Lyn Stanley London Calling: A Toast To Julie London Numbered, Limited Edition 180g 2LP (Autographed) (Vinyl)
& lt;a href=javascript:; & quot; onclick= & quot;document.location.hash='SS'; & quot; & gt; & lt;img src= & quot;/content/images/playbutton.gif & quot; hspace= & quot;10 & quot; align= & quot;left & quot; border= & quot;0 & quot; & gt; & lt;font color= & quot;0000FF & quot; & gt; & lt;b & gt;Click Here for Interview with Lyn! & lt;/b & gt; & lt;/font & gt; & lt;/a & gt; & lt;br & gt; & lt;br & gt;
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& lt;font color= & quot;#FF0000 & quot; & gt; & lt;b & gt;Signed, Numbered, Limited Edition First Pressing - 500 Copies! & lt;br & gt; & lt;/font & gt; 180g Vinyl Double LP! & lt;br & gt; Pressed at RTI! & lt;br & gt; Mastered by Bernie Grundman! & lt;/b & gt; & lt;/font & gt; & lt;br & gt; & lt;br & gt; & lt;b & gt;This item not eligible for any further discount offers! & lt;/b & gt; & lt;br & gt; & lt;br & gt; Lyn Stanley has been awarded & lt;b & gt;Female Jazz Vocalist of The Year 2018 & lt;/b & gt; from one of the most visible public radio stations in the USA, & lt;b & gt;KKJz-Los Angeles & lt;/b & gt; who have the highest Nielsen ratings for jazz radio audiences in the U.S. & lt;br & gt; & lt;br & gt; & lt;b & gt;Lyn Stanley honors the Great American Songbook icon with 17 classic songs on London Calling
A Toast To Julie London & lt;br & gt; & lt;br & gt; Award-winning vocalist Lyn Stanley follows her top-selling Moonlight Sessions with an ultimate tribute to Julie London & lt;/b & gt; & lt;br & gt; & lt;br & gt; In this stunning collection - London Calling
A Toast To Julie London, listeners will discover a side of singer Lyn Stanley that they havent heard before. The 17 tunes on this recording explore phases of romance from first glance in Blue Moon to a missed chance in Cry Me a River. Most of the wide-ranging material presented here was originally recorded by singer/actress Julie London, along with a couple of offerings that Stanley feels would have been perfect for the sultry songstress, such as Its Impossible, and I Heard It Through the Grapevine. & lt;br & gt; & lt;br & gt; With her distinctive sound and approach, Lyn Stanley brings to mind a method actor, mining the stories and feelings in each tune and getting to the heart of the lyrics. Striving for sensitivity, Stanley stays true to these stories and portrays experiences of people engaged in the dance of romance. & lt;br & gt; & lt;br & gt; London Calling marks a big step forward in Lyn Stanleys evolution as a recording artist. Just five years after her debut album in 2013 - Lost in Romance, this recording provides a unique vision of Julie London with a self-curated set list emanating from Lyn Stanleys clear idea of how each tune should sound, holding true to the composers ideas, and integrating her own. & lt;br & gt; & lt;br & gt; Working with many of LAs best session players, and without any written arrangements, the intimate collaboration is nothing short of remarkable. Stanley said; It was a thrill to hear something that youve brought to life come all so easily. The stellar lineup of musicians include guitarist John Chiodini, pianists Mike Garson and Christian Jacob, bassists Chuck Berghofer and Michael Valerio, percussionists Luis Conte, Brad Dutz, and Aaron Serfaty, and drummer Paul Kreibich. & lt;br & gt; & lt;br & gt; Thanks to engineering by Steve Genewick, Rouble Kalpoor, and Spencer Garcia; mixing by Allen Sides, and mastering by Bernie Grundman, the best comes through bright, clear, and magnificently. & lt;br & gt; & lt;br & gt; Lyn Stanley, whose audiophile bona fides and perfectionism in the studio are well established, has also produced artful packaging for the album with gorgeously photographed images, yet another tribute to Julie London inspiration. Completing the package are wonderful liner notes by Scott Yanow, offering an historians perspective on the music, background on each song, and insights to how both Lynand Julie!approached these tunes. & lt;br & gt; & lt;br & gt; London Calling
A Toast To Julie London is a gift for lovers and lovers of great music, created as it was in the 1960s. & lt;br & gt; & lt;br & gt; & lt;b & gt; & quot;London Calling Album - In my 60 years as a programmer this is among the greatest recordings I have ever heard. & quot; & lt;/b & gt;- Saul Levine, KKJZ-88.1FM Los Angeles & lt;br & gt; & lt;br & gt; & lt;b & gt; & quot;I have reviewed her since her first album Lost in Romance, released in 2013. I have heard her grow from good to great
but London Calling is by far her best work
absolutely. I understand she rehearsed tirelessly with her musicians in a band searching for just the right way to capture Julie London's singing style. Important to note here is that this is not an impression of London but an homage to her music and to her originality in making it stand apart...and it surely does. & quot; & lt;/b & gt; - Don Grigware, Broadway World & lt;br & gt; & lt;br & gt; & lt;b & gt; & quot;Lyn found seventeen songs that both fit the album's concept and Ms. Stanley's conception of how she wanted this album to play. Pulling some of Julie London's most loved tunes, like 'Cry Me A River,' 'Blue Moon,' and 'As Time Goes By' with less remembered numbers to create an album that anyone would be proud to have as a memorial to their life's work as I'm sure Julie would if she were still here to hear this album for herself... Julie London is calling to you through the voice and stylings of Lyn Stanley in an album that should stay in heavy rotation in your pile of albums that never quite get put away as you're always wanting to reach for it on a regular basis. Yes, it really is that good. & quot; & lt;/b & gt; - John M. Crossett III, Aural Musings, 4.5 Music, 5 Sound & lt;br & gt; & lt;br & gt; & lt;b & gt; & quot;Self-made DYI jazz vocalist Lyn Stanley has achieved enough success through five best selling albums to have some fun and
pay tribute to another artist. & quot; & lt;/b & gt; - Jim Hynes, Glide Magazine & lt;br & gt; & lt;br & gt; & lt;b & gt; & quot;On London Calling, Stanley provides two valuable listening commodities: authentic performances of the Great American Songbook, demonstrating how the composers may have originally intended their compositions (sans any scat or vocalese elaborations) to sound, and snap arrangements decided on the spot during recording. These arrangements range from Stanley's crack duet with bassist Chuck Berghofer on 'Bye Bye Blackbird' to her lithe trio with Berghofer and guitarist John Chiodini on London's signature piece, 'Cry Me A River' to her breezy and humid full-band stroll through 'Summertime' (Stanley reprises the piece with Mike Garson on piano, offering an effective juxtaposition in formats). Where Stanley really shakes things up is with her atmospheric 'I Heard it Through the Grapevine' and morphine-languid 'Light My Fire.' London Calling is another strong release by Stanley, showing evermore, her developing command over all aspects of recording. & quot; & lt;/b & gt; - C. Michael Bailey, All About Jazz & lt;br & gt; & lt;br & gt; & lt;b & gt; & quot;London Calling
A Toast to Julie London is sensual, intimate, sensitive, sexy and most of all
romantic. These 17 compositions mostly associated with Julie London are now superior vehicles for Lyn Stanley's sultry vocals and the stellar ensemble of musicians she has chosen as accompanists. She spontaneously sings the stories behind the songs as an adept storyteller would while remaining true to the original composers intentions. Among the most memorable versions heard here are 'As Time Goes By' with its quaint bossa nova feel, both versions of 'Summertime' with the bluesy feel of John Chiodini's guitar and Mike Garson on piano, her intimate telling of 'It's Impossible' with its calypso beats supplied by Luis Conte and Aaron Serfaty, 'Sway' with its sensual reading, and 'You The Night and The Music' as a tango. Overall, London Calling
A Toast to Julie London is among the best recordings in Lyn Stanley's dynamic repertoire and the first tribute to a singer she chose to honor, not mimic. & quot; & lt;/b & gt; - www.soundsoftimelessjazz.com & lt;br & gt; & lt;br & gt; & lt;b & gt; & quot;Her performance on the classic 'Summertime' is certainly one of the most laid-back & amp; groovy I've ever witnessed
you're going to LOVE it, I've no doubt
Chuck's bass is pure perfection on this tune, too! I can tell you right now that you have never heard a rendition of Morrison's 'Light My Fire' as H-O-T as Lyn's
once again, Lyn's vocal and the players make the song come ALIVE as you've never heard it before
mighty mellow. The percussion intro on 'I Heard It Through The Grapevine' is just superb, and really sets the song up to be just what it is
my personal favorite of the seventeen tunes offered up on the double album
the recording is absolutely flawless, and the 'groove' the group creates for you is timeless
you'll find yourself listening to this piece over & amp; over again
I suspect DJ's across the nation will be putting this one into regular rotation! & quot; & lt;/b & gt; - Dick Metcalf, editor, Contemporary Fusion Reviews & lt;br & gt; & lt;br & gt; & lt;b & gt; & quot;Taking an extraordinarily bold step just five years into her recording career, Lyn Stanley showcases her stylistic range and heartfelt intuition as a vocalist on this epic, warmly produced, playfully titled 17 track tribute to legendary jazz and pop singer Julie London. While Stanley's voice, while emotionally resonant, isn't anywhere near as husky and smoky as her muse's, she makes each song her own - beautifully conveying a sense of hushed intimacy on ballads like 'Cry Me A River' and 'I've Got a Crush on You' and subtle swing on various tunes, including 'Blue Moon' and the lively opener 'Goody Goody.' Working with some of the jazz world's hippest most renowned studio cats including guitarist John Chiodini, bassists Chuck Berghhofer and Michael Valerio and pianist Mike Garson Stanley breezes, sashays and seduces on colorful arrangements which, remarkably, were created spontaneously, without written arrangements in the studio. Among the most unique of these is the gentle bossa treatment of 'As Time Goes By' and a dusty flamenco caress of The Doors' 'Light My Fire.' Stanley's confidence in paying homage to London and her repertoire extends to her including several tracks including a sparse, hypnotically percussive 'Heard It Through the Grapevine' and a torchy, Latin tinged twist on 'It's Impossible' that Stanley felt would have been perfect for the sultry songstress. & quot; & lt;/b & gt; - Jonathan Widran, The JW Vibe & lt;br & gt; & lt;br & gt; & lt;b & gt; & quot;Stanley's got it all: brains, beauty, personality, and a true alto with a gorgeous lower register that invites all the 's' words - smoky, sultry, sexy, sophisticated. Her first priority is always the lyrics, the & lt;i & gt;story & lt;/i & gt; in the song. Even when you don't share her view of a piece, the why of her interpretive decisions and the intelligence behind them are evident.... Stanley doesn't attempt to 'do' London, though she avails herself of some of London's favorite instruments, notably guitar, here the estimable John Chiodini, and double bass, the wonderful Chuck Berghofer, who indulges a ritzy allusion (which I shall not spoil) at the end of 'Bye Bye Blackbird,' a song Stanley dispatches with rhythmic panache and wry humor. 'I Heard It Through The Grapevine' finds her low-key but intense expressiveness rejecting the driving rhythm-and-blues soulfulness of performers who made hits of the song, instead zeroing in laser-like on the hurt that lies at its heart, the lyrics about a lover who's learned form third parties of her partner's deceit and betrayal... She includes two versions of 'Summertime,' the first given the typical hot Southern summer evening bluesy treatment - great steamy backup by Chiodini, Berghofer, and the pianist Mike Garson. The second, which concludes the album, is a sans rehearsal one-off in the last seven minutes of a session, because Garson wanted to do it as a duet with Stanley. The results are exquisite, the intimacy holding one spellbound as Garson weaves gossamer textures around Stanley's limpid vocals, the lyrics sung so simply, so directly, with such depth of feeling as to restore the song to its origins, a mother soothing her baby to sleep. 