Dimensions (Overall): 25.0 inches (L), 5.75 inches (H) x 13.5 inches (W) x 25.0 inches (D)
Weight: 19.81 pounds
Warranty: No Applicable Warranty. To obtain a copy of the manufacturer's or supplier's warranty for this item prior to purchasing the item,
• 136dB dynamic range DA monitor out conversion pushes digital audio to its near-limits
• Pro Tools HD-ready audio interface with two HDX ports (locked, optional expansion)
• Edge Duo modeling microphone with 11 mic models included
• 36 integrated real-time studio effects
• Latency-free monitoring environment
Goliath HD Gen 3 is the best Goliath Antelope Audio have ever done. With brand-new, state-of-the-art AD/DA converters, this 64-channel Thunderbolt/USB and optional HDX (unlocked separately) beast achieves a stunning 136dB dynamic range on its mastering-grade monitor outputs. Designed to handle even the most demanding studio & live productions, it offers the most comprehensive connectivity out of any audio interface on the market.
Antelope Audio compliments the Goliath HD | Gen 3 with the Edge Duo Modeling Mic
This high-quality dual-capsule large-diaphragm condenser microphone captures vocals and instruments with pristine clarity, depth and detail, making it the perfect starting point for emulating a plethora of timeless studio microphones. Edge Duo is able to call on an extensive and ever-expanding collection of classic mic emulations, with 11 legendary microphone models available. All have been meticulously measured from carefully selected original examples in one of the most respected facilities in Germany. The full list of Edge Duo emulations includes: Berlin 47 FT, Berlin 49T, Berlin 57, Berlin 87, Berlin 67, Berlin M103, Vienna 12, Vienna 414, Tokyo 800T, Oxford 4038, Sacramento 121F.
The all-purpose I/O includes 16 mic preamps, with accusonic modeling, 2 analog inserts, 4 instruments inputs and additional, 16 analog inputs (over DB25) with 124dB dynamic range, 32 analog outputs (over DB25) with 129dB dynamic range, 2 transformer ReAmp outs, 2 headphone outputs (a total of 38 analog outputs). Digital & networking connectivity is established by industry-standard AES, MADI, ADAT, S/PDIF, Thunderbolt USB and HDX connections for a whopping sum of 346 digital I/O channels!
As no project is complete without audio effects, Goliath HD | Gen 3 includes 36 real-time FPGA FX pulled from the acclaimed Antelope Audio AFX library. Comprehensive software, front panel and touch-screen controls let wield all of this spectacular power, housed within just 2U rack space.Goliath HD | Gen 3 comes with 36 FX included (over 3000$ value):
Gyraf Gyratex IX, Stay Levin, FET-A76, VEQ-1A, VMEQ, POWERFFC, Clear Q, Power EX, Auraverb, BA-31, Power Gate, VCA160, x903, VEQ-HLF, 11 Guitar Amps, 11 Guitar Cabinets
Top-tier studio sound
A 64-channel Thunderbolt/USB/HDX-compatible interface, Goliath HD | Gen 3 achieves a stunning 136dB dynamic range on its mastering-grade monitor outputs. Coupled with the latest 64-bit Acoustically Focused Clocking jitter management system, Class-A microphone preamps and audiophile-grade AD/DA conversion, the device delivers top-tier studio sound quality.
Additionally, the acclaimed digital clocking can be distributed across the rest of gear via Word Clock BNC outputs and the Antelope Audio 10M/10MX atomic clocks can be used for reference.
Real-time studio effects
Goliath HD | Gen 3 ships with a suite of 36 FPGA-powered audio effects. This powerful arsenal of lifelike, low-latency effects can be expanded with additional choices from their website.
Tackle any production challenge
Goliath HD | Gen 3 is cross-platform and works with any DAW, connecting to PC & Mac computers over Thunderbolt, USB and HDX (optional expansion)
Forget about latency
An Antelope Audio innovation, the Goliath HD | Gen 3's HDX Delay Compensation method brings any analog or digital input into Pro Tools, fully sample-accurate.
Please note that HDX connectivity is an optional upgrade and must be purchased separately.
Antelope Audio also offer an ultra-fast and custom build Thunderbolt driver for 64 channels of simultaneous  playback and recording, at up to sub-millisecond (imperceptible) latency, on both Windows & Mac