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Roger Kellaway Cello Quintet/Nostalgia Suite 180g LP + CD (Vinyl)
The & quot;Master's Match & quot; CDs and the vinyl LPs are all mastered on the same master - A CD and an LP...one of which exactly matches the master from which they are replicated - You be the judge. & quot; & lt;br & gt; & lt;br & gt; Battle of the Medias - Hear the difference - Take the Test! Analog vs. Digital - You be the judge and see if you don't agree this Master's Match CD is superior to vinyl. & lt;br & gt; & lt;br & gt; Unlike all other prefixed CDs, while they universally claim to 'improve', Master's Match CDs are truly faithful to the producers' intent and don't lose fidelity in any aspect when replicated. Exhibit Records' confidence is such that they encourage the consumer to & quot;take the test & quot; and compare the vinyl against the CD. & lt;br & gt; & lt;br & gt; Taking his Cello Quintet idea into a different dimension, Roger Kellaway expanded it into a Quintet and wrote a six-part suite of pieces, and converted this group from something between and beyond categories to a more jazz-oriented band. Kellaway's unpredictably eclectic spirit is given free rein. & lt;br & gt; & lt;br & gt; The Roger Kellaway Cello Quartet made two albums for the A & amp;M label in 1971 and 1973. The group's name presented a puzzle to some people. It seemed to connote four celli. In fact it was a chamber group built around the sound of one cello, that of the brilliant Edgar Lustgarten, and featuring the virtuosic piano of Kellaway, the powerful and sensitive bass of Chuck Domanico, and the rich, coloristic percussion of Emil Richards. Roger wrote all the group's music. & lt;br & gt; & lt;br & gt; & quot;The idea, & quot; Roger says, & quot;was for it to be a marriage of wood - cello, marimba, bass and piano. Also, I wanted to prove that a band of that instrumentation had the flexibility to do anything. And I was afraid the drums would fill up the spaces between the instruments, which is why we didn't have a drummer. & quot; & lt;br & gt; & lt;br & gt; However, for this recording, Joe Porcaro joins in on drums, creating the Roger Kellaway Cello Quintet. & lt;br & gt; & lt;br & gt; & quot;There is no other piece in our repertoire like it. It is an entity unto itself. It is essentially a bebop piece, and it may come as a surprise to people who are familiar with the other albums. But it should not be considered the new sound of the group. I just wanted to hear bebop by the Cello Quartet, & quot; says Kellaway. & lt;br & gt; & lt;br & gt; & quot;This Exhibit Records Master's Match Audiophile Series recording captures with astonishing accuracy all of the musical energy and dynamics of the original performance. The replication of our compact disc and 180g vinyl LP has been crafted to provide you with an exceptional and more realistic listening experience. Because the audioeXact(TM) system employs the minimal amount of equipment in recording and mastering, it enables the listener to get closer to the real thing despite recording and playback barriers, the very spirit of life sized musicians playing life sized instruments in your room. There is no need to hear this recording on the most expensive high end equipment to appreciate its sonic brilliance. The audioeXact(TM) process allows precise reproduction on every type of playback system. & quot; - from liner notes & lt;br & gt; & lt;br & gt; Testimonials from vinyl mastering engineer and vinyl cutting veteran authority David Cheppa of Better Quality Sound: & lt;br & gt; & lt;b & gt; & quot;...then, there is this which is probably one of the finest blends of art, science, and technology I've seen. Exhibit Records has created a composite culture containing a most enduring and endearing recording. & quot; & lt;br & gt; & lt;br & gt; & quot;...it is simply a dream to listen to the result of this high art as it is portrayed in a most satisfying and enjoyable way. & quot; & lt;br & gt; & lt;br & gt; & quot;...I am speechless as I describe what can only be termed an Unrepeatable Miracle! It is the sort of recording crystallized in a moment of time, never to be repeated. & quot; & lt;/b & gt; & lt;br & gt; & lt;br & gt; Features: & lt;br & gt; • Uniquely designed Gatefold Package & lt;br & gt; • Master's Match CD & lt;br & gt; • 180g Vinyl LP & lt;br & gt; • Frameable Original Cover Art & lt;br & gt; • Fine quality inner sleeves & lt;br & gt; • Resealable protective outer sleeve & lt;br & gt; & lt;br & gt; Musicians: & lt;br & gt; Roger Kellaway, piano & lt;br & gt; Edgar Lustgarten, cello & lt;br & gt; Chuck Domanico, bass & lt;br & gt; Joe Porcaro, drums & lt;br & gt; Emil Richards, percussion & lt;br & gt; & lt;br & gt; & lt;b & gt;Selections: & lt;/b & gt; & lt;br & gt; 1. Ungh! & lt;br & gt; 2. Won't You Come and Feed Me & lt;br & gt; 3. The Escalator As Applied To Anti-War & lt;br & gt; 4. He Bluezd While She, In All Her Blessed Blather...Blushed & lt;br & gt; 5. May I Interest You In a Little Recreation While You Sleep? They Whispered... & lt;br & gt; 6. Let's Cook It Right
Exhibit Records
Roger Kellaway Cello Quintet/Nostalgia Suite 180g LP + CD (Vinyl)
Chet Atkins & Les Paul/Chester & Lester 180g LP (Vinyl)
& lt;font color= & quot;#FF0000 & quot; & gt; & lt;b & gt;180g Audiophile Vinyl Gatefold Package! & lt;br & gt;Mastered By Kevin Gray at Cohearent Audio! & lt;br & gt;Pressed at RTI! & lt;/b & gt; & lt;/font & gt; & lt;br & gt; & lt;br & gt; The jam session recording & quot;Chester & amp; Lester & quot; was awarded a Grammy for Best Country Instrumental Performance at the 1976 awards ceremony. & lt;br & gt; & lt;br & gt; Chester & amp; Lester was probably the only jam session record to win a Grammy™. Today, such an album would merely seem like clever marketing; two virtuosos from different genres, country and pop, joining forces. Not so in 1976. Truth was, Chet Atkins and Les Paul had way more in common than many realized. Each made groundbreaking records that put electric guitars on the map and influenced the sound of rock. Both experimented with electronics. The electric guitar models named for both men over half a century ago are considered classics, still produced today by the same companies. Three decades can't diminish Chester & amp; Lester's wonderfully free musical and personal interplay. On record, their divergent personalities were reflected in their verbal bantering, Chet's taciturn personality and dry humor a terrific foil for Les's ornery schoolkid exuberance. It was something both admired about the record. & lt;br & gt; & lt;br & gt; & lt;b & gt; & quot;Chester & amp; Lester is a beautiful and fun album by two masters. It was recorded in the mid-'70s when Chet Atkins was in his fifties and Les Paul was in his sixties. The latter had been in retirement for a decade before the recording of this album. Nashville