RESONANCE White Soy Wax Scented Aromatic VEGAN Candles (Vanilla) - Set of 4
This set of natural soy wax candles from RESONANCE has a very welcoming sweet note. It is set in a recycle-able glass jar and made from 100 percent non-toxic and earth-friendly ingredients. It is easy to set up and burn cleaner compared to any paraffin wax candle and does not emit any harmful petrochemical vapors. It is perfect for anyone concerned with health healing. It comes in a set of 4 vanilla scented vegan candles.
Primary Ingredients:
Other Ingredients:
RESONANCE White Soy Wax Scented Aromatic VEGAN Candles (Lemongrass) - Set of 4
You can enjoy this sharply refreshing and mind-alerting citrusy aroma, especially in your workspace by getting this set of soy wax candles from RESONANCE. These are set in a recycle-able glass jar and made from 100 percent non-toxic and earth-friendly ingredients. It is easy to set up and burn cleaner compared to any paraffin wax candle and do not emit any harmful petrochemical vapors. It is perfect for anyone concerned with health healing. It comes in a set of 4 lemongrass scented vegan candles.
Primary Ingredients:
Other Ingredients:
RESONANCE White Soy Wax Scented Aromatic VEGAN Candles (Neroli & Basil) - Set of 4
RESONANCE has blended together neroli and Indian basil and the fragrance of this set of soy wax candles is sweet, herbaceous and spicy. Neroli aroma is extremely soothing, is known to increase creativity and uplift one's mood, these qualities blend together with the herbaceous slightly spicy notes of basil bring true magic to your living spaces. It is set in a recycle-able glass jar and made from 100 percent non-toxic and earth friendly ingredients. It is easy to set up and does not emit any harmful petrochemical vapors. It comes in a set of 4 neroli and basil scented vegan candles.
Primary Ingredients:
Other Ingredients:
RESONANCE White Soy Wax Scented Aromatic VEGAN Candles (Apple Cinnamon) - Set of 2
You will love the mood-elevating fragrance of this set of natural soy wax candles by RESONANCE. It is set in a recycle-able glass jar and made from 100 percent non-toxic and earth friendly ingredients. It is easy to set up and burn cleaner compared to any paraffin wax candle and does not emit any harmful petrochemical vapors. It comes in a set of 2 apple cinnamon scented vegan candles.
Primary Ingredients:
Other Ingredients:
RESONANCE White Soy Wax Scented Aromatic VEGAN Candles (Cocoa) - Set of 4
Cocoa absolute or extract is made from the solvent extraction of cocoa beans and RESONANCE has added a twist to this absolute with a hint of vanilla in this set of soy wax candles. The aroma of this set is rich, sweet and extremely warm. It is set in a recycle-able glass jar and made from 100 percent non-toxic and earth friendly ingredients. It is easy to set up and burn cleaner compared to any paraffin wax candle and does not emit any harmful petrochemical vapors. It comes in a set of 4 cocoa scented vegan candles.
Primary Ingredients:
Other Ingredients:
RESONANCE White Soy Wax Scented Aromatic VEGAN Candles (Citrus Grass) - Set of 4
This set by RESONANCE brings to you a unique blend of mosquito and bug repellent soy wax candles. Citronella neem and tulsi have the natural properties of repelling bugs and mosquitoes. These are set in a recycle-able glass jar and made from 100 percent non-toxic and earth-friendly ingredients. It is easy to set up and burn cleaner compared to any paraffin wax candle and does not emit any harmful petrochemical vapors. It comes in a set of 4 citrus grass bug and mosquito repellent scented vegan candles.
Primary Ingredients:
Other Ingredients:
RESONANCE White Soy Wax Scented Aromatic VEGAN Candles (Amber & Vanilla) - Set of 2
The is a special aromatic blend from RESONANCE soy wax candles that combines the warm, earthy and resinous essential oil of amber with the sweet woody fragrance of the most popular tropical orchids, vanilla. Put together the fragrance is extremely calming, sweet yet rich and very warm. It is set in a recycle-able glass jar and made from 100 percent non-toxic and earth friendly ingredients. It is easy to set up and burn cleaner compared to any paraffin wax candle and does not emit any harmful petrochemical vapors. It comes in a set of 2 amber and vanilla scented vegan candles.
Primary Ingredients:
Other Ingredients:
RESONANCE White Soy Wax Scented Aromatic VEGAN Candles (Citrus Grass) - Set of 4
This set by RESONANCE brings to you a unique blend of mosquito and bug repellent soy wax candles. Citronella neem and tulsi have the natural properties of repelling bugs and mosquitoes. These are set in a recycle-able glass jar and made from 100 percent non-toxic and earth-friendly ingredients. It is easy to set up and burn cleaner compared to any paraffin wax candle and does not emit any harmful petrochemical vapors. It comes in a set of 4 citrus grass bug and mosquito repellent scented vegan candles.
Primary Ingredients:
Other Ingredients:
RESONANCE White Soy Wax Scented Aromatic VEGAN Candles (Patchouli) - Set of 2
This is another popular fragrance from RESONANCE soy wax candles, this time from the mint family, patchouli is a tropical Asian bush-herb. Patchouli is known to be a natural anti-depressant and uplifting fragrance. It is packed with earthy soft yet sweet notes from this tropical herb. It is set in a recycle-able glass jar and made from 100 percent non-toxic and earth friendly ingredients. It is easy to set up and burn cleaner compared to any paraffin wax candle and does not emit any harmful petrochemical vapors. It comes in a set of 2 patchouli scented vegan candles.
Primary Ingredients:
Other Ingredients:
RESONANCE White Soy Wax Scented Aromatic VEGAN Candles (Lemongrass) - Set of 2
You can enjoy this sharply refreshing and mind-alerting citrusy aroma, especially in your workspace by getting this set of soy wax candles from RESONANCE. These are set in a recycle-able glass jar and made from 100 percent non-toxic and earth-friendly ingredients. It is easy to set up and burn cleaner compared to any paraffin wax candle and do not emit any harmful petrochemical vapors. It is perfect for anyone concerned with health healing. It comes in a set of 2 lemongrass scented vegan candles.
Primary Ingredients:
Other Ingredients:
RESONANCE White Soy Wax Scented Aromatic VEGAN Candles (Cinnamon) - Set of 2
Sweet and spicy, the cinnamon soy wax candles from RESONANCE are one of the best sellers. The rich, spicy and sweet aroma of the cinnamon bark essential oil is a popular choice for a perfect evening setup, meditations and many rituals. Lighting a cinnamon candle is considered to bring in good luck and good fortune too. These are set in a recycle-able glass jar and made with 100 percent non-toxic and earth-friendly ingredients. It is easy to set up and does not emit any harmful petrochemical vapors. It comes in a set of 2 cinnamon scented vegan candles.
Primary Ingredients:
Other Ingredients:
Resonance White Soy Wax Lavender Aromatherapy Candle
High quality and true-to-life fragrances and commitment to totally green decor inspired to bring the finest quality fragrances from across the world. This candle is from a unique blend of plant-based wax (residues post edible oil extraction from different vegetable oil seeds) which is 100 percent paraffin-free. What makes this hand-poured candles best suited for anyone concerned with health, healing, and the environment.
Primary Ingredients:
Other Ingredients:
RESONANCE White Soy Wax Scented Aromatic VEGAN Candles (Cinnamon) - Set of 4
Sweet and spicy, the cinnamon soy wax candles from RESONANCE are one of the best sellers. The rich, spicy and sweet aroma of the cinnamon bark essential oil is a popular choice for a perfect evening setup, meditations and many rituals. Lighting a cinnamon candle is considered to bring in good luck and good fortune too. These are set in a recycle-able glass jar and made with 100 percent non-toxic and earth-friendly ingredients. It is easy to set up and does not emit any harmful petrochemical vapors. It comes in a set of 4 cinnamon scented vegan candles.
