Emma Electronic Transmorgrifier Guitar Compressor
The working musician has always needed several compressors in their arsenal to be prepared for any playing situation. The TransMORGrifier solves this problem by incorporating the best attributes of several classic compressors into one unit while simultaneously eliminating the shortcomings common to such vintage designs. The TM-1 is all about control: A bevy of knobs (Level, Release, Attack, Ratio) assure the user precise and continuous variation to their sound. Incredibly interactive, these Controls offer the ability to custom tailor the compression to match the job at hand. Need a subtle pinch for a chickin' pickin' country number? How about a full-on squash to reign in your thumb technique? No matter what style or instrument, the perfect tone is easily dialed in with minimal alteration to the original signal. The TRansMORGrifier makes the working musician's job easier by giving them more tools for the task at hand.
emma electronic rf2 reezafratzitz ii guitar distortion effect pedal
The 2nd generation ReezaFRATzitz is now in production. Based on the best sounding ReezaFRATzitz 1 we could find, we added low and high frequency controls that give you unprecedented tonal control over the pedal. The ReezaFRATzitz 2 is a unique type of overdrive / distortion pedal that was designed to emulate as faithfully as possible the distortion characteristics of a real tube amp. With the inclusion of a bias control the user is allowed to adjust the inner workings of the pedal from class B (far left) to class A (far right) and anywhere in between, altering the harmonic structure of the signal and providing a much wider variety of tonal options than your standard OD / distortion pedal. Class A mode provides a smoother clipping ala' Vox AC30 while Class B is more akin to your classic Marshall Amp tones. Additional controls for Level, Gain, and the previously mentioned Low and High tone controls allow the user to fine tune the ReezaFRATzitz 2 to taste. Also added is the ingenious circuit: 'untrue bypass' that at Emma electronic is known as 'the overlord of the beast'. There are many myths about mechanical true bypass. In a pedal like this and the PisdiYAUwot, you will want and you will get the 'untrue bypass' circuit.UPC NO:889406425156 SKU:ADIB006PNVR1C
Emma Electronic Navigator Delay
Dimensions (Overall): 9.0 inches (L), 4.0 inches (H) x 6.0 inches (W) x 9.0 inches (D)Weight: 2.0 poundsEffect Type: Delay and ReverbWarranty: No Applicable Warranty. To obtain a copy of the manufacturer's or supplier's warranty for this item prior to purchasing the item, & bull; Time: & bull; Controls length of main Delay repeat. & bull; Feedback: & bull; Controls amount of Delay repeats. & bull; Main D:Plot a course of discovery to new sonic territories with the Navigator Delay from EMMA Electronic.The Navigator is the pinnacle of elegant simplicity – it offers everything need in a delay pedal, and nothing don’t. Tap-tempo, modulation, beat-splits, trails, wet/dry outputs - All this and more in a compact, pedalboard friendly package that’s simple to use.Combining the best of analog and digital technology, the Navigator offers practical, usable delay functions in a unique configuration that can generate classic delay tones as well as many unique new sounds.The Navigator’s hybrid circuit keeps the dry signal path 100% analog to avoid signal latency and digital sterility.The delayed signal is created using a custom-coded DSP that allows for delay times of up to 1 second which can be adjusted via tap-tempo and also beat-split to create rhythmic, “multi-tap” effects. The delayed signal is then fed back into the analog realm where Color, Level and Feedback controls add additional warmth and realism to the effect. Lastly, an optional digital modulation section can create a variety of secondary effects, from tape echo “warble” to lush chorus and flanging.Perhaps the most unique feature of the Navigator is a separate Level control for the second, beat-split delay repeats. This option allows the user to emphasize the second delay voice, or to turn the main delay off entirely to create interesting new rhythmic effects. The second delay has the option to be set at one-half, two-thirds, or three-quarter intervals against the main