studio musicians, including Randy Goodrum on piano and Larrie Londin on drums, back up the master guitarists, but this is by no means a country album. In fact, this album swings on classics such as & quot;Birth of the Blues, & quot; & quot;Avalon, & quot; and & quot;Caravan. & quot; Other classic songs, including & quot;It's Been a Long Time & quot; and & quot;It Had to Be You, & quot; are beautifully rendered, featuring Les Paul's instantly recognizable ringing bell tone and Chet Atkins' fluid, slightly twangy sound. The recording has an informal feel, with between-song banter (and even some joking in the middle of songs) included on the record, which adds to the enjoyment and warmth of this album. The listener knows that the musicians are having a great time. According to the liner notes, only two songs have any overdubs, so, & quot;You hear the music just as it came down. & quot; And it all & quot;came down & quot; beautifully. & quot; & lt;/b & gt; - Tim Griggs, allmusic.com & lt;br & gt; & lt;br & gt; & lt;b & gt;Features: & lt;/b & gt; & lt;br & gt; • 180g Vinyl & lt;br & gt; • Exhibit Records Audiophile Series & lt;br & gt; • Gatefold Package & lt;br & gt; • Mastered By Kevin Gray at Cohearent Audio! & lt;br & gt; • Pressed at RTI & lt;br & gt; & lt;br & gt; & lt;b & gt;Musicians: & lt;/b & gt; & lt;br & gt; Chet Atkins, guitar & lt;br & gt; Les Paul, guitar & lt;br & gt; Randy Goodrum, piano & lt;br & gt; Henry Strzelecki or Bob Moore, bass & lt;br & gt; Larrie Londin, drums & lt;br & gt; Paul Yandell, Ray Edenton, or Bobby Thompson - rhythm guitar & lt;br & gt; & lt;br & gt; & lt;b & gt;Selections: & lt;br & gt; Side A: & lt;br & gt; & lt;/b & gt;1. It's Been A Long Time & lt;br & gt; 2. Medley: Moonglow / Picnic (Theme from & quot;Picnic & quot;) & lt;br & gt; 3. Caravan & lt;br & gt; 4. It Had To Be You & lt;br & gt; 5. Out of Nowhere & lt;br & gt; & lt;b & gt;Side B: & lt;br & gt; & lt;/b & gt;1. Avalon & lt;br & gt; 2. Birth of the Blues & lt;br & gt; 3. Someday Sweetheart & lt;br & gt; 4. Deed I Do & lt;br & gt; 5. Lover Come Back To Me & lt;br & gt; & lt;br & gt; Recorded in RCA's Nashville Sound Studios.
Exhibit Records
Chet Atkins & Les Paul/Chester & Lester 180g LP (Vinyl)
The Manhattan Transfer Vocalese 180g LP (Vinyl)
& lt;font color= & quot;#FF0000 & quot; & gt; & lt;b & gt;180g Audiophile Vinyl Gatefold Package! & lt;br & gt;Mastered by Kevin Gray at Cohearent Audio! Pressed at RTI! & lt;/b & gt; & lt;/font & gt; & lt;br & gt; & lt;br & gt; & lt;b & gt;Critically Acclaimed Album...12 Grammy Nominations! & lt;/b & gt; & lt;br & gt; & lt;br & gt; The Manhattan Transfer's most critically acclaimed album. It received 12 Grammy nominations, making it second only to Michael Jackson's & quot;Thriller & quot; as the most nominated individual album. The album's title Vocalese refers to a style of music that sets lyrics to previously recorded jazz instrumental pieces and replaces many instruments with vocalists (such as the big band arrangements of Duke Ellington and Count Basie). The vocals reproduce the sound and feel of the original instrumentation. Jon Hendricks, proficient in this art, composed all of the lyrics for this album. Grammy Awards for & quot;Best Jazz Vocal Performance, Duo or Group & quot; and & quot;Best Vocal Arrangements for Voices & quot; for Cheryl Bentyne and Bobby McFerrin for their arrangement of & quot;Another Night In Tunisia. & quot; & lt;br & gt; & lt;br & gt; Grammy Awards: & quot;Best Jazz Vocal Performance - Duo or Group & quot;, & quot;Best Vocal Arrangements For Voices & quot; for Cheryl Bentyne and Bobby McFerrin for their arrangement of Another Night In Tunisia. & lt;br & gt; & lt;br & gt; & lt;b & gt; & quot;Many of the Manhattan Transfer's recordings up to the point of Vocalese showed off their diversity and covered a wide variety of music, including jazz. This set was quite a bit different, for it is dedicated to the vocalese of the great Jon Hendricks. the Manhattan Transfer (singers Cheryl Bentyne, Tim Hauser, Alan Paul and Janis Siegel) perform a dozen songs using Hendricks' lyrics, including & quot;That's Killer Joe, & quot; & quot;Rambo, & quot; & quot;Ray's Rockhouse & quot; and & quot;Sing Joy Spring. & quot; Utilizing their regular band of the period (which includes guitarist Wayne Johnson), the Count Basie Orchestra (directed at the time by Thad Jones), the Four Freshmen (on & quot;To You & quot;), tenorman James Moody, Bobby McFerrin (guesting on & quot;Night in Tunisia & quot;), McCoy Tyner, Dizzy Gillespie (on & quot;Sing Joy Spring & quot;), altoist Richie Cole, and Hendricks himself, among many others, the Transfer give these boppish tunes definitive vocal treatments. This is one of their finest jazz recordings and a classic of its kind. & quot; & lt;/b & gt;- Scott Yanow, allmusic.com & lt;br & gt; & lt;br & gt; & lt;b & gt;Features: & lt;/b & gt; & lt;br & gt; • 180g Vinyl & lt;br & gt; • Exhibit Records Audiophile Series & lt;br & gt; • Mastered by Kevin Gray at Cohearent Audio & lt;br & gt; • Pressed at RTI & lt;br & gt; • Gatefold Package & lt;br & gt; & lt;br & gt; & lt;b & gt;Musicians: & lt;/b & gt; & lt;br & gt; Manhattan Transfer & lt;br & gt; Count Basie Orchestra: & lt;br & gt; Ray Brown, bass & lt;br & gt; Ron Carter, bass & lt;br & gt; Richie Cole, alto saxophone & lt;br & gt; The Four Freshmen, vocals & lt;br & gt; Dizzy Gillespie, trumpet & lt;br & gt; Marshall Hawkins, bass & lt;br & gt; Jon Hendricks, vocals & lt;br & gt; Ralph Humphrey, drums & lt;br & gt; Wayne Johnson, banjo, guitar & lt;br & gt; Philly Joe Jones, drums & lt;br & gt; Bobby McFerrin, bass, guitar, bass guitar, percussion, vocals & lt;br & gt; James Moody, tenor saxophone & lt;br & gt; John Patitucci, bass & lt;br & gt; Grady Tate, drums & lt;br & gt; McCoy Tyner, piano & lt;br & gt; Snooky Young, trumpet & lt;br & gt; & lt;br & gt; & lt;b & gt;Selections: & lt;br & gt; Side One: & lt;/b & gt; & lt;br & gt; 1. That's Killer Joe & lt;br & gt; 2. Rambo & lt;br & gt; 3. Airegin & lt;br & gt; 4. To You & lt;br & gt; 5. Meet Benny Bailey & lt;br & gt; 6. Another Night in Tunisia & lt;br & gt; & lt;b & gt;Side Two: & lt;/b & gt; & lt;br & gt; 1. Ray's Rockhouse & lt;br & gt; 2. Blee Blop Blues & lt;br & gt; 3. Oh Yes, I Remember Clifford & lt;br & gt; 4. Sing Joy Spring & lt;br & gt; 5. Move
Exhibit Records
The Manhattan Transfer Vocalese 180g LP (Vinyl)
The Dillards Wheatstraw Suite 180g LP (Vinyl)