Primary Ingredients:
Other Ingredients:
Resonance White Soy Wax Rose Aromatherapy Candle
High quality and true-to-life fragrances and commitment to totally green decor inspired to bring the finest quality fragrances from across the world. This candle is from a unique blend of plant-based wax (residues post edible oil extraction from different vegetable oil seeds) which is 100 percent paraffin-free. What makes this hand-poured candles best suited for anyone concerned with health, healing, and the environment.
Primary Ingredients:
Other Ingredients:
RESONANCE White Soy Wax Scented Aromatic VEGAN Candles (Cinnamon) - Set of 1
RESONANCE brings to you this soy wax votive candle with EcoFills, which can be easily slid into the votive candle container after you finish using one candle. EcoFill is an amazing way to recycle your candle containers in a very pocket friendly and environment friendly manner. The rich, spicy and sweet aroma of the cinnamon bark essential oil is a popular choice for a perfect evening setup, meditations and many rituals. Burning time is 12 plus hours for each candle. It comes in a set of 1 cinnamon scented vegan candle with 2 refills.
Primary Ingredients:
Other Ingredients:
RESONANCE White Soy Wax Scented Aromatic Votive Candles (Lavender, Lemongrass, Cinnamon and Peach)
This soy wax candle set from RESONANCE has a floral, fruity, spicy and citrus scent all in one and that too at a value pack. This value pack has an assortment of lavender, peach, cinnamon and lemongrass votive candles. Burning time is 12 plus hours for each candle. Burning instructions for optimum aroma disbursal and maximum burning time are printed on the candle box. The design ensures maximum aroma disbursal, this candle can be lit indoors are this is a pure vegetable wax candle. It comes in a set of 4 lavender, lemongrass, cinnamon and peach scented assorted votive candles.
Primary Ingredients:
Other Ingredients:
RESONANCE White Soy Wax Scented Aromatic VEGAN Candles (Amber & Vanilla) - Set of 4
The is a special aromatic blend from RESONANCE soy wax candles that combines the warm, earthy and resinous essential oil of amber with the sweet woody fragrance of the most popular tropical orchids, vanilla. Put together the fragrance is extremely calming, sweet yet rich and very warm. It is set in a recycle-able glass jar and made from 100 percent non-toxic and earth friendly ingredients. It is easy to set up and burn cleaner compared to any paraffin wax candle and does not emit any harmful petrochemical vapors. It comes in a set of 4 amber and vanilla scented vegan candles.
Primary Ingredients:
Other Ingredients:
RESONANCE White Soy Wax Scented Aromatic VEGAN Candles (Vanilla) - Set of 2
This set of natural soy wax candles from RESONANCE has a very welcoming sweet note. It is set in a recycle-able glass jar and made from 100 percent non-toxic and earth-friendly ingredients. It is easy to set up and burn cleaner compared to any paraffin wax candle and does not emit any harmful petrochemical vapors. It is perfect for anyone concerned with health healing. It comes in a set of 2 vanilla scented vegan candles.
Primary Ingredients:
Other Ingredients:
RESONANCE White Soy Wax Scented Aromatic VEGAN Candles (Vanilla) - Set of 2
This set of natural soy wax candles from RESONANCE has a very welcoming sweet note. It is set in a recycle-able glass jar and made from 100 percent non-toxic and earth-friendly ingredients. It is easy to set up and burn cleaner compared to any paraffin wax candle and does not emit any harmful petrochemical vapors. It is perfect for anyone concerned with health healing. It comes in a set of 2 vanilla scented vegan candles.
Primary Ingredients:
Other Ingredients:
Resonance White Soy Wax Citrus Grass Aromatherapy Candle
High quality and true-to-life fragrances and commitment to totally green decor inspired to bring the finest quality fragrances from across the world. This candle is from a unique blend of plant-based wax (residues post edible oil extraction from different vegetable oil seeds) which is 100 percent paraffin-free. What makes this hand-poured candles best suited for anyone concerned with health, healing, and the environment.
Primary Ingredients:
Other Ingredients:
Resonance White Soy Wax Cinnamon Aromatherapy Candle
High quality and true-to-life fragrances and commitment to totally green decor inspired to bring the finest quality fragrances from across the world. This candle is from a unique blend of plant-based wax (residues post edible oil extraction from different vegetable oil seeds) which is 100 percent paraffin-free. What makes this hand-poured candles best suited for anyone concerned with health, healing, and the environment.
Primary Ingredients:
Other Ingredients:
RESONANCE White Soy Wax Scented Aromatic VEGAN Candles (Neroli & Basil) - Set of 2
RESONANCE has blended together neroli and Indian basil and the fragrance of this set of soy wax candles is sweet, herbaceous and spicy. Neroli aroma is extremely soothing, is known to increase creativity and uplift one's mood, these qualities blend together with the herbaceous slightly spicy notes of basil bring true magic to your living spaces. It is set in a recycle-able glass jar and made from 100 percent non-toxic and earth friendly ingredients. It is easy to set up and does not emit any harmful petrochemical vapors. It comes in a set of 2 neroli and basil scented vegan candles.
Primary Ingredients:
Other Ingredients:
RESONANCE White Soy Wax Scented Aromatic VEGAN Candles (Neroli & Basil) - Set of 2
RESONANCE has blended together neroli and Indian basil and the fragrance of this set of soy wax candles is sweet, herbaceous and spicy. Neroli aroma is extremely soothing, is known to increase creativity and uplift one's mood, these qualities blend together with the herbaceous slightly spicy notes of basil bring true magic to your living spaces. It is set in a recycle-able glass jar and made from 100 percent non-toxic and earth friendly ingredients. It is easy to set up and does not emit any harmful petrochemical vapors. It comes in a set of 2 neroli and basil scented vegan candles.
Primary Ingredients:
Other Ingredients:
Resonance White Soy Wax Lemongrass Aromatherapy Candle
High quality and true-to-life fragrances and commitment to totally green decor inspired to bring the finest quality fragrances from across the world. This candle is from a unique blend of plant-based wax (residues post edible oil extraction from different vegetable oil seeds) which is 100 percent paraffin-free. What makes this hand-poured candles best suited for anyone concerned with health, healing, and the environment.
Primary Ingredients:
Other Ingredients:
Resonance White Soy Wax Vanilla Aromatherapy Candle
High quality and true-to-life fragrances and commitment to totally green decor inspired to bring the finest quality fragrances from across the world. This candle is from a unique blend of plant-based wax (residues post edible oil extraction from different vegetable oil seeds) which is 100 percent paraffin-free. What makes this hand-poured candles best suited for anyone concerned with health, healing, and the environment.
