Buy Blue Note Products online in United States

Sort by
Jimmy Smith Back At The Chicken Shack (Blue Note Classic Vinyl Edition) 180g LP
& lt;header & gt; & lt;p & gt; & lt;strong & gt;Blue Note Classic Vinyl Reissue Series! & lt;br & gt; 180g Vinyl LP! & lt;br & gt; Mastered By Kevin Gray From Original Analog Tapes! & lt;/strong & gt; & lt;/p & gt; & lt;/header & gt; & lt;p & gt;Jimmy Smith was a self-taught pianist who abandoned the instrument in 1954 in favor of the Hammond B3 organ, renting a Philadelphia warehouse and woodshedding for a year until he emerged with a revolutionary style that immediately caught the ear of Alfred Lion. The Blue Note boss dubbed him The Incredible Jimmy Smith and recorded the B3 innovator as frequently as he could between 1956 and 1963. & lt;/p & gt; & lt;p & gt;It's a testament to Smith's volcanic creativity that he recorded not one but two soul jazz classics - Midnight Special and Back at the Chicken Shack - when he entered Rudy Van Gelder's studio on April 25, 1960 with Stanley Turrentine on tenor saxophone, Kenny Burrell on guitar, and Donald Bailey on drums. & lt;/p & gt; & lt;p & gt;This Blue Note Classic Vinyl Edition is all-analog, mastered by Kevin Gray from the original master tapes, and pressed on 180g vinyl at Optimal. & lt;/p & gt; & lt;blockquote cite= & quot;www.allmusic.com & quot; & gt; ...[T]he group reaches the peak of funky soul jazz that all other challengers of the genre would have to live up to. & lt;footer & gt; -Al Campbell, AllMusic.com, 5/5 stars & lt;/footer & gt; & lt;/blockquote & gt; & lt;section id= & quot;features & quot; & gt; & lt;h3 & gt;Features & lt;/h3 & gt; & lt;ul & gt; & lt;li & gt;Blue Note Classic Vinyl Reissue Series & lt;/li & gt; & lt;li & gt;180g Vinyl LP & lt;/li & gt; & lt;li & gt;All-Analog Pressing & lt;/li & gt; & lt;li & gt;Mastered by Kevin Gray at Cohearent Audio from original analog tapes & lt;/li & gt; & lt;li & gt;Manufactured at Optimal in Germany & lt;/li & gt; & lt;!--More features go here in & lt;li & gt; tags-- & gt; & lt;/ul & gt; & lt;/section & gt; & lt;section id= & quot;musicians & quot; & gt; & lt;h3 & gt;Musicians & lt;/h3 & gt; & lt;table & gt; & lt;tr & gt; & lt;th & gt;Donald Bailey & lt;/th & gt; & lt;td & gt;drums & lt;/td & gt; & lt;/tr & gt; & lt;tr & gt; & lt;th & gt;Kenny Burrell & lt;/th & gt; & lt;td & gt;guitar & lt;/td & gt; & lt;/tr & gt; & lt;tr & gt; & lt;th & gt;Jimmy Smith & lt;/th & gt; & lt;td & gt;organ & lt;/td & gt; & lt;/tr & gt; & lt;tr & gt; & lt;th & gt;Stanley Turrentine & lt;/th & gt; & lt;td & gt;tenor sax & lt;/td & gt; & lt;/tr & gt; & lt;!--More musician rows go here-- & gt; & lt;/table & gt; & lt;/section & gt; & lt;section id= & quot;selections & quot; & gt; & lt;h3 & gt;Selections & lt;/h3 & gt; & lt;h4 & gt;Side A: & lt;/h4 & gt; & lt;ol & gt; & lt;li & gt;Back At The Chicken Shack & lt;/li & gt; & lt;li & gt;When I Grow Too Old To Dream & lt;/li & gt; & lt;/ol & gt; & lt;h4 & gt;Side B: & lt;/h4 & gt; & lt;ol & gt; & lt;li & gt;Minor Chant & lt;/li & gt; & lt;li & gt;Messy Bessie & lt;/li & gt; & lt;/ol & gt; & lt;/section & gt;
Blue Note
Jimmy Smith Back At The Chicken Shack (Blue Note Classic Vinyl Edition) 180g LP
Grant Green Grant's First Stand 180g LP (Vinyl)
& lt;font color= & quot;#FF0000 & quot; & gt; & lt;b & gt;Blue Note 80 Vinyl Reissue Series! & lt;br & gt; Smoldering Organ Trio On 180g Vinyl LP! & lt;/b & gt; & lt;/font & gt; & lt;br & gt; & lt;br & gt; & lt;b & gt;Blue Note 80 Vinyl Reissue Series! & lt;/b & gt; & lt;br & gt; In honor of Blue Note Records' 80th Anniversary, the legendary Jazz label is launching the Blue Note 80 Vinyl Reissue Series. Distinct from the Tone Poet Audiophile Vinyl Reissue Series, this 2nd series curated by Don Was and Cem Kurosman features mid-priced 180g vinyl releases in standard packaging with albums spanning the many eras of the label's history presented by themes: Blue Note Debuts, Blue Grooves, Great Reid Miles Covers, Blue Note Live, and Blue Note Drummer Leaders. & lt;br & gt; & lt;br & gt; Guitarist Grant Green's 1961 debut album Grant's First Stand found him at the helm of a smoldering organ trio with Baby Face Willette on Hammond B3 organ and Ben Dixon on drums. A soul jazz classic for the ages, it also signaled the start of a fruitful relationship between Green and Blue Note Records that produced 30 albums over the next 12 years that moved from soul jazz and hard bop into jazz funk and fusion. Green's bluesy guitar sound would also be heard on more than 30 Blue Note albums. & lt;br & gt; & lt;br & gt; & lt;b & gt;Features: & lt;/b & gt; & lt;br & gt; & amp;bull; Blue Note 80 Vinyl Reissue Series & lt;br & gt; & amp;bull; 180g Vinyl LP & lt;br & gt; & amp;bull; Mastered by Kevin Gray, Cohearent Mastering & lt;br & gt; & amp;bull; Made in Germany & lt;br & gt; & lt;br & gt; & lt;b & gt;Musicians: & lt;/b & gt; & lt;br & gt; Grant Green, guitar & lt;br & gt; 'Baby Face' Willette, organ & lt;br & gt; Ben Dixon, drums & lt;br & gt; & lt;br & gt; & lt;b & gt;Selections: & lt;br & gt; Side A: & lt;/b & gt; & lt;br & gt; 1. Miss Ann's Tempo & lt;br & gt; 2. Lullaby Of The Leaves & lt;br & gt; 3. Blues For Willarene & lt;br & gt; & lt;b & gt;Side B: & lt;/b & gt; & lt;br & gt; 1. Baby's Minor Lope & lt;br & gt; 2. Ain't Nobody's Business If I Do & lt;br & gt; 3. A Wee Bit O' Green
Blue Note
Grant Green Grant's First Stand 180g LP (Vinyl)
Don Cherry Where Is Brooklyn? (Blue Note Classic Vinyl Series) 180g LP
& lt;header & gt; & lt;p & gt;Coming January 21, 2022 pre-order your copy today! Orders with both pre-order and in stock items will have all in stock items shipped immediately! & lt;/p & gt; & lt;/header & gt; & lt;header & gt; & lt;p & gt; & lt;strong & gt;Blue Note Classic Vinyl Reissue Series! & lt;br & gt; 180g Vinyl LP! & lt;br & gt; Mastered By Kevin Gray From Original Analog Tapes! & lt;br & gt; Pressed At Optimal! & lt;br & gt; & lt;/strong & gt; & lt;/p & gt; & lt;/header & gt; & lt;p & gt; & lt;strong & gt;Don Cherry & lt;/strong & gt; first rose to prominence as part of the Ornette Coleman Quartet that turned the jazz world on its ear in 1959. Then, in 1965 he began his career as a leader with a run of fiery Blue Note albums including Where Is Brooklyn?, a highly interactive quartet date with & lt;strong & gt;Pharoah Sanders & lt;/strong & gt; on tenor saxophone, & lt;strong & gt;Henry Grimes & lt;/strong & gt; on bass and & lt;strong & gt;Ed Blackwell & lt;/strong & gt; on drums. Blue Note Classic Vinyl Series is all-analog, mastered by Kevin Gray from the original master tapes, and pressed on 180-gram vinyl at Optimal. & lt;/p & gt; & lt;section id= & quot;features & quot; & gt; & lt;h3 & gt;Features & lt;/h3 & gt; & lt;ul & gt; & lt;li & gt;Blue Note Classic Vinyl Reissue Series & lt;/li & gt; & lt;li & gt;180g Vinyl LP & lt;/li & gt; & lt;li & gt;All-Analog Pressing & lt;/li & gt; & lt;li & gt;Mastered by Kevin Gray from Original Analog Tapes & lt;/li & gt; & lt;li & gt;Manufactured at Optimal in Germany & lt;/li & gt; & lt;/ul & gt; & lt;/section & gt; & lt;section id= & quot;musicians & quot; & gt; & lt;h3 & gt;Musicians & lt;/h3 & gt; & lt;table & gt; & lt;tr & gt; & lt;th & gt;Edward Blackwell & lt;/th & gt; & lt;td & gt;drums & lt;/td & gt; & lt;/tr & gt; & lt;tr & gt; & lt;th & gt;Don Cherry & lt;/th & gt; & lt;td & gt;cornet & lt;/td & gt; & lt;/tr & gt; & lt;tr & gt; & lt;th & gt;Henry Grimes & lt;/th & gt; & lt;td & gt;bass & lt;/td & gt; & lt;/tr & gt; & lt;tr & gt; & lt;th & gt;Pharoah Sanders & lt;/th & gt; & lt;td & gt;piccolo, tenor sax & lt;/td & gt; & lt;/tr & gt; & lt;!--More musician rows go here-- & gt; & lt;/table & gt; & lt;/section & gt; & lt;section id= & quot;selections & quot; & gt; & lt;h3 & gt;Selections & lt;/h3 & gt; & lt;h4 & gt;Side A: & lt;/h4 & gt; & lt;ol & gt; & lt;li & gt;Awake Nu & lt;/li & gt; & lt;li & gt;Taste Maker & lt;/li & gt; & lt;li & gt;The Thing & lt;/li & gt; & lt;/ol & gt; & lt;h4 & gt;Side B: & lt;/h4 & gt; & lt;ol & gt; & lt;li & gt;There Is The Bomb & lt;/li & gt; & lt;li & gt;Unite & lt;/li & gt; & lt;/ol & gt; & lt;/section & gt;
Blue Note
Don Cherry Where Is Brooklyn? (Blue Note Classic Vinyl Series) 180g LP
Jimmy Smith Home Cookin' (Blue Note Classic Vinyl Edition) 180g LP
& lt;header & gt; & lt;p & gt;Coming December 10, 2021 pre-order your copy today! Orders with both pre-order and in stock items will have all in stock items shipped immediately! & lt;/p & gt; & lt;/header & gt; & lt;header & gt; & lt;p & gt; & lt;strong & gt;Blue Note Classic Vinyl Reissue Series! & lt;br & gt; 180g Vinyl LP! & lt;br & gt; Mastered By Kevin Gray From Original Analog Tapes! & lt;br & gt; Pressed At Optimal! & lt;/strong & gt; & lt;/p & gt; & lt;/header & gt; & lt;p & gt;The Incredible Jimmy Smith was a self-taught keyboard virtuoso who gave up the piano in 1954 in favor of the Hammond B3 organ, setting up shop in a warehouse in Philadelphia and woodshedding for a year before emerging with a revolutionary approach to the instrument that immediately caught the ear of Alfred Lion. The Blue Note founder recorded the B3 innovator as often as he could between 1956-1963 in a range of different settings and released a tremendous run of albums that laid the foundation for the Soul Jazz movement. Drawn from three different sessions recorded in 1958-1959, Home Cookin' featured Smith in a quartet with tenor saxophonist & lt;strong & gt;Percy France, & lt;/strong & gt; guitarist & lt;strong & gt;Kenny Burrell, & lt;/strong & gt; and drummer & lt;strong & gt;Donald Bailey, & lt;/strong & gt; and it stands as one of the most deeply soulful albums Smith ever made. The band gives a soul jazz symposium on this seven-song set that includes covers of tunes by Ma Rainey, Ray Charles, and Jimmy McGriff along with originals by Smith and Burrell. & lt;/p & gt; & lt;p & gt;This Blue Note Classic Vinyl Edition is all-analog, mastered by Kevin Gray from the original master tapes, and pressed on 180g vinyl at Optimal. & lt;/p & gt; & lt;blockquote cite= & quot;www.allmusic.com & quot; & gt; Jimmy Smith's voluminous catalog is remarkably solid throughout and Home Cookin' is a recommended starting place for burgeoning enthusiasts as well as a substantial entry for the initiated. & lt;footer & gt; -Lindsay Planer, AllMusic.com, 4/5 stars & lt;/footer & gt; & lt;/blockquote & gt; & lt;section id= & quot;features & quot; & gt; & lt;h3 & gt;Features & lt;/h3 & gt; & lt;ul & gt; & lt;li & gt;Blue Note Classic Vinyl Reissue Series & lt;/li & gt; & lt;li & gt;180g Vinyl LP & lt;/li & gt; & lt;li & gt;All-Analog Pressing & lt;/li & gt; & lt;li & gt;Mastered by Kevin Gray from Original Analog Tapes & lt;/li & gt; & lt;li & gt;Manufactured at Optimal in Germany & lt;/li & gt; & lt;/ul & gt; & lt;/section & gt; & lt;section id= & quot;musicians & quot; & gt; & lt;h3 & gt;Musicians & lt;/h3 & gt; & lt;table & gt; & lt;tr & gt; & lt;th & gt;Donald Bailey & lt;/th & gt; & lt;td & gt;drums & lt;/td & gt; & lt;/tr & gt; & lt;tr & gt; & lt;th & gt;Kenny Burrell & lt;/th & gt; & lt;td & gt;guitar & lt;/td & gt; & lt;/tr & gt; & lt;tr & gt; & lt;th & gt;Percy France & lt;/th & gt; & lt;td & gt;tenor sax & lt;/td & gt; & lt;/tr & gt; & lt;tr & gt; & lt;th & gt;Jimmy Smith & lt;/th & gt; & lt;td & gt;organ & lt;/td & gt; & lt;/tr & gt; & lt;!--More musician rows go here-- & gt; & lt;/table & gt; & lt;/section & gt; & lt;section id= & quot;selections & quot; & gt; & lt;h3 & gt;Selections & lt;/h3 & gt; & lt;h4 & gt;Side A: & lt;/h4 & gt; & lt;ol & gt; & lt;li & gt;See See Rider & lt;/li & gt; & lt;li & gt;Sugar Hill & lt;/li & gt; & lt;li & gt;I Got A Woman & lt;/li & gt; & lt;/ol & gt; & lt;h4 & gt;Side B: & lt;/h4 & gt; & lt;ol & gt; & lt;li & gt;Messin' Around & lt;/li & gt; & lt;li & gt;Gracie & lt;/li & gt; & lt;li & gt;Come On Baby & lt;/li & gt; & lt;li & gt;Motorin' Along & lt;/li & gt; & lt;/ol & gt; & lt;/section & gt;
Blue Note
Jimmy Smith Home Cookin' (Blue Note Classic Vinyl Edition) 180g LP
Freddie Hubbard Ready For Freddie LP (Vinyl)
& lt;font color= & quot;#FF0000 & quot; & gt; & lt;b & gt;Newly Remastered For Blue Note 75th Anniversary Vinyl! & lt;/b & gt; & lt;/font & gt; & lt;br & gt; & lt;br & gt; Newly-remastered for vinyl as part of an overall Blue Note 75th anniversary vinyl reissue campaign spearheaded by current Blue Note Records President, Don Was. & lt;br & gt; & lt;br & gt; Ready For Freddie by jazz trumpeter Freddie Hubbard features Grammy-winner Wayne Shorter on tenor sax, McCoy Tyner on piano, Art Davis on bass, Elvin Jones on drums, and Bernard McKinney on euphonium. Released in 1961, the hard bob essential Ready For Freddie, Hubbard's fourth album, includes his most well-known compositions, & quot;Birdlike & quot; and & quot;Crisis & quot;. & lt;br & gt; & lt;br & gt; & lt;b & gt;Features: & lt;/b & gt; & lt;br & gt; • Vinyl LP & lt;br & gt; • Re-mastered & amp; reissued as part of the Blue Note 75th Anniversary campaign & lt;br & gt; • Includes special Blue Note 75 vinyl sleeve that features album cover art for 75 Blue Note Titles & lt;br & gt; • First run pressings to include Blue Note 75th logo on back of package & lt;br & gt; & lt;br & gt; & lt;b & gt;Musicians: & lt;/b & gt; & lt;br & gt; Freddie Hubbard, trumpet & lt;br & gt; Wayne Shorter, tenor saxophone & lt;br & gt; McCoy Tyner, piano & lt;br & gt; Art Davis, bass & lt;br & gt; Elvin Jones, drums & lt;br & gt; Bernard McKinney, euphonium & lt;br & gt; & lt;br & gt; & lt;b & gt;Selections: & lt;/b & gt; & lt;br & gt; 1. Arietis & lt;br & gt; 2. Weaver of Dreams & lt;br & gt; 3. Marie Antoinette & lt;br & gt; 4. Birdlike & lt;br & gt; 5. Crisis
Blue Note
Freddie Hubbard Ready For Freddie LP (Vinyl)
Freddie Hubbard Hub-Tones 180g LP Universal Blue Note (Vinyl)
& lt;font color= & quot;#FF0000 & quot; & gt; & lt;b & gt;Blue Note 80 Vinyl Reissue Series! & lt;br & gt; 180g Vinyl LP! & lt;/b & gt; & lt;/font & gt; & lt;br & gt; & lt;br & gt; & lt;b & gt;Blue Note 80 Vinyl Reissue Series! & lt;/b & gt; & lt;br & gt; In honor of Blue Note Records' 80th Anniversary, the legendary Jazz label is launching the Blue Note 80 Vinyl Reissue Series. Distinct from the Tone Poet Audiophile Vinyl Reissue Series, this 2nd series curated by Don Was and Cem Kurosman features mid-priced 180g vinyl releases in standard packaging with albums spanning the many eras of the label's history presented by themes: Blue Note Debuts, Blue Grooves, Great Reid Miles Covers, Blue Note Live, and Blue Note Drummer Leaders. & lt;br & gt; & lt;br & gt; Recorded in 1962, Hub-Tones stands as one of the most significant artistic statements of Freddie Hubbard’s formidable career, and also features one of Reid Miles’ most iconic album cover designs. Presenting the trumpeter at the helm of an excellent quintet with James Spaulding (alto saxophone & amp; flute), Herbie Hancock (piano), Reggie Workman (bass), and Clifford Jarvis (drums), the album opens with a breathtaking performance of the standard & quot;You’re My Everything & quot; followed by 4 Hubbard originals. & lt;br & gt; & lt;br & gt; & lt;b & gt;Features: & lt;/b & gt; & lt;br & gt; & amp;bull; Blue Note 80 Vinyl Reissue Series & lt;br & gt; & amp;bull; 180g Vinyl LP & lt;br & gt; & amp;bull; Blue Note 80: Great Reid Miles Covers, Part 1 & lt;br & gt; & amp;bull; All Analog & lt;br & gt; & amp;bull; Mastered by Kevin Gray from the original master tapes & lt;br & gt; & amp;bull; Pressed at Optimal in Germany & lt;br & gt; & lt;br & gt; & lt;b & gt;Musicians: & lt;/b & gt; & lt;br & gt; Freddie Hubbard, trumpet & lt;br & gt; James Spaulding, alto saxophone, flute & lt;br & gt; Herbie Hancock, piano & lt;br & gt; Reggie Workman, bass & lt;br & gt; Clifford Jarvis, drums & lt;br & gt; & lt;br & gt; & lt;b & gt;Selections: & lt;br & gt; Side A: & lt;/b & gt; & lt;br & gt; 1. You're My Everything & lt;br & gt; 2. Prophet Jennings & lt;br & gt; 3. Hub-Tones & lt;br & gt; & lt;b & gt;Side B: & lt;/b & gt; & lt;br & gt; 1. Lament For Booker & lt;br & gt; 2. For Spee's Sake
Blue Note
Freddie Hubbard Hub-Tones 180g LP Universal Blue Note (Vinyl)
Herbie Nichols The Prophetic Herbie Nichols Vol. 1 & 2 (Blue Note Classic Vinyl Edition) 180g LP
& lt;header & gt; & lt;p & gt;Coming December 10, 2021 pre-order your copy today! Orders with both pre-order and in stock items will have all in stock items shipped immediately! & lt;/p & gt; & lt;/header & gt; & lt;header & gt; & lt;p & gt; & lt;strong & gt;Blue Note Classic Vinyl Reissue Series! & lt;br & gt; 180g Vinyl LP! & lt;br & gt; Mastered By Kevin Gray From Original Analog Tapes! & lt;br & gt; Pressed At Optimal! & lt;/strong & gt; & lt;/p & gt; & lt;/header & gt; & lt;p & gt;Herbie Nichols was one of the most highly original and under-recognized pianists and composers in jazz history. Blue Note founder Alfred Lion consider him to be every bit as unique and important as Thelonious Monk, another singular talent who Lion was the first to record just a few years before he signed Nichols in 1955. Little-known during his lifetime, recognition has begun to grow in recent years for Nichols' incredibly hip, angular compositions like & quot;The Third World, & quot; & quot;2300 Skidoo, & quot; & quot;Step Tempest, & quot; and & quot;Dance Line, & quot; each of which were miniature marvels built with their own sturdy inner logic. In May 1955, Nichols recorded two sessions with & lt;strong & gt;Al McKibbon & lt;/strong & gt; on bass and & lt;strong & gt;Art Blakey & lt;/strong & gt; on drums which were originally released as The Prophetic Herbie Nichols, Vol. 1 and The Prophetic Herbie Nichols, Vol. 2. The two 10 & quot; LPs are combined here onto a single 12 & quot; LP that's presented in gatefold packaging with the two covers on the front and back with the liner notes on the inside. & lt;/p & gt; & lt;p & gt;This Blue Note Classic Vinyl Edition is all-analog, mastered by Kevin Gray from the original master tapes, and pressed on 180g vinyl at Optimal. & lt;/p & gt; & lt;section id= & quot;features & quot; & gt; & lt;h3 & gt;Features & lt;/h3 & gt; & lt;ul & gt; & lt;li & gt;Blue Note Classic Vinyl Reissue Series & lt;/li & gt; & lt;li & gt;180g Vinyl LP & lt;/li & gt; & lt;li & gt;All-Analog Pressing & lt;/li & gt; & lt;li & gt;Mastered by Kevin Gray from Original Analog Tapes & lt;/li & gt; & lt;li & gt;Manufactured at Optimal in Germany & lt;/li & gt; & lt;li & gt;Both Volumes Combined on a Single LP & lt;/li & gt; & lt;li & gt;Gatefold Packaging & lt;/li & gt; & lt;li & gt;Liner Notes & lt;/li & gt; & lt;/ul & gt; & lt;/section & gt; & lt;section id= & quot;musicians & quot; & gt; & lt;h3 & gt;Musicians & lt;/h3 & gt; & lt;table & gt; & lt;tr & gt; & lt;th & gt;Art Blakey & lt;/th & gt; & lt;td & gt;drums & lt;/td & gt; & lt;/tr & gt; & lt;tr & gt; & lt;th & gt;Al McKibbon & lt;/th & gt; & lt;td & gt;bass & lt;/td & gt; & lt;/tr & gt; & lt;tr & gt; & lt;th & gt;Herbie Nichols & lt;/th & gt; & lt;td & gt;piano & lt;/td & gt; & lt;/tr & gt; & lt;!--More musician rows go here-- & gt; & lt;/table & gt; & lt;/section & gt; & lt;section id= & quot;selections & quot; & gt; & lt;h3 & gt;Selections & lt;/h3 & gt; & lt;h4 & gt;Side A: & lt;/h4 & gt; & lt;ol & gt; & lt;li & gt;The Third World & lt;/li & gt; & lt;li & gt;Step Tempest & lt;/li & gt; & lt;li & gt;Dance Line & lt;/li & gt; & lt;li & gt;Blue Chopsticks & lt;/li & gt; & lt;li & gt;Double Exposure & lt;/li & gt; & lt;li & gt;Cro-Magnon Nights & lt;/li & gt; & lt;/ol & gt; & lt;h4 & gt;Side B: & lt;/h4 & gt; & lt;ol & gt; & lt;li & gt;Amoeba's Dance & lt;/li & gt; & lt;li & gt;Crisp Day & lt;/li & gt; & lt;li & gt;2300 Skiddoo & lt;/li & gt; & lt;li & gt;It Didn't Happen & lt;/li & gt; & lt;li & gt;Shuffle Montgomery & lt;/li & gt; & lt;li & gt;Brass Rings & lt;/li & gt; & lt;/ol & gt; & lt;/section & gt;
Blue Note
Herbie Nichols The Prophetic Herbie Nichols Vol. 1 & 2 (Blue Note Classic Vinyl Edition) 180g LP
Reuben Wilson Blue Mode 180g LP (Vinyl)
& lt;font color= & quot;#FF0000 & quot; & gt; & lt;b & gt;Blue Note 80 Vinyl Reissue Series! & lt;br & gt; Funky Soul Jazz On 180g Vinyl LP! & lt;/b & gt; & lt;/font & gt; & lt;br & gt; & lt;br & gt; & lt;b & gt;Blue Note 80 Vinyl Reissue Series! & lt;/b & gt; & lt;br & gt; In honor of Blue Note Records' 80th Anniversary, the legendary Jazz label is launching the Blue Note 80 Vinyl Reissue Series. Distinct from the Tone Poet Audiophile Vinyl Reissue Series, this 2nd series curated by Don Was and Cem Kurosman features mid-priced 180g vinyl releases in standard packaging with albums spanning the many eras of the label's history presented by themes: Blue Note Debuts, Blue Grooves, Great Reid Miles Covers, Blue Note Live, and Blue Note Drummer Leaders. & lt;br & gt; & lt;br & gt; For his third Blue Note album Blue Mode (1969), organist Reuben Wilson kept it right in the pocket and laid down one of the funkiest soul jazz workouts of the late-60s. Produced by Francis Wolff, the date featured Wilson at the helm of an airtight quartet with tenor saxophonist John Manning, guitarist Melvin Sparks, and drummer Tommy Derrick. Highlights of the set include Wilson's grooving originals & quot;Bus Ride & quot;, & quot;Orange Peel & quot; and & quot;Blue Mode & quot;, along with covers of Eddie Floyd and Edwin Starr. & lt;br & gt; & lt;br & gt; & lt;b & gt;Features: & lt;/b & gt; & lt;br & gt; & amp;bull; Blue Note 80 Vinyl Reissue Series & lt;br & gt; & amp;bull; 180g Vinyl LP & lt;br & gt; & amp;bull; Blue Note 80: Blue Grooves, Part 1 & lt;br & gt; & amp;bull; All Analog & lt;br & gt; & amp;bull; Mastered by Kevin Gray from the original master tapes & lt;br & gt; & amp;bull; Pressed at Optimal in Germany & lt;br & gt; & lt;br & gt; & lt;b & gt;Musicians: & lt;/b & gt; & lt;br & gt; Reuben Wilson, organ & lt;br & gt; John Manning, tenor saxophone & lt;br & gt; Melvin Sparks, guitar & lt;br & gt; Tommy Derrick, drums & lt;br & gt; & lt;br & gt; & lt;b & gt;Selections: & lt;br & gt; Side A: & lt;/b & gt; & lt;br & gt; 1. Bambu & lt;br & gt; 2. Knock On Wood & lt;br & gt; 3. Bus Ride & lt;br & gt; & lt;b & gt;Side B: & lt;/b & gt; & lt;br & gt; 1. Orange Peel & lt;br & gt; 2. Twenty-Five Miles & lt;br & gt; 3. Blue Mode
Blue Note
Reuben Wilson Blue Mode 180g LP (Vinyl)
Art Blakey & The Jazz Messengers Free For All LP (Vinyl)
& lt;font color= & quot;#FF0000 & quot; & gt; & lt;b & gt;1964 Gem Newly Remastered For Blue Note 75th Anniversary Vinyl! & lt;/b & gt; & lt;/font & gt; & lt;br & gt; & lt;br & gt; Newly-remastered for vinyl as part of an overall Blue Note 75th anniversary vinyl reissue campaign spearheaded by current Blue Note Records President, Don Was. & lt;br & gt; & lt;br & gt; Free for All is a 1964 jazz album by Art Blakey & amp; the Jazz Messengers released on Blue Note. Now, celebrating its 50th anniversary, the album will be newly-remastered for vinyl as part of the overall Blue Note 75th anniversary vinyl reissue campaign. It is the first of many to come. Blakey, the Jazz Messenger’s leader and drummer, recorded Free for All with Freddie Hubbard on trumpet, recent Grammy winner Wayne Shorter on tenor sax, Curtis Fuller on trombone, Cedar Walton on piano and Reggie Workman on bass. Free for All features “Free For All” and “Hammer Head” both by Wayne Shorter as well as “The Core” by Freddie Hubbard and “Pensativa” by Clare Fischer. & lt;br & gt; & lt;br & gt; & lt;b & gt;Features: & lt;/b & gt; & lt;br & gt; • Vinyl LP & lt;br & gt; • First run of vinyl includes special Blue Note 75 vinyl sleeve that features album cover art for 75 Blue Note Titles & lt;br & gt; • Newly remastered for vinyl & lt;br & gt; & lt;br & gt; & lt;b & gt;Musicians: & lt;/b & gt; & lt;br & gt; Art Blakey, drums & lt;br & gt; Freddie Hubbard, trumpet & lt;br & gt; Wayne Shorter, tenor sax & lt;br & gt; Curtis Fuller, trombone & lt;br & gt; Cedar Walton, piano & lt;br & gt; Reggie Workman, bass & lt;br & gt; & lt;br & gt; & lt;b & gt;Selections: & lt;br & gt; Side A: & lt;/b & gt; & lt;br & gt; 1. Free For All & lt;br & gt; 2. Hammer Head & lt;br & gt; & lt;b & gt;Side B: & lt;/b & gt; & lt;br & gt; 1. The Core & lt;br & gt; 2. Pensativa
Blue Note
Art Blakey & The Jazz Messengers Free For All  LP (Vinyl)
Grant Green Idle Moments (Blue Note Classic Vinyl Edition) 180g LP
