & gt; & lt;strong & gt;Limited Edition White Vinyl LP! & lt;br & gt;
Remastered By Martin Bowes At Cage Studios (UK)! & lt;/strong & gt; & lt;/p & gt;
& lt;/header & gt;
& lt;p & gt;The long-awaited reissue of rare Eastern and psychedelic Jazz LP by the famous Hungarian guitarist, originally released in 1968. The first time, extended Edition with 2 bonus tracks: radio version of Fire Dance / Ferris Wheel from the 1969 7 & quot; single. & lt;/p & gt;
& lt;p & gt;Deluxe Gatefold Vinyl comes with long, exclusively written inner notes by the famous researcher and biographer Douglas Payne. & lt;/p & gt;
& lt;p & gt;Remastered by Martin Bowes at Cage Studios (UK). & lt;/p & gt;
& lt;p & gt;Gabor Szabo was one of the most original guitarists to emerge in the 1960s, mixing his Hungarian folk music heritage with a deep love of jazz and crafting a distinctive, largely self-taught sound. Born in Budapest, on March 8, 1936, Szabo was inspired
by a Roy Rogers cowboy movies to begin playing guitar when he was 14 and often played in dinner clubs and covert jam sessions while still living in his hometown. He escaped from his country at age 20 on the eve of the Communist uprising and eventually
made his way to America, settling with his family in California. & lt;/p & gt;
& lt;p & gt;He attended Berklee College (1958-1960) and in 1961 joined Chico Hamilton's innovative quintet featuring Charles Lloyd. Urged by Hamilton, Szabo crafted a most distinctive sound; as agile on intricate, nearly-free runs as he was able to sound inspired
during melodic passages. Szabo left the Hamilton group in 1965 to leave his mark on the pop-jazz of the Gary McFarland quintet and the energy music of Charles Lloyd's fiery and underrated quartet featuring Ron Carter and Tony Williams. & lt;/p & gt;
& lt;p & gt;Szabo initiated a solo career in 1966, recording the exceptional album, Spellbinder, which yielded many inspired moments and & quot;Gypsy Queen, & quot; the song Santana turned into a huge hit in 1970. Szabo formed an innovative quintet (1967-1969) featuring the brilliant,
classically-trained guitarist Jimmy Stewart and recorded many notable albums during the late '60s. The emergence of rock music (especially George Harrison, Eric Clapton, and Jimi Hendrix) found Szabo experimenting with feedback and more commercially
oriented forms of jazz. & lt;/p & gt;
& lt;p & gt;During the '70s, Szabo regularly performed along the West Coast, hypnotizing audiences with his enchanting, spellbinding style. From 1970, he locked into a commercial groove, even though records like Mizrab occasionally revealed his seamless jazz, pop,
Gypsy, Indian, and Asian fusions. Szabo had revisited his homeland several times during the '70s, finding opportunities to perform brilliantly with native talents. He was hospitalized during his final visit and died in 1982, just short of his 46th birthday. & lt;/p & gt;
& lt;section id= & quot;features & quot; & gt;
& lt;h3 & gt;Features & lt;/h3 & gt;
& lt;ul & gt;
& lt;li & gt;Limited Edition & lt;/li & gt;
& lt;li & gt;White Vinyl & lt;/li & gt;
& lt;li & gt;Exclusive Bonus Tracks & lt;/li & gt;
& lt;li & gt;Remastered by Martin Bowes at Cage Studios (UK) & lt;/li & gt;
& lt;li & gt;Original Artwork & lt;/li & gt;
& lt;li & gt;Gatefold & lt;/li & gt;
& lt;li & gt;Exclusive, Extensive Liner Notes by Douglas Payne & lt;/li & gt;
& lt;/ul & gt;
& lt;/section & gt;
& lt;section id= & quot;musicians & quot; & gt;
