Miles Davis Live-Evil 180g 2LP (Vinyl)
& lt;font color= & quot;#FF0000 & quot; & gt; & lt;b & gt;A Stunning Exploration Of The Outer Limits Of Jazz, And One Of The Most Influential Records Of The '70s! & lt;/b & gt; & lt;/font & gt; & lt;br & gt; & lt;br & gt; Originally released in 1971, Live-Evil is one of Davis' most extraordinary records. Here, on a double album comprised of both live and studio recordings, the electric sound that Davis first unveiled the year previous emerges as a fully formed and powerful beast. Featuring one of his finest bands, which included John McLaughlin, Keith Jarrett, Gary Bartz, Jack DeJohnette, and Brazilian percussionist Airto, Live-Evil is a stunning exploration of the outer limits of Jazz, and one of the most influential records of the '70s. Absolutely essential. & lt;br & gt; & lt;br & gt; & lt;b & gt;Features: & lt;/b & gt; & lt;br & gt; Reissued on 180 gram vinyl & lt;br & gt; Gatefold jacket & lt;br & gt; & lt;br & gt; & lt;b & gt;Musicians: & lt;/b & gt; & lt;br & gt; Miles Davis, trumpet & lt;br & gt; Keith Jarrett, piano, keyboard & lt;br & gt; Michael Henderson, bass & lt;br & gt; Jack DeJohnette, drums & lt;br & gt; Airto Moreira, percussion & lt;br & gt; John McLaughlin, guitar & lt;br & gt; Gary Bartz, sax & lt;br & gt; Dave Holland, bass & lt;br & gt; Hermeto Pascoal, electric piano, whistling & lt;br & gt; Herbie Hancock, keyboard & lt;br & gt; Chick Corea, keyboard & lt;br & gt; Steve Grossman, sax & lt;br & gt; Wayne Shorter, sax & lt;br & gt; William Cobham, drums & lt;br & gt; Joe Zawinul, keyboard & lt;br & gt; Khalil Balakrishna, sitar & lt;br & gt; Hermeto Pascoal, voice & lt;br & gt; Ron Carter, bass & lt;br & gt; & lt;br & gt; & lt;b & gt;Selections: & lt;br & gt; LP1 - Side 1: & lt;br & gt; & lt;/b & gt; 1. Sivad & lt;br & gt; 2. Little Church & lt;br & gt; 3. Medley: Gemini/Double Image & lt;br & gt; & lt;b & gt;LP1 - Side 2: & lt;br & gt; & lt;/b & gt; 1. What I Say & lt;br & gt; 2. Nem Um Talvez & lt;br & gt; & lt;b & gt;LP2 - Side 3: & lt;br & gt; & lt;/b & gt; 1. Selim & lt;br & gt; 2. Funky Tonk & lt;br & gt; & lt;b & gt;LP2 - Side 4: & lt;/b & gt; & lt;br & gt; 1. Inamorata and Narration by Conrad Roberts
John Fahey Days Have Gone By 180g LP (Vinyl)
& lt;font color= & quot;#FF0000 & quot; & gt; & lt;b & gt;180g High Quality Vinyl! & lt;/b & gt; & lt;/font & gt; & lt;br & gt; & lt;br & gt; Days Have Gone By continues Fahey's interest in soundscapes, sound effects and experimental music - begun on The Great San Bernardino Birthday Party & amp; Other Excursions - mixed in with more traditional guitar playing of his earlier musical style. Originally released in 1967. & lt;br & gt; & lt;br & gt; & lt;b & gt; & quot;...Informally known as John Fahey, Volume 6, its an album very much in the experimental vein that he first started tapping in the early 1960s. Placed alongside such rustic, straight picking fare as The Revolt of the Dyke Brigade and Joe Kirby Blues are pieces that make early use of splicing and sampling. Mixing in the sounds of locomotives and whippoorwills the two-part A Raga Called Pat is at once eerie and meditative. Faheys strummed passages intersperse with ambient effects creating the illusion of wild wide-open spaces. Tunes like the somber and centering My Shepherd Will Supply My Needs are tempered with streaks of hopeful lyricism. A contemplative air of the artist in his element taking sonic paint and to easel permeates each piece and the resulting whole ranks with Faheys other masterpieces of the period such as Death Chants, Breakdowns and Military Waltzes and The Voice of the Turtle. & quot; & lt;/b & gt; - allaboutjazz.com, Derek Taylor, October 2001 & lt;br & gt; & lt;br & gt; & lt;b & gt;Features: & lt;/b & gt; & lt;br & gt; 180g Vinyl & lt;br & gt; & lt;br & gt; & lt;b & gt;Selections: & lt;br & gt; Side A: & lt;/b & gt; & lt;br & gt; 1. The Revolt of The Dyke's Brigade & lt;br & gt; 2. Impressions of Susan & lt;br & gt; 3. Joe Kirby Blues & lt;br & gt; 4. Night Train of Valhalla & lt;br & gt; 5. The Portland Cement Factory at Monolith, California & lt;br & gt; 6. A Raga Called Pat, Pt. 1 & lt;br & gt; & lt;br & gt; & lt;b & gt;Side B: & lt;/b & gt; & lt;br & gt; 7. A Raga Called Pat, Pt. 2 & lt;br & gt; 8. My Shepherd Will Supply My Needs & lt;br & gt; 9. My Grandfather's Clock & lt;br & gt; 10. Days Have Gone By & lt;br & gt; 11. We Would Be Building
Lightnin' Hopkins Last Night Blues 180g LP (Vinyl)
& lt;b & gt; & lt;font color= & quot;#FF0000 & quot; & gt;Blues Album Released On180g Vinyl! & lt;/font & gt; & lt;/b & gt; & lt;br & gt; & lt;br & gt; Last Night Blues by Lightnin' Hopkins was originally released in 1961. Joined by Sonny Terry this is a stripped down, soulful release with Sonny delivering instinctive accompaniment to Hopkins' fluid finger picking guitar and gritty vocals. Reissued on 180 gram vinyl on a tip on sleeve with a paper and poly lined inner sleeve. & lt;br & gt; & lt;br & gt; & lt;b & gt; & quot;Outside of Blind Lemon Jefferson, Lightnin' Hopkins may be Texas's most distinctive and influential blues export. His easy, fluid fingerpicking and witty, extemporaneous storytelling are always a delight, and his performances on Last Night Blues are no exception. The album is spare and acoustic, with Hopkins's voice and guitar accompanied by minimal percussion and Sonny Terry's harmonica. Terry's contributions really add a lot to these tunes, threading a high, lonesome whine on the downtempo tunes and a chugging, propulsive shuffle on the faster ones. Hopkins is, of course, one of the kings of the blues boogie, but he's equally compelling on the slow blues, and he never missteps throughout this fine set. All told, this dynamite disc represents what the blues should be: stripped-down, soulful, and full of truth. & quot; & lt;/b & gt; - allmusic.com & lt;br & gt; & lt;br & gt; & lt;b & gt;Features: & lt;/b & gt; & lt;br & gt; 180g Vinyl & lt;br & gt; Tip-on sleeve & lt;br & gt; Paper & amp; poly-lined inner sleeve & lt;br & gt; Mastered by George Horn and Anne-Marie Suenram at Fantasy Studios & lt;br & gt; & lt;br & gt; & lt;b & gt;Musicians: & lt;/b & gt; & lt;br & gt; Lightnin' Hopkins, guitar, vocals & lt;br & gt; Sonny Terry, harmonica, vocals & lt;br & gt; Leonard Gaskin, bass & lt;br & gt; Belton Evans, drum & lt;br & gt; & lt;br & gt; & lt;b & gt;Selections: & lt;br & gt; Side A: & lt;/b & gt; & lt;br & gt; 1. Rocky Mountain & lt;br & gt; 2. Got To Move Your Baby & lt;br & gt; 3. So Sorry To Leave You & lt;br & gt; 4. Take A Trip With Me & lt;br & gt; & lt;b & gt;Side B: & lt;/b & gt; & lt;br & gt; 1. Last Night Blues & lt;br & gt; 2. Lightnin's Stroke & lt;br & gt; 3. Hard To Love A Woman & lt;br & gt; 4. Conversation Blues