& lt;header & gt; & lt;p & gt; & lt;strong & gt;Blue Note Classic Vinyl Reissue Series! & lt;br & gt; 180g Vinyl LP! & lt;br & gt; Mastered By Kevin Gray From Original Analog Tapes! & lt;br & gt; Pressed At Optimal! & lt;/strong & gt; & lt;/p & gt; & lt;/header & gt; & lt;p & gt;Time and troubles seem to melt away during the fifteen enrapturing minutes of & quot;Idle Moments, & quot; the opening track of Grant Green's sublime 1963 album of the same name. As the piece unhurriedly unfurls all the unique colors of the ensemble present themselves with Green's soulful guitar joined by Duke Pearson's elegant piano, Bobby Hutcherson's crystalline vibraphone, Bob Cranshaw's reassuring upright bass, Al Harewood's subtle drums, and Joe Henderson's magnificent tenor saxophone. The pace quickens for the rest of this tremendous set including the nimble Green original & quot;Jean de Fleur, & quot; a bluesy take on John Lewis' MJQ standard & quot;Django, & quot; and a driving performance of Pearson's original & quot;Nomad. & quot; This Blue Note Classic Vinyl Edition is all-analog, mastered by Kevin Gray from the original master tapes, and pressed on 180g vinyl at Optimal. & lt;/p & gt; & lt;blockquote cite= & quot;www.allmusic.com & quot; & gt; This languid, seductive gem may well be Grant Green's greatest moment on record....Idle Moments is the essential first Green purchase, and some of the finest guitar jazz of the hard bop era. & lt;footer & gt; -Steve Huey, AllMusic.com, 5/5 stars & lt;/footer & gt; & lt;/blockquote & gt; & lt;section id= & quot;features & quot; & gt; & lt;h3 & gt;Features & lt;/h3 & gt; & lt;ul & gt; & lt;li & gt;Blue Note Classic Vinyl Reissue Series & lt;/li & gt; & lt;li & gt;180g Vinyl LP & lt;/li & gt; & lt;li & gt;All-Analog Pressing & lt;/li & gt; & lt;li & gt;Mastered by Kevin Gray at Cohearent Audio from original analog tapes & lt;/li & gt; & lt;li & gt;Manufactured at Optimal in Germany & lt;/li & gt; & lt;/ul & gt; & lt;/section & gt; & lt;section id= & quot;musicians & quot; & gt; & lt;h3 & gt;Musicians & lt;/h3 & gt; & lt;table & gt; & lt;tr & gt; & lt;th & gt;Joe Henderson & lt;/th & gt; & lt;td & gt;tenor sax & lt;/td & gt; & lt;/tr & gt; & lt;tr & gt; & lt;th & gt;Bobby Hutcherson & lt;/th & gt; & lt;td & gt;vibraphone & lt;/td & gt; & lt;/tr & gt; & lt;tr & gt; & lt;th & gt;Grant Green & lt;/th & gt; & lt;td & gt;guitar & lt;/td & gt; & lt;/tr & gt; & lt;tr & gt; & lt;th & gt;Duke Pearson & lt;/th & gt; & lt;td & gt;piano & lt;/td & gt; & lt;/tr & gt; & lt;tr & gt; & lt;th & gt;Bob Cranshaw & lt;/th & gt; & lt;td & gt;bass & lt;/td & gt; & lt;/tr & gt; & lt;tr & gt; & lt;th & gt;Al Harewood & lt;/th & gt; & lt;td & gt;drums & lt;/td & gt; & lt;/tr & gt; & lt;/table & gt; & lt;/section & gt; & lt;section id= & quot;selections & quot; & gt; & lt;h3 & gt;Selections & lt;/h3 & gt; & lt;h4 & gt;Side A: & lt;/h4 & gt; & lt;ol & gt; & lt;li & gt;Idle Moments & lt;/li & gt; & lt;li & gt;Jean De Fleur & lt;/li & gt; & lt;/ol & gt; & lt;h4 & gt;Side B: & lt;/h4 & gt; & lt;ol & gt; & lt;li & gt;Django & lt;/li & gt; & lt;li & gt;Nomad & lt;/li & gt; & lt;/ol & gt; & lt;/section & gt;
Blue Note
Grant Green Idle Moments (Blue Note Classic Vinyl Edition) 180g LP
Hank Mobley Soul Station (Blue Note Classic Vinyl Edition) 180g LP
& lt;header & gt; & lt;p & gt; & lt;strong & gt;Blue Note Classic Vinyl Reissue Series! & lt;/strong & gt; & lt;br & gt; & lt;strong & gt;180g Vinyl LP! & lt;/strong & gt; & lt;br & gt; & lt;strong & gt;Mastered By Kevin Gray From Original Analog Tapes! & lt;/strong & gt; & lt;/p & gt; & lt;/header & gt; & lt;p & gt;Tenor saxophonist Hank Mobley had already led nine dates for Blue Note Records by the time he arrived at Rudy Van Gelder's studio on February 7, 1960 with pianist Wynton Kelly, bassist Paul Chambers, and drummer Art Blakey, but on that day the quartet laid down what would become his masterpiece: Soul Station. The crystalline six-song set was a showcase for Mobley's lyrical flow from the breezy opening take on Irving Berlin's & quot;Remember & quot; through bluesy originals like & quot;Dig Dis & quot; and the title track, and the swinging up-tempo numbers & quot;This I Dig of You & quot; and & quot;Split Feelin's. & quot; Soul Station endures as a jazz classic for the ages. & lt;/p & gt; & lt;p & gt;This Blue Note Classic Vinyl Edition is all-analog, mastered by Kevin Gray from the original master tapes, and pressed on 180g vinyl at Optimal. & lt;/p & gt; & lt;p & gt;Blue Note is proud to present the Blue Note Classic Vinyl Reissue Series, a continuation of their acclaimed Blue Note 80 Vinyl Reissue Series which was launched in celebration of their 80th anniversary in 2019. The Classic Series will once again feature all-analog 180g vinyl pressings in standard packaging that are mastered by Kevin Gray directly from the original master tapes and manufactured at Optimal in Germany. & lt;/p & gt; & lt;p & gt;In a review of the BN80 Vinyl Edition of Dexter Gordon's Doin' Allright, Analog Planet wrote & quot;this reissue is a success for Blue Note in terms of quality at a great price point, and I look forward to the rest of this excellent and affordable series. & quot; In selecting the BN80 Vinyl Edition of Herbie Hancock's Takin' Off as their Recording of the Month, Stereophile awarded the sonics of the pressing 4 & amp;#189; stars writing & quot;The sound of this reissue is strong and articulate, with balance and clarity from all the instruments. & quot; & lt;/p & gt; & lt;p & gt;The Classic Series will be on-going, running alongside the Tone Poet Audiophile Vinyl Reissue Series which is produced by Joe Harley. & lt;/p & gt; & lt;blockquote cite= & quot;www.allmusic.com & quot; & gt; Overall, this is a stellar set from one of the more underrated musicians of the bop era. & lt;footer & gt; -Stacia Proefrock, AllMusic.com, 5/5 stars & lt;/footer & gt; & lt;/blockquote & gt; & lt;section id= & quot;features & quot; & gt; & lt;h3 & gt;Features & lt;/h3 & gt; & lt;ul & gt; & lt;li & gt;Blue Note Classic Vinyl Reissue Series & lt;/li & gt; & lt;li & gt;180g Vinyl LP & lt;/li & gt; & lt;li & gt;All-Analog Pressing & lt;/li & gt; & lt;li & gt;Mastered by Kevin Gray at Cohearent Audio from original analog tapes & lt;/li & gt; & lt;li & gt;Manufactured at Optimal in Germany & lt;/li & gt; & lt;/ul & gt; & lt;/section & gt; & lt;section id= & quot;musicians & quot; & gt; & lt;h3 & gt;Musicians & lt;/h3 & gt; & lt;table & gt; & lt;tr & gt; & lt;th & gt;Hank Mobley & lt;/th & gt; & lt;td & gt;tenor sax & lt;/td & gt; & lt;/tr & gt; & lt;tr & gt; & lt;th & gt;Wynton Kelly & lt;/th & gt; & lt;td & gt;piano & lt;/td & gt; & lt;/tr & gt; & lt;tr & gt; & lt;th & gt;Paul Chambers & lt;/th & gt; & lt;td & gt;bass & lt;/td & gt; & lt;/tr & gt; & lt;tr & gt; & lt;th & gt;Art Blakey & lt;/th & gt; & lt;td & gt;drums & lt;/td & gt; & lt;/tr & gt; & lt;/table & gt; & lt;/section & gt; & lt;section id= & quot;selections & quot; & gt; & lt;h3 & gt;Selections & lt;/h3 & gt; & lt;h4 & gt;Side A: & lt;/h4 & gt; & lt;ol & gt; & lt;li & gt;Remember & lt;/li & gt; & lt;li & gt;This I Dig Of You & lt;/li & gt; & lt;li & gt;Dig Dis & lt;/li & gt; & lt;/ol & gt; & lt;h4 & gt;Side B: & lt;/h4 & gt; & lt;ol & gt; & lt;li & gt;Split Feelin's & lt;/li & gt; & lt;li & gt;Soul Station & lt;/li & gt; & lt;li & gt;If I Should Lose You & lt;/li & gt; & lt;/ol & gt; & lt;/section & gt;
Blue Note
Hank Mobley Soul Station (Blue Note Classic Vinyl Edition) 180g LP
Grant Green Street Of Dreams LP (Vinyl)
& lt;font color= & quot;#FF0000 & quot; & gt; & lt;b & gt;Newly Remastered for Blue Note 75th Anniversary Vinyl! & lt;/b & gt; & lt;/font & gt; & lt;br & gt; & lt;br & gt; Street of Dreams is an album by American jazz guitarist Grant Green featuring performances recorded in 1964 and released on the Blue Note label. The street signs featured on the cover photo are at an actual street corner in the North Beach neighborhood of San Francisco. Street of Dreams, originally released in 1966, contains performances by Grant Green, Bobby Hutcherson, Larry Young, and Elvin Jones. & lt;br & gt; & lt;br & gt; Newly-remastered for vinyl as part of an overall Blue Note 75th anniversary vinyl reissue campaign spearheaded by current Blue Note Records President, Don Was. & lt;br & gt; & lt;br & gt; & lt;b & gt; & quot;...a marvelously light, cool atmosphere that's maintained throughout the record...All the musicians play with a delicate touch that's quite distinct from the modal soul-jazz on Talkin' About...It's another fine record in a discography filled with them, and yet another underrated Green session. & quot; & lt;/b & gt; -Steve Huey, allmusic.com & lt;br & gt; & lt;br & gt; & lt;b & gt;Features: & lt;/b & gt; & lt;br & gt; • Vinyl LP & lt;br & gt; • Remastered & amp; reissued as part of the Blue Note 75th Anniversary campaign & lt;br & gt; • Includes special Blue Note 75 vinyl sleeve that features album cover art for 75 Blue Note Titles & lt;br & gt; • First run pressings to include Blue Note 75th logo on back of package & lt;br & gt; & lt;br & gt; & lt;b & gt;Musicians: & lt;/b & gt; & lt;br & gt; Grant Green, guitar & lt;br & gt; Bobby Hutcherson, vibes & lt;br & gt; Larry Young, organ & lt;br & gt; Elvin Jones, drums & lt;br & gt; & lt;br & gt; & lt;b & gt;Selections: & lt;br & gt; Side A: & lt;/b & gt; & lt;br & gt; 1. I Wish You Love & lt;br & gt; 2. Lazy Afternoon & lt;br & gt; & lt;b & gt;Side B: & lt;/b & gt; & lt;br & gt; 1. Street of Dreams & lt;br & gt; 2. Somewhere In the Night
Blue Note
Grant Green Street Of Dreams LP (Vinyl)
Horace Silver Song For My Father Blue Note 180g LP (Vinyl)
& lt;header & gt; & lt;p & gt; & lt;strong & gt;Blue Note Classic Vinyl Reissue Series! & lt;/strong & gt; & lt;br & gt; & lt;strong & gt;180g Vinyl LP! & lt;/strong & gt; & lt;br & gt; & lt;strong & gt;Mastered By Kevin Gray From Original Analog Tapes! & lt;/strong & gt; & lt;/p & gt; & lt;/header & gt; & lt;p & gt;A decade into his recording career, pianist Horace Silver made the album that would endure as the crown jewel of a catalog that boasts numerous hard bop classics. Song For My Father captured the transition of his quintet with two tracks taken from an October 1963 session with & lt;strong & gt;Blue Mitchell, Junior Cook, Gene Taylor, & lt;/strong & gt; and & lt;strong & gt;Roy Brooks. & lt;/strong & gt; A year later Silver entered Val Gelder Studio again with a new band featuring & lt;strong & gt;Carmell Jones, Joe Henderson, Teddy Smith, & lt;/strong & gt; and & lt;strong & gt;Roger Humphries & lt;/strong & gt; for a session that yielded four more cuts including what would become his signature tune, & quot;Song For My Father, & quot; a dedication to his father that was inspired by both his Cape Verdean heritage and the music Silver had heard on a recent trip to Brazil. & lt;/p & gt; & lt;p & gt;This Blue Note Classic Vinyl Edition is all-analog, mastered by Kevin Gray from the original master tapes, and pressed on 180g vinyl at Optimal. & lt;/p & gt; & lt;p & gt;Blue Note is proud to present the Blue Note Classic Vinyl Reissue Series, a continuation of their acclaimed Blue Note 80 Vinyl Reissue Series which was launched in celebration of their 80th anniversary in 2019. The Classic Series will once again feature all-analog 180g vinyl pressings in standard packaging that are mastered by Kevin Gray directly from the original master tapes and manufactured at Optimal in Germany. & lt;/p & gt; & lt;p & gt;In a review of the BN80 Vinyl Edition of Dexter Gordon's Doin' Allright, Analog Planet wrote & lt;strong & gt; & quot;this reissue is a success for Blue Note in terms of quality at a great price point, and I look forward to the rest of this excellent and affordable series. & quot; & lt;/strong & gt; In selecting the BN80 Vinyl Edition of Herbie Hancock's Takin' Off as their Recording of the Month, Stereophile awarded the sonics of the pressing 4 & amp;#189; stars writing & lt;strong & gt; & quot;The sound of this reissue is strong and articulate, with balance and clarity from all the instruments. & quot; & lt;/strong & gt; & lt;/p & gt; & lt;p & gt;The first 16 titles of the Classic Series will focus on the enduring classics of the Blue Note catalog, kicking off on December 4 with the release of two masterpieces - pianist McCoy Tyner's The Real McCoy and trumpeter Lee Morgan's The Sidewinder - both of which are available for pre-order now. The Classic Series will be on-going, running alongside the Tone Poet Audiophile Vinyl Reissue Series which is produced by Joe Harley. & lt;/p & gt; & lt;section id= & quot;features & quot; & gt; & lt;h3 & gt;Features & lt;/h3 & gt; & lt;ul & gt; & lt;li & gt;Blue Note Classic Vinyl Reissue Series & lt;/li & gt; & lt;li & gt;180g Vinyl LP & lt;/li & gt; & lt;li & gt;All-Analog Pressing & lt;/li & gt; & lt;li & gt;Mastered by Kevin Gray at Cohearent Audio from original analog tapes & lt;/li & gt; & lt;li & gt;Manufactured at Optimal in Germany & lt;/li & gt; & lt;!--More features go here in & lt;li & gt; tags-- & gt; & lt;/ul & gt; & lt;/section & gt; & lt;section id= & quot;musicians & quot; & gt; & lt;h3 & gt;Musicians & lt;/h3 & gt; & lt;table & gt; & lt;tr & gt; & lt;th & gt;Horace Silver & lt;/th & gt; & lt;td & gt;piano & lt;/td & gt; & lt;/tr & gt; & lt;tr & gt; & lt;th & gt;Roy Brooks & lt;/th & gt; & lt;td & gt;drums & lt;/td & gt; & lt;/tr & gt; & lt;tr & gt; & lt;th & gt;Junior Cook & lt;/th & gt; & lt;td & gt;tenor sax & lt;/td & gt; & lt;/tr & gt; & lt;tr & gt; & lt;th & gt;Joe Henderson & lt;/th & gt; & lt;td & gt;tenor sax & lt;/td & gt; & lt;/tr & gt; & lt;tr & gt; & lt;th & gt;Lex Humphries & lt;/th & gt; & lt;td & gt;drums & lt;/td & gt; & lt;/tr & gt; & lt;tr & gt; & lt;th & gt;Roger Humphries & lt;/th & gt; & lt;td & gt;drums & lt;/td & gt; & lt;/tr & gt; & lt;tr & gt; & lt;th & gt;Carmell Jones & lt;/th & gt; & lt;td & gt;trumpet & lt;/td & gt; & lt;/tr & gt; & lt;tr & gt; & lt;th & gt;Blue Mitchell & lt;/th & gt; & lt;td & gt;trumpet & lt;/td & gt; & lt;/tr & gt; & lt;tr & gt; & lt;th & gt;Teddy Smith & lt;/th & gt; & lt;td & gt;bass & lt;/td & gt; & lt;/tr & gt; & lt;tr & gt; & lt;th & gt;Gene Taylor & lt;/th & gt; & lt;td & gt;bass & lt;/td & gt; & lt;/tr & gt; & lt;!--More musician rows go here-- & gt; & lt;/table & gt; & lt;/section & gt; & lt;section id= & quot;selections & quot; & gt; & lt;h3 & gt;Selections & lt;/h3 & gt; & lt;h4 & gt;Side A: & lt;/h4 & gt; & lt;ol & gt; & lt;li & gt;Song For My Father & lt;/li & gt; & lt;li & gt;The Natives Are Restless Tonight & lt;/li & gt; & lt;li & gt;Calcutta Cutie & lt;/li & gt; & lt;!--More tracks go here in & lt;li & gt; tags-- & gt; & lt;/ol & gt; & lt;h4 & gt;Side B: & lt;/h4 & gt; & lt;ol & gt; & lt;li & gt;Que Pasa & lt;/li & gt; & lt;li & gt;The Kicker & lt;/li & gt; & lt;li & gt;Lonely Woman (Trio) & lt;/li & gt; & lt;/ol & gt; & lt;/section & gt;
Blue Note
Horace Silver Song For My Father Blue Note 180g LP (Vinyl)
Art Blakey & The Jazz Messengers Moanin' (Blue Note Classic Vinyl Edition) 180g LP
& lt;header & gt; & lt;p & gt; & lt;strong & gt;Blue Note Classic Vinyl Reissue Series! & lt;/strong & gt; & lt;br & gt; & lt;strong & gt;180g Vinyl LP! & lt;/strong & gt; & lt;br & gt; & lt;strong & gt;Mastered By Kevin Gray From Original Analog Tapes! & lt;/strong & gt; & lt;/p & gt; & lt;/header & gt; & lt;p & gt;More than any other album in the canon of Art Blakey & amp; The Jazz Messengers, 1958's Moanin' - featuring the great drummer with trumpeter Lee Morgan, tenor saxophonist Benny Golson, pianist Bobby Timmons, and bassist Jymie Merritt - was the perfect crystallization of the band's bluesy, soulful sound, and it still stands today as perhaps the most quintessential hard bop recording of all-time. Originally self-titled, the album was later renamed Moanin' due to the popularity of Timmons's unforgettable opening track. The album also introduced several indelible Golson compositions that would become standards of the jazz songbook including & quot;Along Came Betty & quot; and & quot;Blues March. & quot; & lt;/p & gt; & lt;p & gt;This Blue Note Classic Vinyl Edition is all-analog, mastered by Kevin Gray from the original master tapes, and pressed on 180g vinyl at Optimal. & lt;/p & gt; & lt;p & gt;Blue Note is proud to present the Blue Note Classic Vinyl Reissue Series, a continuation of their acclaimed Blue Note 80 Vinyl Reissue Series which was launched in celebration of their 80th anniversary in 2019. The Classic Series will once again feature all-analog 180g vinyl pressings in standard packaging that are mastered by Kevin Gray directly from the original master tapes and manufactured at Optimal in Germany. & lt;/p & gt; & lt;p & gt;In a review of the BN80 Vinyl Edition of Dexter Gordon's Doin' Allright, Analog Planet wrote & quot;this reissue is a success for Blue Note in terms of quality at a great price point, and I look forward to the rest of this excellent and affordable series. & quot; In selecting the BN80 Vinyl Edition of Herbie Hancock's Takin' Off as their Recording of the Month, Stereophile awarded the sonics of the pressing 4 & amp;#189; stars writing & quot;The sound of this reissue is strong and articulate, with balance and clarity from all the instruments. & quot; & lt;/p & gt; & lt;p & gt;The Classic Series will be on-going, running alongside the Tone Poet Audiophile Vinyl Reissue Series which is produced by Joe Harley. & lt;/p & gt; & lt;blockquote cite= & quot;www.allmusic.com & quot; & gt; Certainly a complete and wholly satisfying album, Moanin' ranks with the very best of Blakey and what modern jazz offered in the late '50s and beyond. & lt;footer & gt; -Michael G. Nastos, AllMusic.com, 5/5 stars & lt;/footer & gt; & lt;/blockquote & gt; & lt;section id= & quot;features & quot; & gt; & lt;h3 & gt;Features & lt;/h3 & gt; & lt;ul & gt; & lt;li & gt;Blue Note Classic Vinyl Reissue Series & lt;/li & gt; & lt;li & gt;180g Vinyl LP & lt;/li & gt; & lt;li & gt;All-Analog Pressing & lt;/li & gt; & lt;li & gt;Mastered by Kevin Gray at Cohearent Audio from the original analog tapes & lt;/li & gt; & lt;li & gt;Manufactured at Optimal in Germany & lt;/li & gt; & lt;/ul & gt; & lt;/section & gt; & lt;section id= & quot;musicians & quot; & gt; & lt;h3 & gt;Musicians & lt;/h3 & gt; & lt;table & gt; & lt;tr & gt; & lt;th & gt;Lee Morgan & lt;/th & gt; & lt;td & gt;trumpet & lt;/td & gt; & lt;/tr & gt; & lt;tr & gt; & lt;th & gt;Benny Golson & lt;/th & gt; & lt;td & gt;tenor sax & lt;/td & gt; & lt;/tr & gt; & lt;tr & gt; & lt;th & gt;Bobby Timmons & lt;/th & gt; & lt;td & gt;piano & lt;/td & gt; & lt;/tr & gt; & lt;tr & gt; & lt;th & gt;Jymie Merritt & lt;/th & gt; & lt;td & gt;bass & lt;/td & gt; & lt;/tr & gt; & lt;tr & gt; & lt;th & gt;Art Blakey & lt;/th & gt; & lt;td & gt;drums & lt;/td & gt; & lt;/tr & gt; & lt;/table & gt; & lt;/section & gt; & lt;section id= & quot;selections & quot; & gt; & lt;h3 & gt;Selections & lt;/h3 & gt; & lt;h4 & gt;Side A: & lt;/h4 & gt; & lt;ol & gt; & lt;li & gt;Moanin' & lt;/li & gt; & lt;li & gt;Are You Real & lt;/li & gt; & lt;li & gt;Along Came Betty & lt;/li & gt; & lt;/ol & gt; & lt;h4 & gt;Side B: & lt;/h4 & gt; & lt;ol & gt; & lt;li & gt;The Drum Thunder (Miniature) Suite & lt;/li & gt; & lt;li & gt;Blues March & lt;/li & gt; & lt;li & gt;Come Rain Or Come Shine & lt;/li & gt; & lt;/ol & gt; & lt;/section & gt;
Blue Note
Art Blakey & The Jazz Messengers Moanin'  (Blue Note Classic Vinyl Edition) 180g LP
Kenny Burrell Midnight Blue LP (Vinyl)
& lt;font color= & quot;#FF0000 & quot; & gt; & lt;b & gt;Newly Remastered For Blue Note 75th Anniversary Vinyl! & lt;/b & gt; & lt;/font & gt; & lt;br & gt; & lt;br & gt; Newly-remastered for vinyl as part of an overall Blue Note 75th anniversary vinyl reissue campaign spearheaded by current Blue Note Records President, Don Was. & lt;br & gt; & lt;br & gt; Midnight Blue is one of those records that you just put on, sit back and relax. Guitarist Kenny Burrell's Midnight Blue features Stanley Turrentine on tenor sax, Major Holley Jr. on bass, Bill English on drums and Ray Barretto on conga. Midnight blue is one of his best known sessions for Blue Note. & lt;br & gt; & lt;br & gt; & lt;b & gt;Features: & lt;/b & gt; & lt;br & gt; • Vinyl LP & lt;br & gt; • Re-mastered & amp; reissued as part of the Blue Note 75th Anniversary campaign & lt;br & gt; • Includes special Blue Note 75 vinyl sleeve that features album cover art for 75 Blue Note Titles & lt;br & gt; & lt;br & gt; & lt;b & gt;Musicians: & lt;/b & gt; & lt;br & gt; Kenny Burrell, guitar & lt;br & gt; Stanley Turrentine, tenor saxophone & lt;br & gt; Major Holley Jr., bass & lt;br & gt; Bill English, drums & lt;br & gt; Ray Barretto, conga & lt;br & gt; & lt;br & gt; & lt;b & gt;Selections: & lt;/b & gt; & lt;br & gt; 1. Chittlins Con Carne & lt;br & gt; 2. Mule & lt;br & gt; 3. Soul Lament & lt;br & gt; 4. Midnight Blue & lt;br & gt; 5. Wavy Gravy & lt;br & gt; 6. Gee Baby Ain't I Good To You & lt;br & gt; 7. Saturday Night Blues
Blue Note
Kenny Burrell Midnight Blue LP (Vinyl)
Art Blakey & The Jazz Messengers The Big Beat (Blue Note Classic Vinyl Edition) 180g LP
& lt;header & gt; & lt;p & gt; & lt;strong & gt;Blue Note Classic Vinyl Reissue Series! & lt;br & gt; 180g Vinyl LP! & lt;br & gt; Mastered By Kevin Gray From Original Analog Tapes! & lt;br & gt; Pressed At Optimal! & lt;/strong & gt; & lt;/p & gt; & lt;/header & gt; & lt;p & gt;The timeless 1960 hard bop classic The Big Beat was the album that first introduced one of the greatest lineups of Art Blakey & amp; The Jazz Messengers to the jazz public with the legendary drummer and bandleader joined by trumpeter & lt;strong & gt;Lee Morgan & lt;/strong & gt;, tenor saxophonist & lt;strong & gt;Wayne Shorter & lt;/strong & gt;, pianist & lt;strong & gt;Bobby Timmons & lt;/strong & gt;, and bassist & lt;strong & gt;Jymie Merritt & lt;/strong & gt;. Shorter was the band's newest member, and it was immediately clear that his presence would steer the group's sound in a new, more modern direction. Three of the album's six pieces were penned by Shorter including the swaggering set opener & quot;The Chess Players, & quot; the imaginative & quot;Sakeena's Vision & quot; written for Blakey's young daughter, and the tribute & quot;Lester Left Town & quot; which was dedicated to influential jazz tenor forefather Lester Young. However, it was Timmons' unforgettable gospel-influenced tune & quot;Dat Dere, & quot; a suitably soulful follow-up to the band's previous hit & quot;Moanin', & quot; that the album would ultimately become best-known for. This excellent edition of The Jazz Messengers would go on to record a phenomenal run of classic albums including A Night In Tunisia, Like Someone In Love, The Freedom Rider, Roots & amp; Herbs, and The Witch Doctor. & lt;/p & gt; & lt;p & gt;This Blue Note Classic Vinyl Edition is all-analog, mastered by Kevin Gray from the original master tapes, and pressed on 180g vinyl at Optimal. & lt;/p & gt; & lt;blockquote cite= & quot;www.allmusic.com & quot; & gt; ...[A] testament to the creative progress of one of the best jazz drummers of all time. Now over 40 years old, The Big Beat is as thunderous as ever....a true jazz treasure... & lt;footer & gt; -Christopher Fielder, AllMusic.com, 4/5 stars & lt;/footer & gt; & lt;/blockquote & gt; & lt;blockquote cite= & quot;www.pastemagazine.com & quot; & gt; The 1960 iteration of the Jazz Messengers was one of the strongest that Blakey had assembled with tenor saxophonist Wayne Shorter getting his first big showcase as a player and composer alongside seasoned musicians like trumpeter Lee Morgan and pianist Bobby Timmons. Shorter rises to the occasion with fantastic tunes like 'The Chess Players' and 'Lester Left Town' that the band absorbs and radiates like gamma rays. & lt;footer & gt; -Robert Ham, Paste Magazine & lt;/footer & gt; & lt;/blockquote & gt; & lt;section id= & quot;features & quot; & gt; & lt;h3 & gt;Features & lt;/h3 & gt; & lt;ul & gt; & lt;li & gt;Blue Note Classic Vinyl Reissue Series & lt;/li & gt; & lt;li & gt;180g Vinyl LP & lt;/li & gt; & lt;li & gt;All-Analog Pressing & lt;/li & gt; & lt;li & gt;Mastered by Kevin Gray at Cohearent Audio from Original Analog Tapes & lt;/li & gt; & lt;li & gt;Manufactured at Optimal in Germany & lt;/li & gt; & lt;/ul & gt; & lt;/section & gt; & lt;section id= & quot;musicians & quot; & gt; & lt;h3 & gt;Musicians & lt;/h3 & gt; & lt;table & gt; & lt;tr & gt; & lt;th & gt;Lee Morgan & lt;/th & gt; & lt;td & gt;trumpet & lt;/td & gt; & lt;/tr & gt; & lt;tr & gt; & lt;th & gt;Wayne Shorter & lt;/th & gt; & lt;td & gt;tenor sax & lt;/td & gt; & lt;/tr & gt; & lt;tr & gt; & lt;th & gt;Bobby Timmons & lt;/th & gt; & lt;td & gt;piano & lt;/td & gt; & lt;/tr & gt; & lt;tr & gt; & lt;th & gt;Jymie Merritt & lt;/th & gt; & lt;td & gt;bass & lt;/td & gt; & lt;/tr & gt; & lt;tr & gt; & lt;th & gt;Art Blakey & lt;/th & gt; & lt;td & gt;drums & lt;/td & gt; & lt;/tr & gt; & lt;/table & gt; & lt;/section & gt; & lt;section id= & quot;selections & quot; & gt; & lt;h3 & gt;Selections & lt;/h3 & gt; & lt;h4 & gt;Side A: & lt;/h4 & gt; & lt;ol & gt; & lt;li & gt;The Chess Players & lt;/li & gt; & lt;li & gt;Sakeena's Vision & lt;/li & gt; & lt;li & gt;Politely & lt;/li & gt; & lt;/ol & gt; & lt;h4 & gt;Side B: & lt;/h4 & gt; & lt;ol & gt; & lt;li & gt;Dat Dere & lt;/li & gt; & lt;li & gt;Lester Left Town & lt;/li & gt; & lt;li & gt;It's Only A Paper Moon & lt;/li & gt; & lt;/ol & gt; & lt;/section & gt;
Blue Note
Art Blakey & The Jazz Messengers The Big Beat (Blue Note Classic Vinyl Edition) 180g LP
Dexter Gordon GO! (Blue Note Classic Vinyl Edition) 180g LP