'It's perfect,' said the owner of the studio, 'wouldn't change a thing.' Nor would I... The reference-caliber recording - Allen Sides and Bernie Grundman share principal credits - is so fine it can be enjoyed for itself alone: clear, clean, natural, dynamic, transparent, and & lt;i & gt;true & lt;/i & gt;. You feel there's nothing between you and the performers, and surfaces of the vinyl edition are pristine. & quot; & lt;/b & gt; - Paul Seydor, The Absolute Sound, July/August 2019 & lt;br & gt; & lt;br & gt; & lt;b & gt; & quot;Any salute to Julie London would be incomplete without a rendition of 'Cry Me a River,' and Stanley's wonderful, plaintive vocal is wonderfully supported by just Chiodini's exquisite guitar (including a marvelous solo) and Berghofer's bass. In a similar vein is her rendition of the classic Cole Porter ballad, 'Ev'ry Time We Say Goodbye,' with Chiodini and Berghofer equally superb. There are also two appealing, heartfelt renditions of Gershwin's classic 'Summertime' with an understated quintet on one and just pianist Garson on the other. Then there is a sublime interpretation of 'It's Impossible,' with Chiodini sublime on his Spanish guitar. Chiodini's superb flamenco-tinged guitar and the band's accompaniment provides on 'Light My Fire,' a version more akin to Jose Feliciano than The Doors, although Lyn's understated sensuality contrasts with the more explicit feel of Jim Morrison on the original. This is only a sampling of the marvelous music heard on this. The sound is wonderful, and the productions, with diverse musical settings, and performances imbued with Lyn Stanley's musical personality result in this superb tribute. & quot; & lt;/b & gt;- Ron Weinstock, inabluemood.blogspot.com & lt;br & gt; & lt;br & gt; & lt;a name= & quot;SS & quot; & gt; & lt;/a & gt; & lt;iframe width= & quot;560 & quot; height= & quot;315 & quot; src= & quot;https://www.youtube.com/embed/t667adYsC1Y & quot; frameborder= & quot;0 & quot; allowfullscreen & gt; & lt;/iframe & gt; & lt;br & gt; & lt;br & gt; & lt;b & gt;Features: & lt;/b & gt; & lt;br & gt; & amp;bull; Signed, Numbered, Limited Edition First Pressing - 500 Copies & lt;br & gt; & amp;bull; 180g Vinyl & lt;br & gt; & amp;bull; Double LP & lt;br & gt; & amp;bull; Mastered by Bernie Grundman & lt;br & gt; & amp;bull; Pressed at RTI & lt;br & gt; & amp;bull; Full color 20-page booklet with liner notes & lt;br & gt; & lt;br & gt; & lt;b & gt;Musicians: & lt;/b & gt; & lt;br & gt; Lyn Stanley, vocals & lt;br & gt; John Chiodini, featured guitar & lt;br & gt; Mike Garson, piano & lt;br & gt; Christian jacob, piano & lt;br & gt; Chuck Berghofer, bass & lt;br & gt; Mike Velerio, bass & lt;br & gt; Paul Kreibich, drums & lt;br & gt; Aaron Serfaty, drums, percussion & lt;br & gt; Luis Conte, percussion & lt;br & gt; Brad Dutz, percussion & lt;br & gt; & lt;br & gt; & lt;b & gt;Selections: & lt;/b & gt; & lt;br & gt; 1. Goody Goody & lt;br & gt; 2. Call Me Irresponsible & lt;br & gt; 3. Bye Bye Blackbird & lt;br & gt; 4. I Heard It Through The Grapevine (bonus) & lt;br & gt; 5. How About Me? & lt;br & gt; 6. Cry Me A River & lt;br & gt; 7. As Time Goes By & lt;br & gt; 8. Summertime (band version) & lt;br & gt; 9. Its Impossible (bonus) & lt;br & gt; 10. Blue Moon & lt;br & gt; 11. Ive Got A Crush On You & lt;br & gt; 12. Light My Fire & lt;br & gt; 13. Sway & lt;br & gt; 14. Go Slow/Nice Girls Dont Stay For Breakfast & lt;br & gt; 15. You The Night And The Music & lt;br & gt; 16. Evry Time We Say Goodbye & lt;br & gt; 17. Summertime (piano/vocal)
Lyn Stanley London With A Twist - Live At Bernie's Numbered Limited 180g D2D 45rpm 2LP (Autographed) (Ferrari Red Vinyl)
& lt;a href=javascript:; & quot; onclick= & quot;document.location.hash='SS'; & quot; & gt; & lt;img src= & quot;/content/images/playbutton.gif & quot; hspace= & quot;10 & quot; align= & quot;left & quot; border= & quot;0 & quot; & gt; & lt;font color= & quot;0000FF & quot; & gt; & lt;b & gt;Click Here for Video Sample! & lt;/b & gt; & lt;/font & gt; & lt;/a & gt; & lt;br & gt; & lt;br & gt; & lt;a href=javascript:; & quot; onclick= & quot;document.location.hash='SS'; & quot; & gt; & lt;img src= & quot;/content/images/mp32.gif & quot; hspace= & quot;10 & quot; align= & quot;left & quot; border= & quot;0 & quot; & gt; & lt;font color= & quot;0000FF & quot; & gt; & lt;b & gt;Click Here for Sound Samples! & lt;/b & gt; & lt;/font & gt; & lt;/a & gt; & lt;br & gt; & lt;br & gt;
& lt;p & gt; & lt;strong & gt;TAS Super LP List! Special Merit: Informal & lt;/strong & gt; & lt;/p & gt;
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& lt;p & gt; & lt;strong & gt;Rare Live Vocal Direct to Disc 45rpm 180g Double LP! & lt;br & gt;
Extremely Limited, Personally Autographed By Lyn Stanley Herself! & lt;br & gt;
Numbered, Limited Edition - 2000 Copies! & lt;br & gt;
Mastered by Bernie Grundman! & lt;/strong & gt; & lt;/p & gt;
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& lt;b & gt;This item not eligible for any further discount offers! & lt;/b & gt; & lt;br & gt; & lt;br & gt; Lyn Stanley has been awarded & lt;b & gt;Female Jazz Vocalist of The Year 2018 & lt;/b & gt; from one of the most visible public radio stations in the USA, & lt;b & gt;KKJz-Los Angeles & lt;/b & gt; who have the highest Nielsen ratings for jazz radio audiences in the U.S. & lt;br & gt; & lt;br & gt;Mr. Levine notes that Ms. Stanley's recordings & quot;are a revival of some of the greatest hits ever produced for Broadway Shows and Hollywood movies. They are chestnuts deserving to be reintroduced to the America public. The great American Songbook lives again with the added benefit of 'State Of The Art' recording techniques thanks to Lyn Stanley. & quot; & lt;br & gt; & lt;br & gt; Part two of jazz recording artist Lyn Stanley's Julie London tirbute project is a very rare Direct to Disc Live album with LA's top Jazz players who named themselves the Jazz Mavericks. Featuring Otmaro Ruiz (piano), Mike Lang (piano), Chuck Berghofer (bass), Aaron Serfaty (drums), John Chiodini (guitar) and Luis Conte (percussion), the Jazz Mavericks created arrangements for incredibly creative music plus over the top sound from the best engineers in LA. & lt;br & gt; & lt;br & gt; While both Lyn and London could be described as sultry and sophisticated singers, the album is an appreciation, not an imitation of Londons material selections. Stanley puts her own distinctive stamp on the material London performed and has decided to include some of Julie Londons husbands works as well as pop songs that set a lively pace to a live album. Songs include: Route 66, written by Julie Londons second husband, Bobby Troup, Let There Be Love, Body and Soul, Pink Cadillac, You Never Can Tell, Lover Man, Bye Bye Blackbird and many more. & lt;br & gt; & lt;br & gt; In addition to acclaim for her velvety alto, choice of material, and her unique and personal approach to songs, Stanleys attention to detail in the studio has garnered raves. This recording utilizes the best possible lathe in Los Angeles, tracked at Bernie Grundman Mastering studio in Hollywood. The ever so fastidious mastering guru, Bernie Grundman, commandeered the coveted Grundman studio lathe. In addition, Bernies long time associate and fellow audiophile, world famous multi-Grammy winning engineer, Allen Sides ensured the highest quality sound and mixing. Allen has engineered over 1,000 records with major studio artists selling over one billion records, including Joni Mitchell's Both Sides Now. Allen was also supported by Capitol Studios top engineer, Steve Genewick. & lt;br & gt; & lt;br & gt; Lyn can be counted on to surround herself in the studio with the crème de la crème of musicians. For this venture, she aims for the intimate sound of piano, bass, drums/percussion, and guitar. Lyn has engaged Arturo Sandovals long time extraordinary pianist, Otmaro Ruiz, along with her previous collaborators including legendary studio jazz pianist Mike Lang, Wrecking Crew and Frank Sinatras bassist Chuck Berghofer, plus featured guitarist John Chiodini (Peggy Lee and Natalie Cole), percussionist Luis Conte (James Taylor touring artist) and award winning Latin percussionist/drummer, Aaron Serfaty. & lt;br & gt; & lt;br & gt;
& lt;p & gt;While speaking of the album Lyn says, & lt;strong & gt; & quot;You have to be into the musical moment. There's pressure on everyone - me, the musicians - we have to be totally prepared. But it's a great format if we execute it well. I plan to let the real experience of a 'live' recording happen, even the countdowns, so my fans can feel like they are live with us in the studio 'lounge.' & quot; & lt;/strong & gt; & lt;/p & gt;
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...[this Direct To Disc] is SPECTACULAR yes, Breathtaking!...the sound...is simply PERFECT!
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-Matthias Bode, Stereo Magazine
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& lt;b & gt; & quot;This direct to disc is absolutely exceptional! If I did not know that I was listening to a vinyl record, I would say it must be a copy of a master tape. That's how good it is. It is a reference record - for me it is THE reference record. Unbelievable. & quot; & lt;/b & gt; - Otto, a fan from Germany & lt;br & gt; & lt;br & gt; & lt;b & gt; & quot;The unique and adventurous nature of this album is perhaps a bigger story than the exquisite music. This is recorded live in the studio as a direct-to-disc album with instantaneous mixing and no editing. This process bypasses magnetic tape, recording directly onto an analog disc. The sound quality is impeccable, as would be the case for Stanley's penchant for audiophile pristine production. The process requires nerves of steel, no flubs allowed. There is no opportunity to 'fix' mistakes later. Not many of these are made in the modern era and Stanley has become just one of five singers who have created a direct-to-disc vocal album containing at least three songs and over 12 minutes of music. She would have to have world class musicians to pull this off. There is no stopping except for a few precious seconds between songs. Another challenge is adjusting to the shifting moods of the tunes in the three- to five-second separations between songs. On just one album side, Lyn Stanley's interpretations run the emotional gamut from the easy swing of 'Route 66,' through rollicking 'Pink Cadillac,' to the heartfelt 'Lover Man'. But despite the pressure-cooker situation, Stanley and The Jazz Mavericks shift through all the feelings, including 'You Never Can Tell,' seemingly effortlessly, delivering a dozen tunes with a relaxed, creative, swinging sound. Lyn Stanley is fearless and continues to push the envelope. & quot; & lt;/b & gt; - Jim Hynes, www.makingascene.org & lt;br & gt; & lt;br & gt; & lt;b & gt; & quot;Talk about taking unplugged to a new level of the game... Stanley revisits a bunch of the Julie London tunes she recorded on her tip of the cap to London, but she cuts them all over again, live direct to disc in a session that crackles like it was in front of a live, appreciative audience. There's a few curve balls in the song stack so that you don't feel like you are buying the same album twice but over all, this top jazz vocalist could have you buying the same album twice without you registering a complaint. The first time was solid and this one matches it and goes even farther. This really is a true artist cruising along at the top of her game. Hot stuff. & quot; & lt;/b & gt; - Midwest Record (midwestrecord.com) & lt;br & gt; & lt;br & gt; & lt;b & gt; & quot;...You can hear the comfort level in each tune from everyone involved. Listen to how Lyn and the team launch into the up-tempo 'Goody Goody' (she got my wife up and dancing to it) and how she/they hold the groove (through) out the song. Or how her voice slowly caresses 'Blue Moon', wringing every last ounce of emotion from that beautiful