Tim Buckley Starsailor 180g LP (Vinyl)
Originally released in 1970, Starsailor is the most unique and uncompromising release of Tim Buckley's brief but productive career. Combining jazz and avant-garde elements with folk-rock and Buckley's acrobatic vocal performances this album is one of the most experimental singer-songwriter records of all time. Though it was a commercial failure at the time of its release Starsailor has since become a sought after cult classic. & lt;br & gt; & lt;br & gt; Features: & lt;br & gt; 180g Vinyl & lt;br & gt; & lt;br & gt; & lt;b & gt;Selections: & lt;br & gt; & lt;/b & gt; 1. Come Here Woman & lt;br & gt; 2. I Woke Up & lt;br & gt; 3. Monterey & lt;br & gt; 4. Moulin Rouge & lt;br & gt; 5. Song To The Siren & lt;br & gt; 6. Jungle Fire & lt;br & gt; 7. Starsailor & lt;br & gt; 8. The Healing Festival & lt;br & gt; 9. Down By The Borderline
Tim Buckley Lorca 180g LP (Vinyl)
Buckley's 1970 Asylum album is once again available on vinyl. Continuing his jazz explorations, Buckley created the most & quot;out & quot; album of his career. Full of folk and jazz inspired improvisations, unusual instrumentation, and extended compositions, Lorca is a standout album from a rich and diverse catalog. & lt;br & gt; & lt;br & gt; The 5/4 time signature title track is strikingly weird with haunted house pipe organ and two faster-paced numbers, the mellow contemplative love song & quot;I Had A Talk With My Woman & quot; and the slightly funky blues-based & quot;Nobody Walkin' & quot;, are even fun. & lt;br & gt; & lt;br & gt; Musicians: & lt;br & gt; Tim Buckley & lt;br & gt; Lee Underwood & lt;br & gt; John Balkin, bass, pipe organ (1) & lt;br & gt; Carter Collins, congas & lt;br & gt; & lt;br & gt; Features: & lt;br & gt; 180g Vinyl LP & lt;br & gt; & lt;br & gt; & lt;b & gt;Selections: & lt;/b & gt; & lt;br & gt; 1. Lorca & lt;br & gt; 2. Anonymous Proposition & lt;br & gt; 3. I Had A Talk With My Woman & lt;br & gt; 4. Driftin' & lt;br & gt; 5. Nobody Walkin'
Tim Buckley Happy Sad 180g LP (Vinyl)
& lt;font color= & quot;#FF0000 & quot; & gt; & lt;b & gt;180g Vinyl LP! & lt;/b & gt; & lt;/font & gt; & lt;br & gt; & lt;br & gt; Happy Sad is a most haunting, lovely, stunning album that will take you to places you've never been before and leave you wanting more. Subdued electric guitar, bass, vibes, marimba and percussion surround Tim's trademark 12-string and his incredibly capable soaring voice. & lt;br & gt; & lt;br & gt; One of the best albums of the late '60s and among Buckley's most highly regarded recordings, Happy Sad was a change-up pitch for the eclectic L.A. singer/songwriter. & amp;nbsp; Sounding a bit like Fred Neil's capitol-era albums, Buckley and his small, acoustic-based ensemble created a beautiful, jazz-tinged form of folk-rock. & lt;br & gt; & lt;br & gt; & lt;b & gt;Features: & lt;/b & gt; & lt;br & gt; & amp;bull; 180g Vinyl LP & lt;br & gt; & lt;br & gt; & lt;b & gt;Selections: & lt;/b & gt; & lt;br & gt; 1. Strange Feelin' & lt;br & gt; 2. Buzzin' Fly & lt;br & gt; 3. Love From Room 109 At The Islander (On Pacific Coast Highway) & lt;br & gt; 4. Dream Letter & lt;br & gt; 5. Gypsy Woman & lt;br & gt; 6. Sing A Song For You
Nina Simone The Amazing Nina Simone 180g LP (Vinyl)
Nina's second LP, originally released in 1959, The Amazing Nina Simone features a repertoire ranging from a swinging & quot;Stompin' at the Savoy & quot; and an emotional & quot;It Might as Well Be Spring & quot; to an English folk ballad ( & quot;Tomorrow & quot;), spirituals, and an R & amp;B song ( & quot;You've Been Gone Too Long & quot;) and is backed by a subtle orchestra arranged by Bob Mersey that effectively showcases her top-form vocals. 180 gram vinyl. Original artwork. & lt;br & gt; & lt;br & gt; & lt;b & gt;Selections: & lt;/b & gt; & lt;br & gt; 1. Blue Prelude & lt;br & gt; 2. Children Go Where I Send You & lt;br & gt; 3. Tomorrow (We Will Meet Once More) & lt;br & gt; 4. Stompin' At The Savoy & lt;br & gt; 5. It Might As Well Be Spring & lt;br & gt; 6. You've Been Gone Too Long & lt;br & gt; 7. That's Him Over There & lt;br & gt; 8. Chilly Winds Don't Blow & lt;br & gt; 9. Theme From & quot;Middle Of The Night & quot; & lt;br & gt; 10. Can't Get Out Of This Mood & lt;br & gt; 11. Willow Weep For Me & lt;br & gt; 12. Solitaire
Nina Simone Nina Simone At Town Hall 180g LP (Vinyl)
& lt;font color= & quot;#FF0000 & quot; & gt; & lt;b & gt;This Classic Performance By the Legendary Nina Simone Is Once Again Available on 180g Vinyl! & lt;/b & gt; & lt;/font & gt; & lt;br & gt; & lt;br & gt; One of Nina Simone's finest recordings, this 1959 Colpix LP features the unique singer/pianist performing classic versions of & quot;Black Is the Color of My True Love's Hair, & quot; & quot;The Other Woman, & quot; and & quot;Wild Is the Wind. & quot; With supportive work from bassist Jimmy Bond and drummer Al & quot;Tootie & quot; Heath, she also sounds fine on a few instrumentals. & quot;Summertime & quot; is performed twice, once as a vocal. From the start of her career, Nina Simone carved out her own unique niche, meshing together her classical piano technique with folk singing, civil rights protest lyrics and jazz. All of those elements are in evidence on this highly recommended set. Original artwork. & lt;br & gt; & lt;br & gt; & lt;b & gt;Features: & lt;/b & gt; & lt;br & gt; 180g Vinyl & lt;br & gt; & lt;br & gt; & lt;b & gt;Selections: & lt;/b & gt; & lt;br & gt; 1. Black Is The Color Of My True Love's Hair & lt;br & gt; 2. Exactly Like You & lt;br & gt; 3. The Other Woman & lt;br & gt; 4. Under The Lowest & lt;br & gt; 5. You Can Have Him & lt;br & gt; 6. Summertime - instrumental & lt;br & gt; 7. Summertime & lt;br & gt; 8. Cotten Eyed Joe & lt;br & gt; 9. Return Home & lt;br & gt; 10. Wild Is The Wind & lt;br & gt; 11 Fine And Mellow
