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Lou Donaldson Mr. Shing-A-Ling 180g LP (Vinyl)

& lt;font color= & quot;#FF0000 & quot; & gt; & lt;b & gt;All Analog 180g Vinyl LP! & lt;br & gt; Tone Poet Audiophile Vinyl Reissue Series! & lt;br & gt; Mastered by Kevin Gray at Cohearent Audio From Original Analog Tape! & lt;br & gt; Produced By Music Matters' Joe Harley! & lt;br & gt; Pressed at RTI! & lt;/b & gt; & lt;/font & gt; & lt;br & gt; & lt;br & gt; Mr. Shing-A-Ling, has long been considered the best of Lou Donaldson’s funk/soul albums from the late-60s, & amp; includes a who’s who of great soul jazz players including Blue Mitchell, Jimmy & quot;Fats & quot; Ponder & amp; Leo Smith. & lt;br & gt; & lt;br & gt; Donaldson’s funky version of & quot;Ode to Billie Joe & quot; is the most sampled track in Blue Note history. Blue Note Records’ Tone Poet Audiophile Vinyl Reissue Series is produced by Joe Harley and features all-analog, mastered from the original master tape 180g audiophile vinyl reissues. & lt;br & gt; & lt;br & gt; Tone Poet Audiophile Vinyl Reissue Series: & quot;Tone Poet & quot; Joe Harley - co-founder and co-producer of the acclaimed Music Matters audiophile vinyl series - is the producer of this new series of all-analog, mastered-from-the-original-master-tape 180g audiophile vinyl reissues in deluxe packaging. Mastering was done by Kevin Gray (Cohearent Audio) and vinyl was manufactured at Record Technology Incorporated (RTI). The titles were handpicked by Harley and cover lesser-known Blue Note classics, modern era standouts, and albums from other labels under the Blue Note catalog. & lt;br & gt; & lt;br & gt; Extreme attention to detail has been paid to getting these right in every conceivable way, from the jacket graphics and printing quality to superior LP mastering (direct from the master tapes) by Kevin Gray to superb 180 gm audiophile LP pressings by Record Technology Inc. Every aspect of these Blue Note/Tone Poet releases is done to the highest possible standard. It means that you will never find a superior version. This is IT. & lt;br & gt; & lt;br & gt; The so-called Tone Poet (Joe Harley) is confident that his audiophile reissues will allow 21st-century listeners to hear what the musicians heard as the master tape was played back on the studio monitors in Rudy Van Gelder’s studio 50 or 60 years ago. He believes that, in terms of quality, Blue Note albums have never sounded or looked better. & quot; & lt;b & gt;Every aspect of these Blue Note releases is done to the highest possible standard, & quot; & lt;/b & gt;he says. & lt;b & gt; & quot;It means that you will never find a superior version. & quot; & lt;/b & gt; & lt;br & gt; & lt;br & gt; & lt;b & gt;Features: & lt;/b & gt; & lt;br & gt; & amp;bull; All Analog 180g Vinyl & lt;br & gt; & amp;bull; Tone Poet Audiophile Vinyl Reissue Series & lt;br & gt; & amp;bull; Mastered by Kevin Gray at Cohearent Audio & lt;br & gt; & amp;bull; Mastered From Original Master Tape & lt;br & gt; & amp;bull; Reissue supervised by Joe Harley & lt;br & gt; & amp;bull; Pressed at RTI & lt;br & gt; & amp;bull; Single pocket jacket & lt;br & gt; & lt;br & gt; & lt;b & gt;Musicians: & lt;/b & gt; & lt;br & gt; Blue Mitchell, trumpet & lt;br & gt; Lou Donaldson, alto sax & lt;br & gt; Jimmy & quot;Fats & quot; Ponder, guitar & lt;br & gt; Lonnie Smith, organ & lt;br & gt; Leo Morris, drums & lt;br & gt; & lt;br & gt; & lt;b & gt;Selections: & lt;br & gt; Side A: & lt;/b & gt; & lt;br & gt; 1. Ode To Billie Joe & lt;br & gt; 2. The Humpback & lt;br & gt; 3. The Shadow Of Your Smile & lt;br & gt; & lt;b & gt;Side B: & lt;/b & gt; & lt;br & gt; 1. Peepin' & lt;br & gt; 2. The Kid

Lee Morgan Cornbread 180g LP (Vinyl)

& lt;font color= & quot;#FF0000 & quot; & gt; & lt;b & gt;All Analog 180g Vinyl LP! & lt;br & gt; Tone Poet Audiophile Vinyl Reissue Series! & lt;br & gt; Mastered by Kevin Gray at Cohearent Audio From Original Analog Tape! & lt;br & gt; Produced By Music Matters' Joe Harley! & lt;br & gt; Pressed at RTI! & lt;/b & gt; & lt;/font & gt; & lt;br & gt; & lt;br & gt; Lee Morgan assembled an astounding crew for this epic session: Hank Mobley, Jackie McLean, Herbie Hancock, Larry Ridley and Billy Higgins on drums, and Cornbread captures Morgan and everyone involved at their absolute best. & lt;br & gt; & lt;br & gt; Tone Poet Audiophile Vinyl Reissue Series: & quot;Tone Poet & quot; Joe Harley—co-founder and co-producer of the acclaimed Music Matters audiophile vinyl series—is the producer of this new series of all-analog, mastered-from-the-original-master-tape 180g audiophile vinyl reissues in deluxe gatefold packaging. Mastering was done by Kevin Gray (Cohearent Audio) and vinyl was manufactured at Record Technology Incorporated (RTI). The titles were handpicked by Harley and cover lesser-known Blue Note classics, modern era standouts, and albums from other labels under the Blue Note catalog. & lt;br & gt; & lt;br & gt; Extreme attention to detail has been paid to getting these right in every conceivable way, from the jacket graphics and printing quality to superior LP mastering (direct from the master tapes) by Kevin Gray to superb 180 gm audiophile LP pressings by Record Technology Inc. Every aspect of these Blue Note/Tone Poet releases is done to the highest possible standard. It means that you will never find a superior version. This is IT. & lt;br & gt; & lt;br & gt; The so-called Tone Poet (Joe Harley) is confident that his audiophile reissues will allow 21st-century listeners to hear what the musicians heard as the master tape was played back on the studio monitors in Rudy Van Gelder’s studio 50 or 60 years ago. He believes that, in terms of quality, Blue Note albums have never sounded or looked better. & quot; & lt;b & gt;Every aspect of these Blue Note releases is done to the highest possible standard, & quot; & lt;/b & gt;he says. & lt;b & gt; & quot;It means that you will never find a superior version. & quot; & lt;/b & gt; & lt;br & gt; & lt;br & gt; & lt;b & gt;Features: & lt;/b & gt; & lt;br & gt; & amp;bull; All Analog 180g Vinyl & lt;br & gt; & amp;bull; Tone Poet Audiophile Vinyl Reissue Series & lt;br & gt; & amp;bull; Mastered by Kevin Gray at Cohearent Audio & lt;br & gt; & amp;bull; Mastered From Original Master Tape & lt;br & gt; & amp;bull; Reissue supervised by Joe Harley & lt;br & gt; & amp;bull; Pressed at RTI & lt;br & gt; & amp;bull; Gatefold jacket & lt;br & gt; & lt;br & gt; & lt;b & gt;Musicians: & lt;/b & gt; & lt;br & gt; Lee Morgan, trumpet & lt;br & gt; Jackie McLean, alto sax & lt;br & gt; Hank Mobley, tenor sax & lt;br & gt; Herbie Hancock, piano & lt;br & gt; Larry Ridley, bass & lt;br & gt; Billy Higgins, drums & lt;br & gt; & lt;br & gt; & lt;b & gt;Selections: & lt;br & gt; Side A: & lt;/b & gt; & lt;br & gt; 1. Cornbread & lt;br & gt; 2. Our Man Higgins & lt;br & gt; & lt;b & gt;Side B: & lt;/b & gt; & lt;br & gt; 1. Ceora & lt;br & gt; 2. Ill Wind & lt;br & gt; 3. Most Like Lee

Grant Green Grant's First Stand 180g LP (Vinyl)