standard. And after hearing Lyn's sultry, evocative version of 'Route 66' you'll wonder why Julie herself never recorded this tune. Lyn's version will have you longing to make the trip yourself as she conjures up the romance and excitement of that very special road trip. It's a testament to the talent of both Ms. Stanley and her band that they can move so quickly between moods and tempos while recording live to disk and not lose any sense of feeling and/or momentum. & lt;br & gt; & lt;br & gt; Sonically, you won't hear better. I own a number of the old Sheffield Labs Direct-To-Disk efforts, and while all offer sound to die for, musically they all seem just a bit stifled, as if the musicians were just a little bit tentative in their playing/singing, due no doubt to the type of recording they were doing that was so far outside what they were used to. But here, whether it is due to the caliber of musician used, or the fact that this is in effect a Lyn Stanley working group, or the rehearsal time spent practicing, or combination of all of the above, there is a sense of ease, of comfort, of just laying back and playing, that eludes those earlier efforts. If not for the directness and clarity of the sound, you'd be hard pressed to distinguish this album from any normal studio recording, so smoothly does the group play. As an example, I was especially taken with the sound of Chuck Berghofer's bass. Never before, outside of hearing one live, have I heard that sense of fingers plucking strings, and those strings vibration echoing into and out of the large wood body of the acoustic bass. They come across as two distinct sounds, just as they would live (and so seldom do on tape). There is also an honest sense of real acoustic space around each instrument that seems to get lost when recording to tape. And Lyn's vocals are top-flight. Her voice is front and center, three dimensional and fully formed, and carries that sense of been there/done that comes from someone who feels totally comfortable with each song she's chosen. & lt;br & gt; & lt;br & gt; I've gotten used to each Lyn Stanley album that crosses my threshold as sounding better than the one before it, and her vocals continuing to climb the ladder in the sense of being able to get inside each song and bring out the essence she wants to share. But with 'London With A Twist' she has succeeded in crafting an album that brings it all to the table. I can't call it perfection, because nothing is perfect, but damn it's close...This album comes with my absolute highest recommendation. & quot; & lt;/b & gt; - John Maurice Crossettlii, Aural Musings, July 20, 2019, Music 4.5/5, Sound 5/5 & lt;br & gt; & lt;br & gt; & lt;b & gt; & quot;These two sets of 45rpm vinyl records are very good. My so-called very good is not exaggeration, or some outstanding sound effects that the audio fans want, but very clear and very natural and very real recording, and the sound quality is very good. & quot; & lt;/b & gt; - Liu Hansheng, www.audionet.com/tw & lt;br & gt; & lt;br & gt; & lt;b & gt; & quot;London With a Twist isn't just a reference LP for audiophiles, something I'd bring along to high-end audio shows back when I was an exhibitor and wanted to wow the attendees. (Although I'd totally do that.) This is almost as pure as it gets for audiophiles like me, unless you have access to the master tapes... This recording sounds as stupendous as it, er, sounds, with a very warm and natural balance and tons of air around the performers. You hear that live, realistic presentation all through the performance, which carries over into the space between the songs when you hear the shuffling of sheet music and the muffled sounds of people getting ready to start the next track. As for the quality of the LP pressing of London With a Twist, wow. Just wow. You know you're listening to a great pressing when the dead wax is almost completely silent. When each side runs out, you hear only the slightest bump. That's not as important as the actual music, of course. But it does tell you how low the noise floor is, and how much music is going to make it to your ears. I do have a tip for people who have purchased this LPgive it a good wash before you play it for the first time, something you should do anyway. I noticed some red curly-cue vinyl shavings in the grooves. It wasn't a big dealin fact, it gave me the feeling that this was fresh out of the oven, so to speak. I do own quite a few direct-to-disc LPs, and the vast majority of them sound quite spectacular. It's a great recording approach that should never die, despite the difficulty in pulling it off successfully. Lyn Stanley, Allen Sides and Bernie Grundman, along with everyone else involved, took a big risk with London With a Twist, but it paid off. It sounds exquisite and as real as Lyn Stanley sitting next to you, providing you with her illuminating commentary as you listen. Highly recommended. & quot; & lt;/b & gt; - Marc Phillips, Part-Time Audiophile, July 2019 & lt;a href= & quot;https://parttimeaudiophile.com/2019/07/27/lyn-stanley-london-with-a-twist-live-at-bernies-the-vinyl-anachronist/?fbclid=IwAR3biKoOj1p8iq9edhs9lwKTZXnMCmfNr-Pfju9GbBD6mmfns-xBeAohlpE & quot; & gt; & lt;b & gt; & lt;font color= & quot;#0000FF & quot; & gt;Read more! & lt;/font & gt; & lt;/b & gt; & lt;/a & gt; & lt;br & gt; & lt;br & gt; & lt;b & gt; & quot;Like Frank Sinatra, Stanley sings songs also assimilated by jazz, but the way she treats them is very different from bona fide jazz singers like Billie Holiday, Betty Carter or Cassandra Wilson. Stanley escues scat singing and vocalese. That is not her wheelhouse. Stanley's metier is melody. In the same way guitarist Jeff Beck only uses only electronically unadorned his technique and knowledge of the guitar to play, Stanley uses her experience and deep melodic appreciation to craft her art, honestly. That established, Stanley's recording London CallingA Toast to Julie London (A.T. Music LLC, 2018) was a marriage between a finely conceived project focusing on the music of Julie London with Stanley's keen interest in audio fidelity. She has become notable not only for her refined vocals but her attention to sonic detail. With her companion disc to the London recording, Lyn Stanley's Favorite Takes: London With a TwistLive at Bernie's, the singer pushes the creative envelope backward into analog recording, highlighting all of the advantages and disadvantages of this recording method. London With a Twist is notable for having been recorded live, direct to disc. What begs explanation here is how did Stanley and her band prepare for their performances. They crashed the studio and banged out their arrangements during rehearsals before the recording in real time. What is guaranteed is the honest authenticity of straight arrangements conceived on the fly. None of the songs presented on the recording are a mystery, but it is in the arrangements where the 'new and novel' is introduced. Time constraints molded a conservative approach to the arranging, allowing for all ears to be on Stanley. The result is a collection of performances that are so immediate one can almost experience being there. So potent is this effect, the lyrics, 'What lies before me / A future that's stormy / A winter that's gray and cold...' become oh so real. & lt;br & gt; & lt;br & gt; Stanley makes no effort to imitate Julie London. Rather, she celebrates her creative spirit with a creative spirit of her own. Stanley covers Bruce Springsteen's 'Pink Cadillac' and Chuck Berry's 'You Never Can Tell' in the same way that London covered the pop songs of her day ('Stone Soul Picnic,' 'Light My Fire'). She reprises material from the previous London Calling, presenting that material freshly. Stanley's voice is seasoned and well-balanced from low to high registers. She is playful, mirthful, humorous, plaintive and brooding...all at once. Like a great artist is expected to be. While London with a Twist may or may not not be Stanley's best recording to date, it is her most fully realized, conceptually, sonically, artistically. & quot; & lt;/b & gt; - C. Michael Bailey, All About Jazz & lt;br & gt; & lt;br & gt; & lt;b & gt; & quot;Lyn Stanley, named Female Jazz Vocalist of the Year for 2018 by radio programmer Saul Levine of KKJZ-88.1 FM, was at the [2019 California Audio] show talking to people about her appreciation for the audiophile community and playing cuts from her new Direct-to-Disc album, London With A Twist: Live At Bernies. I've spent some time with this album, and I think it's her best yet. This is simply fantastic music and not just fantastic audiophile music. By the way, if the LP is too rich for your blood, the hybrid SACD also sounds great. & quot; & lt;/b & gt; - www.theaudiobeatnik.com & lt;br & gt; & lt;br & gt; & lt;b & gt; & quot;When it comes to ultra-hip solidly swinging jazz vocals, Ms. Stanley has no equal
swingin' & amp; rockin' songs like 'Pink Cadillac' will have you tappin' your toes & amp; finger-poppin' right along with the group
I predict this one will be getting some MAJOR spins on jazz stations all across the globe. The tune that impressed me most strongly of the dozen offered up is 'Body And Soul'
lush & amp; mellow, you'll easily picture yourself in that smoky late-night jazz club as you listen to this one! I give Lyn & amp; all her players a MOST HIGHLY RECOMMENDED rating, with an 'EQ' (energy quotient) score of 4.99. & quot; & lt;/b & gt; - Dick Metcalf, Editor, Contemporary Fusion Reviews & lt;br & gt; & lt;br & gt; & lt;b & gt; & quot;Songs originally done by a range of artists from Cole Porter to Bruce Springsteen, take on a different vibe with Stanley's sultry voice giving them life. Two songs not to miss on the album are 'Pink Cadillac' and 'In the Still of the Night.' The 1984 unofficial B-side to 'Born in the USA,' Springsteen's 'Pink Cadillac' has the early days of rock 'n' roll feel that made it an instant classic. In Stanley's version, her sultry voice stops just short of being steely. The song begins with what almost sounds like a Latin rhythm, but it quickly morphs into a bluesy, kind of Louisiana rhythm-based song. The piano sways in rollicking chords, drums thump out a complementary beat. Stanley' phrasing and inflections make the song's lyrics clear. The song becomes fun and upbeat in the hands of Stanley and company.Her voice and phrasing and the stellar soundscape created by the skilled musicians she plays with make songs that people have found exciting for decades will allow audiences to re-think them, and perhaps find a new appreciation for them. [On 'In the Still of the Night'] An energized bass begins running the rhythm section. The piano, guitar and drums play quick and light notes at the same time that the bass continues its groove. The piano and guitar work at almost the mid-point of the song is a nice touch for the song's texture. The big drum finish sounds like a celebration. This is the last song on the recording, so there is kind of a sense of triumph. Throughout, Stanley's voice is gentle, romantic. She blends in with the vibrant cheer of the soundscape, but not in a way that drowns her out. Stanley is cool and calm as she brings the romantic classic to life. With a little swing and a lot of heart, she makes it clear that the songs shes chosen mean a great deal to her. & quot; & lt;/b & gt; - Dodie Miller-Gould, LemonWire & lt;br & gt; & lt;br & gt;
& lt;b & gt; & quot;The result [of this direct to disc] is SPECTACULAR, yes, breathtaking. Unbelieving one listens to the offered naturalness, shimmering verve, and the ultimate 'live' dynamics. The sound appears like velvet and silk; without all edges and lace, exemplary transparent and SIMPLY PERFECT. In addition, Ms. Stanley is at her best. & quot; & lt;/b & gt; - Matthias Bode, Stereo Magazine (Germany) & lt;br & gt;
& lt;br & gt;