John Fahey Death Chants, Breakdowns and Military Waltzes 180g LP (Vinyl)
& lt;font color= & quot;#FF0000 & quot; & gt; & lt;b & gt;180g Vinyl LP! & lt;/b & gt; & lt;/font & gt; & lt;br & gt; & lt;br & gt; In 1967, Fahey's first two albums were re-recorded for the burgeoning stereo market which resulted in this version of Death Chants, Breakdowns and Military Waltzes. Death Chants is John Fahey's second album, following the brilliantly apocryphal Blind Joe Death. As massive as that earlier work was, it represented only a tentative first step towards the fields of hodologic splendor that our hero would go on to create. & lt;br & gt; & lt;br & gt; Death Chants represents a much more fully realized syncretism of the modernist and primitive poles between which Fahey wobbled. It is also the first album he deigned to release entirely under his own name and the one with which he truly began to cast a shadow across the blandly-lit landscape of the world's subconscious. & lt;br & gt; & lt;br & gt; & lt;b & gt; & quot;It's a work that beautifully displays both Fahey's virtuosity on folk and blues guitar and a distinct composing voice that draws much from folk and blues traditions... & quot; & lt;/b & gt; -Richie Unterberger, allmusic.com & lt;br & gt; & lt;br & gt; & lt;b & gt;Features: & lt;/b & gt; & lt;br & gt; 180g Vinyl & lt;br & gt; & lt;br & gt; & lt;b & gt;Selections: & lt;/b & gt; & lt;br & gt; 1. John Henry Variations & lt;br & gt; 2. The Downfall of The Adelphi Rolling Grist Mill & lt;br & gt; 3. Take A Look At That Baby & lt;br & gt; 4. Dance of The Inhabitants of The Palace of King Philip XIV & lt;br & gt; 5. America & lt;br & gt; 6. Episcopal Hymn & lt;br & gt; 7. Sunflower River Blues & lt;br & gt; 8. When the Springtime Comes Again & lt;br & gt; 9. Stomping Tonight On the Pennsylvania / Alabama Border & lt;br & gt; 10. Some Summer Day & lt;br & gt; 11. On the Beach At Waikiki & lt;br & gt; 12. Spanish Dance
The Great Otis Redding Sings Soul Ballads 180g LP (Vinyl)
2012 Stereophile Magazine Record to Die For! The Great Otis Redding Sings Soul Ballads (4M Atlantic 105) A reissue of Otis' amazing second album originally released in 1965 on Stax/Volt. Named by Mojo Magazine as one of the best soul albums ever recorded, it features several of Reddings's classic tracks including "That's How Strong My Love Is," "Chained and Bound," "A Woman, A Lover, A Friend," "For Your Precious Love" and "Mr. Pitiful." Packaged with the original artwork in a gatefold sleeve with new exclusive and detailed liner notes by maverick '60s music historian Alec Palao. Transferred from the original analog master tapes. Selections: 1. That's How Strong My Love Is2. Chained And Bound3. Woman4. Lover5. A Friend6. Your One And Only Man7. Nothing Can Change This Love8. It's Too Late9. For Your Precious Love10. I Want To Thank You11. Come To Me12. Home In Your Heart13. Keep Your Arms Around Me14. Mr. Pitiful
John Cale The Academy in Peril 180g LP (Vinyl)
& lt;font color= & quot;#FF0000 & quot; & gt; & lt;b & gt;180g Vinyl in Die-Cut Custom Gatefold Jacket! & lt;/b & gt; & lt;/font & gt; & lt;br & gt; & lt;br & gt; The Academy In Peril by former Velvet Underground member John Cale was originally released in 1972. The album is an exploration of his influences and training in classical music and features mainly instrumental compositions including two tracks that feature the Royal Philharmonic Orchestra. & lt;br & gt; & lt;br & gt; Cale balances the rock-classical fusion on the record with touches of humor while the music is beautiful and subtle showing Cale's skills at composing and arranging. Contributors include Ron Wood on guitar, Del Newman on drums and & quot;Legs & quot; Larry Smith of The Bonzo Dog Band. Cover art and design by Andy Warhol. This is a 180 gram vinyl reissue in a die-cut custom gatefold jacket. & lt;br & gt; & lt;br & gt; & lt;b & gt; & quot;Much of the time the mood is, quite simply, serene and beautiful, an exercise of Cale's skills that impresses both technically and emotionally. & quot; & lt;/b & gt; -Ned Raggett, allmusic.com & lt;br & gt; & lt;b & gt; & lt;br & gt; Features: & lt;/b & gt; & lt;br & gt; 180g Vinyl Reissue & lt;br & gt; Cover art and design by Andy Warhol & lt;br & gt; Die-cut custom gatefold jacket & lt;br & gt; & lt;br & gt; & lt;b & gt;Selections: & lt;/b & gt; & lt;br & gt; 1. The Philosopher & lt;br & gt; 2. Brahms & lt;br & gt; 3. Legs Larry At Television Centre & lt;br & gt; 4. The Academy In Peril & lt;br & gt; 5. Intro & lt;br & gt; 6. Days Of Steam & lt;br & gt; 7. Faust & lt;br & gt; 8. The Balance & lt;br & gt; 9. Capt. Morgan's Lament & lt;br & gt; 10. King Harry & lt;br & gt; 11. John Milton
Nina Simone Nina Simone At Town Hall LP (Dark Pink Vinyl)
& lt;font color= & quot;#FF0000 & quot; & gt; & lt;b & gt;Limited Edition Dark Pink Vinyl LP! & lt;br & gt; Only 1000 Copies! & lt;/b & gt; & lt;/font & gt; & lt;br & gt; & lt;br & gt; One of Nina Simone's finest recordings, this 1959 Colpix LP features the unique singer/pianist performing classic versions of & quot;Black Is the Color of My True Love's Hair, & quot; & quot;The Other Woman, & quot; and & quot;Wild Is the Wind. & quot; With supportive work from bassist Jimmy Bond and drummer Al & quot;Tootie & quot; Heath, she also sounds fine on a few instrumentals. & quot;Summertime & quot; is performed twice, once as a vocal. From the start of her career, Nina Simone carved out her own unique niche, meshing together her classical piano technique with folk singing, civil rights protest lyrics and jazz. All of those elements are in evidence on this highly recommended set. Original artwork. & lt;br & gt; & lt;br & gt; & lt;b & gt;Features: & lt;/b & gt; & lt;br & gt; Limited Edition Dark Pink Vinyl - Only 1000 Copies & lt;br & gt; Original artwork & lt;br & gt; & lt;br & gt; & lt;b & gt;Selections: & lt;br & gt; Side 1: & lt;/b & gt; & lt;br & gt; 1. Black Is The Color Of My True Love's Hair & lt;br & gt; 2. Exactly Like You & lt;br & gt; 3. The Other Woman & lt;br & gt; 4. Under The Lowest & lt;br & gt; 5. You Can Have Him & lt;br & gt; & lt;b & gt;Side 2: & lt;/b & gt; & lt;br & gt; 1. Summertime (Instrumental) & lt;br & gt; 2. Summertime (Vocal) & lt;br & gt; 3. Cotten Eyed Joe & lt;br & gt; 4. Return Home & lt;br & gt; 5. Wild Is The Wind & lt;br & gt; 6. Fine And Mellow
