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AC/DC Black Ice 180g 2LP (Vinyl)
& lt;b & gt; & lt;font color= & quot;#FF0000 & quot; & gt;TAS Rated 3/5 Music, 4/5 Sonics in the January 2009 Issue of The Absolute Sound! & lt;/font & gt; & lt;/b & gt; & lt;br & gt; & lt;br & gt; Black Ice is the 15th studio album by Australian hard rock band AC/DC! This is the band's first album in eight years, since the release of Stiff Upper Lip in 2000, which is the longest gap between AC/DC's studio albums to date. Black Ice finds brothers Angus and Malcolm Young, along with Brian Johnson, Cliff Williams, and Phil Rudd belting out 15 new tracks! & lt;br & gt; & lt;br & gt; For Black Ice, Brian Johnson revealed that for the first time since the 1988 album Blow Up Your Video, he would be handling lyrics, Angus Young has written harder riffs than those on the previous album, Stiff Upper Lip. The album was produced by Brendan O'Brien and mixed by Mike Fraser at the Warehouse Studio in Vancouver, BC. & lt;br & gt; & lt;br & gt; & lt;b & gt; & quot;Brian wails about skies on fire, blood in his eyes, storms raging, lightning flashes, hard rain and pretty women... Angus Young shreds throughout... Malcom Young, Cliff Williams and Phil Rudd - are solid as a rock. & quot; & lt;/b & gt; - Rolling Stone Magazine, August 2008 & lt;br & gt; & lt;br & gt; & lt;b & gt; & quot;The story hear is the clean, crisp production. Brendan O'Brien provides vast spaciousness and demonstration-quality drumming. Percussive body, weight, shape, and imaging astound. Sonics don't get any punchier. & quot; & lt;/b & gt; - Bob Gendron, & lt;i & gt;The Absolute Sound & lt;/i & gt;, January 2009 & lt;br & gt; & lt;br & gt; & lt;b & gt;Features: & lt;/b & gt; & lt;br & gt; • 180g Vinyl & lt;br & gt; • Double LP & lt;br & gt; • Gatefold Jacket & lt;br & gt; & lt;br & gt; & lt;b & gt;Selections: & lt;br & gt; LP 1: & lt;/b & gt; & lt;br & gt; 1. Rock ’n Roll Train & lt;br & gt; 2. Skies On Fire & lt;br & gt; 3. Big Jack & lt;br & gt; 4. Anything Goes & lt;br & gt; 5. War Machine & lt;br & gt; 6. Smash N Grab & lt;br & gt; 7. Spoilin’ For A Fight & lt;br & gt; 8. Wheels & lt;br & gt; & lt;b & gt;LP 2: & lt;/b & gt; & lt;br & gt; 1. Decibel & lt;br & gt; 2. Stormy May Day & lt;br & gt; 3. She Likes Rock N Roll & lt;br & gt; 4. Money Made & lt;br & gt; 5. Rock N Roll Dream & lt;br & gt; 6. Rocking All The Way & lt;br & gt; 7. Black Ice
Legacy
AC/DC Black Ice 180g 2LP (Vinyl)
Rosanne Cash King's Record Shop 180g LP (Vinyl)
& lt;font color= & quot;#FF0000 & quot; & gt; & lt;b & gt;180g Vinyl LP! 30th Anniversary! & lt;/b & gt; & lt;/font & gt; & lt;br & gt; & lt;br & gt; Legacy Recordings, the catalog division of Sony Music Entertainment, celebrates the 30th anniversary of Rosanne Cash's King's Record Shop with this commemorative 180g vinyl LP. & lt;br & gt; & lt;br & gt; Originally released through Columbia Records on June 26, 1987, King's Record Shop proved a pivotal album in the career of Rosanne Cash and in the emergence of Americana as an heir to traditional country music. After working on a series of albums which contained singles introducing a new wave/pop sound to America's country charts, producer Rodney Crowell shifted gears on King's Record Shop to bring a more roots-oriented, contemporary folk approach to the genre. & lt;br & gt; & lt;br & gt; One of the most critically-acclaimed albums of Cash's discography, King's Record Shop generated four #1 hits on the Billboard Country charts: her covers of Johnny Cash's (her father's) & quot;Tennessee Flat Top Box, & quot; John Hiatt's & quot;The Way We Make a Broken Heart, & quot; and John Stewart's & quot;Runaway Train & quot; as well as & quot;If You Change Your Mind, & quot; a song she'd cowritten with steel guitar player Hank DeVito (who shot the photos used on the iconic front cover of King's Record Shop). & lt;br & gt; & lt;br & gt; Her sixth studio album, Rosanne Cash's King's Record Shop is named after--and inspired by--a store in Louisville, Kentucky, which was owned by Pee Wee King's younger brother, Gene. Produced by Rodney Crowell (Rosanne's then-husband), King's Record Shop features musical contributions from a stellar band of players including Rodney Crowell, Vince Gill, Patty Smyth, Benmont Tench, Steve Winwood, Randy Scruggs and others. & lt;br & gt; & lt;br & gt; In 1988, King's Record Shop took home the Grammy for Best Recording Package (given to Bill Johnson for his album cover design) while Rosanne Cash was nominated in that year's Best Country Vocal Performance, Female category. & lt;br & gt; & lt;br & gt; & lt;b & gt; & quot;King’s Record Shop was a watershed record for me, and, if I may say so, an important moment for women in country music at that time, & quot; & lt;/b & gt; said Rosanne Cash. & lt;b & gt; & quot;It was the first time a woman country artist had ever had four #1 singles from one album. I was tremendously proud, and deeply honored to work with the musicians who played on the album. Rodney Crowell was the guiding force, and he says he feels ‘blessed to have been a member of the team.' I feel the same way: we were a team, and the work we created was captured in a shining moment that still gives pleasure these thirty years later. & quot; & lt;/b & gt; & lt;br & gt; & lt;br & gt; & lt;b & gt;Features: & lt;/b & gt; & lt;br & gt; • 180g Vinyl & lt;br & gt; • 30th anniversary & lt;br & gt; • Gatefold jacket & lt;br & gt; • Bonus songs available as downloads & lt;br & gt; & lt;br & gt; & lt;b & gt;Selections: & lt;br & gt; Side One: & lt;/b & gt; & lt;br & gt; 1. Rosie Strike Back & lt;br & gt; 2. The Way We Make A Broken Heart & lt;br & gt; 3. If You Change Your Mind & lt;br & gt; 4. The Real Me & lt;br & gt; 5. Somewhere Sometime & lt;br & gt; & lt;b & gt;Side Two: & lt;/b & gt; & lt;br & gt; 1. Runaway Train & lt;br & gt; 2. Tennessee Flat Top Box & lt;br & gt; 3. I Don’t Have To Crawl & lt;br & gt; 4. Green, Yellow And Red & lt;br & gt; 5. Why Don’t You Quit Leaving Me Alone
Legacy
Rosanne Cash King's Record Shop 180g LP (Vinyl)
Elvis Presley A Boy From Tupelo: The Sun Masters LP (Vinyl)
& lt;font color= & quot;#FF0000 & quot; & gt; & lt;b & gt;Early Recordings On Vinyl LP! Where The Legend Began! & lt;br & gt; The Original Master Takes Remastered On 1 LP For The First Time! & lt;/b & gt; & lt;/font & gt; & lt;br & gt; & lt;br & gt; Legacy Recordings releases A Boy From Tupelo: The Sun Masters, a single disc 12 & quot; vinyl package that chronicles the rise of Elvis Presley before he became The King of Rock and Roll. Recorded with producer Sam Phillips, guitarist Scotty Moore and bassist Bill Black during his first incredible year as a professional recording artist (July 1954-July 1955), this collection includes Elvis' complete single A and B-sides for Sun Records, plus additional songs recorded at Sun Studio and released on his landmark self-titled debut album in 1956. & lt;br & gt; & lt;br & gt; & lt;b & gt;Features: & lt;/b & gt; & lt;br & gt; • Vinyl LP & lt;br & gt; • Original master takes remastered on 1LP for the first time & lt;br & gt; • Taken from & quot;A Boy From Tupelo: The Complete 1953-1955 Recordings & quot; Box Set & lt;br & gt; • Limited time digital download & lt;br & gt; & lt;br & gt; & lt;b & gt;Selections: & lt;br & gt; Side A: & lt;/b & gt; & lt;br & gt; 1. That's All Right (45rpm master) & lt;br & gt; 2. Blue Moon Of Kentucky (45rpm master) & lt;br & gt; 3. Good Rockin' Tonight & lt;br & gt; 4. I Don't Care If The Sun Don't Shine & lt;br & gt; 5. Milkcow Blues Boogie & lt;br & gt; 6. You're A Heartbreaker & lt;br & gt; 7. Baby Let's Play House & lt;br & gt; 8. I'm Left, You're Right, She's Gone & lt;br & gt; 9. I Forgot To Remember To Forget & lt;br & gt; & lt;b & gt;Side B: & lt;/b & gt; & lt;br & gt; 1. Mystery Train & lt;br & gt; 2. I Love You Because (RCA LP version) & lt;br & gt; 3. Blue Moon & lt;br & gt; 4. I'll Never Let You Go (Little Darlin') & lt;br & gt; 5. Just Because & lt;br & gt; 6. Tryin' To Get To You & lt;br & gt; 7. Tomorrow Night & lt;br & gt; 8. Harbor Lights
Legacy
Elvis Presley A Boy From Tupelo: The Sun Masters LP (Vinyl)
Jimi Hendrix Both Sides of The Sky 180g 2LP (Vinyl)
& lt;font color= & quot;#FF0000 & quot; & gt; & lt;b & gt;180g Double LP Contains 10 Previously Unreleased Studio Recordings! & lt;br & gt;Pressed at Quality Record Pressings! & lt;/b & gt; & lt;/font & gt; & lt;br & gt; & lt;br & gt; Both Sides Of The Sky presents 13 studio recordings including 10 which have never before been released. All but two of these studio recordings were made during a fertile two year period between January 1968 and 1970. Jimi’s mastery of the studio and his increasing use of them as a proving ground for new songs resulted in a growing collection of extraordinary material. Both Sides Of The Sky completes a trilogy of albums [with Valleys Of Neptune and People, Hell & amp; Angels] intended to present the best and most significant unissued studio recordings remaining in the Hendrix archive. The songs include fascinating alternate versions of “Stepping Stone,” “Lover Man” and “Hear My Train A Comin’” as well as recordings where Jimi is joined by such & lt;b & gt;special guests as Johnny Winter and Stephen Stills. & lt;/b & gt; & lt;br & gt; & lt;br & gt; Both Sides Of The Sky was mixed by Eddie Kramer, the engineer for all of Hendrix’s albums throughout the guitarist’s lifetime, and produced by Janie Hendrix, Kramer and John McDermott. & lt;br & gt; & lt;br & gt; & lt;b & gt;Mannish Boy - & lt;/b & gt; The first ever studio session by the group Hendrix would christen as his Band Of Gypsys. Hendrix, Cox & amp; Miles shared a love for the blues as this driving, uptempo reworking of “Mannish Boy” by Muddy Waters makes clear. & lt;br & gt; & lt;br & gt; & lt;b & gt;Lover Man - & lt;/b & gt;Just two weeks before their triumphant New Year’s concerts at the Fillmore East in NYC [yielding both 1970’s Band Of Gypsys and 2016’s sequel Machine Gun], Hendrix gathered with Cox and Miles to cut this dynamic rendition of what had become a favorite concert staple. & lt;br & gt; & lt;br & gt; & lt;b & gt;Stepping Stone - & lt;/b & gt; A totally unique take on this Hendrix favorite, with Jimi showcasing both blues and country styled licks atop a relentless, galloping beat. & lt;br & gt; & lt;br & gt; & lt;b & gt;$20 Fine - & lt;/b & gt; Stephen Stills joined Jimi, Mitch Mitchell and Buddy Miles Express keyboardist Duane Hitchings at this September 1969 session. With Stephen handling lead vocals and organ, Jimi added multiple guitar parts to this rollicking Stills original. & lt;br & gt; & lt;br & gt; & lt;b & gt;Power Of Soul - & lt;/b & gt; This 1970 studio session came three weeks after the Band Of Gypsys concerts at the Fillmore East. While a live version remains one of the highpoints of Band Of Gypsys, Jimi never released a studio version during his lifetime. For this album, we present the mix that Hendrix and Kramer prepared of the complete song at Electric Lady on August 22, 1970. & lt;br & gt; & lt;br & gt; & lt;b & gt;Jungle - & lt;/b & gt; The influence of Curtis Mayfield can be heard here as Jimi expands on the “Villanova Junction Blues” theme he made famous by its inclusion in the 1970 Woodstock documentary. & lt;br & gt; & lt;br & gt; & lt;b & gt;Things I Used To Do - & lt;/b & gt; Jimi is joined for this rendition of Guitar Slim’s blues classic by Johnny Winter. Jimi’s trademark guitar work and Winter’s deft slide playing weaves in and around the foundation set by bassist Billy Cox and Crosby, Stills, Nash & amp; Young drummer Dallas Taylor. & lt;br & gt; & lt;br & gt; & lt;b & gt;Georgia Blues - & lt;/b & gt; Jimi reunited with some old friends from his pre-Experience days. Lonnie Youngblood, with whom Hendrix played in R & amp;B groups like Curtis Knight & amp; The Squires, voiced this superb twelve bar blues neatly underpinned by Hendrix’s sublime rhythm and lead guitar work. & lt;br & gt; & lt;br & gt; & lt;b & gt;Sweet Angel - & lt;/b & gt; With Axis: Bold As Love only just