delay, allowing for “dotted eighth” and other classic multi-tap delay effects.Here’s a run-down of the Navigator’s controls and features:Time: Controls length of main Delay repeat.Feedback: Controls amount of Delay repeats.Main D: Controls level of main Delay voice.Second: Controls level of beat-split Delay voice.Color: Controls the tonality of the Delay voice, from dark to bright.Speed: Controls rate of Modulation from slow to fast.Depth: Controls degree of Modulation from subtle to extreme.Beat-Split Switch: Selects between one-half, two-thirds, or three-quarter intervals for the secondary Delay voice.Tail: Turns on “delay trails” function so that repeats will continue after the Navigator has been bypassed.Tap Tempo:Allows user to tap in the Delay time with their foot.Wet/Dry Outputs:When run in stereo, the Navigator splits wet and dry signals to separate outputs.Input Pad Switch:Internal DIP switch for selecting between high and low level input signals
Emma Electronic Discumbobulator 2 envelope filter
Dimensions (Overall): 6.25 inches (L), 2.25 inches (H) x 4.25 inches (W) x 6.25 inches (D)Weight: .93 poundsEffect Type: Wah and FilterWarranty: No Applicable Warranty. To obtain a copy of the manufacturer's or supplier's warranty for this item prior to purchasing the item, & bull; Simple, intuitive control set & bull; Wide frequency spectrum making it suitable for any instrument & bull; 10dB independent boost for making funky solos pop out of the mix & bull; Top-mounted inout jacks to save pedalboard space & bull; True-Bypass switchingThe original EMMA DiscumBOBulator was often heralded as the world’s best autowah/envelope filter, and has made appearances at the feet of such luminaries as Pino Palladino, Warren Haynes, Richard Fortus and Ida Funkhouser. So how do improve on a pedal that’s already flawlessly funky? Start out by making the filter-triggering even better, and also extend the dynamic range of the pedal. Then triple the input headroom so it can handle the red hot signals of active bass pickups and line level inputs with equal ease. Finally, add an independent 10dB, foot-switchable boost that’ll make funky solos instantly take flight, and have the new improved DiscumBOBulator v2.Boasting everything from full-on funk tones & old-school cocked wah sounds all the way thru spacey, synth-like filter sweeps, the DiscumBOBulator v2 is truly the definition of cool! The goal of the DiscumBOBulator v2 was to create an envelope filter pedal that would be able to handle everything from super-fast single-note lines to denser signals such as complex chords without getting mushy. The pedal’s proprietary all-analog circuit does all this while letting the full spectrum of preferred instrument through, making it perfectly suited for anything from guitar to bass to keys. Heck, throw flutes or violins at it, or whatever ’ve got on hand - we promise that they’ll all pass with flying, quacky colors and that won’t experience any of the nasty volume peaks or dips that are common to other filter pedals out there.DiscumBOBulator V2 Features include –Wide range of old-school auto-wah tones and modern filter sweepsSuper-Accurate note tracking – both on single notes as well as chords.
Emma Electronic Okto Nojs Analog Octave
Dimensions (Overall): 6.25 inches (L), 2.25 inches (H) x 4.25 inches (W) x 6.25 inches (D)Weight: 1.01 poundsEffect Type: HarmonyWarranty: No Applicable Warranty. To obtain a copy of the manufacturer's or supplier's warranty for this item prior to purchasing the item, & bull; Analog Octaver and Fuzz in one pedal can use independently or together & bull; Dead-on octave tracking tracks perfectly down to the low-E of a bass & bull; Ultra-versatile octa-fuzz goes from smooth drive to fuzzed-out synth tones & bull; Intuitive controls set for a world of never-heard-before tones & bull; Handmade in Denmark using only high-quality componentsThe first new model from EMMA Electronic in nearly 10 years, the ON-1 Okto-Nøjs is definitely worth the wait.The Okto-Nøjs is actually two pedals in one – a super-accurate, fast-tracking Octave down (the Okto) combined with a dynamically responsive, synth-like Octave-Fuzz (the Nøjs).Both sides of the circuit are 100% analog and feature high-quality buffers and true bypass switching for the best sound