Fred Neil Sessions 180g LP (Vinyl)
& lt;font color= & quot;#FF0000 & quot; & gt; & lt;b & gt;180 Gram Vinyl! Vocal Genius! Includes Cover of & quot;Please Send Me Somebody to Love & quot;! & lt;/b & gt; & lt;/font & gt; & lt;br & gt; & lt;br & gt; Released in 1967, Sessions is the follow-up to Neil's classic self-titled solo album. Although the long, meandering, raga influenced songs on Sessions are a bit perplexing at first, the album's rewards increase with each subsequent listening session. Neil's vocal performances are astounding and the album as a whole is a meditative experience. An under-rated LP from one of American folk's finest voices. & lt;br & gt; & lt;br & gt; Reissued on 180 gram vinyl with a tip-on jacket. & lt;br & gt; & lt;br & gt; & lt;b & gt; & quot;Sessions was a peculiar record that seemed to find Neil losing his focus to some degree, even as he increased his appetite for experimentation with arrangements and songwriting. The loose, informal feel of most of the cuts suggested that the performances were rehearsals or jams, rather than finely honed finished products... Neil's vocal genius, however, remained intact, and the best two cuts were the most straight-ahead: & quot;Felicity & quot; is a nice oblique meditation-cum-love song, and the cover of Percy Mayfield's & quot;Please Send Me Somebody to Love & quot; is effective. & quot; & lt;/b & gt; - Richie Unterberger, allmusic.com & lt;br & gt; & lt;br & gt; & lt;b & gt;Features: & lt;/b & gt; & lt;br & gt; 180g Vinyl & lt;br & gt; & lt;br & gt; & lt;b & gt;Musicians: & lt;/b & gt; & lt;br & gt; Fred Neil, vocals, guitar & lt;br & gt; James E. Bond Jr., bass & lt;br & gt; Cyrus Faryar, acoustic guitar & lt;br & gt; Vruce Langhorn, acoustic guitar & lt;br & gt; Peter O. Childs, acoustic guitar & lt;br & gt; Eric Glen Hord, acoustic guitar & lt;br & gt; & lt;br & gt; & lt;b & gt;Selections: & lt;br & gt; Side One: & lt;/b & gt; & lt;br & gt; 1. Felicity (Take 5) & lt;br & gt; 2. Send Me Somebody To Love (Take 2) & lt;br & gt; 3. Merry Go Round (Take 1) & lt;br & gt; 4. Look Over Yonder (Take 1) & lt;br & gt; & lt;b & gt;Side Two: & lt;/b & gt; & lt;br & gt; 1. Fools Are A Long Time Coming (Take 1) & lt;br & gt; 2. Looks Like Rain (Take 1/Take 2) & lt;br & gt; 3. Roll On Rosie (Take 1)
David Wiffen David Wiffen 180g LP (Vinyl)
& lt;font color= & quot;#FF0000 & quot; & gt; & lt;b & gt;Underground Classic Reissued On 180g Vinyl! & lt;/b & gt; & lt;/font & gt; & lt;br & gt; & lt;br & gt; Canadian singer/song writer David Wiffen's 1971 self titled album, originally released on Fantasy Records, is now reissued by 4 Men With Beards. The album is a showcase for Davids rich baritone voice and his world weary, laid back songs. Standout tracks include the classic Driving Wheel covered by Tom Rush, The Byrds, The Jayhawks, Roger McGuinn and the Cowboy Junkies among many others, plus the openly confessional More Often Than Not and Ive Got A Ticket. & lt;br & gt; & lt;br & gt; A underground folk/chamber pop classic reissued on 180 gram vinyl. & lt;br & gt; & lt;br & gt; & lt;b & gt;Features: & lt;/b & gt; & lt;br & gt; 180g Vinyl & lt;br & gt; & lt;br & gt; & lt;b & gt;Selections: & lt;br & gt; Side One: & lt;/b & gt; & lt;br & gt; 1. One Step & lt;br & gt; 2. Never Make A Dollar That Way & lt;br & gt; 3. I've Got My Ticket & lt;br & gt; 4. What A Lot of Woman & lt;br & gt; 5. Since I Fell For You & lt;br & gt; & lt;b & gt;Side Two: & lt;/b & gt; & lt;br & gt; 1. Driving Wheel & lt;br & gt; 2. Mr. Wiffen & lt;br & gt; 3. Blues Was the Name Of the Song & lt;br & gt; 4. Mention My Name In Passing & lt;br & gt; 5. More Often Than Not
John Fahey Volume 1 Blind Joe Death 180g LP (Vinyl)
& lt;font color= & quot;#FF0000 & quot; & gt; & lt;b & gt;180g Vinyl LP! & lt;/b & gt; & lt;/font & gt; & lt;br & gt; & lt;br & gt; After moving to Berkeley, California, Fahey's career began to take off. After a mildly successful second album, & quot;Death Chants, Breakdowns, & amp; Military Waltzes, & quot; he decided to re-release his earlier album. In doing so, he chose to re-record much of the material. In 1967, Fahey was successful with many albums under his belt. His first two albums would be released in stereo and both were re-recorded, resulting in this third version of Blind Joe's Death. & lt;br & gt; & lt;br & gt; For several years major labels had been issuing records in both mono and stereo formats. By 1967, Takoma was doing well enough financially to justify the re-recording of Fahey's first and second albums for the burgeoning stereo market. Thus Volume 1: Blind Joe Death, as the record would be titled henceforth, was recorded for the third time and it is probably this release that most people are familiar with today. For the new version Fahey recorded all but one song on the album. He recorded one new track for the reissue: & quot;I'm Gonna Do All I Can for My Lord. & quot; His new take of the Episcopal hymn & quot;In Christ There Is No East or West & quot; would become the most well-known and oft-played song on the album. & lt;br & gt; & lt;br & gt; & lt;b & gt; & quot;Fahey's experimental blues-folk acoustic fusion is just beginning to take shape...few if any other guitarists were attempting to interpret blues and folk idioms in such an idiosyncratic fashion in the late '50s and early '60s. & quot; & lt;/b & gt; -Richie Unterberger, allmusic.com & lt;br & gt; & lt;br & gt; & lt;b & gt;Features: & lt;/b & gt; & lt;br & gt; 180g Vinyl & lt;br & gt; & lt;br & gt; & lt;b & gt;Selections: & lt;br & gt; Side One: & lt;/b & gt; & lt;br & gt; 1. On Doing An Evil Deed Blues & lt;br & gt; 2. St. Louis Blues & lt;br & gt; 3. Poor Boy Long Ways From Home & lt;br & gt; 4. Uncloudy Day & lt;br & gt; 5. John Henry & lt;br & gt; 6. In Christ There Is No East Or West & lt;br & gt; & lt;b & gt;Side Two: & lt;/b & gt; & lt;br & gt; 1. The Transcendental Waterfall & lt;br & gt; 2. Desperate Man Blues & lt;br & gt; 3. Sun Gonna Shine In My Back Door Someday Blues & lt;br & gt; 4. Sligo River Blues & lt;br & gt; 5. I'm Gonna Do All I Can For My Lord