& lt;header & gt; & lt;p & gt; & lt;strong & gt;Blue Note Classic Vinyl Reissue Series! & lt;br & gt; 180g Vinyl LP! & lt;br & gt; Mastered By Kevin Gray From Original Analog Tapes! & lt;br & gt; Pressed At Optimal! & lt;/strong & gt; & lt;/p & gt; & lt;/header & gt; & lt;p & gt;Featuring a quartet with Sonny Clark on piano, Butch Warren on bass, and Billy Higgins on drums, GO! was a showcase of Gordon's limitless creativity on hard-swinging numbers like & quot;Cheese Cake & quot; and & quot;Love for Sale, & quot; as well as his peerless artistry on ballads as evidenced on & quot;I Guess I'll Hang My Tears Out to Dry & quot; and & quot;Where Are You. & quot; This Blue Note Classic Vinyl Edition is all-analog, mastered by Kevin Gray from the original master tapes, and pressed on 180g vinyl at Optimal. & lt;/p & gt; & lt;blockquote cite= & quot;www.allmusic.com & quot; & gt; Gordon had many high points in his five decade-long career, but this is certainly the peak of it all. & lt;footer & gt; -Stacia Proefrock, AllMusic.com, 5/5 stars & lt;/footer & gt; & lt;/blockquote & gt; & lt;section id= & quot;features & quot; & gt; & lt;h3 & gt;Features & lt;/h3 & gt; & lt;ul & gt; & lt;li & gt;Blue Note Classic Vinyl Reissue Series & lt;/li & gt; & lt;li & gt;180g Vinyl LP & lt;/li & gt; & lt;li & gt;All-Analog Pressing & lt;/li & gt; & lt;li & gt;Mastered by Kevin Gray at Cohearent Audio from original analog tapes & lt;/li & gt; & lt;li & gt;Manufactured at Optimal in Germany & lt;/li & gt; & lt;/ul & gt; & lt;/section & gt; & lt;section id= & quot;musicians & quot; & gt; & lt;h3 & gt;Musicians & lt;/h3 & gt; & lt;table & gt; & lt;tr & gt; & lt;th & gt;Dexter Gordon & lt;/th & gt; & lt;td & gt;tenor sax & lt;/td & gt; & lt;/tr & gt; & lt;tr & gt; & lt;th & gt;Sonny Clark & lt;/th & gt; & lt;td & gt;piano & lt;/td & gt; & lt;/tr & gt; & lt;tr & gt; & lt;th & gt;Butch Warren & lt;/th & gt; & lt;td & gt;bass & lt;/td & gt; & lt;/tr & gt; & lt;tr & gt; & lt;th & gt;Billy Higgins & lt;/th & gt; & lt;td & gt;drums & lt;/td & gt; & lt;/tr & gt; & lt;/table & gt; & lt;/section & gt; & lt;section id= & quot;selections & quot; & gt; & lt;h3 & gt;Selections & lt;/h3 & gt; & lt;h4 & gt;Side 1: & lt;/h4 & gt; & lt;ol & gt; & lt;li & gt;Cheese Cake & lt;/li & gt; & lt;li & gt;I Guess I'll Hang My Tears Out To Dry & lt;/li & gt; & lt;li & gt;Second Balcony Jump & lt;/li & gt; & lt;/ol & gt; & lt;h4 & gt;Side 2: & lt;/h4 & gt; & lt;ol & gt; & lt;li & gt;Love For Sale & lt;/li & gt; & lt;li & gt;Where Are You & lt;/li & gt; & lt;li & gt;Three O'Clock In The Morning & lt;/li & gt; & lt;/ol & gt; & lt;/section & gt;
Blue Note
Dexter Gordon GO! (Blue Note Classic Vinyl Edition) 180g LP
Lou Donaldson Mr. Shing-A-Ling 180g LP (Vinyl)
& lt;font color= & quot;#FF0000 & quot; & gt; & lt;b & gt;All Analog 180g Vinyl LP! & lt;br & gt; Tone Poet Audiophile Vinyl Reissue Series! & lt;br & gt; Mastered by Kevin Gray at Cohearent Audio From Original Analog Tape! & lt;br & gt; Produced By Music Matters' Joe Harley! & lt;br & gt; Pressed at RTI! & lt;/b & gt; & lt;/font & gt; & lt;br & gt; & lt;br & gt; Mr. Shing-A-Ling, has long been considered the best of Lou Donaldson’s funk/soul albums from the late-60s, & amp; includes a who’s who of great soul jazz players including Blue Mitchell, Jimmy & quot;Fats & quot; Ponder & amp; Leo Smith. & lt;br & gt; & lt;br & gt; Donaldson’s funky version of & quot;Ode to Billie Joe & quot; is the most sampled track in Blue Note history. Blue Note Records’ Tone Poet Audiophile Vinyl Reissue Series is produced by Joe Harley and features all-analog, mastered from the original master tape 180g audiophile vinyl reissues. & lt;br & gt; & lt;br & gt; Tone Poet Audiophile Vinyl Reissue Series: & quot;Tone Poet & quot; Joe Harley - co-founder and co-producer of the acclaimed Music Matters audiophile vinyl series - is the producer of this new series of all-analog, mastered-from-the-original-master-tape 180g audiophile vinyl reissues in deluxe packaging. Mastering was done by Kevin Gray (Cohearent Audio) and vinyl was manufactured at Record Technology Incorporated (RTI). The titles were handpicked by Harley and cover lesser-known Blue Note classics, modern era standouts, and albums from other labels under the Blue Note catalog. & lt;br & gt; & lt;br & gt; Extreme attention to detail has been paid to getting these right in every conceivable way, from the jacket graphics and printing quality to superior LP mastering (direct from the master tapes) by Kevin Gray to superb 180 gm audiophile LP pressings by Record Technology Inc. Every aspect of these Blue Note/Tone Poet releases is done to the highest possible standard. It means that you will never find a superior version. This is IT. & lt;br & gt; & lt;br & gt; The so-called Tone Poet (Joe Harley) is confident that his audiophile reissues will allow 21st-century listeners to hear what the musicians heard as the master tape was played back on the studio monitors in Rudy Van Gelder’s studio 50 or 60 years ago. He believes that, in terms of quality, Blue Note albums have never sounded or looked better. & quot; & lt;b & gt;Every aspect of these Blue Note releases is done to the highest possible standard, & quot; & lt;/b & gt;he says. & lt;b & gt; & quot;It means that you will never find a superior version. & quot; & lt;/b & gt; & lt;br & gt; & lt;br & gt; & lt;b & gt;Features: & lt;/b & gt; & lt;br & gt; & amp;bull; All Analog 180g Vinyl & lt;br & gt; & amp;bull; Tone Poet Audiophile Vinyl Reissue Series & lt;br & gt; & amp;bull; Mastered by Kevin Gray at Cohearent Audio & lt;br & gt; & amp;bull; Mastered From Original Master Tape & lt;br & gt; & amp;bull; Reissue supervised by Joe Harley & lt;br & gt; & amp;bull; Pressed at RTI & lt;br & gt; & amp;bull; Single pocket jacket & lt;br & gt; & lt;br & gt; & lt;b & gt;Musicians: & lt;/b & gt; & lt;br & gt; Blue Mitchell, trumpet & lt;br & gt; Lou Donaldson, alto sax & lt;br & gt; Jimmy & quot;Fats & quot; Ponder, guitar & lt;br & gt; Lonnie Smith, organ & lt;br & gt; Leo Morris, drums & lt;br & gt; & lt;br & gt; & lt;b & gt;Selections: & lt;br & gt; Side A: & lt;/b & gt; & lt;br & gt; 1. Ode To Billie Joe & lt;br & gt; 2. The Humpback & lt;br & gt; 3. The Shadow Of Your Smile & lt;br & gt; & lt;b & gt;Side B: & lt;/b & gt; & lt;br & gt; 1. Peepin' & lt;br & gt; 2. The Kid
Blue Note
Lou Donaldson Mr. Shing-A-Ling 180g LP (Vinyl)
Ike Quebec Blue & Sentimental LP (Vinyl)
& lt;font color= & quot;#FF0000 & quot; & gt; & lt;b & gt;1962 Album Reissued On Vinyl LP! & lt;/b & gt; & lt;/font & gt; & lt;br & gt; & lt;br & gt; Joined by a quartet that includes Grant Green, Quebec makes every breath and sound count, playing seductive lines on the ballads and swinging forcefully on the hotter numbers. He only lived until 1963 (passing away when he was just 44), but, as Blue And Sentimental shows, Ike Quebec saved the very best for his later period, creating a masterpiece. & lt;br & gt; & lt;br & gt; During the Blue Note 75th Anniversary celebration the label released 100 essential Blue Note LPs and asked New York times readers what titles they'd like to see make the list. This album was among five titles hand-selected for 2016 reissue by Blue Note President, Don Was, based on New York Times reader recommendations. & lt;br & gt; & lt;br & gt; & lt;b & gt;Features: & lt;/b & gt; & lt;br & gt; • Vinyl LP Reissue & lt;br & gt; & lt;br & gt; & lt;b & gt;Musicians: & lt;/b & gt; & lt;br & gt; Ike Quebec, tenor saxophone & lt;br & gt; Grant Green, guitar & lt;br & gt; Paul Chambers, bass & lt;br & gt; Philly Joe Jones, drums & lt;br & gt; & lt;br & gt; & lt;b & gt;Selections: & lt;br & gt; Side A: & lt;/b & gt; & lt;br & gt; 1. Blue and Sentimental & lt;br & gt; 2. Minor Impulse & lt;br & gt; 3. Don't Take Your Love From Me & lt;br & gt; & lt;br & gt; & lt;b & gt;Side B: & lt;/b & gt; & lt;br & gt; 1. Blues for Charlie & lt;br & gt; 2. Like & lt;br & gt; 3. Count Every Star
Blue Note
Ike Quebec Blue & Sentimental LP (Vinyl)
Freddie Hubbard Open Sesame 180g LP (Vinyl)
& lt;font color= & quot;#FF0000 & quot; & gt; & lt;b & gt;Blue Note 80 Vinyl Reissue Series! & lt;br & gt; Auspicious Debut On 180g Vinyl LP! & lt;/b & gt; & lt;/font & gt; & lt;br & gt; & lt;br & gt; & lt;b & gt;Blue Note 80 Vinyl Reissue Series! & lt;/b & gt; & lt;br & gt; In honor of Blue Note Records' 80th Anniversary, the legendary Jazz label is launching the Blue Note 80 Vinyl Reissue Series. Distinct from the Tone Poet Audiophile Vinyl Reissue Series, this 2nd series curated by Don Was and Cem Kurosman features mid-priced 180g vinyl releases in standard packaging with albums spanning the many eras of the label's history presented by themes: Blue Note Debuts, Blue Grooves, Great Reid Miles Covers, Blue Note Live, and Blue Note Drummer Leaders. & lt;br & gt; & lt;br & gt; Trumpeter Freddie Hubbard burst upon the Blue Note scene in June 1960 with his auspicious debut album Open Sesame. Within 6 months Hubbard had already recorded a follow-up (Goin' Up) and appeared as a sideman on sessions with Tina Brooks (True Blue), Hank Mobley (Roll Call), Kenny Drew (Undercurrent), and Jackie McLean (Bluesnik). Hubbard's bravado style was already fully formed on Open Sesame with his brilliant tone and jawdropping technical prowess at the helm of a sterling quintet. & lt;br & gt; & lt;br & gt; & lt;b & gt;Features: & lt;/b & gt; & lt;br & gt; & amp;bull; Blue Note 80 Vinyl Reissue Series & lt;br & gt; & amp;bull; 180g Vinyl LP & lt;br & gt; & amp;bull; Made in Germany & lt;br & gt; & lt;br & gt; & lt;b & gt;Musicians: & lt;/b & gt; & lt;br & gt; Freddie Hubbard, trumpet & lt;br & gt; Tina Brooks, tenor saxophone & lt;br & gt; McCoy Tyner, piano & lt;br & gt; Sam Jones, bass & lt;br & gt; Clifford Jarvis, drums & lt;br & gt; & lt;br & gt; & lt;b & gt;Selections: & lt;br & gt; Side A: & lt;/b & gt; & lt;br & gt; 1. Open Sesame & lt;br & gt; 2. But Beautiful & lt;br & gt; 3. Gypsy Blue & lt;br & gt; & lt;b & gt;Side B: & lt;/b & gt; & lt;br & gt; 1. All Or Nothing At All & lt;br & gt; 2. One Mint Julep & lt;br & gt; 3. Hub's Nub
Blue Note
Freddie Hubbard Open Sesame 180g LP (Vinyl)
McCoy Tyner The Real McCoy Blue Note Classic Vinyl Series 180g LP
& lt;header & gt; & lt;p & gt; & lt;strong & gt;Blue Note Classic Vinyl Reissue Series! & lt;/strong & gt; & lt;br & gt; & lt;strong & gt;180g Vinyl LP! & lt;/strong & gt; & lt;strong & gt;Mastered by Kevin Gray at Cohearent Audio from original analog tapes & lt;/strong & gt; & lt;/p & gt; & lt;/header & gt; & lt;p & gt;In 1967, pianist McCoy Tyner was ready for a new start. He had left the seminal John Coltrane Quartet two years prior and moved on from Coltrane's label Impulse! Records, as well. With his Blue Note debut The Real McCoy, he made his masterpiece and firmly established himself as a creative force of his own. Featuring a world class quartet with Tyner joined by tenor saxophonist & lt;strong & gt;Joe Henderson & lt;/strong & gt;, bassist & lt;strong & gt;Ron Carter & lt;/strong & gt;, and drummer & lt;strong & gt;Elvin Jones & lt;/strong & gt;, the album presented five timeless Tyner originals including & quot;Passion Dance, & quot; & quot;Search for Peace, & quot; and & quot;Blues on the Corner. & quot; & lt;/p & gt; & lt;p & gt;Blue Note is proud to present the Blue Note Classic Vinyl Reissue Series, a continuation of their acclaimed Blue Note 80 Vinyl Reissue Series which was launched in celebration of their 80th anniversary in 2019. The Classic Series will once again feature all-analog 180g vinyl pressings in standard packaging that are mastered by Kevin Gray directly from the original master tapes and manufactured at Optimal in Germany. & lt;/p & gt; & lt;p & gt;In a review of the BN80 Vinyl Edition of Dexter Gordon's Doin' Allright, Analog Planet wrote & quot; & lt;strong & gt;this reissue is a success for Blue Note in terms of quality at a great price point, and I look forward to the rest of this excellent and affordable series. & lt;/strong & gt; & quot; In selecting the BN80 Vinyl Edition of Herbie Hancock's Takin' Off as their Recording of the Month, Stereophile awarded the sonics of the pressing 4 & amp;#189; stars writing & quot; & lt;strong & gt;The sound of this reissue is strong and articulate, with balance and clarity from all the instruments. & lt;/strong & gt; & quot; & lt;/p & gt; & lt;section id= & quot;features & quot; & gt; & lt;h3 & gt;Features & lt;/h3 & gt; & lt;ul & gt; & lt;li & gt;Blue Note Classic Vinyl Reissue Series & lt;/li & gt; & lt;li & gt;180g Vinyl LP & lt;/li & gt; & lt;li & gt;All-Analog Pressing & lt;/li & gt; & lt;li & gt;Mastered by Kevin Gray at Cohearent Audio from original analog tapes & lt;/li & gt; & lt;li & gt;Manufactured at Optimal in Germany & lt;/li & gt; & lt;!--More features go here in & lt;li & gt; tags-- & gt; & lt;/ul & gt; & lt;/section & gt; & lt;section id= & quot;musicians & quot; & gt; & lt;h3 & gt;Musicians & lt;/h3 & gt; & lt;table & gt; & lt;tr & gt; & lt;th & gt;Joe Henderson & lt;/th & gt; & lt;td & gt;tenor saxophone & lt;/td & gt; & lt;/tr & gt; & lt;tr & gt; & lt;th & gt;McCoy Tyner & lt;/th & gt; & lt;td & gt;piano & lt;/td & gt; & lt;/tr & gt; & lt;tr & gt; & lt;th & gt;Ron Carter & lt;/th & gt; & lt;td & gt;bass & lt;/td & gt; & lt;/tr & gt; & lt;tr & gt; & lt;th & gt;Elvin Jones & lt;/th & gt; & lt;td & gt;drums & lt;/td & gt; & lt;/tr & gt; & lt;!--More musician rows go here-- & gt; & lt;/table & gt; & lt;/section & gt; & lt;section id= & quot;selections & quot; & gt; & lt;h3 & gt;Selections & lt;/h3 & gt; & lt;h4 & gt;Side 1: & lt;/h4 & gt; & lt;ol & gt; & lt;li & gt;Passion Dance & lt;/li & gt; & lt;li & gt;Contemplation & lt;/li & gt; & lt;/ol & gt; & lt;h4 & gt;Side 2: & lt;/h4 & gt; & lt;ol & gt; & lt;li & gt;Four By Five & lt;/li & gt; & lt;li & gt;Search For Peace & lt;/li & gt; & lt;li & gt;Blues On The Corner & lt;/li & gt; & lt;/ol & gt; & lt;/section & gt;
Blue Note
McCoy Tyner The Real McCoy Blue Note Classic Vinyl Series 180g LP
The Ornette Coleman Trio At the Golden Circle Stockholm Volume One LP (Vinyl)
& lt;font color= & quot;#FF0000 & quot; & gt; & lt;b & gt;Newly Remastered For Blue Note 75th Anniversary Vinyl! & lt;/b & gt; & lt;/font & gt; & lt;br & gt; & lt;br & gt; Newly-remastered for vinyl as part of an overall Blue Note 75th anniversary vinyl reissue campaign spearheaded by current Blue Note Records President, Don Was. & lt;br & gt; & lt;br & gt; The Ornette Coleman Trio's At the Golden Circle Stockholm Volume One marks the beginning of Coleman's contract with Blue Note. Recorded December 3, 1965, this album features Ornette Coleman on alto sax, along with violin and trumpet, David Izenzon on bass and Charles Moffett on drums. & lt;br & gt; & lt;br & gt; & lt;b & gt;Features: & lt;/b & gt; & lt;br & gt; • Vinyl LP & lt;br & gt; • First run of vinyl includes special Blue Note 75 vinyl sleeve that features album cover art for 75 Blue Note Titles & lt;br & gt; • Newly remastered for vinyl & lt;br & gt; & lt;br & gt; & lt;b & gt;Musicians: & lt;/b & gt; & lt;br & gt; Ornette Coleman, alto saxophone, violin, trumpet & lt;br & gt; David Izenzon, bass & lt;br & gt; Charles Moffett, drums & lt;br & gt; & lt;br & gt; & lt;b & gt;Selections: & lt;/b & gt; & lt;br & gt; 1. Faces and Places & lt;br & gt; 2. European Echoes & lt;br & gt; 3. Dee Dee & lt;br & gt; 4. Dawn
Blue Note
The Ornette Coleman Trio At the Golden Circle Stockholm Volume One LP (Vinyl)
Bobbi Humphrey Blacks And Blues 180g LP (Vinyl)
& lt;font color= & quot;#FF0000 & quot; & gt; & lt;b & gt;Blue Note 80 Vinyl Reissue Series! & lt;br & gt; Alluring Fute & amp; Breezy Vocals Paired With Compelling R & amp;B Jazz Fusion On 180g Vinyl LP! & lt;/b & gt; & lt;/font & gt; & lt;br & gt; & lt;br & gt; & lt;b & gt;Blue Note 80 Vinyl Reissue Series! & lt;/b & gt; & lt;br & gt; In honor of Blue Note Records' 80th Anniversary, the legendary Jazz label is launching the Blue Note 80 Vinyl Reissue Series. Distinct from the Tone Poet Audiophile Vinyl Reissue Series, this 2nd series curated by Don Was and Cem Kurosman features mid-priced 180g vinyl releases in standard packaging with albums spanning the many eras of the label's history presented by themes: Blue Note Debuts, Blue Grooves, Great Reid Miles Covers, Blue Note Live, and Blue Note Drummer Leaders. & lt;br & gt; & lt;br & gt; Flutist Bobbi Humphrey found wide success with Blacks and Blues (1973), her breakout third album for Blue Note, working with the Mizell Brothers (who had recently hooked up with Donald Byrd to produce the trumpeter's landmark album Black Byrd) to create a jazz-funk classic for the ages featuring the standout track & quot;Harlem River Drive & quot;. Humphrey's alluring flute and breezy vocals paired with Larry Mizell’s compelling R & amp;B jazz fusion compositions and production proved a winning combination that would lead to future collaborations on Humphrey's albums Satin Doll and Fancy Dancer. & lt;br & gt; & lt;br & gt; & lt;b & gt;Features: & lt;/b & gt; & lt;br & gt; & amp;bull; Blue Note 80 Vinyl Reissue Series & lt;br & gt; & amp;bull; 180g Vinyl LP & lt;br & gt; & amp;bull; Blue Note 80: Blue Grooves, Part 1 & lt;br & gt; & amp;bull; All Analog & lt;br & gt; & amp;bull; Mastered by Kevin Gray from the original master tapes & lt;br & gt; & amp;bull; Pressed at Optimal in Germany & lt;br & gt; & lt;br & gt; & lt;b & gt;Musicians: & lt;/b & gt; & lt;br & gt; Bobbi Humphrey, flute, vocals & lt;br & gt; Jerry Peters, piano, electric piano & lt;br & gt; Fonce Mizell, clavinet, trumpet, vocals & lt;br & gt; Fred Perren, synthesizer, vocals & lt;br & gt; David T. Walker, guitar & lt;br & gt; Chuck Rainey, Fender bass & lt;br & gt; Ron Brown, Fender bass & lt;br & gt; Harvey Mason, drums & lt;br & gt; Stephanie Spruill, percussion & lt;br & gt; Chuck Davis, vocals & lt;br & gt; Larry Mizell, vocals & lt;br & gt; John Rowin, guitar & lt;br & gt; King Errison, congas & lt;br & gt; & lt;br & gt; & lt;b & gt;Selections: & lt;br & gt; Side A: & lt;/b & gt; & lt;br & gt; 1. Chicago, Damn & lt;br & gt; 2. Harlem River Drive & lt;br & gt; 3. Just A Love Child & lt;br & gt; & lt;b & gt;Side B: & lt;/b & gt; & lt;br & gt; 1. Blacks And Blues & lt;br & gt; 2. Jasper Country Man & lt;br & gt; 3. Baby's Gone
Blue Note
Bobbi Humphrey Blacks And Blues 180g LP (Vinyl)
Thelonious Monk Genius of Modern Music Volume One LP (Vinyl)
& lt;font color= & quot;#FF0000 & quot; & gt; & lt;b & gt;Newly Remastered for Blue Note 75th Anniversary Vinyl! & lt;/b & gt; & lt;/font & gt; & lt;br & gt; & lt;br & gt; Newly-remastered for vinyl as part of an overall Blue Note 75th anniversary vinyl reissue campaign spearheaded by current Blue Note Records President, Don Was. & lt;br & gt; & lt;br & gt; Belonging in every jazz collection, volume one of Thelonious Monk's 1947 10 & quot; Genius of Modern Music features the first sessions Monk recorded as a leader. In 1956 Blue Note reissued this iconic album as a 12 & quot; and added previously unissued tracks. It is impossible to overstate the importance of these sessions as they include some of the earliest Monk recordings that would become standards, including & quot;Round Midnight & quot; which is now one of the most popular jazz compositions ever recorded. & lt;br & gt; & lt;br & gt; & lt;b & gt;Features: & lt;/b & gt; & lt;br & gt; • Vinyl LP & lt;br & gt; • Remastered & amp; reissued as part of the Blue Note 75th Anniversary campaign & lt;br & gt; • Includes special Blue Note 75 vinyl sleeve that features album cover art for 75 Blue Note Titles & lt;br & gt; • First run pressings to include Blue Note 75th logo on back of package & lt;br & gt; & lt;br & gt; & lt;b & gt;Musicians: & lt;/b & gt; & lt;br & gt; Thelonious Monk, piano & lt;br & gt; George Taitt, trumpet & lt;br & gt; Sahib Shihab, alto sax & lt;br & gt; Robert Paige, bass & lt;br & gt; Art Blakey, drums & lt;br & gt; Gene Ramey, bass & lt;br & gt; Milt Jackson, vibes & lt;br & gt; John Simmons, bass & lt;br & gt; Shadow Wilson, drums & lt;br & gt; Idresse Suliman, trumpet & lt;br & gt; Danny Quebec West, alto sax & lt;br & gt; Billy Smith, tenor sax & lt;br & gt; Kenny Dorham, trumpet & lt;br & gt; Lou Donaldson, alto sax & lt;br & gt; Lucky Thompson, tenor sax & lt;br & gt; Nelson Boyd, bass & lt;br & gt; Max Roach, drums & lt;br & gt; Al McKibbon, bass & lt;br & gt; & lt;br & gt; & lt;b & gt;Selections: & lt;/b & gt; & lt;br & gt; 1. 'Round About Midnight & lt;br & gt; 2. Off Minor & lt;br & gt; 3. Ruby My Dear & lt;br & gt; 4. I Mean You & lt;br & gt; 5. April In Paris & lt;br & gt; 6. In Walked Bud & lt;br & gt; 7. Thelonious & lt;br & gt; 8. Epistrophy & lt;br & gt; 9. Misterioso & lt;br & gt; 10. Well You Needn't & lt;br & gt; 11. Introspection & lt;br & gt; 12. Humph
Blue Note
Thelonious Monk Genius of Modern Music Volume One LP (Vinyl)
Donald Byrd Places And Spaces (Blue Note Classic Vinyl Edition) 180g LP
& lt;header & gt; & lt;p & gt; & lt;strong & gt;Blue Note Classic Vinyl Reissue Series! & lt;br & gt; 180g Vinyl LP! & lt;br & gt; Mastered By Kevin Gray From Original Analog Tapes! & lt;br & gt; Pressed At Optimal! & lt;/strong & gt; & lt;/p & gt; & lt;/header & gt; & lt;p & gt;Donald Byrd's 1975 fusion classic, Places and Spaces, was the culmination of the legendary trumpeter's vibrant latter Blue Note years. Byrd had begun recording for Blue Note in 1958, and over two decades evolved from a top-notch hard bop trumpeter into a pioneer of R & amp;B/Funk fusion, leading the label's own creative direction along a similar path. Byrd had begun to introduce elements of fusion to his music with his 1969 album Fancy Free and shadowed Miles Davis's early-1970s moves with experimental sessions like Electric Byrd and Ethiopian Knights. It wasn't until Byrd hooked up with visionary producer Larry Mizell for his 1972 album Black Byrd that a new sound coalesced: funky and sultry, sophisticated yet accessible, with intricate arrangements that allowed Byrd's trumpet to soar over top. A string of commercial successes followed, reaching a creative peak with Places and Spaces, the fifth Byrd-Mizell collaboration which was co-produced by Larry and his brother, Fonce Mizell. The album featured some of the most enduring hits this legendary creative team conjured up including & quot;Wind Parade, & quot; & quot;Dominoes, & quot; and & quot;Places and Spaces, & quot; all of which were sampled heavily by hip-hop artists in the decades that followed. & lt;/p & gt; & lt;p & gt;This Blue Note Classic Vinyl Edition is all-analog, mastered by Kevin Gray from the original master tapes, and pressed on 180g vinyl at Optimal. & lt;/p & gt; & lt;blockquote cite= & quot;www.allmusic.com & quot; & gt; Boasting sweeping string arrangements, sultry rhythm guitars, rubbery bass, murmuring fl & amp;#252;gelhorns, and punchy horn charts, the music falls halfway between the cinematic neo-funk of Street Lady and the proto-disco soul of Earth, Wind & amp; Fire. & lt;footer & gt; -Stephen Thomas Erlewine, AllMusic.com, 4/5 stars & lt;/footer & gt; & lt;/blockquote & gt; & lt;blockquote cite= & quot;www.pastemagazine.com & quot; & gt; This is not quite as successful as the previous albums Mizell made with the trumpeter, as its heavy use of strings feels a little too heavily aimed at a disco market that was already overshadowing jazz legends like Byrd. That doesn't make it any less fun to listen to when it's time to get your family to do a Soul Train dance line during the holidays. & lt;footer & gt; -Robert Ham, Paste Magazine & lt;/footer & gt; & lt;/blockquote & gt; & lt;section id= & quot;features & quot; & gt; & lt;h3 & gt;Features & lt;/h3 & gt; & lt;ul & gt; & lt;li & gt;Blue Note Classic Vinyl Reissue Series & lt;/li & gt; & lt;li & gt;180g Vinyl LP & lt;/li & gt; & lt;li & gt;All-Analog Pressing & lt;/li & gt; & lt;li & gt;Mastered by Kevin Gray at Cohearent Audio from Original Analog Tapes & lt;/li & gt; & lt;li & gt;Manufactured at Optimal in Germany & lt;/li & gt; & lt;/ul & gt; & lt;/section & gt; & lt;section id= & quot;musicians & quot; & gt; & lt;h3 & gt;Musicians & lt;/h3 & gt; & lt;table & gt; & lt;tr & gt; & lt;th & gt;George Bohannon & lt;/th & gt; & lt;td & gt;trombone & lt;/td & gt; & lt;/tr & gt; & lt;tr & gt; & lt;th & gt;Ray Brown & lt;/th & gt; & lt;td & gt;trumpet & lt;/td & gt; & lt;/tr & gt; & lt;tr & gt; & lt;th & gt;Donald Byrd & lt;/th & gt; & lt;td & gt;flugelhorn, trumpet, vocals & lt;/td & gt; & lt;/tr & gt; & lt;tr & gt; & lt;th & gt;James Carter & lt;/th & gt; & lt;td & gt;whistle & lt;/td & gt; & lt;/tr & gt; & lt;tr & gt; & lt;th & gt;Mayuto Correa & lt;/th & gt; & lt;td & gt;congas, percussion & lt;/td & gt; & lt;/tr & gt; & lt;tr & gt; & lt;th & gt;Tyree Glenn, Jr. & lt;/th & gt; & lt;td & gt;tenor sax & lt;/td & gt; & lt;/tr & gt; & lt;tr & gt; & lt;th & gt;Kay Haith & lt;/th & gt; & lt;td & gt;vocals & lt;/td & gt; & lt;/tr & gt; & lt;tr & gt; & lt;th & gt;King Errisson & lt;/th & gt; & lt;td & gt;congas & lt;/td & gt; & lt;/tr & gt; & lt;tr & gt; & lt;th & gt;Wade Marcus & lt;/th & gt; & lt;td & gt;conductor, string arrangements & lt;/td & gt; & lt;/tr & gt; & lt;tr & gt; & lt;th & gt;Harvey Mason & lt;/th & gt; & lt;td & gt;drums & lt;/td & gt; & lt;/tr & gt; & lt;tr & gt; & lt;th & gt;Craig McMullen & lt;/th & gt; & lt;td & gt;guitar & lt;/td & gt; & lt;/tr & gt; & lt;tr & gt; & lt;th & gt;Fonce Mizell & lt;/th & gt; & lt;td & gt;clavichord, clavinet, trumpet, vocals & lt;/td & gt; & lt;/tr & gt; & lt;tr & gt; & lt;th & gt;Larry Mizell & lt;/th & gt; & lt;td & gt;piano, vocals & lt;/td & gt; & lt;/tr & gt; & lt;tr & gt; & lt;th & gt;Chuck Rainey & lt;/th & gt; & lt;td & gt;electric bass & lt;/td & gt; & lt;/tr & gt; & lt;tr & gt; & lt;th & gt;John Rowin & lt;/th & gt; & lt;td & gt;guitar & lt;/td & gt; & lt;/tr & gt; & lt;tr & gt; & lt;th & gt;Skip Scarborough & lt;/th & gt; & lt;td & gt;electric piano & lt;/td & gt; & lt;/tr & gt; & lt;/table & gt; & lt;/section & gt; & lt;section id= & quot;selections & quot; & gt; & lt;h3 & gt;Selections & lt;/h3 & gt; & lt;h4 & gt;Side One: & lt;/h4 & gt; & lt;ol & gt; & lt;li & gt;Change (Makes You Want To Hustle) & lt;/li & gt; & lt;li & gt;Wind Parade & lt;/li & gt; & lt;li & gt;Dominoes & lt;/li & gt; & lt;/ol & gt; & lt;h4 & gt;Side Two: & lt;/h4 & gt; & lt;ol & gt; & lt;li & gt;Places And Spaces & lt;/li & gt; & lt;li & gt;You And Music & lt;/li & gt; & lt;li & gt;Night Whistler & lt;/li & gt; & lt;li & gt;Just My Imagination & lt;/li & gt; & lt;/ol & gt; & lt;/section & gt;