& lt;strong & gt;Also Available: & lt;br & gt; & lt;a style= & quot;color: blue; & quot; href= & quot;http://www.cartnear.com/Lyn-Stanley-London-With-A-Twist-Live-At-Bernies-The-Challenge-LP-Limited-Edition-180g-45rpm-LP-Autographed/productinfo/ATMLP3108-45CA/ & quot; & gt;Lyn Stanley London With A Twist - Live At Bernie's - The Challenge LP 180g 45rpm LP & lt;/a & gt; & lt;BR & gt; Take The Direct-To-Disc Versus Tape-To-Disc Challenge! & lt;/strong & gt; & lt;BR & gt; & lt;BR & gt; & lt;a name= & quot;SS & quot; & gt; & lt;/a & gt; & lt;iframe width= & quot;560 & quot; height= & quot;315 & quot; src= & quot;https://www.youtube.com/embed/vIh39s3cqTQ & quot; frameborder= & quot;0 & quot; allowfullscreen & gt; & lt;/iframe & gt; & lt;br & gt; & lt;br & gt; & lt;a name= & quot;SS & quot; & gt; & lt;/a & gt; & lt;iframe width= & quot;560 & quot; height= & quot;315 & quot; src= & quot;https://www.youtube.com/embed/t667adYsC1Y & quot; frameborder= & quot;0 & quot; allowfullscreen & gt; & lt;/iframe & gt; & lt;br & gt; & lt;br & gt;
& lt;section id= & quot;features & quot; & gt;
& lt;h3 & gt;Features & lt;/h3 & gt;
& lt;ul & gt;
& lt;li & gt;Autographed Numbered, Limited Edition - 2000 Copies & lt;/li & gt;
& lt;li & gt;Direct To Disc Vinyl & lt;/li & gt;
& lt;li & gt;45rpm 180g Vinyl & lt;/li & gt;
& lt;li & gt;Double LP & lt;/li & gt;
& lt;li & gt;Disc Mastering by Bernie Grundman & lt;/li & gt;
& lt;li & gt;Recording & amp; Mixing Engineer: Allen Sides & lt;/li & gt;
& lt;li & gt;Pressed At Pallas in Germany & lt;/li & gt;
& lt;/ul & gt;
& lt;/section & gt;
& lt;section id= & quot;musicians & quot; & gt;
& lt;h3 & gt;Musicians & lt;/h3 & gt;
& lt;table & gt;
& lt;tr & gt;
& lt;th & gt;Lyn Stanley & lt;/th & gt;
& lt;td & gt;vocals & lt;/td & gt;
& lt;/tr & gt;
& lt;tr & gt;
& lt;th & gt;Otmaro Ruiz & lt;/th & gt;
& lt;td & gt;piano & lt;/td & gt;
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& lt;tr & gt;
& lt;th & gt;Mike Lang & lt;/th & gt;
& lt;td & gt;piano & lt;/td & gt;
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& lt;tr & gt;
& lt;th & gt;Chuck Berghofer & lt;/th & gt;
& lt;td & gt;bass & lt;/td & gt;
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& lt;tr & gt;
& lt;th & gt;Aaron Serfaty & lt;/th & gt;
& lt;td & gt;drums & lt;/td & gt;
& lt;/tr & gt;
& lt;tr & gt;
& lt;th & gt;John Chiodini & lt;/th & gt;
& lt;td & gt;guitar & lt;/td & gt;
& lt;/tr & gt;
& lt;tr & gt;
& lt;th & gt;Luis Conte & lt;/th & gt;
& lt;td & gt;percussion & lt;/td & gt;
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& lt;/section & gt;
& lt;img border= & quot;0 & quot; src= & quot;/content/images/soundsampletitle.jpg & quot; width= & quot;260 & quot; height= & quot;27 & quot; & gt; & lt;br & gt; & lt;b & gt;Selections: & lt;/b & gt; & lt;br & gt; & lt;table border= & quot;0 & quot; & gt; & lt;tbody & gt; & lt;tr & gt; & lt;td & gt; & lt;/td & gt; & lt;td & gt; & lt;b & gt;Side A: & lt;/b & gt; & lt;/td & gt; & lt;/tr & gt; & lt;tr & gt; & lt;td & gt; & lt;a href= & quot;http://ed2.cartnear.net/audioclips/atmsa3108/01.mp3 & quot; target= & quot;_blank & quot; & gt; & lt;img src= & quot;/content/images/mp3.gif & quot; border= & quot;0 & quot; height= & quot;15 & quot; & gt; & lt;/a & gt; & lt;/td & gt; & lt;td class= & quot;plaintext & quot; & gt; 1. Route 66 & lt;/td & gt; & lt;/tr & gt; & lt;tr & gt; & lt;td & gt; & lt;a href= & quot;http://ed2.cartnear.net/audioclips/atmsa3108/02.mp3 & quot; target= & quot;_blank & quot; & gt; & lt;img src= & quot;/content/images/mp3.gif & quot; border= & quot;0 & quot; height= & quot;15 & quot; & gt; & lt;/a & gt; & lt;/td & gt; & lt;td class= & quot;plaintext & quot; & gt; 2. Pink Cadillac & lt;/td & gt; & lt;/tr & gt; & lt;tr & gt; & lt;td & gt; & lt;a href= & quot;http://ed2.cartnear.net/audioclips/atmsa3108/03.mp3 & quot; target= & quot;_blank & quot; & gt; & lt;img src= & quot;/content/images/mp3.gif & quot; border= & quot;0 & quot; height= & quot;15 & quot; & gt; & lt;/a & gt; & lt;/td & gt; & lt;td class= & quot;plaintext & quot; & gt; 3. Lover Man & lt;/td & gt; & lt;/tr & gt; & lt;tr & gt; & lt;td & gt; & lt;/td & gt; & lt;td & gt; & lt;b & gt;Side B: & lt;/b & gt; & lt;/td & gt; & lt;/tr & gt; & lt;tr & gt; & lt;td & gt; & lt;a href= & quot;http://ed2.cartnear.net/audioclips/atmsa3108/04.mp3 & quot; target= & quot;_blank & quot; & gt; & lt;img src= & quot;/content/images/mp3.gif & quot; border= & quot;0 & quot; height= & quot;15 & quot; & gt; & lt;/a & gt; & lt;/td & gt; & lt;td class= & quot;plaintext & quot; & gt; 4. Blue Moon & lt;/td & gt; & lt;/tr & gt; & lt;tr & gt; & lt;td & gt; & lt;a href= & quot;http://ed2.cartnear.net/audioclips/atmsa3108/05.mp3 & quot; target= & quot;_blank & quot; & gt; & lt;img src= & quot;/content/images/mp3.gif & quot; border= & quot;0 & quot; height= & quot;15 & quot; & gt; & lt;/a & gt; & lt;/td & gt; & lt;td class= & quot;plaintext & quot; & gt; 5. Let There Be You & lt;/td & gt; & lt;/tr & gt; & lt;tr & gt; & lt;td & gt; & lt;a href= & quot;http://ed2.cartnear.net/audioclips/atmsa3108/06.mp3 & quot; target= & quot;_blank & quot; & gt; & lt;img src= & quot;/content/images/mp3.gif & quot; border= & quot;0 & quot; height= & quot;15 & quot; & gt; & lt;/a & gt; & lt;/td & gt; & lt;td class= & quot;plaintext & quot; & gt; 6. You Never Can Tell & lt;/td & gt; & lt;/tr & gt; & lt;tr & gt; & lt;td & gt; & lt;/td & gt; & lt;td & gt; & lt;b & gt;Side C: & lt;/b & gt; & lt;/td & gt; & lt;/tr & gt; & lt;tr & gt; & lt;td & gt; & lt;a href= & quot;http://ed2.cartnear.net/audioclips/atmsa3108/07.mp3 & quot; target= & quot;_blank & quot; & gt; & lt;img src= & quot;/content/images/mp3.gif & quot; border= & quot;0 & quot; height= & quot;15 & quot; & gt; & lt;/a & gt; & lt;/td & gt; & lt;td class= & quot;plaintext & quot; & gt; 7. Goody Goody & lt;/td & gt; & lt;/tr & gt; & lt;tr & gt; & lt;td & gt; & lt;a href= & quot;http://ed2.cartnear.net/audioclips/atmsa3108/08.mp3 & quot; target= & quot;_blank & quot; & gt; & lt;img src= & quot;/content/images/mp3.gif & quot; border= & quot;0 & quot; height= & quot;15 & quot; & gt; & lt;/a & gt; & lt;/td & gt; & lt;td class= & quot;plaintext & quot; & gt; 8. Love Letters & lt;/td & gt; & lt;/tr & gt; & lt;tr & gt; & lt;td & gt; & lt;a href= & quot;http://ed2.cartnear.net/audioclips/atmsa3108/09.mp3 & quot; target= & quot;_blank & quot; & gt; & lt;img src= & quot;/content/images/mp3.gif & quot; border= & quot;0 & quot; height= & quot;15 & quot; & gt; & lt;/a & gt; & lt;/td & gt; & lt;td class= & quot;plaintext & quot; & gt; 9. Bye Bye Blackbird & lt;/td & gt; & lt;/tr & gt; & lt;tr & gt; & lt;td & gt; & lt;/td & gt; & lt;td & gt; & lt;b & gt;Side D: & lt;/b & gt; & lt;/td & gt; & lt;/tr & gt; & lt;tr & gt; & lt;td & gt; & lt;a href= & quot;http://ed2.cartnear.net/audioclips/atmsa3108/10.mp3 & quot; target= & quot;_blank & quot; & gt; & lt;img src= & quot;/content/images/mp3.gif & quot; border= & quot;0 & quot; height= & quot;15 & quot; & gt; & lt;/a & gt; & lt;/td & gt; & lt;td class= & quot;plaintext & quot; & gt; 10. I've Got You Under My Skin & lt;/td & gt; & lt;/tr & gt; & lt;tr & gt; & lt;td & gt; & lt;a href= & quot;http://ed2.cartnear.net/audioclips/atmsa3108/11.mp3 & quot; target= & quot;_blank & quot; & gt; & lt;img src= & quot;/content/images/mp3.gif & quot; border= & quot;0 & quot; height= & quot;15 & quot; & gt; & lt;/a & gt; & lt;/td & gt; & lt;td class= & quot;plaintext & quot; & gt; 11. Body And Soul & lt;/td & gt; & lt;/tr & gt; & lt;tr & gt; & lt;td & gt; & lt;a href= & quot;http://ed2.cartnear.net/audioclips/atmsa3108/12.mp3 & quot; target= & quot;_blank & quot; & gt; & lt;img src= & quot;/content/images/mp3.gif & quot; border= & quot;0 & quot; height= & quot;15 & quot; & gt; & lt;/a & gt; & lt;/td & gt; & lt;td class= & quot;plaintext & quot; & gt; 12. In The Still Of The Night & lt;/td & gt; & lt;/tr & gt; & lt;/tbody & gt; & lt;/table & gt;
Lyn Stanley Live At Studio A Numbered Limited Edition 180g 45rpm 2LP (Autographed) (Vinyl)
& lt;header & gt;
& lt;p & gt; & lt;strong & gt;First Pressing Numbered, Limited Edition - Only 500 Copies! & lt;br & gt;
Extremely Limited, Personally Signed By Lyn Stanley Herself! & lt;br & gt;
45rpm 180g Double LP! & lt;br & gt;
Recorded Live, Mixed by Allen Sides & amp; Mastered by Bernie Grundman! & lt;/strong & gt; & lt;/p & gt;
& lt;/header & gt;
& lt;p & gt; & lt;strong & gt;This item not eligible for any further discount offers! & lt;/strong & gt; & lt;/p & gt;
& lt;p & gt;This & lt;strong & gt;Live At Studio A & lt;/strong & gt; LP version album brings to life the interaction of & lt;strong & gt;Lyn Stanley & lt;/strong & gt; and her & lt;strong & gt;Jazz Mavericks & lt;/strong & gt; band at an intimate recorded performance at Capitol Studios' famous Studio A in Hollywood California,
home to some of the most outstanding recordings of all time. & lt;/p & gt;
& lt;p & gt;Lyn and her group of stellar musicians including & lt;strong & gt;John Chiodini & lt;/strong & gt; (guitar), & lt;strong & gt;Chuck Berghofer & lt;/strong & gt; (bass), & lt;strong & gt;Mike Lang & lt;/strong & gt; (piano), & lt;strong & gt;Luis Conte & lt;/strong & gt; (percussion) and & lt;strong & gt;Aaron Serfaty & lt;/strong & gt; (drums)
will enchant you with their talents and musicality. Each of Lyn's Jazz Mavericks musicians has had a long career with the best of the best singers and bands in the industry including Frank Sinatra, Peggy Lee, James Taylor, Arthur Sandoval, Frank Zappa,
Natalie Cole and many more. & lt;/p & gt;
& lt;p & gt;The natural flow of the music in this album and the standout performance of Lyn Stanley make this an album that will become a favorite in your collection. And, in the Lyn Stanley tradition, the sound has been carefully coddled to ensure what you hear
in this LP is like being at the actual June 1, 2019 evening performance. & lt;/p & gt;
& lt;p & gt; & lt;strong & gt; & quot;As an audio-oriented recording artist, I have been dedicated to stellar analog productions because I believe the best sound is through the analog channel. When I proposed to my mastering engineer, Bernie Grundman, that we create a 45rpm LP it was an effort to get you, the listener, closer to being at our performance the night of June 1, 2019. It was a very special evening where my Jazz Maverick band members, John Chiodini, Chuck Berghofer, Mike Lang, Luis Conte, Aaron Serfaty and I had one of those coveted memorable performances - totally in sync and having the time of our lives. I hope you enjoy it. & quot; - Lyn Stanley & lt;/strong & gt; & lt;/p & gt;
& lt;p & gt;Known as the & lt;strong & gt; & quot;sultry jazz singer of the decade & quot; & lt;/strong & gt;, International Recording Artist Lyn Stanley has a worldwide fan base and she is releasing her tenth album in 2021 (a holiday big band project) and also working on her 11th album, a tribute
to 1924 music. Her debut album was released in 2013. & lt;strong & gt;Los Angeles KKjz-88.1 Jazz radio & lt;/strong & gt; has named Lyn & lt;strong & gt;Female Jazz Vocalist of the Year 2018 & lt;/strong & gt;. Lyn is known for her velvety sound favoring the style of the beautiful voice
and music from the 1950s and 1960s. She was discovered by jazz legend, Paul Smith, Ella Fitzgerald's musical director, conductor and pianist for 25 years. & lt;/p & gt;
& lt;p & gt;All of Lyn Stanley's award-winning albums have achieved notable status. Her album titles are Lost In Romance; Potions [from the 50s']; Interludes; and The Moonlight Sessions Volumes One and Two; plus two tributes to Julie London - London Calling and London
with a Twist including a live performance & quot;Live At Studio A & quot; as a Blu-ray video and CD/LP vinyl album. Her big band holiday album, Novel Noel - A Jingle Cool Jazz Celebration, is set for 2021 release. Lyn uses the finest jazz musicians in LA, NYC and
Nashville and has sold over 50,000 physical albums and hundreds of thousands more downloads and streaming (Spotify, iTunes, etc.) around the world. & lt;/p & gt;
& lt;blockquote cite= & quot;quote source & quot; & gt;
It is so nice to hear an album recorded LIVE with the musicians and singer in the same room at the same time for a change. It is also a very brave recording to make as there is no room for error and all the players need to be on their 'A Game.' Here,
they are and Lyn's warm voice sailing over the music brings to my mind similar sessions in the same studio with Nat 'King' Cole and Frank Sinatra. Lyn is really a treasure and this album is a must-have release, so grab it and play it...it is that good!