& lt;font color= & quot;#FF0000 & quot; & gt; & lt;b & gt;180g Audiophile Vinyl! Pressed at Quality Record Pressings! & lt;br & gt;Mastered by Steve Hoffman at Stephen Marsh Mastering! & lt;br & gt; Features Albert Brumley's I'll Fly Away and Tim Hardin's Reason To Believe! & lt;/b & gt; & lt;/font & gt; & lt;br & gt; & lt;br & gt; The Dillards' blend between pop and bluegrass on this impeccable recording paved the way for a generation of country-rockers and folk-rockers, making it, arguably, their most influential album. Wheatstraw Suite is the fourth album by The Dillards, released in 1968 it's their first album to move away from their traditional bluegrass sound by using a full orchestra and occasional drums. & lt;br & gt; & lt;br & gt; The Dillards had been experimenting for some time before they released this album, Rodney and Douglas Dillard, Dean Webb and Mitch Jayne made up one of America's premier bluegrass groups and by 1965, certain members began exploring other ideas. The band toured with The Byrds, (featuring future Buffalo Springfield drummer Dewey Martin), but Wheatstraw Suite was the first time they explored the new sound on a full length album. The album features seven original songs and six covers, the covers being drawn mostly from contemporary rock and pop musicians rather than traditionals. One of the tightest ensembles of all time, the Dillards perfected a brand of eclectic bluegrass-country-folk that has never been equaled. The songs all come together to form this masterpiece of great vocal harmonies and virtuosic banjo picking. & lt;br & gt; & lt;br & gt; This album paved the way for a generation of country and folk-rockers. An indispensable part of any collection of '60s music & lt;br & gt; & lt;br & gt; & lt;b & gt; & quot;It never got any better than this. In 1968, as the Byrds were making valiant (if unappreciated) efforts to bring rock and country music closer together, the Dillards were trying to do some of the same for bluegrass and rock. The result was 13 all-but-perfect tracks mixing some pretty laid-back topicality ( & quot;Hey Boys & quot;) and humor ( & quot;The Biggest Whatever & quot;), cowboy songs ( & quot;Single Saddle, & quot; which Gene Autry should have covered), just plain gorgeous poetry ( & quot;Lemon Chimes & quot;), and a couple of unexpected covers ( & quot;I've Just Seen a Face, & quot; & quot;Reason to Believe & quot;), with arrangements that exude a delicate, subdued lushness ( & quot;Listen to the Sound & quot;) and an element of electric rock (courtesy of Joe Osborn on electric bass and Jim Gordon on drums) that worked perfectly. In many ways, this is a finer rural/rock fusion album than Sweetheart of the Rodeo, the first Flying Burrito Brothers album, or the Beau Brummels' efforts during this same period, and an indispensable part of any collection of '60s music. & quot; & lt;/b & gt; - Bruce Eder, allmusic.com & lt;br & gt; & lt;br & gt; & lt;b & gt;Features: & lt;/b & gt; & lt;br & gt; • 180g Vinyl & lt;br & gt; • Exhibit Records Audiophile Series & lt;br & gt; • Mastered by Steve Hoffman at Stephen Marsh Mastering & lt;br & gt; • Pressed at Quality Record Pressings & lt;br & gt; • Old-style 28pt Tip-on jacket & lt;br & gt; & lt;br & gt; & lt;b & gt;Musicians: & lt;/b & gt; & lt;br & gt; Rodney Dillard, rhythm guitar, lead Dobro guitar, lead guitar, pedal steel & lt;br & gt; Herb Pederson, Nashville rhythm guitar, banjo & lt;br & gt; Dean Webb, mandolin & lt;br & gt; Mitch Jayne, acoustic bass & lt;br & gt; Buddy Emmons, pedal steel & lt;br & gt; Joe Osborn, electric bass & lt;br & gt; Toxey French, drums & lt;br & gt; Jimmy Gordon, drums & lt;br & gt; & lt;br & gt; & lt;b & gt;Selections: & lt;br & gt; Side One: & lt;/b & gt; & lt;br & gt; 1. I'll Fly Away & lt;br & gt; 2. Nobody Knows & lt;br & gt; 3. Hey Boys & lt;br & gt; 4. The Biggest Whatever & lt;br & gt; 5. Listen To the Sound & lt;br & gt; 6. Little Pete & lt;br & gt; 7. Reason To Believe & lt;br & gt; & lt;b & gt;Side Two: & lt;/b & gt; & lt;br & gt; 1. Single Saddle & lt;br & gt; 2. I've Just Seen a Face & lt;br & gt; 3. Lemon Chimes & lt;br & gt; 4. Don't You Cry & lt;br & gt; 5. Bending The Strings & lt;br & gt; 6. She Sang Hymns Out of Tune