Tim Buckley Blue Afternoon 180g LP (Vinyl)
Originally released in 1969 Blue Afternoon is Buckley's fourth album and his first for Frank Zappa's Straight label. Continuing with the jazz inflected folk-rock he first unveiled on his previous release, Happy Sad, Buckley's songs are complimented here by classy arrangements featuring vibes player David Friedman and Lee Underwood's beautifully understated guitar work. A classic from perhaps the most unique American singer-songwriter of the '60s and '70s. & lt;br & gt; & lt;br & gt; Features: & lt;br & gt; 180g Vinyl & lt;br & gt; & lt;br & gt; & lt;b & gt;Selections: & lt;br & gt; & lt;/b & gt; 1. Happy Time & lt;br & gt; 2. Chase The Blues Away & lt;br & gt; 3. I Must Have Been Blind & lt;br & gt; 4. River & lt;br & gt; 5. So Lonely & lt;br & gt; 6. Cafe & lt;br & gt; 7. Blue Melody & lt;br & gt; 8. Train
Wilson Pickett The Exciting Wilson Pickett 180g LP (Turquoise Vinyl)
& lt;font color= & quot;#FF0000 & quot; & gt; & lt;b & gt;Limited Edition 180g Turquoise Vinyl - Only 500 Copies! & lt;/b & gt; & lt;/font & gt; & lt;br & gt; & lt;br & gt; This is the 2nd album from Wilson Pickett, originally released in 1966. Contains the hits & quot;In The Midnight Hour, & quot; & quot;Ninety Nine And A Half (Won't Do), & quot;Land Of 1000 Dances, & quot; and & quot;634-5789. & quot; 180 gram vinyl reissue. Limited edition of 500 copies on turquoise vinyl. & lt;br & gt; & lt;br & gt; & lt;b & gt; & quot;Less of a hodgepodge than his debut album, In the Midnight Hour, Pickett's second album established -- if there had been any doubt -- his stature as a major '60s soul man. The 12 tracks include his monster hits & quot;634-5789, & quot; & quot;Ninety-Nine and a Half (Won't Do), & quot; & quot;In the Midnight Hour, & quot; and & quot;Land of 1000 Dances & quot; (the last of which was his first Top Ten pop hit). Collectors will be more interested in the non-hit cuts, which are of nearly an equal level. These include covers of the R & amp;B standards & quot;Something You Got, & quot; & quot;Mercy Mercy, & quot; and & quot;Barefootin' & quot;; several original tunes written in collaboration with Memphis soul greats Steve Cropper, Eddie Floyd, and David Porter; and Bobby Womack's & quot;She's So Good to Me. & quot; It all adds up to one of the most consistent '60s soul albums ever. & quot; & lt;/b & gt; - Richie Unterberger, allmusic.com & lt;br & gt; & lt;br & gt; & lt;b & gt;Features: & lt;/b & gt; & lt;br & gt; 180g vinyl & lt;br & gt; Limited Edition Turquoise Vinyl - Only 500 Copies & lt;br & gt; & lt;br & gt; & lt;b & gt;Selections: & lt;br & gt; Side 1: & lt;/b & gt; & lt;br & gt; 1. Land Of 1000 Dances & lt;br & gt; 2. Something You Got & lt;br & gt; 3. 634-5789 & lt;br & gt; 4. Barefootin' & lt;br & gt; 5. Mercy, Mercy & lt;br & gt; 6. You're So Fine & lt;br & gt; & lt;b & gt;Side 2: & lt;/b & gt; & lt;br & gt; 1. In The Midnight Hour & lt;br & gt; 2. Ninety-Nine And A Half (Won't Do) & lt;br & gt; 3. Danger Zone & lt;br & gt; 4. I'm Drifting & lt;br & gt; 5. It's All Over & lt;br & gt; 6. She's So Good To Me
Miles Davis Pangaea 180g 2LP (Vinyl)
& lt;font color= & quot;#FF0000 & quot; & gt; & lt;b & gt;Live Electric Jazz-Fusion from the Undisputed Master! 180 Gram Audiophile Vinyl! & lt;/b & gt; & lt;/font & gt; & lt;br & gt; & lt;br & gt; Recorded on the same day as Agharta, Pangaea's 2LPs of material are culled from the evening performances at Osaka's Festival Hall. Featuring just 2 songs, both clocking in at over 40 minutes, Pangaea shows Miles' band really stretching itself to the limit. Live electric jazz-fusion from the undisputed master of the genre. Pangaea contains fierce, heavy, dense music created ahead of its time. & lt;br & gt; & lt;br & gt; & lt;b & gt;Features: & lt;/b & gt; & lt;br & gt; Reissued on 180 gram vinyl & lt;br & gt; Double LP & lt;br & gt; Gatefold jacket & lt;br & gt; & lt;br & gt; & lt;b & gt;Musicians: & lt;/b & gt; & lt;br & gt; Miles Davis, electric trumpet (with wah wah), organ & lt;br & gt; Sonny Fortune, soprano saxophone, alto saxophone, flute & lt;br & gt; Pete Cosey, electric guitar, Synthesizer, percussion & lt;br & gt; Reggie Lucas, electric guitar & lt;br & gt; Michael Henderson, electric bass & lt;br & gt; Al Foster, drums & lt;br & gt; James & quot;Mtume & quot; Forman, conga, percussion, water drum, rhythm box & lt;br & gt; & lt;br & gt; & lt;b & gt;Selections: & lt;br & gt; LP 1 & lt;/b & gt; & lt;br & gt; 1. Zimbabwe & lt;br & gt; & lt;b & gt;LP 2 & lt;/b & gt; & lt;br & gt; 2. Gondwana
Iggy Pop The Idiot 180g LP (Vinyl)
Originally released in 1977, this was the first album Iggy Pop made after the dissolution of the Stooges, several jailings and a self-imposed stay in a mental institution. Produced by David Bowie, and including music written almost entirely by him, this is Iggys most introspective and heavy work. Much more mechanical than the sleazy proto-punk of the Stooges, The Idiot was a huge influence on the post-punk sound of folks like Joy Division and Magazine. An absolute classic on 180g vinyl. & lt;br & gt; & lt;br & gt; Features: & lt;br & gt; 180g Vinyl & lt;br & gt; & lt;br & gt; Musicians: & lt;br & gt; Iggy Pop, vocals & lt;br & gt; David Bowie, keyboards, synthesizer, guitar, piano, saxophone, xylophone, backing vocals & lt;br & gt; Carlos Alomar, guitar & lt;br & gt; Dennis Davis, drums & lt;br & gt; George Murray, bass & lt;br & gt; Phil Palmer, guitar & lt;br & gt; Michel Santangeli, drums & lt;br & gt; Laurent Thibault, bass & lt;br & gt; & lt;br & gt; & lt;b & gt;Selections: & lt;/b & gt; & lt;br & gt; 1. Sister Midnight & lt;br & gt; 2. Nightclubbing & lt;br & gt; 3. Funtime & lt;br & gt; 4. Baby & lt;br & gt; 5. China Girl & lt;br & gt; 6. Dum Dum Boys & lt;br & gt; 7. Tiny Girls & lt;br & gt; 8. Mass Production
