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Jazz At The Pawnshop 180g 2LP (Vinyl)

& lt;font color= & quot;#FF0000 & quot; & gt; & lt;b & gt;TAS Super LP List! Special Merit: Informal & lt;/b & gt; & lt;/font & gt; & lt;br & gt; & lt;br & gt; & lt;font color= & quot;#FF0000 & quot; & gt; & lt;b & gt;TAS Super LP List & amp; Stereophile Magazine Record to Die For! & lt;br & gt; & quot;The Best Jazz Recording of the Century! & quot; & lt;/b & gt; & lt;/font & gt; & lt;br & gt; & lt;br & gt; Jazz At The Pawnshop, recorded at Stampen jazzclub in Stockholm on December 14-15, 1976, has been regarded as & quot;The Best Jazz Recording of the Century! & quot; Most audiophiles all over the world should have already be in possession of one. Its musical artistry and sonic excellence have few peers. Give yourself a justifiable treat - Get one as quickly as you can! & lt;br & gt; & lt;br & gt; This 180g LP release contains the original 2LP Album release material. & lt;br & gt; & lt;br & gt; & lt;b & gt; & quot;Their repertoire includes a few break-outs. Paul Desmond's & quot;Take Five & quot; underlined in quintuple time is one of them, and the African folk tune & quot;High Life & quot; is another. Otherwise we find ourselves at home with the old ones and the big ones. At home with [Louis] Armstrong in & quot;Struttin' With Some Barbecue & quot;, with [Coleman] Hawkins in & quot;Stuffy & quot;, with [Benny] Goodman in & quot;Limehouse Blues & quot;, with [Charlie] Parker in & quot;Barbados & quot;, with [Johnny] Hodges in & quot;Jeep's Blues & quot;. And with all of them in a couple of evergreens like & quot;Lady Be Good & quot; and & quot;How High The Moon & quot;. And a piece like & quot;I'm Confessin' & quot; has been played by every single jazz musician with a normal degree of self respect ever since the partners Doc Dougherty and Ellis Reynolds agreed on it in the 1930s. & quot; & lt;/b & gt; & lt;br & gt; & lt;br & gt; & lt;b & gt; & quot;What is worth saying about the remaining ballads? One this: give a soloist a ballad and he will show his innermost capability. Through his manner of telling a story, perhaps conveying an experience, with his very own pauses and subordinate clauses, reservations and empahsis. ballads are remoreseless. They will have no truck with the tawdry. & quot; & lt;/b & gt; & lt;br & gt; & lt;br & gt; & lt;b & gt; & quot;Arne Domnerus and his friends had some long stories to tell at Stampen in December 1976, stories we could do well to listen to. & quot; & lt;/b & gt; - Jurgen Schildt & lt;br & gt; & lt;br & gt; & lt;b & gt;Features: & lt;/b & gt; & lt;br & gt; • 180 Gram Vinyl & lt;br & gt; • Made In Germany & lt;br & gt; • Gatefold Jacket & lt;br & gt; & lt;br & gt; & lt;b & gt;Musicians: & lt;/b & gt; & lt;br & gt; Lars Erstrand, vibes & lt;br & gt; Arne Domnerus, alto sax, clarinet & lt;br & gt; Bengt Hallberg, piano & lt;br & gt; Georg Riedel, bass & lt;br & gt; Egil Johansen, drums & lt;br & gt; & lt;br & gt; & lt;b & gt;Selections: & lt;br & gt; Side 1: & lt;br & gt; & lt;/b & gt; 1. Limehouse Blues & lt;br & gt; 2. I'm Confessin' & lt;br & gt; 3. High Life & lt;br & gt; & lt;b & gt;Side 2: & lt;br & gt; & lt;/b & gt; 1. Struttin' With Some Barbeque & lt;br & gt; 2. Jeep's Blues & lt;br & gt; 3. Stuffy & lt;br & gt; & lt;b & gt;Side 3: & lt;/b & gt; & lt;br & gt; 1. Lady Be Good & lt;br & gt; 2. Here Is That Rainy Day & lt;br & gt; 3. Barbados & lt;br & gt; & lt;b & gt;Side 4: & lt;/b & gt; & lt;br & gt; 1. How High The Moon & lt;br & gt; 2. Take Five & lt;br & gt; 3. Everything Happens To Me