Primary Ingredients:
Other Ingredients:
Nat King Cole Hittin' The Ramp: The Early Years 1936-1943 Hand-Numbered Limited Edition 180g 10LP Box Set (Vinyl)
& lt;font color= & quot;#FF0000 & quot; & gt; & lt;b & gt;Hand-Numberd Limited Edition 180g Vinyl 10LP Box Set! & lt;br & gt;
Compilation of Early Recordings! & lt;br & gt;
Mastered by Matthew Lutthans at Cohearent Audio & amp; Pressed at RTI! & lt;/b & gt; & lt;/font & gt; & lt;br & gt; & lt;br & gt;
& lt;p & gt; & lt;strong & gt;2020 Stereophile Magazine Record to Die For! & lt;/strong & gt; & lt;/p & gt;
& lt;header & gt;
& lt;p & gt; & lt;strong & gt;2021 Grammy Award Nominee: & lt;/strong & gt; & lt;br & gt;
& amp;#8226; Best Historical Album: Hittin' The Ramp: The Early Years (1936-1943) & lt;/p & gt;
& lt;/header & gt;
& lt;b & gt;This item not eligible for any further discount offers! & lt;/b & gt; & lt;br & gt; & lt;br & gt; A rare, comprehensive collection of Nat King Cole's pre-Capitol recordings released in partnership with the Cole Estate. & lt;br & gt; & lt;br & gt; & lt;b & gt;Includes Extensive Booklet with Interviews and Statements by Johnny Mathis, Quincy Jones, Tony Bennett, Harry Belafonte, Freddy Cole and Others! & lt;/b & gt; & lt;br & gt; & lt;br & gt; & lt;b & gt; & quot;This is a really important project for Resonance, & quot; & lt;/b & gt;says Zev Feldman, label co-president and the sets co-producer. & lt;b & gt; & quot;Weve done some pretty substantial packages over the years, such as our three-disc Eric Dolphy and Jaco Pastorius sets with 100-page booklets, but this Nat King Cole box is truly a definitive, king-sized set, clocking in at a staggering 10 LPs... worth of essential early Cole material with enhanced audio. & quot; & lt;/b & gt; & lt;br & gt; & lt;br & gt; Released in partnership with the Nat King Cole estate, Resonance Records HITTIN THE RAMP: THE EARLY YEARS (1936-1943) is the first large-scale collection of the pivotal early recordings (1936-1943) of Nats 29-year recording career. Most tracks are receiving their first official release in this & lt;b & gt;meticulously restored set of original live-to-disk recordings. & lt;br & gt; & lt;/b & gt; & lt;br & gt; This limited-edition 10LP collection draws upon a wide range of sources, including many newly-discovered tracks unearthed for the first time from archives located all over the world, such as & quot;Trompin & quot; (jukebox-only release for Cinematone, 1939), & quot;Whatcha Know Joe & quot; (undocumented radio performance, 1940 now the earliest known recording of Nat & quot;on the air & quot;), & quot;The Romany Room is Jumpin & quot; (private recording, 1941) and & quot;Beautiful Moons Ago & quot; (longer alternate take, 1943). Sessions include Nat at age 17, playing piano in his brothers band in Chicago, 1936; the first King Cole Trio recordings from 1938, made for radio broadcast only, for Standard Transcriptions; further radio transcription sessions for Standard, Davis & amp; Schwegler, Keystone, plus his first (uncredited) session for MacGregor, with vocalist Anita Boyer; the Ammor Records Session (Spring 1940 the first commercial-release sessions for the trio), the Decca Recordings (1940-41), the small-label sessions for Excelsior and Premier labels (1943), many previously-uncirculated Armed Forces Radio performances, and, with producer Norman Granz at the helm, early jazz sessions with Lester Young (Granz historic, first session as a producer) and Dexter Gordon, originally released on Philo and Mercury, respectively. & lt;br & gt; & lt;br & gt; & lt;b & gt; & quot;At the height of his fame in the 1950s and 60s, & quot; & lt;/b & gt; he writes, & lt;b & gt; & quot;Nat King Cole (1919-1965) was primarily known as a popular singer the biggest-selling artist of his generation, no less who occasionally played piano. By that point, only a few older fans and critics remembered that he had been one of the greatest pianists in the whole history of American music, a true spiritual descendent of Earl Fatha Hines and Art Tatum, and himself a huge inspiration for Oscar Peterson, George Shearing, Erroll Garner, and many others. & quot; & lt;/b & gt; & lt;br & gt; & lt;br & gt; Beyond Coles brilliance at the keyboard, the Resonance set takes in his dazzling work as a vocalist, and includes a new interview with the master pop singer Johnny Mathis, who discusses his debt to and friendship with his great predecessor. & lt;br & gt; & lt;br & gt; & lt;b & gt; & quot;As a young boy, studying the art of vocalizing, Nat was everything I needed, & quot; & lt;/b & gt; Mathis says. & lt;b & gt; & quot;All I did was listen and learn
And then I want [people] to remember that he also, also, also played the piano. Please, please, please remember that. Even as gigantic as a pianist as he was as a vocalist. & quot; & lt;/b & gt; & lt;br & gt; & lt;br & gt; The majority of the sets nearly 200 tracks focus on the first work by the King Cole Trio, the seminal combo that put Cole on the map with a swinging combination of jazz, jive, and pop, with an emphasis on his simpatico creative partnership with the trios longtime guitarist Oscar Moore. & lt;br & gt; & lt;br & gt; In his notes for the collection, guitarist Nick Rossi notes that Moores synthesis of such influences as George van Eps, Dick McDonough, Django Reinhardt, and Charlie Christian led to his & lt;b & gt; & quot;groundbreaking style, one which provided a template for how the guitar functions in a modern jazz setting. & quot; & lt;br & gt; & lt;/b & gt; & lt;br & gt; Boasting an extensive 60+ page booklet with rare photographs; essays by acclaimed author Will Friedwald and guitarist Nick Rossi (with a special focus on Oscar Moore); interviews and testimonials from Johnny Mathis, Tony Bennett, Quincy Jones, Harry Belafonte, John Pizzarelli, Freddy Cole, Michael Feinstein and many others. & lt;br & gt; & lt;br & gt; Hittin the Ramp features new remastering from original source disks transferred for this set from a number of personal collections and from the archives at University of California Santa Barbara, The Institute for Jazz Studies at Rutgers University, the the CU Boulder American Music Research Center, and the Library of Congress. & lt;br & gt; & lt;br & gt; Celebrate Nat King Coles centennial in 2019 with this definitive early years multi-disc box set. This is the origin story of a great artist just as he was just & quot;hittin the ramp, & quot; launching a distinctive style that would quickly become famous the world over. & lt;br & gt; & lt;br & gt;
& lt;blockquote cite= & quot;www.pastemagazine.com & quot; & gt;
What an absolute dream this is. Resonance Records, one of the best historical jazz labels around, embarked on something ambitious with this massive 10-LP collection that brings together every known song that the great Nat King Cole recorded at the outset of his mythical career. This is well before his commercial breakthroughs in the '50s as a vocalist, when he was making his name as one of the finest boogie woogie and stride pianists around. And when he did lend that unmistakable croon to the proceedings, the fluffiness of the music melted away and the sun blazed through, even on the most light-hearted of romps. Every last track in this set is properly treated like a historical document, with a white-gloved care given to the mastering and presentation. It's a remarkable feat that it sounds as good as it does considering the material was recorded well before magnetic tape became the standard. The folks at Cohearent Audio worked from 78s and transcription discs borrowed from various collectors and archives. The material naturally loses a touch of its punch through digital transfer, and a little more when pressed to an analog LP from a non-analog source. What is on these 20 sides of vinyl is still a vital journey into jazz's past, adding to the legends of Cole, his regular guitarist Oscar Moore, and collaborators like Lester Young and Dexter Gordon. These discs also excavate the long-forgotten memories of singers like Juanelda Carter, who dominates an early '39 session with a gorgeous voice that evokes a young Ella Fitzgerald or a more tender Eartha Kitt, and the more astringent tones of Bonnie Lake. Even better, we get to hear Cole at his most mischievous and crocked. He and his band were, primarily, making dance music; tunes to put on and jitterbug your worries away. That became even more vital to the cause in the '40s as the U.S. entered World War II and popular culture responded. Cole recorded tunes both pointed ('Gone With The Draft') and longing ('My Lips Remember Your Kisses'), as well as performances for the Armed Forces Radio Service, complete with shout outs to specific officers and their families. No matter how varied the sound quality is from disc to disc and track to track on this set, Hittin' The Ramp is a monumental achievement and, we hope, just the beginning of a continued look at the career of one of America's greatest artists.