Wilson Pickett Hey Jude LP (Green Vinyl)
& lt;font color= & quot;#FF0000 & quot; & gt; & lt;b & gt;Limited Edition - 500 Copies! & lt;br & gt; Green Vinyl LP! & lt;/b & gt; & lt;/font & gt; & lt;br & gt; & lt;br & gt; & quot;Hey Jude & quot; is the classic 1969 release by Wilson Pickett cut with the & lt;b & gt;Muscle Shoals session crew & lt;/b & gt; while & lt;b & gt;Duane Allman & lt;/b & gt; added his intense, bluesy guitar to the mix. This album of hard Southern soul features Pickett in top form with his powerful vocals featured on soul tunes such as & quot;A Man And A Half & quot; and & quot;Toe Hold & quot; alongside choice rock covers including the title track and & quot;Born To Be Wild & quot;. & lt;br & gt; & lt;br & gt; Reissued on limited edition green vinyl with tip on jacket by 4 Men With Beards. & lt;br & gt; & lt;br & gt; & lt;b & gt;Features: & lt;/b & gt; & lt;br & gt; Limited Edition - 500 copies & lt;br & gt; Green Vinyl & lt;br & gt; Tip on jacket & lt;br & gt; & lt;br & gt; & lt;b & gt;Musicians: & lt;/b & gt; & lt;br & gt; Wilson Pickett, vocals & lt;br & gt; Roger Hawkins, drums & lt;br & gt; Jerry Jemmot, bass & lt;br & gt; David Hood, bass & lt;br & gt; James Johnson, guitar & lt;br & gt; Albert Lowe, guitar & lt;br & gt; Duane Allman, guitar & lt;br & gt; Barry Beckett, piano & lt;br & gt; Marvell Thomas, organ & lt;br & gt; Gene Miller, trumpet & lt;br & gt; Jack Peck, trumpet & lt;br & gt; Aaron Varnell, tenor sax & lt;br & gt; Joe Arnold, tenor sax & lt;br & gt; James Mitchell, baritone sax & lt;br & gt; The Sweet Inspirations, background vocals & lt;br & gt; & lt;br & gt; & lt;b & gt;Selections: & lt;br & gt; Side One: & lt;/b & gt; & lt;br & gt; 1. Save Me & lt;br & gt; 2. Hey Jude & lt;br & gt; 3. Back In Your Arms & lt;br & gt; 4. Toe Hold & lt;br & gt; 5. Night Owl & lt;br & gt; 6. My Own Style of Loving & lt;br & gt; & lt;b & gt;Side Two: & lt;/b & gt; & lt;br & gt; 1. A Man And A Half & lt;br & gt; 2. Sit Down And Talk This Over & lt;br & gt; 3. Search Your Heart & lt;br & gt; 4. Born To Be Wild & lt;br & gt; 5. People Make The World
Toots & The Maytals Funky Kingston LP (Translucent Blue Vinyl)
& lt;font color= & quot;#FF0000 & quot; & gt; & lt;b & gt;Translucent Blue Vinyl LP! & lt;/b & gt; & lt;/font & gt; & lt;br & gt; & lt;br & gt; Reissue of the 1975 version of the stone cold reggae classic & quot;Funky Kingston & quot; by Toots & amp; The Maytals. Showcasing some of the Maytals best songs including & quot;Pressure Drop & quot;, & quot;Time Tough & quot;, the title track and their incredible version of John Denver's & quot;Country Roads & quot;, the album is the closest reggae ever got to soul music and is a funky, uplifting listening experience. & lt;br & gt; & lt;br & gt; & lt;b & gt;Features: & lt;/b & gt; & lt;br & gt; & amp;bull; Translucent Blue Vinyl & lt;br & gt; & lt;br & gt; & lt;b & gt;Selections: & lt;br & gt; Side One: & lt;/b & gt; & lt;br & gt; 1. Time Tough & lt;br & gt; 2. In The Dark & lt;br & gt; 3. Funky Kingston & lt;br & gt; 4. Love Is Gonna Let Me Down & lt;br & gt; 5. Louie, Louie & lt;br & gt; & lt;b & gt;Side Two: & lt;/b & gt; & lt;br & gt; 1. Pomp And Pride & lt;br & gt; 2. Got To Be There & lt;br & gt; 3. Country Road & lt;br & gt; 4. Pressure Drop & lt;br & gt; 5. Sailin' On
Funkadelic Free Your Mind... And Your Ass Will Follow LP (Translucent Red Vinyl)
& lt;font color= & quot;#FF0000 & quot; & gt; & lt;b & gt;Translucent Red Vinyl LP! & lt;br & gt; Limited Edition - 1000 Copies! & lt;/b & gt; & lt;/font & gt; & lt;br & gt; & lt;br & gt; Funkadelic's second LP, originally released in 1970, is another straight up masterpiece from the stoniest, strangest funk and R & amp;B group of all-time. Opening with the 10 minute title track complete with a shredding keyboard solo from Bernie Worrell and, of course, the six-stringed insanity of Eddie Hazel. One of George Clinton's finest sets of songs and another essential part of the Parliament-Funkadelic catalog reissued in a limited edition of 1,000 on Translucent Red vinyl in a deluxe gatefold jacket. & lt;br & gt; & lt;br & gt; & lt;b & gt;Features: & lt;/b & gt; & lt;br & gt; Limited Edition - 1000 Copies & lt;br & gt; Translucent Red Vinyl & lt;br & gt; Deluxe gatefold jacket & lt;br & gt; & lt;br & gt; & lt;b & gt;Selections: & lt;br & gt; Side A: & lt;/b & gt; & lt;br & gt; 1. Free Your Mind and Your Ass Will Follow & lt;br & gt; 2. Friday Night, August 14th & lt;br & gt; & lt;b & gt;Side B: & lt;/b & gt; & lt;br & gt; 1. Funky Dollar Bill & lt;br & gt; 2. I Wanna Know If It's Good To You & lt;br & gt; 3. Some More & lt;br & gt; 4. Eulogy And Light
Johnny Jenkins Ton-Ton Macoute! 180g LP (Vinyl)
& lt;font color= & quot;#FF0000 & quot; & gt; & lt;b & gt;180g High Quality Vinyl Includes 2 Bonus Tracks! & lt;/b & gt; & lt;/font & gt; & lt;br & gt; & lt;br & gt; Johnny Jenkins Ton-Ton Macoute! originally released in 1970, is a classic Southern cooked blues, rock, soul and country album. The recording started life as a Duane Allman solo record which was then taken over and completed by Jenkins and crafted into this release with help from future Allman Brothers members Berry Oakley, Jaimoe and Butch Trucks. Highlights include a cover of Dr. Johns I Walk On Gilded Splinters which has been sampled many times, Bob Dylans Down Along The Cove, Muddy Waters Rollin Stone and J.D. Loudermilks Bad News. Also included are the bonus tracks I Dont Want No Woman by Don Robey and Otis Rushs My Love Will Never Die. The album is pressed on 180 gram vinyl and housed in a gatefold sleeve. & lt;br & gt; & lt;br & gt; & lt;b & gt;Features: & lt;/b & gt; & lt;br & gt; & amp;bull; 180g Vinyl & lt;br & gt; & amp;bull; Gatefold jacket & lt;br & gt; & amp;bull; 2 Bonus Tracks & lt;br & gt; & lt;br & gt; & lt;b & gt;Selections: & lt;br & gt; Side A: & lt;/b & gt; & lt;br & gt; 1. I Walk On Gilded Splinters & lt;br & gt; 2. Leaving Trunk & lt;br & gt; 3. Blind Bats And Swamp Rats & lt;br & gt; 4. Rollin' Stone & lt;br & gt; 5. I Don't Want No Woman & lt;br & gt; & lt;b & gt;Side B: & lt;/b & gt; & lt;br & gt; 6. Sick And Tired & lt;br & gt; 7. Down Along The Cove & lt;br & gt; 8. Bad News & lt;br & gt; 9. Dimples & lt;br & gt; 10. Voodoo In You & lt;br & gt; 11. My Love Will Never Die