released, Jimi immediately turned his focus to recording what would become Electric Ladyland. This gorgeous, instrumental reading of “Angel,”, features Jimi on guitar, bass and vibraphone joined by Mitch Mitchell. & lt;br & gt; & lt;br & gt; & lt;b & gt;Woodstock - & lt;/b & gt; Stephen Stills came to this session fresh from having visited Joni Mitchell, who had a new song that Stills was excited to try and record. Long before CSNY’s version, Stephen, Jimi and Buddy Miles recorded this amazing rendition. & lt;br & gt; & lt;br & gt; & lt;b & gt;Send My Love To Linda - & lt;/b & gt; A superb new Hendrix original composition recorded with Cox and Miles in the aftermath of their successful Band Of Gypsys performances at the Fillmore East. & lt;br & gt; & lt;br & gt; & lt;b & gt;Cherokee Mist - & lt;/b & gt; Together with drummer Mitch Mitchell, Jimi created this moody, evocative original complete with his playing of a sitar to complement his traditional electric guitar. & lt;br & gt; & lt;br & gt; & lt;b & gt;Features: & lt;/b & gt; & lt;br & gt; • 180g Vinyl & lt;br & gt; • Deluxe Double LP & lt;br & gt; • Authorized Hendrix Family Edition & lt;br & gt; • 10 previously unreleased studio recordings & lt;br & gt; • Exciting new music including & quot;$20 Fine & quot; and & quot;Woodstock & quot; with Stephen Stills and & quot;Things I Used To Do & quot; with Johnny Winter & lt;br & gt; • Unheard studio versions of & quot;Mannish Boy & quot; and & quot;Lover Man & quot; & lt;br & gt; • Pressed at Quality Record Pressings & lt;br & gt; • Gatefold jacket & lt;br & gt; & lt;br & gt; & lt;b & gt;Selections: & lt;br & gt; Disc One & lt;br & gt; Side One: & lt;/b & gt; & lt;br & gt; 1. Mannish Boy & lt;br & gt; 2. Lover Man & lt;br & gt; 3. Hear My Train A Comin' & lt;br & gt; & lt;b & gt;Side Two: & lt;/b & gt; & lt;br & gt; 1. Stepping Stone & lt;br & gt; 2. $20 Fine (feat. Stephen Stills) & lt;br & gt; 3. Power Of Soul & lt;br & gt; 4. Jungle & lt;br & gt; & lt;b & gt;Disc Two & lt;br & gt; Side One: & lt;/b & gt; & lt;br & gt; 1. Things I Used To Do (feat. Johnny Winter) & lt;br & gt; 2. Georgia Blues (feat. Lonnie Youngblood) & lt;br & gt; 3. Sweet Angel & lt;br & gt; & lt;b & gt;Side Two: & lt;/b & gt; & lt;br & gt; 1. Woodstock (feat. Stephen Stills) & lt;br & gt; 2. Send My Love To Linda & lt;br & gt; 3. Cherokee Mist
Legacy
Jimi Hendrix Both Sides of The Sky 180g  2LP (Vinyl)
Eurythmics In the Garden 180g LP (Vinyl)
& lt;font color= & quot;#FF0000 & quot; & gt; & lt;b & gt;180g Vinyl LP! & lt;br & gt; Newly Mastered From The Original 1/2 & quot; Tapes! & lt;/b & gt; & lt;/font & gt; & lt;br & gt; & lt;br & gt; The debut album from Annie Lennox and Dave Stewart as the Eurythmics, & quot;In the Garden & quot; was releasd in 1981. The album produced two UK singles & quot;Never Gonna Cry Again & quot; and & quot;Belinda & quot;. & lt;br & gt; & lt;br & gt; The British duo Eurythmics were a force on the Billboard charts throughout the ’80s, as their quirky electro-pop resonated with music fans. Now, the music of Dave Stewart and Annie Lennox takes a new spin on turntables all over the world, thanks to the global re-release of the duo’s eight studio albums on vinyl. Spanning their entire career, the albums will be released by RCA/Legacy Recordings, the catalog division of Sony Music Entertainment starting with In The Garden (1981), Sweet Dreams (1983) and Touch (1983), followed by Be Yourself Tonight (1985), Revenge (1986) and Savage (1987) then We Too Are One (1989) and Peace (1999). This is the first time that Peace will be available on vinyl, as the original release was only available in two formats: CD and cassette. & lt;br & gt; & lt;br & gt; & lt;b & gt; & quot;Issuing our out-of-print vinyl albums in 2018 is a great thing because people won’t be listening to our music on a cell phone, & quot; & lt;/b & gt; Stewart tells Billboard. & lt;b & gt; & quot;They’ll have a record player and speakers and a sound system, like we did when we were growing up. People will buy vinyl records and put them on the turntable and listen to one side at a time, and hear the tracks played in the particular order that we selected. & quot; & lt;/b & gt; & lt;br & gt; & lt;br & gt; & lt;b & gt; & quot;We always gave a lot of thought to the order of the songs on our albums, & quot; & lt;/b & gt; says Lennox. & lt;b & gt; & quot;Dave would choose an order and so would I. We’d compare notes and move some songs around but we came to an agreement together so the listening experience had the continuum we desired. & quot; & lt;/b & gt; & lt;br & gt; & lt;br & gt; Stewart and Lennox both listened to music pressed on vinyl when they were young. & lt;b & gt; & quot;We had a pink, plastic Dansette record player, in our house, & quot; & lt;/b & gt; recalls Lennox. & lt;b & gt; & quot;Someone gave me some birthday money and the first record I bought was the soundtrack to Mary Poppins. It was magical and wonderful. Before that, I used to visit my grandparents and they had a 78rpm record player. I’d go in the attic and find their box of records. I was entranced by The Merry Widow. And then as a teenager I bought ‘A Whiter Shade of Pale’ by Procol Harum and at the first party for my class I was given the task of playing the music. The only music we had was ‘A Whiter Shade of Pale’ and I felt really cool about that because I thought, ‘You just had to listen to it over and over and over again.’ That particular song was big for me. & quot; & lt;/b & gt; (Years later, Lennox covered that Procol Harum hit on her Medusa album). & lt;br & gt; & lt;br & gt; Stewart’s father built a homemade Gramophone and Dave would listen to his parents’ collection of Rodgers and Hammerstein musicals, which had such a heavy impact on him that he walked to school blissfully unaware of the consequences of singing & quot;I Enjoy Being a Girl & quot; from Flower Drum Song. & lt;b & gt; & quot;My brother was four years older, and he had a massive influence on me because he had great taste in music and he bought Bob Dylan’s first album. My cousin in Memphis sent us blues albums. So I had Mississippi John Hurt and Robert Johnson. In Sunderland in the northeast of England, the Delta blues sounded like music from outer space. But that was the music I loved first, playing blues on a not-very-good guitar and then I got a broken bottle and smashed it up with some string on the neck and I was playing along with Robert Johnson, so that was my introduction to vinyl. You couldn’t get more extreme going from Rogers and Hammerstein to the delta blues. When I think about it years later, about arrangements and music and songs, I haven’t played blues obviously but when it came to sort of middle eights and bridges, I think a lot of my brain went back to Rogers and Hammerstein and those strange changes, and in pop music at the time, that was kind of weird. & quot; & lt;/b & gt; & lt;br & gt; & lt;br & gt; Before they formed Eurythmics, Stewart and Lennox were in a band called the Tourists. Their self-titled album was released in 1979. Billboard wanted to know what it was like for the duo to hold their first vinyl LP in their hands. & lt;b & gt; & quot;I cried, & quot; & lt;/b & gt; Lennox confesses. & lt;b & gt; & quot;And not with joy. We chose a beautiful, classic elegant photograph for the cover, and then without telling us that they were going to do it, somebody at the record company decided to stick a new wave pink logo for the Tourists at the top. And so when I first saw our first album, I cried and I was angry and upset because I felt we had been negated. The next time you look at that cover, just think that I cried when I saw it. & quot; & lt;/b & gt; & lt;br & gt; & lt;br & gt; But without the Tourists, there would be no Eurythmics. & lt;b & gt; & quot;Once Eurythmics started, I really thought to myself, 'Wow, now I feel that the Tourists were a rehearsal,' & quot; & lt;/b & gt; says Lennox. & lt;b & gt; & quot;Because Eurythmics was the real deal for me. Once we established where we were going, after In The Garden and when Sweet Dreams came through, I thought, ‘Okay, this is it. This is where I want to be.’ And then there’s post Sweet Dreams, which is all the other albums and the touring and making the videos and it was the most prestigious of creativity one could imagine. We lived for that. That was our priority. It was bigger than us. Trying to have some sense of a personal life was impossible. So for a whole decade, it was just messy. And then it was a relief once we said, ‘Okay, you go your way. I’ll go mine.’ And then there was that whole period of, ‘What do I do now? I want to be a mom.’ I had a family. I had my children and making Diva and Medusa and thinking, ‘I don’t know if I can do it, but I need to try. I need to know if there’s anything in me as a solo artist,’ and I proved that I could do it. I still need to feel autonomous, so when I come back to meet Dave again, I have a strongly defined sense of self. At this point in my life, I feel more secure than I’ve ever felt, which is important to me, knowing that life is for everyone unknowable. It gives us the possibility to take the next step into the unknown. & quot; & lt;/b & gt; & lt;br & gt; & lt;br & gt; Stewart and Lennox are both happy that a new generation of music fans will be able to enjoy their albums on vinyl. & lt;b & gt; & quot;I’ve got four children and Annie has two daughters, & quot; & lt;/b & gt; says Stewart. & lt;b & gt; & quot;You’d be surprised how many kids love vinyl. I took my daughter to Amoeba (one of the last record stores in Los Angeles) when she was 11 and her eyes just went ‘boing!’ and she ended up getting all these soul and old gospel albums, people I didn’t even know. It’s kind of like saying, ‘let’s bring steam engines back.’ There’s something nice about being on a steam engine. You kind of realize why people love that. & quot; & lt;/b & gt; & lt;br & gt; & lt;br & gt; While he loves vinyl, Stewart listens to music in many different formats these days. & lt;b & gt; & quot;I carry around three different portable bluetooth speakers, depending on how loud I want to hear music, and where I am. I won’t listen on the phone. In my house my main speakers are five-feet tall lovely wooden BMW speakers, with a bass you could place anywhere in the room. I go to a shop on Ventura Blvd. [in Southern California] that repairs and sells really old vinyl players, all the way back to the one my daughter has from 1961. As the night goes on, I will put on my vinyl collection of gospel, blues and country. I’ll sit in my library surrounded by books that inspire me, playing Mississippi John Hurt on vinyl while enjoying a vodka martini. & quot; & lt;/b & gt; & lt;br & gt; & lt;br & gt; Stewart and Lennox have more to celebrate in 2018 than the release of their eight albums on vinyl. They have been nominated for inclusion in the Rock & amp; Roll Hall of Fame. & lt;br & gt; & lt;br & gt; & lt;b & gt;Features: & lt;/b & gt; & lt;br & gt; • 180g Vinyl & lt;br & gt; • Newly mastered from the original 1/2 & quot; tapes & lt;br & gt; • Limited time download code & lt;br & gt; & lt;br & gt; & lt;b & gt;Selections: & lt;br & gt; Side A: & lt;/b & gt; & lt;br & gt; 1. English Summer & lt;br & gt; 2. Belinda & lt;br & gt; 3. Take Me To Your Heart & lt;br & gt; 4. She's Invisible Now & lt;br & gt; 5. Your Time Will Come & lt;br & gt; & lt;b & gt;Side B: & lt;/b & gt; & lt;br & gt; 1. Caveman Head & lt;br & gt; 2. Never Gonna Cry Again & lt;br & gt; 3. All the Young (People Of Today) & lt;br & gt; 4. Sing-Sing & lt;br & gt; 5. Revenge
Legacy
Eurythmics In the Garden 180g LP (Vinyl)
Eurythmics Touch 180g LP (Vinyl)