& lt;footer & gt;
-Robert Ham, Paste Magazine
& lt;/footer & gt;
& lt;/blockquote & gt;
& lt;p & gt; & lt;strong & gt; & quot;The almost 200 tracks here culled (you could almost say in some cases rounded up, hunted down and digitally captured) from a variety of sources are up-tempo swing era gems, the best known of which to casual listeners would be Bobby Troups (for a time husband of Julie London) Route 66, Sweet Lorraine and Straighten Up and Fly Rightall later re-recorded for Capitol. & lt;/strong & gt; & lt;/p & gt;
& lt;p & gt; & lt;strong & gt;
& quot;This worthy centennial tribute demonstrates why King, though better known later as an incredibly successful pop singer, deserves to be fully recognized as one of the swing eras best, most original and influential jazz pianistslisten here and then to Errol Garner, Oscar Peterson and others who followed. & lt;/strong & gt; & lt;/p & gt;
& lt;p & gt; & lt;strong & gt;
& quot;You can be in the foulest of moods when putting on any one of the sets 10 LPs. You will walk away uplifted and happy. Any other reaction is simply not possible. The trios playing is lockstep and crisply executed and Kings performances are especially noteworthy considering that hes simultaneously playing and singing. & lt;/strong & gt; & lt;/p & gt;
& lt;p & gt; & lt;strong & gt;
& quot;Producer Zev Feldman assembled a team of experts in every reissue category required to execute a complex project like this: from the Institute of Jazz Studies at Rutgers University, to the Library of Congress and of course the Nat King Cole estate. Also involved were many Cole collectors, the jazz historian Will Friedwald and the aforementioned Doug Pomeroy whose earlier transfers were relied upon heavily here along with around 75 newly transferred tracks (almost ½ dozen by Pomeroy) from best available sources. & lt;/strong & gt; & lt;/p & gt;
& lt;p & gt; & lt;strong & gt;
& quot;As your minds ear imagines how all of this might sound, keep in mind that most of these tracks originated as 33 1/3rpm 16 inch transcription discspre-microgroove monophonic vinyl records originally created for the motion picture industry and then adopted for radio. There are a few Armed Forces Radio Service transcription discs that also sound remarkably good. & lt;/strong & gt; & lt;/p & gt;
& lt;p & gt; & lt;strong & gt;
& quot;Some tracks were only available as 78rpm shellac originals that have been newly transferred. Some are from metal parts that sound superior to pressed records. & lt;/strong & gt; & lt;/p & gt;
& lt;p & gt; & lt;strong & gt;
& quot;While the Technical Notes note surface noise inherent on all recordings, for the most part you will not be at all bothered or distracted by any technical issues or additive distortion. And unlike the early digital days' overuse of noise reduction that killed transients, limited high frequency response and space, these new transfers and however the older tracks were processed sound quite alive. You might be surprised by the robust bottom end and the clean guitar string attack. While all of the tracks arent as immediate, if you start with Disc Ten Side Ones opener Honey Hush, youll be pushed back in your seat. The very top isnt there, but the transparency and depth will pull you right in. & lt;/strong & gt; & lt;/p & gt;
& lt;p & gt; & lt;strong & gt;
& quot;Often with prequel type packages you get a familiar artist in his or her formative and less than complete years. Not so with Cole. His artistry was fully formed by his mid 20s when he began his recording career. Most of the tracks feature Cole with his trio featuring the guitarist Oscar Moore, with whom Cole seemed to be connected at the fingers. Listen in wonder to the two on Black Spider Stomp. The sound is also impressive. & lt;/strong & gt; & lt;/p & gt;
& lt;p & gt; & lt;strong & gt;
& quot;The packaging is satisfying as well, from the box to the five double LP gatefold jackets to the full sized booklet and of course the information contained therein. Youll enjoy perusing the many black and white photos and especially Will Friedwalds essay organized as a labelography/time line that ends with a postscript that describes the Romany Room tracks and a few others that
are so rare they werent even known to exist before we started work on this package
.. & lt;/strong & gt; & lt;/p & gt;
& lt;p & gt; & lt;strong & gt;
& quot;...this celebratory limited edition set sure to please in no small part because the 10 LPs were superbly pressed at RTI...Very highly recommendedespecially for those who bought and enjoyed the Nat King Cole Story (AAPP 1613-45) box set reissue or any of Analogue Productions double 45rpm Capitol Records Nat King Cole Classics (btw: the 9 for sound is taking into account the source material and how well it was mastered. Do not confuse it with a 9 for a more modern recording). & quot; & lt;/strong & gt; - Michael Fremer, analogplanet.com, 10/11 Music, 9/11 Sound! & lt;/p & gt;
& lt;blockquote cite= & quot;quote source & quot; & gt;
While Resonance Records consistently wows us with ambitious archival releases, the label outdid itself with the new Nat King Cole compilation, Hittin' the Ramp: The Early Years (1936-1943). As you'd expect, the set received the white-glove treatment. Frequently, on the vinyl pressings I listened to, the surface noise that so often transfers over from a low-quality source recording was either nonexistent or so faint that I quickly tuned it out after the first few notes. The sound often surprised me with its clarity and presence, to the point where it gave me goosebumps. Some cuts contain surface noise significant enough to become a distraction, but the historical importance of these extremely rare recordings more than justifies their inclusion in the collection... The best possible source was always used for sound reproduction; for example, six Decca cuts are sourced from metal parts used to create shellac 78s, which sonically beats transferring the music from the actual disc. In true Resonance Records style, keen detective work combined with blind luck helped salvage rare recordings that could easily have become extinct... All the hard work paid off, as the set offers a crash course in early jazz and pop and merging of those two styles... If you weren't a fan of mid-century pop and jazz prior to unboxing Hittin' the Ramp, you will be after listening to it. When recording these songs, the musicians had no idea these performances would survive into the next century or be neatly assembled in a single package that includes documentation of each session. The collection makes it clear that, while still in his late teens and early 20s, Nat King Cole was already in full command of his powers and playing an important role during a remarkably fertile period of music.