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-Steve Hoffman, Audio Engineer and owner of Hi-End Music Forums
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& lt;a name= & quot;SS & quot; & gt; & lt;/a & gt;
& lt;iframe width= & quot;560 & quot; height= & quot;315 & quot; src= & quot;https://www.youtube.com/embed/u0iaZ_CBGSg & quot; frameborder= & quot;0 & quot; allowfullscreen & gt; & lt;/iframe & gt;
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& lt;br & gt;
& lt;section id= & quot;features & quot; & gt;
& lt;h3 & gt;Features & lt;/h3 & gt;
& lt;ul & gt;
& lt;li & gt;Autographed Numbered, Limited Edition First Pressing of 500 Copies & lt;/li & gt;
& lt;li & gt;Authentic first press artist signed copy sticker placed on the LP jacket & lt;/li & gt;
& lt;li & gt;180g Vinyl & lt;/li & gt;
& lt;li & gt;Double LP & lt;/li & gt;
& lt;li & gt;Original Master Lacquer Recording & lt;/li & gt;
& lt;li & gt;A.T. Music Supersonic & amp;#8482; Sound & lt;/li & gt;
& lt;li & gt;Recorded at Capitol Recording Studio A, Hollywood, CA on June 1, 2019 & lt;/li & gt;
& lt;li & gt;Recording & amp; Mixing Engineer: Allen Sides & lt;/li & gt;
& lt;li & gt;Mastering Enginner: Bernie Grundman & lt;/li & gt;
& lt;li & gt;Female Jazz Vocalist Of The Year 2018 & lt;/li & gt;
& lt;li & gt;Gatefold jacket & lt;/li & gt;
& lt;/ul & gt;
& lt;/section & gt;
& lt;section id= & quot;musicians & quot; & gt;
& lt;h3 & gt;Musicians & lt;/h3 & gt;
& lt;table & gt;
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& lt;th & gt;Lyn Stanley & lt;/th & gt;
& lt;td & gt;vocals & lt;/td & gt;
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& lt;tr & gt;
& lt;th & gt;John Chiodini & lt;/th & gt;
& lt;td & gt;guitar & lt;/td & gt;
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& lt;tr & gt;
& lt;th & gt;Chuck Berghofer & lt;/th & gt;
& lt;td & gt;bass & lt;/td & gt;
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& lt;th & gt;Mike Lang & lt;/th & gt;
& lt;td & gt;piano & lt;/td & gt;
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& lt;th & gt;Luis Conte & lt;/th & gt;
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& lt;th & gt;Aaron Serfaty & lt;/th & gt;
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& lt;section id= & quot;selections & quot; & gt;
& lt;h3 & gt;Selections & lt;/h3 & gt;
& lt;h4 & gt;Side A: & lt;/h4 & gt;
& lt;ol & gt;
& lt;li & gt;Trieste - Live & lt;/li & gt;
& lt;li & gt;Pink Cadillac - Live & lt;/li & gt;
& lt;li & gt;Route 66 - Live & lt;/li & gt;
& lt;/ol & gt;
& lt;h4 & gt;Side B: & lt;/h4 & gt;
& lt;ol start = & quot;4 & quot; & gt;
& lt;li & gt;Blue Moon - Live & lt;/li & gt;
& lt;li & gt;You The Night And The Music - Live & lt;/li & gt;
& lt;li & gt;Go Slow / Nice Girls Don't Stay For Breakfast - Live & lt;/li & gt;
& lt;li & gt;Let There Be Love - Live & lt;/li & gt;
& lt;li & gt;Goody Goody - Live & lt;/li & gt;
& lt;/ol & gt;
& lt;h4 & gt;Side C: & lt;/h4 & gt;
& lt;ol start = & quot;9 & quot; & gt;
& lt;li & gt;Love Letters - Live & lt;/li & gt;
& lt;li & gt;Sway - Live & lt;/li & gt;
& lt;li & gt;As Time Goes By - Live & lt;/li & gt;
& lt;li & gt;In The Still Of The Night - Live & lt;/li & gt;
& lt;/ol & gt;
& lt;h4 & gt;Side D: & lt;/h4 & gt;
& lt;ol start = & quot;13 & quot; & gt;
& lt;li & gt;Lover Man - Live & lt;/li & gt;
& lt;li & gt;Cry Me A River - Live & lt;/li & gt;
& lt;li & gt;Girl Talk - Live & lt;/li & gt;
& lt;li & gt;You Never Can Tell - Live & lt;/li & gt;
& lt;li & gt;Bye Bye Blackbird - Live & lt;/li & gt;
& lt;/ol & gt;
& lt;/section & gt;
Lyn Stanley The Moonlight Sessions Volume One One-Step Numbered Limited Edition 180g 45rpm SupersonicVinyl 2LP
& lt;a href=javascript:; & quot; onclick= & quot;document.location.hash='SS'; & quot; & gt; & lt;img src= & quot;/content/images/mp32.gif & quot; hspace= & quot;10 & quot; align= & quot;left & quot; border= & quot;0 & quot; & gt; & lt;font color= & quot;0000FF & quot; & gt; & lt;b & gt;Click Here for Sound Samples! & lt;/b & gt; & lt;/font & gt; & lt;/a & gt; & lt;br & gt; & lt;br & gt; & lt;a href=javascript:; & quot; onclick= & quot;document.location.hash='PV'; & quot; & gt; & lt;img src= & quot;/content/images/playbutton.gif & quot; hspace= & quot;10 & quot; align= & quot;left & quot; border= & quot;0 & quot; & gt; & lt;font color= & quot;0000FF & quot; & gt; & lt;b & gt;Watch Lyn's Introduction Video Now! & lt;/b & gt; & lt;/font & gt; & lt;/a & gt; & lt;br & gt; & lt;br & gt; & lt;font color= & quot;#FF0000 & quot; & gt; & lt;b & gt;TAS Super LP List! Special Merit: Informal & lt;/b & gt; & lt;/font & gt; & lt;br & gt; & lt;br & gt; & lt;font color= & quot;#FF0000 & quot; & gt; & lt;b & gt;Unique One-Step Supersonic Process! & lt;br & gt; Audiophile Numbered Limited Edition 180g 45rpm One-Step Supersonic Double Vinyl Mastered by Bernie Grundman! & lt;br & gt; & lt;br & gt; Special Limited Edition Pressing of Only 2000 Copies! & lt;br & gt; Guarantee your copy by ordering today! & lt;/b & gt; & lt;/font & gt; & lt;br & gt; & lt;br & gt; & lt;b & gt;This item not eligible for any further discount offers! & lt;/b & gt; & lt;br & gt; & lt;br & gt; Lyn Stanley has been awarded & lt;b & gt;Female Jazz Vocalist of The Year 2018 & lt;/b & gt; from one of the most visible public radio stations in the USA, & lt;b & gt;KKJz-Los Angeles & lt;/b & gt; who have the highest Nielsen ratings for jazz radio audiences in the U.S. & lt;br & gt; & lt;br & gt; The Moonlight Sessions has a total of 26 song divided into two albums (Volume One has 12 tracks and Volume Two has 14 tracks). Supported by the best jazz musicians in the business--Mike Garson, Tamir Hendelman and Christian Jacob take the listener on a journey that combines classical music with jazz standards plus some POP tunes with new approaches-including Willie Nelson's & quot;Crazy, & quot;Why Don't You Do Right?, & quot; & quot;Over the Rainbow, & quot; and & quot;At Seventeen. & quot; & lt;br & gt; & lt;br & gt; You will hear Chopin, Ravel, Beethoven, Debussy and Mozart references to breathe a new excitement into a few jazz standards like you've never heard them before! Critics are raving about this project and the #1 Jazz radio station in the USA, KKjz proclaims Lyn to be one of the & quot;most outstanding & quot; vocalists in jazz, calling the project & quot;Brilliant! & quot; & lt;br & gt; & lt;br & gt; She has also added songs to this special project from the country and pop genres and added arrangement twists with jazz applications that modernize them as they delight your ears. On board for The Moonlight Sessions are her stellar cast of musicians. Piano: Mike Garson, Christian Jacob and Tamir Hendelman; Bass: Chuck Berghofer; Drums: Joe La Barbara, Ray Brinker and Bernie Dresel; Jazz Guitar: John Chiodini; Percussion: Luis Conte; Harmonica: Hendrik Meurkens; Harp: Corky Hale, Carol Robins; Trumpet: Chuck Findley; Trombone: Bob McChesney; Tenor Sax: Rickey Woodard are all on board and recorded. This projects arrangers include, Mike Garson, Christian Jacob, Tamir Hendelman, John Chiodini, Steve Rawlins and Doug Walter. Lyn Stanley is the Executive Producer with Co-Producers Lyn Stanley, Mike Garson and John Chiodini. & lt;br & gt; & lt;br & gt; Recording Engineers: Al Schmitt & amp; Steve Genewick. Assistant Engineers: Paul Taveneer & amp; Spencer Guerra. Mixing Engineer: Michael Bishop/Five Four Productions. One-Step SuperSonic Vinyl Mastered by Bernie Grundman at Bernie Grundman Mastering. Pressed on Premium HQ-180 Vinyl at RTI. Recorded at The Village Recording Studio D in Los Angeles, California in February 2017. & lt;br & gt; & lt;br & gt; & lt;b & gt; & quot;High End 2017: Lyn Stanley amazes with her lacquers! I spoke with Lyn Stanley before the show, she was gentle enough as to tip me about this event, she would be playing lacquers in the EAR Yoshino room with legendary designer Tim de Paravicini. The system consisted of EAR top of the line electronics paired with Rockport speakers and Tims turntable with a My Sonic Lab MC cartridge. Lyn and Tim went through the details, explaining how difficult and expensive is to produce a one step vinyl record, omitting several passages (mother copy and stampers) in the pressing chain, thus keeping the sound as close as possible to the master lacquer and the recording itself. Add that to a superb production with nothing but analog equipment used throughout the recording and mastering process and with nothing but the best musicians out there (with names such as Mike Garson and Rickey Woodard to name a few) and you have one hell of a record with Lyn singing classics like & quot;My Funny Valentine & quot; and & quot;Crazy. & quot; & quot; & lt;/b & gt;- Panagiotis Karavitis, Part-Time Audiophile & lt;br & gt; & lt;br & gt; & lt;b & gt; & quot;LYN STANLEY/Moonlight Sessions V.1: This classy lassie has been coming out of nowhere on the run since she...well, first started coming out of nowhere on the run. Upping her game with each successive release, here we find her firmly staking out her territory as the jazz diva of the times by surrounding herself with jazzbos who you would buy their own solo records, a song stack that is familiar but she gives a new swing to and a vocal style you will remember. This is a gal of the hour that will be much more than flavor of the month. Killer stuff throughout. & quot; & lt;/b & gt; - Chris Spector, midwestrecord.com, & lt;a href= & quot;http://www.midwestrecord.com/MWR1241.html & quot; & gt; & lt;font color= & quot;#0000FF & quot; & gt; & lt;b & gt;Read More! & lt;/b & gt; & lt;/font & gt; & lt;/a & gt; & lt;br & gt; & lt;br & gt; & lt;b & gt; & quot;AXPONA 2017: Lees Best of Show: Best Music. Three-way tie. 1. Intervention Records new Flying Burrito Brothers LP. Shane Buettner and Kevin Gray simply dont know how to do bad work. 2. Lyn Stanleys Moonlight Sessions: Volume One. Sounded so natural on the Ultra 11s. Of course, Bernie Grundman was involved on the mastering side and Lyn always has the best musicians and producers. 3. MA Recordings Todd Garfinkle is now pressing LPs of his stellar recordings. Sera Una Noche and several other titles are available so far and we analog fans are richer for it. & quot; & lt;/b & gt; - Lee Scoggins, Part-Time Audiophile & lt;br & gt; & lt;br & gt; & lt;b & gt; & quot;Lyn, I have seen you evolve from a very good vocalist to now among the most outstanding. I have to select airplay based on the content, not how much I admire the singer. In this case, you are so outstanding that admiration for your efforts makes it easy to provide you to get top billing on the station. The choice of selections and the arrangements plus your singing are marvelous - For all future releases please send to my attention, and have someone verify the CD was sent to me. As one who has the honor of programming the world's No. One Jazz station, I am pleased that we have such great product to perform. & quot; & lt;/b & gt; - Saul Levine, KKjz, Mt. Wilson Broadcasting & lt;br & gt; & lt;br & gt; & lt;b & gt; & quot;Jazz singer Lyn Stanley, whose three albums are prized by audiophiles for their pristine sound, is determined to achieve an even higher level of resolution on her next project. Stanley plans to have a very limited number of vinyl copies of her upcoming Moonlight Sessions releases made using the one-step process. The manufacturing technique promises to put listeners closer to the sound heard in the studio... The singer is calling her version of one-step SuperSonicVinyl. Each album will be spread across two 180-gram, 45-rpm discs. The sound quality is going to blow everyone away, Stanley said. & quot; & lt;/b & gt; - John Stancavage, Part-Time Audiophile & lt;a href= & quot;https://parttimeaudiophile.com/2017/04/14/lyn-stanley-wants-you-to-get-closer-to-her-music/ & quot; & gt; & lt;b & gt; & lt;font color= & quot;#0000FF & quot; & gt;Read more! & lt;/font & gt; & lt;/b & gt; & lt;/a & gt; & lt;br & gt; & lt;br & gt; This & lt;b & gt;one-step pressing process & lt;/b & gt;was used often during the early days of vinyl record manufacturing. But when mass vinyl production was needed, the manufacturers had to create more cost effective means to make vinyl copies. & lt;br & gt; & lt;br & gt; To make a vinyl record, you need a & quot;Negative Source & quot; to imprint the vinyl grooves. The industry standard today is a THREE-step lacquer process designed to create the largest number of records from one lacquer (they are expensive to create). To do this three steps are requiredfrom the lacquer (positive source) STEP ONE: make a & quot;Father & quot; (a negative source), STEP TWO: create a Mother from the Father (positive source) and then STEP THREE: create & quot;Stampers & quot; (negative source) from the & quot;Mother. & quot; This way the & quot;Father & quot; does not get used very often and is the most preserved negative source. However, the record you