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Buddy Rich Birdland 180g LP (Vinyl)

& lt;font color= & quot;#FF0000 & quot; & gt; & lt;b & gt;Previously Unreleased Live Material On 180g Vinyl! & lt;br & gt; As Seen In the Feature Film & quot;Whiplash & quot;! & lt;/b & gt; & lt;/font & gt; & lt;br & gt; & lt;br & gt; The Buddy Rich estate releases Birdland, a collection of never before released and exclusive tracks recorded by band member and engineer Alan Gauvin at the peak of Buddy’s career in the mid '70s with his band Killer Force on 180-gram vinyl. & lt;br & gt; & lt;br & gt; Featured in the Oscar winning film Whiplash, this album (which is previously unreleased) is a must have for long time fans and new aspiring drummers looking to study the sheer talent and wow-factor that has made Buddy “the greatest drummer of all time” for decades. & lt;br & gt; & lt;br & gt; & lt;b & gt; & quot;This rare, previously unreleased, and all original production was recorded with Buddy’s permission by band mate Alan Gauvin, who has also now mixed and edited the project together. The album was mastered by Tom Swift... The Birdland album is seen in the Academy Award winning film Whiplash, in the hands of the young star Miles Teller, who plays an extraordinary drummer who idolizes Buddy Rich... & quot; & lt;/b & gt; - allaboutjazz.com & lt;br & gt; & lt;br & gt; & lt;b & gt;Features: & lt;/b & gt; & lt;br & gt; • 180g Vinyl & lt;br & gt; • Includes limited time download card & lt;br & gt; & lt;br & gt; & lt;b & gt;Musicians: & lt;/b & gt; & lt;br & gt; Buddy Rich, drums & lt;br & gt; Alan Gauvin, alto & amp; soprano saxophone, flute & lt;br & gt; Bill Blount, alto saxophone & lt;br & gt; Frank Basile, alto saxophone & lt;br & gt; Steve Marcus, tenor & amp; soprano saxophone & lt;br & gt; Bobby Mintzer, tenor saxophone, flute & lt;br & gt; Turk Mauro, baritone saxophone & lt;br & gt; Rick Stepton, trombone & lt;br & gt; Dale Kirkland, trombone & lt;br & gt; David Boyle, trombone & lt;br & gt; Dave Stahl, trumpet & lt;br & gt; Dean Pratt, trumpet & lt;br & gt; Ross Konikoff, trumpet & lt;br & gt; Jon Marshal, trumpet & lt;br & gt; Waymon Reed, trumpet & lt;br & gt; & lt;br & gt; & lt;b & gt;Selections: & lt;br & gt; Side A: & lt;/b & gt; & lt;br & gt; 1. Mexicali Nose & lt;br & gt; 2. Birdland & lt;br & gt; 3. Milestones & lt;br & gt; 4. Just Friends & lt;br & gt; & lt;b & gt;Side B: & lt;/b & gt; & lt;br & gt; 5. Moment's Notice & lt;br & gt; 6. I Hear A Rhapsody & lt;br & gt; 7. CTA & lt;br & gt; 8. Parthenia & lt;br & gt; 9. Keep the Customer Satisfied

Buddy Rich The Lost Tapes 180g LP (Vinyl)