& lt;footer & gt;
-Jeff Wilson, The Absolute Sound, January 2020
& lt;/footer & gt;
& lt;/blockquote & gt;
& lt;section id= & quot;features & quot; & gt;
& lt;h3 & gt;Features & lt;/h3 & gt;
& lt;ul & gt;
& lt;li & gt;Hand-Numbered, Limited Edition 1st Pressing of 3000 Copies & lt;/li & gt;
& lt;li & gt;10LP Box Set & lt;/li & gt;
& lt;li & gt;180g Vinyl & lt;/li & gt;
& lt;li & gt;Mastered by Matthew Lutthans at Cohearent Audio & lt;/li & gt;
& lt;li & gt;Pressed at RTI & lt;/li & gt;
& lt;li & gt;Official release in partnership with the Nat King Cole Estate & lt;/li & gt;
& lt;li & gt;Meticulous sound restoration of 180+ tracks with 8.5 hours of music & lt;/li & gt;
& lt;li & gt;16-page insert & lt;/li & gt;
& lt;li & gt;Rare photos & lt;/li & gt;
& lt;li & gt;Essays by Will Friedwald & amp; NIck Rossi & lt;/li & gt;
& lt;li & gt;Interviews/testimonials by Johnny Mathis, Tony Bennett, Quincy Jones, Freddy Cole, Harry Belafonte, John Pizzarelli & amp; more & lt;/li & gt;
& lt;li & gt;Sources include the archives at University of California - Santa Barbara; Institue for Jazz Studies at Rutgers University; the Library of Congress; & amp; many others & lt;/li & gt;
& lt;li & gt;Slipcase & lt;/li & gt;
& lt;li & gt;Made in USA & lt;/li & gt;
& lt;/ul & gt;
& lt;/section & gt; & lt;b & gt;Selections: & lt;br & gt; LP 1: & lt;br & gt; Side A: & lt;/b & gt; & lt;br & gt; 1. Honey Hush (Nat Cole) & lt;br & gt; 2. Stompin at the Panama (Skollers Shuffle) (Nat Cole) & lt;br & gt; 3. Bedtime (Sleepy Moan) (Nat Cole) & lt;br & gt; 4. Thunder (Nat Cole) & lt;br & gt; 5. Mutiny in the Nursery (Johnny Mercer) & lt;br & gt; 6. F.D.R Jones (Harold Rome) & lt;br & gt; 7. The Sheik of Araby ((Ted Snyder, Francis Wheeler, Harry B. Smith) & lt;br & gt; 8. The Blue Danube (Johan Strauss II) & lt;br & gt; 9. Button, Button (Clay A. Boland, Bickley Bix Reichner) & lt;br & gt; & lt;b & gt;Side B: & lt;/b & gt; & lt;br & gt; 1. Jingle Bells (J.S. Pierpont) & lt;br & gt; 2. Swannee River (Stephen Foster) & lt;br & gt; 3. With Plenty of Money and You (Harry Warren, Al Dubin) & lt;br & gt; 4. Dont Blame Me ((Jimmy McHugh, Dorothy Fields) & lt;br & gt; 5. Lullaby in Rhythm (Edgar Sampson, Walter Hirsch, Clarence Profit, Benny Goodman) & lt;br & gt; 6. Dark Rapture (Edgar Sampson, Manny Kurtz, Benny Goodman) & lt;br & gt; 7. The Wiggly Walk (Al Jacobs, Dave Oppenheim, Jack Palmer) & lt;br & gt; 8. Flea Hop (Al Jacobs, Dave Oppenheim, Jack Palmer) & lt;br & gt; 9. Chopsticks (Arthur De Lulli) & lt;br & gt; 10. Patty Cake, Patty Cake (Thomas Fats Waller, Andy Razaf, J. C. Johnson) & lt;br & gt; & lt;br & gt; & lt;b & gt;LP 2: & lt;br & gt; Side C: & lt;/b & gt; & lt;br & gt; 1. Blue Skies (Irving Berlin) & lt;br & gt; 2. Liza (George Gershwin, Ira Gershwin, Gus Kahn) & lt;br & gt; 3. Three Blind Mice (Traditional) & lt;br & gt; 4. Caravan (Duke Ellington, Juan Tizol, Irving Mills) & lt;br & gt; 5. Theres no Anesthetic for Love (Marshall Walker) & lt;br & gt; 6. Dixie Jamboree (Lyle Griffin, Charles Callender) & lt;br & gt; 7. Ta-De-Ah (Betty Johnson, Charlie Bourne) & lt;br & gt; 8. Riffin at the Bar-B-Q (Nat Cole) & lt;br & gt; 9. Harlem Swing (Bonnie Lake) & lt;br & gt; 10. I Lost Control of Myself (Irwin Hap Kaufman, Nat Cole) & lt;br & gt; & lt;b & gt;Side D: & lt;/b & gt; & lt;br & gt; 1. The Land of Make Believe (Betty Johnson, Charlie Bourne) & lt;br & gt; 2. That Please-be-Mine-able Feeling (Reginald Sloan) & lt;br & gt; 3. Dancing in the Street (Arthur Norris) & lt;br & gt; 4. Youre So Different (Nat Leslie) & lt;br & gt; 5. I Wouldnt Have Known It (Marie Bryant, Nat Cole) & lt;br & gt; 6. Lets Get Happy (Dan Arons) & lt;br & gt; 7. Undecided (Charlie Shavers, Sid Robin) & lt;br & gt; 8. Taint What You Do (Sy Oliver, James Trummy Young) & lt;br & gt; 9. Do You Wanna Jump, Children? (Jimmy Van Heusen, Willie Bryant, Victor Selsman) & lt;br & gt; 10. Riffin in F Minor (Nat Cole) & lt;br & gt; & lt;br & gt; & lt;b & gt;LP 3: & lt;br & gt; Side E: & lt;/b & gt; & lt;br & gt; 1. Ol Man Mose Aint Dead (Sammy Cahn, Saul Chaplin) & lt;br & gt; 2. Blue Lou (Edgar Sampson, Irving Mills) & lt;br & gt; 3. Honey (Seymour Simons, Haven Gillespie, Richard Whiting) & lt;br & gt; 4. Russian Lullaby (Irving Berlin) & lt;br & gt; 5. Georgie Porgie (unknown) & lt;br & gt; 6. The Limp (unknown) & lt;br & gt; 7. Snug as a Bug in a Rug (Frank Loesser, Matty Malneck) & lt;br & gt; 8. Liebestraum (Franz Liszt) & lt;br & gt; 9. Fidgety Joe (Frank Loesser, Matty Malneck) & lt;br & gt; & lt;b & gt;Side F: & lt;/b & gt; & lt;br & gt; 1. Two Against One (L. Wolfe Gilbert, Benny Meroff, Lew Pollack) & lt;br & gt; 2. Some Like it Hot (Remo Biondi, Frank Loesser, Gene Krupa) & lt;br & gt; 3. Crazy Rhythm (Joseph Meyer, Roger Wolfe Kahn, Irving Caesar) & lt;br & gt; 4. Moonglow (Will Hudson, Edgar DeLange, Irving Mills) & lt;br & gt; 5. Dont Let That Moon Get Away (James Monaco, Johnny Burke) & lt;br & gt; 6. My Blue Heaven (Walter Donaldson, George Whiting) & lt;br & gt; 7. I Was Doing Alright (George Gershwin, Ira Gershwin) & lt;br & gt; 8. I Cant Get Started ((Vernon Duke, Ira Gershwin) & lt;br & gt; 9. Old Man Moon (Hoagy Carmichael) & lt;br & gt; 10. Carry Me Back to Old Virginny (James Bland) & lt;br & gt; & lt;br & gt; & lt;b & gt;LP 4: & lt;br & gt; Side G: & lt;/b & gt; & lt;br & gt; 1. Moon Song (Arthur Johnston, Sam Coslow) & lt;br & gt; 2. Baby, Wont You Please Come Home (Charles Warfield, Clarence Williams) & lt;br & gt; 3. Rosetta (Earl Hines, Henri Woode) & lt;br & gt; 4. Trompin (unknown) & lt;br & gt; 5. Youre My Life (unknown) & lt;br & gt; 6. Hoy Soy (unknown) & lt;br & gt; 7. Take Em (unknown) & lt;br & gt; 8. Scategoria (unknown) & lt;br & gt; 9. Rhythm Serenade (unknown) & lt;br & gt; 10. Rib Town Shuffle (unknown) & lt;br & gt; & lt;b & gt;Side H: & lt;/b & gt; & lt;br & gt; 1. Musicll Chase Your Blues Away (unknown) & lt;br & gt; 2. Ill Gather Up My Memories (unknown) & lt;br & gt; 3. A Fools Affair (unknown) & lt;br & gt; 4. Jump, Jack, Jump (Charles Lucky Roberts) & lt;br & gt; 5. I Knew a Time (unknown) & lt;br & gt; 6. Mine Youll Always Be (unknown) & lt;br & gt; 7. Doin the Bow Wow (unknown) & lt;br & gt; 8. Lilla Mae (unknown) & lt;br & gt; & lt;br & gt; & lt;b & gt;LP 5: & lt;br & gt; Side I: & lt;/b & gt; & lt;br & gt; 1. I Like to Riff (Nat Cole) & lt;br & gt; 2. On the Sunny Side of the Street (Jimmy McHugh, Dorothy Fields) & lt;br & gt; 3. Black Spider Stomp (Nat Cole, Oscar Moore) & lt;br & gt; 4. By the River St. Marie (Harry Warren, Edgar Leslie) & lt;br & gt; 5. Slew Foot Joe (unknown) & lt;br & gt; 6. 