Blue Note
Donald Byrd Places And Spaces (Blue Note Classic Vinyl Edition) 180g LP
Cannonball Adderley Somethin' Else Blue Note Classic Vinyl Series 180g LP
& lt;header & gt; & lt;p & gt; & lt;strong & gt;Blue Note Classic Vinyl Reissue Series! & lt;/strong & gt; & lt;br & gt; & lt;strong & gt;180g Vinyl LP! & lt;/strong & gt; & lt;br & gt; & lt;strong & gt;Mastered By Kevin Gray From Original Master Tapes! & lt;/strong & gt; & lt;/p & gt; & lt;/header & gt; & lt;p & gt;Legendary trumpeter Miles Davis's unmistakable rasp at the end of & quot;One for Daddy-O, & quot; makes it clear he wasn't just playing the role of sideman on Somethin' Else, the album by Cannonball Adderley. The depth of their musical camaraderie lifts this session up throughout, from the breathtaking performance of & quot;Autumn Leaves & quot; to the thrilling title track. Hank Jones/Sam Jones/Art Blakey round out the quintet. & lt;/p & gt; & lt;p & gt;This Blue Note Classic Vinyl Edition is all-analog, mastered by Kevin Gray from the original master tapes, and pressed on 180g vinyl at Optimal. & lt;/p & gt; & lt;p & gt;Blue Note is proud to present the Blue Note Classic Vinyl Reissue Series, a continuation of their acclaimed Blue Note 80 Vinyl Reissue Series which was launched in celebration of their 80th anniversary in 2019. The Classic Series will once again feature all-analog 180g vinyl pressings in standard packaging that are mastered by Kevin Gray directly from the original master tapes and manufactured at Optimal in Germany. & lt;/p & gt; & lt;p & gt;In a review of the BN80 Vinyl Edition of Dexter Gordon's Doin' Allright, Analog Planet wrote & quot;this reissue is a success for Blue Note in terms of quality at a great price point, and I look forward to the rest of this excellent and affordable series. & quot; In selecting the BN80 Vinyl Edition of Herbie Hancock's Takin' Off as their Recording of the Month, Stereophile awarded the sonics of the pressing 4 & amp;#189; stars writing & quot;The sound of this reissue is strong and articulate, with balance and clarity from all the instruments. & quot; & lt;/p & gt; & lt;p & gt;The first 16 titles of the Classic Series will focus on the enduring classics of the Blue Note catalog, kicking off on December 4 with the release of two masterpieces - pianist McCoy Tyner's The Real McCoy and trumpeter Lee Morgan's The Sidewinder - both of which are available for pre-order now. The Classic Series will be on-going, running alongside the Tone Poet Audiophile Vinyl Reissue Series which is produced by Joe Harley. & lt;/p & gt; & lt;section id= & quot;features & quot; & gt; & lt;h3 & gt;Features & lt;/h3 & gt; & lt;ul & gt; & lt;li & gt;Blue Note Classic Vinyl Reissue Series & lt;/li & gt; & lt;li & gt;180g Vinyl LP & lt;/li & gt; & lt;li & gt;All-Analog Pressing & lt;/li & gt; & lt;li & gt;Mastered by Kevin Gray from original master tapes & lt;/li & gt; & lt;li & gt;Mastered at Cohearent Audio & lt;/li & gt; & lt;li & gt;Manufactured at Optimal in Germany & lt;/li & gt; & lt;!--More features go here in & lt;li & gt; tags-- & gt; & lt;/ul & gt; & lt;/section & gt; & lt;section id= & quot;musicians & quot; & gt; & lt;h3 & gt;Musicians & lt;/h3 & gt; & lt;table & gt; & lt;tr & gt; & lt;th & gt;Cannonball Adderley & lt;/th & gt; & lt;td & gt;alto sax & lt;/td & gt; & lt;/tr & gt; & lt;tr & gt; & lt;th & gt;Art Blakey & lt;/th & gt; & lt;td & gt;drums & lt;/td & gt; & lt;/tr & gt; & lt;tr & gt; & lt;th & gt;Miles Davis & lt;/th & gt; & lt;td & gt;trumpet & lt;/td & gt; & lt;/tr & gt; & lt;tr & gt; & lt;th & gt;Hank Jones & lt;/th & gt; & lt;td & gt;piano & lt;/td & gt; & lt;/tr & gt; & lt;tr & gt; & lt;th & gt;Sam Jones & lt;/th & gt; & lt;td & gt;bass & lt;/td & gt; & lt;/tr & gt; & lt;!--More musician rows go here-- & gt; & lt;/table & gt; & lt;/section & gt; & lt;section id= & quot;selections & quot; & gt; & lt;h3 & gt;Selections & lt;/h3 & gt; & lt;h4 & gt;Side A: & lt;/h4 & gt; & lt;ol & gt; & lt;li & gt;Autumn Leaves & lt;/li & gt; & lt;li & gt;Love For Sale & lt;/li & gt; & lt;/ol & gt; & lt;h4 & gt;Side B: & lt;/h4 & gt; & lt;ol & gt; & lt;li & gt;Somethin' Else & lt;/li & gt; & lt;li & gt;One For Daddy-O & lt;/li & gt; & lt;li & gt;Dancing In The Dark & lt;/li & gt; & lt;/ol & gt; & lt;/section & gt;
Blue Note
Cannonball Adderley Somethin' Else Blue Note Classic Vinyl Series 180g LP
Bobby McFerrin Spontaneous Inventions LP (Vinyl)
& lt;font color= & quot;#FF0000 & quot; & gt; & lt;b & gt;Newly Remastered for Blue Note 75th Anniversary Vinyl! & lt;/b & gt; & lt;/font & gt; & lt;br & gt; & lt;br & gt; This live album by vocalist Bobby McFerrin was released by Blue Note Records in 1986. The album features special guests including Robin Williams (Beverly Hills Blues) and Herbie Hancock (piano on Turtle Shoes). The album reached number 103 on the Billboard 200, number 62 on Billboard's R & amp;B Albums chart, number 6 on the Top Jazz Albums chart, and number 2 on the Top Contemporary Jazz Albums chart. & lt;br & gt; & lt;br & gt; Newly-remastered for vinyl as part of an overall Blue Note 75th anniversary vinyl reissue campaign spearheaded by current Blue Note Records President, Don Was. & lt;br & gt; & lt;br & gt; & lt;b & gt; & quot;Bobby McFerrin is heard in prime form throughout this date...A continually intriguing release with plenty of wit from the innovative singer. & quot; & lt;/b & gt; -Scott Yanow, allmusic.com & lt;br & gt; & lt;br & gt; & lt;b & gt;Features: & lt;/b & gt; & lt;br & gt; • Vinyl LP & lt;br & gt; • Remastered & amp; reissued as part of the Blue Note 75th Anniversary campaign & lt;br & gt; • Includes special Blue Note 75 vinyl sleeve that features album cover art for 75 Blue Note Titles & lt;br & gt; • First run pressings to include Blue Note 75th logo on back of package & lt;br & gt; & lt;br & gt; & lt;b & gt;Selections: & lt;br & gt; Side One: & lt;/b & gt; & lt;br & gt; 1. Thinkin' About Your Body & lt;br & gt; 2. Turtle Shoes & lt;br & gt; 3. From Me To You & lt;br & gt; 4. There Ya Go & lt;br & gt; 5. Cara Mia & lt;br & gt; 6. Another Night in Tunisia & lt;br & gt; & lt;b & gt;Side Two: & lt;/b & gt; & lt;br & gt; 1. Opportunity & lt;br & gt; 2. Walkin' & lt;br & gt; 3. I Hear Music & lt;br & gt; 4. Beverly Hills Blues & lt;br & gt; 5. Manana Iguana
Blue Note
Bobby McFerrin Spontaneous Inventions LP (Vinyl)
Horace Silver Quintet & Trio Blowin' The Blues Away LP (Vinyl)
& lt;font color= & quot;#FF0000 & quot; & gt; & lt;b & gt;Newly Remastered for Blue Note 75th Anniversary Vinyl! & lt;/b & gt; & lt;/font & gt; & lt;br & gt; & lt;br & gt; Horace Silver does not merely write beginnings and endings for the soloists to fill; he makes his compositions grow by introducing interludes and variations on the opening themes; his ballads have power and yet they are tender: these are some of the reasons that the Silver group does not point in a monochrome. & lt;br & gt; & lt;br & gt; The music in this album is the best illustration of all the things I've said abuot the Horace Silver quintet. The seven numbers, all written by Horace, are excelent representations of his very large talent and the group plays them in the manner to which they have accustomed us. & lt;br & gt; & lt;br & gt; & quot;Blowin' the Blues Away is one of Horace Silver's all-time Blue Note classics, only upping the ante established on Finger Poppin' for tightly constructed, joyfully infectious hard bop. This album marks the peak of Silver's classic quintet with trumpeter Blue Mitchell, tenor saxophonist Junior Cook, bassist Gene Taylor, and drummer Louis Hayes; it's also one of the pianist's strongest sets of original compositions, eclipsed only by Song for My Father and Horace Silver and the Jazz Messengers. The pacing of the album is impeccable, offering up enough different feels and slight variations on Silver's signature style to captivate the listener throughout. Two songs -- the warm, luminous ballad & quot;Peace & quot; and the gospel-based call-and-response swinger & quot;Sister Sadie & quot; -- became oft-covered standards of Silver's repertoire, and the madly cooking title cut wasn't far behind. And they embody what's right with the album in a nutshell -- the up-tempo tunes ( & quot;Break City & quot;) are among the hardest-swinging Silver had ever cut, and the slower changes of pace ( & quot;Melancholy Mood & quot;) are superbly lyrical, adding up to one of the best realizations of Silver's aesthetic. Also, two cuts ( & quot;Melancholy Mood & quot; and the easy-swinging & quot;The St. Vitus Dance & quot;) give Silver a chance to show off his trio chops, and & quot;Baghdad Blues & quot; introduces his taste for exotic, foreign-tinged themes. Through it all, Silver remains continually conscious of the groove, playing off the basic rhythms to create funky new time patterns. The typical high-impact economy of his and the rest of the band's statements is at its uppermost level, and everyone swings with exuberant commitment. In short, Blowin' the Blues Away is one of Silver's finest albums, and it's virtually impossible to dislike. & quot; - Allmusic.com & lt;br & gt; & lt;br & gt; & lt;b & gt;Features: & lt;/b & gt; & lt;br & gt; • Vinyl LP & lt;br & gt; • Re-mastered & amp; reissued as part of the Blue Note 75th Anniversary campaign & lt;br & gt; • Includes special Blue Note 75 vinyl sleeve that features album cover art for 75 Blue Note Titles & lt;br & gt; & lt;br & gt; & lt;b & gt;Selections: & lt;br & gt; Side 1 & lt;/b & gt; & lt;br & gt; 1. Blowin' The Blues Away & lt;br & gt; 2. The St. Vitus Dance & lt;br & gt; 3. Break City & lt;br & gt; 4. Peace & lt;br & gt; & lt;b & gt;Side 2 & lt;/b & gt; & lt;br & gt; 1. Sister Sadie & lt;br & gt; 2. Baghdad Blues & lt;br & gt; 3. Melancholy Mood & lt;br & gt;
Blue Note
Horace Silver Quintet & Trio Blowin' The Blues Away LP (Vinyl)
Reuben Wilson Love Bug (Blue Note Classic Vinyl Edition) 180g LP
& lt;header & gt; & lt;p & gt;Coming December 10, 2021 pre-order your copy today! Orders with both pre-order and in stock items will have all in stock items shipped immediately! & lt;/p & gt; & lt;/header & gt; & lt;header & gt; & lt;p & gt; & lt;strong & gt;Blue Note Classic Vinyl Reissue Series! & lt;br & gt; 180g Vinyl LP! & lt;br & gt; Mastered By Kevin Gray From Original Analog Tapes! & lt;br & gt; Pressed At Optimal! & lt;/strong & gt; & lt;/p & gt; & lt;/header & gt; & lt;p & gt;Following his 1968 Blue Note debut, On Broadway, Hammond B3 organist Reuben Wilson returned to Rudy Van Gelder's studio in March 1969 to record the follow-up, Love Bug. This time out, producer and Blue Note co-founder Francis Wolff put Wilson at the helm of a dynamic quintet with & lt;strong & gt;Lee Morgan & lt;/strong & gt; on trumpet, & lt;strong & gt;George Coleman & lt;/strong & gt; on tenor saxophone, & lt;strong & gt;Grant Green & lt;/strong & gt; on guitar, and & lt;strong & gt;Leo Morris & lt;/strong & gt; (later known as & lt;strong & gt;Idris Muhammad & lt;/strong & gt;) on drums. The result was one of the standout soul jazz dates of the late '60s, a funky six-song set that featured deep-grooved Wilson originals including & quot;Hot Rod, & quot; & quot;Black Out, & quot; and the title track, & quot;Love Bug, & quot; alongside cover versions of some of the biggest R & amp;B hits of the day like Gamble and Huff's & quot;I'm Gonna Make You Love Me & quot; (Diana Ross & amp; The Supremes and The Temptations), Burt Bacharach and Hal David's & quot;I Say A Little Prayer & quot; (Dionne Warwick and Aretha Franklin), and Isaac Hayes and David Porter's & quot;Hold On, I'm Comin' & quot; (Sam & amp; Dave). & lt;/p & gt; & lt;p & gt;This Blue Note Classic Vinyl Edition is all-analog, mastered by Kevin Gray from the original master tapes, and pressed on 180g vinyl at Optimal. & lt;/p & gt; & lt;section id= & quot;features & quot; & gt; & lt;h3 & gt;Features & lt;/h3 & gt; & lt;ul & gt; & lt;li & gt;Blue Note Classic Vinyl Reissue Series & lt;/li & gt; & lt;li & gt;180g Vinyl LP & lt;/li & gt; & lt;li & gt;All-Analog Pressing & lt;/li & gt; & lt;li & gt;Mastered by Kevin Gray from Original Analog Tapes & lt;/li & gt; & lt;li & gt;Manufactured at Optimal in Germany & lt;/li & gt; & lt;/ul & gt; & lt;/section & gt; & lt;section id= & quot;musicians & quot; & gt; & lt;h3 & gt;Musicians & lt;/h3 & gt; & lt;table & gt; & lt;tr & gt; & lt;th & gt;George Coleman & lt;/th & gt; & lt;td & gt;tenor sax & lt;/td & gt; & lt;/tr & gt; & lt;tr & gt; & lt;th & gt;Grant Green & lt;/th & gt; & lt;td & gt;guitar & lt;/td & gt; & lt;/tr & gt; & lt;tr & gt; & lt;th & gt;Jimmy Lewis & lt;/th & gt; & lt;td & gt;electric bass & lt;/td & gt; & lt;/tr & gt; & lt;tr & gt; & lt;th & gt;Lee Morgan & lt;/th & gt; & lt;td & gt;trumpet & lt;/td & gt; & lt;/tr & gt; & lt;tr & gt; & lt;th & gt;Leo Morris (Idris Muhammad) & lt;/th & gt; & lt;td & gt;drums & lt;/td & gt; & lt;/tr & gt; & lt;tr & gt; & lt;th & gt;Reuben Wilson & lt;/th & gt; & lt;td & gt;organ & lt;/td & gt; & lt;/tr & gt; & lt;!--More musician rows go here-- & gt; & lt;/table & gt; & lt;/section & gt; & lt;section id= & quot;selections & quot; & gt; & lt;h3 & gt;Selections & lt;/h3 & gt; & lt;h4 & gt;Side A: & lt;/h4 & gt; & lt;ol & gt; & lt;li & gt;Hot Rod & lt;/li & gt; & lt;li & gt;I'm Gonna Make You Love Me & lt;/li & gt; & lt;li & gt;I Say A Little Prayer & lt;/li & gt; & lt;/ol & gt; & lt;h4 & gt;Side B: & lt;/h4 & gt; & lt;ol & gt; & lt;li & gt;Love Bug & lt;/li & gt; & lt;li & gt;Stormy & lt;/li & gt; & lt;li & gt;Black Out & lt;/li & gt; & lt;/ol & gt; & lt;/section & gt;
Blue Note
Reuben Wilson Love Bug (Blue Note Classic Vinyl Edition) 180g LP
John Coltrane Blue Train LP (Vinyl)
& lt;font color= & quot;#FF0000 & quot; & gt; & lt;b & gt;One of the Most Influential Coltrane Titles Remastered On Vinyl LP! & lt;/b & gt; & lt;/font & gt; & lt;br & gt; & lt;br & gt; Recorded at Van Gelder Studio in Hackensack, New Jersey, John Coltrane’s Blue Train is a hard bob jazz album released on Blue Note in 1957. Certified Gold, Blue Train is Coltrane's second solo album and the only one he recorded for Blue Note as a leader although he was never formally signed to the label. Featured on the album are Coltrane on tenor sax with Lee Morgan on trumpet, Curtis Fuller on trombone, Kenny Drew on piano, Paul Chambers on bass and Philly Joe Jones on drums. & lt;br & gt; & lt;br & gt; & lt;b & gt;Features: & lt;/b & gt; & lt;br & gt; & amp;bull; Vinyl LP & lt;br & gt; & amp;bull; Remastered & lt;br & gt; & amp;bull; Back To Black Series & lt;br & gt; & lt;br & gt; & lt;b & gt;Musicians: & lt;/b & gt; & lt;br & gt; John Coltrane, tenor sax & lt;br & gt; Lee Morgan, trumpet & lt;br & gt; Curtis Fuller, trombone & lt;br & gt; Kenny Drew, piano & lt;br & gt; Paul Chambers, bass & lt;br & gt; Philly Joe Jones, drums & lt;br & gt; & lt;br & gt; & lt;b & gt;Selections: & lt;br & gt; Side A: & lt;/b & gt; & lt;br & gt; 1. Blue Train & lt;br & gt; 2. Moment's Notice & lt;br & gt; & lt;b & gt;Side B: & lt;/b & gt; & lt;br & gt; 1. Locomotion & lt;br & gt; 2. I'm Old Fashioned & lt;br & gt; 3. Lazy Bird
Blue Note
John Coltrane Blue Train LP (Vinyl)
Bobbi Humphrey Fancy Dancer (Blue Note Classic Vinyl Edition) 180g LP
& lt;header & gt; & lt;p & gt; & lt;strong & gt;Blue Note Classic Vinyl Reissue Series! & lt;br & gt; 180g Vinyl LP! & lt;br & gt; Mastered By Kevin Gray From Original Analog Tapes! & lt;br & gt; Pressed At Optimal! & lt;/strong & gt; & lt;/p & gt; & lt;/header & gt; & lt;p & gt;Bobbi Humphrey was one of the most prominent stars on the Blue Note roster of the 1970s. The flutist debuted on the label in 1971 with Flute In, the first in a run of six creative and highly enjoyable albums. On her breakout 1973 album Blacks and Blues, Humphrey hooked up with the forward-thinking producer Larry Mizell to create a jazz-funk classic that expanded her audience. It proved to be a winning combination, and the two joined forces again on Satin Doll the following year. Their third and final collaboration would be on the great 1975 album Fancy Dancer. Humphrey's alluring flute dances through vibrant and ingenious arrangements by Larry and Fonce Mizell that skillfully wove together a broad range of influences from across the spectrum of black music. The set featured standout tracks like the Latin grooves of & quot;Uno Esta, & quot; the laid-back jam & quot;You Make Me Feel So Good, & quot; and the album's expansive closer & quot;Please Set Me At Ease, & quot; which the innovative hip-hop beatmaker Madlib memorably remade on his 2003 Blue Note remix album, Shades Of Blue. & lt;/p & gt; & lt;p & gt;This Blue Note Classic Vinyl Edition is all-analog, mastered by Kevin Gray from the original master tapes, and pressed on 180g vinyl at Optimal. & lt;/p & gt; & lt;blockquote cite= & quot;www.allmusic.com & quot; & gt; Recorded at their Sound Factory studio in Los Angeles, Fancy Dancer is a seamless collection of seven tracks that cruise the distance across soulful fusions of funk, Latin grooves, electric jazz, and gauzy vocal choruses that offer a hint as to what the underground dancefloor scenes of Los Angeles and New York were offering in at the predawn of the disco era. Humphrey's flute playing feels effortless as she hovers around and plays through the layers of spacy keyboards, shimmering rhythmic pulses, and seductive textures provided by lilting voices, hand percussion, and breaks. & lt;footer & gt; -Thom Jurek, AllMusic.com, 4/5 stars & lt;/footer & gt; & lt;/blockquote & gt; & lt;blockquote cite= & quot;www.pastemagazine.com & quot; & gt; ...emblematic of a period when many jazz artists were making peace with the rise of funk/soul/R & amp;B and incorporating those sounds into their work. Flute player Bobbi Humphrey went right to the source with Fancy Dancer, working with producers Larry Mizell and Chuck Davis. With their instrumentation and songwriting help, Humphrey was able to gambol her solos atop disco-leaning grooves that are thick with clavinet trills and Chuck Rainey's succulent basswork. & lt;footer & gt; -Robert Ham, Paste Magazine & lt;/footer & gt; & lt;/blockquote & gt; & lt;section id= & quot;features & quot; & gt; & lt;h3 & gt;Features & lt;/h3 & gt; & lt;ul & gt; & lt;li & gt;Blue Note Classic Vinyl Reissue Series & lt;/li & gt; & lt;li & gt;180g Vinyl LP & lt;/li & gt; & lt;li & gt;All-Analog Pressing & lt;/li & gt; & lt;li & gt;Mastered by Kevin Gray at Cohearent Audio from Original Analog Tapes & lt;/li & gt; & lt;li & gt;Manufactured at Optimal in Germany & lt;/li & gt; & lt;/ul & gt; & lt;/section & gt; & lt;section id= & quot;musicians & quot; & gt; & lt;h3 & gt;Musicians & lt;/h3 & gt; & lt;table & gt; & lt;tr & gt; & lt;th & gt;Bobbi Humphrey & lt;/th & gt; & lt;td & gt;flute, vocals & lt;/td & gt; & lt;/tr & gt; & lt;tr & gt; & lt;th & gt;Jerry Peters & lt;/th & gt; & lt;td & gt;piano, Fender Rhodes, ARP synthesizers & lt;/td & gt; & lt;/tr & gt; & lt;tr & gt; & lt;th & gt;Skip Scarborough & lt;/th & gt; & lt;td & gt;piano, Fender Rhodes, clavinet & lt;/td & gt; & lt;/tr & gt; & lt;tr & gt; & lt;th & gt;Larry Mizell & lt;/th & gt; & lt;td & gt;piano, Fender Rhodes, ARP synthesizers, solina, vocals & lt;/td & gt; & lt;/tr & gt; & lt;tr & gt; & lt;th & gt;Chuck Davis & lt;/th & gt; & lt;td & gt;piano on & quot;The Trip & quot; & lt;/td & gt; & lt;/tr & gt; & lt;tr & gt; & lt;th & gt;Chuck Rainey & lt;/th & gt; & lt;td & gt;bass & lt;/td & gt; & lt;/tr & gt; & lt;tr & gt; & lt;th & gt;John Rowin & lt;/th & gt; & lt;td & gt;guitar & lt;/td & gt; & lt;/tr & gt; & lt;tr & gt; & lt;th & gt;Craig McMullen & lt;/th & gt; & lt;td & gt;guitar & lt;/td & gt; & lt;/tr & gt; & lt;tr & gt; & lt;th & gt;Mayuto Correa & lt;/th & gt; & lt;td & gt;congas & lt;/td & gt; & lt;/tr & gt; & lt;tr & gt; & lt;th & gt;Harvey Mason & lt;/th & gt; & lt;td & gt;drums & lt;/td & gt; & lt;/tr & gt; & lt;tr & gt; & lt;th & gt;Fonce Mizell & lt;/th & gt; & lt;td & gt;clavinet, solina, trumpet, vocals & lt;/td & gt; & lt;/tr & gt; & lt;tr & gt; & lt;th & gt;Julian Priester & lt;/th & gt; & lt;td & gt;trombone & lt;/td & gt; & lt;/tr & gt; & lt;tr & gt; & lt;th & gt;Tyree Glenn, Jr. & lt;/th & gt; & lt;td & gt;tenor saxophone & lt;/td & gt; & lt;/tr & gt; & lt;tr & gt; & lt;th & gt;Oscar Brashear & lt;/th & gt; & lt;td & gt;trumpet & lt;/td & gt; & lt;/tr & gt; & lt;tr & gt; & lt;th & gt;Roger Glenn & lt;/th & gt; & lt;td & gt;marimba, vibes & lt;/td & gt; & lt;/tr & gt; & lt;tr & gt; & lt;th & gt;Dorothy Ashby & lt;/th & gt; & lt;td & gt;harp & lt;/td & gt; & lt;/tr & gt; & lt;tr & gt; & lt;th & gt;Augie Rey & lt;/th & gt; & lt;td & gt;vocals & lt;/td & gt; & lt;/tr & gt; & lt;tr & gt; & lt;th & gt;Katherine Lyra & lt;/th & gt; & lt;td & gt;vocals & lt;/td & gt; & lt;/tr & gt; & lt;tr & gt; & lt;th & gt;Jesse Acuna & lt;/th & gt; & lt;td & gt;vocals & lt;/td & gt; & lt;/tr & gt; & lt;tr & gt; & lt;th & gt;Sonia Tavares & lt;/th & gt; & lt;td & gt;vocals & lt;/td & gt; & lt;/tr & gt; & lt;tr & gt; & lt;th & gt;Rosario Davila & lt;/th & gt; & lt;td & gt;vocals & lt;/td & gt; & lt;/tr & gt; & lt;tr & gt; & lt;th & gt;James Carter & lt;/th & gt; & lt;td & gt;whistler on & quot;Sweeter Than Sugar & quot; & lt;/td & gt; & lt;/tr & gt; & lt;/table & gt; & lt;/section & gt; & lt;section id= & quot;selections & quot; & gt; & lt;h3 & gt;Selections & lt;/h3 & gt; & lt;h4 & gt;Side One: & lt;/h4 & gt; & lt;ol & gt; & lt;li & gt;Uno Esta & lt;/li & gt; & lt;li & gt;The Trip & lt;/li & gt; & lt;li & gt;You Make Me Feel So Good & lt;/li & gt; & lt;/ol & gt; & lt;h4 & gt;Side Two: & lt;/h4 & gt; & lt;ol & gt; & lt;li & gt;Fancy Dancer & lt;/li & gt; & lt;li & gt;Mestizo Eyes & lt;/li & gt; & lt;li & gt;Sweeter Than Sugar & lt;/li & gt; & lt;li & gt;Please Set Me At Ease & lt;/li & gt; & lt;/ol & gt; & lt;/section & gt;
Blue Note
Bobbi Humphrey Fancy Dancer (Blue Note Classic Vinyl Edition) 180g LP
Wayne Shorter Speak No Evil Blue Note 180g LP (Vinyl)