& lt;h3 & gt;Musicians & lt;/h3 & gt;
& lt;table & gt;
& lt;tr & gt;
& lt;th & gt;Gabor Szabo & lt;/th & gt;
& lt;td & gt;Martin D-45 guitar with DeArmond pickup & lt;/td & gt;
& lt;/tr & gt;
& lt;tr & gt;
& lt;th & gt;Jimmy Stewart & lt;/th & gt;
& lt;td & gt;Del Vecchio classical guitar & lt;/td & gt;
& lt;/tr & gt;
& lt;tr & gt;
& lt;th & gt;Gary McFarland & lt;/th & gt;
& lt;td & gt;piano (A1) & lt;/td & gt;
& lt;/tr & gt;
& lt;tr & gt;
& lt;th & gt;Louis Kabok & lt;/th & gt;
& lt;td & gt;bass, Arco bass (A3, B2) & lt;/td & gt;
& lt;/tr & gt;
& lt;tr & gt;
& lt;th & gt;Jim Keltner & lt;/th & gt;
& lt;td & gt;drums & lt;/td & gt;
& lt;/tr & gt;
& lt;tr & gt;
& lt;th & gt;Hal Gordon & lt;/th & gt;
& lt;td & gt;percussion & lt;/td & gt;
& lt;/tr & gt;
& lt;tr & gt;
& lt;th & gt;Julius Schacter & lt;/th & gt;
& lt;td & gt;violin & lt;/td & gt;
& lt;/tr & gt;
& lt;tr & gt;
& lt;th & gt;George Ricci & lt;/th & gt;
& lt;td & gt;cello & lt;/td & gt;
& lt;/tr & gt;
& lt;tr & gt;
& lt;th & gt;Tony Miranda & lt;/th & gt;
& lt;td & gt;French horn (B1, B3) & lt;/td & gt;
& lt;/tr & gt;
& lt;tr & gt;
& lt;th & gt;Ray Alonge & lt;/th & gt;
& lt;td & gt;French horn (B1, B3) & lt;/td & gt;
& lt;/tr & gt;
& lt;tr & gt;
& lt;th & gt;Brooks Tillitson & lt;/th & gt;
& lt;td & gt;French horn (B1, B3) & lt;/td & gt;
& lt;/tr & gt;
& lt;/table & gt;
& lt;/section & gt;
& lt;section id= & quot;selections & quot; & gt;
& lt;h3 & gt;Selections & lt;/h3 & gt;
& lt;h4 & gt;Side A: & lt;/h4 & gt;
& lt;ol & gt;
& lt;li & gt;Galatea's Guitar & lt;/li & gt;
& lt;li & gt;Half The Day Is Night & lt;/li & gt;
& lt;li & gt;Song Of Injured Love & lt;/li & gt;
& lt;li & gt;The Fortune Teller & lt;/li & gt;
& lt;/ol & gt;
& lt;h4 & gt;Side B: & lt;/h4 & gt;
& lt;ol & gt;
& lt;li & gt;Fire Dance & lt;/li & gt;
& lt;li & gt;The Lady In The Moon & lt;/li & gt;
& lt;li & gt;Ferris Wheel & lt;/li & gt;
& lt;li & gt;Fire Dance (single edit) (Bonus Track) & lt;/li & gt;
& lt;li & gt;Ferris Wheel (single edit) (Bonus Track) & lt;/li & gt;
& lt;/ol & gt;
& lt;/section & gt;
Gabor Szabo Bacchanal LP (Vinyl)
& lt;header & gt;
& lt;p & gt; & lt;strong & gt;Limited Edition Vinyl LP! & lt;br & gt;
Remastered By Martin Bowes At Cage Studios! & lt;/strong & gt;
& lt;/header & gt;
& lt;p & gt;The long-awaited reissue of rare Eastern and psychedelic Jazz LP by the famous Hungarian guitarist, originally released in 1968. The first time, extended Edition with 2 bonus tracks: radio versions of 1968 7 & quot; singles. & lt;/p & gt;
& lt;p & gt;Deluxe Gatefold Vinyl comes with long, exclusively written inner notes by the famous researcher and biographer Douglas Payne. & lt;/p & gt;
& lt;p & gt;Remastered by Martin Bowes at Cage Studios (UK). & lt;/p & gt;
& lt;p & gt;Gabor Szabo was one of the most original guitarists to emerge in the 1960s, mixing his Hungarian folk music heritage with a deep love of jazz and crafting a distinctive, largely self-taught sound. Born in Budapest, on March 8, 1936, Szabo was inspired
by a Roy Rogers cowboy movies to begin playing guitar when he was 14 and often played in dinner clubs and covert jam sessions while still living in his hometown. He escaped from his country at age 20 on the eve of the Communist uprising and eventually
made his way to America, settling with his family in California. & lt;/p & gt;
& lt;p & gt;He attended Berklee College (1958-1960) and in 1961 joined Chico Hamilton's innovative quintet featuring Charles Lloyd. Urged by Hamilton, Szabo crafted a most distinctive sound; as agile on intricate, nearly-free runs as he was able to sound inspired