quality possible.The Okto channel uses proprietary tracking circuitry to create a sub-octave that locks in fast and remains stable. The Okto can track accurately down to the open-E string of a Bass Guitar, and even lower with minor note wobble.The Okto’s Tone control can go from round, fat subs to the hollow, nasally honk of a vintage Boss OC-2. Blend in a bit of Okto with Dry signal to subtly thicken bottom end, or crank it up for spot-on note doubling.The Nøjs section is where the real fun starts. A harmonic distortion generator that creates a unique Octave-Fuzz effect, the Nøjs circuit reacts to playing dynamics to create spitting, swelling, synth-like drive sounds that are truly out of this world.Gain, Tone & Level controls adjust the Nøjs circuit’s Fuzz section, yielding everything from smooth overdrive to squelchy foldback distortion with a blossoming note filtering.The Nøjs control blends in a square wave sub-harmonic that can be thick & meaty or edgy & aggressive depending on the setting of the Color control.Both Okto & Nøjs sections can be blended to taste against the Dry signal to cover a wide range of colors from subtle to extreme. Clean Octave, Dirty Drive, Overdriven Octave, Synth-Octave or any combination of these are possible with the ON-1’s simple yet power-packed control complement.Soon to be the go-to pedal for any adventurous musician, the EMMA Okto-Nøjs packs a plethora of amazing octave and distortion sounds into a pedalboard-friendly box.Come get freak on with the EMMA Okto-Nøjs.
Emma Electronic StinkBug Classic Overdrive Guitar Effects Pedal
Dimensions (Overall): 6.25 inches (L), 2.25 inches (H) x 4.25 inches (W) x 6.25 inches (D)Weight: 1.0 poundsEffect Type: Distortion, Fuzz, and OverdriveWarranty: No Applicable Warranty. To obtain a copy of the manufacturer's or supplier's warranty for this item prior to purchasing the item, & bull; Footswitch & bull; Level dial & bull; Lowhigh control & bull; Gain dial & bull; Rugged housingThe Emma Electronic StinkBug classic overdrive pedal has the best of what's out there, but keeps the body and character of guitar's sound intact. With the StinkBug pedal, the mids respond well, and the highs and lows are right out front for blues rock and pop. In addition, Emma chose a circuit with a particularly nice warmth to it. The Low and High controls give great control of the amount of mids in the pedal. Turn them both down, and the mid-range comes out, but without being nasal. Turn them up, and the mids gets slightly scooped, still keeping the sound full and punchy. The Emma StinkBug pedal works great for blues, pop, and rock. It sings well and has great mid-range response.
Emma Electronic ReezaFRATZzitz II Overdrive and Distortion Guitar Effects Pedal
Dimensions (Overall): 6.3 inches (L), 2.3 inches (H) x 4.3 inches (W) x 6.3 inches (D)Weight: .95 poundsEffect Type: Distortion, Fuzz, and OverdriveWarranty: No Applicable Warranty. To obtain a copy of the manufacturer's or supplier's warranty for this item prior to purchasing the item, & bull; Footswitch & bull; Level dial & bull; Lowhigh control & bull; Bias dial & bull; Gain dialThe Emma Electronic ReezaFRATzitz II overdrive and distortion pedal emulates the distortion characteristics of a real tube amp as faithfully as possible. The second generation ReezaFRATzitz pedal is based on the best-sounding Reeza 1 Emma could find. ReezaFRATzitz added low- and high-frequency controls that give unprecedented tonal control over the OD pedal. An included Bias knob controls the inner workings of the ReezaFRATzitz pedal from class B (far left) to class A (far right) and anywhere in between. can alter the signal's harmonic structure to provide a much wider range of tonal options than standard overdrive-distortion pedal. Class A mode provides smoother clipping ala' Vox AC30 while Class B is more akin to classic Marshall amp tones. Additional controls for Level, Gain, and the previously mentioned Low and High tone controls fine-tune the Reezafratzitz to taste. An ingenious ReezaFRATzitz circuit is the 'untrue bypass' that at Emma Electronic is known as 'the overlord of the beast.' There are many myths about mechanical true bypass. In a pedal like the ReezaFRATzitz and their PisdiYAUwot, will want and will get the 'untrue bypass' circuit.