& lt;font color= & quot;#FF0000 & quot; & gt; & lt;b & gt;Blue Note 80 Vinyl Reissue Series! & lt;br & gt; Smoldering Organ Trio On 180g Vinyl LP! & lt;/b & gt; & lt;/font & gt; & lt;br & gt; & lt;br & gt; & lt;b & gt;Blue Note 80 Vinyl Reissue Series! & lt;/b & gt; & lt;br & gt; In honor of Blue Note Records' 80th Anniversary, the legendary Jazz label is launching the Blue Note 80 Vinyl Reissue Series. Distinct from the Tone Poet Audiophile Vinyl Reissue Series, this 2nd series curated by Don Was and Cem Kurosman features mid-priced 180g vinyl releases in standard packaging with albums spanning the many eras of the label's history presented by themes: Blue Note Debuts, Blue Grooves, Great Reid Miles Covers, Blue Note Live, and Blue Note Drummer Leaders. & lt;br & gt; & lt;br & gt; Guitarist Grant Green's 1961 debut album Grant's First Stand found him at the helm of a smoldering organ trio with Baby Face Willette on Hammond B3 organ and Ben Dixon on drums. A soul jazz classic for the ages, it also signaled the start of a fruitful relationship between Green and Blue Note Records that produced 30 albums over the next 12 years that moved from soul jazz and hard bop into jazz funk and fusion. Green's bluesy guitar sound would also be heard on more than 30 Blue Note albums. & lt;br & gt; & lt;br & gt; & lt;b & gt;Features: & lt;/b & gt; & lt;br & gt; & amp;bull; Blue Note 80 Vinyl Reissue Series & lt;br & gt; & amp;bull; 180g Vinyl LP & lt;br & gt; & amp;bull; Mastered by Kevin Gray, Cohearent Mastering & lt;br & gt; & amp;bull; Made in Germany & lt;br & gt; & lt;br & gt; & lt;b & gt;Musicians: & lt;/b & gt; & lt;br & gt; Grant Green, guitar & lt;br & gt; 'Baby Face' Willette, organ & lt;br & gt; Ben Dixon, drums & lt;br & gt; & lt;br & gt; & lt;b & gt;Selections: & lt;br & gt; Side A: & lt;/b & gt; & lt;br & gt; 1. Miss Ann's Tempo & lt;br & gt; 2. Lullaby Of The Leaves & lt;br & gt; 3. Blues For Willarene & lt;br & gt; & lt;b & gt;Side B: & lt;/b & gt; & lt;br & gt; 1. Baby's Minor Lope & lt;br & gt; 2. Ain't Nobody's Business If I Do & lt;br & gt; 3. A Wee Bit O' Green

Johnny Griffin Introducing Johnny Griffin 180g LP (Vinyl)

& lt;font color= & quot;#FF0000 & quot; & gt; & lt;b & gt;Blue Note 80 Vinyl Reissue Series! & lt;br & gt; Debut Album On 180g Vinyl LP! & lt;/b & gt; & lt;/font & gt; & lt;br & gt; & lt;br & gt; & lt;b & gt;Blue Note 80 Vinyl Reissue Series! & lt;/b & gt; & lt;br & gt; In honor of Blue Note Records' 80th Anniversary, the legendary Jazz label is launching the Blue Note 80 Vinyl Reissue Series. Distinct from the Tone Poet Audiophile Vinyl Reissue Series, this 2nd series curated by Don Was and Cem Kurosman features mid-priced 180g vinyl releases in standard packaging with albums spanning the many eras of the label's history presented by themes: Blue Note Debuts, Blue Grooves, Great Reid Miles Covers, Blue Note Live, and Blue Note Drummer Leaders. & lt;br & gt; & lt;br & gt; Tenor saxophonist Johnny Griffin blew out of Chicago and made his debut album for Blue Note Records in 1956 steering a nimble quartet with pianist Wynton Kelly, bassist Curly Russell, and drummer Max Roach through a fantastic set of originals and standards. From the blistering opener & quot;Mil Dew & quot; to the loping & quot;Chicago Calling & quot; and bluesy & quot;Nice and Easy & quot;, Griffin's staggering technical ability and buoyant swing is readily apparent at every twist and turn. & lt;br & gt; & lt;br & gt; & lt;b & gt;Features: & lt;/b & gt; & lt;br & gt; & amp;bull; Blue Note 80 Vinyl Reissue Series & lt;br & gt; & amp;bull; 180g Vinyl LP & lt;br & gt; & amp;bull; Made in Germany & lt;br & gt; & lt;br & gt; & lt;b & gt;Musicians: & lt;/b & gt; & lt;br & gt; Johnny Griffin, tenor saxophone & lt;br & gt; Wynton Kelly, piano & lt;br & gt; Curly Russell, bass & lt;br & gt; Max Roach, drums & lt;br & gt; & lt;br & gt; & lt;b & gt;Selections: & lt;br & gt; Side A: & lt;/b & gt; & lt;br & gt; 1. Mil Dew & lt;br & gt; 2. Chicago Calling & lt;br & gt; 3. These Foolish Things & lt;br & gt; 4. The Boy Next Door & lt;br & gt; & lt;b & gt;Side B: & lt;/b & gt; & lt;br & gt; 1. Nice And Easy & lt;br & gt; 2. It's Alright With Me & lt;br & gt; 3. Lover Man

Freddie Hubbard Open Sesame 180g LP (Vinyl)

& lt;font color= & quot;#FF0000 & quot; & gt; & lt;b & gt;Blue Note 80 Vinyl Reissue Series! & lt;br & gt; Auspicious Debut On 180g Vinyl LP! & lt;/b & gt; & lt;/font & gt; & lt;br & gt; & lt;br & gt; & lt;b & gt;Blue Note 80 Vinyl Reissue Series! & lt;/b & gt; & lt;br & gt; In honor of Blue Note Records' 80th Anniversary, the legendary Jazz label is launching the Blue Note 80 Vinyl Reissue Series. Distinct from the Tone Poet Audiophile Vinyl Reissue Series, this 2nd series curated by Don Was and Cem Kurosman features mid-priced 180g vinyl releases in standard packaging with albums spanning the many eras of the label's history presented by themes: Blue Note Debuts, Blue Grooves, Great Reid Miles Covers, Blue Note Live, and Blue Note Drummer Leaders. & lt;br & gt; & lt;br & gt; Trumpeter Freddie Hubbard burst upon the Blue Note scene in June 1960 with his auspicious debut album Open Sesame. Within 6 months Hubbard had already recorded a follow-up (Goin' Up) and appeared as a sideman on sessions with Tina Brooks (True Blue), Hank Mobley (Roll Call), Kenny Drew (Undercurrent), and Jackie McLean (Bluesnik). Hubbard's bravado style was already fully formed on Open Sesame with his brilliant tone and jawdropping technical prowess at the helm of a sterling quintet. & lt;br & gt; & lt;br & gt; & lt;b & gt;Features: & lt;/b & gt; & lt;br & gt; & amp;bull; Blue Note 80 Vinyl Reissue Series & lt;br & gt; & amp;bull; 180g Vinyl LP & lt;br & gt; & amp;bull; Made in Germany & lt;br & gt; & lt;br & gt; & lt;b & gt;Musicians: & lt;/b & gt; & lt;br & gt; Freddie Hubbard, trumpet & lt;br & gt; Tina Brooks, tenor saxophone & lt;br & gt; McCoy Tyner, piano & lt;br & gt; Sam Jones, bass & lt;br & gt; Clifford Jarvis, drums & lt;br & gt; & lt;br & gt; & lt;b & gt;Selections: & lt;br & gt; Side A: & lt;/b & gt; & lt;br & gt; 1. Open Sesame & lt;br & gt; 2. But Beautiful & lt;br & gt; 3. Gypsy Blue & lt;br & gt; & lt;b & gt;Side B: & lt;/b & gt; & lt;br & gt; 1. All Or Nothing At All & lt;br & gt; 2. One Mint Julep & lt;br & gt; 3. Hub's Nub

Baby Face Willette Face To Face 180g LP (Vinyl)