& lt;font color= & quot;#FF0000 & quot; & gt; & lt;b & gt;180g Vinyl LP! & lt;br & gt; Newly Mastered From The Original 1/2 & quot; Tapes! & lt;/b & gt; & lt;/font & gt; & lt;br & gt; & lt;br & gt; & lt;font color= & quot;#FF0000 & quot; & gt; & lt;b & gt;Rolling Stone 500 Greatest Albums of All Time - Rated 492/500! & lt;/b & gt; & lt;/font & gt; & lt;br & gt; & lt;br & gt; The New Wave duo of Annie Lennox and Dave Stewart released Touch, their third studio album as The Eurythmics, in 1983. The album, containing the hit song & quot;Here Comes the Rain Again & quot;, hit number 1 on the UK Albums Chart and #7 on the U.S. Billboard 200. & lt;br & gt; & lt;br & gt; The British duo Eurythmics were a force on the Billboard charts throughout the ’80s, as their quirky electro-pop resonated with music fans. Now, the music of Dave Stewart and Annie Lennox takes a new spin on turntables all over the world, thanks to the global re-release of the duo’s eight studio albums on vinyl. Spanning their entire career, the albums will be released by RCA/Legacy Recordings, the catalog division of Sony Music Entertainment starting with In The Garden (1981), Sweet Dreams (1983) and Touch (1983), followed by Be Yourself Tonight (1985), Revenge (1986) and Savage (1987) then We Too Are One (1989) and Peace (1999). This is the first time that Peace will be available on vinyl, as the original release was only available in two formats: CD and cassette. & lt;br & gt; & lt;br & gt; & lt;b & gt; & quot;Issuing our out-of-print vinyl albums in 2018 is a great thing because people won’t be listening to our music on a cell phone, & quot; & lt;/b & gt; Stewart tells Billboard. & lt;b & gt; & quot;They’ll have a record player and speakers and a sound system, like we did when we were growing up. People will buy vinyl records and put them on the turntable and listen to one side at a time, and hear the tracks played in the particular order that we selected. & quot; & lt;/b & gt; & lt;br & gt; & lt;br & gt; & lt;b & gt; & quot;We always gave a lot of thought to the order of the songs on our albums, & quot; & lt;/b & gt; says Lennox. & lt;b & gt; & quot;Dave would choose an order and so would I. We’d compare notes and move some songs around but we came to an agreement together so the listening experience had the continuum we desired. & quot; & lt;/b & gt; & lt;br & gt; & lt;br & gt; Stewart and Lennox both listened to music pressed on vinyl when they were young. & lt;b & gt; & quot;We had a pink, plastic Dansette record player, in our house, & quot; & lt;/b & gt; recalls Lennox. & lt;b & gt; & quot;Someone gave me some birthday money and the first record I bought was the soundtrack to Mary Poppins. It was magical and wonderful. Before that, I used to visit my grandparents and they had a 78rpm record player. I’d go in the attic and find their box of records. I was entranced by The Merry Widow. And then as a teenager I bought ‘A Whiter Shade of Pale’ by Procol Harum and at the first party for my class I was given the task of playing the music. The only music we had was ‘A Whiter Shade of Pale’ and I felt really cool about that because I thought, ‘You just had to listen to it over and over and over again.’ That particular song was big for me. & quot; & lt;/b & gt; (Years later, Lennox covered that Procol Harum hit on her Medusa album). & lt;br & gt; & lt;br & gt; Stewart’s father built a homemade Gramophone and Dave would listen to his parents’ collection of Rodgers and Hammerstein musicals, which had such a heavy impact on him that he walked to school blissfully unaware of the consequences of singing & quot;I Enjoy Being a Girl & quot; from Flower Drum Song. & lt;b & gt; & quot;My brother was four years older, and he had a massive influence on me because he had great taste in music and he bought Bob Dylan’s first album. My cousin in Memphis sent us blues albums. So I had Mississippi John Hurt and Robert Johnson. In Sunderland in the northeast of England, the Delta blues sounded like music from outer space. But that was the music I loved first, playing blues on a not-very-good guitar and then I got a broken bottle and smashed it up with some string on the neck and I was playing along with Robert Johnson, so that was my introduction to vinyl. You couldn’t get more extreme going from Rogers and Hammerstein to the delta blues. When I think about it years later, about arrangements and music and songs, I haven’t played blues obviously but when it came to sort of middle eights and bridges, I think a lot of my brain went back to Rogers and Hammerstein and those strange changes, and in pop music at the time, that was kind of weird. & quot; & lt;/b & gt; & lt;br & gt; & lt;br & gt; Before they formed Eurythmics, Stewart and Lennox were in a band called the Tourists. Their self-titled album was released in 1979. Billboard wanted to know what it was like for the duo to hold their first vinyl LP in their hands. & lt;b & gt; & quot;I cried, & quot; & lt;/b & gt; Lennox confesses. & lt;b & gt; & quot;And not with joy. We chose a beautiful, classic elegant photograph for the cover, and then without telling us that they were going to do it, somebody at the record company decided to stick a new wave pink logo for the Tourists at the top. And so when I first saw our first album, I cried and I was angry and upset because I felt we had been negated. The next time you look at that cover, just think that I cried when I saw it. & quot; & lt;/b & gt; & lt;br & gt; & lt;br & gt; But without the Tourists, there would be no Eurythmics. & lt;b & gt; & quot;Once Eurythmics started, I really thought to myself, 'Wow, now I feel that the Tourists were a rehearsal,' & quot; & lt;/b & gt; says Lennox. & lt;b & gt; & quot;Because Eurythmics was the real deal for me. Once we established where we were going, after In The Garden and when Sweet Dreams came through, I thought, ‘Okay, this is it. This is where I want to be.’ And then there’s post Sweet Dreams, which is all the other albums and the touring and making the videos and it was the most prestigious of creativity one could imagine. We lived for that. That was our priority. It was bigger than us. Trying to have some sense of a personal life was impossible. So for a whole decade, it was just messy. And then it was a relief once we said, ‘Okay, you go your way. I’ll go mine.’ And then there was that whole period of, ‘What do I do now? I want to be a mom.’ I had a family. I had my children and making Diva and Medusa and thinking, ‘I don’t know if I can do it, but I need to try. I need to know if there’s anything in me as a solo artist,’ and I proved that I could do it. I still need to feel autonomous, so when I come back to meet Dave again, I have a strongly defined sense of self. At this point in my life, I feel more secure than I’ve ever felt, which is important to me, knowing that life is for everyone unknowable. It gives us the possibility to take the next step into the unknown. & quot; & lt;/b & gt; & lt;br & gt; & lt;br & gt; Stewart and Lennox are both happy that a new generation of music fans will be able to enjoy their albums on vinyl. & lt;b & gt; & quot;I’ve got four children and Annie has two daughters, & quot; & lt;/b & gt; says Stewart. & lt;b & gt; & quot;You’d be surprised how many kids love vinyl. I took my daughter to Amoeba (one of the last record stores in Los Angeles) when she was 11 and her eyes just went ‘boing!’ and she ended up getting all these soul and old gospel albums, people I didn’t even know. It’s kind of like saying, ‘let’s bring steam engines back.’ There’s something nice about being on a steam engine. You kind of realize why people love that. & quot; & lt;/b & gt; & lt;br & gt; & lt;br & gt; While he loves vinyl, Stewart listens to music in many different formats these days. & lt;b & gt; & quot;I carry around three different portable bluetooth speakers, depending on how loud I want to hear music, and where I am. I won’t listen on the phone. In my house my main speakers are five-feet tall lovely wooden BMW speakers, with a bass you could place anywhere in the room. I go to a shop on Ventura Blvd. [in Southern California] that repairs and sells really old vinyl players, all the way back to the one my daughter has from 1961. As the night goes on, I will put on my vinyl collection of gospel, blues and country. I’ll sit in my library surrounded by books that inspire me, playing Mississippi John Hurt on vinyl while enjoying a vodka martini. & quot; & lt;/b & gt; & lt;br & gt; & lt;br & gt; Stewart and Lennox have more to celebrate in 2018 than the release of their eight albums on vinyl. They have been nominated for inclusion in the Rock & amp; Roll Hall of Fame. & lt;br & gt; & lt;br & gt; & lt;b & gt;Features: & lt;/b & gt; & lt;br & gt; • 180g Vinyl & lt;br & gt; • Newly mastered from the original 1/2 & quot; tapes & lt;br & gt; • Limited time download code & lt;br & gt; & lt;br & gt; & lt;b & gt;Selections: & lt;br & gt; Side A: & lt;/b & gt; & lt;br & gt; 1. Here Comes The Rain Again & lt;br & gt; 2. Regrets & lt;br & gt; 3. Right By Your Side & lt;br & gt; 4. Cool Blue & lt;br & gt; 5. Who's That Girl? & lt;br & gt; & lt;b & gt;Side B: & lt;/b & gt; & lt;br & gt; 1. The First Cut & lt;br & gt; 2. Aqua & lt;br & gt; 3. No Fear, No Hate, No Pain (No Broken Hearts) & lt;br & gt; 4. Paint A Rumour
Legacy
Eurythmics Touch 180g LP (Vinyl)
Eurythmics Savage 180g LP (Vinyl)
& lt;font color= & quot;#FF0000 & quot; & gt; & lt;b & gt;180g Vinyl LP Newly Mastered From The Original 1/2 & quot; Tapes! & lt;br & gt; & lt;br & gt; & lt;/b & gt; & lt;/font & gt;The 1987 released album, Savage was the 7th album from the Eurythmics. The album contains & quot; I Need A Man & quot; which hit #6 on the U.S. Billboard Dance/Club Play Songs Chart. & lt;br & gt; & lt;br & gt; The British duo Eurythmics were a force on the Billboard charts throughout the ’80s, as their quirky electro-pop resonated with music fans. Now, the music of Dave Stewart and Annie Lennox takes a new spin on turntables all over the world, thanks to the global re-release of the duo’s eight studio albums on vinyl. Spanning their entire career, the albums will be released by RCA/Legacy Recordings, the catalog division of Sony Music Entertainment starting with In The Garden (1981), Sweet Dreams (1983) and Touch (1983), followed by Be Yourself Tonight (1985), Revenge (1986) and Savage (1987) then We Too Are One (1989) and Peace (1999). This is the first time that Peace will be available on vinyl, as the original release was only available in two formats: CD and cassette. & lt;br & gt; & lt;br & gt; & lt;b & gt; & quot;Issuing our out-of-print vinyl albums in 2018 is a great thing because people won’t be listening to our music on a cell phone, & quot; & lt;/b & gt; Stewart tells Billboard. & lt;b & gt; & quot;They’ll have a record player and speakers and a sound system, like we did when we were growing up. People will buy vinyl records and put them on the turntable and listen to one side at a time, and hear the tracks played in the particular order that we selected. & quot; & lt;/b & gt; & lt;br & gt; & lt;br & gt; & lt;b & gt; & quot;We always gave a lot of thought to the order of the songs on our albums, & quot; & lt;/b & gt; says Lennox. & lt;b & gt; & quot;Dave would choose an order and so would I. We’d compare notes and move some songs around but we came to an agreement together so the listening experience had the continuum we desired. & quot; & lt;/b & gt; & lt;br & gt; & lt;br & gt; Stewart and Lennox both listened to music pressed on vinyl when they were young. & lt;b & gt; & quot;We had a pink, plastic Dansette record player, in our house, & quot; & lt;/b & gt; recalls Lennox. & lt;b & gt; & quot;Someone gave me some birthday money and the first record I bought was the soundtrack to Mary Poppins. It was magical and wonderful. Before that, I used to visit my grandparents and they had a 78rpm record player. I’d go in the attic and find their box of records. I was entranced by The Merry Widow. And then as a teenager I bought ‘A Whiter Shade of Pale’ by Procol Harum and at the first party for my class I was given the task of playing the music. The only music we had was ‘A Whiter Shade of Pale’ and I felt really cool about that because I thought, ‘You just had to listen to it over and over and over again.’ That particular song was big for me. & quot; & lt;/b & gt; (Years later, Lennox covered that Procol Harum hit on her Medusa album). & lt;br & gt; & lt;br & gt; Stewart’s father built a homemade Gramophone and Dave would listen to his parents’ collection of Rodgers and Hammerstein musicals, which had such a heavy impact on him that he walked to school blissfully unaware of the consequences of singing & quot;I Enjoy Being a Girl & quot; from Flower Drum Song. & lt;b & gt; & quot;My brother was four years older, and he had a massive influence on me because he had great taste in music and he bought Bob Dylan’s first album. My cousin in Memphis sent us blues albums. So I had Mississippi John Hurt and Robert Johnson. In Sunderland in the northeast of England, the Delta blues sounded like music from outer space. But that was the music I loved first, playing blues on a not-very-good guitar and then I got a broken bottle and smashed it up with some string on the neck and I was playing along with Robert Johnson, so that was my introduction to vinyl. You couldn’t get more extreme going from Rogers and Hammerstein to the delta blues. When I think about it years later, about arrangements and music and songs, I haven’t played blues obviously but when it came to sort of middle eights and bridges, I think a lot of my brain went back to Rogers and Hammerstein and those strange changes, and in pop music at the time, that was kind of weird. & quot; & lt;/b & gt; & lt;br & gt; & lt;br & gt; Before they formed Eurythmics, Stewart and Lennox were in a band called the Tourists. Their self-titled album was released in 1979. Billboard wanted to know what it was like for the duo to hold their first vinyl LP in their hands. & lt;b & gt; & quot;I cried, & quot; & lt;/b & gt; Lennox confesses. & lt;b & gt; & quot;And not with joy. We chose a beautiful, classic elegant photograph for the cover, and then without telling us that they were going to do it, somebody at the record company decided to stick a new wave pink logo for the Tourists at the top. And so when I first saw our first album, I cried and I was angry and upset because I felt we had been negated. The next time you look at that cover, just think that I cried when I saw it. & quot; & lt;/b & gt; & lt;br & gt; & lt;br & gt; But without the Tourists, there would be no Eurythmics. & lt;b & gt; & quot;Once Eurythmics started, I really thought to myself, 'Wow, now I feel that the Tourists were a rehearsal,' & quot; & lt;/b & gt; says Lennox. & lt;b & gt; & quot;Because Eurythmics was the real deal for me. Once we established where we were going, after In The Garden and when Sweet Dreams came through, I thought, ‘Okay, this is it. This is where I want to be.’ And then there’s post Sweet Dreams, which is all the other albums and the touring and making the videos and it was the most prestigious of creativity one could imagine. We lived for that. That was our priority. It was bigger than us. Trying to have some sense of a personal life was impossible. So for a whole decade, it was just messy. And then it was a relief once we said, ‘Okay, you go your way. I’ll go mine.’ And then there was that whole period of, ‘What do I do now? I want to be a mom.’ I had a family. I had my children and making Diva and Medusa and thinking, ‘I don’t know if I can do it, but I need to try. I need to know if there’s anything in me as a solo artist,’ and I proved that I could do it. I still need to feel autonomous, so when I come back to meet Dave again, I have a strongly defined sense of self. At this point in my life, I feel more secure than I’ve ever felt, which is important to me, knowing that life is for everyone unknowable. It gives us the possibility to take the next step into the unknown. & quot; & lt;/b & gt; & lt;br & gt; & lt;br & gt; Stewart and Lennox are both happy that a new generation of music fans will be able to enjoy their albums on vinyl. & lt;b & gt; & quot;I’ve got four children and Annie has two daughters, & quot; & lt;/b & gt; says Stewart. & lt;b & gt; & quot;You’d be surprised how many kids love vinyl. I took my daughter to Amoeba (one of the last record stores in Los Angeles) when she was 11 and her eyes just went ‘boing!’ and she ended up getting all these soul and old gospel albums, people I didn’t even know. It’s kind of like saying, ‘let’s bring steam engines back.’ There’s something nice about being on a steam engine. You kind of realize why people love that. & quot; & lt;/b & gt; & lt;br & gt; & lt;br & gt; While he loves vinyl, Stewart listens to music in many different formats these days. & lt;b & gt; & quot;I carry around three different portable bluetooth speakers, depending on how loud I want to hear music, and where I am. I won’t listen on the phone. In my house my main speakers are five-feet tall lovely wooden BMW speakers, with a bass you could place anywhere in the room. I go to a shop on Ventura Blvd. [in Southern California] that repairs and sells really old vinyl players, all the way back to the one my daughter has from 1961. As the night goes on, I will put on my vinyl collection of gospel, blues and country. I’ll sit in my library surrounded by books that inspire me, playing Mississippi John Hurt on vinyl while enjoying a vodka martini. & quot; & lt;/b & gt; & lt;br & gt; & lt;br & gt; Stewart and Lennox have more to celebrate in 2018 than the release of their eight albums on vinyl. They have been nominated for inclusion in the Rock & amp; Roll Hall of Fame. & lt;br & gt; & lt;br & gt; & lt;b & gt;Features: & lt;/b & gt; & lt;br & gt; & amp;bull; 180g Vinyl & lt;br & gt; & amp;bull; Newly mastered from the original 1/2 & quot; tapes & lt;br & gt; & amp;bull; Limited time free download code & lt;br & gt; & lt;br & gt; & lt;b & gt;Selections: & lt;br & gt; Side A: & lt;/b & gt; & lt;br & gt; 1. Beethoven (I Love To Listen To) & lt;br & gt; 2. I've Got A Lover (Back In Japan) & lt;br & gt; 3. Do You Want To Break Up? & lt;br & gt; 4. You Have Placed A Chill In My Heart & lt;br & gt; 5. Shame & lt;br & gt; 6. Savage & lt;br & gt; & lt;b & gt;Side B: & lt;/b & gt; & lt;br & gt; 1. I Need A Man & lt;br & gt; 2. Put The Blame On Me & lt;br & gt; 3. Heaven & lt;br & gt; 4. Wide Eyed Girl & lt;br & gt; 5. I Need You & lt;br & gt; 6. Brand New Day
Legacy
Eurythmics Savage 180g LP (Vinyl)
Eurythmics Be Yourself Tonight 180g LP (Vinyl)
& lt;b & gt; & lt;font color= & quot;#FF0000 & quot; & gt;180g Vinyl LP Newly Mastered From The Original 1/2 & quot; Tapes! & lt;br & gt; & lt;/font & gt; & lt;/b & gt; & lt;br & gt; The fifth album from the Eurythmics, featuring Annie Lennox and Dave Stewart, was released in 1985. The album was largely recorded in Paris and saw a move away from their previous synthesizer-based songs to a more commercial sound with one of their most recognizable hits & quot;Would I Lie To You & quot;. & lt;br & gt; & lt;br & gt; The British duo Eurythmics were a force on the Billboard charts throughout the ’80s, as their quirky electro-pop resonated with music fans. Now, the music of Dave Stewart and Annie Lennox takes a new spin on turntables all over the world, thanks to the global re-release of the duo’s eight studio albums on vinyl. Spanning their entire career, the albums will be released by RCA/Legacy Recordings, the catalog division of Sony Music Entertainment starting with In The Garden (1981), Sweet Dreams (1983) and Touch (1983), followed by Be Yourself Tonight (1985), Revenge (1986) and Savage (1987) then We Too Are One (1989) and Peace (1999). This is the first time that Peace will be available on vinyl, as the original release was only available in two formats: CD and cassette. & lt;br & gt; & lt;br & gt; & lt;b & gt; & quot;Issuing our out-of-print vinyl albums in 2018 is a great thing because people won’t be listening to our music on a cell phone, & quot; & lt;/b & gt; Stewart tells Billboard. & lt;b & gt; & quot;They’ll have a record player and speakers and a sound system, like we did when we were growing up. People will buy vinyl records and put them on the turntable and listen to one side at a time, and hear the tracks played in the particular order that we selected. & quot; & lt;/b & gt; & lt;br & gt; & lt;br & gt; & lt;b & gt; & quot;We always gave a lot of thought to the order of the songs on our albums, & quot; & lt;/b & gt; says Lennox. & lt;b & gt; & quot;Dave would choose an order and so would I. We’d compare notes and move some songs around but we came to an agreement together so the listening experience had the continuum we desired. & quot; & lt;/b & gt; & lt;br & gt; & lt;br & gt; Stewart and Lennox both listened to music pressed on vinyl when they were young. & lt;b & gt; & quot;We had a pink, plastic Dansette record player, in our house, & quot; & lt;/b & gt; recalls Lennox. & lt;b & gt; & quot;Someone gave me some birthday money and the first record I bought was the soundtrack to Mary Poppins. It was magical and wonderful. Before that, I used to visit my grandparents and they had a 78rpm record player. I’d go in the attic and find their box of records. I was entranced by The Merry Widow. And then as a teenager I bought ‘A Whiter Shade of Pale’ by Procol Harum and at the first party for my class I was given the task of playing the music. The only music we had was ‘A Whiter Shade of Pale’ and I felt really cool about that because I thought, ‘You just had to listen to it over and over and over again.’ That particular song was big for me. & quot; & lt;/b & gt; (Years later, Lennox covered that Procol Harum hit on her Medusa album). & lt;br & gt; & lt;br & gt; Stewart’s father built a homemade Gramophone and Dave would listen to his parents’ collection of Rodgers and Hammerstein musicals, which had such a heavy impact on him that he walked to school blissfully unaware of the consequences of singing & quot;I Enjoy Being a Girl & quot; from Flower Drum Song. & lt;b & gt; & quot;My brother was four years older, and he had a massive influence on me because he had great taste in music and he bought Bob Dylan’s first album. My cousin in Memphis sent us blues albums. So I had Mississippi John Hurt and Robert Johnson. In Sunderland in the northeast of England, the Delta blues sounded like music from outer space. But that was the music I loved first, playing blues on a not-very-good guitar and then I got a broken bottle and smashed it up with some string on the neck and I was playing along with Robert Johnson, so that was my introduction to vinyl. You couldn’t get more extreme going from Rogers and Hammerstein to the delta blues. When I think about it years later, about arrangements and music and songs, I haven’t played blues obviously but when it came to sort of middle eights and bridges, I think a lot of my brain went back to Rogers and Hammerstein and those strange changes, and in pop music at the time, that was kind of weird. & quot; & lt;/b & gt; & lt;br & gt; & lt;br & gt; Before they formed Eurythmics, Stewart and Lennox were in a band called the Tourists. Their self-titled album was released in 1979. Billboard wanted to know what it was like for the duo to hold their first vinyl LP in their hands. & lt;b & gt; & quot;I cried, & quot; & lt;/b & gt; Lennox confesses. & lt;b & gt; & quot;And not with joy. We chose a beautiful, classic elegant photograph for the cover, and then without telling us that they were going to do it, somebody at the record company decided to stick a new wave pink logo for the Tourists at the top. And so when I first saw our first album, I cried and I was angry and upset because I felt we had been negated. The next time you look at that cover, just think that I cried when I saw it. & quot; & lt;/b & gt; & lt;br & gt; & lt;br & gt; But without the Tourists, there would be no Eurythmics. & lt;b & gt; & quot;Once Eurythmics started, I really thought to myself, 'Wow, now I feel that the Tourists were a rehearsal,' & quot; & lt;/b & gt; says Lennox. & lt;b & gt; & quot;Because Eurythmics was the real deal for me. Once we established where we were going, after In The Garden and when Sweet Dreams came through, I thought, ‘Okay, this is it. This is where I want to be.’ And then there’s post Sweet Dreams, which is all the other albums and the touring and making the videos and it was the most prestigious of creativity one could imagine. We lived for that. That was our priority. It was bigger than us. Trying to have some sense of a personal life was impossible. So for a whole decade, it was just messy. And then it was a relief once we said, ‘Okay, you go your way. I’ll go mine.’ And then there was that whole period of, ‘What do I do now? I want to be a mom.’ I had a family. I had my children and making Diva and Medusa and thinking, ‘I don’t know if I can do it, but I need to try. I need to know if there’s anything in me as a solo artist,’ and I proved that I could do it. I still need to feel autonomous, so when I come back to meet Dave again, I have a strongly defined sense of self. At this point in my life, I feel more secure than I’ve ever felt, which is important to me, knowing that life is for everyone unknowable. It gives us the possibility to take the next step into the unknown. & quot; & lt;/b & gt; & lt;br & gt; & lt;br & gt; Stewart and Lennox are both happy that a new generation of music fans will be able to enjoy their albums on vinyl. & lt;b & gt; & quot;I’ve got four children and Annie has two daughters, & quot; & lt;/b & gt; says Stewart. & lt;b & gt; & quot;You’d be surprised how many kids love vinyl. I took my daughter to Amoeba (one of the last record stores in Los Angeles) when she was 11 and her eyes just went ‘boing!’ and she ended up getting all these soul and old gospel albums, people I didn’t even know. It’s kind of like saying, ‘let’s bring steam engines back.’ There’s something nice about being on a steam engine. You kind of realize why people love that. & quot; & lt;/b & gt; & lt;br & gt; & lt;br & gt; While he loves vinyl, Stewart listens to music in many different formats these days. & lt;b & gt; & quot;I carry around three different portable bluetooth speakers, depending on how loud I want to hear music, and where I am. I won’t listen on the phone. In my house my main speakers are five-feet tall lovely wooden BMW speakers, with a bass you could place anywhere in the room. I go to a shop on Ventura Blvd. [in Southern California] that repairs and sells really old vinyl players, all the way back to the one my daughter has from 1961. As the night goes on, I will put on my vinyl collection of gospel, blues and country. I’ll sit in my library surrounded by books that inspire me, playing Mississippi John Hurt on vinyl while enjoying a vodka martini. & quot; & lt;/b & gt; & lt;br & gt; & lt;br & gt; Stewart and Lennox have more to celebrate in 2018 than the release of their eight albums on vinyl. They have been nominated for inclusion in the Rock & amp; Roll Hall of Fame. & lt;br & gt; & lt;br & gt; & lt;b & gt;Features: & lt;/b & gt; & lt;br & gt; & amp;bull; 180g Vinyl & lt;br & gt; & amp;bull; Newly mastered from the original 1/2 & quot; tapes & lt;br & gt; & amp;bull; Limited time free download code & lt;br & gt; & lt;br & gt; & lt;b & gt;Selections: & lt;br & gt; Side 1: & lt;/b & gt; & lt;br & gt; 1. Would I Lie To You? & lt;br & gt; 2. There Must Be An Angel (Playing With My Heart) & lt;br & gt; 3. I Love You Like A Ball And Chain & lt;br & gt; 4. Sisters Are Doin' It For Themselves & lt;br & gt; 5. Conditioned Soul & lt;br & gt; & lt;b & gt;Side 2: & lt;/b & gt; & lt;br & gt; 1. Conditioned Soul & lt;br & gt; 2. Adrian & lt;br & gt; 3. It's Alright (Baby's Coming Back) & lt;br & gt; 4. Here Comes That Sinking Feeling & lt;br & gt; 9. Better To Have Lost In Love (Than Never To Have Loved At All)
Legacy
Eurythmics Be Yourself Tonight 180g LP (Vinyl)
Eurythmics Revenge 180g LP (Vinyl)
& lt;b & gt; & lt;font color= & quot;#FF0000 & quot; & gt;180g Vinyl LP Newly Mastered From The Original 1/2 & quot; Tapes! & lt;br & gt; & lt;/font & gt; & lt;/b & gt; & lt;br & gt; Released in 1986, Revenge was the sixth album from the Eurythmics featuring Annie Lennox and Dave Stewart. The album contains one of their biggest hits & quot;Missionary Man & quot;, which hit number 1 on the U.S. Billboard Mainstream Rock Chart. & lt;br & gt; & lt;br & gt; The British duo Eurythmics were a force on the Billboard charts throughout the ’80s, as their quirky electro-pop resonated with music fans. Now, the music of Dave Stewart and Annie Lennox takes a new spin on turntables all over the world, thanks to the global re-release of the duo’s eight studio albums on vinyl. Spanning their entire career, the albums will be released by RCA/Legacy Recordings, the catalog division of Sony Music Entertainment starting with In The Garden (1981), Sweet Dreams (1983) and Touch (1983), followed by Be Yourself Tonight (1985), Revenge (1986) and Savage (1987) then We Too Are One (1989) and Peace (1999). This is the first time that Peace will be available on vinyl, as the original release was only available in two formats: CD and cassette. & lt;br & gt; & lt;br & gt; & lt;b & gt; & quot;Issuing our out-of-print vinyl albums in 2018 is a great thing because people won’t be listening to our music on a cell phone, & quot; & lt;/b & gt; Stewart tells Billboard. & lt;b & gt; & quot;They’ll have a record player and speakers and a sound system, like we did when we were growing up. People will buy vinyl records and put them on the turntable and listen to one side at a time, and hear the tracks played in the particular order that we selected. & quot; & lt;/b & gt; & lt;br & gt; & lt;br & gt; & lt;b & gt; & quot;We always gave a lot of thought to the order of the songs on our albums, & quot; & lt;/b & gt; says Lennox. & lt;b & gt; & quot;Dave would choose an order and so would I. We’d compare notes and move some songs around but we came to an agreement together so the listening experience had the continuum we desired. & quot; & lt;/b & gt; & lt;br & gt; & lt;br & gt; Stewart and Lennox both listened to music pressed on vinyl when they were young. & lt;b & gt; & quot;We had a pink, plastic Dansette record player, in our house, & quot; & lt;/b & gt; recalls Lennox. & lt;b & gt; & quot;Someone gave me some birthday money and the first record I bought was the soundtrack to Mary Poppins. It was magical and wonderful. Before that, I used to visit my grandparents and they had a 78rpm record player. I’d go in the attic and find their box of records. I was entranced by The Merry Widow. And then as a teenager I bought ‘A Whiter Shade of Pale’ by Procol Harum and at the first party for my class I was given the task of playing the music. The only music we had was ‘A Whiter Shade of Pale’ and I felt really cool about that because I thought, ‘You just had to listen to it over and over and over again.’ That particular song was big for me. & quot; & lt;/b & gt; (Years later, Lennox covered that Procol Harum hit on her Medusa album). & lt;br & gt; & lt;br & gt; Stewart’s father built a homemade Gramophone and Dave would listen to his parents’ collection of Rodgers and Hammerstein musicals, which had such a heavy impact on him that he walked to school blissfully unaware of the consequences of singing & quot;I Enjoy Being a Girl & quot; from Flower Drum Song. & lt;b & gt; & quot;My brother was four years older, and he had a massive influence on me because he had great taste in music and he bought Bob Dylan’s first album. My cousin in Memphis sent us blues albums. So I had Mississippi John Hurt and Robert Johnson. In Sunderland in the northeast of England, the Delta blues sounded like music from outer space. But that was the music I loved first, playing blues on a not-very-good guitar and then I got a broken bottle and smashed it up with some string on the neck and I was playing along with Robert Johnson, so that was my introduction to vinyl. You couldn’t get more extreme going from Rogers and Hammerstein to the delta blues. When I think about it years later, about arrangements and music and songs, I haven’t played blues obviously but when it came to sort of middle eights and bridges, I think a lot of my brain went back to Rogers and Hammerstein and those strange changes, and in pop music at the time, that was kind of weird. & quot; & lt;/b & gt; & lt;br & gt; & lt;br & gt; Before they formed Eurythmics, Stewart and Lennox were in a band called the Tourists. Their self-titled album was released in 1979. Billboard wanted to know what it was like for the duo to hold their first vinyl LP in their hands. & lt;b & gt; & quot;I cried, & quot; & lt;/b & gt; Lennox confesses. & lt;b & gt; & quot;And not with joy. We chose a beautiful, classic elegant photograph for the cover, and then without telling us that they were going to do it, somebody at the record company decided to stick a new wave pink logo for the Tourists at the top. And so when I first saw our first album, I cried and I was angry and upset because I felt we had been negated. The next time you look at that cover, just think that I cried when I saw it. & quot; & lt;/b & gt; & lt;br & gt; & lt;br & gt; But without the Tourists, there would be no Eurythmics. & lt;b & gt; & quot;Once Eurythmics started, I really thought to myself, 'Wow, now I feel that the Tourists were a rehearsal,' & quot; & lt;/b & gt; says Lennox. & lt;b & gt; & quot;Because Eurythmics was the real deal for me. Once we established where we were going, after In The Garden and when Sweet Dreams came through, I thought, ‘Okay, this is it. This is where I want to be.’ And then there’s post Sweet Dreams, which is all the other albums and the touring and making the videos and it was the most prestigious of creativity one could imagine. We lived for that. That was our priority. It was bigger than us. Trying to have some sense of a personal life was impossible. So for a whole decade, it was just messy. And then it was a relief once we said, ‘Okay, you go your way. I’ll go mine.’ And then there was that whole period of, ‘What do I do now? I want to be a mom.’ I had a family. I had my children and making Diva and Medusa and thinking, ‘I don’t know if I can do it, but I need to try. I need to know if there’s anything in me as a solo artist,’ and I proved that I could do it. I still need to feel autonomous, so when I come back to meet Dave again, I have a strongly defined sense of self. At this point in my life, I feel more secure than I’ve ever felt, which is important to me, knowing that life is for everyone unknowable. It gives us the possibility to take the next step into the unknown. & quot; & lt;/b & gt; & lt;br & gt; & lt;br & gt; Stewart and Lennox are both happy that a new generation of music fans will be able to enjoy their albums on vinyl. & lt;b & gt; & quot;I’ve got four children and Annie has two daughters, & quot; & lt;/b & gt; says Stewart. & lt;b & gt; & quot;You’d be surprised how many kids love vinyl. I took my daughter to Amoeba (one of the last record stores in Los Angeles) when she was 11 and her eyes just went ‘boing!’ and she ended up getting all these soul and old gospel albums, people I didn’t even know. It’s kind of like saying, ‘let’s bring steam engines back.’ There’s something nice about being on a steam engine. You kind of realize why people love that. & quot; & lt;/b & gt; & lt;br & gt; & lt;br & gt; While he loves vinyl, Stewart listens to music in many different formats these days. & lt;b & gt; & quot;I carry around three different portable bluetooth speakers, depending on how loud I want to hear music, and where I am. I won’t listen on the phone. In my house my main speakers are five-feet tall lovely wooden BMW speakers, with a bass you could place anywhere in the room. I go to a shop on Ventura Blvd. [in Southern California] that repairs and sells really old vinyl players, all the way back to the one my daughter has from 1961. As the night goes on, I will put on my vinyl collection of gospel, blues and country. I’ll sit in my library surrounded by books that inspire me, playing Mississippi John Hurt on vinyl while enjoying a vodka martini. & quot; & lt;/b & gt; & lt;br & gt; & lt;br & gt; Stewart and Lennox have more to celebrate in 2018 than the release of their eight albums on vinyl. They have been nominated for inclusion in the Rock & amp; Roll Hall of Fame. & lt;br & gt; & lt;br & gt; & lt;b & gt;Features: & lt;/b & gt; & lt;br & gt; & amp;bull; 180g Vinyl & lt;br & gt; & amp;bull; Newly mastered from the original 1/2 & quot; tapes & lt;br & gt; & amp;bull; Embossed lettering on cover & lt;br & gt; & amp;bull; Limited time free download code & lt;br & gt; & lt;br & gt; & lt;b & gt;Selections: & lt;br & gt; Side 1: & lt;/b & gt; & lt;br & gt; 1. Missionary Man & lt;br & gt; 2. Thorn In My Side & lt;br & gt; 3. When Tomorrow Comes & lt;br & gt; 4. The Last Time & lt;br & gt; 5. The Miracle Of Love & lt;br & gt; & lt;b & gt;Side 2: & lt;/b & gt; & lt;br & gt; 1. Let's Go! & lt;br & gt; 2. Take Your Pain Away & lt;br & gt; 3. A Little Of You & lt;br & gt; 4. In This Town & lt;br & gt; 5. I Remember You