& lt;a href=javascript:; & quot; onclick= & quot;document.location.hash='SS'; & quot; & gt; & lt;img src= & quot;/content/images/playbutton.gif & quot; hspace= & quot;10 & quot; align= & quot;left & quot; border= & quot;0 & quot; & gt; & lt;font color= & quot;0000FF & quot; & gt; & lt;b & gt;Click Here for Video Sample! & lt;/b & gt; & lt;/font & gt; & lt;/a & gt; & lt;br & gt; & lt;br & gt; & lt;font color= & quot;#FF0000 & quot; & gt; & lt;b & gt;180g Vinyl LP! & lt;br & gt; Pressed in Germany at Pallas! & lt;/b & gt; & lt;/font & gt; & lt;br & gt; & lt;br & gt; Buddy Rich and gang performed these tracks live at One Pass Productions' King Street studio in San Francisco. The tapes were thought to be lost during a fire at the facility they were stored. & lt;br & gt; & lt;br & gt; About the Lost Tapes: & lt;br & gt; & lt;b & gt; & quot;In April 1985 — two years before his untimely passing — Buddy Rich and his band recorded a concert at One Pass Productions' King Street Studio in San Francisco using state-of-the-art equipment designed to capture the band & quot;in a typically 'live' . . . setting with natural acoustic balances and three-dimensional imaging. The concert, the last one Buddy ever recorded for video release, was divided into two nearly hour-long programs, the & quot;Channel One set and the & quot;West Side Story set. & quot;Channel One was distributed by Pioneer on laser disc and Sony on VHS, but a far grimmer fate awaited & quot;West Side Story. The masters were stored at One Pass, which a few years later was sold to Editel. In 1990, when a fire swept through the Editel facility, the tapes were soaked in water and presumably destroyed. & lt;br & gt; & lt;br & gt; & quot;Ten years later Steve Michelson, the owner of One Pass and executive producer of the King Street session, and producer Gary Reber were working together on another project when they began talking about the concert in '85 and musing about how marvelous it would be if Buddy's last recording could somehow be released on DVD. Michelson thought the master tapes had been lost in the fire, but as it turned out, Reber had master and sub-master tapes stored away, along with the U-Matic digital audio originals, a box of one-inch tapes with behind-the-scenes footage, and Betamax tapes. & lt;br & gt; & lt;br & gt; & quot;Needless to say, everything was in wretched condition, and restoring the tapes would be no walk in the park. But Michelson and Reber—with expert technical help—set about doing it, painstakingly overhauling audio and video components, then carefully combining them into a seamless whole The result, as you'll see and hear on The Lost Tapes, is worthy of a Michelangelo or a Rembrandt. I've heard far worse from tapes that hadn't been through a fire or submerged in water. & lt;br & gt; & lt;br & gt; & quot;Video and audio quality are in fact quite good, ... and the band—well, it's at the peak of its game, as was any ensemble led by the incomparable Buddy Rich (and it had better be—or else!). Buddy, of course, is the dynamo that fuels the engine, but everyone else is up to the challenge in a concert that includes such demanding charts as & quot;Mexicali Nose, & quot;Willowcrest, & quot;The Red Snapper... Rounding out the program are Monk's & quot;'Round Midnight, Ellington's & quot;Cotton Tail, and Don Piestrup's & quot;New Blues & quot;. & lt;br & gt; & lt;br & gt; & quot;The standout soloist is long-time Rich crew chief Steve Marcus... Marcus is a marvel on tenor ( & quot;Nose, & quot;Willowcrest, & quot;Midnight, & quot;Cotton Tail ) or soprano ( & quot;New Blues ). Cunliffe is impressive too, as are Carpenter, trumpeter Paul Phillips, alto Bob Bowlby ( & quot;Snapper ) and tenor Brian Sjoerdinga ( & quot;West Side Story )... & quot; & lt;/b & gt; - Jack Bowers, allaboutjazz.com, December 2005 & lt;br & gt; & lt;br & gt; & lt;a name= & quot;SS & quot; & gt; & lt;/a & gt; & lt;iframe src= & quot;https://player.vimeo.com/video/230659281 & quot; width= & quot;640 & quot; height= & quot;468 & quot; frameborder= & quot;0 & quot; webkitallowfullscreen mozallowfullscreen allowfullscreen & gt; & lt;/iframe & gt; & lt;p & gt; & lt;a href= & quot;https://vimeo.com/230659281 & quot; & gt; & lt;/a & gt; & lt;/p & gt; & lt;br & gt; & lt;br & gt; & lt;b & gt;Features: & lt;/b & gt; & lt;br & gt; • 180g Vinyl & lt;br & gt; • Pressed in Germany at Pallas & lt;br & gt; • Limited time digital download & lt;br & gt; & lt;br & gt; & lt;b & gt;Musicians: & lt;br & gt; Saxes: & lt;/b & gt; & lt;br & gt; Steve Marcus, tenor/soprano & lt;br & gt; Mark Pinto, alto & lt;br & gt; Bob Bowlby, alto & lt;br & gt; Brian Sjoerdinga, tenor/flute & lt;br & gt; Jay Craig, baritone & lt;br & gt; & lt;b & gt;Trombones: & lt;/b & gt; & lt;br & gt; Scott Bliege & lt;br & gt; Mike Davis & lt;br & gt; James Martin & lt;br & gt; & lt;b & gt;Trumpets: & lt;/b & gt; & lt;br & gt; Paul Phillips & lt;br & gt; Eric Miyashiro & lt;br & gt; Michael Lewis & lt;br & gt; Joe Kaminsk & lt;br & gt; & lt;b & gt;Rhythm: & lt;/b & gt; & lt;br & gt; Bill Cunliffe, piano & lt;br & gt; Dave Carpenter, electric bass & lt;br & gt; & lt;b & gt;Drums/Leader: & lt;/b & gt; & lt;br & gt; Buddy Rich & lt;br & gt; & lt;br & gt; & lt;b & gt;Selections: & lt;br & gt; Side A: & lt;/b & gt; & lt;br & gt; 1. Willowcrest & lt;br & gt; 2. 'Round Midnight & lt;br & gt; 3. Cotton Tail & lt;br & gt; 4. New Blues & lt;br & gt; & lt;b & gt;Side B: & lt;/b & gt; & lt;br & gt; 1. Mexicali Nose & lt;br & gt; 2. The Red Snapper & lt;br & gt; 3. West Side Story (Medley)

Grover Washington, Jr. Grover Live 180g 2LP (Opaque Gold Vinyl)