& lt;font color= & quot;#FF0000 & quot; & gt; & lt;b & gt;All Analog 180g Vinyl LP! & lt;br & gt; Tone Poet Audiophile Vinyl Reissue Series! & lt;br & gt; Mastered by Kevin Gray at Cohearent Audio From Original Analog Tape! & lt;br & gt; Produced By Music Matters' Joe Harley! & lt;br & gt; Pressed at RTI! & lt;/b & gt; & lt;/font & gt; & lt;br & gt; & lt;br & gt; Hammond B-3 organ soul jazz fans know and love the music of Jimmy Smith, but lesser known is the tragically short life and career of Roosevelt & quot;Baby Face & quot; Willette who produced some of the deepest grooves ever recorded on the B-3 on just two Blue Note albums recorded in 1961. Willette’s debut Face to Face is a showcase for his blues-drenched organ pyrotechnics. Joined by the brilliant guitarist Grant Green, tenor sax master Fred Jackson and the rock-solid drums of Ben Dixon. & lt;br & gt; & lt;br & gt; Nicknamed & quot;Baby Face & quot; on account of his fresh features and youthful visage, soul jazz organist Roosevelt Willette played his instrument with a sanctified fervour that reflected his roots in gospel music. & lt;br & gt; & lt;br & gt; Tone Poet Audiophile Vinyl Reissue Series: & quot;Tone Poet & quot; Joe Harley—co-founder and co-producer of the acclaimed Music Matters audiophile vinyl series—is the producer of this new series of all-analog, mastered-from-the-original-master-tape 180g audiophile vinyl reissues in deluxe gatefold packaging. Mastering was done by Kevin Gray (Cohearent Audio) and vinyl was manufactured at Record Technology Incorporated (RTI). The titles were handpicked by Harley and cover lesser-known Blue Note classics, modern era standouts, and albums from other labels under the Blue Note catalog. & lt;br & gt; & lt;br & gt; Extreme attention to detail has been paid to getting these right in every conceivable way, from the jacket graphics and printing quality to superior LP mastering (direct from the master tapes) by Kevin Gray to superb 180 gm audiophile LP pressings by Record Technology Inc. Every aspect of these Blue Note/Tone Poet releases is done to the highest possible standard. It means that you will never find a superior version. This is IT. & lt;br & gt; & lt;br & gt; The so-called Tone Poet (Joe Harley) is confident that his audiophile reissues will allow 21st-century listeners to hear what the musicians heard as the master tape was played back on the studio monitors in Rudy Van Gelder’s studio 50 or 60 years ago. He believes that, in terms of quality, Blue Note albums have never sounded or looked better. & lt;b & gt; & quot;Every aspect of these Blue Note releases is done to the highest possible standard, & quot; & lt;/b & gt; he says. & lt;b & gt; & quot;It means that you will never find a superior version. & quot; & lt;/b & gt; & lt;br & gt; & lt;br & gt; & lt;b & gt;Features: & lt;/b & gt; & lt;br & gt; & amp;bull; All Analog 180g Vinyl & lt;br & gt; & amp;bull; Tone Poet Audiophile Vinyl Reissue Series & lt;br & gt; & amp;bull; Mastered by Kevin Gray at Cohearent Audio & lt;br & gt; & amp;bull; Mastered From Original Master Tape & lt;br & gt; & amp;bull; Reissue supervised by Joe Harley & lt;br & gt; & amp;bull; Pressed at RTI & lt;br & gt; & amp;bull; Gatefold jacket & lt;br & gt; & lt;br & gt; & lt;b & gt;Musicians: & lt;/b & gt; & lt;br & gt; Fred Jackson, tenor sax & lt;br & gt; Grant Green, guitar & lt;br & gt; & quot;Baby Face & quot; Willette, organ & lt;br & gt; Ben Dixon, drums & lt;br & gt; & lt;br & gt; & lt;b & gt;Selections: & lt;br & gt; Side A: & lt;/b & gt; & lt;br & gt; 1. Swingin' At Sugar Ray's & lt;br & gt; 2. Goin' Down & lt;br & gt; 3. Whatever Lola Wants & lt;br & gt; & lt;b & gt;Side B: & lt;/b & gt; & lt;br & gt; 1. Face To Face & lt;br & gt; 2. Somethin' Strange & lt;br & gt; 3. High 'n Low

Art Blakey & The Jazz Messengers Free For All LP (Vinyl)

& lt;font color= & quot;#FF0000 & quot; & gt; & lt;b & gt;1964 Gem Newly Remastered For Blue Note 75th Anniversary Vinyl! & lt;/b & gt; & lt;/font & gt; & lt;br & gt; & lt;br & gt; Newly-remastered for vinyl as part of an overall Blue Note 75th anniversary vinyl reissue campaign spearheaded by current Blue Note Records President, Don Was. & lt;br & gt; & lt;br & gt; Free for All is a 1964 jazz album by Art Blakey & amp; the Jazz Messengers released on Blue Note. Now, celebrating its 50th anniversary, the album will be newly-remastered for vinyl as part of the overall Blue Note 75th anniversary vinyl reissue campaign. It is the first of many to come. Blakey, the Jazz Messenger’s leader and drummer, recorded Free for All with Freddie Hubbard on trumpet, recent Grammy winner Wayne Shorter on tenor sax, Curtis Fuller on trombone, Cedar Walton on piano and Reggie Workman on bass. Free for All features “Free For All” and “Hammer Head” both by Wayne Shorter as well as “The Core” by Freddie Hubbard and “Pensativa” by Clare Fischer. & lt;br & gt; & lt;br & gt; & lt;b & gt;Features: & lt;/b & gt; & lt;br & gt; • Vinyl LP & lt;br & gt; • First run of vinyl includes special Blue Note 75 vinyl sleeve that features album cover art for 75 Blue Note Titles & lt;br & gt; • Newly remastered for vinyl & lt;br & gt; & lt;br & gt; & lt;b & gt;Musicians: & lt;/b & gt; & lt;br & gt; Art Blakey, drums & lt;br & gt; Freddie Hubbard, trumpet & lt;br & gt; Wayne Shorter, tenor sax & lt;br & gt; Curtis Fuller, trombone & lt;br & gt; Cedar Walton, piano & lt;br & gt; Reggie Workman, bass & lt;br & gt; & lt;br & gt; & lt;b & gt;Selections: & lt;br & gt; Side A: & lt;/b & gt; & lt;br & gt; 1. Free For All & lt;br & gt; 2. Hammer Head & lt;br & gt; & lt;b & gt;Side B: & lt;/b & gt; & lt;br & gt; 1. The Core & lt;br & gt; 2. Pensativa

Sonny Rollins A Night At the Village Vanguard LP (Vinyl)

& lt;font color= & quot;#FF0000 & quot; & gt; & lt;b & gt;Newly Remastered For Blue Note 75th Anniversary Vinyl! & lt;br & gt; Remastered by Bernie Grundman at Bernie Grundman Mastering! & lt;/b & gt; & lt;/font & gt; & lt;br & gt; & lt;br & gt; Newly-remastered for vinyl as part of an overall Blue Note 75th anniversary vinyl reissue campaign spearheaded by current Blue Note Records President, Don Was. & lt;br & gt; & lt;br & gt; A Night At the Village Vanguard was recorded in 1957 by jazz great Sonny Rollins. The album features Rollins on tenor sax, Wilbur Ware on bass, Elvin Jones on drums, Donald Bailey on bass and Pete La Roca on drums. & lt;br & gt; & lt;br & gt; & lt;b & gt;Features: & lt;/b & gt; & lt;br & gt; • Vinyl LP & lt;br & gt; • First run of vinyl includes special Blue Note 75 vinyl sleeve that features album cover art for 75 Blue Note Titles & lt;br & gt; • Newly remastered for vinyl & lt;br & gt; • Remastered by Bernie Grundman at Bernie Grundman Mastering & lt;br & gt; & lt;br & gt; & lt;b & gt;Musicians: & lt;/b & gt; & lt;br & gt; Sonny Rollins, tenor sax & lt;br & gt; Wilbur Ware, bass & lt;br & gt; Elvin Jones, drums & lt;br & gt; Donald Bailey, bass & lt;br & gt; Pete La Roca, drums & lt;br & gt; & lt;br & gt; & lt;b & gt;Selections: & lt;/b & gt; & lt;br & gt; 1. Old Devil Moon & lt;br & gt; 2. Softly As In a Morning Sunrise & lt;br & gt; 3. Striver's Row & lt;br & gt; 4. Sonnymoon For Two & lt;br & gt; 5. A Night In Tunisia & lt;br & gt; 6. I Can't Get Started

The Ornette Coleman Trio At the Golden Circle Stockholm Volume One LP (Vinyl)

& lt;font color= & quot;#FF0000 & quot; & gt; & lt;b & gt;Newly Remastered For Blue Note 75th Anniversary Vinyl! & lt;/b & gt; & lt;/font & gt; & lt;br & gt; & lt;br & gt; Newly-remastered for vinyl as part of an overall Blue Note 75th anniversary vinyl reissue campaign spearheaded by current Blue Note Records President, Don Was. & lt;br & gt; & lt;br & gt; The Ornette Coleman Trio's At the Golden Circle Stockholm Volume One marks the beginning of Coleman's contract with Blue Note. Recorded December 3, 1965, this album features Ornette Coleman on alto sax, along with violin and trumpet, David Izenzon on bass and Charles Moffett on drums. & lt;br & gt; & lt;br & gt; & lt;b & gt;Features: & lt;/b & gt; & lt;br & gt; • Vinyl LP & lt;br & gt; • First run of vinyl includes special Blue Note 75 vinyl sleeve that features album cover art for 75 Blue Note Titles & lt;br & gt; • Newly remastered for vinyl & lt;br & gt; & lt;br & gt; & lt;b & gt;Musicians: & lt;/b & gt; & lt;br & gt; Ornette Coleman, alto saxophone, violin, trumpet & lt;br & gt; David Izenzon, bass & lt;br & gt; Charles Moffett, drums & lt;br & gt; & lt;br & gt; & lt;b & gt;Selections: & lt;/b & gt; & lt;br & gt; 1. Faces and Places & lt;br & gt; 2. European Echoes & lt;br & gt; 3. Dee Dee & lt;br & gt; 4. Dawn