& lt;header & gt; & lt;p & gt; & lt;strong & gt;Blue Note Classic Vinyl Reissue Series! & lt;/strong & gt; & lt;br & gt; & lt;strong & gt;180g Vinyl LP! & lt;/strong & gt; & lt;br & gt; & lt;strong & gt;Mastered By Kevin Gray From Original Analog Tapes! & lt;/strong & gt; & lt;/p & gt; & lt;/header & gt; & lt;p & gt;1964 was one of the most momentous years in the musical life of Wayne Shorter. Early in the year the saxophonist was still a member of & lt;strong & gt;Art Blakey & amp; The Jazz Messengers & lt;/strong & gt;, appearing on classic Blue Note albums like Free For All and Indestructible. Shorter made his own auspicious label debut that spring with Night Dreamer and quickly recorded the impressive follow-up JuJu. That summer he joined the & lt;strong & gt;Miles Davis Quintet & lt;/strong & gt;, cementing a line-up that would become one of the seminal bands in jazz history. And when Shorter entered Van Gelder Studio with & lt;strong & gt;Freddie Hubbard, Herbie Hancock, Ron Carter & lt;/strong & gt;, and & lt;strong & gt;Elvin Jones & lt;/strong & gt; on Christmas Eve 1964 they created a masterpiece with Speak No Evil, a transcendent set of six Shorter originals including the swinging title track, & quot;Witch Hunt, & quot; and sublime ballad & quot;Infant Eyes. & quot; & lt;/p & gt; & lt;p & gt;This Blue Note Classic Vinyl Edition is all-analog, mastered by Kevin Gray from the original master tapes, and pressed on 180g vinyl at Optimal. & lt;/p & gt; & lt;p & gt;Blue Note is proud to present the Blue Note Classic Vinyl Reissue Series, a continuation of their acclaimed Blue Note 80 Vinyl Reissue Series which was launched in celebration of their 80th anniversary in 2019. The Classic Series will once again feature all-analog 180g vinyl pressings in standard packaging that are mastered by Kevin Gray directly from the original master tapes and manufactured at Optimal in Germany. & lt;/p & gt; & lt;p & gt;In a review of the BN80 Vinyl Edition of Dexter Gordon's Doin' Allright, Analog Planet wrote & lt;strong & gt; & quot;this reissue is a success for Blue Note in terms of quality at a great price point, and I look forward to the rest of this excellent and affordable series. & quot; & lt;/strong & gt; In selecting the BN80 Vinyl Edition of Herbie Hancock's Takin' Off as their Recording of the Month, Stereophile awarded the sonics of the pressing 4 & amp;#189; stars writing & lt;strong & gt; & quot;The sound of this reissue is strong and articulate, with balance and clarity from all the instruments. & quot; & lt;/strong & gt; & lt;/p & gt; & lt;p & gt;The first 16 titles of the Classic Series will focus on the enduring classics of the Blue Note catalog, kicking off on December 4 with the release of two masterpieces - pianist McCoy Tyner's The Real McCoy and trumpeter Lee Morgan's The Sidewinder - both of which are available for pre-order now. The Classic Series will be on-going, running alongside the Tone Poet Audiophile Vinyl Reissue Series which is produced by Joe Harley. & lt;/p & gt; & lt;section id= & quot;features & quot; & gt; & lt;h3 & gt;Features & lt;/h3 & gt; & lt;ul & gt; & lt;li & gt;Blue Note Classic Vinyl Reissue Series & lt;/li & gt; & lt;li & gt;180g Vinyl LP & lt;/li & gt; & lt;li & gt;All-Analog Pressing & lt;/li & gt; & lt;li & gt;Mastered by Kevin Gray at Cohearent Audio from original analog tapes & lt;/li & gt; & lt;li & gt;Manufactured at Optimal in Germany & lt;/li & gt; & lt;!--More features go here in & lt;li & gt; tags-- & gt; & lt;/ul & gt; & lt;/section & gt; & lt;section id= & quot;musicians & quot; & gt; & lt;h3 & gt;Musicians & lt;/h3 & gt; & lt;table & gt; & lt;tr & gt; & lt;th & gt;Freddie Hubbard & lt;/th & gt; & lt;td & gt;trumpet & lt;/td & gt; & lt;/tr & gt; & lt;tr & gt; & lt;th & gt;Wayne Shorter & lt;/th & gt; & lt;td & gt;tenor sax & lt;/td & gt; & lt;/tr & gt; & lt;tr & gt; & lt;th & gt;Herbie Hancock & lt;/th & gt; & lt;td & gt;piano & lt;/td & gt; & lt;/tr & gt; & lt;tr & gt; & lt;th & gt;Ron Carter & lt;/th & gt; & lt;td & gt;bass & lt;/td & gt; & lt;/tr & gt; & lt;tr & gt; & lt;th & gt;Elvin Jones & lt;/th & gt; & lt;td & gt;drums & lt;/td & gt; & lt;/tr & gt; & lt;/table & gt; & lt;/section & gt; & lt;section id= & quot;selections & quot; & gt; & lt;h3 & gt;Selections & lt;/h3 & gt; & lt;h4 & gt;Side A: & lt;/h4 & gt; & lt;ol & gt; & lt;li & gt;Witch Hunt & lt;/li & gt; & lt;li & gt;Fee-Fi-Fo-Fum & lt;/li & gt; & lt;li & gt;Dance Cadaverous & lt;/li & gt; & lt;!--More tracks go here in & lt;li & gt; tags-- & gt; & lt;/ol & gt; & lt;h4 & gt;Side B: & lt;/h4 & gt; & lt;ol & gt; & lt;li & gt;Speak No Evil & lt;/li & gt; & lt;li & gt;Infant Eyes & lt;/li & gt; & lt;li & gt;Wild Flower & lt;/li & gt; & lt;/ol & gt; & lt;/section & gt;
Blue Note
Wayne Shorter Speak No Evil Blue Note 180g LP (Vinyl)
Duke Pearson Merry Ole Soul (Blue Note Classic Vinyl Edition) 180g LP
& lt;header & gt; & lt;p & gt; & lt;strong & gt;Blue Note Classic Vinyl Reissue Series! & lt;br & gt; 180g Vinyl LP! & lt;br & gt; Mastered By Kevin Gray From Original Analog Tapes! & lt;br & gt; Pressed At Optimal! & lt;/strong & gt; & lt;/header & gt; & lt;p & gt; & lt;strong & gt;Michael Fremer Rated 8/11 Music, 9/11 Sonics! & lt;/strong & gt; & lt;/p & gt; & lt;p & gt;Pianist & lt;strong & gt;Duke Pearson & lt;/strong & gt; recorded his Christmas album in 1969 with & lt;strong & gt;Bob Cranshaw & lt;/strong & gt; on bass and & lt;strong & gt;Mickey Roker & lt;/strong & gt; on drums, as well as percussionist & lt;strong & gt;Airto Moreira & lt;/strong & gt; on several tracks. The only Christmas album recorded during Blue Note's classic era, the set includes holiday favorites including & quot;Sleigh Ride, & quot; & quot;Jingle Bells, & quot; & quot;Silent Night, & quot; and more. & lt;/p & gt; & lt;p & gt;This Blue Note Classic Vinyl Edition is all-analog, mastered by & lt;strong & gt;Kevin Gray & lt;/strong & gt; from the original master tapes, and pressed on 180g vinyl at Optimal. & lt;/p & gt; & lt;blockquote cite= & quot;www.analogplanet.com & quot; & gt; & quot;The record swings with great sophistication, the small combo plays nimbly and the sound is demo quality. It's a great listen in the foreground and would do well in the background at an adult party. This one gets near the front of my Christmas album favorites. A & amp;R Studios? 1969? You know the sound is great. And the good cheer permeates the arrangements and playing even if most of it was recorded on a sweltering August New York City day. Quick in and out, yes, but they nailed it! & quot; & lt;footer & gt; -Michael Fremer, Analog Planet, Music 10/11, Sound 10/11 & lt;/footer & gt; & lt;/blockquote & gt; & lt;section id= & quot;features & quot; & gt; & lt;h3 & gt;Features & lt;/h3 & gt; & lt;ul & gt; & lt;li & gt;Blue Note Classic Vinyl Reissue Series & lt;/li & gt; & lt;li & gt;180g Vinyl LP & lt;/li & gt; & lt;li & gt;All-Analog Pressing & lt;/li & gt; & lt;li & gt;Mastered by Kevin Gray at Cohearent Audio from original analog tapes & lt;/li & gt; & lt;li & gt;Manufactured at Optimal in Germany & lt;/li & gt; & lt;/ul & gt; & lt;/section & gt; & lt;section id= & quot;musicians & quot; & gt; & lt;h3 & gt;Musicians & lt;/h3 & gt; & lt;table & gt; & lt;tr & gt; & lt;th & gt;Duke Pearson & lt;/th & gt; & lt;td & gt;piano, celeste & lt;/td & gt; & lt;/tr & gt; & lt;tr & gt; & lt;th & gt;Bob Cranshaw & lt;/th & gt; & lt;td & gt;bass & lt;/td & gt; & lt;/tr & gt; & lt;tr & gt; & lt;th & gt;Mickey Roker & lt;/th & gt; & lt;td & gt;drums & lt;/td & gt; & lt;/tr & gt; & lt;tr & gt; & lt;th & gt;Airto Moreira & lt;/th & gt; & lt;td & gt;percussion & lt;/td & gt; & lt;/tr & gt; & lt;/table & gt; & lt;/section & gt; & lt;section id= & quot;selections & quot; & gt; & lt;h3 & gt;Selections & lt;/h3 & gt; & lt;h4 & gt;Side One: & lt;/h4 & gt; & lt;ol & gt; & lt;li & gt;Sleigh Ride & lt;/li & gt; & lt;li & gt;Little Drummer Boy & lt;/li & gt; & lt;li & gt;Have Yourself A Merry Little Christmas & lt;/li & gt; & lt;li & gt;Jingle Bells & lt;/li & gt; & lt;/ol & gt; & lt;h4 & gt;Side Two: & lt;/h4 & gt; & lt;ol & gt; & lt;li & gt;Santa Claus Is Coming To Town & lt;/li & gt; & lt;li & gt;Go Tell It On The Mountain & lt;/li & gt; & lt;li & gt;Wassail Song & lt;/li & gt; & lt;li & gt;Silent Night & lt;/li & gt; & lt;li & gt;O Little Town Of Bethlehem & lt;/li & gt; & lt;/ol & gt; & lt;/section & gt;
Blue Note
Duke Pearson Merry Ole Soul (Blue Note Classic Vinyl Edition) 180g LP
Blue Mitchell The Thing To Do LP (Vinyl)
& lt;font color= & quot;#FF0000 & quot; & gt; & lt;b & gt;1964 Recording Reissued On Vinyl LP! & lt;/b & gt; & lt;/font & gt; & lt;br & gt; & lt;br & gt; Blue Mitchell's The Thing To Do album was recorded in 1964 and released in 1965. The jazz trumpeter is joined by pianist Chick Corea, bassist Gene Taylor, Junior Cook on tenor sax, and Al Foster on drums. & lt;br & gt; & lt;br & gt; During the Blue Note 75th Anniversary celebration the label released 100 essential Blue Note LPs and asked New York times readers what titles they'd like to see make the list. This album was among five titles hand-selected for 2016 reissue by Blue Note President, Don Was, based on New York Times reader recommendations. & lt;br & gt; & lt;br & gt; & lt;b & gt;Features: & lt;/b & gt; & lt;br & gt; • Vinyl LP Reissue & lt;br & gt; & lt;br & gt; & lt;b & gt;Musicians: & lt;/b & gt; & lt;br & gt; Blue Mitchell, trumpet & lt;br & gt; Junior Cook, tenor saxophone & lt;br & gt; Chick Corea, piano & lt;br & gt; Gene Taylor, bass & lt;br & gt; Aloysius Foster, drums & lt;br & gt; & lt;br & gt; & lt;b & gt;Selections: & lt;br & gt; Side A: & lt;/b & gt; & lt;br & gt; 1. Fungii Mama & lt;br & gt; 2. Mona's Mood & lt;br & gt; 3. The Thing To Do & lt;br & gt; & lt;br & gt; & lt;b & gt;Side B: & lt;/b & gt; & lt;br & gt; 1. Step Lightly & lt;br & gt; 2. Chick's Tune
Blue Note
Blue Mitchell The Thing To Do LP (Vinyl)
Horace Silver Quintet 6 Pieces Of Silver (Blue Note Classic Vinyl Edition) 180g LP
& lt;header & gt; & lt;p & gt; & lt;strong & gt;Blue Note Classic Vinyl Reissue Series! & lt;br & gt; 180g Vinyl LP! & lt;br & gt; Mastered By Kevin Gray From Original Analog Tapes! & lt;br & gt; Pressed At Optimal! & lt;/strong & gt; & lt;/p & gt; & lt;/header & gt; & lt;p & gt;At 27 years, Horace Silver's tenure as a Blue Note recording artist was the longest of any artist in the history of the label. The legendary pianist and composer cut his first Blue Note session, Horace Silver Trio, in 1952 and his session for Silver 'N Strings Play The Music of the Spheres was the very last recording date before the label went dormant in 1979. In between, Silver recorded some of the most beloved albums in the Blue Note catalog, traversing bebop, hard bop, soul jazz, and charting his own path through the 1970s fusion movement. & lt;/p & gt; & lt;p & gt;With his 1956 album 6 Pieces of Silver, Silver struck gold with a sterling set of hard bop that introduced one of his greatest compositions, & quot;Se & amp;#241;or Blues. & quot; The indelible theme is one of five excellent Silver originals (plus the standard & quot;For Heaven's Sake & quot;) performed by an ace quintet featuring & lt;strong & gt;Donald Byrd & lt;/strong & gt; on trumpet, & lt;strong & gt;Hank Mobley & lt;/strong & gt; on tenor saxophone, & lt;strong & gt;Doug Watkins & lt;/strong & gt; on bass, and & lt;strong & gt;Louis Hayes & lt;/strong & gt; on drums. Other highlights include the hard swinging opener & quot;Cool Eyes, & quot; the stunning ballad & quot;Shirl, & quot; the intricate stop-start rhythm of & quot;Camouflage, & quot; and the beguiling Latin beat of & quot;Enchantment. & quot; & lt;/p & gt; & lt;p & gt;This Blue Note Classic Vinyl Edition is all-analog, mastered by Kevin Gray from the original master tapes, and pressed on 180g vinyl at Optimal. & lt;/p & gt; & lt;blockquote cite= & quot;www.allmusic.com & quot; & gt; ...[A] hard bop and gospel-tinged jazz gem. & lt;footer & gt; -Scott Yanow, AllMusic.com, 4.5/5 stars & lt;/footer & gt; & lt;/blockquote & gt; & lt;blockquote cite= & quot;www.pastemagazine.com & quot; & gt; To get a taste of what trumpeter Donald Byrd was getting up to before he became a funk-jazz assassin, spend a little time with the reissue of pianist Horace Silver's 1956 album Six Pieces of Silver. Silver's album is pure, uncut bop that sets Byrd up for success as he tangles playfully with Hank Mobley's tenor sax and piano solos that burst and sparkle like a fireworks display. The album also presaged the embrace of bossa nova and samba in jazz with Silver's brilliant 'Señor Blues.' & lt;footer & gt; -Robert Ham, Paste Magazine & lt;/footer & gt; & lt;/blockquote & gt; & lt;section id= & quot;features & quot; & gt; & lt;h3 & gt;Features & lt;/h3 & gt; & lt;ul & gt; & lt;li & gt;Blue Note Classic Vinyl Reissue Series & lt;/li & gt; & lt;li & gt;180g Vinyl LP & lt;/li & gt; & lt;li & gt;All-Analog Pressing & lt;/li & gt; & lt;li & gt;Mastered by Kevin Gray at Cohearent Audio from Original Analog Tapes & lt;/li & gt; & lt;li & gt;Manufactured at Optimal in Germany & lt;/li & gt; & lt;/ul & gt; & lt;/section & gt; & lt;section id= & quot;musicians & quot; & gt; & lt;h3 & gt;Musicians & lt;/h3 & gt; & lt;table & gt; & lt;tr & gt; & lt;th & gt;Donald Byrd & lt;/th & gt; & lt;td & gt;trumpet & lt;/td & gt; & lt;/tr & gt; & lt;tr & gt; & lt;th & gt;Hank Mobley & lt;/th & gt; & lt;td & gt;tenor sax & lt;/td & gt; & lt;/tr & gt; & lt;tr & gt; & lt;th & gt;Horace Silver & lt;/th & gt; & lt;td & gt;piano & lt;/td & gt; & lt;/tr & gt; & lt;tr & gt; & lt;th & gt;Doug Watkins & lt;/th & gt; & lt;td & gt;bass & lt;/td & gt; & lt;/tr & gt; & lt;tr & gt; & lt;th & gt;Louis Hayes & lt;/th & gt; & lt;td & gt;drums & lt;/td & gt; & lt;/tr & gt; & lt;/table & gt; & lt;/section & gt; & lt;section id= & quot;selections & quot; & gt; & lt;h3 & gt;Selections & lt;/h3 & gt; & lt;h4 & gt;Side A: & lt;/h4 & gt; & lt;ol & gt; & lt;li & gt;Cool Eyes & lt;/li & gt; & lt;li & gt;Shirl & lt;/li & gt; & lt;li & gt;Camouflage & lt;/li & gt; & lt;li & gt;Enchantment & lt;/li & gt; & lt;/ol & gt; & lt;h4 & gt;Side B: & lt;/h4 & gt; & lt;ol & gt; & lt;li & gt;Se & amp;#241;or Blues & lt;/li & gt; & lt;li & gt;Virgo & lt;/li & gt; & lt;li & gt;For Heaven's Sake & lt;/li & gt; & lt;/ol & gt; & lt;/section & gt;
Blue Note
Horace Silver Quintet 6 Pieces Of Silver (Blue Note Classic Vinyl Edition) 180g LP
Lee Morgan The Sidewinder Blue Note Classic Vinyl Series 180g LP
& lt;header & gt; & lt;p & gt; & lt;strong & gt;Blue Note Classic Vinyl Reissue Series! & lt;/strong & gt; & lt;br & gt; & lt;strong & gt;180g Vinyl LP! & lt;/strong & gt; & lt;strong & gt;Mastered By Kevin Gray From Original Analog Tapes! & lt;/strong & gt; & lt;/p & gt; & lt;/header & gt; & lt;p & gt;Lee Morgan's magnum opus The Sidewinder - recorded in 1963 and released in 1964 - was both a comeback and a coronation. The prodigious trumpeter had debuted on Blue Note in 1956 at the age of 18, but personal problems in the early-60s forced him off the scene temporarily. His rebound recording turned out to be The Sidewinder, an assured and energetic set of 5 indelible Morgan originals featuring tenor saxophonist & lt;strong & gt;Joe Henderson & lt;/strong & gt;, pianist & lt;strong & gt;Barry Harris & lt;/strong & gt;, bassist & lt;strong & gt;Bob Cranshaw & lt;/strong & gt;, and drummer & lt;strong & gt;Billy Higgins & lt;/strong & gt;. The album became his biggest commercial success fueled by the irrepressible title track. & lt;/p & gt; & lt;p & gt;Blue Note is proud to present the Blue Note Classic Vinyl Reissue Series, a continuation of their acclaimed Blue Note 80 Vinyl Reissue Series which was launched in celebration of their 80th anniversary in 2019. The Classic Series will once again feature all-analog 180g vinyl pressings in standard packaging that are mastered by Kevin Gray directly from the original master tapes and manufactured at Optimal in Germany. & lt;/p & gt; & lt;p & gt;In a review of the BN80 Vinyl Edition of Dexter Gordon's Doin' Allright, Analog Planet wrote & quot; & lt;strong & gt;this reissue is a success for Blue Note in terms of quality at a great price point, and I look forward to the rest of this excellent and affordable series. & lt;/strong & gt; & quot; In selecting the BN80 Vinyl Edition of Herbie Hancock's Takin' Off as their Recording of the Month, Stereophile awarded the sonics of the pressing 4 & amp;#189; stars writing & quot; & lt;strong & gt;The sound of this reissue is strong and articulate, with balance and clarity from all the instruments. & lt;/strong & gt; & quot; & lt;/p & gt; & lt;blockquote cite= & quot;www.pastemagazine.com & quot; & gt; 1964's The Sidewinder holds a special place as it became the label's best seller at the time, rescuing it from insolvency. And it's not hard to guess why it achieved such success. The five songs Morgan and his ensemble, which included saxophonist Joe Henderson, drummer Billy Higgins and wildly underrated bassist Bob Cranshaw, are steeped in the sounds of R & amp;B and early soul. The title track is all groove and hip-swinging sass, anchored by a bounding bassline, and tunes like 'Boy, What A Night' and 'Totem Pole' have the sleek, ineffable cool of a classic car and the energy of a boisterous nightclub. & lt;footer & gt; -Robert Ham, Paste Magazine & lt;/footer & gt; & lt;/blockquote & gt; & lt;section id= & quot;features & quot; & gt; & lt;h3 & gt;Features & lt;/h3 & gt; & lt;ul & gt; & lt;li & gt;Blue Note Classic Vinyl Reissue Series & lt;/li & gt; & lt;li & gt;180g Vinyl LP & lt;/li & gt; & lt;li & gt;All-Analog Pressing & lt;/li & gt; & lt;li & gt;Mastered by Kevin Gray at Cohearent Audio from original analog tapes & lt;/li & gt; & lt;li & gt;Manufactured at Optimal in Germany & lt;/li & gt; & lt;!--More features go here in & lt;li & gt; tags-- & gt; & lt;/ul & gt; & lt;/section & gt; & lt;section id= & quot;musicians & quot; & gt; & lt;h3 & gt;Musicians & lt;/h3 & gt; & lt;table & gt; & lt;tr & gt; & lt;th & gt;Lee Morgan & lt;/th & gt; & lt;td & gt;trumpet & lt;/td & gt; & lt;/tr & gt; & lt;tr & gt; & lt;th & gt;Joe Henderson & lt;/th & gt; & lt;td & gt;tenor saxophone & lt;/td & gt; & lt;/tr & gt; & lt;tr & gt; & lt;th & gt;Barry Harris & lt;/th & gt; & lt;td & gt;piano & lt;/td & gt; & lt;/tr & gt; & lt;tr & gt; & lt;th & gt;Bob Cranshaw & lt;/th & gt; & lt;td & gt;bass & lt;/td & gt; & lt;/tr & gt; & lt;tr & gt; & lt;th & gt;Billy Higgins & lt;/th & gt; & lt;td & gt;drums & lt;/td & gt; & lt;/tr & gt; & lt;!--More musician rows go here-- & gt; & lt;/table & gt; & lt;/section & gt; & lt;section id= & quot;selections & quot; & gt; & lt;h3 & gt;Selections & lt;/h3 & gt; & lt;h4 & gt;Side A: & lt;/h4 & gt; & lt;ol & gt; & lt;li & gt;The Sidewinder & lt;/li & gt; & lt;li & gt;Totem Pole & lt;/li & gt; & lt;/ol & gt; & lt;h4 & gt;Side B: & lt;/h4 & gt; & lt;ol & gt; & lt;li & gt;Gary's Notebook & lt;/li & gt; & lt;li & gt;Boy, What A Night & lt;/li & gt; & lt;li & gt;Hocus-Pocus & lt;/li & gt; & lt;/ol & gt; & lt;/section & gt;
Blue Note
Lee Morgan The Sidewinder Blue Note Classic Vinyl Series 180g LP
John Scofield & Pat Metheny I Can See Your House From Here (Blue Note Tone Poet) 180g 2LP (Vinyl)
& lt;header & gt; & lt;p & gt; & lt;strong & gt;180g Vinyl LP! & lt;/strong & gt; & lt;br & gt; & lt;strong & gt;Tone Poet Audiophile Vinyl Reissue Series! & lt;/strong & gt; & lt;br & gt; & lt;strong & gt;Mastered by Kevin Gray at Cohearent Audio From Original Master Tape! & lt;/strong & gt; & lt;br & gt; & lt;strong & gt;Produced By Music Matters' Joe Harley! & lt;/strong & gt; & lt;br & gt; & lt;strong & gt;Pressed at RTI! & lt;/strong & gt; & lt;/p & gt; & lt;/header & gt; & lt;p & gt; & lt;strong & gt;Analog Planet Rated 9/11 Music, 10/11 Sonics! & lt;/strong & gt; & lt;/p & gt; & lt;p & gt;Scofield and Metheny. What more needs to be said? A masterpiece meeting of musical minds, these two guitar virtuosos entered the studio in December 1993 with & lt;strong & gt;Steve Swallow & lt;/strong & gt; on bass guitar and & lt;strong & gt;Bill Stewart & lt;/strong & gt; on drums to create one of the greatest jazz guitar albums of all time. Produced by & lt;strong & gt;Lee Townsend, & lt;/strong & gt; I Can See Your House From Here is an 11-track set of Scofield and Metheny originals including Sco's expansive title track and Pat's rocking & quot;The Red One & quot; and the stunning ballad & quot;Message To My Friend. & quot; & lt;/p & gt; & lt;p & gt;The Blue Note Tone Poet Series was born out of Blue Note President Don Was's admiration for the exceptional audiophile Blue Note LP reissues presented by Music Matters. Was brought Joe Harley (from Music Matters), a.k.a. the & quot;Tone Poet, & quot; on board to curate and supervise a series of reissues from the Blue Note family of labels. & lt;/p & gt; & lt;p & gt;Extreme attention to detail has been paid to getting these right in every conceivable way, from the jacket graphics and printing quality to superior LP mastering (direct from the master tapes) by Kevin Gray to superb 180 gm audiophile LP pressings by Record Technology Inc. Every aspect of these Blue Note/Tone Poet releases is done to the highest possible standard. It means that you will never find a superior version. This is IT. & lt;/p & gt; & lt;p & gt;Blue Note Records' Tone Poet Audiophile Vinyl Reissue Series is produced by Joe Harley and features all-analog, mastered-from-the-original-master-tape 180g audiophile vinyl reissues in deluxe gatefold packaging. Mastering is by Kevin Gray (Cohearent Audio) and vinyl is manufactured at Record Technology Incorporated (RTI). & lt;/p & gt; & lt;blockquote cite= & quot;www.analogplanet.com & quot; & gt; The 11 tracks, all originals, run the gamut from absolute barn-burners, acoustic ballads, a tune that could be best described as light salsa, to a blues track, some synth and distortion-laden laid-back funk, two bouncy, sailor-esque jaunts, and a few tracks that could creatively be described as 'post-modern bop-ish'. The album is an absolute kaleidoscope of color, character, and consistency, delivering excellent track to track sequencing and effective flow. The session incorporates some wonderful palette-cleansers that help the listening experience simmer down between some of the more fiery tracks. This results in an effective balance between electric distortion and 'synthiness' and good ole' classical nylon and steel string technique... The mastering and pressing are beyond reproach, and in my experience are easily among the best within the whole series - especially factoring in how much improved this version is compared to the original CD. Despite its higher price tag, its more modern approach to jazz, as well as the stigma that surrounds vinyl sourced from digital (in this case, 24/88.2), it wouldn't be too far-fetched to say that when this series runs its course (not anytime soon!) this could be at the top of the series' many sonic gems. Add a gorgeous Stoughton gatefold jacket, and a flawless RTI pressing and you have a wonderful reissue that's a fresh, modern, sonic-thrill ride outside the familiar 50's and 60's jazz vault. well worth exploring. & lt;footer & gt; -Ryan Clarin, Analog Planet, Music 10/11, Sound 10/11 & lt;/footer & gt; & lt;/blockquote & gt; & lt;section id= & quot;features & quot; & gt; & lt;h3 & gt;Features & lt;/h3 & gt; & lt;ul & gt; & lt;li & gt;180g Vinyl & lt;/li & gt; & lt;li & gt;Tone Poet Audiophile Vinyl Reissue Series & lt;/li & gt; & lt;li & gt;Mastered by Kevin Gray at Cohearent Audio & lt;/li & gt; & lt;li & gt;Mastered From Original Master Tape & lt;/li & gt; & lt;li & gt;Reissue supervised by Joe Harley & lt;/li & gt; & lt;li & gt;Pressed at RTI & lt;/li & gt; & lt;li & gt;Gatefold Jacket & lt;/li & gt; & lt;!--More features go here in & lt;li & gt; tags-- & gt; & lt;/ul & gt; & lt;/section & gt; & lt;section id= & quot;musicians & quot; & gt; & lt;h3 & gt;Musicians & lt;/h3 & gt; & lt;table & gt; & lt;tr & gt; & lt;th & gt;John Scofield & lt;/th & gt; & lt;td & gt;guitar, steel-string acoustic guitar & lt;/td & gt; & lt;/tr & gt; & lt;tr & gt; & lt;th & gt;Pat Metheny & lt;/th & gt; & lt;td & gt;guitar, guitar synth, nylon-string acoustic guitar & lt;/td & gt; & lt;/tr & gt; & lt;tr & gt; & lt;th & gt;Steve Swallow & lt;/th & gt; & lt;td & gt;electric bass, acoustic bass guitar & lt;/td & gt; & lt;/tr & gt; & lt;tr & gt; & lt;th & gt;Bill Stewart & lt;/th & gt; & lt;td & gt;drums & lt;/td & gt; & lt;/tr & gt; & lt;/table & gt; & lt;/section & gt; & lt;section id= & quot;selections & quot; & gt; & lt;h3 & gt;Selections & lt;/h3 & gt; & lt;h4 & gt;Side 1: & lt;/h4 & gt; & lt;ol & gt; & lt;li & gt;I Can See Your House From Here & lt;/li & gt; & lt;li & gt;The Red One & lt;/li & gt; & lt;li & gt;No Matter What & lt;/li & gt; & lt;/ol & gt; & lt;h4 & gt;Side 2: & lt;/h4 & gt; & lt;ol & gt; & lt;li & gt;Everybody's Party & lt;/li & gt; & lt;li & gt;Message To My Friend & lt;/li & gt; & lt;li & gt;No Way Jose & lt;/li & gt; & lt;/ol & gt; & lt;h4 & gt;Side 3: & lt;/h4 & gt; & lt;ol & gt; & lt;li & gt;Say The Brother's Name & lt;/li & gt; & lt;li & gt;S.C.O. & lt;/li & gt; & lt;li & gt;Quiet Rising & lt;/li & gt; & lt;/ol & gt; & lt;h4 & gt;Side 4: & lt;/h4 & gt; & lt;ol & gt; & lt;li & gt;One Way To Be & lt;/li & gt; & lt;li & gt;You Speak My Language & lt;/li & gt; & lt;/ol & gt; & lt;/section & gt;
Blue Note
John Scofield & Pat Metheny I Can See Your House From Here (Blue Note Tone Poet) 180g 2LP (Vinyl)
Blue Note Re:imagined 2LP (Vinyl)
& lt;header & gt; & lt;p & gt; & lt;strong & gt;Classic Blue Note Tracks Reworked & amp; Recorded by New Jazz, Soul & amp; R & amp;B Talents On Double LP! & lt;/strong & gt; & lt;/p & gt; & lt;/header & gt; & lt;p & gt;Legendary labels Decca Records and Blue Note have joined forces for Blue Note Re:imagined; a brand-new collection of 16 classic Blue Note tracks, reworked and newly recorded by a selection of the UK scene's most exciting young talents. & lt;/p & gt; & lt;p & gt;Representing a bridge between the ground-breaking label's past and future, the project will feature contributions from a rollcall of internationally acclaimed jazz, soul and R & amp;B acts including & lt;strong & gt;Shabaka Hutchings, Ezra Collective, Nubya Garcia, Mr Jukes, Steam Down, Skinny Pelembe, Emma-Jean Thackray, Poppy Ajudha, Jordan Rakei & lt;/strong & gt; and Brit Award-winning & lt;strong & gt;Jorja Smith & lt;/strong & gt;, whose version of St Germain's & quot;Rose Rouge & quot; was released June 9, 2020. & lt;/p & gt; & lt;a name= & quot;SS & quot; & gt; & lt;/a & gt; & lt;iframe width= & quot;560 & quot; height= & quot;315 & quot; src= & quot;https://www.youtube.com/embed/iR16aJSsrM4 & quot; frameborder= & quot;0 & quot; allowfullscreen & gt; & lt;/iframe & gt; & lt;br & gt; & lt;br & gt; & lt;section id= & quot;features & quot; & gt; & lt;h3 & gt;Features & lt;/h3 & gt; & lt;ul & gt; & lt;li & gt;Double LP & lt;/li & gt; & lt;li & gt;Gatefold jacket & lt;/li & gt; & lt;li & gt;Made in Germany & lt;/li & gt; & lt;/ul & gt; & lt;/section & gt; & lt;section id= & quot;selections & quot; & gt; & lt;h3 & gt;Selections & lt;/h3 & gt; & lt;h4 & gt;Side A: & lt;/h4 & gt; & lt;ol & gt; & lt;li & gt;Jorja Smith - Rose Rouge & lt;/li & gt; & lt;li & gt;Ezra Collective - Footprints & lt;/li & gt; & lt;li & gt;Poppy Ajudha - Watermelon Man (Under The Sun) & lt;/li & gt; & lt;li & gt;Jordan Rakel - Wind Parade & lt;/li & gt; & lt;/ol & gt; & lt;h4 & gt;Side B: & lt;/h4 & gt; & lt;ol & gt; & lt;li & gt;Skinny Pelembe - Illusion (Silly Apparition) & lt;/li & gt; & lt;li & gt;Alfa Mist - Galaxy & lt;/li & gt; & lt;li & gt;Ishmael Ensemble - Search For Peace & lt;/li & gt; & lt;li & gt;Nubya Garcia - A Shade Of Jade & lt;/li & gt; & lt;/ol & gt; & lt;h4 & gt;Side C: & lt;/h4 & gt; & lt;ol & gt; & lt;li & gt;Steam DOwn - Etcetera (Feat. Afronaut Zu) & lt;/li & gt; & lt;li & gt;Blue Lab Beats - Montara & lt;/li & gt; & lt;li & gt;Yazmin Lacey - I'll Never Stop Loving You & lt;/li & gt; & lt;/ol & gt; & lt;h4 & gt;Side D: & lt;/h4 & gt; & lt;ol & gt; & lt;li & gt;Fieh - Armageddon & lt;/li & gt; & lt;li & gt;Mr Jukes - Maiden Voyage & lt;/li & gt; & lt;li & gt;Shabaka Hutchings - Prints Tie & lt;/li & gt; & lt;li & gt;Melt Yourself Down - Carribean Fire Dance & lt;/li & gt; & lt;li & gt;Emma-Jean Thackray - Speak No Evil / Night Dreamer & lt;/li & gt; & lt;/ol & gt; & lt;/section & gt;
