Jackson Audio Fuzz Classic/Modern
Dimensions (Overall): 3.2 inches (L), 1.0 inches (H) x 2.25 inches (W) x 3.2 inches (D)Weight: .04 poundsEffect Type: Distortion, Fuzz, and OverdriveWarranty: No Applicable Warranty. To obtain a copy of the manufacturer's or supplier's warranty for this item prior to purchasing the item, & bull; EQ & bull; Bass Level: External knob adjusts for more or less bass. +- 20dB & bull; Bass Freq: Internal trimmer selects which bass frequency is being adjusted & bull; Bass Q: Internal trimmer adjusts how narrow or wide the selected frequency is & bull; Mid Level: External knob adjusts for more or less mids. +- 20dBFuzz ... the sound of rock and righteous indignation worldwide. That spitting, snarling and surly sound of rock legends past and present.The FUZZ Classic/Modern analog plug-in module from Jackson Audio takes faithful recreations of historic fuzz circuits and brings them together allowing to create classic fuzz sounds as well as new fuzz sounds that are impossible with the original circuits. The FUZZ Classic/Modern plug-in expands the tones available by adding two additional types of clipping. With the jumper set in the DIST (distortion) position on pedal, this plug-in makes the clipping smoother and with more headroom. With the jumper set in the OD (overdrive) position, the clipping is smoother still and has the feel and vibe of a vintage overdrive.The idea of creating a modular fuzz came about as Jackson Audio were trying to decide which style of fuzz would be the most musical fuzz of all time. The answer quickly became, "All of them!" All of them are different, and all of them bring something unique sonically. With the FUZZ Classic/Modern plug-in, can update fuzz sound completely and turn pedal into a whole new pedal with a simple and affordable plug-in swap."In the 30 years since I began playing guitar, I have always loved fuzz pedals. I've bought countless versions of them over the years, but in my mind, they've always had a massive shortcoming. They desperately need more effective tone controls! That's why I designed the FUZZ Classic/Modern plug-in with a 3-band, fully parametric EQ." - Brad Jackson EQ and especially the mids, are where the guitar makes its stand. Not enough mids and guitar is lost in the mix. Too much highs and tone is piercing and off-putting. Too much bass and compete sonically with the bass drum and bass player. With the parametric EQ on the FUZZ Classic/Modern plug-in, have nine controls at disposal to fully sculpt tone and make sure the riffs are laying down are never lost in the mix.
Jackson Audio ASABI Distortion Effects Pedal Black
Dimensions (Overall): 6.75 inches (L), 3.25 inches (H) x 4.25 inches (W) x 6.75 inches (D)Weight: .97 poundsEffect Type: Distortion, Fuzz, and OverdriveWarranty: No Applicable Warranty. To obtain a copy of the manufacturer's or supplier's warranty for this item prior to purchasing the item, & bull; The distortion side features: & bull; Removable distortion modules with new modules being released all the time! & bull; 3 band active EQ & bull; 4 clipping options with automatic level matching & bull; Our innovative Gain Cycle featureThe Mateus Asato Signature Pedal, the ASABI, is a distortion/overdrive pedal that contains a versatile array of tones and is the world's first pedal to feature replaceable distortion circuits. The name ASABI, which means, "of unusual birth" was chosen by Mateus because it speaks to the unique nature of this pedal, as well as his own family heritage. Keep reading below to learn more about how the ASABI can bring tone to life in new and creative ways. To keep things interesting on pedalboard, we developed the technology to create replaceable distortion modules so can swap the distortion circuit in the ASABI without having to buy a completely new pedal.Because we all like to try out new pedals, these affordable modules allow to buy the pedal once and update it with new modules all the time. The MODERN HIGH GAIN module that ships with the ASABI is based on the venerable Marshall JCM800 and delivers true Marshall "Amp In a Box Distortion" at any volume. Coupled with an active EQ, 4x clipping options, and our innovative Gain Cycle feature, the MODERN HIGH GAIN module gives a plethora of tones ranging from classic rock to crushing heavy metal. The LARGE MOUSE module, which can be purchased separately, is based on the legendary ProCo Rat and delivers all the snarl and spit of the original with features 've never seen before. Coupled with an active EQ, 4x clipping options, and our innovative Gain Cycle feature, 've never heard a Rat like this before. To make the LARGE MOUSE even more faithful to the original, we procured the mythical LM308 chip that is used in the most sought after vintage units. To push the distortion even further into clipping, and to cut through the mix perfectly on its own, the overdrive side of the ASABI features an incredibly touch sensitive overdrive circuit. Designed for maximum transparency, the overdrive on the ASABI is completely flat in its frequency response with no mid hump or unnatural artifacts. The ASABI overdrive is tone, perfectly pushed. Just like the distortion side, the overdrive circuit in the ASABI features 4x clipping options to perfectly dial in overdriven tones.