during melodic passages. Szabo left the Hamilton group in 1965 to leave his mark on the pop-jazz of the Gary McFarland quintet and the energy music of Charles Lloyd's fiery and underrated quartet featuring Ron Carter and Tony Williams. & lt;/p & gt;
& lt;p & gt;Szabo initiated a solo career in 1966, recording the exceptional album, Spellbinder, which yielded many inspired moments and & quot;Gypsy Queen, & quot; the song Santana turned into a huge hit in 1970. Szabo formed an innovative quintet (1967-1969) featuring the
brilliant, classically-trained guitarist Jimmy Stewart and recorded many notable albums during the late '60s. The emergence of rock music (especially George Harrison, Eric Clapton, and Jimi Hendrix) found Szabo experimenting with feedback and more
commercially oriented forms of jazz. & lt;/p & gt;
& lt;p & gt;During the '70s, Szabo regularly performed along the West Coast, hypnotizing audiences with his enchanting, spellbinding style. From 1970, he locked into a commercial groove, even though records like Mizrab occasionally revealed his seamless jazz, pop,
Gypsy, Indian, and Asian fusions. Szabo had revisited his homeland several times during the '70s, finding opportunities to perform brilliantly with native talents. He was hospitalized during his final visit and died in 1982, just short of his 46th
birthday. & lt;/p & gt;
& lt;blockquote cite= & quot;quote source & quot; & gt;
The performances on this LP have a restrained, introspective quality. Szabo's work is lyrical, rather economical, and somewhat angular, and his tone is warm and glowing.
& lt;footer & gt;
-Billboard
& lt;/footer & gt;
& lt;/blockquote & gt;
& lt;blockquote cite= & quot;quote source & quot; & gt;
One of the most original, sweepingly lyrical guitarists...a singular phenomenon.
& lt;footer & gt;
-Nat Hentoff
& lt;/footer & gt;
& lt;/blockquote & gt;
& lt;blockquote cite= & quot;quote source & quot; & gt;
But for sheer lyrical beauty, few players are in Szabo's class. His startling use of dissonance is a delight too, and time and again he will alter a final phrase just slightly, totally reorienting a familiar tune.
& lt;footer & gt;
-Alan Heineman, Downbeat
& lt;/footer & gt;
& lt;/blockquote & gt;
& lt;section id= & quot;features & quot; & gt;
& lt;h3 & gt;Features & lt;/h3 & gt;
& lt;ul & gt;
& lt;li & gt;Limited Edition & lt;/li & gt;
& lt;li & gt;Vinyl LP & lt;/li & gt;
& lt;li & gt;Recorded February 9, 1968 at Western Recording, Los Angeles & lt;/li & gt;
& lt;li & gt;Remastered by Martin Bowes at Cage Studios (UK) & lt;/li & gt;
& lt;li & gt;Bonus Tracks & lt;/li & gt;
& lt;li & gt;Original Artwork & lt;/li & gt;
& lt;li & gt;Gatefold & lt;/li & gt;
& lt;li & gt;Exclusive, Extensive Liner Notes by Douglas Payne & lt;/li & gt;
& lt;/ul & gt;
& lt;/section & gt;
& lt;section id= & quot;musicians & quot; & gt;
& lt;h3 & gt;Musicians & lt;/h3 & gt;
& lt;table & gt;
& lt;tr & gt;
& lt;th & gt;Gabor Szabo & lt;/th & gt;
& lt;td & gt;guitar & lt;/td & gt;
& lt;/tr & gt;
& lt;tr & gt;
& lt;th & gt;Jim Stewart & lt;/th & gt;
& lt;td & gt;guitar & lt;/td & gt;
& lt;/tr & gt;
& lt;tr & gt;
& lt;th & gt;Hal Gordon & lt;/th & gt;
& lt;td & gt;percussion & lt;/td & gt;
& lt;/tr & gt;
& lt;tr & gt;
& lt;th & gt;Jimmy Keltner & lt;/th & gt;
& lt;td & gt;drums & lt;/td & gt;
& lt;/tr & gt;
& lt;tr & gt;
