Instrument Condenser Microphone, Champagne (KSM32/SL)

Color: Champagne An embossed single-diaphragm, side-address, cardioid condenser microphone for highly critical studio recording and live sound productions. The KSM32 offers an extended frequency response for an open, natural sounding reproduction of the original sound source. Designed for studio use but rugged enough for live applications, the KSM32 side-address condenser microphone with cardioid polar pattern features a permanently-biased 3/4-inch diaphragm, extremely low self-noise, and an extended frequency response specially tailored for vocal tracking and instrument recording. The KSM32 microphone in champagne. Key Features Class A, transformerless preamplifier circuitry eliminates cross-over distortion for improved linearity across the full frequency range. Embossed, high-compliance diaphragm provides extended low-frequency response. Ultra-thin, gold-layered, low-mass, Mylar diaphragm for excellent transient response 15 dB attenuation switch for handling extremely high sound pressure levels (SPL) Switchable low-frequency filter provides greater flexibility to reduce background noise or to counteract proximity effect. Frequency response. Polar pattern. Integrated three-stage pop protection grille reduces "pop" and other breath noise Internal shock mount reduces transmission of handling noise Performance Characteristics Extended frequency response Very low self-noise Exceptional low-frequency reproduction High output level High input SPL capability No cross-over distortion Extremely uniform polar response Superior common mode rejection and suppression of radio frequency interference Applications Some typical applications for the KSM32 are listed below.

Microphone use, however, is a matter of personal taste. The KSM32 may be used for a variety of applications other than those listed. Voice -- solo, background, voice-over, broadcasting Acoustic instruments -- such as piano, guitar, drums, percussion, strings Wind instruments -- brass and woodwind Low frequency instruments -- such as double bass, electric bass, kick drum Overhead miking -- drums or percussion Ensembles -- choral or orchestral Room ambiance pick-up -- guitar amplifier or drums
Specifications Type: Permanently Biased Condenser
Frequency Response: 20­ to 20, 000 Hz
Directional Polar Pattern: Cardioid/Omnidirectional
Output Impedance: 150 ohms (actual)
Attenuation Switch: 0 or -15 dB attenuation Low
Frequency Response Switch: Flat; ­6 db/octave below 115 Hz; -18 dB/octave below 80
Hz Phantom Power: 48 Vdc +/- 4 Vdc (IEC­268­15/DIN 45 596), positive pins 2 and 3
Current Drain: 4.65 mA typical at 48
Vdc Common Mode Rejection: =50 dB, 20 Hz to 20 kHz Sensitivity (typical, at 1000 Hz; 1 Pa = 94 dB
SPL): -36 dBV/Pa (16 mV) Self­noise (typical, equivalent SPL; A-weighted, IEC
651): 13 dB
Polarity: Positive pressure on diaphragm produces positive voltage on output pin 2 relative to pin 3
Weight: 17.3 ounces