Dexter Gordon Our Man In Paris LP (Vinyl)

& lt;font color= & quot;#FF0000 & quot; & gt; & lt;b & gt;Newly Remastered For Blue Note 75th Anniversary Vinyl! & lt;br & gt;Remastered by Bernie Grundman! & lt;/b & gt; & lt;/font & gt; & lt;br & gt; & lt;br & gt; Newly-remastered for vinyl as part of an overall Blue Note 75th anniversary vinyl reissue campaign spearheaded by current Blue Note Records President, Don Was. & lt;br & gt; & lt;br & gt; Recorded in 1963, Dexter Gordon's Our Man In Paris features Gordon on tenor sax, Bud Powell on piano, Pierre Michelot on bass and Kenny Clarke on drums. & lt;br & gt; & lt;br & gt; & lt;b & gt;Features: & lt;/b & gt; & lt;br & gt; • Vinyl LP & lt;br & gt; • First run of vinyl includes special Blue Note 75 vinyl sleeve that features album cover art for 75 Blue Note Titles & lt;br & gt; • Newly remastered for vinyl & lt;br & gt; • Remastered by Bernie Grundman & lt;br & gt; & lt;br & gt; & lt;b & gt;Musicians: & lt;/b & gt; & lt;br & gt; Dexter Gordon, tenor sax & lt;br & gt; Bud Powell, piano & lt;br & gt; Pierre Michelot, bass & lt;br & gt; Kenny Clarke, drums & lt;br & gt; & lt;br & gt; & lt;b & gt;Selections: & lt;br & gt; Side One: & lt;/b & gt; & lt;br & gt; 1. Scrapple From the Apple & lt;br & gt; 2. Willow Weep For Me & lt;br & gt; & lt;b & gt;Side Two: & lt;/b & gt; & lt;br & gt; 1. Broadway & lt;br & gt; 2. Stairway To the Stars & lt;br & gt; 3. A Night In Tunisia

Freddie Hubbard Ready For Freddie LP (Vinyl)

& lt;font color= & quot;#FF0000 & quot; & gt; & lt;b & gt;Newly Remastered For Blue Note 75th Anniversary Vinyl! & lt;/b & gt; & lt;/font & gt; & lt;br & gt; & lt;br & gt; Newly-remastered for vinyl as part of an overall Blue Note 75th anniversary vinyl reissue campaign spearheaded by current Blue Note Records President, Don Was. & lt;br & gt; & lt;br & gt; Ready For Freddie by jazz trumpeter Freddie Hubbard features Grammy-winner Wayne Shorter on tenor sax, McCoy Tyner on piano, Art Davis on bass, Elvin Jones on drums, and Bernard McKinney on euphonium. Released in 1961, the hard bob essential Ready For Freddie, Hubbard's fourth album, includes his most well-known compositions, & quot;Birdlike & quot; and & quot;Crisis & quot;. & lt;br & gt; & lt;br & gt; & lt;b & gt;Features: & lt;/b & gt; & lt;br & gt; • Vinyl LP & lt;br & gt; • Re-mastered & amp; reissued as part of the Blue Note 75th Anniversary campaign & lt;br & gt; • Includes special Blue Note 75 vinyl sleeve that features album cover art for 75 Blue Note Titles & lt;br & gt; • First run pressings to include Blue Note 75th logo on back of package & lt;br & gt; & lt;br & gt; & lt;b & gt;Musicians: & lt;/b & gt; & lt;br & gt; Freddie Hubbard, trumpet & lt;br & gt; Wayne Shorter, tenor saxophone & lt;br & gt; McCoy Tyner, piano & lt;br & gt; Art Davis, bass & lt;br & gt; Elvin Jones, drums & lt;br & gt; Bernard McKinney, euphonium & lt;br & gt; & lt;br & gt; & lt;b & gt;Selections: & lt;/b & gt; & lt;br & gt; 1. Arietis & lt;br & gt; 2. Weaver of Dreams & lt;br & gt; 3. Marie Antoinette & lt;br & gt; 4. Birdlike & lt;br & gt; 5. Crisis

The 3 Sounds Out of This World LP (Vinyl)

& lt;font color= & quot;#FF0000 & quot; & gt; & lt;b & gt;Newly Remastered for Blue Note 75th Anniversary Vinyl! & lt;/b & gt; & lt;/font & gt; & lt;br & gt; & lt;br & gt; Newly remastered for vinyl as part of an overall Blue Note 75th anniversary vinyl reissue campaign spearheaded by current Blue Note Records President, Don Was. & lt;br & gt; & lt;br & gt; A light and groovy new take on standards, Out Of This World by The Three Sounds was recorded in 1962. Out Of This World contains music by The Three Sounds trio consisting of Gene Harris on piano, Andrew Simpkins on bass, and drummer Bill Dowdy. & lt;br & gt; & lt;br & gt; The Three Sounds (also known as The 3 Sounds) were an American jazz trio that formed in 1956 and disbanded in 1973. The trio played and recorded with Lester Young, Lou Donaldson, Nat Adderley, Johnny Griffin, Anita O'Day, Bucky Pizzarelli, Stanley Turrentine and Sonny Stitt, among others. Between 1958 and 1962, the group released nine albums for Blue Note. They toured nationally during this period, building a large following in jazz clubs across the country. & lt;br & gt; & lt;br & gt; & lt;b & gt; & quot;Out of This World relies less on originals than before, concentrating on standards which sound startlingly fresh. It's the loose, flexible groove that's the key. Simpkins and Dowdy keep things on track, while Gene Harris plays -- he can be nimble, he can pound, but he keeps the music flowing at a nice, easy pace. He has a good sense of the groove, and he stays within the groove even as he plays a lot of notes; it's truly an individual style...It's hard to sound this light and easy, and the Three Sounds pull it off with grace. & quot; & lt;/b & gt; -Stephen Thomas Erlewine, allmusic.com & lt;br & gt; & lt;br & gt; & lt;b & gt;Features: & lt;/b & gt; & lt;br & gt; • Vinyl LP & lt;br & gt; • Remastered & amp; reissued as part of the Blue Note 75th Anniversary campaign & lt;br & gt; • Includes special Blue Note 75 vinyl sleeve that features album cover art for 75 Blue Note Titles & lt;br & gt; • First run pressings to include Blue Note 75th logo on back of package & lt;br & gt; & lt;br & gt; & lt;b & gt;Musicians: & lt;/b & gt; & lt;br & gt; Gene Harris, piano & lt;br & gt; Andrew Simpkins, bass & lt;br & gt; Bill Dowdy, drums & lt;br & gt; & lt;br & gt; & lt;b & gt;Selections: & lt;br & gt; Side A: & lt;/b & gt; & lt;br & gt; 1. Girl of My Dreams & lt;br & gt; 2. Out of the Past & lt;br & gt; 3. Just In Time & lt;br & gt; 4. I'll Be Around & lt;br & gt; & lt;b & gt;Side B: & lt;/b & gt; & lt;br & gt; 1. My Silent Love & lt;br & gt; 2. Sanctified Sue & lt;br & gt; 3. Out of This World & lt;br & gt; 4. You Make Me Feel So Young

Thelonious Monk Genius of Modern Music Volume One LP (Vinyl)