& lt;header & gt; & lt;p & gt; & lt;strong & gt;Live Set On Commemorative Edition 180g Opaque Gold Vinyl 2LP! & lt;/strong & gt; & lt;br & gt; & lt;strong & gt;High-Quality Vinyl from Furnace Record Pressing! & lt;/strong & gt; & lt;/p & gt; & lt;/header & gt; & lt;p & gt;Commemorative edition of Grover Live marks 20 years since the passing of Grover Washington Jr., the immensely popular artist largely responsible for creating a bridge between jazz and R & amp;B. Cut in June 1997 at Peekskill, NY's Paramount Center for the Arts, it captures the essence of Grover's greatness. With a coterie of 'A' class musicians in support, Grover Live demonstrates why he was not only a leader but a pioneer who blended jazz subtleties with the funk of soul. & lt;/p & gt; & lt;section id= & quot;features & quot; & gt; & lt;h3 & gt;Features & lt;/h3 & gt; & lt;ul & gt; & lt;li & gt;Commemorative Edition & lt;/li & gt; & lt;li & gt;Limited Edition & lt;/li & gt; & lt;li & gt;180g Vinyl & lt;/li & gt; & lt;li & gt;Double LP & lt;/li & gt; & lt;li & gt;Opaque Gold Vinyl & lt;/li & gt; & lt;li & gt;High-Quality Vinyl from Furnace Record Pressing & lt;/li & gt; & lt;li & gt;Mastered & amp; Digital Editing by Peter Humphreys at Masterworks Recording, Philadelphia, PA & lt;/li & gt; & lt;/ul & gt; & lt;/section & gt; & lt;section id= & quot;musicians & quot; & gt; & lt;h3 & gt;Musicians & lt;/h3 & gt; & lt;table & gt; & lt;tr & gt; & lt;th & gt;Grover Washington, Jr. & lt;/th & gt; & lt;td & gt;tenor/soprano/alto/baritone sax & lt;/td & gt; & lt;/tr & gt; & lt;tr & gt; & lt;th & gt;Donald Robinson & lt;/th & gt; & lt;td & gt;keyboards & amp; musical director & lt;/td & gt; & lt;/tr & gt; & lt;tr & gt; & lt;th & gt;Adam Holzman & lt;/th & gt; & lt;td & gt;keyboards & lt;/td & gt; & lt;/tr & gt; & lt;tr & gt; & lt;th & gt;Gerald Veasley & lt;/th & gt; & lt;td & gt;bass & lt;/td & gt; & lt;/tr & gt; & lt;tr & gt; & lt;th & gt;Richard Lee Steacker & lt;/th & gt; & lt;td & gt;guitars & lt;/td & gt; & lt;/tr & gt; & lt;tr & gt; & lt;th & gt;Steven Wolf & lt;/th & gt; & lt;td & gt;drums & lt;/td & gt; & lt;/tr & gt; & lt;tr & gt; & lt;th & gt;Pablo Batista & lt;/th & gt; & lt;td & gt;congas & amp; percussion & lt;/td & gt; & lt;/tr & gt; & lt;!--More musician rows go here-- & gt; & lt;/table & gt; & lt;/section & gt; & lt;section id= & quot;selections & quot; & gt; & lt;h3 & gt;Selections & lt;/h3 & gt; & lt;h4 & gt;Side One: & lt;/h4 & gt; & lt;ol & gt; & lt;li & gt;Winelight with Intro & lt;/li & gt; & lt;li & gt;Take Five (Take Another Five) & lt;/li & gt; & lt;li & gt;Soulful Strut & lt;/li & gt; & lt;/ol & gt; & lt;h4 & gt;Side Two: & lt;/h4 & gt; & lt;ol & gt; & lt;li & gt;Grover Talks & lt;/li & gt; & lt;li & gt;Mystical Force & lt;/li & gt; & lt;li & gt;Uptown & lt;/li & gt; & lt;li & gt;Sassy Stew & lt;/li & gt; & lt;/ol & gt; & lt;h4 & gt;Side Three: & lt;/h4 & gt; & lt;ol & gt; & lt;li & gt;Grover Talks Again & lt;/li & gt; & lt;/ol & gt; & lt;p & gt;Medley: & lt;/p & gt; & lt;ol start= & quot;2 & quot; & gt; & lt;li & gt;Black Frost & lt;/li & gt; & lt;li & gt;Inner City Blues & lt;/li & gt; & lt;li & gt;Strawberry Moon & lt;/li & gt; & lt;li & gt;Inside Moves & lt;/li & gt; & lt;li & gt;Jamaica & lt;/li & gt; & lt;li & gt;East River Drive & lt;/li & gt; & lt;li & gt;Just The Two Of Us & lt;/li & gt; & lt;li & gt;Sausalito & lt;/li & gt; & lt;/ol & gt; & lt;h4 & gt;Side Four: & lt;/h4 & gt; & lt;ol & gt; & lt;li & gt;Let It Flow (For & quot;Dr. J & quot;) & lt;/li & gt; & lt;li & gt;Mr. Magic & lt;/li & gt; & lt;/ol & gt; & lt;/section & gt;