Jackson Audio FUZZ Modular Fuzz Effects Pedal Red
Dimensions (Overall): 6.75 inches (L), 3.25 inches (H) x 4.4 inches (W) x 6.75 inches (D)Weight: .94 poundsEffect Type: Distortion, Fuzz, and OverdriveWarranty: No Applicable Warranty. To obtain a copy of the manufacturer's or supplier's warranty for this item prior to purchasing the item, & bull; EQ & bull; Bass Level: External knob adjusts for more or less bass (+- 20dB) & bull; Bass Freq: Internal trimmer selects which bass frequency is being adjusted & bull; Bass Q: Internal trimmer adjusts how narrow or wide the selected frequency is & bull; Mid Level: External knob adjusts for more or less mids (+- 20dB)Fuzz is the spitting, snarling and surly sound of rock legends past and present, the sound of rock and righteous indignation worldwide. The FUZZ from Jackson Audio takes faithful recreations of historic fuzz circuits and brings them together in one modular pedal that allows to create classic fuzz sounds as well as new fuzz sounds that are impossible with the original circuits. The idea of creating a modular fuzz came about as it was trying to be decided which style of fuzz would be the most musical fuzz of all time. The answer quickly became, "All of them!" All of them are different, and all of them bring something unique sonically.With the FUZZ, can update fuzz sound completely with analog plug-ins (sold separately) and turn pedal into a whole new pedal with a simple and affordable plug-in swap."In the 30 years since I began playing guitar, I have always loved fuzz pedals. I've bought countless versions of them over the years, but in my mind, they've always had a massive shortcoming. They desperately need more effective tone controls! That's why I designed the FUZZ with a 3-band, fully parametric EQ." - Brad Jackson EQ and especially the mids, are where the guitar makes its stand. Not enough mids and guitar is lost in the mix. Too much highs and tone is piercing and off-putting. Too much bass and compete sonically with the bass drum and bass player. With the parametric EQ on the FUZZ, have 9 controls at disposal to fully sculpt tone and make sure the riffs are laying down are never lost in the mix.OctaveA good fuzz and a good octave pedal go hand in hand. Jimi knew it. Stevie knew it. And know it. If want to put some purple in haze, 're going to need an octave pedal and the octave circuit in the FUZZ is outstanding.Blend ControlCovering everything from perfectly pure octave up to screaming splatting sonic mayhem, the octave circuit in the FUZZ is the perfect marriage of vintage and modern thanks to its unique octave Blend Control. The Blend Control mixes clean signal with the fuzz/octave signal so can dial in precisely how much octave effect want. Guys like Doyle Bramhall II use this to great effect by adding just a little octave to their sound, which gives it a little "lift".With the Blend Control fully counterclockwise, the octave circuit acts as a boost and is perfect for slamming the front of the fuzz circuit for more gain. Pro Tip: Boost + Fuzz Face = Tone Bender. This boost is also perfect for boosting the front of other pedals or just running as an always-on signal buffer/booster. With the Blend Control fully clockwise, there is no clean blend so signal is fully fuzzed out with however much fuzz/octave have dialed in with the Oct Control. Analog Plug-InsThe Fuzz comes stock with with two analog plug-ins. The Modern Fuzz (installed) and the Fuzz Classic/Vintage. So, right out of the box, have two completely different and versatile circuits to choose from.Modern Fuzz: From vintage-style fuzz at lower settings to snarling spitting fuzz at higher settings the Modern Fuzz plug-in does it all and cleans up beautifully when guitars volume control is lowered. This is the plug-in that the FUZZ ships with.Fuzz Classic/Vintage: The classic Fuzz with the smiley face. This plug-in has lower gain and a looser/softer feel. This plug-in is perfect for the earlier Jimi era tones. This is the additional plug-in the FUZZ ships with.Additional Plug-ins (Sold Separately)Modern Fuzz Deluxe: Like the Modern Fuzz plug-in, the Modern Fuzz Deluxe plug-in expands the tones available in this plug-in by adding two additional types of clipping. With the jumper set in the DIST (distortion) position, the clipping is smoother and with more headroom
Jackson Audio FUZZ GOAT HEAD Analog Plug-in Module