Blue Note
Blue Note Re:imagined 2LP (Vinyl)
Kenny Cox Introducing Kenny Cox And The Contemporary Jazz Quintet (Blue Note Classic Vinyl Edition) 180g LP
& lt;header & gt; & lt;p & gt;Coming December 10, 2021 pre-order your copy today! Orders with both pre-order and in stock items will have all in stock items shipped immediately! & lt;/p & gt; & lt;/header & gt; & lt;header & gt; & lt;p & gt; & lt;strong & gt;Blue Note Classic Vinyl Reissue Series! & lt;br & gt; 180g Vinyl LP! & lt;br & gt; Mastered By Kevin Gray From Original Analog Tapes! & lt;br & gt; Pressed At Optimal! & lt;/strong & gt; & lt;/p & gt; & lt;/header & gt; & lt;p & gt;Many great Blue Note artists have hailed from the jazz hotbed of Detroit over the course of the label's history including Donald Byrd, Kenny Burrell, Paul Chambers, Thad Jones, Elvin Jones, Joe Henderson, and many more. Perhaps the only instance on an entire band coming out of Detroit was with Kenny Cox and The Contemporary Jazz Quintet, a fantastic but unsung combo led by pianist & lt;strong & gt;Kenny Cox & lt;/strong & gt; which featured Joe Henderson's brother & lt;strong & gt;Leon Henderson & lt;/strong & gt; on tenor saxophone, & lt;strong & gt;Charles Moore & lt;/strong & gt; on trumpet, & lt;strong & gt;Ron Brooks & lt;/strong & gt; on bass, and & lt;strong & gt;Danny Spencer & lt;/strong & gt; on drums. & lt;/p & gt; & lt;p & gt;The quintet made two excellent albums in the late 1960s including their debut album, Introducing Kenny Cox and The Contemporary Jazz Quintet, a hidden gem of the Blue Note catalog which was recorded in 1968. The band was certainly influenced by the post-bop explorations of the Miles Davis Quintet with Wayne Shorter, Herbie Hancock, Ron Carter, and Tony Williams, but the CJQ exhibited its own unique sensibilities on memorable originals like & quot;Mystique, & quot; & quot;Trance Dance, & quot; & quot;Diahnn, & quot; and David Durrah's beautiful piece & quot;You. & quot; & lt;/p & gt; & lt;p & gt;This Blue Note Classic Vinyl Edition is all-analog, mastered by Kevin Gray from the original master tapes, and pressed on 180g vinyl at Optimal. & lt;/p & gt; & lt;blockquote cite= & quot;www.allmusic.com & quot; & gt; Though well-versed in the traditions of jazz standards and bop, Cox and his ensemble resembles most closely here the classic Miles Davis quintet of the mid- and late '60s. But rather than merely aping Davis, the Contemporary Jazz Quintet had a muscular and urban group sensibility all its own. In that sense, this is fiery, expansive, and cerebral post-bop of the highest order. & lt;footer & gt; -Matt Collar, AllMusic.com, 4/5 stars & lt;/footer & gt; & lt;/blockquote & gt; & lt;section id= & quot;features & quot; & gt; & lt;h3 & gt;Features & lt;/h3 & gt; & lt;ul & gt; & lt;li & gt;Blue Note Classic Vinyl Reissue Series & lt;/li & gt; & lt;li & gt;180g Vinyl LP & lt;/li & gt; & lt;li & gt;All-Analog Pressing & lt;/li & gt; & lt;li & gt;Mastered by Kevin Gray from Original Analog Tapes & lt;/li & gt; & lt;li & gt;Manufactured at Optimal in Germany & lt;/li & gt; & lt;/ul & gt; & lt;/section & gt; & lt;section id= & quot;musicians & quot; & gt; & lt;h3 & gt;Musicians & lt;/h3 & gt; & lt;table & gt; & lt;tr & gt; & lt;th & gt;Ron Brooks & lt;/th & gt; & lt;td & gt;bass & lt;/td & gt; & lt;/tr & gt; & lt;tr & gt; & lt;th & gt;Kenny Cox & lt;/th & gt; & lt;td & gt;piano & lt;/td & gt; & lt;/tr & gt; & lt;tr & gt; & lt;th & gt;Leon Henderson & lt;/th & gt; & lt;td & gt;tenor sax & lt;/td & gt; & lt;/tr & gt; & lt;tr & gt; & lt;th & gt;Charles Moore & lt;/th & gt; & lt;td & gt;trumpet & lt;/td & gt; & lt;/tr & gt; & lt;tr & gt; & lt;th & gt;Danny Spencer & lt;/th & gt; & lt;td & gt;drums & lt;/td & gt; & lt;/tr & gt; & lt;!--More musician rows go here-- & gt; & lt;/table & gt; & lt;/section & gt; & lt;section id= & quot;selections & quot; & gt; & lt;h3 & gt;Selections & lt;/h3 & gt; & lt;h4 & gt;Side A: & lt;/h4 & gt; & lt;ol & gt; & lt;li & gt;Mystique & lt;/li & gt; & lt;li & gt;You & lt;/li & gt; & lt;li & gt;Trance Dance & lt;/li & gt; & lt;li & gt;Eclipse & lt;/li & gt; & lt;/ol & gt; & lt;h4 & gt;Side B: & lt;/h4 & gt; & lt;ol & gt; & lt;li & gt;Number Four & lt;/li & gt; & lt;li & gt;Diahnn & lt;/li & gt; & lt;/ol & gt; & lt;/section & gt;
Blue Note
Kenny Cox Introducing Kenny Cox And The Contemporary Jazz Quintet (Blue Note Classic Vinyl Edition) 180g LP
Jackie McLean Destination Out! (Blue Note Classic Vinyl Series) 180g LP
& lt;header & gt; & lt;p & gt;Coming January 21, 2022 pre-order your copy today! Orders with both pre-order and in stock items will have all in stock items shipped immediately! & lt;/p & gt; & lt;/header & gt; & lt;header & gt; & lt;p & gt; & lt;strong & gt;Blue Note Classic Vinyl Reissue Series! & lt;br & gt; 180g Vinyl LP! & lt;br & gt; Mastered By Kevin Gray From Original Analog Tapes! & lt;br & gt; Pressed At Optimal! & lt;br & gt; & lt;/strong & gt; & lt;/p & gt; & lt;/header & gt; & lt;p & gt;The innovative hard bop of & lt;strong & gt;Jackie McLean & lt;/strong & gt; evolved as the '60s progressed. Inspired by Ornette Coleman, the saxophonist ventured into the avant-garde but never let go of a soulful sense of swing. Destination Out! was his masterwork of inside-out jazz with & lt;strong & gt;Grachan Moncur III & lt;/strong & gt; on trombone, & lt;strong & gt;Bobby Hutcherson & lt;/strong & gt; on vibes, & lt;strong & gt;Larry Ridley & lt;/strong & gt; on bass and & lt;strong & gt;Roy Haynes & lt;/strong & gt; on drums. Blue Note Classic Vinyl Series is all-analog, mastered by Kevin Gray from the original master tapes, and pressed on 180-gram vinyl at Optimal. & lt;/p & gt; & lt;blockquote cite= & quot;www.allmusic.com & quot; & gt; If there was a perfect Blue Note session after John Coltrane's Blue Train, this was it....Of all of McLean's Blue Note dates, so many of which are classic jazz recordings, Destination Out! stands as the one that reveals the true soulfulness and complexity of his writing, arranging, and 'singing' voice. & lt;footer & gt; -Thom Jurek, AllMusic.com, 5/5 stars & lt;/footer & gt; & lt;/blockquote & gt; & lt;section id= & quot;features & quot; & gt; & lt;h3 & gt;Features & lt;/h3 & gt; & lt;ul & gt; & lt;li & gt;Blue Note Classic Vinyl Reissue Series & lt;/li & gt; & lt;li & gt;180g Vinyl LP & lt;/li & gt; & lt;li & gt;All-Analog Pressing & lt;/li & gt; & lt;li & gt;Mastered by Kevin Gray from Original Analog Tapes & lt;/li & gt; & lt;li & gt;Manufactured at Optimal in Germany & lt;/li & gt; & lt;/ul & gt; & lt;/section & gt; & lt;section id= & quot;musicians & quot; & gt; & lt;h3 & gt;Musicians & lt;/h3 & gt; & lt;table & gt; & lt;tr & gt; & lt;th & gt;Roy Haynes & lt;/th & gt; & lt;td & gt;drums & lt;/td & gt; & lt;/tr & gt; & lt;tr & gt; & lt;th & gt;Bobby Hutcherson & lt;/th & gt; & lt;td & gt;vibraphone & lt;/td & gt; & lt;/tr & gt; & lt;tr & gt; & lt;th & gt;Jackie McLean & lt;/th & gt; & lt;td & gt;alto sax & lt;/td & gt; & lt;/tr & gt; & lt;tr & gt; & lt;th & gt;Grachan Moncur III & lt;/th & gt; & lt;td & gt;trombone & lt;/td & gt; & lt;/tr & gt; & lt;tr & gt; & lt;th & gt;Larry Ridley & lt;/th & gt; & lt;td & gt;bass & lt;/td & gt; & lt;/tr & gt; & lt;!--More musician rows go here-- & gt; & lt;/table & gt; & lt;/section & gt; & lt;section id= & quot;selections & quot; & gt; & lt;h3 & gt;Selections & lt;/h3 & gt; & lt;h4 & gt;Side A: & lt;/h4 & gt; & lt;ol & gt; & lt;li & gt;Love And Hate & lt;/li & gt; & lt;li & gt;Esoteric & lt;/li & gt; & lt;/ol & gt; & lt;h4 & gt;Side B: & lt;/h4 & gt; & lt;ol & gt; & lt;li & gt;Kahlil The Prophet & lt;/li & gt; & lt;li & gt;Riff Raff & lt;/li & gt; & lt;/ol & gt; & lt;/section & gt;
Blue Note
Jackie McLean Destination Out! (Blue Note Classic Vinyl Series) 180g LP
Lee Morgan Cornbread 180g LP (Vinyl)
& lt;font color= & quot;#FF0000 & quot; & gt; & lt;b & gt;All Analog 180g Vinyl LP! & lt;br & gt; Tone Poet Audiophile Vinyl Reissue Series! & lt;br & gt; Mastered by Kevin Gray at Cohearent Audio From Original Analog Tape! & lt;br & gt; Produced By Music Matters' Joe Harley! & lt;br & gt; Pressed at RTI! & lt;/b & gt; & lt;/font & gt; & lt;br & gt; & lt;br & gt; Lee Morgan assembled an astounding crew for this epic session: Hank Mobley, Jackie McLean, Herbie Hancock, Larry Ridley and Billy Higgins on drums, and Cornbread captures Morgan and everyone involved at their absolute best. & lt;br & gt; & lt;br & gt; Tone Poet Audiophile Vinyl Reissue Series: & quot;Tone Poet & quot; Joe Harley—co-founder and co-producer of the acclaimed Music Matters audiophile vinyl series—is the producer of this new series of all-analog, mastered-from-the-original-master-tape 180g audiophile vinyl reissues in deluxe gatefold packaging. Mastering was done by Kevin Gray (Cohearent Audio) and vinyl was manufactured at Record Technology Incorporated (RTI). The titles were handpicked by Harley and cover lesser-known Blue Note classics, modern era standouts, and albums from other labels under the Blue Note catalog. & lt;br & gt; & lt;br & gt; Extreme attention to detail has been paid to getting these right in every conceivable way, from the jacket graphics and printing quality to superior LP mastering (direct from the master tapes) by Kevin Gray to superb 180 gm audiophile LP pressings by Record Technology Inc. Every aspect of these Blue Note/Tone Poet releases is done to the highest possible standard. It means that you will never find a superior version. This is IT. & lt;br & gt; & lt;br & gt; The so-called Tone Poet (Joe Harley) is confident that his audiophile reissues will allow 21st-century listeners to hear what the musicians heard as the master tape was played back on the studio monitors in Rudy Van Gelder’s studio 50 or 60 years ago. He believes that, in terms of quality, Blue Note albums have never sounded or looked better. & quot; & lt;b & gt;Every aspect of these Blue Note releases is done to the highest possible standard, & quot; & lt;/b & gt;he says. & lt;b & gt; & quot;It means that you will never find a superior version. & quot; & lt;/b & gt; & lt;br & gt; & lt;br & gt; & lt;b & gt;Features: & lt;/b & gt; & lt;br & gt; & amp;bull; All Analog 180g Vinyl & lt;br & gt; & amp;bull; Tone Poet Audiophile Vinyl Reissue Series & lt;br & gt; & amp;bull; Mastered by Kevin Gray at Cohearent Audio & lt;br & gt; & amp;bull; Mastered From Original Master Tape & lt;br & gt; & amp;bull; Reissue supervised by Joe Harley & lt;br & gt; & amp;bull; Pressed at RTI & lt;br & gt; & amp;bull; Gatefold jacket & lt;br & gt; & lt;br & gt; & lt;b & gt;Musicians: & lt;/b & gt; & lt;br & gt; Lee Morgan, trumpet & lt;br & gt; Jackie McLean, alto sax & lt;br & gt; Hank Mobley, tenor sax & lt;br & gt; Herbie Hancock, piano & lt;br & gt; Larry Ridley, bass & lt;br & gt; Billy Higgins, drums & lt;br & gt; & lt;br & gt; & lt;b & gt;Selections: & lt;br & gt; Side A: & lt;/b & gt; & lt;br & gt; 1. Cornbread & lt;br & gt; 2. Our Man Higgins & lt;br & gt; & lt;b & gt;Side B: & lt;/b & gt; & lt;br & gt; 1. Ceora & lt;br & gt; 2. Ill Wind & lt;br & gt; 3. Most Like Lee
Blue Note
Lee Morgan Cornbread 180g LP (Vinyl)
Kenny Burrell Midnight Blue (Blue Note Classic Vinyl Edition) 180g LP
& lt;header & gt; & lt;p & gt; & lt;strong & gt;Blue Note Classic Vinyl Reissue Series! & lt;br & gt; 180g Vinyl LP! & lt;br & gt; Mastered By Kevin Gray From Original Analog Tapes! & lt;br & gt; Pressed At Optimal! & lt;/strong & gt; & lt;/p & gt; & lt;/header & gt; & lt;p & gt;Guitarist Kenny Burrell debuted on Blue Note Records in 1956 and over the following seven years made a series of excellent albums for the label that culminated with his masterwork Midnight Blue. Recorded in 1963, the album waded deep into the blues, conjuring an alluring late-night vibe with a profoundly soulful cast including tenor saxophonist Stanley Turrentine, bassist Major Holley, Jr., drummer Bill English, and Ray Barretto on congas. Burrell originals including & quot;Chitlins con Carne, & quot; & quot;Midnight Blue, & quot; & quot;Saturday Night Blues, & quot; and the stunning solo guitar piece & quot;Soul Lament & quot; set the tone for this timeless classic adorned by one of the all-time great Reid Miles cover designs. This Blue Note Classic Vinyl Edition is all-analog, mastered by Kevin Gray from the original master tapes, and pressed on 180g vinyl at Optimal. & lt;/p & gt; & lt;section id= & quot;features & quot; & gt; & lt;h3 & gt;Features & lt;/h3 & gt; & lt;ul & gt; & lt;li & gt;Blue Note Classic Vinyl Reissue Series & lt;/li & gt; & lt;li & gt;180g Vinyl LP & lt;/li & gt; & lt;li & gt;All-Analog Pressing & lt;/li & gt; & lt;li & gt;Mastered by Kevin Gray at Cohearent Audio from original analog tapes & lt;/li & gt; & lt;li & gt;Manufactured at Optimal in Germany & lt;/li & gt; & lt;/ul & gt; & lt;/section & gt; & lt;section id= & quot;musicians & quot; & gt; & lt;h3 & gt;Musicians & lt;/h3 & gt; & lt;table & gt; & lt;tr & gt; & lt;th & gt;Stanley Turrentine & lt;/th & gt; & lt;td & gt;tenor sax & lt;/td & gt; & lt;/tr & gt; & lt;tr & gt; & lt;th & gt;Kenny Burrell & lt;/th & gt; & lt;td & gt;guitar & lt;/td & gt; & lt;/tr & gt; & lt;tr & gt; & lt;th & gt;Major Holley, Jr. & lt;/th & gt; & lt;td & gt;bass & lt;/td & gt; & lt;/tr & gt; & lt;tr & gt; & lt;th & gt;Bill English & lt;/th & gt; & lt;td & gt;drums & lt;/td & gt; & lt;/tr & gt; & lt;tr & gt; & lt;th & gt;Ray Barretto & lt;/th & gt; & lt;td & gt;conga & lt;/td & gt; & lt;/tr & gt; & lt;/table & gt; & lt;/section & gt; & lt;section id= & quot;selections & quot; & gt; & lt;h3 & gt;Selections & lt;/h3 & gt; & lt;h4 & gt;Side A: & lt;/h4 & gt; & lt;ol & gt; & lt;li & gt;Chitlins Con Carne & lt;/li & gt; & lt;li & gt;Mule & lt;/li & gt; & lt;li & gt;Soul Lament & lt;/li & gt; & lt;li & gt;Midnight Blue & lt;/li & gt; & lt;/ol & gt; & lt;h4 & gt;Side B: & lt;/h4 & gt; & lt;ol & gt; & lt;li & gt;Wavy Gravy & lt;/li & gt; & lt;li & gt;Gee Baby Ain't I Good To You & lt;/li & gt; & lt;li & gt;Saturday Night Blues & lt;/li & gt; & lt;/ol & gt; & lt;/section & gt;
Blue Note
Kenny Burrell Midnight Blue (Blue Note Classic Vinyl Edition) 180g LP
Johnny Griffin Introducing Johnny Griffin 180g LP (Vinyl)
& lt;font color= & quot;#FF0000 & quot; & gt; & lt;b & gt;Blue Note 80 Vinyl Reissue Series! & lt;br & gt; Debut Album On 180g Vinyl LP! & lt;/b & gt; & lt;/font & gt; & lt;br & gt; & lt;br & gt; & lt;b & gt;Blue Note 80 Vinyl Reissue Series! & lt;/b & gt; & lt;br & gt; In honor of Blue Note Records' 80th Anniversary, the legendary Jazz label is launching the Blue Note 80 Vinyl Reissue Series. Distinct from the Tone Poet Audiophile Vinyl Reissue Series, this 2nd series curated by Don Was and Cem Kurosman features mid-priced 180g vinyl releases in standard packaging with albums spanning the many eras of the label's history presented by themes: Blue Note Debuts, Blue Grooves, Great Reid Miles Covers, Blue Note Live, and Blue Note Drummer Leaders. & lt;br & gt; & lt;br & gt; Tenor saxophonist Johnny Griffin blew out of Chicago and made his debut album for Blue Note Records in 1956 steering a nimble quartet with pianist Wynton Kelly, bassist Curly Russell, and drummer Max Roach through a fantastic set of originals and standards. From the blistering opener & quot;Mil Dew & quot; to the loping & quot;Chicago Calling & quot; and bluesy & quot;Nice and Easy & quot;, Griffin's staggering technical ability and buoyant swing is readily apparent at every twist and turn. & lt;br & gt; & lt;br & gt; & lt;b & gt;Features: & lt;/b & gt; & lt;br & gt; & amp;bull; Blue Note 80 Vinyl Reissue Series & lt;br & gt; & amp;bull; 180g Vinyl LP & lt;br & gt; & amp;bull; Made in Germany & lt;br & gt; & lt;br & gt; & lt;b & gt;Musicians: & lt;/b & gt; & lt;br & gt; Johnny Griffin, tenor saxophone & lt;br & gt; Wynton Kelly, piano & lt;br & gt; Curly Russell, bass & lt;br & gt; Max Roach, drums & lt;br & gt; & lt;br & gt; & lt;b & gt;Selections: & lt;br & gt; Side A: & lt;/b & gt; & lt;br & gt; 1. Mil Dew & lt;br & gt; 2. Chicago Calling & lt;br & gt; 3. These Foolish Things & lt;br & gt; 4. The Boy Next Door & lt;br & gt; & lt;b & gt;Side B: & lt;/b & gt; & lt;br & gt; 1. Nice And Easy & lt;br & gt; 2. It's Alright With Me & lt;br & gt; 3. Lover Man
Blue Note
Johnny Griffin Introducing Johnny Griffin 180g LP (Vinyl)
Eric Dolphy Out To Lunch (Blue Note Classic Vinyl Edition) 180g LP
& lt;header & gt; & lt;p & gt; & lt;strong & gt;Blue Note Classic Vinyl Reissue Series! 180g Vinyl LP! & lt;br & gt; Mastered By Kevin Gray From Original Analog Tapes! & lt;br & gt; Pressed At Optimal! & lt;/strong & gt; & lt;/p & gt; & lt;/header & gt; & lt;p & gt;In February 1964, & lt;strong & gt;Eric Dolphy & lt;/strong & gt; assembled a formidable quintet of modern jazz visionaries with & lt;strong & gt;Freddie Hubbard & lt;/strong & gt; on trumpet, & lt;strong & gt;Bobby Hutcherson & lt;/strong & gt; on vibraphone, & lt;strong & gt;Richard Davis & lt;/strong & gt; on bass, and & lt;strong & gt;Tony Williams & lt;/strong & gt; on drums, and headed into Rudy Van Gelder's studio to record what would stand as his masterwork: Out To Lunch! & lt;/p & gt; & lt;p & gt;A genius artist of startling originality, Dolphy managed to possess the revolutionary spirit of the avant-garde while keeping a foot firmly planted in the feeling of swing, a rare feat that the five original pieces here perfectly captured from the offbeat swagger of the opening Monk tribute & quot;Hat And Beard & quot; to the careening closer & quot;Straight Up And Down & quot;. & lt;/p & gt; & lt;p & gt;This Blue Note Classic Vinyl Edition is all-analog, mastered by Kevin Gray from the original master tapes, and pressed on 180g vinyl at Optimal. & lt;/p & gt; & lt;section id= & quot;features & quot; & gt; & lt;h3 & gt;Features & lt;/h3 & gt; & lt;ul & gt; & lt;li & gt;Blue Note Classic Vinyl Reissue Series & lt;/li & gt; & lt;li & gt;180g Vinyl LP & lt;/li & gt; & lt;li & gt;All-Analog Pressing & lt;/li & gt; & lt;li & gt;Mastered by Kevin Gray at Cohearent Audio from original analog tapes & lt;/li & gt; & lt;li & gt;Manufactured at Optimal in Germany & lt;/li & gt; & lt;/ul & gt; & lt;/section & gt; & lt;section id= & quot;musicians & quot; & gt; & lt;h3 & gt;Musicians & lt;/h3 & gt; & lt;table & gt; & lt;tr & gt; & lt;th & gt;Freddie Hubbard & lt;/th & gt; & lt;td & gt;trumpet & lt;/td & gt; & lt;/tr & gt; & lt;tr & gt; & lt;th & gt;Eric Dolphy & lt;/th & gt; & lt;td & gt;alto sax, flute, bass clarinet & lt;/td & gt; & lt;/tr & gt; & lt;tr & gt; & lt;th & gt;Bobby Hutcherson & lt;/th & gt; & lt;td & gt;vibes & lt;/td & gt; & lt;/tr & gt; & lt;tr & gt; & lt;th & gt;Richard Davis & lt;/th & gt; & lt;td & gt;bass & lt;/td & gt; & lt;/tr & gt; & lt;tr & gt; & lt;th & gt;Anthony Williams & lt;/th & gt; & lt;td & gt;drums & lt;/td & gt; & lt;/tr & gt; & lt;/table & gt; & lt;/section & gt; & lt;section id= & quot;selections & quot; & gt; & lt;h3 & gt;Selections & lt;/h3 & gt; & lt;h4 & gt;Side A: & lt;/h4 & gt; & lt;ol & gt; & lt;li & gt;Hat And Beard & lt;/li & gt; & lt;li & gt;Something Sweet, Something Tender & lt;/li & gt; & lt;li & gt;Gazzelloni & lt;/li & gt; & lt;/ol & gt; & lt;h4 & gt;Side B: & lt;/h4 & gt; & lt;ol & gt; & lt;li & gt;Out To Lunch & lt;/li & gt; & lt;li & gt;Straight Up And Down & lt;/li & gt; & lt;/ol & gt; & lt;/section & gt;
Blue Note
Eric Dolphy Out To Lunch (Blue Note Classic Vinyl Edition) 180g LP
Baby Face Willette Face To Face 180g LP (Vinyl)
& lt;font color= & quot;#FF0000 & quot; & gt; & lt;b & gt;All Analog 180g Vinyl LP! & lt;br & gt; Tone Poet Audiophile Vinyl Reissue Series! & lt;br & gt; Mastered by Kevin Gray at Cohearent Audio From Original Analog Tape! & lt;br & gt; Produced By Music Matters' Joe Harley! & lt;br & gt; Pressed at RTI! & lt;/b & gt; & lt;/font & gt; & lt;br & gt; & lt;br & gt; Hammond B-3 organ soul jazz fans know and love the music of Jimmy Smith, but lesser known is the tragically short life and career of Roosevelt & quot;Baby Face & quot; Willette who produced some of the deepest grooves ever recorded on the B-3 on just two Blue Note albums recorded in 1961. Willette’s debut Face to Face is a showcase for his blues-drenched organ pyrotechnics. Joined by the brilliant guitarist Grant Green, tenor sax master Fred Jackson and the rock-solid drums of Ben Dixon. & lt;br & gt; & lt;br & gt; Nicknamed & quot;Baby Face & quot; on account of his fresh features and youthful visage, soul jazz organist Roosevelt Willette played his instrument with a sanctified fervour that reflected his roots in gospel music. & lt;br & gt; & lt;br & gt; Tone Poet Audiophile Vinyl Reissue Series: & quot;Tone Poet & quot; Joe Harley—co-founder and co-producer of the acclaimed Music Matters audiophile vinyl series—is the producer of this new series of all-analog, mastered-from-the-original-master-tape 180g audiophile vinyl reissues in deluxe gatefold packaging. Mastering was done by Kevin Gray (Cohearent Audio) and vinyl was manufactured at Record Technology Incorporated (RTI). The titles were handpicked by Harley and cover lesser-known Blue Note classics, modern era standouts, and albums from other labels under the Blue Note catalog. & lt;br & gt; & lt;br & gt; Extreme attention to detail has been paid to getting these right in every conceivable way, from the jacket graphics and printing quality to superior LP mastering (direct from the master tapes) by Kevin Gray to superb 180 gm audiophile LP pressings by Record Technology Inc. Every aspect of these Blue Note/Tone Poet releases is done to the highest possible standard. It means that you will never find a superior version. This is IT. & lt;br & gt; & lt;br & gt; The so-called Tone Poet (Joe Harley) is confident that his audiophile reissues will allow 21st-century listeners to hear what the musicians heard as the master tape was played back on the studio monitors in Rudy Van Gelder’s studio 50 or 60 years ago. He believes that, in terms of quality, Blue Note albums have never sounded or looked better. & lt;b & gt; & quot;Every aspect of these Blue Note releases is done to the highest possible standard, & quot; & lt;/b & gt; he says. & lt;b & gt; & quot;It means that you will never find a superior version. & quot; & lt;/b & gt; & lt;br & gt; & lt;br & gt; & lt;b & gt;Features: & lt;/b & gt; & lt;br & gt; & amp;bull; All Analog 180g Vinyl & lt;br & gt; & amp;bull; Tone Poet Audiophile Vinyl Reissue Series & lt;br & gt; & amp;bull; Mastered by Kevin Gray at Cohearent Audio & lt;br & gt; & amp;bull; Mastered From Original Master Tape & lt;br & gt; & amp;bull; Reissue supervised by Joe Harley & lt;br & gt; & amp;bull; Pressed at RTI & lt;br & gt; & amp;bull; Gatefold jacket & lt;br & gt; & lt;br & gt; & lt;b & gt;Musicians: & lt;/b & gt; & lt;br & gt; Fred Jackson, tenor sax & lt;br & gt; Grant Green, guitar & lt;br & gt; & quot;Baby Face & quot; Willette, organ & lt;br & gt; Ben Dixon, drums & lt;br & gt; & lt;br & gt; & lt;b & gt;Selections: & lt;br & gt; Side A: & lt;/b & gt; & lt;br & gt; 1. Swingin' At Sugar Ray's & lt;br & gt; 2. Goin' Down & lt;br & gt; 3. Whatever Lola Wants & lt;br & gt; & lt;b & gt;Side B: & lt;/b & gt; & lt;br & gt; 1. Face To Face & lt;br & gt; 2. Somethin' Strange & lt;br & gt; 3. High 'n Low
Blue Note
Baby Face Willette Face To Face 180g LP (Vinyl)
Grant Green Born To Be Blue 180g LP (Vinyl)