1-2-3-4 (Milt Gabler, Gordon Jenkins) & lt;br & gt; 7. Crazy Bout Rhythm (unknown) & lt;br & gt; 8. Off the Beam (unknown) & lt;br & gt; 9. King Cole Blues (unknown) & lt;br & gt; 10. Jivin With the Notes (unknown) & lt;br & gt; 11. Never Mind, Baby (Hal Hampton) & lt;br & gt; & lt;b & gt;Side J: & lt;/b & gt; & lt;br & gt; 1. Im a Perfect Fool Over You (Sebastian Apollo) & lt;br & gt; 2. Lovely Little Person (Al Heath, Buddy Leroux) & lt;br & gt; 3. Love Me Sooner (unknown) & lt;br & gt; 4. Sentimental Blue (Josh Chamberlain Lawrence) & lt;br & gt; 5. Goin to Town with Honey (E.E. Waters) & lt;br & gt; 6. Syncopated Lullaby (Felix De Cola) & lt;br & gt; 7. Falling in and Out of Love (Nat Cole) & lt;br & gt; 8. Lets Do Things (Virginia Ferragamo) & lt;br & gt; 9. Jumpy Jitters (Gale Hunt, Jack Green) & lt;br & gt; 10. Nothing Ever Happens (Laurence Morgan) & lt;br & gt; 11. Whatcha Doin to My Heart (Tim M. George) & lt;br & gt; & lt;br & gt; & lt;b & gt;LP 6: & lt;br & gt; Side K: & lt;/b & gt; & lt;br & gt; 1. Bedtime (Nat Cole) & lt;br & gt; 2. Honey Hush (Nat Cole) & lt;br & gt; 3. French Toast (unknown) & lt;br & gt; 4. Vine Street Jump (unknown) & lt;br & gt; 5. B Flat (unknown) & lt;br & gt; 6. You Send Me (unknown) & lt;br & gt; 7. Love is My Alibi (Nat Cole) & lt;br & gt; 8. Pogo Stick Bounce (unknown) & lt;br & gt; 9. Whatcha Know, Joe? (James Trummy Young) & lt;br & gt; 10. Sweet Lorraine (Mitchell Parish, Cliff Burwell) & lt;br & gt; & lt;b & gt;Side L: & lt;/b & gt; & lt;br & gt; 1. Honeysuckle Rose (Thomas Fats Waller, Andy Razaf) & lt;br & gt; 2. Gone with the Draft (Earl Dramin, Wesley Prince, Nat Cole) & lt;br & gt; 3. This Side Up (Nat Cole) & lt;br & gt; 4. Jumpin with the Mop (Nat Cole) & lt;br & gt; 5. Jam Man (unknown) & lt;br & gt; 6. Lets Try Again (Biff Hammond, Billy Moore, Jr.) & lt;br & gt; 7. Fudge Wudge (unknown) & lt;br & gt; 8. Smokey Joe (unknown) & lt;br & gt; 9. Windy City Boogie Woogie (unknown) & lt;br & gt; 10. Ode to a Wild Clam (unknown) & lt;br & gt; & lt;br & gt; & lt;b & gt;LP 7: & lt;br & gt; Side M: & lt;/b & gt; & lt;br & gt; 1. Lets Try Again (Biff Hammond, Billy Moore, Jr.) & lt;br & gt; 2. Whatcha Know, Joe? (James Trummy Young) & lt;br & gt; 3. Lazy River (Hoagy Carmichael, Sidney Arodin) & lt;br & gt; 4. Georgia on My Mind (Hoagy Carmichael, Stuart Gorrell) & lt;br & gt; 5. Rockin Chair (Hoagy Carmichael) & lt;br & gt; 6. A Little Jive is Good for You (Ralph Yaw, Ralph Waters) & lt;br & gt; 7. Youve Changed (Carl Fischer, Bill Carey) & lt;br & gt; & lt;b & gt;Side N: & lt;/b & gt; & lt;br & gt; 1. Babs (Fred E. Ahlert, Joe Young) & lt;br & gt; 2. Scotchin with the Soda (W. Jack Riley) & lt;br & gt; 3. Slow Down (Redd Evans) & lt;br & gt; 4. Early Morning Blues (Nat Cole) & lt;br & gt; 5. The Romany Room is Jumpin (Nat Cole) & lt;br & gt; 6. This Will Make You Laugh (Irene Higginbotham) & lt;br & gt; 7. Stop! The Red Lights On (Joseph Taps Miller) & lt;br & gt; 8. Hit the Ramp (Nat Cole, Oscar Moore) & lt;br & gt; 9. I Like to Riff (Nat Cole) & lt;br & gt; & lt;br & gt; & lt;b & gt;LP 8: & lt;br & gt; Side O: & lt;/b & gt; & lt;br & gt; 1. Call the Police (Nat Cole) & lt;br & gt; 2. Are You Fer It? (Nat Cole, Carl Sigman) & lt;br & gt; 3. That Aint Right (Nat Cole) & lt;br & gt; 4. Hit That Jive, Jack (John Alston, Campbell Skeets Tolbert) & lt;br & gt; 5. Indiana (James F. Hanley, Ballard MacDonald) & lt;br & gt; 6. I Cant Get Started (Vernon Duke, Ira Gershwin) & lt;br & gt; & lt;b & gt;Side P: & lt;/b & gt; & lt;br & gt; 1. Tea for Two (Vincent Youmans, Irving Caesar) & lt;br & gt; 2. Body and Soul (Johnny Green, Edward Heyman, Robert Sour, Frank Eyton) & lt;br & gt; 3. Vom, Vim, Veedle (Robert Scherman, Frankie Jaxon) & lt;br & gt; 4. All for You (Robert Scherman) & lt;br & gt; 5. Hip, Hip, Hooray (Henry Nemo, Milt Ebbins) & lt;br & gt; 6. I Know That You Know (Vincent Youmans, Anne Caldwell) & lt;br & gt; 7. Im Gonna Move to the Outskirts of Town (William Weldon, Andy Razaf) & lt;br & gt; & lt;br & gt; & lt;b & gt;LP 9: & lt;br & gt; Side Q: & lt;/b & gt; & lt;br & gt; 1. Pitchin Up a Boogie (Nat Cole) & lt;br & gt; 2. Im Lost (Otis René) & lt;br & gt; 3. Beautiful Moons Ago (Oscar Moore, Nat Cole) & lt;br & gt; 4. Lets Spring One (Otis René) & lt;br & gt; 5. Slender, Tender, and Tall (Mike Jackson, Hughie Prince) & lt;br & gt; 6. Ive Found a New Baby (Jack Palmer, Spencer Williams) & lt;br & gt; 7. Rosetta (Earl Hines, Henri Woode) & lt;br & gt; & lt;b & gt;Side R: & lt;/b & gt; & lt;br & gt; 1. Sweet Lorraine (Mitchell Parish, Cliff Burwell) & lt;br & gt; 2. I Blowed and Gone (Harry Sweets Edison) & lt;br & gt; 3. Solid Potato Salad (Don Raye, Gene DePaul, Hughie Prince) & lt;br & gt; 4. F.S.T. (Fine, Sweet & amp; Tasty) (Nat Cole) & lt;br & gt; 5. Got a Penny (Robert Scherman, Henry May) & lt;br & gt; 6. Lets Pretend (Robert Scherman) & lt;br & gt; 7. My Lips Remember Your Kisses (Robert Scherman, Ben Siegel, Henry May) & lt;br & gt; 8. Im an Errand Boy for Rhythm (Nat Cole) & lt;br & gt; 9. Straighten up and Fly Right (Irving Mills, Nat Cole) & lt;br & gt; & lt;br & gt; & lt;b & gt;LP 10: & lt;br & gt; Side S: & lt;/b & gt; & lt;br & gt; 1. Honey Hush (Nat Cole) & lt;br & gt; 2. By the River St. Marie (Harry Warren, Edgar Leslie) & lt;br & gt; 3. I Like to Riff (Nat Cole) & lt;br & gt; 4. Black Spider Stomp (Nat Cole, Oscar Moore) & lt;br & gt; 5. Sweet Lorraine (Mitchell Parish, Cliff Burwell) & lt;br & gt; 6. Early Morning Blues (Nat Cole) & lt;br & gt; 7. Gone with the Draft (Earl Dramin, Wesley Prince, Nat Cole) & lt;br & gt; 8. Trompin (unknown) & lt;br & gt; 9. Sweet Lorraine (Mitchell Parish, Cliff Burwell) & lt;br & gt; 10. Gone with the Draft (Earl Dramin, Wesley Prince, Nat Cole) & lt;br & gt; & lt;b & gt;Side T: & lt;/b & gt; & lt;br & gt; 1. Scotchin with the Soda (W. Jack Riley) & lt;br & gt; 2. Gone with the Draft (Earl Dramin, Wesley Prince, Nat Cole) & lt;br & gt; 3. The Romany Room is Jumpin (Nat Cole) & lt;br & gt; 4. Hit That Jive, Jack (John Alston, Campbell Skeets Tolbert) & lt;br & gt; 5. Beautiful Moons Ago (Oscar Moore, Nat Cole) & lt;br & gt; 6. Honeysuckle Rose (Thomas Fats Waller, Andy Razaf) & lt;br & gt; 7. I Know That You Know (Vincent Youmans, Anne Caldwell) & lt;br & gt; 8. Solid Potato Salad (Don Raye, Gene DePaul, Hughie Prince) & lt;br & gt; 9. My Lips Remember Your Kisses (Robert Scherman, Ben Siegel, Henry May) & lt;br & gt; 10. Straighten up and Fly Right (Irving Mills, Nat Cole)
Wes Montgomery Wes's Best: The Best Of Wes Montgomery On Resonance LP (Vinyl)