& lt;th & gt;Louis Kabok & lt;/th & gt;
& lt;td & gt;bass & lt;/td & gt;
& lt;/tr & gt;
& lt;/table & gt;
& lt;/section & gt;
& lt;section id= & quot;selections & quot; & gt;
& lt;h3 & gt;Selections & lt;/h3 & gt;
& lt;h4 & gt;Side A: & lt;/h4 & gt;
& lt;ol & gt;
& lt;li & gt;Three King Fishers & lt;/li & gt;
& lt;li & gt;Love Is Blue & lt;/li & gt;
& lt;li & gt;Theme From Valley Of The Dolls & lt;/li & gt;
& lt;li & gt;Bacchanal & lt;/li & gt;
& lt;li & gt;Sunshine Superman & lt;/li & gt;
& lt;/ol & gt;
& lt;h4 & gt;Side B: & lt;/h4 & gt;
& lt;ol & gt;
& lt;li & gt;Some Velvet Morning & lt;/li & gt;
& lt;li & gt;The Look Of Love & lt;/li & gt;
& lt;li & gt;Divided City & lt;/li & gt;
& lt;li & gt;Theme From Valley Of The Dolls (Single Version) & lt;/li & gt;
& lt;li & gt;Sunshine Superman (Single Version) & lt;/li & gt;
& lt;li & gt;The Look Of Love (Single Version) & lt;/li & gt;
& lt;li & gt;Bacchanal (Single Version) & lt;/li & gt;
& lt;/ol & gt;
& lt;/section & gt;
Gabor Szabo Dreams LP (Black & White Splatter Vinyl)
& lt;header & gt;
& lt;p & gt;Coming December 2021 pre-order your copy today! Orders with both pre-order and in stock items will have all in stock items shipped immediately! & lt;/p & gt;
& lt;/header & gt;
& lt;header & gt;
& lt;p & gt; & lt;strong & gt;Light In The Attic 20th Anniversary Edition Vinyl LP! & lt;br & gt;
Remastered By Martin Bowes At Cage Studios (UK)! & lt;br & gt;
Pressed On Black & amp; White Splatter Vinyl! & lt;/strong & gt; & lt;/p & gt;
& lt;/header & gt;
& lt;p & gt;Light In The Attic 20th Anniversary reissue on black and white splatter vinyl of the rare Eastern and psychedelic Jazz LP by the famous Hungarian guitarist, originally released in 1968. Includes two bonus tracks: the radio versions of & quot;Fire Dance & quot; and
& quot;Ferris Wheel & quot; from the 1969 7 & quot; single. The deluxe gatefold vinyl comes with long, exclusively written inner notes by the famous researcher and biographer Douglas Payne. The LP was remastered by Martin Bowes at Cage Studios (UK). & lt;/p & gt;
& lt;p & gt;Gabor Szabo was one of the most original guitarists to emerge in the 1960s, mixing his Hungarian folk music heritage with a deep love of jazz and crafting a distinctive, largely self-taught sound. Born in Budapest, on March 8, 1936, Szabo was inspired
by a Roy Rogers cowboy movies to begin playing guitar when he was 14 and often played in dinner clubs and covert jam sessions while still living in his hometown. He escaped from his country at age 20 on the eve of the Communist uprising and eventually
made his way to America, settling with his family in California. & lt;/p & gt;
& lt;p & gt;He attended Berklee College (1958-1960) and in 1961 joined Chico Hamilton's innovative quintet featuring Charles Lloyd. Urged by Hamilton, Szabo crafted a most distinctive sound; as agile on intricate, nearly-free runs as he was able to sound inspired
during melodic passages. Szabo left the Hamilton group in 1965 to leave his mark on the pop-jazz of the Gary McFarland quintet and the energy music of Charles Lloyd's fiery and underrated quartet featuring Ron Carter and Tony Williams. & lt;/p & gt;
& lt;p & gt;Szabo initiated a solo career in 1966, recording the exceptional album, Spellbinder, which yielded many inspired moments and & quot;Gypsy Queen & quot;, the song Santana turned into a huge hit in 1970. Szabo formed an innovative quintet (1967-1969) featuring the brilliant,