& lt;header & gt; & lt;p & gt; & lt;strong & gt;All Analog 180g Vinyl LP! & lt;br & gt; Tone Poet Audiophile Vinyl Reissue Series! & lt;br & gt; Mastered by Kevin Gray at Cohearent Audio From Original Analog Tape! & lt;br & gt; Produced By Music Matters' Joe Harley! & lt;br & gt; Pressed at RTI! & lt;/strong & gt; & lt;/p & gt; & lt;/header & gt; & lt;p & gt; & lt;strong & gt;Positive Feedback 2020 Writer's Choice Award Winner! & lt;/strong & gt; & lt;/p & gt; & lt;p & gt;Born to Be Blue is an album by American jazz guitarist Grant Green featuring performances recorded in 1962 and released on the Blue Note label. The AllMusic review by Alex Henderson awarded the album 4 & amp;#189; stars and stated & lt;strong & gt; & quot;Although Grant Green provided his share of groove-oriented soul-jazz and modal post-bop, his roots were hard bop, and it is in a bop-oriented setting that the guitarist excels on Born to Be Blue. & quot; & lt;/strong & gt; & lt;/p & gt; & lt;p & gt;Tone Poet Audiophile Vinyl Reissue Series: & quot;Tone Poet & quot; Joe Harley & amp;#8212;co-founder and co-producer of the acclaimed Music Matters audiophile vinyl series & amp;#8212;is the producer of this new series of all-analog, mastered-from-the-original-master-tape 180g audiophile vinyl reissues in deluxe gatefold packaging. Mastering was done by Kevin Gray (Cohearent Audio) and vinyl was manufactured at Record Technology Incorporated (RTI). The titles were handpicked by Harley and cover lesser-known Blue Note classics, modern era standouts, and albums from other labels under the Blue Note catalog. & lt;/p & gt; & lt;p & gt;Extreme attention to detail has been paid to getting these right in every conceivable way, from the jacket graphics and printing quality to superior LP mastering (direct from the master tapes) by Kevin Gray to superb 180 gm audiophile LP pressings by Record Technology Inc. Every aspect of these Blue Note/Tone Poet releases is done to the highest possible standard. It means that you will never find a superior version. This is IT. & lt;/p & gt; & lt;p & gt;The so-called Tone Poet (Joe Harley) is confident that his audiophile reissues will allow 21st-century listeners to hear what the musicians heard as the master tape was played back on the studio monitors in Rudy Van Gelder's studio 50 or 60 years ago. He believes that, in terms of quality, Blue Note albums have never sounded or looked better. & lt;strong & gt; & quot;Every aspect of these Blue Note releases is done to the highest possible standard, & quot; & lt;/strong & gt; he says. & lt;strong & gt; & quot;It means that you will never find a superior version. & quot; & lt;/strong & gt; & lt;/p & gt; & lt;blockquote cite= & quot;https:://positive-feedback.com & quot; & gt; There was no shortage of choices in this category either led this year by the many new releases from the Blue Note vaults by Joe Harley and Tone Poet. Born to Be Blue was one of the albums Green recorded with Sonny Clark in 1961-62 that wasn't released until after his death. Sometimes it's great while listening to Grant Green to genuflect upon what stands out the most about his playing. The answer on Born to Be Blue is Green's trademark clean, clear tone and rhythmic drive that is just punctuated by all the little technical things he does and the legatos, staccatos, quarter notes, accents, etc. Another thing that always amazes me about Green is the great musicians with which he surrounded himself. Green is accompanied on Born to Be Blue with legendary tenor sax player Ike Quebec, pianist Sonny Clark, bassist Sam Jones and drummer Louis Hayes doing a number of jazz standards culled from the 1920s thru the 1950s. Sadly Green died way before his time. & lt;footer & gt; -Myles Astor, Positive Feedback, 2020 Writer's Choice Award For Reissued Recordings: Jazz recording, LP & lt;/footer & gt; & lt;/blockquote & gt; & lt;section id= & quot;features & quot; & gt; & lt;h3 & gt;Features & lt;/h3 & gt; & lt;ul & gt; & lt;li & gt;All Analog 180g Vinyl & lt;/li & gt; & lt;li & gt;Tone Poet Audiophile Vinyl Reissue Series & lt;/li & gt; & lt;li & gt;Mastered by Kevin Gray at Cohearent Audio & lt;/li & gt; & lt;li & gt;Mastered From Original Master Tape & lt;/li & gt; & lt;li & gt;Reissue supervised by Joe Harley & lt;/li & gt; & lt;li & gt;Pressed at RTI & lt;/li & gt; & lt;li & gt;Gatefold jacket & lt;/li & gt; & lt;/ul & gt; & lt;/section & gt; & lt;section id= & quot;musicians & quot; & gt; & lt;h3 & gt;Musicians & lt;/h3 & gt; & lt;table & gt; & lt;tr & gt; & lt;th & gt;Grant Green & lt;/th & gt; & lt;td & gt;guitar & lt;/td & gt; & lt;/tr & gt; & lt;tr & gt; & lt;th & gt;Ike Quebec & lt;/th & gt; & lt;td & gt;tenor saxophone & lt;/td & gt; & lt;/tr & gt; & lt;tr & gt; & lt;th & gt;Sonny Clark & lt;/th & gt; & lt;td & gt;piano & lt;/td & gt; & lt;/tr & gt; & lt;tr & gt; & lt;th & gt;Sam Jones & lt;/th & gt; & lt;td & gt;bass & lt;/td & gt; & lt;/tr & gt; & lt;tr & gt; & lt;th & gt;Louis Hayes & lt;/th & gt; & lt;td & gt;drums & lt;/td & gt; & lt;/tr & gt; & lt;/table & gt; & lt;/section & gt; & lt;section id= & quot;selections & quot; & gt; & lt;h3 & gt;Selections & lt;/h3 & gt; & lt;h4 & gt;Side One: & lt;/h4 & gt; & lt;ol & gt; & lt;li & gt;Someday My Prince Will Come & lt;/li & gt; & lt;li & gt;Born To Be Blue & lt;/li & gt; & lt;li & gt;If I Should Lose You & lt;/li & gt; & lt;/ol & gt; & lt;h4 & gt;Side Two: & lt;/h4 & gt; & lt;ol & gt; & lt;li & gt;Back In Your Own Backyard & lt;/li & gt; & lt;li & gt;My One And Only Love & lt;/li & gt; & lt;li & gt;Count Every Star & lt;/li & gt; & lt;/ol & gt; & lt;/section & gt;
Blue Note
Grant Green Born To Be Blue 180g LP (Vinyl)
Sonny Rollins A Night At the Village Vanguard LP (Vinyl)
& lt;font color= & quot;#FF0000 & quot; & gt; & lt;b & gt;Newly Remastered For Blue Note 75th Anniversary Vinyl! & lt;br & gt; Remastered by Bernie Grundman at Bernie Grundman Mastering! & lt;/b & gt; & lt;/font & gt; & lt;br & gt; & lt;br & gt; Newly-remastered for vinyl as part of an overall Blue Note 75th anniversary vinyl reissue campaign spearheaded by current Blue Note Records President, Don Was. & lt;br & gt; & lt;br & gt; A Night At the Village Vanguard was recorded in 1957 by jazz great Sonny Rollins. The album features Rollins on tenor sax, Wilbur Ware on bass, Elvin Jones on drums, Donald Bailey on bass and Pete La Roca on drums. & lt;br & gt; & lt;br & gt; & lt;b & gt;Features: & lt;/b & gt; & lt;br & gt; • Vinyl LP & lt;br & gt; • First run of vinyl includes special Blue Note 75 vinyl sleeve that features album cover art for 75 Blue Note Titles & lt;br & gt; • Newly remastered for vinyl & lt;br & gt; • Remastered by Bernie Grundman at Bernie Grundman Mastering & lt;br & gt; & lt;br & gt; & lt;b & gt;Musicians: & lt;/b & gt; & lt;br & gt; Sonny Rollins, tenor sax & lt;br & gt; Wilbur Ware, bass & lt;br & gt; Elvin Jones, drums & lt;br & gt; Donald Bailey, bass & lt;br & gt; Pete La Roca, drums & lt;br & gt; & lt;br & gt; & lt;b & gt;Selections: & lt;/b & gt; & lt;br & gt; 1. Old Devil Moon & lt;br & gt; 2. Softly As In a Morning Sunrise & lt;br & gt; 3. Striver's Row & lt;br & gt; 4. Sonnymoon For Two & lt;br & gt; 5. A Night In Tunisia & lt;br & gt; 6. I Can't Get Started
Blue Note
Sonny Rollins A Night At the Village Vanguard LP (Vinyl)
Joe Henderson Page One Blue Note Classic Vinyl Series 180g LP
& lt;header & gt; & lt;p & gt; & lt;strong & gt;Blue Note Classic Vinyl Reissue Series! & lt;/strong & gt; & lt;br & gt; & lt;strong & gt;180g Vinyl LP! & lt;/strong & gt; & lt;br & gt; & lt;strong & gt;Mastered By Kevin Gray From Original Master Tapes! & lt;/strong & gt; & lt;/p & gt; & lt;/header & gt; & lt;p & gt;While Joe Henderson seemed to arrive fully formed on his auspicious 1963 debut Page One, the album was really a showcase for the transcendent collaboration between the tenor saxophonist and trumpeter Kenny Dorham who would form a potent frontline team on numerous classics. Opens with a pair of indelible Dorham compositions ( & quot;Blue Bossa & quot;/ & quot;La Mesha & quot;), the 6-song set penned by Henderson includes & quot;Recorda-Me. & quot; & lt;/p & gt; & lt;p & gt;This Blue Note Classic Vinyl Edition is all-analog, mastered by Kevin Gray from the original master tapes, and pressed on 180g vinyl at Optimal. & lt;/p & gt; & lt;p & gt;Blue Note is proud to present the Blue Note Classic Vinyl Reissue Series, a continuation of their acclaimed Blue Note 80 Vinyl Reissue Series which was launched in celebration of their 80th anniversary in 2019. The Classic Series will once again feature all-analog 180g vinyl pressings in standard packaging that are mastered by Kevin Gray directly from the original master tapes and manufactured at Optimal in Germany. & lt;/p & gt; & lt;p & gt;In a review of the BN80 Vinyl Edition of Dexter Gordon's Doin' Allright, Analog Planet wrote & quot;this reissue is a success for Blue Note in terms of quality at a great price point, and I look forward to the rest of this excellent and affordable series. & quot; In selecting the BN80 Vinyl Edition of Herbie Hancock's Takin' Off as their Recording of the Month, Stereophile awarded the sonics of the pressing 4 & amp;#189; stars writing & quot;The sound of this reissue is strong and articulate, with balance and clarity from all the instruments. & quot; & lt;/p & gt; & lt;p & gt;The first 16 titles of the Classic Series will focus on the enduring classics of the Blue Note catalog, kicking off on December 4 with the release of two masterpieces - pianist McCoy Tyner's The Real McCoy and trumpeter Lee Morgan's The Sidewinder - both of which are available for pre-order now. The Classic Series will be on-going, running alongside the Tone Poet Audiophile Vinyl Reissue Series which is produced by Joe Harley. & lt;/p & gt; & lt;section id= & quot;features & quot; & gt; & lt;h3 & gt;Features & lt;/h3 & gt; & lt;ul & gt; & lt;li & gt;Blue Note Classic Vinyl Reissue Series & lt;/li & gt; & lt;li & gt;180g Vinyl LP & lt;/li & gt; & lt;li & gt;All-Analog Pressing & lt;/li & gt; & lt;li & gt;Mastered by Kevin Gray at Cohearent Audio from original master tapes & lt;/li & gt; & lt;li & gt;Manufactured at Optimal in Germany & lt;/li & gt; & lt;!--More features go here in & lt;li & gt; tags-- & gt; & lt;/ul & gt; & lt;/section & gt; & lt;section id= & quot;musicians & quot; & gt; & lt;h3 & gt;Musicians & lt;/h3 & gt; & lt;table & gt; & lt;tr & gt; & lt;th & gt;Joe Henderson & lt;/th & gt; & lt;td & gt;tenor sax & lt;/td & gt; & lt;/tr & gt; & lt;tr & gt; & lt;th & gt;Kenny Dorham & lt;/th & gt; & lt;td & gt;trumpet & lt;/td & gt; & lt;/tr & gt; & lt;tr & gt; & lt;th & gt;Pete La Roca & lt;/th & gt; & lt;td & gt;drums & lt;/td & gt; & lt;/tr & gt; & lt;tr & gt; & lt;th & gt;McCoy Tyner & lt;/th & gt; & lt;td & gt;piano & lt;/td & gt; & lt;/tr & gt; & lt;tr & gt; & lt;th & gt;Butch Warren & lt;/th & gt; & lt;td & gt;bass & lt;/td & gt; & lt;/tr & gt; & lt;!--More musician rows go here-- & gt; & lt;/table & gt; & lt;/section & gt; & lt;section id= & quot;selections & quot; & gt; & lt;h3 & gt;Selections & lt;/h3 & gt; & lt;h4 & gt;Side A: & lt;/h4 & gt; & lt;ol & gt; & lt;li & gt;Blue Bossa & lt;/li & gt; & lt;li & gt;La Mesha & lt;/li & gt; & lt;li & gt;Homestretch & lt;/li & gt; & lt;/ol & gt; & lt;h4 & gt;Side B: & lt;/h4 & gt; & lt;ol & gt; & lt;li & gt;Recorda-Me & lt;/li & gt; & lt;li & gt;Jinrikisha & lt;/li & gt; & lt;li & gt;Out Of The Night & lt;/li & gt; & lt;/ol & gt; & lt;/section & gt;
Blue Note
Joe Henderson Page One Blue Note Classic Vinyl Series 180g LP
Dexter Gordon Our Man In Paris LP (Vinyl)
& lt;font color= & quot;#FF0000 & quot; & gt; & lt;b & gt;Newly Remastered For Blue Note 75th Anniversary Vinyl! & lt;br & gt;Remastered by Bernie Grundman! & lt;/b & gt; & lt;/font & gt; & lt;br & gt; & lt;br & gt; Newly-remastered for vinyl as part of an overall Blue Note 75th anniversary vinyl reissue campaign spearheaded by current Blue Note Records President, Don Was. & lt;br & gt; & lt;br & gt; Recorded in 1963, Dexter Gordon's Our Man In Paris features Gordon on tenor sax, Bud Powell on piano, Pierre Michelot on bass and Kenny Clarke on drums. & lt;br & gt; & lt;br & gt; & lt;b & gt;Features: & lt;/b & gt; & lt;br & gt; • Vinyl LP & lt;br & gt; • First run of vinyl includes special Blue Note 75 vinyl sleeve that features album cover art for 75 Blue Note Titles & lt;br & gt; • Newly remastered for vinyl & lt;br & gt; • Remastered by Bernie Grundman & lt;br & gt; & lt;br & gt; & lt;b & gt;Musicians: & lt;/b & gt; & lt;br & gt; Dexter Gordon, tenor sax & lt;br & gt; Bud Powell, piano & lt;br & gt; Pierre Michelot, bass & lt;br & gt; Kenny Clarke, drums & lt;br & gt; & lt;br & gt; & lt;b & gt;Selections: & lt;br & gt; Side One: & lt;/b & gt; & lt;br & gt; 1. Scrapple From the Apple & lt;br & gt; 2. Willow Weep For Me & lt;br & gt; & lt;b & gt;Side Two: & lt;/b & gt; & lt;br & gt; 1. Broadway & lt;br & gt; 2. Stairway To the Stars & lt;br & gt; 3. A Night In Tunisia
Blue Note
Dexter Gordon Our Man In Paris LP (Vinyl)
Freddie Hubbard Blue Spirits LP (Vinyl)
& lt;font color= & quot;#FF0000 & quot; & gt; & lt;b & gt;Newly Remastered for Blue Note 75th Anniversary Vinyl! & lt;/b & gt; & lt;/font & gt; & lt;br & gt; & lt;br & gt; Blue Spirits is the tenth album by trumpeter Freddie Hubbard released on the Blue Note label in 1965. It would be his last studio album for Blue Note, only followed up by the live album the next year; The Night of the Cookers. It features performances by Hubbard, James Spaulding, Joe Henderson, Harold Mabern, Jr., Larry Ridley, Clifford Jarvis, Big Black, Kiane Zawadi, Hank Mobley, McCoy Tyner, Bob Cranshaw, Pete LaRoca. & lt;br & gt; & lt;br & gt; Newly remastered for vinyl as part of an overall Blue Note 75th anniversary vinyl reissue campaign spearheaded by current Blue Note Records President, Don Was. & lt;br & gt; & lt;br & gt; & lt;b & gt; & quot;... quite challenging and fairly memorable. & quot; & lt;/b & gt; -Scott Yanow, allmusic.com & lt;br & gt; & lt;br & gt; & lt;b & gt;Features: & lt;/b & gt; & lt;br & gt; • Vinyl LP & lt;br & gt; • Remastered & amp; reissued as part of the Blue Note 75th Anniversary campaign & lt;br & gt; • Includes special Blue Note 75 vinyl sleeve that features album cover art for 75 Blue Note Titles & lt;br & gt; • First run pressings to include Blue Note 75th logo on back of package & lt;br & gt; & lt;br & gt; & lt;b & gt;Musicians: & lt;/b & gt; & lt;br & gt; Freddie Hubbard, trumpet & lt;br & gt; James Spaulding, alto sax, flute & lt;br & gt; Joe Henderson, tenor sax & lt;br & gt; Kiane Zawadi, euphonium & lt;br & gt; Harold Mabern Jr, piano & lt;br & gt; Larry Ridley, bass & lt;br & gt; Clifford Jarvis, drums & lt;br & gt; Big Black, conga & lt;br & gt; & lt;br & gt; On & quot;Blue Spirits, & quot; & quot;Outer Forces, & quot; and & quot;Jodo & quot; & lt;br & gt; Freddie Hubbard, trumpet & lt;br & gt; James Spaulding, alto sax, flute & lt;br & gt; Hank Mobley, tenor sax & lt;br & gt; Kiane Zawadi, euphonium & lt;br & gt; McCoy Tyner, piano & lt;br & gt; Bob Cranshaw, bass & lt;br & gt; Pete La Roca, drums & lt;br & gt; & lt;br & gt; & lt;b & gt;Selections: & lt;br & gt; Side One: & lt;/b & gt; & lt;br & gt; 1. Soul Surge & lt;br & gt; 2. Blue Spirits & lt;br & gt; & lt;b & gt;Side Two: & lt;/b & gt; & lt;br & gt; 1. Outer Forces & lt;br & gt; 2. Cunga Black & lt;br & gt; 3. Jodo
Blue Note
Freddie Hubbard Blue Spirits LP (Vinyl)
The 3 Sounds Out of This World LP (Vinyl)
& lt;font color= & quot;#FF0000 & quot; & gt; & lt;b & gt;Newly Remastered for Blue Note 75th Anniversary Vinyl! & lt;/b & gt; & lt;/font & gt; & lt;br & gt; & lt;br & gt; Newly remastered for vinyl as part of an overall Blue Note 75th anniversary vinyl reissue campaign spearheaded by current Blue Note Records President, Don Was. & lt;br & gt; & lt;br & gt; A light and groovy new take on standards, Out Of This World by The Three Sounds was recorded in 1962. Out Of This World contains music by The Three Sounds trio consisting of Gene Harris on piano, Andrew Simpkins on bass, and drummer Bill Dowdy. & lt;br & gt; & lt;br & gt; The Three Sounds (also known as The 3 Sounds) were an American jazz trio that formed in 1956 and disbanded in 1973. The trio played and recorded with Lester Young, Lou Donaldson, Nat Adderley, Johnny Griffin, Anita O'Day, Bucky Pizzarelli, Stanley Turrentine and Sonny Stitt, among others. Between 1958 and 1962, the group released nine albums for Blue Note. They toured nationally during this period, building a large following in jazz clubs across the country. & lt;br & gt; & lt;br & gt; & lt;b & gt; & quot;Out of This World relies less on originals than before, concentrating on standards which sound startlingly fresh. It's the loose, flexible groove that's the key. Simpkins and Dowdy keep things on track, while Gene Harris plays -- he can be nimble, he can pound, but he keeps the music flowing at a nice, easy pace. He has a good sense of the groove, and he stays within the groove even as he plays a lot of notes; it's truly an individual style...It's hard to sound this light and easy, and the Three Sounds pull it off with grace. & quot; & lt;/b & gt; -Stephen Thomas Erlewine, allmusic.com & lt;br & gt; & lt;br & gt; & lt;b & gt;Features: & lt;/b & gt; & lt;br & gt; • Vinyl LP & lt;br & gt; • Remastered & amp; reissued as part of the Blue Note 75th Anniversary campaign & lt;br & gt; • Includes special Blue Note 75 vinyl sleeve that features album cover art for 75 Blue Note Titles & lt;br & gt; • First run pressings to include Blue Note 75th logo on back of package & lt;br & gt; & lt;br & gt; & lt;b & gt;Musicians: & lt;/b & gt; & lt;br & gt; Gene Harris, piano & lt;br & gt; Andrew Simpkins, bass & lt;br & gt; Bill Dowdy, drums & lt;br & gt; & lt;br & gt; & lt;b & gt;Selections: & lt;br & gt; Side A: & lt;/b & gt; & lt;br & gt; 1. Girl of My Dreams & lt;br & gt; 2. Out of the Past & lt;br & gt; 3. Just In Time & lt;br & gt; 4. I'll Be Around & lt;br & gt; & lt;b & gt;Side B: & lt;/b & gt; & lt;br & gt; 1. My Silent Love & lt;br & gt; 2. Sanctified Sue & lt;br & gt; 3. Out of This World & lt;br & gt; 4. You Make Me Feel So Young
Blue Note
The 3 Sounds Out of This World LP (Vinyl)
Sonny Clark Cool Struttin' (Blue Note Classic Vinyl Edition) 180g LP
& lt;header & gt; & lt;p & gt; & lt;strong & gt;Blue Note Classic Vinyl Reissue Series! & lt;br & gt; 180g Vinyl LP! & lt;br & gt; Mastered By Kevin Gray From Original Analog Tapes! & lt;/strong & gt; & lt;/p & gt; & lt;/header & gt; & lt;p & gt;Conrad Yeatis Clark, otherwise known as Sonny Clark, was in many ways the quintessential hard bop pianist. Possessed of an enviable lyrical flow and a wealth of inventive melodic ideas that unfurled with clarity and without fuss, Clark had a deeply rooted feeling for the blues. & lt;/p & gt; & lt;p & gt;After moving from his hometown of Pittsburgh to New York, Clark emerged as a ubiquitous presence on Blue Note starting in 1957. It was on his fifth Blue Note date as a leader that Clark arrived at his masterwork, Cool Struttin', recorded in January 1958 with a top-shelf quintet featuring Art Farmer on trumpet, Jackie McLean on alto saxophone, Paul Chambers on bass, and 'Philly' Joe Jones on drums. The album has only grown in stature as a timeless hard bop classic since Clark's premature death at age 31 in 1963. & lt;/p & gt; & lt;p & gt;This Blue Note Classic Vinyl Edition is all-analog, mastered by Kevin Gray from the original master tapes, and pressed on 180g vinyl at Optimal. & lt;/p & gt; & lt;blockquote cite= & quot;www.allmusic.com & quot; & gt; This set deserves its reputation for its soul appeal alone. & lt;footer & gt; -Thom Jurek, AllMusic.com, 5/5 stars & lt;/footer & gt; & lt;/blockquote & gt; & lt;section id= & quot;features & quot; & gt; & lt;h3 & gt;Features & lt;/h3 & gt; & lt;ul & gt; & lt;li & gt;Blue Note Classic Vinyl Reissue Series & lt;/li & gt; & lt;li & gt;180g Vinyl LP & lt;/li & gt; & lt;li & gt;All-Analog Pressing & lt;/li & gt; & lt;li & gt;Mastered by Kevin Gray at Cohearent Audio from original analog tapes & lt;/li & gt; & lt;li & gt;Manufactured at Optimal in Germany & lt;/li & gt; & lt;!--More features go here in & lt;li & gt; tags-- & gt; & lt;/ul & gt; & lt;/section & gt; & lt;section id= & quot;musicians & quot; & gt; & lt;h3 & gt;Musicians & lt;/h3 & gt; & lt;table & gt; & lt;tr & gt; & lt;th & gt;Paul Chambers & lt;/th & gt; & lt;td & gt;bass & lt;/td & gt; & lt;/tr & gt; & lt;tr & gt; & lt;th & gt;Sonny Clark & lt;/th & gt; & lt;td & gt;piano & lt;/td & gt; & lt;/tr & gt; & lt;tr & gt; & lt;th & gt;Art Farmer & lt;/th & gt; & lt;td & gt;trumpet & lt;/td & gt; & lt;/tr & gt; & lt;tr & gt; & lt;th & gt; & quot;Philly & quot; Joe Jones & lt;/th & gt; & lt;td & gt;drums & lt;/td & gt; & lt;/tr & gt; & lt;tr & gt; & lt;th & gt;Jackie McLean & lt;/th & gt; & lt;td & gt;alto sax & lt;/td & gt; & lt;/tr & gt; & lt;!--More musician rows go here-- & gt; & lt;/table & gt; & lt;/section & gt; & lt;section id= & quot;selections & quot; & gt; & lt;h3 & gt;Selections & lt;/h3 & gt; & lt;h4 & gt;Side A: & lt;/h4 & gt; & lt;ol & gt; & lt;li & gt;Cool Struttin' & lt;/li & gt; & lt;li & gt;Blue Minor & lt;/li & gt; & lt;/ol & gt; & lt;h4 & gt;Side B: & lt;/h4 & gt; & lt;ol & gt; & lt;li & gt;Sippin' At Bells & lt;/li & gt; & lt;li & gt;Deep Night & lt;/li & gt; & lt;/ol & gt; & lt;/section & gt;
Blue Note
Sonny Clark Cool Struttin' (Blue Note Classic Vinyl Edition) 180g LP
Hank Mobley No Room for Squares LP (Vinyl)
& lt;font color= & quot;#FF0000 & quot; & gt; & lt;b & gt;Newly Remastered for Blue Note 75th Anniversary Vinyl! & lt;/b & gt; & lt;/font & gt; & lt;br & gt; & lt;br & gt; Newly remastered for vinyl as part of an overall Blue Note 75th anniversary vinyl reissue campaign spearheaded by current Blue Note Records President, Don Was. & lt;br & gt; & lt;br & gt; Originally released in 1963 by tenor saxophonist, Hank Mobley, No Room for Squares features Lee Morgan and Donald Byrd on trumpet, Andrew Hill and Herbie Hancock on piano, John Ore and Butch Warren on bass and Philly Joe Jones on drums. This is one of Mobley's best albums and features two 1963 all-star quintets. & lt;br & gt; & lt;br & gt; & lt;b & gt; & quot;Why any critic would think that Hank Mobley was at the end of his creative spark in 1963 -- a commonly if stupidly held view among the eggheads who do this for a living -- is ridiculous, as this fine session proves...All eight cuts here move with similar fluidity and offer a very gritty and realist approach to the roots of hard bop. Highly recommended. & quot; & lt;/b & gt; -Thom Jurek, allmusic.com & lt;br & gt; & lt;br & gt; & lt;b & gt;Features: & lt;/b & gt; & lt;br & gt; • Vinyl LP & lt;br & gt; • Remastered & amp; reissued as part of the Blue Note 75th Anniversary campaign & lt;br & gt; • Includes special Blue Note 75 vinyl sleeve that features album cover art for 75 Blue Note Titles & lt;br & gt; • First run pressings to include Blue Note 75th logo on back of package & lt;br & gt; & lt;br & gt; & lt;b & gt;Musicians: & lt;/b & gt; & lt;br & gt; Hank Mobley, tenor saxophone & lt;br & gt; Andrew Hill, piano & lt;br & gt; John Ore, bass & lt;br & gt; Philly Joe Jones, drums & lt;br & gt; Donald Byrd, trumpet & lt;br & gt; Herbie Hancock, piano & lt;br & gt; Lee Morgan, trumpet & lt;br & gt; Butch Warren, bass & lt;br & gt; & lt;br & gt; & lt;b & gt;Selections: & lt;/b & gt; & lt;br & gt; 1. Three Way Split & lt;br & gt; 2. Carolyn & lt;br & gt; 3. No Room For Squares & lt;br & gt; 4. Me 'N You & lt;br & gt; 5. Up A Step & lt;br & gt; 6. Old World, New Imports
Blue Note
Hank Mobley No Room for Squares LP (Vinyl)
Julian Lage Squint Blue Note LP (Vinyl)