& lt;header & gt;
& lt;p & gt; & lt;strong & gt;Compilation On Vinyl LP! & lt;/strong & gt; & lt;/p & gt;
& lt;/header & gt;
& lt;p & gt;In celebration of its 10-year anniversary, Resonance is launching a series of compilations culled from its vast catalog highlighting both living artists as well as jazz greats of the past. The artwork for the titles in the series is by Takao Fujioka,
the acclaimed Japanese artist who is also the chief editor of Way Out West magazine in Japan. Takao's unique and striking artwork has graced countless album covers, including Resonance's 2016 Stan Getz release Moments in Time. & lt;/p & gt;
& lt;p & gt;Wes's Best: The Best of Wes Montgomery on Resonance draws from Echoes of Indiana Avenue (2012); In the Beginning (2015); One Night in Indy (2016); Smokin' in Seattle (2017); and Back on Indiana Avenue (2019). A complete track listing for both packages
appears below. Back on Indiana Avenue was issued for the first time as limited edition two-LP set on Record Store Day 2019, and 3 tracks from the album appear on Wes's Best. & lt;/p & gt;
& lt;p & gt;Montgomery's Smokin' in Seattle, culled from 1966 broadcast dates with pianist Wynton Kelly's trio, was recorded less than a year after 1965's classic Smokin' at the Half Note and received similar kudos from DownBeat, JazzTimes, and NPR. & lt;/p & gt;
& lt;p & gt;Wes Montgomery's son Robert writes in Wes's Best, & lt;strong & gt; & quot;It's been a thrill to participate with Resonance Records these last nine years in getting my father's music out to the world... I appreciate the care Resonance always takes to honor my father's memory with each release -- including interviews and essays about the music and finding rare pictures. & quot; & lt;/strong & gt; & lt;/p & gt;
& lt;section id= & quot;features & quot; & gt;
& lt;h3 & gt;Features & lt;/h3 & gt;
& lt;ul & gt;
& lt;li & gt;Vinyl LP & lt;/li & gt;
& lt;li & gt;Artwork by Takao Fujioka & lt;/li & gt;
& lt;/ul & gt;
& lt;/section & gt;
& lt;section id= & quot;selections & quot; & gt;
& lt;h3 & gt;Selections & lt;/h3 & gt;
& lt;ol & gt;
& lt;li & gt;Jingles (from Smokin' In Seattle) & lt;/li & gt;
& lt;li & gt;Mr. Walker (from Back On Indiana Avenue) & lt;/li & gt;
& lt;li & gt;West Coast Blues (from Smokin' In Seattle) & lt;/li & gt;
& lt;li & gt;Four On Six (from Back On Indiana Avenue) & lt;/li & gt;
& lt;li & gt;Once I Loved (O Amor Em Paz) (from Smokin' In Seattle) & lt;/li & gt;
& lt;li & gt;Wes' Tune (from In The Beginning) & lt;/li & gt;
& lt;li & gt;Li'l Darling (from One Night In Indy) & lt;/li & gt;
& lt;li & gt;Going Down To Big Mary's (from In The Beginning) & lt;/li & gt;
& lt;li & gt;Diablo's Dance (from Echoes Of Indiana Avenue) & lt;/li & gt;
& lt;li & gt;Nica's Dream (from Echoes Of Indiana Avenue) & lt;/li & gt;
& lt;li & gt;Give Me The Simple Life (from One Night In Indy) & lt;/li & gt;
& lt;li & gt;'Round Midnight (from Back On Indiana Avenue) & lt;/li & gt;
& lt;/ol & gt;
& lt;/section & gt;
Tommy Flanagan & Jaki Byard The Magic Of 2: Live At Keystone Korner 180g 45rpm 2LP (Vinyl)
& lt;font color= & quot;#FF0000 & quot; & gt; & lt;b & gt;Hand-Numbered, Limited Edition! 45rpm 180g Audiophile Vinyl! Mastering by Bernie Grundman with & amp; Pressed at RTI! & lt;/b & gt; & lt;/font & gt; & lt;br & gt; & lt;br & gt; & lt;font color= & quot;#FF0000 & quot; & gt; & lt;b & gt;An Absolute Must-Have for Jazz Collectors, Audiphiles, and Jazz Historians! & lt;/b & gt; & lt;/font & gt; & lt;br & gt; & lt;br & gt; & lt;b & gt;Deluxe 2-LP Limited Edition Press of 1,000! Special Insert with Notes by Todd Barkan, Dan Morgenstern, Howard Mandel, Renee Rosnes & amp; Bill Charlap! & lt;br & gt;Never Before Seen Photos by Keystone Korner Photographer Tom Copi! Keystone Korner Commemorative Postcards! & lt;/b & gt; & lt;br & gt; & lt;br & gt; Two titans of jazz piano are captured in flight on the new Resonance Records album, Tommy Flanagan & amp; Jaki Byard: The Magic of 2. The Magic of 2 presents a 1982 concert recorded at San Francisco's celebrated Keystone Korner and the third entry in Resonance's Keystone Discoveries series. & lt;br & gt; & lt;br & gt; & quot;It's a revelation, how well they played together, & quot; says Keystone's owner Todd Barkan, who co-produced the album with Resonance Records' Executive Vice President and General Manager Zev Feldman. & quot;They had quite disparate styles, but they share such an incredibly large vocabulary and frame of reference that it makes their language coherent. They're both referring to the same knowledge and experience of the history of jazz piano. & quot; & lt;br & gt; & lt;br & gt; The music is a & quot;gift [from the past that] is both unique and stupendous, & quot; says jazz historian Dan Morgenstern, one of seven annotators in the package's illustrated booklet. & quot;...Alone and especially together, Tommy and Jaki show us what spontaneous creation is all about. & quot; & lt;br & gt; & lt;br & gt; When Resonance started working with Barkan, says Feldman, on the lauded 2011 release of Pinnacle, a magnificent 1980 performance by Freddie Hubbard and the first Keystone Discoveries title, & quot;We became aware that the Flanagan-Byard session was something Todd was absolutely passionate about. & quot; & lt;br & gt; & lt;br & gt; Over the past few years, Resonance has established itself as a home for such notable rediscoveries through acclaimed releases like Hubbard's Pinnacle, Bill Evans's Live at Art D'Lugoff's Top of the Gate, and Wes Montgomery's Echoes of Indiana Avenue. Each of these releases has boasted vivid sound quality and an attention to detail that attests to the label's respect and admiration for the musicians. & lt;br & gt; & lt;br & gt; & quot;Resonance is trying to become a leader in historical jazz recordings and this totally fits the bill, & quot; Feldman says. & quot;We're putting out this music because we really believe in it-we believe in Jaki Byard, we believe in Tommy Flanagan, and we want to celebrate both of these artists for their contributions to this music. And we also want to celebrate Todd Barkan's vision. & quot; & lt;br & gt; & lt;br & gt; Five of the eleven tracks find Flanagan and Byard melding their encyclopedic knowledge of jazz piano history in festive fashion: & quot;Scrapple from the Apple, & quot; & quot;Just One of Those Things, & quot; & quot;Satin Doll, & quot; & quot;Our Delight, & quot; and & quot;The Theme. & quot; The album also features six solo pieces, split evenly between the two pianists. All three of Flanagan's three unaccompanied contributions come from the pen of Billy Strayhorn ( & quot;Something to Live