Exhibit Records
The Dillards Wheatstraw Suite 180g LP (Vinyl)
Maria Muldaur Maria Muldaur 200g LP (Vinyl)
& lt;font color= & quot;#FF0000 & quot; & gt; & lt;b & gt;200g Audiophile Vinyl! Gatefold Package! & lt;/b & gt; & lt;/font & gt; & lt;br & gt; & lt;br & gt; Maria Muldaur's strong debut features savvy studio vets, talented guests, strong tunes and Muldaur's best-known single, & quot;Midnight at the Oasis, & quot; a flirty invitation to forbidden pleasure, set in an Arabian Nights desert that falls somewhere between jazz and pop. A well-known music critic declared that & quot;Midnight at the Oasis & quot; was probably responsible for the conception of more children than any other song of the 1970's. & lt;br & gt; & lt;br & gt; The recording appeared in 1973, during a moment of great openness in popular music. Her album became an FM staple, she found just the right balance between her commitment to the traditional material she favors and her ability to interpret it in her own quirky and original recognizable singing style. There's not a weak song, a weak arrangement, or a weak performance anywhere on it. Muldaur has an amazing voice, a kind of & quot;link & quot; between the worlds of folk, blues and jazz. This album has elements of rock, pop, blues, folk, country, bluegrass, even vaudeville and somehow, all the disparate elements blend well to make for a cohesive, remarkably unified album impossible to classify as a whole. & lt;br & gt; & lt;br & gt; Among the musicians and vocalists appearing on the recording are, Dr. John, Ry Cooder, Andrew Gold, David Grisman, Chris Ethridge, Ray Brown, Richard Greene, Dave Holland, David Lindley and Bettye LaVette. The multi-talented Freebo, Bill Keith of Bill Monroe's Bluegrass Boys, solo-Beatles drummer Jim Keltner and solo-Beatles bassist Klaus Voorman, and Jazz-Guitarist Amos Garrett. & lt;br & gt; & lt;br & gt; But the album's greatest moments belong to Maria alone - Her vocal gifts defy expression. After a decade of work this debut recording revealed her art as mature, sophisticated, sensual and wise. The songs and performances are sweet, poignant, salacious, intelligent and attractive. The high point may well be Wendy Waldman's & quot;Mad Mad Me, & quot; which closes the album with the most hauntingly gorgeous two minutes and fifty-three seconds ever recorded. & lt;br & gt; & lt;br & gt; What Muldaur did back then and she is still doing, is recording excellent and eclectic albums, covering different music genres and displaying formidable musical knowledge - there's a huge love for music in this supremely talented artist. & lt;br & gt; & lt;br & gt; & lt;b & gt; & quot;One of the half-dozen best albums of 1973. & quot; & lt;/b & gt; -Rolling Stone & lt;br & gt; & lt;br & gt; & lt;b & gt;Features: & lt;/b & gt; & lt;br & gt; • 200g Vinyl & lt;br & gt; • Exhibit Records Audiophile Series & lt;br & gt; • Gatefold Package & lt;br & gt; & lt;br & gt; & lt;b & gt;Selections: & lt;/b & gt; & lt;br & gt; 1. Any Old Time & lt;br & gt; 2. Midnight at the Oasis & lt;br & gt; 3. My Tennessee Mountain Home & lt;br & gt; 4. I Never Did Sing You a Love Song & lt;br & gt; 5. The Work Song & lt;br & gt; 6. Don't You Make Me High (Don't You Feel My Leg) & lt;br & gt; 7. Walkin' One and Only & lt;br & gt; 8. Long Hard Climb & lt;br & gt; 9. Three Dollar Bill & lt;br & gt; 10. Vaudeville Man & lt;br & gt; 11. Mad Mad Me