& lt;header & gt; & lt;p & gt; & lt;strong & gt;Blue Note Debut From Guitar Virtuoso On Vinyl LP! & lt;/strong & gt; & lt;/p & gt; & lt;/header & gt; & lt;p & gt; & lt;strong & gt;TAS Rated 4/5 Music, 4/5 Sonics in the October 2021 Issue of The Absolute Sound! & lt;/strong & gt; & lt;/p & gt; & lt;p & gt;Guitar virtuoso Julian Lage's Blue Note Records debut, Squint, is a striking new album that weds incisive, expressive songwriting with the profound interplay Lage has honed over the past few years with his deft trio featuring bassist & lt;strong & gt;Jorge Roeder & lt;/strong & gt; and drummer & lt;strong & gt;Dave King & lt;/strong & gt;. & lt;/p & gt; & lt;p & gt; & lt;strong & gt; & quot;I absolutely love improvised music, and I've always been fascinated by singer-songwriter music, & quot; & lt;/strong & gt; says Lage. & lt;strong & gt; & quot;For me, the jazz that came out of Blue Note always engaged both sides of that. It had incredible improvisational vocabularies and performances, but when I think of albums from Grant Green's Idle Moments to Joe Henderson's Inner Urge to McCoy Tyner's Time for Tyner with Bobby Hutcherson - all these records that I love so much also have such great songs. I felt like this was an opportunity to present new music born out of the Blue Note tradition as I've interpreted it. & quot; & lt;/strong & gt; & lt;/p & gt; & lt;p & gt;When the trio took the stage of the Village Vanguard for a six-night residency in January 2020, those ideas seemed ripe enough to explore as they planned to head into the studio. When those plans were upended by the pandemic, Lage took the opportunity to retool his new songs in light of the summer's lockdown and protests over social justice. By the time he, Roeder and King finally set foot in Nashville's Sound Emporium in August, the tunes had taken on a deeper, darker air of mystery and searching. & lt;/p & gt; & lt;p & gt; & quot;Going into this album, & quot; Lage recalls, & quot;my first tactic was just to make positive, beautiful music - a beam of light from three cats who love each other. After the recording didn't happen, I started reflecting on the music's intent. It was clearer than ever that art and music are platforms to influence and heal and facilitate conversations. It became really important to me to capture a certain sense of emotional complexity to the music, a little fuzziness. This record sits comfortably in the unknown. & quot; & lt;/p & gt; & lt;p & gt;Finding comfort in that tenuous space was also aided by the presence in the studio of two of Lage's closest compatriots, who served as co-producers: guitarist and longtime collaborator & lt;strong & gt;Armand Hirsch & lt;/strong & gt; and singer-songwriter & lt;strong & gt;Margaret Glaspy & lt;/strong & gt;. & quot;On one level, the combination of Margaret and Armand is just abundant support, & quot; Lage says. & quot;But I also have such deep respect for what they both bring to the music. They helped make sure that the essential experience was always there, that Squint never became a pursuit to make a good jazz guitar record, but to create music with a clear spiritual pulse. & quot; & lt;/p & gt; & lt;p & gt;Crafted after two years of touring together, Squint reflects the trio's loose but deeply attuned chemistry while tracing the threads of those wide-ranging influences into new original pieces. Lage's lyrical writing reveals his love for early rock and blues as well as songbook standards and the bold, memorable compositions of his jazz idols. In addition to Glaspy's keen-eared influence, he's also sharpened his songcraft via the informal counseling of Jeff Tweedy. The Wilco frontman's influence can be felt on vibrant, infectious songs like & quot;Saint Rose & quot;, an ode to Lage's California hometown Santa Rosa. & lt;/p & gt; & lt;blockquote cite= & quot;www.theabsolutesound.com & quot; & gt; His comfort with jazz standards as well as blues and the current rock scene is evident in the rollicking 'Boo's Blues,' the rapid-fire string-bending title track, and the quiet intensity of 'Day & amp; Age.' Sonics are wonderfully balanced, upfront, and crystalline in clarity while capturing excellent instrumental tones and textures; dynamically energetic, the recording also conveys the intimacy of a trio setting, all with terrific detail and a sort of natural ease. A superb and highly recommended Blue Note debut. & lt;footer & gt; -Wayne Garcia, The Absolute Sound, October 2021, Music 4/5, Sonics 4/5 & lt;/footer & gt; & lt;/blockquote & gt; & lt;a name= & quot;SS & quot; & gt; & lt;/a & gt; & lt;iframe width= & quot;560 & quot; height= & quot;315 & quot; src= & quot;https://www.youtube.com/embed/feli3FwOiso & quot; frameborder= & quot;0 & quot; allowfullscreen & gt; & lt;/iframe & gt; & lt;br & gt; & lt;br & gt; & lt;section id= & quot;features & quot; & gt; & lt;h3 & gt;Features & lt;/h3 & gt; & lt;ul & gt; & lt;li & gt;Vinyl LP & lt;/li & gt; & lt;/ul & gt; & lt;/section & gt; & lt;section id= & quot;musicians & quot; & gt; & lt;h3 & gt;Musicians & lt;/h3 & gt; & lt;table & gt; & lt;tr & gt; & lt;th & gt;Julian Lage & lt;/th & gt; & lt;td & gt;guitar & lt;/td & gt; & lt;/tr & gt; & lt;tr & gt; & lt;th & gt;Jorge Roeder & lt;/th & gt; & lt;td & gt;bass & lt;/td & gt; & lt;/tr & gt; & lt;tr & gt; & lt;th & gt;Dave King & lt;/th & gt; & lt;td & gt;drums & lt;/td & gt; & lt;/tr & gt; & lt;/table & gt; & lt;/section & gt; & lt;section id= & quot;selections & quot; & gt; & lt;h3 & gt;Selections & lt;/h3 & gt; & lt;h4 & gt;Side A: & lt;/h4 & gt; & lt;ol & gt; & lt;li & gt;Etude & lt;/li & gt; & lt;li & gt;Boo's Blues & lt;/li & gt; & lt;li & gt;Squint & lt;/li & gt; & lt;li & gt;Saint Rose & lt;/li & gt; & lt;li & gt;Emily & lt;/li & gt; & lt;li & gt;Familiar Flower & lt;/li & gt; & lt;/ol & gt; & lt;h4 & gt;Side B: & lt;/h4 & gt; & lt;ol & gt; & lt;li & gt;Day & amp; Age & lt;/li & gt; & lt;li & gt;Quiet Like A Fuse & lt;/li & gt; & lt;li & gt;Short Form & lt;/li & gt; & lt;li & gt;Twilight Surfer & lt;/li & gt; & lt;li & gt;Call Of The Canyon & lt;/li & gt; & lt;/ol & gt; & lt;/section & gt;
Blue Note
Julian Lage Squint Blue Note LP (Vinyl)
Herbie Hancock Maiden Voyage (Blue Note Classic Vinyl Edition) 180g LP
& lt;header & gt; & lt;p & gt; & lt;strong & gt;Blue Note Classic Vinyl Reissue Series! 180g Vinyl LP! & lt;br & gt; Mastered By Kevin Gray From Original Analog Tapes! & lt;br & gt; Pressed At Optimal! & lt;/strong & gt; & lt;/p & gt; & lt;/header & gt; & lt;p & gt;Even by the high-water marks set by & lt;strong & gt;Herbie Hancock & lt;/strong & gt;'s tremendous 1960s Blue Note output, 1965's Maiden Voyage remains one of the pinnacle artistic achievements of the great pianist's career. Hancock is joined here by his Miles Davis Quintet bandmates & lt;strong & gt;Ron Carter & lt;/strong & gt; on bass and & lt;strong & gt;Tony Williams & lt;/strong & gt; on drums, along with & lt;strong & gt;Freddie Hubbard & lt;/strong & gt; on trumpet and & lt;strong & gt;George Coleman & lt;/strong & gt; on tenor saxophone. & lt;/p & gt; & lt;p & gt;The quintet embarks on an oceanic exploration of five original Hancock compositions, several of which have since become enduring standards of the jazz lexicon including the title track, & quot;Eye Of The Hurricane & quot; and & quot;Dolphin Dance & quot;. & lt;/p & gt; & lt;p & gt;This Blue Note Classic Vinyl Edition is all-analog, mastered by Kevin Gray from the original master tapes, and pressed on 180g vinyl at Optimal. & lt;/p & gt; & lt;section id= & quot;features & quot; & gt; & lt;h3 & gt;Features & lt;/h3 & gt; & lt;ul & gt; & lt;li & gt;Blue Note Classic Vinyl Reissue Series & lt;/li & gt; & lt;li & gt;180g Vinyl LP & lt;/li & gt; & lt;li & gt;All-Analog Pressing & lt;/li & gt; & lt;li & gt;Mastered by Kevin Gray at Cohearent Audio from original analog tapes & lt;/li & gt; & lt;li & gt;Manufactured at Optimal in Germany & lt;/li & gt; & lt;/ul & gt; & lt;/section & gt; & lt;section id= & quot;musicians & quot; & gt; & lt;h3 & gt;Musicians & lt;/h3 & gt; & lt;table & gt; & lt;tr & gt; & lt;th & gt;Freddie Hubbard & lt;/th & gt; & lt;td & gt;trumpet & lt;/td & gt; & lt;/tr & gt; & lt;tr & gt; & lt;th & gt;George Coleman & lt;/th & gt; & lt;td & gt;tenor sax & lt;/td & gt; & lt;/tr & gt; & lt;tr & gt; & lt;th & gt;Herbie Hancock & lt;/th & gt; & lt;td & gt;piano & lt;/td & gt; & lt;/tr & gt; & lt;tr & gt; & lt;th & gt;Ron Carter & lt;/th & gt; & lt;td & gt;bass & lt;/td & gt; & lt;/tr & gt; & lt;tr & gt; & lt;th & gt;Anthony Williams & lt;/th & gt; & lt;td & gt;drums & lt;/td & gt; & lt;/tr & gt; & lt;/table & gt; & lt;/section & gt; & lt;section id= & quot;selections & quot; & gt; & lt;h3 & gt;Selections & lt;/h3 & gt; & lt;h4 & gt;Side A: & lt;/h4 & gt; & lt;ol & gt; & lt;li & gt;Maiden Voyage & lt;/li & gt; & lt;li & gt;The Eye Of The Hurricane & lt;/li & gt; & lt;li & gt;Little One & lt;/li & gt; & lt;/ol & gt; & lt;h4 & gt;Side B: & lt;/h4 & gt; & lt;ol & gt; & lt;li & gt;Survival Of The Fittest & lt;/li & gt; & lt;li & gt;Dolphin Dance & lt;/li & gt; & lt;/ol & gt; & lt;/section & gt;
Blue Note
Herbie Hancock Maiden Voyage (Blue Note Classic Vinyl Edition) 180g LP
Madlib Shades of Blue: Madlib Invades Blue Note 2LP (Vinyl)
& lt;font color= & quot;#FF0000 & quot; & gt; & lt;b & gt;Newly Remastered For Blue Note 75th Anniversary Vinyl! & lt;/b & gt; & lt;/font & gt; & lt;br & gt; & lt;br & gt; Newly-remastered for vinyl as part of an overall Blue Note 75th anniversary vinyl reissue campaign spearheaded by current Blue Note Records President, Don Was. & lt;br & gt; & lt;br & gt; Shades of Blue is a remix album by DJ Madlib that was released by Blue note in 2003. Madlib was invited to explore the Blue Note vaults and remix/reinterpret the Blue Note classics. Tracks include & quot;Stormy & quot; and & quot;Song For My Father & quot;. & lt;br & gt; & lt;br & gt; & lt;b & gt;Features: & lt;/b & gt; & lt;br & gt; • Double LP & lt;br & gt; • Re-mastered & amp; reissued as part of the Blue Note 75th Anniversary campaign & lt;br & gt; • Includes special Blue Note 75 vinyl sleeve that features album cover art for 75 Blue Note Titles & lt;br & gt; & lt;br & gt; & lt;b & gt;Musicians: & lt;/b & gt; & lt;br & gt; Morgan Adams Quartet Plus Two (LP1/5,8) & lt;br & gt; Yesterdays New Quintet (LP2/5) & lt;br & gt; Joe McDuphrey Experience (LP2/6) & lt;br & gt; DJ Lord Such, scratches (cuts) (LP1/2, LP2/3) & lt;br & gt; Madlib - vibraphone (LP1/2) & lt;br & gt; Otis Jackson, Jr., drums (LP1/5; LP2/5,6) & lt;br & gt; Joe McDuphrey, electric piano, Fender Rhodes (LP1/5) keyboards (LP 2/4-6) & lt;br & gt; James King, flute (LP1/5, 8; LP 2/4) & lt;br & gt; Dan Ubick, guitar (LP1/5, 8; LP 2/4) & lt;br & gt; Morgan Adams III, organ (LP1/5, 8) & lt;br & gt; Derek Holman, percussion, (LP1/5) & lt;br & gt; Derek Holman, synthesizer (LP1/8) & lt;br & gt; M.E.D., rap (LP1/7) & lt;br & gt; Madlib, sounds/beats, scratches/cuts, (LP1/7) & lt;br & gt; Ahmad Miller, vibraphone (LP1/7; LP2/5) & lt;br & gt; Malcom Catto, drums, percussion (LP1/8) & lt;br & gt; Monk Hughes, electric bass, (LP1/8) acoustic bass (LP 2/4,5) & lt;br & gt; Jeff Jank, acoustic bass (LP 2/4) & lt;br & gt; Lefty Houston, drums (LP 2/4) & lt;br & gt; Malik Flavors, percussion (LP 2/4,5) & lt;br & gt; Joe Chambers, (LP2/5) & lt;br & gt; Russel Jenkins, bass (LP2/6) & lt;br & gt; & lt;br & gt; & lt;b & gt;Selections: & lt;br & gt; LP 1 - Side A: & lt;/b & gt; & lt;br & gt; 1. Intro & lt;br & gt; 2. Slim's Return & lt;br & gt; 3. Distant Land & lt;br & gt; 4. Mystic Bounce & lt;br & gt; & lt;b & gt;LP 1 - Side B: & lt;/b & gt; & lt;br & gt; 1. Stormy & lt;br & gt; 2. Blue Note Interlude & lt;br & gt; 3. Please Set Me At Ease & lt;br & gt; 4. Funky Blue Note & lt;br & gt; 5. Alfred Lion Interlude & lt;br & gt; & lt;br & gt; & lt;b & gt;LP 2 - Side C: & lt;/b & gt; & lt;br & gt; 1. Stepping Into Tomorrow & lt;br & gt; 2. Andrew Hill Break & lt;br & gt; 3. Montara & lt;br & gt; & lt;b & gt;LP 2 - Side D: & lt;/b & gt; & lt;br & gt; 1. Song For My Father & lt;br & gt; 2. Footprints & lt;br & gt; 3. Peace / Dolphin Dance & lt;br & gt; 4. Outro
Blue Note
Madlib Shades of Blue: Madlib Invades Blue Note 2LP (Vinyl)
Ornette Coleman Round Trip - Ornette Coleman On Blue Note (Blue Note Tone Poet Series) 180g 6LP Box Set (Vinyl)
& lt;header & gt; & lt;p & gt;Coming January 28, 2022 pre-order your copy today! Orders with both pre-order and in stock items will have all in stock items shipped immediately! & lt;/p & gt; & lt;/header & gt; & lt;header & gt; & lt;p & gt; & lt;strong & gt;All-Analog, Remastered 180g 6LP Box Set! & lt;br & gt; Includes All Six Blue Note Albums Featuring Coleman! & lt;br & gt; Tone Poet Audiophile Vinyl Reissue Series! & lt;br & gt; & lt;/strong & gt; & lt;/p & gt; & lt;/header & gt; & lt;p & gt;Round Trip - The Complete Ornette Coleman presents all six albums on Blue Note featuring Coleman. Five albums as a leader - At The & quot;Golden Circle & quot; Stockholm Vols. 1 & amp; 2 (1965), The Empty Foxhole (1966), New York Is Now! (1968), and Love Call (1968) - as well as sideman on & lt;strong & gt;Jackie McLean & lt;/strong & gt;'s New & amp; Old Gospel (1967). Includes a booklet featuring rare photos and an essay by critic Thomas Conrad. Blue Note Tone Poet Series features all-analog, remastered 180-gram vinyl in deluxe packaging. & lt;/p & gt; & lt;section id= & quot;features & quot; & gt; & lt;h3 & gt;Features & lt;/h3 & gt; & lt;ul & gt; & lt;li & gt;All-Analog 180g Vinyl & lt;/li & gt; & lt;li & gt;6LP Box Set & lt;/li & gt; & lt;li & gt;Tone Poet Audiophile Vinyl Reissue Series & lt;/li & gt; & lt;li & gt;Remastered & lt;/li & gt; & lt;li & gt;5 Albums with Coleman as Bandleader & lt;/li & gt; & lt;li & gt;Jackie McLean's New & amp; Old Gospel & lt;/li & gt; & lt;li & gt;Booklet - Rare Photos & amp; Essay by Thomas Conrad & lt;/li & gt; & lt;li & gt;Deluxe Packaging & lt;/li & gt; & lt;/ul & gt; & lt;/section & gt; & lt;section id= & quot;musicians & quot; & gt; & lt;h3 & gt;Musicians & lt;/h3 & gt; & lt;table & gt; & lt;tr & gt; & lt;th & gt;Ornette Coleman & lt;/th & gt; & lt;td & gt;alto sax, violin (LP1, LP2, LP3, LP4, LP5), soprano sax (LP5), trumpet (LP1, LP2, LP3, LP4, LP6) & lt;/td & gt; & lt;/tr & gt; & lt;tr & gt; & lt;th & gt;David Izenzon & lt;/th & gt; & lt;td & gt;bass (LP1, LP2) & lt;/td & gt; & lt;/tr & gt; & lt;tr & gt; & lt;th & gt;Charles Moffett & lt;/th & gt; & lt;td & gt;drums (LP1, LP2) & lt;/td & gt; & lt;/tr & gt; & lt;tr & gt; & lt;th & gt;Charlie Haden & lt;/th & gt; & lt;td & gt;bass (LP3) & lt;/td & gt; & lt;/tr & gt; & lt;tr & gt; & lt;th & gt;Denardo Coleman & lt;/th & gt; & lt;td & gt;drums (LP3) & lt;/td & gt; & lt;/tr & gt; & lt;tr & gt; & lt;th & gt;Mel Fuhrman & lt;/th & gt; & lt;td & gt;vocals (LP4) & lt;/td & gt; & lt;/tr & gt; & lt;tr & gt; & lt;th & gt;Jimmy Garrison & lt;/th & gt; & lt;td & gt;bass (LP4, LP5) & lt;/td & gt; & lt;/tr & gt; & lt;tr & gt; & lt;th & gt;Elvin Jones & lt;/th & gt; & lt;td & gt;drums (LP4, LP5) & lt;/td & gt; & lt;/tr & gt; & lt;tr & gt; & lt;th & gt;Dewey Redman & lt;/th & gt; & lt;td & gt;tenor sax (LP4) & lt;/td & gt; & lt;/tr & gt; & lt;tr & gt; & lt;th & gt;Billy Higgins & lt;/th & gt; & lt;td & gt;drums (LP6) & lt;/td & gt; & lt;/tr & gt; & lt;tr & gt; & lt;th & gt;Scott Holt & lt;/th & gt; & lt;td & gt;bass (LP6) & lt;/td & gt; & lt;/tr & gt; & lt;tr & gt; & lt;th & gt;LaMont Johnson & lt;/th & gt; & lt;td & gt;piano (LP6) & lt;/td & gt; & lt;/tr & gt; & lt;tr & gt; & lt;th & gt;Jackie McLean & lt;/th & gt; & lt;td & gt;alto sax (LP6) & lt;/td & gt; & lt;/tr & gt; & lt;!--More musician rows go here-- & gt; & lt;/table & gt; & lt;/section & gt; & lt;section id= & quot;selections & quot; & gt; & lt;h3 & gt;Selections & lt;/h3 & gt; & lt;h4 & gt;LP1 - The Ornette Coleman Trio - At The & quot;Golden Circle & quot; Stockholm, Volume One (1965) & lt;/h4 & gt; & lt;h5 & gt;Side A: & lt;/h5 & gt; & lt;ol & gt; & lt;li & gt;Announcement / Faces And Places & lt;/li & gt; & lt;li & gt;European Echoes & lt;/li & gt; & lt;/ol & gt; & lt;h5 & gt;Side B: & lt;/h5 & gt; & lt;ol & gt; & lt;li & gt;Dee Dee & lt;/li & gt; & lt;li & gt;Dawn & lt;/li & gt; & lt;/ol & gt; & lt;h4 & gt;LP2 - The Ornette Coleman Trio - At The & quot;Golden Circle & quot; Stockholm, Volume Two (1965) & lt;/h4 & gt; & lt;h5 & gt;Side A: & lt;/h5 & gt; & lt;ol & gt; & lt;li & gt;Snowflakes And Sunshine & lt;/li & gt; & lt;li & gt;Morning Song & lt;/li & gt; & lt;/ol & gt; & lt;h5 & gt;Side B: & lt;/h5 & gt; & lt;ol & gt; & lt;li & gt;The Riddle & lt;/li & gt; & lt;li & gt;Antiques & lt;/li & gt; & lt;/ol & gt; & lt;h4 & gt;LP3 - Ornette Coleman - The Empty Foxhole (1966) & lt;/h4 & gt; & lt;h5 & gt;Side A: & lt;/h5 & gt; & lt;ol & gt; & lt;li & gt;Good Old Days & lt;/li & gt; & lt;li & gt;The Empty Foxhole & lt;/li & gt; & lt;li & gt;Sound Gravitation & lt;/li & gt; & lt;/ol & gt; & lt;h5 & gt;Side B: & lt;/h5 & gt; & lt;ol & gt; & lt;li & gt;Freeway Express & lt;/li & gt; & lt;li & gt;Faithful & lt;/li & gt; & lt;li & gt;Zig Zag & lt;/li & gt; & lt;/ol & gt; & lt;h4 & gt;LP4 - Ornette Coleman - New York Is Now! (1968) & lt;/h4 & gt; & lt;h5 & gt;Side A: & lt;/h5 & gt; & lt;ol & gt; & lt;li & gt;The Garden Of Souls & lt;/li & gt; & lt;li & gt;Toy Dance & lt;/li & gt; & lt;/ol & gt; & lt;h5 & gt;Side B: & lt;/h5 & gt; & lt;ol & gt; & lt;li & gt;We Now Interrupt For A Commercial & lt;/li & gt; & lt;li & gt;Broadway Blues & lt;/li & gt; & lt;li & gt;Round Trip & lt;/li & gt; & lt;/ol & gt; & lt;h4 & gt;LP5 - Ornette Coleman - Love Call (1968) & lt;/h4 & gt; & lt;h5 & gt;Side A: & lt;/h5 & gt; & lt;ol & gt; & lt;li & gt;Airborne & lt;/li & gt; & lt;li & gt;Love Call & lt;/li & gt; & lt;/ol & gt; & lt;h5 & gt;Side B: & lt;/h5 & gt; & lt;ol & gt; & lt;li & gt;Open To The Public & lt;/li & gt; & lt;li & gt;Check Out Time & lt;/li & gt; & lt;/ol & gt; & lt;h4 & gt;LP6 - Jackie McLean - New And Old Gospel (1967) & lt;/h4 & gt; & lt;h5 & gt;Side A: & lt;/h5 & gt; & lt;ol & gt; & lt;li & gt;Lifeline (A. Offspring B. Midway C. Vernzone D. The Inevitable End) & lt;/li & gt; & lt;/ol & gt; & lt;h5 & gt;Side B: & lt;/h5 & gt; & lt;ol & gt; & lt;li & gt;Old Gospel [Rudy Van Gelder Edition] & lt;/li & gt; & lt;li & gt;Strange As It Seems & lt;/li & gt; & lt;/ol & gt; & lt;/section & gt;
Blue Note
Ornette Coleman Round Trip - Ornette Coleman On Blue Note (Blue Note Tone Poet Series) 180g 6LP Box Set (Vinyl)
Tina Brooks True Blue LP (Vinyl)
& lt;font color= & quot;#FF0000 & quot; & gt; & lt;b & gt;Newly Remastered For Blue Note 75th Anniversary Vinyl! & lt;/b & gt; & lt;/font & gt; & lt;br & gt; & lt;br & gt; Recorded on June 25, 1960, True Blue was Tina Brooks' only date as leader to be released during his lifetime. Brooks is joined by Freddie Hubbard, Duke Jordan, Sam Jones and Art Taylor. & lt;br & gt; & lt;br & gt; Newly-remastered for vinyl as part of an overall Blue Note 75th anniversary vinyl reissue campaign spearheaded by current Blue Note Records President, Don Was. & lt;br & gt; & lt;br & gt; & lt;b & gt;Features: & lt;/b & gt; & lt;br & gt; • Vinyl LP & lt;br & gt; • Re-mastered & amp; reissued as part of the Blue Note 75th Anniversary campaign & lt;br & gt; • Includes special Blue Note 75 vinyl sleeve that features album cover art for 75 Blue Note Titles & lt;br & gt; • First run pressings to include Blue Note 75th logo on back of package & lt;br & gt; & lt;br & gt; & lt;b & gt;Musicians: & lt;/b & gt; & lt;br & gt; Tina Brooks, tenor sax & lt;br & gt; Freddie Hubbard, trumpet & lt;br & gt; Duke Jordan, piano & lt;br & gt; Sam Jones, bass & lt;br & gt; Art Taylor, drums & lt;br & gt; & lt;br & gt; & lt;b & gt;Selections: & lt;/b & gt; & lt;br & gt; 1. Good Old Soul & lt;br & gt; 2. Up Tight's Creek & lt;br & gt; 3. Theme For Doris & lt;br & gt; 4. True Blue & lt;br & gt; 5. Miss Hazel & lt;br & gt; 6. Nothing Ever Changes My Love For You
Blue Note
Tina Brooks True Blue LP (Vinyl)
The Horace Silver Quintet The Cape Verdean Blues LP (Vinyl)
& lt;font color= & quot;#FF0000 & quot; & gt; & lt;b & gt;Newly Remastered for Blue Note 75th Anniversary Vinyl! & lt;/b & gt; & lt;/font & gt; & lt;br & gt; & lt;br & gt; Horace Silver, the influential hard bop/soul jazz pianist, songwriter, and bandleader, was riding high in 1965. His & quot;Song for My Father & quot; had become a hit, he had put together a new and brilliant quintet, and he had the opportunity to use the masterful trombonist J.J. Johnson as a guest on his new album for Blue Note Records. On the resulting album, The Cape Verdean Blues, Johnson joins one of Silver's greatest bands, a group boasting two brilliant new stars... tenor saxophonist Joe Henderson and the young trumpeter Woody Shaw. & lt;br & gt; & lt;br & gt; Henderson and Shaw push Silver to take some of his most forward looking solos, and the pianist's compositions in turn push the soloists to think melodically and play with deep soul. & quot;The Cape Verdean Blues & quot; is a tribute to the West African homeland of Silver's father. & quot;Pretty Eyes & quot; was Silvers' first original waltz. & quot;Nutville & quot; is both complex and uniquely catchy. The Cape Verdean Blues is simply one of the most inspired sessions of Horace Silver's long and outstanding career. & lt;br & gt; & lt;br & gt; Newly remastered for vinyl as part of an overall Blue Note 75th anniversary vinyl reissue campaign spearheaded by current Blue Note Records President, Don Was. & lt;br & gt; & lt;br & gt; & lt;b & gt; & quot;...there's a spirit of adventure that pervades the entire album, a sense of exploration that wouldn't have been quite the same with Silver's quintet of old...another worthwhile Silver album. & quot; & lt;/b & gt; -Steve Huey, allmusic.com & lt;br & gt; & lt;br & gt; & lt;b & gt;Features: & lt;/b & gt; & lt;br & gt; • Vinyl LP & lt;br & gt; • Remastered & amp; reissued as part of the Blue Note 75th Anniversary campaign & lt;br & gt; • Includes special Blue Note 75 vinyl sleeve that features album cover art for 75 Blue Note Titles & lt;br & gt; • First run pressings to include Blue Note 75th logo on back of package & lt;br & gt; & lt;br & gt; & lt;b & gt;Musicians: & lt;/b & gt; & lt;br & gt; Horace Silver, piano & lt;br & gt; Joe Henderson, tenor saxophone & lt;br & gt; Woody Shaw, trumpet & lt;br & gt; J.J. Johnson, trombone & lt;br & gt; Bob Cranshaw, bass & lt;br & gt; Roger Humphries, drums & lt;br & gt; & lt;br & gt; & lt;b & gt;Selections: & lt;br & gt; Side One: & lt;/b & gt; & lt;br & gt; 1. The Cape Verdean Blues & lt;br & gt; 2. The African Queen & lt;br & gt; 3. Pretty Eyes & lt;br & gt; & lt;b & gt;Side Two: & lt;/b & gt; & lt;br & gt; 1. Nutville & lt;br & gt; 2. Bonita & lt;br & gt; 3. Mo' Joe
Blue Note
The Horace Silver Quintet The Cape Verdean Blues LP (Vinyl)
Freddie Hubbard Ready For Freddie (Blue Note Classic Vinyl Edition) 180g LP
& lt;header & gt; & lt;p & gt; & lt;strong & gt;Blue Note Classic Vinyl Reissue Series! & lt;br & gt; 180g Vinyl LP! & lt;br & gt; Mastered By Kevin Gray From Original Analog Tapes! & lt;br & gt; Pressed At Optimal! & lt;/strong & gt; & lt;/p & gt; & lt;/header & gt; & lt;p & gt;The Indianapolis-born trumpeter Freddie Hubbard introduced his prodigious talent on Blue Note Records with a run of remarkable albums recorded thru the early 1960s. At first rooted firmly in hard bop, Hubbard began to broaden his approach on his masterwork Ready for Freddie, recorded in August 1961. & quot;The way in which I'm most interested in going is Coltrane-like, & quot; Hubbard told liner note writer Nat Hentoff. Hubbard had recorded with Coltrane earlier in the year on the saxophonist's Atlantic album Ol & amp;#233; Coltrane and Africa/Brass for Impulse. Hubbard further explained, & quot;I mean different ways of playing the changes so that you get a wider play of colors. & quot; & lt;/p & gt; & lt;p & gt;To paint with those colors Hubbard assembled a band that included three musicians from Coltrane's orbit: bassist & lt;strong & gt;Art Davis & lt;/strong & gt;, pianist & lt;strong & gt;McCoy Tyner & lt;/strong & gt;, and drummer & lt;strong & gt;Elvin Jones & lt;/strong & gt;. The date also marked the first collaboration between Hubbard and & lt;strong & gt;Wayne Shorter & lt;/strong & gt;, a startlingly original saxophonist and Hubbard's soon-to-be bandmate in The Jazz Messengers when the trumpeter replaced Lee Morgan in Art Blakey's flagship band later that year on seminal Blue Note albums including Mosaic and Buhaina's Delight. Rounding out the unique sextet on Ready for Freddie is & lt;strong & gt;Bernard McKinney & lt;/strong & gt; on euphonium, a mellow-toned brass instrument that enhanced the ensemble's tonal palette. & lt;/p & gt; & lt;p & gt;The album opens with Hubbard's sprightly tune & quot;Arietis, & quot; a nod to his astrological sign Aries, before down-shifting into the sublime ballad & quot;Weaver of Dreams, & quot; a stunning performance by Hubbard where both his brilliant tone and awe-inspiring technical command of his horn are on full display. Following Shorter's jaunty tune & quot;Marie Antoinette, & quot; the band pays homage to Charlie Parker with Hubbard's fleet-footed tune & quot;Birdlike. & quot; The album comes to a close with the expansive and explosive & quot;Crisis, & quot; a Hubbard original that sought to capture some of the simmering tensions of the early-1960s. & lt;/p & gt; & lt;p & gt;This Blue Note Classic Vinyl Edition is all-analog, mastered by Kevin Gray from the original master tapes, and pressed on 180g vinyl at Optimal. & lt;/p & gt; & lt;blockquote cite= & quot;www.allmusic.com & quot; & gt; ...[O]ne of the trumpeter's most rewarding Blue Note albums. & lt;footer & gt; -Scott Yanow, AllMusic.com, 5/5 stars & lt;/footer & gt; & lt;/blockquote & gt; & lt;section id= & quot;features & quot; & gt; & lt;h3 & gt;Features & lt;/h3 & gt; & lt;ul & gt; & lt;li & gt;Blue Note Classic Vinyl Reissue Series & lt;/li & gt; & lt;li & gt;180g Vinyl LP & lt;/li & gt; & lt;li & gt;All-Analog Pressing & lt;/li & gt; & lt;li & gt;Mastered by Kevin Gray from Original Analog Tapes & lt;/li & gt; & lt;li & gt;Manufactured at Optimal in Germany & lt;/li & gt; & lt;/ul & gt; & lt;/section & gt; & lt;section id= & quot;musicians & quot; & gt; & lt;h3 & gt;Musicians & lt;/h3 & gt; & lt;table & gt; & lt;tr & gt; & lt;th & gt;Freddie Hubbard & lt;/th & gt; & lt;td & gt;trumpet & lt;/td & gt; & lt;/tr & gt; & lt;tr & gt; & lt;th & gt;Bernard McKinney & lt;/th & gt; & lt;td & gt;euphonium & lt;/td & gt; & lt;/tr & gt; & lt;tr & gt; & lt;th & gt;Wayne Shorter & lt;/th & gt; & lt;td & gt;tenor sax & lt;/td & gt; & lt;/tr & gt; & lt;tr & gt; & lt;th & gt;McCoy Tyner & lt;/th & gt; & lt;td & gt;piano & lt;/td & gt; & lt;/tr & gt; & lt;tr & gt; & lt;th & gt;Art Davis & lt;/th & gt; & lt;td & gt;bass & lt;/td & gt; & lt;/tr & gt; & lt;tr & gt; & lt;th & gt;Elvin Jones & lt;/th & gt; & lt;td & gt;drums & lt;/td & gt; & lt;/tr & gt; & lt;/table & gt; & lt;/section & gt; & lt;section id= & quot;selections & quot; & gt; & lt;h3 & gt;Selections & lt;/h3 & gt; & lt;h4 & gt;Side A: & lt;/h4 & gt; & lt;ol & gt; & lt;li & gt;Arietis & lt;/li & gt; & lt;li & gt;Weaver Of Dreams & lt;/li & gt; & lt;li & gt;Marie Antoinette & lt;/li & gt; & lt;/ol & gt; & lt;h4 & gt;Side B: & lt;/h4 & gt; & lt;ol & gt; & lt;li & gt;Birdlike & lt;/li & gt; & lt;li & gt;Crisis & lt;/li & gt; & lt;/ol & gt; & lt;/section & gt;
Blue Note
Freddie Hubbard Ready For Freddie (Blue Note Classic Vinyl Edition) 180g LP
Back to Top