Dimensions (Overall): 3.2 inches (L), 1.0 inches (H) x 2.25 inches (W) x 3.2 inches (D)Weight: .04 poundsEffect Type: Distortion, Fuzz, and OverdriveWarranty: No Applicable Warranty. To obtain a copy of the manufacturer's or supplier's warranty for this item prior to purchasing the item, & bull; EQ & bull; Bass Level: External knob. Adjusts for more or less bass. +- 20dB & bull; Bass Freq: Internal trimmer. Selects which bass frequency is being adjusted. & bull; Bass Q: Internal trimmer. Adjusts how narrow or wide the selected frequency is. & bull; Mid Level: External knob. Adjusts for more or less mids. +- 20dBFuzz ... the sound of rock and righteous indignation worldwide. That spitting, snarling and surly sound of rock legends past and present.The FUZZ GOAT HEAD analog plug-in module from Jackson Audio takes faithful recreations of historic fuzz circuits and brings them together allowing to create classic fuzz sounds as well as new fuzz sounds that are impossible with the original circuits. The FUZZ GOAT HEAD plug-in expands the tones available by adding two additional types of clipping. With the jumper set in the DIST (distortion) position on pedal, this plug-in makes the clipping smoother and with more headroom. With the jumper set in the OD (overdrive) position, the clipping is smoother still and has the feel and vibe of a vintage overdrive.The idea of creating a modular fuzz came about as Jackson Audio were trying to decide which style of fuzz would be the most musical fuzz of all time. The answer quickly became, "All of them!" All of them are different, and all of them bring something unique sonically. With the FUZZ GOAT HEAD plug-in, can update fuzz sound completely and turn pedal into a whole new pedal with a simple and affordable plug-in swap."In the 30 years since I began playing guitar, I have always loved fuzz pedals. I've bought countless versions of them over the years, but in my mind, they've always had a massive shortcoming. They desperately need more effective tone controls! That's why I designed the FUZZ GOAT HEAD plug-in with a 3-band, fully parametric EQ." - Brad Jackson EQ and especially the mids, are where the guitar makes its stand. Not enough mids and guitar is lost in the mix. Too much highs and tone is piercing and off-putting. Too much bass and compete sonically with the bass drum and bass player. With the parametric EQ on the FUZZ GOAT HEAD plug-in, have nine controls at disposal to fully sculpt tone and make sure the riffs are laying down are never lost in the mix.
Jackson Audio MODERN FUZZ DELUXE Analog Plug-in Module
Dimensions (Overall): 3.2 inches (L), 1.0 inches (H) x 2.25 inches (W) x 3.2 inches (D)Weight: .04 poundsEffect Type: Distortion, Fuzz, and OverdriveWarranty: No Applicable Warranty. To obtain a copy of the manufacturer's or supplier's warranty for this item prior to purchasing the item, & bull; EQBass level - External knob adjusts for more or less bass. +- 20dB & bull; Bass freq - Internal trimmer selects which bass frequency is being adjusted & bull; Bass Q - Internal trimmer adjusts how narrow or wide the selected frequency is & bull; Mid Level - External knob adjusts for more or less mids. +- 20dB & bull; Mid Freq - External knob selects which mid-frequency is being adjustedFuzz ... the sound of rock and righteous indignation worldwide. That spitting, snarling and surly sound of rock legends past and present.The MODERN FUZZ DELUXE analog plug-in module from Jackson Audio takes faithful recreations of historic fuzz circuits and brings them together allowing to create classic fuzz sounds as well as new fuzz sounds that are impossible with the original circuits. The MODERN FUZZ DELUXE plug-in expands the tones available by adding two additional types of clipping. With the jumper set in the DIST (distortion) position on pedal, this plug-in makes the clipping smoother and with more headroom. With the jumper set in the OD (overdrive) position, the clipping is smoother still and has the feel and vibe of a vintage overdrive.The idea of creating a modular fuzz came about as Jackson Audio were trying to decide which style of fuzz would be the most musical fuzz of all time. The answer quickly became, "All of them!" All of them are different, and all of them bring something unique sonically. With the MODERN FUZZ DELUXE plug-in, can update fuzz sound completely and turn pedal into a whole new pedal with a simple and affordable plug-in swap."In the 30 years since I began playing guitar, I have always loved fuzz pedals. I've bought countless versions of them over the years, but in my mind, they've always had a massive shortcoming. They desperately need more effective tone controls! That's why I designed the MODERN FUZZ DELUXE plug-in with a 3-band, fully parametric EQ." - Brad Jackson EQ and especially the mids, are where the guitar makes its stand. Not enough mids and guitar is lost in the mix. Too much highs and tone is piercing and off-putting. Too much bass and compete sonically with the bass drum and bass player. With the parametric EQ on the MODERN FUZZ DELUXE plug-in, have nine controls at disposal to fully sculpt tone and make sure the riffs are laying down are never lost in the mix.