& lt;font color= & quot;#FF0000 & quot; & gt; & lt;b & gt;Newly Remastered for Blue Note 75th Anniversary Vinyl! & lt;/b & gt; & lt;/font & gt; & lt;br & gt; & lt;br & gt; Newly-remastered for vinyl as part of an overall Blue Note 75th anniversary vinyl reissue campaign spearheaded by current Blue Note Records President, Don Was. & lt;br & gt; & lt;br & gt; Belonging in every jazz collection, volume one of Thelonious Monk's 1947 10 & quot; Genius of Modern Music features the first sessions Monk recorded as a leader. In 1956 Blue Note reissued this iconic album as a 12 & quot; and added previously unissued tracks. It is impossible to overstate the importance of these sessions as they include some of the earliest Monk recordings that would become standards, including & quot;Round Midnight & quot; which is now one of the most popular jazz compositions ever recorded. & lt;br & gt; & lt;br & gt; & lt;b & gt;Features: & lt;/b & gt; & lt;br & gt; • Vinyl LP & lt;br & gt; • Remastered & amp; reissued as part of the Blue Note 75th Anniversary campaign & lt;br & gt; • Includes special Blue Note 75 vinyl sleeve that features album cover art for 75 Blue Note Titles & lt;br & gt; • First run pressings to include Blue Note 75th logo on back of package & lt;br & gt; & lt;br & gt; & lt;b & gt;Musicians: & lt;/b & gt; & lt;br & gt; Thelonious Monk, piano & lt;br & gt; George Taitt, trumpet & lt;br & gt; Sahib Shihab, alto sax & lt;br & gt; Robert Paige, bass & lt;br & gt; Art Blakey, drums & lt;br & gt; Gene Ramey, bass & lt;br & gt; Milt Jackson, vibes & lt;br & gt; John Simmons, bass & lt;br & gt; Shadow Wilson, drums & lt;br & gt; Idresse Suliman, trumpet & lt;br & gt; Danny Quebec West, alto sax & lt;br & gt; Billy Smith, tenor sax & lt;br & gt; Kenny Dorham, trumpet & lt;br & gt; Lou Donaldson, alto sax & lt;br & gt; Lucky Thompson, tenor sax & lt;br & gt; Nelson Boyd, bass & lt;br & gt; Max Roach, drums & lt;br & gt; Al McKibbon, bass & lt;br & gt; & lt;br & gt; & lt;b & gt;Selections: & lt;/b & gt; & lt;br & gt; 1. 'Round About Midnight & lt;br & gt; 2. Off Minor & lt;br & gt; 3. Ruby My Dear & lt;br & gt; 4. I Mean You & lt;br & gt; 5. April In Paris & lt;br & gt; 6. In Walked Bud & lt;br & gt; 7. Thelonious & lt;br & gt; 8. Epistrophy & lt;br & gt; 9. Misterioso & lt;br & gt; 10. Well You Needn't & lt;br & gt; 11. Introspection & lt;br & gt; 12. Humph

Hank Mobley No Room for Squares LP (Vinyl)

& lt;font color= & quot;#FF0000 & quot; & gt; & lt;b & gt;Newly Remastered for Blue Note 75th Anniversary Vinyl! & lt;/b & gt; & lt;/font & gt; & lt;br & gt; & lt;br & gt; Newly remastered for vinyl as part of an overall Blue Note 75th anniversary vinyl reissue campaign spearheaded by current Blue Note Records President, Don Was. & lt;br & gt; & lt;br & gt; Originally released in 1963 by tenor saxophonist, Hank Mobley, No Room for Squares features Lee Morgan and Donald Byrd on trumpet, Andrew Hill and Herbie Hancock on piano, John Ore and Butch Warren on bass and Philly Joe Jones on drums. This is one of Mobley's best albums and features two 1963 all-star quintets. & lt;br & gt; & lt;br & gt; & lt;b & gt; & quot;Why any critic would think that Hank Mobley was at the end of his creative spark in 1963 -- a commonly if stupidly held view among the eggheads who do this for a living -- is ridiculous, as this fine session proves...All eight cuts here move with similar fluidity and offer a very gritty and realist approach to the roots of hard bop. Highly recommended. & quot; & lt;/b & gt; -Thom Jurek, allmusic.com & lt;br & gt; & lt;br & gt; & lt;b & gt;Features: & lt;/b & gt; & lt;br & gt; • Vinyl LP & lt;br & gt; • Remastered & amp; reissued as part of the Blue Note 75th Anniversary campaign & lt;br & gt; • Includes special Blue Note 75 vinyl sleeve that features album cover art for 75 Blue Note Titles & lt;br & gt; • First run pressings to include Blue Note 75th logo on back of package & lt;br & gt; & lt;br & gt; & lt;b & gt;Musicians: & lt;/b & gt; & lt;br & gt; Hank Mobley, tenor saxophone & lt;br & gt; Andrew Hill, piano & lt;br & gt; John Ore, bass & lt;br & gt; Philly Joe Jones, drums & lt;br & gt; Donald Byrd, trumpet & lt;br & gt; Herbie Hancock, piano & lt;br & gt; Lee Morgan, trumpet & lt;br & gt; Butch Warren, bass & lt;br & gt; & lt;br & gt; & lt;b & gt;Selections: & lt;/b & gt; & lt;br & gt; 1. Three Way Split & lt;br & gt; 2. Carolyn & lt;br & gt; 3. No Room For Squares & lt;br & gt; 4. Me 'N You & lt;br & gt; 5. Up A Step & lt;br & gt; 6. Old World, New Imports

Grant Green Street Of Dreams LP (Vinyl)

& lt;font color= & quot;#FF0000 & quot; & gt; & lt;b & gt;Newly Remastered for Blue Note 75th Anniversary Vinyl! & lt;/b & gt; & lt;/font & gt; & lt;br & gt; & lt;br & gt; Street of Dreams is an album by American jazz guitarist Grant Green featuring performances recorded in 1964 and released on the Blue Note label. The street signs featured on the cover photo are at an actual street corner in the North Beach neighborhood of San Francisco. Street of Dreams, originally released in 1966, contains performances by Grant Green, Bobby Hutcherson, Larry Young, and Elvin Jones. & lt;br & gt; & lt;br & gt; Newly-remastered for vinyl as part of an overall Blue Note 75th anniversary vinyl reissue campaign spearheaded by current Blue Note Records President, Don Was. & lt;br & gt; & lt;br & gt; & lt;b & gt; & quot;...a marvelously light, cool atmosphere that's maintained throughout the record...All the musicians play with a delicate touch that's quite distinct from the modal soul-jazz on Talkin' About...It's another fine record in a discography filled with them, and yet another underrated Green session. & quot; & lt;/b & gt; -Steve Huey, allmusic.com & lt;br & gt; & lt;br & gt; & lt;b & gt;Features: & lt;/b & gt; & lt;br & gt; • Vinyl LP & lt;br & gt; • Remastered & amp; reissued as part of the Blue Note 75th Anniversary campaign & lt;br & gt; • Includes special Blue Note 75 vinyl sleeve that features album cover art for 75 Blue Note Titles & lt;br & gt; • First run pressings to include Blue Note 75th logo on back of package & lt;br & gt; & lt;br & gt; & lt;b & gt;Musicians: & lt;/b & gt; & lt;br & gt; Grant Green, guitar & lt;br & gt; Bobby Hutcherson, vibes & lt;br & gt; Larry Young, organ & lt;br & gt; Elvin Jones, drums & lt;br & gt; & lt;br & gt; & lt;b & gt;Selections: & lt;br & gt; Side A: & lt;/b & gt; & lt;br & gt; 1. I Wish You Love & lt;br & gt; 2. Lazy Afternoon & lt;br & gt; & lt;b & gt;Side B: & lt;/b & gt; & lt;br & gt; 1. Street of Dreams & lt;br & gt; 2. Somewhere In the Night

Bobby McFerrin Spontaneous Inventions LP (Vinyl)

& lt;font color= & quot;#FF0000 & quot; & gt; & lt;b & gt;Newly Remastered for Blue Note 75th Anniversary Vinyl! & lt;/b & gt; & lt;/font & gt; & lt;br & gt; & lt;br & gt; This live album by vocalist Bobby McFerrin was released by Blue Note Records in 1986. The album features special guests including Robin Williams (Beverly Hills Blues) and Herbie Hancock (piano on Turtle Shoes). The album reached number 103 on the Billboard 200, number 62 on Billboard's R & amp;B Albums chart, number 6 on the Top Jazz Albums chart, and number 2 on the Top Contemporary Jazz Albums chart. & lt;br & gt; & lt;br & gt; Newly-remastered for vinyl as part of an overall Blue Note 75th anniversary vinyl reissue campaign spearheaded by current Blue Note Records President, Don Was. & lt;br & gt; & lt;br & gt; & lt;b & gt; & quot;Bobby McFerrin is heard in prime form throughout this date...A continually intriguing release with plenty of wit from the innovative singer. & quot; & lt;/b & gt; -Scott Yanow, allmusic.com & lt;br & gt; & lt;br & gt; & lt;b & gt;Features: & lt;/b & gt; & lt;br & gt; • Vinyl LP & lt;br & gt; • Remastered & amp; reissued as part of the Blue Note 75th Anniversary campaign & lt;br & gt; • Includes special Blue Note 75 vinyl sleeve that features album cover art for 75 Blue Note Titles & lt;br & gt; • First run pressings to include Blue Note 75th logo on back of package & lt;br & gt; & lt;br & gt; & lt;b & gt;Selections: & lt;br & gt; Side One: & lt;/b & gt; & lt;br & gt; 1. Thinkin' About Your Body & lt;br & gt; 2. Turtle Shoes & lt;br & gt; 3. From Me To You & lt;br & gt; 4. There Ya Go & lt;br & gt; 5. Cara Mia & lt;br & gt; 6. Another Night in Tunisia & lt;br & gt; & lt;b & gt;Side Two: & lt;/b & gt; & lt;br & gt; 1. Opportunity & lt;br & gt; 2. Walkin' & lt;br & gt; 3. I Hear Music & lt;br & gt; 4. Beverly Hills Blues & lt;br & gt; 5. Manana Iguana