Legacy
Eurythmics Revenge 180g LP (Vinyl)
Eurythmics Peace 180g LP (Vinyl)
& lt;font color= & quot;#FF0000 & quot; & gt; & lt;b & gt;180g Vinyl LP Newly Mastered From Original 1/2 & quot; Tapes! & lt;br & gt; First Time on Vinyl! & lt;/b & gt; & lt;/font & gt; & lt;br & gt; & lt;br & gt; The final album from the Eurythmics, Peace was released in 1999...10 years after the release of & quot;We Too Are One & quot;. & amp;nbsp; The album was promoted with a concert on the Greenpeace vessel Rainbow Warrior II. & amp;nbsp; Profits from the following 24-date world tour were donated to Amnesty International and Greenpeace. & lt;br & gt; & lt;br & gt; The British duo Eurythmics were a force on the Billboard charts throughout the ’80s, as their quirky electro-pop resonated with music fans. Now, the music of Dave Stewart and Annie Lennox takes a new spin on turntables all over the world, thanks to the global re-release of the duo’s eight studio albums on vinyl. Spanning their entire career, the albums will be released by RCA/Legacy Recordings, the catalog division of Sony Music Entertainment starting with In The Garden (1981), Sweet Dreams (1983) and Touch (1983), followed by Be Yourself Tonight (1985), Revenge (1986) and Savage (1987) then We Too Are One (1989) and Peace (1999). This is the first time that Peace will be available on vinyl, as the original release was only available in two formats: CD and cassette. & lt;br & gt; & lt;br & gt; & lt;b & gt; & quot;Issuing our out-of-print vinyl albums in 2018 is a great thing because people won’t be listening to our music on a cell phone, & quot; & lt;/b & gt; Stewart tells Billboard. & lt;b & gt; & quot;They’ll have a record player and speakers and a sound system, like we did when we were growing up. People will buy vinyl records and put them on the turntable and listen to one side at a time, and hear the tracks played in the particular order that we selected. & quot; & lt;/b & gt; & lt;br & gt; & lt;br & gt; & lt;b & gt; & quot;We always gave a lot of thought to the order of the songs on our albums, & quot; & lt;/b & gt; says Lennox. & lt;b & gt; & quot;Dave would choose an order and so would I. We’d compare notes and move some songs around but we came to an agreement together so the listening experience had the continuum we desired. & quot; & lt;/b & gt; & lt;br & gt; & lt;br & gt; Stewart and Lennox both listened to music pressed on vinyl when they were young. & lt;b & gt; & quot;We had a pink, plastic Dansette record player, in our house, & quot; & lt;/b & gt; recalls Lennox. & lt;b & gt; & quot;Someone gave me some birthday money and the first record I bought was the soundtrack to Mary Poppins. It was magical and wonderful. Before that, I used to visit my grandparents and they had a 78rpm record player. I’d go in the attic and find their box of records. I was entranced by The Merry Widow. And then as a teenager I bought ‘A Whiter Shade of Pale’ by Procol Harum and at the first party for my class I was given the task of playing the music. The only music we had was ‘A Whiter Shade of Pale’ and I felt really cool about that because I thought, ‘You just had to listen to it over and over and over again.’ That particular song was big for me. & quot; & lt;/b & gt; (Years later, Lennox covered that Procol Harum hit on her Medusa album). & lt;br & gt; & lt;br & gt; Stewart’s father built a homemade Gramophone and Dave would listen to his parents’ collection of Rodgers and Hammerstein musicals, which had such a heavy impact on him that he walked to school blissfully unaware of the consequences of singing & quot;I Enjoy Being a Girl & quot; from Flower Drum Song. & lt;b & gt; & quot;My brother was four years older, and he had a massive influence on me because he had great taste in music and he bought Bob Dylan’s first album. My cousin in Memphis sent us blues albums. So I had Mississippi John Hurt and Robert Johnson. In Sunderland in the northeast of England, the Delta blues sounded like music from outer space. But that was the music I loved first, playing blues on a not-very-good guitar and then I got a broken bottle and smashed it up with some string on the neck and I was playing along with Robert Johnson, so that was my introduction to vinyl. You couldn’t get more extreme going from Rogers and Hammerstein to the delta blues. When I think about it years later, about arrangements and music and songs, I haven’t played blues obviously but when it came to sort of middle eights and bridges, I think a lot of my brain went back to Rogers and Hammerstein and those strange changes, and in pop music at the time, that was kind of weird. & quot; & lt;/b & gt; & lt;br & gt; & lt;br & gt; Before they formed Eurythmics, Stewart and Lennox were in a band called the Tourists. Their self-titled album was released in 1979. Billboard wanted to know what it was like for the duo to hold their first vinyl LP in their hands. & lt;b & gt; & quot;I cried, & quot; & lt;/b & gt; Lennox confesses. & lt;b & gt; & quot;And not with joy. We chose a beautiful, classic elegant photograph for the cover, and then without telling us that they were going to do it, somebody at the record company decided to stick a new wave pink logo for the Tourists at the top. And so when I first saw our first album, I cried and I was angry and upset because I felt we had been negated. The next time you look at that cover, just think that I cried when I saw it. & quot; & lt;/b & gt; & lt;br & gt; & lt;br & gt; But without the Tourists, there would be no Eurythmics. & lt;b & gt; & quot;Once Eurythmics started, I really thought to myself, 'Wow, now I feel that the Tourists were a rehearsal,' & quot; & lt;/b & gt; says Lennox. & lt;b & gt; & quot;Because Eurythmics was the real deal for me. Once we established where we were going, after In The Garden and when Sweet Dreams came through, I thought, ‘Okay, this is it. This is where I want to be.’ And then there’s post Sweet Dreams, which is all the other albums and the touring and making the videos and it was the most prestigious of creativity one could imagine. We lived for that. That was our priority. It was bigger than us. Trying to have some sense of a personal life was impossible. So for a whole decade, it was just messy. And then it was a relief once we said, ‘Okay, you go your way. I’ll go mine.’ And then there was that whole period of, ‘What do I do now? I want to be a mom.’ I had a family. I had my children and making Diva and Medusa and thinking, ‘I don’t know if I can do it, but I need to try. I need to know if there’s anything in me as a solo artist,’ and I proved that I could do it. I still need to feel autonomous, so when I come back to meet Dave again, I have a strongly defined sense of self. At this point in my life, I feel more secure than I’ve ever felt, which is important to me, knowing that life is for everyone unknowable. It gives us the possibility to take the next step into the unknown. & quot; & lt;/b & gt; & lt;br & gt; & lt;br & gt; Stewart and Lennox are both happy that a new generation of music fans will be able to enjoy their albums on vinyl. & lt;b & gt; & quot;I’ve got four children and Annie has two daughters, & quot; & lt;/b & gt; says Stewart. & lt;b & gt; & quot;You’d be surprised how many kids love vinyl. I took my daughter to Amoeba (one of the last record stores in Los Angeles) when she was 11 and her eyes just went ‘boing!’ and she ended up getting all these soul and old gospel albums, people I didn’t even know. It’s kind of like saying, ‘let’s bring steam engines back.’ There’s something nice about being on a steam engine. You kind of realize why people love that. & quot; & lt;/b & gt; & lt;br & gt; & lt;br & gt; While he loves vinyl, Stewart listens to music in many different formats these days. & lt;b & gt; & quot;I carry around three different portable bluetooth speakers, depending on how loud I want to hear music, and where I am. I won’t listen on the phone. In my house my main speakers are five-feet tall lovely wooden BMW speakers, with a bass you could place anywhere in the room. I go to a shop on Ventura Blvd. [in Southern California] that repairs and sells really old vinyl players, all the way back to the one my daughter has from 1961. As the night goes on, I will put on my vinyl collection of gospel, blues and country. I’ll sit in my library surrounded by books that inspire me, playing Mississippi John Hurt on vinyl while enjoying a vodka martini. & quot; & lt;/b & gt; & lt;br & gt; & lt;br & gt; Stewart and Lennox have more to celebrate in 2018 than the release of their eight albums on vinyl. They have been nominated for inclusion in the Rock & amp; Roll Hall of Fame. & lt;br & gt; & lt;br & gt; & lt;b & gt;Features: & lt;/b & gt; & lt;br & gt; & amp;bull; 180g Vinyl & lt;br & gt; & amp;bull; First Time on Vinyl & lt;br & gt; & amp;bull; Newly mastered from the original 1/2 & quot; tapes & lt;br & gt; & amp;bull; Limited time download insert & lt;br & gt; & lt;br & gt; & lt;b & gt;Selections: & lt;br & gt; Side A: & lt;/b & gt; & lt;br & gt; 1. 17 Again & lt;br & gt; 2. I Saved The World Today & lt;br & gt; 3. Power To The Meek & lt;br & gt; 4. Beautiful Child & lt;br & gt; 5. Anything But Strong & lt;br & gt; & lt;b & gt;Side B: & lt;/b & gt; & lt;br & gt; 1. Peace Is Just A Word & lt;br & gt; 2. I've Tried Everything & lt;br & gt; 3. I Want It All & lt;br & gt; 4. My True Love & lt;br & gt; 5. Forever & lt;br & gt; 6. Lifted
Legacy
Eurythmics Peace 180g LP (Vinyl)
Eurythmics We Too Are One 180g LP (Vinyl)