Jackson Audio FUZZ Page Mark II Analog Plug-in Module
Dimensions (Overall): 3.2 inches (L), 1.0 inches (H) x 2.25 inches (W) x 3.2 inches (D)Weight: .04 poundsEffect Type: Distortion, Fuzz, and OverdriveWarranty: No Applicable Warranty. To obtain a copy of the manufacturer's or supplier's warranty for this item prior to purchasing the item, & bull; EQ & bull; Bass Level: External knob. Adjusts for more or less bass. +- 20dB & bull; Bass Freq: Internal trimmer. Selects which bass frequency is being adjusted. & bull; Bass Q: Internal trimmer. Adjusts how narrow or wide the selected frequency is. & bull; Mid Level: External knob. Adjusts for more or less mids. +- 20dBFuzz ... the sound of rock and righteous indignation worldwide. That spitting, snarling and surly sound of rock legends past and present.The FUZZ Page Mark II analog plug-in module from Jackson Audio takes faithful recreations of historic fuzz circuits and brings them together allowing to create classic fuzz sounds as well as new fuzz sounds that are impossible with the original circuits. The FUZZ Page Mark II plug-in expands the tones available by adding two additional types of clipping. With the jumper set in the DIST (distortion) position on pedal, this plug-in makes the clipping smoother and with more headroom. With the jumper set in the OD (overdrive) position, the clipping is smoother still and has the feel and vibe of a vintage overdrive.The idea of creating a modular fuzz came about as Jackson Audio were trying to decide which style of fuzz would be the most musical fuzz of all time. The answer quickly became, "All of them!" All of them are different, and all of them bring something unique sonically. With the FUZZ Page Mark II plug-in, can update fuzz sound completely and turn pedal into a whole new pedal with a simple and affordable plug-in swap."In the 30 years since I began playing guitar, I have always loved fuzz pedals. I've bought countless versions of them over the years, but in my mind, they've always had a massive shortcoming. They desperately need more effective tone controls! That's why I designed the FUZZ Page Mark II plug-in with a 3-band, fully parametric EQ." - Brad Jackson EQ and especially the mids, are where the guitar makes its stand. Not enough mids and guitar is lost in the mix. Too much highs and tone is piercing and off-putting. Too much bass and compete sonically with the bass drum and bass player. With the parametric EQ on the FUZZ Page Mark II plug-in, have nine controls at disposal to fully sculpt tone and make sure the riffs are laying down are never lost in the mix.
Jackson Audio Broken Arrow v2 Overdrive Effects Pedal - Black Black
Dimensions (Overall): 6.25 inches (L), 3.25 inches (H) x 4.25 inches (W) x 6.25 inches (D)Weight: 1.0 poundsEffect Type: Distortion, Fuzz, and OverdriveWarranty: No Applicable Warranty. To obtain a copy of the manufacturer's or supplier's warranty for this item prior to purchasing the item, & bull; Controls: Volume, Boost, Gain, Bass, Middle Treble & bull; MIDI control & bull; Input Impedance: 1M & bull; Output Impedance: 100k & bull; Power Supply: DCThe Jackson Audio BROKEN ARROW is a very flexible overdrive with 4 presets for clipping options, an innovative gain adjustment feature called GAIN CYCLE, and a 3 band active EQ for maximum tonal flexibility. To top it off, the designers added a boost circuit which is the same type of MOSFET boost circuit found on the company's top-selling PRISM Preamp pedal.Boost OverviewThe boost circuit is in its own true bypass loop which means it can be used independently of the DRIVE circuit. The boost circuit in the BROKEN ARROW is a MOSFET based boost much like the AMP MODE found in the best-selling PRISM Preamp pedal. To activate/deactivate the boost circuit simply press the BOOST footswitch.One of the things that makes the boost in the BROKEN ARROW different from other boosts on the market is that it has 4 presets available. Each preset is EQ’d slightly differently to allow it to alter how it interacts with the overdrive circuit in the BROKEN ARROW or any other pedal may have in rigPreset 1 – YELLOW LED: Bright Boost. Very useful for creating a thinner sound or when boosting a thick sounding overdrive.Preset 2 – GREEN LED: Mid Boost. Not as thin as the yellow mode, the green mode allows more lows and takes on the character of a mid boost.Preset 3 – AQUA LED: Tailored Boost. Most people will find this a perfect setting that will complement most any overdrive setting in the BROKEN ARROW.Preset 4 – BLUE LED: Full Range. No tonal coloring here! Just guitars natural tone!To select a boost preset, press and hold the BOOST footswitch for more than 1 second and boost program mode will become active.When in this