listen to is three steps removed from the original mastered lacquer and can grab hissing, or subtile glitches that affect the sound recording on your system. The ONE-Step method takes the Father from the original lacquer and that is what will create your vinyl record. Some Fathers only last for 100 pressings, others have gone to 1000. It depends on the processing and original lacquer quality. Once the Father is no longer able to make a great recording, it must be destroyed and no other albums can be created from that original lacquer. & lt;br & gt; & lt;br & gt; Lyn Stanley's & lt;b & gt;SupersonicVinyl & lt;/b & gt; is a superior quality vinyl record utilizing advanced recording techniques captured with analog mixed and mastered quality tape-recorded and mastered by award-winning engineers in state-of the art studios. Then they hire One-Step experienced 'audiophile quality' pressing plants to create what is believed to be & quot;simply the best recordings' available today. & lt;br & gt; & lt;br & gt; & lt;b & gt; & quot;Six years ago, Lyn Stanley was a retired marketing executive wondering if she could pass muster for her church choir. Today, shes an internationally known jazz vocalist whose award-winning audiophile recordings feature A-list musicians, producers and engineers. While Stanley has carved a niche in the high-end world, her albums go far beyond clinical speaker-testing tools. They practically ooze a lush, emotional atmosphere that only happens on those rare occasions when great players are allowed to stretch out in a relaxed, inspired setting. & quot; & lt;br & gt; & lt;br & gt; & quot;Stanley is now working on her next project, a two-album set shes calling The Moonlight Sessions. Being the restless spirit she is, Stanley has carefully devised an ambitious plan to break some new musical ground. Im going to combine jazz standards with classical music, she explained. For instance, were going to do (Antonio Carlos) Jobims How Insensitive merged with Chopins Prelude in E Minor. It may be hard to wrap your head around that concept, but a demo I heard from rehearsals sounded sublime. & quot; & lt;/b & gt; - John Stancavage, Part-Time Audiophile & lt;a href= & quot;https://parttimeaudiophile.com/2017/04/13/lyn-stanley-the-audiophiles-sultry-songbird/ & quot; & gt; & lt;b & gt; & lt;font color= & quot;#0000FF & quot; & gt;Read more! & lt;/font & gt; & lt;/b & gt; & lt;/a & gt; & lt;br & gt; & lt;br & gt; & lt;b & gt;Translated from Italian to English: & lt;br & gt; & quot;Lyn Stanley is now one of the most acclaimed contemporary vocalists who passionately devoted herself to the heritage of the standards, those songs that have been inspired by all the greats of the past. In addition to this, she decided to make the perfect recordings from the technical point of view to the audiophile audience. Sound engineers Al Schmitt and Steve Genewick have done their best to work with Michael Bishop for the mix and Bernie Grundman for mastering. She has chosen a Telefunken U47 microphone -the same one used by Frank Sinatra. They chose to produce the music to their audience offering their favorite listening format, 2LP at 45 rpm, CD-SACD and a tape reel-to-reel tape for those who just want to listen to high quality versions. Several music style choices have been made for the selected musicians on each song to give the right atmosphere to the executions-so, there are three chosen pianists, Mike Garson, Christian Jacob and Tamir Hendelman, Chuck Berghofer is in double bass and three are also drummers Ray Brinker, Joe LaBarbera and Bernie Dresel. There are also many guests who give their valuable contribution, Hendrik Meurkens on the harmonica, John Chiodini on guitar, Bob McChesney on the trombone, Chuck Findley on the trumpet, Rickey Woodard on the sax tenor and Luis Conte at Percussion. On each of the performances there is an accurate work in the studio with the technicians and the musicians. She is a versatile interpreter who gives the best stylistic interpretation for the performances, not the typical jazz vocals as she does not improvise based on scat or experimental interpretations, but always perfectly in tune with the atmospheres of what it sings. Great disc, perfect from an artistic and technical point of view. & quot; & lt;/b & gt; - Vittorio, Music Zoom, musiczoom.it & lt;br & gt; & lt;br & gt; & lt;a name= & quot;PV & quot; & gt; & lt;/a & gt; & lt;iframe width= & quot;560 & quot; height= & quot;315 & quot; src= & quot;https://www.youtube.com/embed/TeLHtMbIkEg & quot; frameborder= & quot;0 & quot; allowfullscreen & gt; & lt;/iframe & gt; & lt;br & gt; & lt;br & gt; & lt;a name= & quot;SS & quot; & gt; & lt;/a & gt; & lt;iframe width= & quot;560 & quot; height= & quot;315 & quot; src= & quot;https://www.youtube.com/embed/t667adYsC1Y & quot; frameborder= & quot;0 & quot; allowfullscreen & gt; & lt;/iframe & gt; & lt;br & gt; & lt;br & gt; & lt;b & gt;Features: & lt;/b & gt; & lt;br & gt; & amp;bull; Unique SupersonicVinyl One-Step process & lt;br & gt; & amp;bull; Numbered, Limited Edition & lt;br & gt; & amp;bull; Includes Hologram Number On Cover & lt;br & gt; & amp;bull; Audiophile Limited Edition & lt;br & gt; & amp;bull; 45rpm 180 Gram Double Vinyl & lt;br & gt; & amp;bull; Special Limited Edition Pressing of Only 2000 Copies! & lt;br & gt; & amp;bull; As with all Lyn Stanley albums, Mastered by Bernie Grundman & lt;br & gt; & amp;bull; Gatefold Jacket & lt;br & gt; & amp;bull; Pressed at RTI & lt;br & gt; & lt;br & gt; & lt;b & gt;Musicians: & lt;/b & gt; & lt;br & gt; Lyn Stanley (all vocals) & lt;br & gt; Mike Garson (piano) & lt;br & gt; Tamir Hendelman (piano) & lt;br & gt; Christian Jacob (piano) & lt;br & gt; Chuck Berghofer (bass) & lt;br & gt; Joe La Barbara (drums) & lt;br & gt; Ray Brinker (drums) & lt;br & gt; Bernie Dresel (drums) & lt;br & gt; John Chiodini (guitar) & lt;br & gt; Rickey Woodard (tenor sax) & lt;br & gt; Chuck Findley (trumpet) & lt;br & gt; Bob McChesney (trombone) & lt;br & gt; Corky Hale (harp) & lt;br & gt; Carol Robins (harp) & lt;br & gt; Hendrik Meurkens (harmonica) & lt;br & gt; Luis Conte (percussion) & lt;br & gt; Steve Genewick (snaps) & lt;br & gt; & lt;br & gt; & lt;a name= & quot;SS & quot; & gt; & lt;/a & gt; & lt;img border= & quot;0 & quot; src= & quot;/content/images/soundsampletitle.jpg & quot; width= & quot;260 & quot; height= & quot;27 & quot; & gt; & lt;br & gt; & lt;img border= & quot;0 & quot; src= & quot;/content/images/selectionstitle.jpg & quot; width= & quot;110 & quot; height= & quot;20 & quot; & gt; & lt;table border=0 & gt; & lt;tr & gt; & lt;td & gt; & lt;a href= & quot;http://ed2.cartnear.net/audioclips/atmsa3105/01.mp3 & quot; target='_blank' & gt; & lt;img src= & quot;/content/images/mp3.gif & quot; border=0 height=15 & gt; & lt;/img & gt; & lt;/a & gt; & lt;/td & gt; & lt;td class='plaintext' & gt; 1. All Or Nothing At All & lt;/td & gt; & lt;/tr & gt; & lt;tr & gt; & lt;td & gt; & lt;a href= & quot;http://ed2.cartnear.net/audioclips/atmsa3105/02.mp3 & quot; target='_blank' & gt; & lt;img src= & quot;/content/images/mp3.gif & quot; border=0 height=15 & gt; & lt;/img & gt; & lt;/a & gt; & lt;/td & gt; & lt;td class='plaintext' & gt; 2. Willow Weep For Me & lt;/td & gt; & lt;/tr & gt; & lt;tr & gt; & lt;td & gt; & lt;a href= & quot;http://ed2.cartnear.net/audioclips/atmsa3105/03.mp3 & quot; target='_blank' & gt; & lt;img src= & quot;/content/images/mp3.gif & quot; border=0 height=15 & gt; & lt;/img & gt; & lt;/a & gt; & lt;/td & gt; & lt;td class='plaintext' & gt; 3. Moonlight Serenade & lt;/td & gt; & lt;/tr & gt; & lt;tr & gt; & lt;td & gt; & lt;a href= & quot;http://ed2.cartnear.net/audioclips/atmsa3105/04.mp3 & quot; target='_blank' & gt; & lt;img src= & quot;/content/images/mp3.gif & quot; border=0 height=15 & gt; & lt;/img & gt; & lt;/a & gt; & lt;/td & gt; & lt;td class='plaintext' & gt; 4. My Funny Valentine & lt;/td & gt; & lt;/tr & gt; & lt;tr & gt; & lt;td & gt; & lt;a href= & quot;http://ed2.cartnear.net/audioclips/atmsa3105/05.mp3 & quot; target='_blank' & gt; & lt;img src= & quot;/content/images/mp3.gif & quot; border=0 height=15 & gt; & lt;/img & gt; & lt;/a & gt; & lt;/td & gt; & lt;td class='plaintext' & gt; 5. Embraceable You & lt;/td & gt; & lt;/tr & gt; & lt;tr & gt; & lt;td & gt; & lt;a href= & quot;http://ed2.cartnear.net/audioclips/atmsa3105/06.mp3 & quot; target='_blank' & gt; & lt;img src= & quot;/content/images/mp3.gif & quot; border=0 height=15 & gt; & lt;/img & gt; & lt;/a & gt; & lt;/td & gt; & lt;td class='plaintext' & gt; 6. Why Don't You Do Right? & lt;/td & gt; & lt;/tr & gt; & lt;tr & gt; & lt;td & gt; & lt;a href= & quot;http://ed2.cartnear.net/audioclips/atmsa3105/07.mp3 & quot; target='_blank' & gt; & lt;img src= & quot;/content/images/mp3.gif & quot; border=0 height=15 & gt; & lt;/img & gt; & lt;/a & gt; & lt;/td & gt; & lt;td class='plaintext' & gt; 7. Girl Talk & lt;/td & gt; & lt;/tr & gt; & lt;tr & gt; & lt;td & gt; & lt;a href= & quot;http://ed2.cartnear.net/audioclips/atmsa3105/08.mp3 & quot; target='_blank' & gt; & lt;img src= & quot;/content/images/mp3.gif & quot; border=0 height=15 & gt; & lt;/img & gt; & lt;/a & gt; & lt;/td & gt; & lt;td class='plaintext' & gt; 8. Crazy & lt;/td & gt; & lt;/tr & gt; & lt;tr & gt; & lt;td & gt; & lt;a href= & quot;http://ed2.cartnear.net/audioclips/atmsa3105/09.mp3 & quot; target='_blank' & gt; & lt;img src= & quot;/content/images/mp3.gif & quot; border=0 height=15 & gt; & lt;/img & gt; & lt;/a & gt; & lt;/td & gt; & lt;td class='plaintext' & gt; 9. Close Your Eyes & lt;/td & gt; & lt;/tr & gt; & lt;tr & gt; & lt;td & gt; & lt;a href= & quot;http://ed2.cartnear.net/audioclips/atmsa3105/10.mp3 & quot; target='_blank' & gt; & lt;img src= & quot;/content/images/mp3.gif & quot; border=0 height=15 & gt; & lt;/img & gt; & lt;/a & gt; & lt;/td & gt; & lt;td class='plaintext' & gt; 10. How Insensitive (Lyn Stanley with Tamir Hendelman) & lt;/td & gt; & lt;/tr & gt; & lt;tr & gt; & lt;td & gt; & lt;a href= & quot;http://ed2.cartnear.net/audioclips/atmsa3105/11.mp3 & quot; target='_blank' & gt; & lt;img src= & quot;/content/images/mp3.gif & quot; border=0 height=15 & gt; & lt;/img & gt; & lt;/a & gt; & lt;/td & gt; & lt;td class='plaintext' & gt; 11. Break It To Me Gently & lt;/td & gt; & lt;/tr & gt; & lt;tr & gt; & lt;td & gt; & lt;a href= & quot;http://ed2.cartnear.net/audioclips/atmsa3105/12.mp3 & quot; target='_blank' & gt; & lt;img src= & quot;/content/images/mp3.gif & quot; border=0 height=15 & gt; & lt;/img & gt; & lt;/a & gt; & lt;/td & gt; & lt;td class='plaintext' & gt; 12. In The Wee Small Hours & lt;/td & gt; & lt;/tr & gt; & lt;/table & gt;
Lyn Stanley London Calling: A Toast To Julie London 180g 2LP (Vinyl)
& lt;a href=javascript:; & quot; onclick= & quot;document.location.hash='SS'; & quot; & gt; & lt;img src= & quot;/content/images/playbutton.gif & quot; hspace= & quot;10 & quot; align= & quot;left & quot; border= & quot;0 & quot; & gt; & lt;font color= & quot;0000FF & quot; & gt; & lt;b & gt;Click Here for Interview with Lyn! & lt;/b & gt; & lt;/font & gt; & lt;/a & gt; & lt;br & gt; & lt;br & gt; & lt;font color= & quot;#FF0000 & quot; & gt; & lt;b & gt;TAS Super LP List! Special Merit: Informal & lt;/b & gt; & lt;br & gt; & lt;br & gt; & lt;b & gt;180g Vinyl Double LP! & lt;br & gt; Pressed at RTI! & lt;br & gt; Mastered by Bernie Grundman! & lt;/b & gt; & lt;/font & gt; & lt;br & gt; & lt;br & gt; & lt;b & gt;This item not eligible for any further discount offers! & lt;/b & gt; & lt;br & gt; & lt;br & gt; Lyn Stanley has been awarded & lt;b & gt;Female Jazz Vocalist of The Year 2018 & lt;/b & gt; from one of the most visible public radio stations in the USA, & lt;b & gt;KKJz-Los Angeles & lt;/b & gt; who have the highest Nielsen ratings for jazz radio audiences in the U.S. & lt;br & gt; & lt;br & gt; & lt;b & gt;Lyn Stanley honors the Great American Songbook icon with 17 classic songs on London Calling
A Toast To Julie London & lt;br & gt; & lt;br & gt; Award-winning vocalist Lyn Stanley follows her top-selling Moonlight Sessions with an ultimate tribute to Julie London & lt;/b & gt; & lt;br & gt; & lt;br & gt; In this stunning collection - London Calling