Junior Murvin Police & Thieves LP (Gold Vinyl)
& lt;header & gt;
& lt;p & gt; & lt;strong & gt;Gold Colored Vinyl LP Limited To 500 Copies! & lt;/strong & gt;
& lt;br & gt;
& lt;strong & gt;Roots Reggae Classic Produced by Lee & quot;Scratch & quot; Perry! & lt;/strong & gt;
& lt;br & gt;
& lt;strong & gt;Recorded At Legendary Black Ark Studios With The Upsetters! & lt;/strong & gt; & lt;/p & gt;
& lt;/header & gt;
& lt;p & gt;Police & amp; Thieves is a Roots Reggae classic by Junior Murvin originally released in 1977 which was produced by Lee & quot;Scratch & quot; Perry (who also wrote or co-wrote many of the songs) at his legendary Black Ark Studios with The Upsetters. The title song was
memorably covered by The Clash in a very different arrangement than Murvin's. Perry's imaginative and groundbreaking production surrounded Junior's falsetto vocals and the musicians in a dense, echo heavy, spaced out sound to create one of the great
songs, and albums, of the roots era. Limited edition of 500 now available on gold vinyl! & lt;/p & gt;
& lt;p & gt;Record stampers produced by Record Technology, Inc. Camarillo California, USA. & lt;/p & gt;
& lt;blockquote cite= & quot;www.allmusic.com & quot; & gt;
There may be eight or ten perfect reggae albums in existence, and this is certainly one of them.
& lt;footer & gt;
-Rick Anderson, AllMusic
& lt;/footer & gt;
& lt;/blockquote & gt;
& lt;section id= & quot;features & quot; & gt;
& lt;h3 & gt;Features & lt;/h3 & gt;
& lt;ul & gt;
& lt;li & gt;Limited Edition - 500 Copies & lt;/li & gt;
& lt;li & gt;Gold Vinyl & lt;/li & gt;
& lt;li & gt;Record stampers produced by Record Technology, Inc. & lt;/li & gt;
& lt;li & gt;Reissue premastering by Gary Hobish at A. Hammer Mastering & lt;/li & gt;
& lt;li & gt;Mastering by George Horn & amp; Anne-Marie Suenram at Fantasy Studios & lt;/li & gt;
& lt;/ul & gt;
& lt;/section & gt;
& lt;section id= & quot;selections & quot; & gt;
& lt;h3 & gt;Selections & lt;/h3 & gt;
& lt;h4 & gt;Side One: & lt;/h4 & gt;
& lt;ol & gt;
& lt;li & gt;Roots Train & lt;/li & gt;
& lt;li & gt;Police And Thieves & lt;/li & gt;
& lt;li & gt;Solomon & lt;/li & gt;
& lt;li & gt;Rescue Jah Children & lt;/li & gt;
& lt;li & gt;Tedious & lt;/li & gt;
& lt;!--More tracks go here in & lt;li & gt; tags-- & gt;
& lt;/ol & gt;
& lt;h4 & gt;Side Two: & lt;/h4 & gt;
& lt;ol & gt;
& lt;li & gt;False Teachin' & lt;/li & gt;
& lt;li & gt;Easy Task & lt;/li & gt;
& lt;li & gt;Lucifer & lt;/li & gt;
& lt;li & gt;Workin' In The Cornfield & lt;/li & gt;
& lt;li & gt;I Was Appointed & lt;/li & gt;
& lt;/ol & gt;
& lt;/section & gt;
John Fahey The Voice of the Turtle 180g LP (Vinyl)
& lt;font color= & quot;#FF0000 & quot; & gt; & lt;b & gt;180 Gram Vinyl! Includes Exact Replica of Original 12 Page Booklet! & lt;br & gt;Ranked #78 - Rolling Stone 100 Greatest Guitarists! & lt;/b & gt; & lt;/font & gt; & lt;br & gt; & lt;br & gt; This fine release comes with a very neat booklet that chronicles a Fahey & amp; Co. journey through the Mississippi Delta canvassing for old records, is such a potential for conversation you should have a party to discuss it. It has a photograph of Beautiful Linda Getchell among others, even Evil Devil Woman, also photographs of Fahey's relatives. And who is that singing? A famous, popular and fun release. I don't even know who's playing on this in spots. Does anybody know? & lt;br & gt; & lt;br & gt; The Voice Of The Turtle is one of the most beguiling albums from one of Americas most legendarily beguiling musicians. Originally released in 1968 on his own Takoma label, Fahey credits some of the compositions and performances to the fictional guitarist Blind Joe Death, and some of the songs are actually rumored to not be Fahey at all but in fact obscure blues 78s. Whatever the case may be, its one of Faheys most adventurous and beautiful LPs. Reissued here on 180 gram gatefold vinyl in a deluxe tip-on jacket with an exact replica of the original 12 page booklet. & lt;br & gt; & lt;br & gt; & lt;b & gt; & quot;One of his more obscure early efforts, Voice of the Turtle is both listenable and wildly eclectic, going from scratchy emulations of early blues 78s and country fiddle tunes to haunting guitar-flute combinations and eerie ragas. 'A Raga Called Pat, Part III' and 'Part IV' is a particularly ambitious piece, its disquieting swooping slide and brief bits of electronic white noise reverb veering into experimental psychedelia. Most of this is pretty traditional and acoustic in tone, however, though it has the undercurrent of dark, uneasy tension that gives much of Fahey's '60s material its intriguing combination of meditation and restlessness. & quot; & lt;/b & gt; - Richie Unterberger, allmusic.com & lt;br & gt; & lt;br & gt; & lt;b & gt; & quot;John Fahey... was American folk guitar's master eccentric, a dazzling fingerpicker who transformed traditional blues forms with the advanced harmonies of modern classical music, then mined that beauty with a prankster's wit. & quot; & lt;/b & gt; - Rolling Stone & lt;br & gt; & lt;br & gt; & lt;b & gt;Features: & lt;br & gt; & lt;/b & gt; 180g Vinyl & lt;br & gt; Gatefold Jacket Deluxe Tip-On & lt;br & gt; Exact Replica of the Original 12 Page Booklet & lt;br & gt; Ranked #78 - Rolling Stone 100 Greatest Guitarists & lt;br & gt; & lt;br & gt; & lt;b & gt;Selections: & lt;br & gt; & lt;/b & gt;1. Bottleneck Blues & lt;br & gt; 2. Bill Cheatum & lt;br & gt; 3. Lewisdale Blues & lt;br & gt; 4. Bean Vine Blues & lt;br & gt; 5. Bean Vine Blues #2 & lt;br & gt; 6. A Raga Called Pat, Part III & lt;br & gt; 7. A Raga Called Pat, Part IV & lt;br & gt; 8. Train & lt;br & gt; 9. Je Ne Me Suis Reveillais Matin Pas En May & lt;br & gt; 10. The Story Of Dorothy Gooch, Part I & lt;br & gt; 11. Nine-Pound Hammer & lt;br & gt; 12. Lonesome Valley