mode, the BOOST led will flash to indicate that are in program mode. A quick tap on the BOOST footswitch will cycle the boost presets and ’ll be able to hear these presets change as cycle through them, assuming that the boost circuit was active when the boost program mode was entered. Once arrive at a boost preset that want to use, press and hold the BOOST footswitch for more than 1 second and boost program mode will exit.Easter EggThere is an easter egg in the boost circuit of the BROKEN ARROW! The boost circuit is based on a MOSFET transistor which is a very popular type of transistor to use for boost circuits because it has many “amp like” characteristics when it clips etc. There can be downsides to this circuit though.Several very popular MOSFET boost circuits on the market have a very noticeable crackle when their boost knobs are rotated. The designers fixed this issue in the BROKEN ARROW and the boost is perfectly silent when the boost knob is rotated. The only downside to the remedy of this problem is that it loses about 5% of the gain at the highest rotation setting. To most people this would never be a problem as the boost on the BROKEN ARROW is crushingly loud as it it.However if are a purist, or just want to hear the difference, I have good news for . Jackson included an internal jumper that can move to go back to stock MOSFET boost operation with 100% gain and all the crackle heart could ever desire! Quiet or Crackle. The choice is s!STND BOOST – Jackson Audio's version of the MOSFET boost. Same tone, no noise.ALT BOOST – Modified version of the MOSFET boost. Same tone, slightly more gain, crackles when turn the knob.Overdrive OverviewThe overdrive circuit of the BROKEN ARROW is a soft clipping overdrive circuit designed in the same vein as the venerable TS-808. The distinction between the TS-808 and the BROKEN ARROW being that there is no set “mid-hump” in the BROKEN ARROW and the tone is relatively flat when all controls are set at 12:00
Jackson Audio Large Mouse Analog Plug-in Module for ASABI Overdrive/Distortion Pedal Black
Dimensions (Overall): 3.25 inches (L), 1.1 inches (H) x 2.25 inches (W) x 3.25 inches (D)Weight: .05 poundsEffect Type: Distortion, Fuzz, and OverdriveWarranty: No Applicable Warranty. To obtain a copy of the manufacturer's or supplier's warranty for this item prior to purchasing the item, & bull; Distortion Side & bull; Removable distortion modules with new modules being released all the time & bull; 3-band active EQ & bull; 4 clipping options with automatic level matching & bull; Innovative Gain Cycle featureThis Large Mouse plug-in module is for use with the ASABI Overdrive/Distortion pedal and is based on the legendary ProCo Rat, delivering all the snarl and spit of the original with features 've never seen before. Coupled with an active EQ, 4x clipping options, and our innovative Gain Cycle feature, 've never heard a Rat like this one. To make the Large Mouse even more faithful to the original, Jackson Audio procured the mythical LM308 chip that is used in the most sought-after vintage units.ASABIThe Mateus Asato Signature Pedal, the ASABI, is a distortion/overdrive pedal that contains a versatile array of tones and is the world's first pedal to feature replaceable distortion circuits.The name Asabi, which means, "of unusual birth" was chosen by Mateus because it speaks to the unique nature of this pedal, as well as his own family heritage. Keep reading below to learn more about how the ASABI can bring tone to life in new and creative ways.To keep things interesting on pedalboard, we developed the technology to create replaceable distortion modules so can swap the distortion circuit in the ASABI without having to buy a completely new pedal! Because we all like to try out new pedals, these affordable modules allow to buy the pedal once and update it with new modules all the time!The Modern High Gain module that ships with the ASABI is based on the venerable Marshall JCM800 and delivers true Marshall "Amp In a Box Distortion" at any volume. Coupled with an active EQ, 4x clipping options, and our innovative Gain Cycle feature, the Modern High Gain module gives a plethora of tones ranging from classic rock to crushing heavy metal!To push the distortion even further into clipping, and to cut through the mix perfectly on its own, the overdrive side of the ASABI features an incredibly touch sensitive overdrive circuit. Designed for maximum transparency, the overdrive on the Asabi is completely flat in its frequency response with no mid hump or unnatural artifacts. The Asabi overdrive is tone, perfectly pushed. Just like the distortion side, the overdrive circuit in the ASABI features 4x clipping options to perfectly dial in overdriven tones.