A Toast To Julie London, listeners will discover a side of singer Lyn Stanley that they havent heard before. The 17 tunes on this recording explore phases of romance from first glance in Blue Moon to a missed chance in Cry Me a River. Most of the wide-ranging material presented here was originally recorded by singer/actress Julie London, along with a couple of offerings that Stanley feels would have been perfect for the sultry songstress, such as Its Impossible, and I Heard It Through the Grapevine. & lt;br & gt; & lt;br & gt; With her distinctive sound and approach, Lyn Stanley brings to mind a method actor, mining the stories and feelings in each tune and getting to the heart of the lyrics. Striving for sensitivity, Stanley stays true to these stories and portrays experiences of people engaged in the dance of romance. & lt;br & gt; & lt;br & gt; London Calling marks a big step forward in Lyn Stanleys evolution as a recording artist. Just five years after her debut album in 2013 - Lost in Romance, this recording provides a unique vision of Julie London with a self-curated set list emanating from Lyn Stanleys clear idea of how each tune should sound, holding true to the composers ideas, and integrating her own. & lt;br & gt; & lt;br & gt; Working with many of LAs best session players, and without any written arrangements, the intimate collaboration is nothing short of remarkable. Stanley said; It was a thrill to hear something that youve brought to life come all so easily. The stellar lineup of musicians include guitarist John Chiodini, pianists Mike Garson and Christian Jacob, bassists Chuck Berghofer and Michael Valerio, percussionists Luis Conte, Brad Dutz, and Aaron Serfaty, and drummer Paul Kreibich. & lt;br & gt; & lt;br & gt; Thanks to engineering by Steve Genewick, Rouble Kalpoor, and Spencer Garcia; mixing by Allen Sides, and mastering by Bernie Grundman, the best comes through bright, clear, and magnificently. & lt;br & gt; & lt;br & gt; Lyn Stanley, whose audiophile bona fides and perfectionism in the studio are well established, has also produced artful packaging for the album with gorgeously photographed images, yet another tribute to Julie London inspiration. Completing the package are wonderful liner notes by Scott Yanow, offering an historians perspective on the music, background on each song, and insights to how both Lynand Julie!approached these tunes. & lt;br & gt; & lt;br & gt; London Calling
A Toast To Julie Londonis a gift for lovers and lovers of great music, created as it was in the 1960s. & lt;br & gt; & lt;br & gt; & lt;b & gt; & quot;London Calling Album - In my 60 years as a programmer this is among the greatest recordings I have ever heard. & quot; & lt;/b & gt;- Saul Levine, KKJZ-88.1FM Los Angeles & lt;br & gt; & lt;br & gt; & lt;b & gt; & quot;I have reviewed her since her first album Lost in Romance, released in 2013. I have heard her grow from good to great
but London Calling is by far her best work
absolutely. I understand she rehearsed tirelessly with her musicians in a band searching for just the right way to capture Julie London's singing style. Important to note here is that this is not an impression of London but an homage to her music and to her originality in making it stand apart...and it surely does. & quot; & lt;/b & gt; - Don Grigware, Broadway World & lt;br & gt; & lt;br & gt; & lt;b & gt; & quot;Lyn found seventeen songs that both fit the album's concept and Ms. Stanley's conception of how she wanted this album to play. Pulling some of Julie London's most loved tunes, like 'Cry Me A River,' 'Blue Moon,' and 'As Time Goes By' with less remembered numbers to create an album that anyone would be proud to have as a memorial to their life's work as I'm sure Julie would if she were still here to hear this album for herself... Julie London is calling to you through the voice and stylings of Lyn Stanley in an album that should stay in heavy rotation in your pile of albums that never quite get put away as you're always wanting to reach for it on a regular basis. Yes, it really is that good. & quot; & lt;/b & gt; - John M. Crossett III, Aural Musings, 4.5 Music, 5 Sound & lt;br & gt; & lt;br & gt; & lt;b & gt; & quot;Self-made DYI jazz vocalist Lyn Stanley has achieved enough success through five best selling albums to have some fun and
pay tribute to another artist. & quot; & lt;/b & gt; - Jim Hynes, Glide Magazine & lt;br & gt; & lt;br & gt; & lt;b & gt; & quot;On London Calling, Stanley provides two valuable listening commodities: authentic performances of the Great American Songbook, demonstrating how the composers may have originally intended their compositions (sans any scat or vocalese elaborations) to sound, and snap arrangements decided on the spot during recording. These arrangements range from Stanley's crack duet with bassist Chuck Berghofer on 'Bye Bye Blackbird' to her lithe trio with Berghofer and guitarist John Chiodini on London's signature piece, 'Cry Me A River' to her breezy and humid full-band stroll through 'Summertime' (Stanley reprises the piece with Mike Garson on piano, offering an effective juxtaposition in formats). Where Stanley really shakes things up is with her atmospheric 'I Heard it Through the Grapevine' and morphine-languid 'Light My Fire.' London Calling is another strong release by Stanley, showing evermore, her developing command over all aspects of recording. & quot; & lt;/b & gt; - C. Michael Bailey, All About Jazz & lt;br & gt; & lt;br & gt; & lt;b & gt; & quot;London Calling
A Toast to Julie London is sensual, intimate, sensitive, sexy and most of all
romantic. These 17 compositions mostly associated with Julie London are now superior vehicles for Lyn Stanley's sultry vocals and the stellar ensemble of musicians she has chosen as accompanists. She spontaneously sings the stories behind the songs as an adept storyteller would while remaining true to the original composers intentions. Among the most memorable versions heard here are 'As Time Goes By' with its quaint bossa nova feel, both versions of 'Summertime' with the bluesy feel of John Chiodini's guitar and Mike Garson on piano, her intimate telling of 'It's Impossible' with its calypso beats supplied by Luis Conte and Aaron Serfaty, 'Sway' with its sensual reading, and 'You The Night and The Music' as a tango. Overall, London Calling
A Toast to Julie London is among the best recordings in Lyn Stanley's dynamic repertoire and the first tribute to a singer she chose to honor, not mimic. & quot; & lt;/b & gt; - www.soundsoftimelessjazz.com & lt;br & gt; & lt;br & gt; & lt;b & gt; & quot;Her performance on the classic 'Summertime' is certainly one of the most laid-back & amp; groovy I've ever witnessed
you're going to LOVE it, I've no doubt
Chuck's bass is pure perfection on this tune, too! I can tell you right now that you have never heard a rendition of Morrison's 'Light My Fire' as H-O-T as Lyn's
once again, Lyn's vocal and the players make the song come ALIVE as you've never heard it before
mighty mellow. The percussion intro on 'I Heard It Through The Grapevine' is just superb, and really sets the song up to be just what it is
my personal favorite of the seventeen tunes offered up on the double album
the recording is absolutely flawless, and the 'groove' the group creates for you is timeless
you'll find yourself listening to this piece over & amp; over again
I suspect DJ's across the nation will be putting this one into regular rotation! & quot; & lt;/b & gt; - Dick Metcalf, editor, Contemporary Fusion Reviews & lt;br & gt; & lt;br & gt; & lt;b & gt; & quot;Taking an extraordinarily bold step just five years into her recording career, Lyn Stanley showcases her stylistic range and heartfelt intuition as a vocalist on this epic, warmly produced, playfully titled 17 track tribute to legendary jazz and pop singer Julie London. While Stanley's voice, while emotionally resonant, isn't anywhere near as husky and smoky as her muse's, she makes each song her own - beautifully conveying a sense of hushed intimacy on ballads like 'Cry Me A River' and 'I've Got a Crush on You' and subtle swing on various tunes, including 'Blue Moon' and the lively opener 'Goody Goody.' Working with some of the jazz world's hippest most renowned studio cats including guitarist John Chiodini, bassists Chuck Berghhofer and Michael Valerio and pianist Mike Garson Stanley breezes, sashays and seduces on colorful arrangements which, remarkably, were created spontaneously, without written arrangements in the studio. Among the most unique of these is the gentle bossa treatment of 'As Time Goes By' and a dusty flamenco caress of The Doors' 'Light My Fire.' Stanley's confidence in paying homage to London and her repertoire extends to her including several tracks including a sparse, hypnotically percussive 'Heard It Through the Grapevine' and a torchy, Latin tinged twist on 'It's Impossible' that Stanley felt would have been perfect for the sultry songstress. & quot; & lt;/b & gt; - Jonathan Widran, The JW Vibe & lt;br & gt; & lt;br & gt; & lt;b & gt; & quot;Stanley's got it all: brains, beauty, personality, and a true alto with a gorgeous lower register that invites all the 's' words - smoky, sultry, sexy, sophisticated. Her first priority is always the lyrics, the & lt;i & gt;story & lt;/i & gt; in the song. Even when you don't share her view of a piece, the why of her interpretive decisions and the intelligence behind them are evident.... Stanley doesn't attempt to 'do' London, though she avails herself of some of London's favorite instruments, notably guitar, here the estimable John Chiodini, and double bass, the wonderful Chuck Berghofer, who indulges a ritzy allusion (which I shall not spoil) at the end of 'Bye Bye Blackbird,' a song Stanley dispatches with rhythmic panache and wry humor. 'I Heard It Through The Grapevine' finds her low-key but intense expressiveness rejecting the driving rhythm-and-blues soulfulness of performers who made hits of the song, instead zeroing in laser-like on the hurt that lies at its heart, the lyrics about a lover who's learned form third parties of her partner's deceit and betrayal... She includes two versions of 'Summertime,' the first given the typical hot Southern summer evening bluesy treatment - great steamy backup by Chiodini, Berghofer, and the pianist Mike Garson. The second, which concludes the album, is a sans rehearsal one-off in the last seven minutes of a session, because Garson wanted to do it as a duet with Stanley. The results are exquisite, the intimacy holding one spellbound as Garson weaves gossamer textures around Stanley's limpid vocals, the lyrics sung so simply, so directly, with such depth of feeling as to restore the song to its origins, a mother soothing her baby to sleep. 'It's perfect,' said the owner of the studio, 'wouldn't change a thing.' Nor would I... The reference-caliber recording - Allen Sides and Bernie Grundman share principal credits - is so fine it can be enjoyed for itself alone: clear, clean, natural, dynamic, transparent, and & lt;i & gt;true & lt;/i & gt;. You feel there's nothing between you and the performers, and surfaces of the vinyl edition are pristine. & quot; & lt;/b & gt; - Paul Seydor, The Absolute Sound, July/August 2019 & lt;br & gt; & lt;br & gt; & lt;b & gt; & quot;Any salute to Julie London would be incomplete without a rendition of 'Cry Me a River,' and Stanley's wonderful, plaintive vocal is wonderfully supported by just Chiodini's exquisite guitar (including a marvelous solo) and Berghofer's bass. In a similar vein is her rendition of the classic Cole Porter ballad, 'Ev'ry Time We Say Goodbye,' with Chiodini and Berghofer equally superb. There are also two appealing, heartfelt renditions of Gershwin's classic 'Summertime' with an understated quintet on one and just pianist Garson on the other. Then there is a sublime interpretation of 'It's Impossible,' with Chiodini sublime on his Spanish guitar. Chiodini's superb flamenco-tinged guitar and the band's accompaniment provides on 'Light My Fire,' a version more akin to Jose Feliciano than The Doors, although Lyn's understated sensuality contrasts with the more explicit feel of Jim Morrison on the original. This is only a sampling of the marvelous music heard on this. The sound is wonderful, and the productions, with diverse musical settings, and performances imbued with Lyn Stanley's musical personality result in this superb tribute. & quot; & lt;/b & gt;- Ron Weinstock, inabluemood.blogspot.com & lt;br & gt; & lt;br & gt; & lt;a name= & quot;SS & quot; & gt; & lt;/a & gt; & lt;iframe width= & quot;560 & quot; height= & quot;315 & quot; src= & quot;https://www.youtube.com/embed/t667adYsC1Y & quot; frameborder= & quot;0 & quot; allowfullscreen & gt; & lt;/iframe & gt; & lt;br & gt; & lt;br & gt; & lt;b & gt;Features: & lt;/b & gt; & lt;br & gt; & amp;bull; 180g Vinyl & lt;br & gt; & amp;bull; Double LP & lt;br & gt; & amp;bull; Mastered by Bernie Grundman & lt;br & gt; & amp;bull; Pressed at RTI & lt;br & gt; & amp;bull; 20 page 11 x11 inch full color booklet & lt;br & gt; & amp;bull; 24 point high quality paper gatefold jacket & lt;br & gt; & lt;br & gt; & lt;b & gt;Musicians: & lt;/b & gt; & lt;br & gt; Lyn Stanley, vocals & lt;br & gt; John Chiodini, featured guitar & lt;br & gt; Mike Garson, piano & lt;br & gt; Christian Jacob, piano & lt;br & gt; Chuck Berghofer, bass & lt;br & gt; Mike Velerio, bass & lt;br & gt; Paul Kreibich, drums & lt;br & gt; Aaron Serfaty, drums, percussion & lt;br & gt; Luis Conte, percussion & lt;br & gt; Brad Dutz, percussion & lt;br & gt; & lt;br & gt; & lt;b & gt;Selections: & lt;/b & gt; & lt;br & gt; 1. Goody Goody & lt;br & gt; 2. Call Me Irresponsible & lt;br & gt; 3. Bye Bye Blackbird & lt;br & gt; 4. I Heard It Through The Grapevine - Bonus Track & lt;br & gt; 5. How About Me? & lt;br & gt; 6. Cry Me A River & lt;br & gt; 7. As Time Goes By & lt;br & gt; 8. Summertime - Band Version & lt;br & gt; 9. Its Impossible - Bonus Track & lt;br & gt; 10. Blue Moon & lt;br & gt; 11. Ive Got A Crush On You & lt;br & gt; 12. Light My Fire & lt;br & gt; 13. Sway & lt;br & gt; 14. Go Slow/Nice Girls Dont Stay For Breakfast & lt;br & gt; 15. You The Night And The Music & lt;br & gt; 16. Evry Time We Say Goodbye & lt;br & gt; 17. Summertime - Piano Vocal