Anthony Williams Spring LP (Vinyl)

& lt;font color= & quot;#FF0000 & quot; & gt; & lt;b & gt;Newly Remastered for Blue Note 75th Anniversary Vinyl! & lt;/b & gt; & lt;/font & gt; & lt;br & gt; & lt;br & gt; Spring, the second album by drummer Anthony Williams, was recorded and released in 1965 on the Blue Note label as number 65138. Williams is joined by Wayne Shorter, Sam Rivers, Herbie Hancock, and Gary Peacock. & lt;/p & gt; & lt;p & gt;Widely regarded as one of the most important and influential jazz drummers to come to prominence in the 1960s, Anthony Williams first gained fame in the band of trumpeter Miles Davis and was a pioneer of jazz fusion. & lt;br & gt; & lt;br & gt; Newly-remastered for vinyl as part of an overall Blue Note 75th anniversary vinyl reissue campaign spearheaded by current Blue Note Records President, Don Was. & lt;br & gt; & lt;br & gt; & lt;b & gt; & quot;...the fire expected by members of the Miles Davis Quintet (Williams, Herbie Hancock and Wayne Shorter), all thoroughly influenced by & quot;the new thing, & quot; were unleashed completely from Miles' tight rein. Add tenor saxophonist Sam Rivers and Albert Ayler bassist Gary Peacock into this mix and that influence thrived. & quot; & lt;/b & gt; -Al Campbell, allmusic.com & lt;br & gt; & lt;b & gt; & lt;br & gt; Features: & lt;/b & gt; & lt;br & gt; • Vinyl LP & lt;br & gt; • Remastered & amp; reissued as part of the Blue Note 75th Anniversary campaign & lt;br & gt; • Includes special Blue Note 75 vinyl sleeve that features album cover art for 75 Blue Note Titles & lt;br & gt; • First run pressings to include Blue Note 75th logo on back of package & lt;br & gt; & lt;b & gt; & lt;br & gt; Musicians: & lt;/b & gt; & lt;br & gt; Anthony Williams, drums & lt;br & gt; Wayne Shorter, tenor sax & lt;br & gt; Sam Rivers, tenor sax & lt;br & gt; Herbie Hancock, piano & lt;br & gt; Gary Peacock, bass & lt;br & gt; & lt;br & gt; & lt;b & gt;Selections: & lt;br & gt; Side One: & lt;/b & gt; & lt;br & gt; 1. Extras & lt;br & gt; 2. Echo & lt;br & gt; 3. From Before & lt;br & gt; & lt;b & gt;Side Two: & lt;/b & gt; & lt;br & gt; 1. Love Song & lt;br & gt; 2. Tee

Art Blakey & The Jazz Messengers Mosaic LP (Vinyl)

& lt;font color= & quot;#FF0000 & quot; & gt; & lt;b & gt;Newly Remastered for Blue Note 75th Anniversary Vinyl! & lt;/b & gt; & lt;/font & gt; & lt;br & gt; & lt;br & gt; “Mosaic” is an album by Art Blakey & amp; The Jazz Messengers, originally released by Blue Note Records in 1961. Performing with Blakey, “Mosiac” features critically-acclaimed jazz greats like Wayne Shorter, Freddie Hubbard, and Curtis Fuller. This version of The Jazz Messengers performed together from 1961 through 1964. & lt;br & gt; & lt;br & gt; This title is newly remastered for vinyl as part of an overall Blue Note 75th anniversary vinyl reissue campaign spearheaded by current Blue Note Records President, Don Was. & lt;br & gt; & lt;br & gt; & lt;b & gt; & quot;This is a fine recording and should be owned by any Blakey fan. & quot; & lt;/b & gt; -Thom Jurek, allmusic.com & lt;br & gt; & lt;br & gt; & lt;b & gt;Features: & lt;/b & gt; & lt;br & gt; • Vinyl LP & lt;br & gt; • Remastered & amp; reissued as part of the Blue Note 75th Anniversary campaign & lt;br & gt; • Includes special Blue Note 75 vinyl sleeve that features album cover art for 75 Blue Note Titles & lt;br & gt; • First run pressings to include Blue Note 75th logo on back of package & lt;br & gt; & lt;br & gt; & lt;b & gt;Musicians: & lt;/b & gt; & lt;br & gt; Art Blakey, drums & lt;br & gt; Wayne Shorter, tenor saxophone & lt;br & gt; Freddie Hubbard, trumpet & lt;br & gt; Curtis Fuller, trombone & lt;br & gt; Cedar Walton, piano & lt;br & gt; Jymie Merritt, bass & lt;br & gt; & lt;br & gt; & lt;b & gt;Selections: & lt;br & gt; Side One: & lt;/b & gt; & lt;br & gt; 1. Mosaic & lt;br & gt; 2. Down Under & lt;br & gt; 3. Children of the Night & lt;br & gt; & lt;b & gt;Side Two: & lt;/b & gt; & lt;br & gt; 1. Arabia & lt;br & gt; 2. Crisis

Ryan Adams Ten Songs from Live at Carnegie Hall LP (Vinyl)

& lt;font color= & quot;#FF0000 & quot; & gt; & lt;b & gt;Selections from Live Performance on Vinyl LP! & lt;/b & gt; & lt;/font & gt; & lt;br & gt; & lt;br & gt; Ryan Adams’ forthcoming release “Ten Songs from Live at Carnegie Hall” is comprised of live selections from Adams’ two night stint at the celebrated New York City venue. The career spanning set includes fan favorite “New York, New York,” plus new mainstays from Ryan’s most recent Grammy nominated eponymous album like “Gimme Something Good.” & lt;br & gt; & lt;br & gt; & lt;b & gt;Features: & lt;/b & gt; & lt;br & gt; • Vinyl LP & lt;br & gt; & lt;br & gt; & lt;b & gt;Selections: & lt;br & gt; Side One: & lt;/b & gt; & lt;br & gt; 1. Oh My Sweet Carolina & lt;br & gt; 2. Nobody Girl & lt;br & gt; 3. New York, New York & lt;br & gt; 4. Sylvia Plath & lt;br & gt; 5. This Is Where We Meet In My Mind & lt;br & gt; & lt;b & gt;Side Two: & lt;/b & gt; & lt;br & gt; 1. My Wrecking Ball & lt;br & gt; 2. Gimme Something Good & lt;br & gt; 3. How Much Light & lt;br & gt; 4. Kim & lt;br & gt; 5. Come Pick Me Up

Miles Davis Volume 2 10" Vinyl

& lt;font color= & quot;#FF0000 & quot; & gt; & lt;b & gt;10 & quot; Vinyl! Newly Remastered for Blue Note 75th Anniversary Vinyl! & lt;/b & gt; & lt;/font & gt; & lt;br & gt; & lt;br & gt; Miles Davis Volume 2 is the title of a Miles Davis album released by Blue Note Records. The original ten inch LP contained music from Davis' second session for Blue Note, recorded April 20, 1953. Davis was joined by artists such as Jimmy Heath, Art Blakey, and Percy Heath for the session. The recording was made at a point in Davis' life when he was struggling with heroin addiction. In his autobiography, Davis states that the song title & quot;C.T.A. & quot; was named after Heath's girlfriend Connie Theresa Ann. & lt;br & gt; & lt;br & gt; Newly remastered for vinyl as part of an overall Blue Note 75th anniversary vinyl reissue campaign spearheaded by current Blue Note Records President, Don Was. & lt;br & gt; & lt;br & gt; & lt;b & gt; & quot;This 1953 date was the most inspired, overtly beboppish of Davis' three Blue Note sessions -- an ambitious showcase for modern jazz's greatest composers. & quot; & lt;/b & gt; -Rovi Staff, allmusic.com & lt;br & gt; & lt;br & gt; & lt;b & gt;Features: & lt;/b & gt; & lt;br & gt; • 10 & quot; Vinyl & lt;br & gt; • Remastered & amp; reissued as part of the Blue Note 75th Anniversary campaign & lt;br & gt; • Includes special Blue Note 75 vinyl sleeve that features album cover art for 75 Blue Note Titles & lt;br & gt; • First run pressings to include Blue Note 75th logo on back of package & lt;br & gt; & lt;br & gt; & lt;b & gt;Musicians: & lt;/b & gt; & lt;br & gt; Miles Davis, trumpet & lt;br & gt; Jimmy Heath, tenor saxophone & lt;br & gt; Art Blakey, drums & lt;br & gt; J. J. Johnson, trombone & lt;br & gt; Percy Heath, bass & lt;br & gt; Gil Coggins, piano & lt;br & gt; & lt;br & gt; & lt;b & gt;Selections: & lt;/b & gt; & lt;br & gt; 1. Tempus Fugit & lt;br & gt; 2. Enigma & lt;br & gt; 3. Ray's Idea & lt;br & gt; 4. Kelo & lt;br & gt; 5. I Waited For You & lt;br & gt; 6. C.T.A.