classically-trained guitarist Jimmy Stewart and recorded many notable albums during the late '60s. The emergence of rock music (especially George Harrison, Eric Clapton, and Jimi Hendrix) found Szabo experimenting with feedback and more commercially
oriented forms of jazz. & lt;/p & gt;
& lt;p & gt;During the '70s, Szabo regularly performed along the West Coast, hypnotizing audiences with his enchanting, spellbinding style. From 1970, he locked into a commercial groove, even though records like Mizrab occasionally revealed his seamless jazz, pop,
Gypsy, Indian, and Asian fusions. Szabo had revisited his homeland several times during the '70s, finding opportunities to perform brilliantly with native talents. He was hospitalized during his final visit and died in 1982, just short of his 46th birthday. & lt;/p & gt;
& lt;section id= & quot;features & quot; & gt;
& lt;h3 & gt;Features & lt;/h3 & gt;
& lt;ul & gt;
& lt;li & gt;Light In The Attic 20th Anniversary Edition & lt;/li & gt;
& lt;li & gt;Black & amp; White Splatter Vinyl & lt;/li & gt;
& lt;li & gt;2 exclusive bonus tracks from 1969 7 & quot; & lt;/li & gt;
& lt;li & gt;Remastered by Martin Bowes at Cage Studios (UK) & lt;/li & gt;
& lt;li & gt;Original artwork & lt;/li & gt;
& lt;li & gt;Gatefold & lt;/li & gt;
& lt;li & gt;Extensive liner notes by Douglas Payne & lt;/li & gt;
& lt;/ul & gt;
& lt;/section & gt;
& lt;section id= & quot;musicians & quot; & gt;
& lt;h3 & gt;Musicians & lt;/h3 & gt;
& lt;table & gt;
& lt;tr & gt;
& lt;th & gt;Gabor Szabo & lt;/th & gt;
& lt;td & gt;Martin D-45 guitar with DeArmond pickup & lt;/td & gt;
& lt;/tr & gt;
& lt;tr & gt;
& lt;th & gt;Jimmy Stewart & lt;/th & gt;
& lt;td & gt;Del Vecchio classical guitar & lt;/td & gt;
& lt;/tr & gt;
& lt;tr & gt;
& lt;th & gt;Gary McFarland & lt;/th & gt;
& lt;td & gt;piano (A1) & lt;/td & gt;
& lt;/tr & gt;
& lt;tr & gt;
& lt;th & gt;Louis Kabok & lt;/th & gt;
& lt;td & gt;bass, Arco bass (A3, B2) & lt;/td & gt;
& lt;/tr & gt;
& lt;tr & gt;
& lt;th & gt;Jim Keltner & lt;/th & gt;
& lt;td & gt;drums & lt;/td & gt;
& lt;/tr & gt;
& lt;tr & gt;
& lt;th & gt;Hal Gordon & lt;/th & gt;
& lt;td & gt;percussion & lt;/td & gt;
& lt;/tr & gt;
& lt;tr & gt;
& lt;th & gt;Julius Schacter & lt;/th & gt;
& lt;td & gt;violin & lt;/td & gt;
& lt;/tr & gt;
& lt;tr & gt;
& lt;th & gt;George Ricci & lt;/th & gt;
& lt;td & gt;cello & lt;/td & gt;
& lt;/tr & gt;
& lt;tr & gt;
& lt;th & gt;Tony Miranda & lt;/th & gt;
& lt;td & gt;French horn (B1, B3) & lt;/td & gt;
& lt;/tr & gt;
& lt;tr & gt;
& lt;th & gt;Ray Alonge & lt;/th & gt;
& lt;td & gt;French horn (B1, B3) & lt;/td & gt;
& lt;/tr & gt;
& lt;tr & gt;
& lt;th & gt;Brooks Tillitson & lt;/th & gt;
& lt;td & gt;French horn (B1, B3) & lt;/td & gt;
& lt;/tr & gt;
& lt;/table & gt;
& lt;/section & gt;
& lt;section id= & quot;selections & quot; & gt;
& lt;h3 & gt;Selections & lt;/h3 & gt;
& lt;h4 & gt;Side A: & lt;/h4 & gt;
& lt;ol & gt;
& lt;li & gt;Galatea's Guitar & lt;/li & gt;
& lt;li & gt;Half The Day Is Night & lt;/li & gt;
& lt;li & gt;Song Of Injured Love & lt;/li & gt;
& lt;li & gt;The Fortune Teller & lt;/li & gt;
& lt;/ol & gt;
& lt;h4 & gt;Side B: & lt;/h4 & gt;
& lt;ol & gt;
& lt;li & gt;Fire Dance & lt;/li & gt;
& lt;li & gt;The Lady In The Moon & lt;/li & gt;
& lt;li & gt;Ferris Wheel & lt;/li & gt;
& lt;li & gt;Fire Dance (single edit) (Bonus Track) & lt;/li & gt;
& lt;li & gt;Ferris Wheel (single edit) (Bonus Track) & lt;/li & gt;
& lt;/ol & gt;
& lt;/section & gt;