Exhibit Records
Maria Muldaur Maria Muldaur 200g LP (Vinyl)
Trini Lopez At PJ's Numbered Limited Edition 200g LP (Vinyl)
& lt;font color= & quot;#FF0000 & quot; & gt; & lt;b & gt;Numbered, Limited Edition 50th Anniversary 200g LP! & lt;br & gt; Available for the First Time on Vinyl! Mastered by Kevin Gray! & lt;/b & gt; & lt;/font & gt; & lt;br & gt; & lt;br & gt; With the release of this album in April 1963, Trini Lopez became one of the biggest singing stars of the Folk Revival. & quot;Trini Lopez at PJ's & quot; made it to #2 on the Billboard charts and stayed in the Top 40 for over a year. The album included the chart-topping & quot;If I Had a Hammer & quot; which reached number one in 36 countries and was a radio favorite for many years. The hit single sold more than 4 million copies and was awarded a gold record. & lt;br & gt; & lt;br & gt; This was the album that made Lopez an instant success and the live party-a-go-go atmosphere of the record did much to put Trini's likable energy over the top. What he did, at the head of a trio with Mickey Jones on drums and Dick Brant on bass, was to make folk-pop swing. Other songs include & quot;This Land Is Your Land, & quot; and & quot;Gotta Travel On. & quot; It could be surmised that by treating such material in this fashion, Lopez had a tiny influence upon the subsequent folk-rock movement. & lt;br & gt; & lt;br & gt; Though, Lopez was more the all-around entertainer with a Latin lilt than he was a pure folk singer, so you also get & quot;America & quot; (from West Side Story), & quot;La Bamba, & quot; Ray Charles' & quot;What'd I Say, & quot; & quot;Volare, & quot; and & quot;When the Saints Go Marching In. & quot; He scored thirteen chart singles through 1968 and became one of the country's top nightclub performers of that era. & lt;br & gt; & lt;br & gt; & lt;b & gt;Features: & lt;/b & gt; & lt;br & gt; • Numbered, Limited Edition & lt;br & gt; • 50th Anniversary Edition & lt;br & gt; • 200g Vinyl & lt;br & gt; • Mastered by Kevin Gray at Cohearent Audio & lt;br & gt; • Pressed at QRP & lt;br & gt; • Exhibit Records Audiophile Series & lt;br & gt; • Old-style tip-on 28pt Gatefold Jacket & lt;br & gt; • Available for the first time on vinyl & lt;br & gt; • Includes all song lyrics & lt;br & gt; & lt;b & gt; & lt;br & gt; Selections: & lt;/b & gt; & lt;br & gt; 1. A-me-ri-ca & lt;br & gt; 2. If I Had A Hammer (The Hammer Song) & lt;br & gt; 3. Bye Bye Blackbird & lt;br & gt; 4. Cielito Lindo & lt;br & gt; 5. This Land Is Your Land & lt;br & gt; 6. What'd I Say & lt;br & gt; 7. La Bamba & lt;br & gt; 8. Granada & lt;br & gt; 9. Medley: Gotta Travel On / Down By The Riverside / Marianne / When The Saints Go Marching In / Volare & lt;br & gt; 10. Unchain My Heart
Exhibit Records
Trini Lopez At PJ's Numbered Limited Edition 200g LP (Vinyl)
John Sebastian John B. Sebastian 180g LP (Vinyl)