For, & quot; & quot;Chelsea Bridge, & quot; & quot;All Day Long & quot;). Byard leads with Stevie Wonder's & quot;Send One Your Love, & quot; and also places his stamp on the Jule Styne standard & quot;Sunday & quot; and Chuck Mangione's & quot;Land of Make Believe. & quot; & lt;br & gt; & lt;br & gt; The Magic of 2 brings the listener back to that night through the loving sound restoration of label president George Klabin and Resonance's engineer Fran Gala. The album comes with a deluxe booklet annotated by Barkan, Feldman, and Morgenstern as well as jazz critic Howard Mandel, pianists Renee Rosnes and Bill Charlap, and Jaki's daughter Diane Byard. Iconic images from the archive of Keystone staff photographer Tom Copi, some being published for the first time, illustrate the booklet, along with work by photographers Brian McMillen and Kathy Sloane. & lt;br & gt; & lt;br & gt; Limited edition 2-LP set pressed on 180-gram vinyl at 45-RPM by audiophile leaders R.T.I., with a deluxe gatefold, hard-stock jacket by Stoughton Press. Art direction and design was handled by industry veteran Burton Yount (Thelonious Monk Quartet with John Coltrane at Carnegie Hall; Wes Montgomery/ Echoes of Indiana Avenue). Additionally, in this LP edition only is a special commemorative set of Keystone Korner postcards by Tom Copi, along with a retro reproduction of a Keystone Korner punch card (which regular patrons used when attending the club). The LP edition was mastered by Bernie Grundman (Sonny Rollins/Way Out West; Michael Jackson's Thriller). & lt;br & gt; & lt;br & gt; Recorded February 7, 1982 at the legendary Keystone Korner in San Francisco, California. & lt;br & gt; & lt;br & gt; & lt;b & gt; & quot;Mr. Flanagan perfected his own niche, a style beyond style, where the only appropriate comparisons are between his inspired performances and those that are merely characteristic. & quot; & lt;/b & gt; - Gary Giddins, author, Visions of Jazz & lt;br & gt; & lt;br & gt; & lt;b & gt; & quot;Jaki Byard was one of jazz's most idiosyncratic talents, a pianist capable of playing in almost any jazz style as well as a highly original creative voice. & quot; & lt;/b & gt; - W. Royal Stokes, author, critic & amp; jazz historian & lt;br & gt; & lt;br & gt; & lt;b & gt;Features: & lt;/b & gt; & lt;br & gt; 180 Gram Vinyl Pressed on 12 & quot; Double LP at 45rpm by Record Technology Incorporated (R.T.I.) & lt;br & gt; Deluxe Hand-Numbered Gatefold by Stoughton Press & lt;br & gt; Mastered by Bernie Grundman & lt;br & gt; Limited Edition Press of 1000 & lt;br & gt; Includes four-panel 12 & quot; x 12 & quot; version of the 23 Page CD Booklet with notes by Todd Barkan, Dan Morgenstern, Howard Mandel, Renee Rosnes, and Bill Charlap. & lt;br & gt; Never-Before-Seen Photos by Keystone Korner photographer Tom Copi & lt;br & gt; Includes Historical postcard collection, along with replicated Keystone Korner punch card. & lt;br & gt; & lt;br & gt; & lt;b & gt;Musicians: & lt;/b & gt; & lt;br & gt; Tommy Flanagan, piano & lt;br & gt; Jaki Byard, piano & lt;br & gt; & lt;br & gt; & lt;b & gt;Selections: & lt;br & gt; LP1 - Side A: & lt;br & gt; & lt;/b & gt; 1. Introduction By Todd Barkan & lt;br & gt; 2. Scrapple From The Apple & lt;br & gt; 3. Just One Of Those Things & lt;br & gt; & lt;b & gt;LP1 - Side B: & lt;br & gt; & lt;/b & gt; 1. Satin Doll & lt;br & gt; 2. Something To Live For & lt;br & gt; 3. Send One Your Love & lt;br & gt; & lt;b & gt;LP2 - Side C: & lt;/b & gt; & lt;br & gt; 1. Our Delight & lt;br & gt; 2. All Day Long & lt;br & gt; 3. Sunday & lt;br & gt; & lt;b & gt;LP2 - Side D: & lt;/b & gt; & lt;br & gt; 1. Chelsea Bridge & lt;br & gt; 2. Land Of Make Believe & lt;br & gt; 3. The Theme
Bob James Once Upon A Time: The Lost 1965 New York Studio Sessions Numbered Limited Edition 180g LP (Vinyl)
& lt;header & gt;
& lt;p & gt; & lt;strong & gt;Numbered, Limited Edition 180g Vinyl LP! & lt;br & gt;
First-Ever Official Archival Release Of Previously Unissued Music! & lt;br & gt;
Mastered by Bernie Grundman & amp; Pressed at RTI! & lt;/strong & gt; & lt;/p & gt;
& lt;/header & gt;
& lt;p & gt;Previously unreleased studio recordings captured at Wollman Auditorium in NYC in 1965. It features Bob James in two different trio settings, one from early 1965 with bassist Larry Rockwell and drummer Robert (Cleve) Pozar, and one from October 1965 with
bassist Bill Woods and drummer Omar Clay performing a mix of jazz standards and original compositions. & lt;/p & gt;
& lt;section id= & quot;features & quot; & gt;
& lt;h3 & gt;Features & lt;/h3 & gt;
& lt;ul & gt;
& lt;li & gt;Numbered, Limited Edition First Pressing of 5,000 & lt;/li & gt;
& lt;li & gt;180g Vinyl & lt;/li & gt;
& lt;li & gt;Mastered by Bernie Grundman at Bernie Grundman Mastering & lt;/li & gt;
& lt;li & gt;Pressed at RTI & lt;/li & gt;
& lt;li & gt;Never before released & lt;/li & gt;
& lt;li & gt;Recorded by Resonance founder & amp; co-president George Klabin in 1965 at Wollman Auditorium in New York City & lt;/li & gt;
& lt;li & gt;Sound restoration by George Klabin & amp; Fran Gala & lt;/li & gt;
& lt;li & gt;Deluxe Gatefold & lt;/li & gt;
& lt;li & gt;Extensive insert with rare photos by Tom Copi, essay by Mark Stryker, interviews with James, Bob Pozar, pianist Makoto Ozone & amp; more & lt;/li & gt;
& lt;/ul & gt;
& lt;/section & gt;
& lt;section id= & quot;musicians & quot; & gt;
& lt;h3 & gt;Musicians & lt;/h3 & gt;
& lt;table & gt;
& lt;tr & gt;
& lt;th & gt;Bob James & lt;/th & gt;
& lt;td & gt;piano & lt;/td & gt;
& lt;/tr & gt;
& lt;tr & gt;
& lt;th & gt;Larry Rockwell & lt;/th & gt;
& lt;td & gt;bass (Side One) & lt;/td & gt;
& lt;/tr & gt;
& lt;tr & gt;
& lt;th & gt;Bill Woods & lt;/th & gt;
& lt;td & gt;bass (Side Two) & lt;/td & gt;
& lt;/tr & gt;
& lt;tr & gt;
& lt;th & gt;Robert Pozar & lt;/th & gt;
& lt;td & gt;drums (Side One) & lt;/td & gt;
& lt;/tr & gt;
& lt;tr & gt;
& lt;th & gt;Omar Clay & lt;/th & gt;
& lt;td & gt;drums (Side Two) & lt;/td & gt;
& lt;/tr & gt;
& lt;/table & gt;
& lt;/section & gt;
& lt;section id= & quot;selections & quot; & gt;
& lt;h3 & gt;Selections & lt;/h3 & gt;
& lt;h4 & gt;Side One - January 20, 1965 & lt;/h4 & gt;
& lt;ol & gt;
& lt;li & gt;Serenata & lt;/li & gt;
& lt;li & gt;Once Upon A Time & lt;/li & gt;
& lt;li & gt;Lateef Minor 7th & lt;/li & gt;
& lt;li & gt;Variations & lt;/li & gt;
& lt;/ol & gt;
& lt;h4 & gt;Side Two - October 9, 1965 & lt;/h4 & gt;
& lt;ol & gt;
& lt;li & gt;Airegin & lt;/li & gt;
& lt;li & gt;Indian Summer & lt;/li & gt;
& lt;li & gt;Solar & lt;/li & gt;
& lt;li & gt;Long Forgotten Blues & lt;/li & gt;
& lt;/ol & gt;
& lt;/section & gt;