John Fahey The Transfiguration of Blind Joe Death 180g LP (Vinyl)
& lt;font color= & quot;#FF0000 & quot; & gt; & lt;b & gt;180g High Quality Vinyl! & lt;/b & gt; & lt;/font & gt; & lt;br & gt; & lt;br & gt; The Transfiguration of Blind Joe Death is John Fahey's classic fifth album from the mid-1960s and is one of his most influential. This album has an amazing variety of styles, moods, and influences, and John has a compositional and playing style that is totally unique. & lt;br & gt; & lt;br & gt; & lt;b & gt;Features: & lt;/b & gt; & lt;br & gt; 180g Vinyl & lt;br & gt; & lt;br & gt; & lt;b & gt;Selections: & lt;br & gt; Side A: & lt;/b & gt; & lt;br & gt; 1. Beautiful Linda Getchell & lt;br & gt; 2. Orinda-Moraga & lt;br & gt; 3. I Am the Resurrection & lt;br & gt; 4. On the Sunny Side of the Ocean & lt;br & gt; 5. Tell Her To Come Back Home & lt;br & gt; 6. My Station Will Be Changed After While & lt;br & gt; 7. 101 Is A Hard Road To Travel & lt;br & gt; & lt;br & gt; & lt;b & gt;Side B: & lt;/b & gt; & lt;br & gt; 1. How Green Was My Valley & lt;br & gt; 2. Bicycle Built For Two & lt;br & gt; 3. The Death of The Clayton Peacock & lt;br & gt; 4. Brenda's Blues & lt;br & gt; 5. Old Southern Medley & lt;br & gt; 6. Come Back Baby & lt;br & gt; 7. Poor boy & lt;br & gt; 8. Saint Patrick's Hymn
Dusty Springfield Dusty In Memphis 180g LP (Vinyl)
& lt;font color= & quot;#FF0000 & quot; & gt; & lt;b & gt;Rolling Stone 500 Greatest Albums of All Time - Rated 89/500! & lt;br & gt;Rolling Stone 500 Greatest Songs of All Time - & quot;Son of a Preacher Man & quot; - Rated 242/500! & lt;/b & gt; & lt;/font & gt; & lt;br & gt; & lt;br & gt; Dusty grooves in Memphis! Britain's greatest pop diva Dusty Springfield was the finest white soul singer of her era and this landmark Atlantic Records album from 1969 is a masterpiece, a perfect marriage of pop and soul...contains her top 10 hit & quot;Son Of A Preacher Man & quot; plus several other hit singles and classic tracks... & quot;Dusty In Memphis & quot; was picked as the #9 coolest record of all time in the April 11, 2002 issue of Rolling Stone and chosen by Mojo magazine as one of the best 100 albums ever released... a recognized classic around the world! Simply put, & quot;Dusty in Memphis & quot; is one of the greatest blue eyed soul albums of all time! A certified classic and must have for any collection! & lt;br & gt; & lt;br & gt; & lt;b & gt; & quot;Born in London, Springfield was a great soul singer hidden inside a white British pop queen racking up Motown-style hits such as & quot;I Only Want to Be With You & quot; when Atlantic producer Jerry Wexler brought her way down South, to Memphis, to make this album. She was so intimidated by the idea of recording with session guys from her favorite Aretha Franklin and Otis Redding hits that she never sang a note there. Her vocals were overdubbed in New York. But the result was blazing soul and sexual honesty ( & quot;Breakfast in Bed, & quot; & quot;Son of a Preacher Man & quot;) that transcended both race and geography. & quot; & lt;/b & gt; - www.rollingstone.com & lt;br & gt; & lt;br & gt; The folks at 4 Men With Beards are outdoing themselves this time - audiophile remastering from the original master tapes, original artwork, gatefold sleeve and includes new exclusive liner notes by maverick '60s music historian Alec Palao and guitarist/songwriter Chuck Prophet. & lt;br & gt; & lt;br & gt; & lt;b & gt; & quot;Springfield was white and English but sang as if born with black American soul. In 1968, newly signed to Atlantic and under the tutelage of its star producer Wexler, she went to the mecca of Dixie R & amp;B to record the gospel-tinged Dusty in Memphis. She ended up doing her vocals in New York, but no matter: Her deep, heated voice captured the carnal fire of the South. & quot; & lt;/b & gt; - Rolling Stone & lt;br & gt; & lt;br & gt; & lt;b & gt;Selections: & lt;/b & gt; & lt;br & gt; 1. Just a Little Lovin' & lt;br & gt; 2. So Much Love & lt;br & gt; 3. Son of a Preacher Man & lt;br & gt; 4. I Don't Want to Hear It Anymore & lt;br & gt; 5. Don't Forget About Me & lt;br & gt; 6. Breakfast in Bed & lt;br & gt; 7. Just One Smile & lt;br & gt; 8. The Windmills of Your Mind & lt;br & gt; 9. In the Land of Make Believe & lt;br & gt; 10. No Easy Way Down & lt;br & gt; 11. I Can't Make It Alone
Hawkwind Hawkwind LP (Opaque Blue Vinyl)
& lt;font color= & quot;#FF0000 & quot; & gt; & lt;b & gt;Limited Edition - 500 Copies! & lt;br & gt; Opaque Blue Vinyl LP! & lt;/b & gt; & lt;/font & gt; & lt;br & gt; & lt;br & gt; Their 1970 debut album produced with former Pretty Things guitarist Dick Taylor is a perfect introduction to what was going to be a long and peculiar journey. A galactic blues-rock sound rightfully compared to Pink Floyd's early work: hippie rock grooves and interplanetary guitar rides, echoed vocals and nonstop instrumental voyages. This is where it all began: (as original ads for the album proclaimed) Hawkwind Is Space Rock. & lt;br & gt; & lt;br & gt; In a gatefold sleeve on limited edition opaque blue vinyl. & lt;br & gt; & lt;br & gt; & lt;b & gt;Features: & lt;/b & gt; & lt;br & gt; & amp;bull; Limited Edition - 500 copies & lt;br & gt; & amp;bull; Opaque Blue Vinyl & lt;br & gt; & amp;bull; Gatefold sleeve & lt;br & gt; & lt;br & gt; & lt;b & gt;Selections: & lt;br & gt; Side One: & lt;/b & gt; & lt;br & gt; 1. Hurry On Sundown & lt;br & gt; 2. The Reason Is? & lt;br & gt; 3. Be Yourself & lt;br & gt; 4. Paranoia - Part 1. & lt;br & gt; & lt;b & gt;Side Two: & lt;/b & gt; & lt;br & gt; 1. Paranoia - Part 2. & lt;br & gt; 2. Seeing It As You Really Are. & lt;br & gt; 3. Mirror Of Illusion.