& lt;FONT color=#ff0000 & gt; & lt;B & gt;180g Audiophile Vinyl! & lt;br & gt; Mastered by Kevin Gray at Cohearent Audio! & lt;br & gt; Pressed at RTI! & lt;/B & gt; & lt;/FONT & gt; & lt;BR & gt; & lt;BR & gt; & lt;b & gt; & quot;Historic and hummable, this is a hallmark in the journey to the '70's. & quot; & lt;/b & gt; & lt;br & gt; & lt;br & gt; A sublime songwriter and a superb storyteller, John Sebastian was a founding member of the Rock and Roll Hall of Fame mid-'60s master folk-rock group, Lovin' Spoonful. In the early '60s, he was a key member of the Even Dozen Jug Band and the Mugwumps with other soon-to-be famous (at least in folk circles) band mates like Maria Muldaur, David Grisman, Joshua Rifkin, Stefan Grossman, Steven Katz, Peter Siegel and Cass Elliot - the Mamas and Papas immortalized him in the song 'Creque Alley' ( & quot;In a coffeehouse Sebastian sat/ And after every number they pass the hat & quot;). & lt;br & gt; & lt;br & gt; In early 1968 John left the Spoonful to pursue a solo career. As his debut album was being prepared for release, Sebastian's solo career received an unanticipated boost through his impromptu appearance at the Woodstock Festival in August 1969. His acoustic version of & quot;I Had a Dream & quot; and & quot;Rainbows All Over Your Blues, & quot; appeared on the best selling 1970 Woodstock soundtrack of Michael Wadleigh's documentary film of the festival. The album also includes several songs that would become staples of Sebastian's live performances during the early and mid-1970's, most notably, & quot;She's a Lady. & quot; & lt;br & gt; & lt;br & gt; John B. Sebastian serves well to showcase Sebastian's faculty with numerous instruments and musical styles and would be his most successful solo album, ultimately peaking at #20 on the Billboard pop albums chart. An overlooked classic full of great music and genuine warmth. & lt;br & gt; & lt;br & gt; & lt;b & gt;Features: & lt;/b & gt; & lt;br & gt; • 180g Vinyl & lt;br & gt; • Mastered by Kevin Gray at Cohearent Audio & lt;br & gt; • Pressed at RTI & lt;br & gt; • Gatefold Package & lt;br & gt; • Unique tie-dyed colored lyrics sheet (every sheet is different) & lt;br & gt; & lt;br & gt; & lt;b & gt;Musicians: & lt;/b & gt; & lt;br & gt; John Sebastian - vocals, guitar, harmonica, piano, percussion & lt;br & gt; Stephen Stills - guitar, harmony vocals & lt;br & gt; David Crosby - guitar, harmony vocals & lt;br & gt; Graham Nash - harmony vocals & lt;br & gt; Dallas Taylor - drums & lt;br & gt; Buddy Emmons - pedal steel guitar, Moog synthesizer & lt;br & gt; Paul Harris - organ, keyboards & lt;br & gt; Ray Neopolitan - bass & lt;br & gt; Danny Weis - guitar & lt;br & gt; Reinol Andino - conga & lt;br & gt; Harvey Brooks - bass & lt;br & gt; Burt Collins - horn & lt;br & gt; Jose Cuervo - horn & lt;br & gt; The Ikettes - background vocals & lt;br & gt; Bruce Langhorne - tambourine & lt;br & gt; Gayle Levant - harp & lt;br & gt; Buzzy Linhart - vibraphone & lt;br & gt; Mr. and Mrs. Stanley Beutens and Friends - flute, lute, viola, recorder & lt;br & gt; & lt;br & gt; & lt;b & gt;Selections: & lt;br & gt; Side One: & lt;/b & gt; & lt;br & gt; 1. Red-Eye Express & lt;br & gt; 2. She's A Lady & lt;br & gt; 3. What She Thinks About & lt;br & gt; 4. Magical Connection & lt;br & gt; 5. You're A Big Boy Now & lt;br & gt; 6. Rainbows All Over Your Blues & lt;br & gt; & lt;b & gt;Side Two: & lt;/b & gt; & lt;br & gt; 1. How Have You Been & lt;br & gt; 2. Baby, Don't Ya Get Crazy & lt;br & gt; 3. The Room Nobody Lives In & lt;br & gt; 4. Fa-Fana-Fa & lt;br & gt; 5. I Had A Dream
Exhibit Records
John Sebastian John B. Sebastian 180g LP (Vinyl)
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