Milt Jackson Wizard of the Vibes 10" Vinyl

& lt;font color= & quot;#FF0000 & quot; & gt; & lt;b & gt;10 & quot; Vinyl! Newly Remastered For Blue Note 75th Anniversary Vinyl! & lt;/b & gt; & lt;/font & gt; & lt;br & gt; & lt;br & gt; Wizard of the Vibes is a compilation of performances by vibraphonist Milt Jackson with the Thelonious Monk Quintet with Lou Donaldson. This 10 & quot; vinyl reissue contains music recorded on April 7, 1952 and July 23, 1951. & lt;br & gt; & lt;br & gt; Newly-remastered for vinyl as part of an overall Blue Note 75th anniversary vinyl reissue campaign spearheaded by current Blue Note Records President, Don Was. & lt;br & gt; & lt;br & gt; & lt;b & gt;Features: & lt;/b & gt; & lt;br & gt; • 10 & quot; Vinyl & lt;br & gt; • Re-mastered & amp; reissued as part of the Blue Note 75th Anniversary campaign & lt;br & gt; • Includes special Blue Note 75 vinyl sleeve that features album cover art for 75 Blue Note Titles & lt;br & gt; • First run pressings to include Blue Note 75th logo on back of package & lt;br & gt; & lt;br & gt; & lt;b & gt;Musicians: & lt;/b & gt; & lt;br & gt; Milt Jackson & lt;br & gt; Thelonious Monk Quintet & lt;br & gt; & lt;br & gt; & lt;b & gt;Selections: & lt;br & gt; Side A: & lt;/b & gt; & lt;br & gt; 1. Tahiti (Recorded April 7, 1952) & lt;br & gt; 2. Lillie (Recorded April 7, 1952) & lt;br & gt; 3. Criss-Cross (Recorded July 23, 1951) & lt;br & gt; 4. Willow Weep For Me (Recorded July 23, 1951) & lt;br & gt; & lt;b & gt;Side B: & lt;/b & gt; & lt;br & gt; 5. What's New? (Recorded April 7, 1952) & lt;br & gt; 6. Bags' Groove (Recorded April 7, 1952) & lt;br & gt; 7. On the Scene (Recorded April 7, 1952) & lt;br & gt; 8. Eronel (Recorded July 23, 1951)

Thelonious Monk Genius of Modern Music Vol. 2 10" Vinyl

& lt;font color= & quot;#FF0000 & quot; & gt; & lt;b & gt;10 & quot; Vinyl! Newly Remastered for Blue Note 75th Anniversary Vinyl! & lt;/b & gt; & lt;/font & gt; & lt;br & gt; & lt;br & gt; Volume two of the two-volume Genius of Modern Music exemplifies Thelonious Monk as a full band leader and consists almost entirely of original compositions. Sidemen include trumpeter Kenny Dorham, bassist Al McKibbon, saxophonist Sahib Shihab as well as Art Blakey and Max Roach. Both volumes of Genius of Modern Music belong in every jazz collection. Genius of Modern Music will be reissued in its original 10” form as part of an overall Blue Note vinyl initiative. & lt;br & gt; & lt;br & gt; Newly remastered for vinyl as part of an overall Blue Note 75th anniversary vinyl reissue campaign spearheaded by current Blue Note Records President, Don Was. & lt;br & gt; & lt;br & gt; & lt;b & gt;Features: & lt;/b & gt; & lt;br & gt; • 10 & quot; Vinyl & lt;br & gt; • Remastered & amp; reissued as part of the Blue Note 75th Anniversary campaign & lt;br & gt; • Includes special Blue Note 75 vinyl sleeve that features album cover art for 75 Blue Note Titles & lt;br & gt; • First run pressings to include Blue Note 75th logo on back of package & lt;br & gt; & lt;br & gt; & lt;b & gt;Musicians: & lt;/b & gt; & lt;br & gt; Thelonious Monk, piano & lt;br & gt; Milt Jackson, vibraphone & lt;br & gt; Danny Quebec West, alto saxophone & lt;br & gt; Sahib Shihab, alto saxophone & lt;br & gt; Billy Smith, tenor saxophone & lt;br & gt; George Tait, trumpet & lt;br & gt; Idresse Suliman, trumpet & lt;br & gt; Al McKibbon, bass & lt;br & gt; Robert Paige, bass & lt;br & gt; Gene Ramey, bass & lt;br & gt; Art Blakey, drums & lt;br & gt; & lt;br & gt; & lt;b & gt;Selections: & lt;/b & gt; & lt;br & gt; 1. Four In One & lt;br & gt; 2. Who Knows & lt;br & gt; 3. Nice Work & lt;br & gt; 4. In Walked Bud & lt;br & gt; 5. Humph & lt;br & gt; 6. Suburban Eyes & lt;br & gt; 7. Ask Me Now

Miles Davis Young Man with a Horn 10" Vinyl (Mono)

& lt;font color= & quot;#FF0000 & quot; & gt; & lt;b & gt;10 & quot; Mono Vinyl! Newly Remastered for Blue Note 75th Anniversary Vinyl! & lt;/b & gt; & lt;/font & gt; & lt;br & gt; & lt;br & gt; Young Man with a Horn is a 10 inch mono LP by jazz trumpeter Miles Davis recorded and released by the Blue Note label in 1952. It was Davis' only official album recorded or released that year, at a time in his career while he was struggling with heroin addiction. This was the first of three 10 & quot; LPs recorded by Davis for Blue Note in the early 1950s. All the songs were originally released as singles, with the exception of the track “How & lt;br & gt; Deep Is the Ocean.” & lt;br & gt; & lt;br & gt; Newly remastered for vinyl as part of an overall Blue Note 75th anniversary vinyl reissue campaign spearheaded by current Blue Note Records President, Don Was. & lt;br & gt; & lt;br & gt; & lt;b & gt;Features: & lt;/b & gt; & lt;br & gt; • 10 & quot; Vinyl & lt;br & gt; • Mono & lt;br & gt; • Remastered & amp; reissued as part of the Blue Note 75th Anniversary campaign & lt;br & gt; • Includes special Blue Note 75 vinyl sleeve that features album cover art for 75 Blue Note Titles & lt;br & gt; • First run pressings to include Blue Note 75th logo on back of package & lt;br & gt; & lt;br & gt; & lt;b & gt;Musicians: & lt;/b & gt; & lt;br & gt; Miles Davis, trumpet & lt;br & gt; Jackie McLean, alto saxophone & lt;br & gt; Oscar Pettiford, bass & lt;br & gt; Jay Jay Johnson, trombone & lt;br & gt; Gil Coggins, piano & lt;br & gt; Kenny Clarke, drums & lt;br & gt; & lt;br & gt; & lt;b & gt;Selections: & lt;/b & gt; & lt;br & gt; 1. Dear Old Stockholm & lt;br & gt; 2. Chance It & lt;br & gt; 3. Yesterdays & lt;br & gt; 4. Donna & lt;br & gt; 5. Would'n You & lt;br & gt; 6. How Deep Is The Ocean

Miles Davis Enigma 10" Vinyl

& lt;font color= & quot;#FF0000 & quot; & gt; & lt;b & gt;10 & quot; Vinyl! Newly Remastered For Blue Note 75th Anniversary Vinyl! & lt;/b & gt; & lt;/font & gt; & lt;br & gt; & lt;br & gt; Vinyl pressing features four previously unreleased Miles Davis performances from the Blue Note vault recorded from 1952-1953. Available on 10” standard black vinyl in the same style as Davis’ original Blue Note 10” discs. & lt;br & gt; & lt;br & gt; Newly-remastered for vinyl as part of an overall Blue Note 75th anniversary vinyl reissue campaign spearheaded by current Blue Note Records President, Don Was. & lt;br & gt; & lt;br & gt; & lt;b & gt;Features: & lt;/b & gt; & lt;br & gt; • 10 & quot; Vinyl & lt;br & gt; • Re-mastered & amp; reissued as part of the Blue Note 75th Anniversary campaign & lt;br & gt; • Includes special Blue Note 75 vinyl sleeve that features album cover art for 75 Blue Note Titles & lt;br & gt; • First run pressings to include Blue Note 75th logo on back of package & lt;br & gt; & lt;br & gt; & lt;b & gt;Musicians: & lt;/b & gt; & lt;br & gt; Miles Davis & lt;br & gt; Oscar Pettiford & lt;br & gt; Percy Heath & lt;br & gt; Jackie McLean & lt;br & gt; Jimmy Heath & lt;br & gt; J.J. Johnson & lt;br & gt; Gil Coggins & lt;br & gt; Art Blakey & lt;br & gt; Kenny Clarke & lt;br & gt; & lt;br & gt; & lt;b & gt;Selections: & lt;br & gt; Side A: & lt;/b & gt; & lt;br & gt; 1.Enigma & lt;br & gt; 2.Kelo & lt;br & gt; & lt;b & gt;Side B: & lt;/b & gt; & lt;br & gt; 1.Chance It & lt;br & gt; 2.Chance It