& lt;font color= & quot;#FF0000 & quot; & gt; & lt;b & gt;180g Vinyl LP Newly Mastered From Original 1/2 & quot; Tapes! & lt;/b & gt; & lt;/font & gt; & lt;br & gt; & lt;br & gt; The 8th studio album from the duo of Annie Lennox and Dave Stewart, released in 1989, would be the last for the Eurythmics until their 1999 released 'Peace' album. & lt;br & gt; & lt;br & gt; The British duo Eurythmics were a force on the Billboard charts throughout the ’80s, as their quirky electro-pop resonated with music fans. Now, the music of Dave Stewart and Annie Lennox takes a new spin on turntables all over the world, thanks to the global re-release of the duo’s eight studio albums on vinyl. Spanning their entire career, the albums will be released by RCA/Legacy Recordings, the catalog division of Sony Music Entertainment starting with In The Garden (1981), Sweet Dreams (1983) and Touch (1983), followed by Be Yourself Tonight (1985), Revenge (1986) and Savage (1987) then We Too Are One (1989) and Peace (1999). This is the first time that Peace will be available on vinyl, as the original release was only available in two formats: CD and cassette. & lt;br & gt; & lt;br & gt; & lt;b & gt; & quot;Issuing our out-of-print vinyl albums in 2018 is a great thing because people won’t be listening to our music on a cell phone, & quot; & lt;/b & gt; Stewart tells Billboard. & lt;b & gt; & quot;They’ll have a record player and speakers and a sound system, like we did when we were growing up. People will buy vinyl records and put them on the turntable and listen to one side at a time, and hear the tracks played in the particular order that we selected. & quot; & lt;/b & gt; & lt;br & gt; & lt;br & gt; & lt;b & gt; & quot;We always gave a lot of thought to the order of the songs on our albums, & quot; & lt;/b & gt; says Lennox. & lt;b & gt; & quot;Dave would choose an order and so would I. We’d compare notes and move some songs around but we came to an agreement together so the listening experience had the continuum we desired. & quot; & lt;/b & gt; & lt;br & gt; & lt;br & gt; Stewart and Lennox both listened to music pressed on vinyl when they were young. & lt;b & gt; & quot;We had a pink, plastic Dansette record player, in our house, & quot; & lt;/b & gt; recalls Lennox. & lt;b & gt; & quot;Someone gave me some birthday money and the first record I bought was the soundtrack to Mary Poppins. It was magical and wonderful. Before that, I used to visit my grandparents and they had a 78rpm record player. I’d go in the attic and find their box of records. I was entranced by The Merry Widow. And then as a teenager I bought ‘A Whiter Shade of Pale’ by Procol Harum and at the first party for my class I was given the task of playing the music. The only music we had was ‘A Whiter Shade of Pale’ and I felt really cool about that because I thought, ‘You just had to listen to it over and over and over again.’ That particular song was big for me. & quot; & lt;/b & gt; (Years later, Lennox covered that Procol Harum hit on her Medusa album). & lt;br & gt; & lt;br & gt; Stewart’s father built a homemade Gramophone and Dave would listen to his parents’ collection of Rodgers and Hammerstein musicals, which had such a heavy impact on him that he walked to school blissfully unaware of the consequences of singing & quot;I Enjoy Being a Girl & quot; from Flower Drum Song. & lt;b & gt; & quot;My brother was four years older, and he had a massive influence on me because he had great taste in music and he bought Bob Dylan’s first album. My cousin in Memphis sent us blues albums. So I had Mississippi John Hurt and Robert Johnson. In Sunderland in the northeast of England, the Delta blues sounded like music from outer space. But that was the music I loved first, playing blues on a not-very-good guitar and then I got a broken bottle and smashed it up with some string on the neck and I was playing along with Robert Johnson, so that was my introduction to vinyl. You couldn’t get more extreme going from Rogers and Hammerstein to the delta blues. When I think about it years later, about arrangements and music and songs, I haven’t played blues obviously but when it came to sort of middle eights and bridges, I think a lot of my brain went back to Rogers and Hammerstein and those strange changes, and in pop music at the time, that was kind of weird. & quot; & lt;/b & gt; & lt;br & gt; & lt;br & gt; Before they formed Eurythmics, Stewart and Lennox were in a band called the Tourists. Their self-titled album was released in 1979. Billboard wanted to know what it was like for the duo to hold their first vinyl LP in their hands. & lt;b & gt; & quot;I cried, & quot; & lt;/b & gt; Lennox confesses. & lt;b & gt; & quot;And not with joy. We chose a beautiful, classic elegant photograph for the cover, and then without telling us that they were going to do it, somebody at the record company decided to stick a new wave pink logo for the Tourists at the top. And so when I first saw our first album, I cried and I was angry and upset because I felt we had been negated. The next time you look at that cover, just think that I cried when I saw it. & quot; & lt;/b & gt; & lt;br & gt; & lt;br & gt; But without the Tourists, there would be no Eurythmics. & lt;b & gt; & quot;Once Eurythmics started, I really thought to myself, 'Wow, now I feel that the Tourists were a rehearsal,' & quot; & lt;/b & gt; says Lennox. & lt;b & gt; & quot;Because Eurythmics was the real deal for me. Once we established where we were going, after In The Garden and when Sweet Dreams came through, I thought, ‘Okay, this is it. This is where I want to be.’ And then there’s post Sweet Dreams, which is all the other albums and the touring and making the videos and it was the most prestigious of creativity one could imagine. We lived for that. That was our priority. It was bigger than us. Trying to have some sense of a personal life was impossible. So for a whole decade, it was just messy. And then it was a relief once we said, ‘Okay, you go your way. I’ll go mine.’ And then there was that whole period of, ‘What do I do now? I want to be a mom.’ I had a family. I had my children and making Diva and Medusa and thinking, ‘I don’t know if I can do it, but I need to try. I need to know if there’s anything in me as a solo artist,’ and I proved that I could do it. I still need to feel autonomous, so when I come back to meet Dave again, I have a strongly defined sense of self. At this point in my life, I feel more secure than I’ve ever felt, which is important to me, knowing that life is for everyone unknowable. It gives us the possibility to take the next step into the unknown. & quot; & lt;/b & gt; & lt;br & gt; & lt;br & gt; Stewart and Lennox are both happy that a new generation of music fans will be able to enjoy their albums on vinyl. & lt;b & gt; & quot;I’ve got four children and Annie has two daughters, & quot; & lt;/b & gt; says Stewart. & lt;b & gt; & quot;You’d be surprised how many kids love vinyl. I took my daughter to Amoeba (one of the last record stores in Los Angeles) when she was 11 and her eyes just went ‘boing!’ and she ended up getting all these soul and old gospel albums, people I didn’t even know. It’s kind of like saying, ‘let’s bring steam engines back.’ There’s something nice about being on a steam engine. You kind of realize why people love that. & quot; & lt;/b & gt; & lt;br & gt; & lt;br & gt; While he loves vinyl, Stewart listens to music in many different formats these days. & lt;b & gt; & quot;I carry around three different portable bluetooth speakers, depending on how loud I want to hear music, and where I am. I won’t listen on the phone. In my house my main speakers are five-feet tall lovely wooden BMW speakers, with a bass you could place anywhere in the room. I go to a shop on Ventura Blvd. [in Southern California] that repairs and sells really old vinyl players, all the way back to the one my daughter has from 1961. As the night goes on, I will put on my vinyl collection of gospel, blues and country. I’ll sit in my library surrounded by books that inspire me, playing Mississippi John Hurt on vinyl while enjoying a vodka martini. & quot; & lt;/b & gt; & lt;br & gt; & lt;br & gt; Stewart and Lennox have more to celebrate in 2018 than the release of their eight albums on vinyl. They have been nominated for inclusion in the Rock & amp; Roll Hall of Fame. & lt;br & gt; & lt;br & gt; & lt;b & gt;Features: & lt;/b & gt; & lt;br & gt; & amp;bull; 180g Vinyl & lt;br & gt; & amp;bull; Newly mastered from the original 1/2 & quot; tapes & lt;br & gt; & amp;bull; Limited time download insert & lt;br & gt; & lt;br & gt; & lt;b & gt;Selections: & lt;br & gt; Side A: & lt;/b & gt; & lt;br & gt; 1. We Two Are One & lt;br & gt; 2. The King & amp; Queen Of America & lt;br & gt; 3. (My My) Baby's Gonna Cry & lt;br & gt; 4. Don't Ask Me Why & lt;br & gt; 5. Angel & lt;br & gt; & lt;b & gt;Side B: & lt;/b & gt; & lt;br & gt; 1. Revival & lt;br & gt; 2. You Hurt Me (And I Hate You) & lt;br & gt; 3. Sylvia & lt;br & gt; 4. How Long? & lt;br & gt; 5. When The Day Goes Down
Legacy
Eurythmics We Too Are One 180g LP (Vinyl)
Annie Lennox Diva LP (Vinyl)
& lt;font color= & quot;#FF0000 & quot; & gt; & lt;b & gt;Annie's Debut Solo Album On Vinyl LP! & lt;/b & gt; & lt;/font & gt; & lt;br & gt; & lt;br & gt; The debut solo album from Annie Lennox was released in 1992 and features the hit single & quot;Walking On Broken Glass & quot;. The album entered the UK album chart at #1. Diva won the Album of The Year at the 1993 Brit Awards and was nominated for the Album of The Year at the 1993 Grammy Awards. & lt;br & gt; & lt;br & gt; & lt;b & gt; & quot;Diva is best remembered for its still breathtaking singles 'Why' and 'Walking on Broken Glass,' but the whole album is a bold exploration of the shades of human experience, given a wide depth of field through producer Stephen Lipson's luxurious synth-pop backdrops... Diva sounds crystalline, florid and near-perfect. & quot; & lt;/b & gt; - Paste Magazine & lt;br & gt; & lt;br & gt; & lt;b & gt;Features: & lt;/b & gt; & lt;br & gt; • Vinyl LP & lt;br & gt; & lt;br & gt; & lt;b & gt;Selections: & lt;br & gt; Side 1: & lt;/b & gt; & lt;br & gt; 1. Why & lt;br & gt; 2. Walking On Broken Glass & lt;br & gt; 3. Precious & lt;br & gt; 4. Legend In My Living Room & lt;br & gt; 5. Cold & lt;br & gt; & lt;b & gt;Side 2: & lt;/b & gt; & lt;br & gt; 1. Money Can't Buy It & lt;br & gt; 2. Little Bird & lt;br & gt; 3. Primitive & lt;br & gt; 4. Stay By Me & lt;br & gt; 5. The Gift
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Annie Lennox Diva LP (Vinyl)
Carole King Her Greatest Hits (Songs of Long Ago) LP (Vinyl)
& lt;font color= & quot;#FF0000 & quot; & gt; & lt;b & gt;Greatest Hits On Vinyl LP! & lt;/b & gt; & lt;/font & gt; & lt;br & gt; & lt;br & gt; Carole King's first compilation album, released in 1978, features 12 songs from six studio albums released between 1971 and 1976. All the greats are here including Jazzman, Sweet Seasons, So Far Away, I Feel the Earth Move, Nightingale, Smackwater Jack and more. & lt;br & gt; & lt;br & gt; & lt;b & gt;Features: & lt;/b & gt; & lt;br & gt; • Vinyl LP & lt;br & gt; • Limited time digital download & lt;br & gt; & lt;br & gt; & lt;b & gt;Selections: & lt;/b & gt; & lt;br & gt; 1. Jazzman & lt;br & gt; 2. So Far Away & lt;br & gt; 3. Sweet Seasons & lt;br & gt; 4. Brother, Brother & lt;br & gt; 5. Only Love Is Real & lt;br & gt; 6. I Feel The Earth Move & lt;br & gt; 7. It's Too Late & lt;br & gt; 8. Nightingale & lt;br & gt; 9. Been To Canaan & lt;br & gt; 10. Smackwater Jack & lt;br & gt; 11. Corazon & lt;br & gt; 12. Believe In Humanity
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Carole King Her Greatest Hits (Songs of Long Ago) LP (Vinyl)
The O'Jays Ship Ahoy LP (Vinyl)
& lt;font color= & quot;#FF0000 & quot; & gt; & lt;b & gt;1970's R & amp;B Music On Vinyl LP! & lt;/b & gt; & lt;/font & gt; & lt;br & gt; & lt;br & gt; Released in 1973, Ship Ahoy was originally released on the Philadelphia International Records label. A critical commercial success, the album reached #1 on Billboard's & quot;Black Albums & quot; chart and #1 on the Pop Albums chart launching two hit singles & quot;For the Love of Money & quot; and & quot;Put Your Hands Together & quot;. & lt;br & gt; & lt;br & gt; & lt;b & gt;Features: & lt;/b & gt; & lt;br & gt; & amp;bull; Vinyl LP & lt;br & gt; & amp;bull; Gatefold jacket & lt;br & gt; & amp;bull; Limited time download insert & lt;br & gt; & lt;br & gt; & lt;b & gt;Selections: & lt;br & gt; Side A: & lt;/b & gt; & lt;br & gt; 1. Put Your Hands Together & lt;br & gt; 2. Ship Ahoy & lt;br & gt; 3. This Air I Breathe & lt;br & gt; 4. You Got Your Hooks In Me & lt;br & gt; & lt;b & gt;Side B: & lt;/b & gt; & lt;br & gt; 1. For The Love Of Money & lt;br & gt; 2. Now That We Found Love & lt;br & gt; 3. Don't Call Me Brother & lt;br & gt; 4. People Keep Tellin' Me
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The O'Jays Ship Ahoy LP (Vinyl)
Santana Caravanserai LP (Vinyl)
& lt;font color= & quot;#FF0000 & quot; & gt; & lt;b & gt;Fourth Studio Album On Vinyl LP! & lt;/b & gt; & lt;/font & gt; & lt;br & gt; & lt;br & gt; The fourth studio album from Santana was released in October of 1972. It marked a change in style from his previous albums, moving more toward complex, experimental jazz sound. The album reached number 8 on the Billboard 200 chart and number 6 in the R & amp;B Albums chart in 1972. & lt;br & gt; & lt;br & gt; & lt;b & gt;Features: & lt;/b & gt; & lt;br & gt; • Vinyl LP & lt;br & gt; • Limited time digital download & lt;br & gt; • Gatefold jacket & lt;br & gt; & lt;br & gt; & lt;b & gt;Selections: & lt;/b & gt; & lt;br & gt; 1. Eternal Caravan Of Reincarnation & lt;br & gt; 2. Waves Within & lt;br & gt; 3. Look Up (To See What's Coming Down) & lt;br & gt; 4. Just In Time To See The Sun & lt;br & gt; 5. Song Of The Wind & lt;br & gt; 6. All The Love Of The Universe & lt;br & gt; 7. Future Primitive & lt;br & gt; 8. Stone Flower & lt;br & gt; 9. La Fuente Del Ritmo & lt;br & gt; 10. Every Step Of The Way