Lyn Stanley Interludes 180g 45rpm 2LP (Vinyl)
& lt;a href=javascript:; & quot; onclick= & quot;document.location.hash='SS'; & quot; & gt; & lt;img src= & quot;/content/images/playbutton.gif & quot; hspace= & quot;10 & quot; align= & quot;left & quot; border= & quot;0 & quot; & gt; & lt;font color= & quot;0000FF & quot; & gt; & lt;b & gt;Click Here for Interview with Lyn! & lt;/b & gt; & lt;/font & gt; & lt;/a & gt; & lt;br & gt; & lt;br & gt; & lt;a href=javascript:; & quot; onclick= & quot;document.location.hash='SS'; & quot; & gt; & lt;img src= & quot;/content/images/mp32.gif & quot; hspace= & quot;10 & quot; align= & quot;left & quot; border= & quot;0 & quot; & gt; & lt;font color= & quot;0000FF & quot; & gt; & lt;b & gt;Click Here for Sound Samples! & lt;/b & gt; & lt;/font & gt; & lt;/a & gt; & lt;br & gt; & lt;br & gt; & lt;font color= & quot;#FF0000 & quot; & gt; & lt;b & gt;TAS Super LP List! Special Merit: Informal & lt;/b & gt; & lt;/font & gt; & lt;br & gt; & lt;br & gt; & lt;font color= & quot;#FF0000 & quot; & gt; & lt;b & gt;45rpm 180g Double LP! & lt;br & gt; Pressed at Quality Record Pressings! & lt;br & gt; Mastered by Bernie Grundman! & lt;/b & gt; & lt;/font & gt; & lt;br & gt; & lt;br & gt; & lt;b & gt;This item not eligible for any further discount offers! & lt;/b & gt; & lt;br & gt; & lt;br & gt; Lyn Stanley has been awarded & lt;b & gt;Female Jazz Vocalist of The Year 2018 & lt;/b & gt; from one of the most visible public radio stations in the USA, & lt;b & gt;KKJz-Los Angeles & lt;/b & gt; who have the highest Nielsen ratings for jazz radio audiences in the U.S. & lt;br & gt; & lt;br & gt; This album was mixed from 24 track 2 inch ATR tape by Al Schmitt (except for #14). All songs were mastered from ½ analog tape by Bernie Grundman. & lt;br & gt; & lt;br & gt; & lt;b & gt; & quot;Even the sound, as absolutely stunning as it was on the first two albums, is up by a considerable margin--something I didn't think was possible. The stage is wide and deep; the instruments remarkably transparent and three-dimensionally solid. & quot; & lt;/b & gt; - Michael Fremer, Analog Planet, 9/11 Music, 11/11 Sound!! & lt;br & gt; & lt;br & gt; & lt;b & gt; & quot;In a little over three years Stanley has definitely made her presence felt in audiophile and jazz vocal circles... Her cover of Led Zeppelins Whole Lotta Love, she explained, was just a loose run-through that, when played back, made fine-tuning seem superfluous. Her talk was so illuminating that Ive returned to Interludes with a fresh appreciation. & quot; & lt;/b & gt; - Jeff Wilson, & lt;i & gt;The Absolute Sound & lt;/i & gt; & lt;br & gt; & lt;br & gt; & lt;b & gt; & quot;Lyn Stanley's recent Interludes is her most adventurous and exciting recording yet. ... the use of guests and the inventive arrangements of Cunliffe, Chiodini, Tamil Hendelman, Steve Rawlins and Ms. Stanley herself keep the music full of subtle surprises and variety. & quot; & lt;/b & gt; Scott Yanow & lt;br & gt; & lt;br & gt; & lt;b & gt; & quot;Once again Lyn Stanley makes it evident that when it comes to sultry jazz singing she is a force to be reckoned with... Expectations for her newest release were high and Interludes meets those expectations in spades. & quot; & lt;/b & gt; - Jack Goodstein, Blog Critics & lt;br & gt; & lt;br & gt; The unique sultry jazz vocalist from the Los Angeles area turns up the wattage on Interludes, starting with the opening selection & quot;How Long Has This Been Going On & quot; a capella. & quot;Just One Of Those Things & quot; employs a creative Bill Cunliffe arrangement Stanley is heard during one chorus having brief duets with bassist Chuck Berghofer, guitarist John Chiodini and pianist/arranger Bill Cunliffe before the full group joins in. Other tuneful highlights include & quot;Black Velvet, & quot; & quot;More Than You Know, & quot; and & quot;Boulevard of Broken Dreams. & quot; & lt;br & gt; & lt;br & gt; The lowdown and rockish & quot;Whole Lotta Love & quot; and the always eerie & quot;Last Tango In Paris & quot; find Stanley putting timeless feeling into more contemporary songs. Great guest artists such as Hendrick Meurkens on harmonica appear on & quot;Don't Explain, & quot; and Stanley begets a fine swing on & quot;Nice 'n' Easy & quot; and a sweet and lush interpretation on Duke Ellington's & quot;In A Sentimental Mood. & quot; Her interlude concludes with a heartfelt duet with guitarist Chiodini on & quot;I'm A Fool To Want You, & quot; that's full of longing and desire. & lt;br & gt; & lt;br & gt; A former USA amateur ballroom dance Pro/Am champion, Lyn Stanley's unique voice has been described as & quot;beautiful, & quot; & quot;Rich in low tones, & quot; with & quot;phrasing and storytelling that makes her music very personal. & quot; Her dancing background adds a feel few artists can deliver. LA Jazz radio personality, Bubba Jackson, describes her as & quot;the real deal - she has brought the songstress back to jazz! & quot; She was discovered by world-class jazz legend, pianist Paul Smith best known as Ella Fitzgerald's accompanist/conductor. Stanley has become known for her lush low notes, beautiful intonation, rich interpretations, and phrasing. & lt;br & gt; & lt;br & gt; Her flawless intonation and sumptuous warmth combine with a full bodied resonance throughout her extensive range. Her lyrics - precisely enunciated, perfectly phrased and vividly rhythmic - tell her stories not only through the words, but in the emotional content with which she sings them, and with a grace and sensuality that coats every syllable she sings with a fluidity that is simply mesmerizing. & lt;br & gt; & lt;br & gt; & lt;a name= & quot;SS & quot; & gt; & lt;/a & gt; & lt;iframe width= & quot;560 & quot; height= & quot;315 & quot; src= & quot;https://www.youtube.com/embed/t667adYsC1Y & quot; frameborder= & quot;0 & quot; allowfullscreen & gt; & lt;/iframe & gt; & lt;br & gt; & lt;br & gt; & lt;b & gt;Features: & lt;/b & gt; & lt;br & gt; 45rpm 180g Vinyl & lt;br & gt; Double LP & lt;br & gt; Mastered by Bernie Grundman & lt;br & gt; Pressed at Quality Record Pressings & lt;br & gt; & lt;br & gt; & lt;b & gt;Musicians: & lt;/b & gt; & lt;br & gt; Lyn Stanley, vocals & lt;br & gt; Bill Cunliffe, piano & lt;br & gt; Chuck Berghofer, bass & lt;br & gt; Ray Brinker, drums & lt;br & gt; John Chiodini, guitar & lt;br & gt; Bob McChesney, trombone & lt;br & gt; Henrick Meurkens, harmonica & lt;br & gt; Brad Dutz, percussion & lt;br & gt; Cecilia Tsan, cello & lt;br & gt; & lt;br & gt; & lt;b & gt;Musicians & lt;/b & gt; on & quot;Black Velvet, & quot; & quot;Whole Lotta Love, & quot; & quot;Last Tango In Paris & quot; & amp; & quot;It's Crazy & quot; & lt;br & gt; Piano: Mike Garson, piano & lt;br & gt; Bass: Chuck Berghofer, bass & lt;br & gt; Drums: Paul Kreibich, drums & lt;br & gt; Guitar: John Chiodini, guitar & lt;br & gt; Steve Rawlins, finger snaps & lt;br & gt; & lt;br & gt; & lt;a name= & quot;SS & quot; & gt; & lt;/a & gt; & lt;img border= & quot;0 & quot; src= & quot;/content/images/soundsampletitle.jpg & quot; width= & quot;260 & quot; height= & quot;27 & quot; & gt; & lt;br & gt; & lt;img border= & quot;0 & quot; src= & quot;/content/images/selectionstitle.jpg & quot; width= & quot;110 & quot; height= & quot;20 & quot; & gt; & lt;table border=0 & gt; & lt;tr & gt; & lt;td & gt; & lt;/td & gt; & lt;td class='plaintext' & gt; & lt;b & gt;LP1/b & gt; & lt;/td & gt; & lt;/tr & gt; & lt;tr & gt; & lt;td & gt; & lt;/td & gt; & lt;td class='plaintext' & gt; & lt;b & gt;Side A:/b & gt; & lt;/td & gt; & lt;/tr & gt; & lt;tr & gt; & lt;td & gt; & lt;a href= & quot;http://ed2.cartnear.net/audioclips/atmsa3104le/01.mp3 & quot; target='_blank' & gt; & lt;img src= & quot;/content/images/mp3.gif & quot; border=0 height=15 & gt; & lt;/img & gt; & lt;/a & gt; & lt;/td & gt; & lt;td class='plaintext' & gt; 1. How Long Has This Been Going On? & lt;/td & gt; & lt;/tr & gt; & lt;tr & gt; & lt;td & gt; & lt;a href= & quot;http://ed2.cartnear.net/audioclips/atmsa3104le/02.mp3 & quot; target='_blank' & gt; & lt;img src= & quot;/content/images/mp3.gif & quot; border=0 height=15 & gt; & lt;/img & gt; & lt;/a & gt; & lt;/td & gt; & lt;td class='plaintext' & gt; 2. Just One Of Those Things & lt;/td & gt; & lt;/tr & gt; & lt;tr & gt; & lt;td & gt; & lt;a href= & quot;http://ed2.cartnear.net/audioclips/atmsa3104le/06.mp3 & quot; target='_blank' & gt; & lt;img src= & quot;/content/images/mp3.gif & quot; border=0 height=15 & gt; & lt;/img & gt; & lt;/a & gt; & lt;/td & gt; & lt;td class='plaintext' & gt; 3. Whole Lotta Love & lt;/td & gt; & lt;/tr & gt; & lt;tr & gt; & lt;td & gt; & lt;/td & gt; & lt;td class='plaintext' & gt; & lt;b & gt;Side B: & lt;/b & gt; & lt;/td & gt; & lt;/tr & gt; & lt;tr & gt; & lt;td & gt; & lt;a href= & quot;http://ed2.cartnear.net/audioclips/atmsa3104le/04.mp3 & quot; target='_blank' & gt; & lt;img src= & quot;/content/images/mp3.gif & quot; border=0 height=15 & gt; & lt;/img & gt; & lt;/a & gt; & lt;/td & gt; & lt;td class='plaintext' & gt; 1. More Than You Know & lt;/td & gt; & lt;/tr & gt; & lt;tr & gt; & lt;td & gt; & lt;a href= & quot;http://ed2.cartnear.net/audioclips/atmsa3104le/05.mp3 & quot; target='_blank' & gt; & lt;img src= & quot;/content/images/mp3.gif & quot; border=0 height=15 & gt; & lt;/img & gt; & lt;/a & gt; & lt;/td & gt; & lt;td class='plaintext' & gt; 2. Boulevard of Broken Dreams & lt;/td & gt; & lt;/tr & gt; & lt;tr & gt; & lt;td & gt; & lt;a href= & quot;http://ed2.cartnear.net/audioclips/atmsa3104le/09.mp3 & quot; target='_blank' & gt; & lt;img src= & quot;/content/images/mp3.gif & quot; border=0 height=15 & gt; & lt;/img & gt; & lt;/a & gt; & lt;/td & gt; & lt;td class='plaintext' & gt; 3. Nice 'n Easy & lt;/td & gt; & lt;/tr & gt; & lt;tr & gt; & lt;td & gt; & lt;a href= & quot;http://ed2.cartnear.net/audioclips/atmsa3104le/03.mp3 & quot; target='_blank' & gt; & lt;img src= & quot;/content/images/mp3.gif & quot; border=0 height=15 & gt; & lt;/img & gt; & lt;/a & gt; & lt;/td & gt; & lt;td class='plaintext' & gt; 4. Black Velvet & lt;/td & gt; & lt;/tr & gt; & lt;tr & gt; & lt;td & gt; & lt;/td & gt; & lt;td class='plaintext' & gt; & lt;b & gt;LP 2 & lt;/b & gt; & lt;/td & gt; & lt;/tr & gt; & lt;tr & gt; & lt;td & gt; & lt;/td & gt; & lt;td class='plaintext' & gt; & lt;b & gt;Side C: & lt;/b & gt; & lt;/td & gt; & lt;/tr & gt; & lt;tr & gt; & lt;td & gt; & lt;a href= & quot;http://ed2.cartnear.net/audioclips/atmsa3104le/12.mp3 & quot; target='_blank' & gt; & lt;img src= & quot;/content/images/mp3.gif & quot; border=0 height=15 & gt; & lt;/img & gt; & lt;/a & gt; & lt;/td & gt; & lt;td class='plaintext' & gt; 1. In A Sentimental Mood & lt;/td & gt; & lt;/tr & gt; & lt;tr & gt; & lt;td & gt; & lt;a href= & quot;http://ed2.cartnear.net/audioclips/atmsa3104le/11.mp3 & quot; target='_blank' & gt; & lt;img src= & quot;/content/images/mp3.gif & quot; border=0 height=15 & gt; & lt;/img & gt; & lt;/a & gt; & lt;/td & gt; & lt;td class='plaintext' & gt; 2. 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Last Tango In Paris & lt;/td & gt; & lt;/tr & gt; & lt;tr & gt; & lt;td & gt; & lt;a href= & quot;http://ed2.cartnear.net/audioclips/atmsa3104le/10.mp3 & quot; target='_blank' & gt; & lt;img src= & quot;/content/images/mp3.gif & quot; border=0 height=15 & gt; & lt;/img & gt; & lt;/a & gt; & lt;/td & gt; & lt;td class='plaintext' & gt; 2. The Island & lt;/td & gt; & lt;/tr & gt; & lt;tr & gt; & lt;td & gt; & lt;a href= & quot;http://ed2.cartnear.net/audioclips/atmsa3104le/13.mp3 & quot; target='_blank' & gt; & lt;img src= & quot;/content/images/mp3.gif & quot; border=0 height=15 & gt; & lt;/img & gt; & lt;/a & gt; & lt;/td & gt; & lt;td class='plaintext' & gt; 3. I Was A Little Too Lonely & lt;/td & gt; & lt;/tr & gt; & lt;tr & gt; & lt;td & gt; & lt;a href= & quot;http://ed2.cartnear.net/audioclips/atmsa3104le/14.mp3 & quot; target='_blank' & gt; & lt;img src= & quot;/content/images/mp3.gif & quot; border=0 height=15 & gt; & lt;/img & gt; & lt;/a & gt; & lt;/td & gt; & lt;td class='plaintext' & gt; 4. Im A Fool To Want You & lt;/td & gt; & lt;/tr & gt; & lt;/table & gt;