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Santana Caravanserai LP (Vinyl)
Simon & Garfunkel Simon and Garfunkel's Greatest Hits LP (Vinyl)
& lt;font color= & quot;#FF0000 & quot; & gt; & lt;b & gt;Greatest Hits On Vinyl LP! & lt;/b & gt; & lt;/font & gt; & lt;br & gt; & lt;br & gt; Released in June of 1972, the first compilation album from Simon & amp; Garfunkel contains hits such as Mrs. Robinson, The Sound of Silence, The Boxer, Cecilia, and, of course, Bridge Over Troubled Water. & lt;br & gt; & lt;br & gt; & lt;b & gt;Features: & lt;/b & gt; & lt;br & gt; • Vinyl LP & lt;br & gt; • Limited time digital download & lt;br & gt; & lt;br & gt; & lt;b & gt;Selections: & lt;br & gt; Side 1: & lt;/b & gt; & lt;br & gt; 1. Mrs. Robinson & lt;br & gt; 2. For Emily, Whenever I May Find Her & lt;br & gt; 3. The Boxer & lt;br & gt; 4. The 59th Street Bridge Song (Feelin' Groovy) & lt;br & gt; 5. The Sound Of Silence & lt;br & gt; 6. I Am A Rock & lt;br & gt; 7. Scarborough Fair / Canticle & lt;br & gt; & lt;b & gt;Side 2: & lt;/b & gt; & lt;br & gt; 2. Bridge Over Troubled Water & lt;br & gt; 3. America & lt;br & gt; 4. Kathy's Song & lt;br & gt; 5. El Condor Pasa (If I Could) & lt;br & gt; 6. Bookends & lt;br & gt; 7. Cecilia
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Simon & Garfunkel Simon and Garfunkel's Greatest Hits LP (Vinyl)
Them Them Again 180g LP (Vinyl)
& lt;font color= & quot;#FF0000 & quot; & gt; & lt;b & gt;Reissue Of 1966 Album Featuring A Young Van Morrison On 180g Vinyl LP! & lt;/b & gt; & lt;/font & gt; & lt;br & gt; & lt;br & gt; Them Again is the second album by the Northern Irish band Them, whose lead singer and songwriter was Van Morrison. It was only one year after their debut album when Them released Them Again in 1966. As well as cover songs including Bob Dylan's & quot;It's All Over Now, Baby Blue & quot; and Van Morrison originals such as & quot;My Lonely Sad Eyes & quot; were three tracks penned by the album's producer Tommy Scott. & lt;br & gt; & lt;br & gt; & lt;b & gt; & quot;The group's second and, for all intents and purposes, last full album was recorded while Them was in a state of imminent collapse. To this day, nobody knows who played on the album, other than Van Morrison and bassist Alan Henderson, though it is probable that Jimmy Page was seldom very far away when Them was recording. The 16 songs here are a little less focused than the first LP. The material was cut under siege conditions, with a constantly shifting lineup and a grueling tour schedule; essentially, there was no 'group' to provide focus to the sound, only Morrison's voice, so the material bounces from a surprisingly restrained 'I Put a Spell on You' to the garage-punkoid 'I Can Only Give You Everything.' Folk-rock rears its head not only on the moody cover of Dylan's 'It's All Over Now, Baby Blue' but also the Morrison-authored 'My Lonely Sad Eyes,' but the main thrust is soul, which Morrison oozes everywhere -- while there's some filler, his is a voice that could easily have knocked Mick Jagger or Eric Burdon off their respective perches. & quot; & lt;/b & gt;- AllMusic & lt;br & gt; & lt;br & gt; & lt;b & gt;Features: & lt;/b & gt; & lt;br & gt; • 180g Vinyl LP & lt;br & gt; • 2016 reissue & lt;br & gt; • Original U.K. art and track listing & lt;br & gt; & lt;br & gt; & lt;b & gt;Selections: & lt;br & gt; Side One: & lt;/b & gt; & lt;br & gt; 1. Could You Would You & lt;br & gt; 2. Something You Got & lt;br & gt; 3. Call My Name & lt;br & gt; 4. Turn On Your Love Light & lt;br & gt; 5. I Put A Spell On You & lt;br & gt; 6. I Can Only Give You Everything & lt;br & gt; 7. My Lonely Sad Eyes & lt;br & gt; 8. I Got A Woman & lt;br & gt; & lt;b & gt;Side Two: & lt;/b & gt; & lt;br & gt; 1. Out Of Sight & lt;br & gt; 2. It's All Over Now, Baby Blue & lt;br & gt; 3. Bad Or Good & lt;br & gt; 4. How Long Baby & lt;br & gt; 5. Hello Josephine & lt;br & gt; 6. Don't You Know & lt;br & gt; 7. Hey Girl & lt;br & gt; 8. Bring 'Em On In
Legacy
Them Them Again 180g LP (Vinyl)
The Dave Matthews Band Under the Table and Dreaming 2LP (Vinyl)
& lt;font color= & quot;#FF0000 & quot; & gt; & lt;b & gt;Double LP Reissue of 1994 Debut Album! & lt;br & gt; Remastered From Original Flat Analog Tapes! & lt;/b & gt; & lt;/font & gt; & lt;br & gt; & lt;br & gt; & lt;b & gt;Rolling Stone 2015 Readers' Poll: The 10 Best Jam Bands: Dave Matthews Band Rated 5th! & lt;/b & gt; & lt;br & gt; & lt;br & gt; Under the Table and Dreaming was the 1994 debut album from the Dave Matthews Band. The album contains the single & quot;What Would You Say, & quot; which features Blues Traveler's John Popper on harmonica. Two other singles from the album are & quot;Ants Marching & quot; and & quot;Satellite. & quot; & lt;br & gt; & lt;br & gt; Originally released on RCA Records on September 27, 1994, Dave Matthews Band's Under The Table And Dreaming introduced the Virginia-based quintet to a national audience with an alternative, folk-tinged approach to pop/rock music that resonated in a post-grunge world. & lt;br & gt; & lt;br & gt; The Virginia-based Dave Matthews Band — singer/guitarist Dave Matthews, drummer Carter Beauford, saxophonist LeRoi Moore, violinist Boyd Tinsley and bassist Stefan Lessard — earned early acclaim as independent artists for Remember Two Things, which captured the band's diverse sound in a mostly live setting. The group's impressive fan base led to a deal with RCA Records, who paired them up for their first studio album with acclaimed producer Steve Lillywhite, whose eclectic work included collaborations with U2, The Rolling Stones, Peter Gabriel and The Pogues. & lt;br & gt; & lt;br & gt; Lillywhite's crisp approach in the studio was an intriguing complement to the band's loose and easygoing but intricately-arranged song styles, making for an album that satisfied longtime fans while attracting new listeners. (Lillywhite would produce the band's next two albums and reunited with DMB on 2012's Away From The World.) & lt;br & gt; & lt;br & gt; New studio recordings of & quot;Ants Marching & quot; (their first Top 40 hit) and & quot;Satellite, & quot; heard in live form on Remember Two Things, remain highlights, along with the spirited lead single & quot;What Would You Say & quot; (powered by a harmonica solo from John Popper of Blues Traveler and a colorful, Grammy Award-nominated video that earned heavy rotation on MTV) plus live favorites & quot;Jimi Thing, & quot; & quot;Dancing Nancies & quot; and & quot;Typical Situation. & quot; Ultimately, the album was certified six times platinum by the Recording Industry Association of America and remains one of the band's most beloved studio releases. & lt;br & gt; & lt;br & gt; & lt;b & gt;Features: & lt;/b & gt; & lt;br & gt; & amp;bull; 150g Vinyl & lt;br & gt; & amp;bull; Double LP & lt;br & gt; & amp;bull; Remastered from original flat analog tapes & lt;br & gt; & amp;bull; Limited time free download of entire album plus 3 unreleased studio outtakes: & quot;Granny & quot;, & quot;Dancing Nancies (Acoustic) & quot; & amp; & quot;The Song That Jane Likes (Acoustic) & quot; & lt;br & gt; & lt;br & gt; & lt;b & gt;Selections: & lt;br & gt; Side A: & lt;/b & gt; & lt;br & gt; 1. The Best Of What's Around & lt;br & gt; 2. What Would You Say & lt;br & gt; 3. Satellite & lt;br & gt; & lt;b & gt;Side B: & lt;/b & gt; & lt;br & gt; 1. Rhyme & amp; Reason & lt;br & gt; 2. Typical Situation & lt;br & gt; 3. Dancing Nancies & lt;br & gt; & lt;b & gt;Side C: & lt;/b & gt; & lt;br & gt; 1. Ants Marching & lt;br & gt; 2. Lover Lay Down & lt;br & gt; 3. Jimi Thing & lt;br & gt; & lt;b & gt;Side D: & lt;/b & gt; & lt;br & gt; 1. Warehouse & lt;br & gt; 2. Pay For What You Get & lt;br & gt; 3. #34
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The Dave Matthews Band Under the Table and Dreaming 2LP (Vinyl)
Paul Simon One Trick Pony LP (Vinyl)
& lt;font color= & quot;#FF0000 & quot; & gt; & lt;b & gt;Fifth Solo Album On Vinyl LP! & lt;/b & gt; & lt;/font & gt; & lt;br & gt; & lt;br & gt; Paul Simon's fifth solo album, One Trick Pony, was released in 1980. It was his first to follow 1975's Still Crazy After All These Years. & lt;br & gt; & lt;br & gt; The album was released as a complimentary piece to the film of the same name. Although the album contains the same songs as the movie, they are different versions. The album contains the Grammy-nominated track & quot;Late In the Evening & quot;. & lt;br & gt; & lt;br & gt; & lt;b & gt;Features: & lt;/b & gt; & lt;br & gt; & amp;bull; Vinyl LP & lt;br & gt; & amp;bull; Limited time download & lt;br & gt; & lt;br & gt; & lt;b & gt;Selections: & lt;br & gt; Side 1: & lt;/b & gt; & lt;br & gt; 1. Late In The Evening & lt;br & gt; 2. That's Why God Made The Movies & lt;br & gt; 3. One-Trick Pony & lt;br & gt; 4. How The Heart Approaches What It Yearns & lt;br & gt; 5. Oh, Marion & lt;br & gt; & lt;b & gt;Side 2: & lt;/b & gt; & lt;br & gt; 1. Ace In The Hole & lt;br & gt; 2. Nobody & lt;br & gt; 3. Jonah & lt;br & gt; 4. God Bless The Absentee & lt;br & gt; 5. Long, Long Day
Legacy
Paul Simon One Trick Pony LP (Vinyl)
Paul Simon The Paul Simon Song Book LP (Vinyl)
& lt;font color= & quot;#FF0000 & quot; & gt; & lt;b & gt;First Solo Album On Vinyl LP! & lt;/b & gt; & lt;/font & gt; & lt;br & gt; & lt;br & gt; The first solo album from Paul Simon was titled & quot;The Paul Simon Song Book & quot; and released in 1965. Recorded in Europe, the album was released to satisfy his folk audience. & lt;br & gt; & lt;br & gt; & lt;b & gt;Features: & lt;/b & gt; & lt;br & gt; & amp;bull; Vinyl LP & lt;br & gt; & amp;bull; Limited time download & lt;br & gt; & lt;br & gt; & lt;b & gt;Selections: & lt;br & gt; Side One: & lt;/b & gt; & lt;br & gt; 1. I Am A Rock & lt;br & gt; 2. Leaves That Are Green & lt;br & gt; 3. A Church Is Burning & lt;br & gt; 4. April Come She Will & lt;br & gt; 5. The Sound Of Silence & lt;br & gt; 6. A Most Peculiar Man & lt;br & gt; & lt;b & gt;Side Two: & lt;/b & gt; & lt;br & gt; 1. He Was My Brother & lt;br & gt; 2. Kathy's Song & lt;br & gt; 3. The Side Of A Hill & lt;br & gt; 4. A Simple Desultory Philippic & lt;br & gt; 5. Flowers Never Bend With The Rainfall & lt;br & gt; 6. Patterns
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Paul Simon The Paul Simon Song Book LP (Vinyl)
Paul Simon The Rhythm of The Saints LP (Vinyl)
& lt;font color= & quot;#FF0000 & quot; & gt; & lt;b & gt;Eighth Solo Album On Vinyl LP! & lt;/b & gt; & lt;/font & gt; & lt;br & gt; & lt;br & gt; The 8th solo album for Paul Simon, released in 1990, received two Grammy nominations for Album of The Year and Producer of The Year. Simon turned toward Latin America for the musicians and rhythms which explains the sound and feel (and the cover image) of the album. & lt;br & gt; & lt;br & gt; & lt;b & gt;Features: & lt;/b & gt; & lt;br & gt; & amp;bull; Vinyl LP & lt;br & gt; & amp;bull; Limited time download & lt;br & gt; & lt;br & gt; & lt;b & gt;Selections: & lt;br & gt; Side One: & lt;/b & gt; & lt;br & gt; 1. The Obvious Child & lt;br & gt; 2. Can't Run But & lt;br & gt; 3. The Coast & lt;br & gt; 4. Proof & lt;br & gt; 5. Further To Fly & lt;br & gt; & lt;b & gt;Side Two: & lt;/b & gt; & lt;br & gt; 1. She Moves On & lt;br & gt; 2. Born At The Right Time & lt;br & gt; 3. The Cool, Cool River & lt;br & gt; 4. Spirit Voices & lt;br & gt; 5. The Rhythm Of The Saints
Legacy
Paul Simon The Rhythm of The Saints LP (Vinyl)
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