Sheila Jordan Portrait of Sheila LP (Vinyl)

& lt;font color= & quot;#FF0000 & quot; & gt; & lt;b & gt;1963 Album Reissued On Vinyl LP! & lt;/b & gt; & lt;/font & gt; & lt;br & gt; & lt;br & gt; The 1963 debut released by jazz singer Sheila Jordan features songs including & quot;If You Could See Me Now & quot;, & quot;Who Can I Turn To Now & quot;, and more. & lt;br & gt; & lt;br & gt; During the Blue Note 75th Anniversary celebration the label released 100 essential Blue Note LPs and asked New York times readers what titles they'd like to see make the list. This album was among five titles hand-selected for 2016 reissue by Blue Note President, Don Was, based on New York Times reader recommendations. & lt;br & gt; & lt;br & gt; & lt;b & gt;Features: & lt;/b & gt; & lt;br & gt; • Vinyl LP Reissue & lt;br & gt; & lt;br & gt; & lt;b & gt;Musicians: & lt;/b & gt; & lt;br & gt; Sheila Jordan, vocals & lt;br & gt; Barry Galbraith, guitar & lt;br & gt; Steve Swallow, bass & lt;br & gt; Denzil Best, drums & lt;br & gt; & lt;br & gt; & lt;b & gt;Selections: & lt;br & gt; Side A: & lt;/b & gt; & lt;br & gt; 1. Falling In Love With Love & lt;br & gt; 2. If You could See Me Now & lt;br & gt; 3. Am I Blue? & lt;br & gt; 4. Dat Dere & lt;br & gt; 5. When the World Was Young & lt;br & gt; 6. Let's Face the Music and Dance & lt;br & gt; & lt;br & gt; & lt;b & gt;Side B: & lt;/b & gt; & lt;br & gt; 1. Laugh! Clown! Laugh! & lt;br & gt; 2. Who Can I Turn To Now & lt;br & gt; 3. Baltimore Oriole & lt;br & gt; 4. I'm A Fool To Want You & lt;br & gt; 5. Hum Drum Blues & lt;br & gt; 6. Willow Weep For Me

Blue Mitchell The Thing To Do LP (Vinyl)

& lt;font color= & quot;#FF0000 & quot; & gt; & lt;b & gt;1964 Recording Reissued On Vinyl LP! & lt;/b & gt; & lt;/font & gt; & lt;br & gt; & lt;br & gt; Blue Mitchell's The Thing To Do album was recorded in 1964 and released in 1965. The jazz trumpeter is joined by pianist Chick Corea, bassist Gene Taylor, Junior Cook on tenor sax, and Al Foster on drums. & lt;br & gt; & lt;br & gt; During the Blue Note 75th Anniversary celebration the label released 100 essential Blue Note LPs and asked New York times readers what titles they'd like to see make the list. This album was among five titles hand-selected for 2016 reissue by Blue Note President, Don Was, based on New York Times reader recommendations. & lt;br & gt; & lt;br & gt; & lt;b & gt;Features: & lt;/b & gt; & lt;br & gt; • Vinyl LP Reissue & lt;br & gt; & lt;br & gt; & lt;b & gt;Musicians: & lt;/b & gt; & lt;br & gt; Blue Mitchell, trumpet & lt;br & gt; Junior Cook, tenor saxophone & lt;br & gt; Chick Corea, piano & lt;br & gt; Gene Taylor, bass & lt;br & gt; Aloysius Foster, drums & lt;br & gt; & lt;br & gt; & lt;b & gt;Selections: & lt;br & gt; Side A: & lt;/b & gt; & lt;br & gt; 1. Fungii Mama & lt;br & gt; 2. Mona's Mood & lt;br & gt; 3. The Thing To Do & lt;br & gt; & lt;br & gt; & lt;b & gt;Side B: & lt;/b & gt; & lt;br & gt; 1. Step Lightly & lt;br & gt; 2. Chick's Tune

Big John Patton Let 'em Roll LP (Vinyl)

& lt;font color= & quot;#FF0000 & quot; & gt; & lt;b & gt;1965 Recording Reissued On Vinyl LP! & lt;/b & gt; & lt;/font & gt; & lt;br & gt; & lt;br & gt; For this 1965 recording, which was released in 1966, organist Big John Patton is joined by Bobby Hutcherson on vibes, guitarist Grant Green, and drummer Otis Finch. & lt;br & gt; & lt;br & gt; Big John Patton was one of the most in-demand hard bop and soul jazz organists during the golden era of Hammond B-3 organs between 1963 and 1970. He was a major figure in the development of the funk and blues-rooted jazz style known as soul jazz. & lt;br & gt; & lt;br & gt; During the Blue Note 75th Anniversary celebration the label released 100 essential Blue Note LPs and asked New York times readers what titles they'd like to see make the list. This album was among five titles hand-selected for 2016 reissue by Blue Note President, Don Was, based on New York Times reader recommendations. & lt;br & gt; & lt;br & gt; & lt;b & gt;Features: & lt;/b & gt; & lt;br & gt; • Vinyl LP Reissue & lt;br & gt; & lt;br & gt; & lt;b & gt;Musicians: & lt;/b & gt; & lt;br & gt; Big John Patton, organ & lt;br & gt; Bobby Hutcherson, vibes & lt;br & gt; Grant Green, guitar & lt;br & gt; Otis & quot;Candy & quot; Finch, drums & lt;br & gt; & lt;br & gt; & lt;b & gt;Selections: & lt;br & gt; Side A: & lt;/b & gt; & lt;br & gt; 1. Let 'Em Roll & lt;br & gt; 2. Latona & lt;br & gt; 3. The Shadow of Your Smile & lt;br & gt; & lt;br & gt; & lt;b & gt;Side B: & lt;/b & gt; & lt;br & gt; 1. The Turnaround & lt;br & gt; 2. Jakey & lt;br & gt; 3. One Step Ahead

Ike Quebec Blue & Sentimental LP (Vinyl)

& lt;font color= & quot;#FF0000 & quot; & gt; & lt;b & gt;1962 Album Reissued On Vinyl LP! & lt;/b & gt; & lt;/font & gt; & lt;br & gt; & lt;br & gt; Joined by a quartet that includes Grant Green, Quebec makes every breath and sound count, playing seductive lines on the ballads and swinging forcefully on the hotter numbers. He only lived until 1963 (passing away when he was just 44), but, as Blue And Sentimental shows, Ike Quebec saved the very best for his later period, creating a masterpiece. & lt;br & gt; & lt;br & gt; During the Blue Note 75th Anniversary celebration the label released 100 essential Blue Note LPs and asked New York times readers what titles they'd like to see make the list. This album was among five titles hand-selected for 2016 reissue by Blue Note President, Don Was, based on New York Times reader recommendations. & lt;br & gt; & lt;br & gt; & lt;b & gt;Features: & lt;/b & gt; & lt;br & gt; • Vinyl LP Reissue & lt;br & gt; & lt;br & gt; & lt;b & gt;Musicians: & lt;/b & gt; & lt;br & gt; Ike Quebec, tenor saxophone & lt;br & gt; Grant Green, guitar & lt;br & gt; Paul Chambers, bass & lt;br & gt; Philly Joe Jones, drums & lt;br & gt; & lt;br & gt; & lt;b & gt;Selections: & lt;br & gt; Side A: & lt;/b & gt; & lt;br & gt; 1. Blue and Sentimental & lt;br & gt; 2. Minor Impulse & lt;br & gt; 3. Don't Take Your Love From Me & lt;br & gt; & lt;br & gt; & lt;b & gt;Side B: & lt;/b & gt; & lt;br & gt; 1. Blues for Charlie & lt;br & gt; 2. Like & lt;br & gt; 3. Count Every Star

Sam Rivers Fuchsia Swing Song LP (Vinyl)

& lt;font color= & quot;#FF0000 & quot; & gt; & lt;b & gt;1965 Album Reissued On Vinyl LP! & lt;/b & gt; & lt;/font & gt; & lt;br & gt; & lt;br & gt; One of the unsung greats of the 1960s Sam Rivers has remained a vital force ever since. At the time that he recorded Fuchsia Swing Song, he was a master at playing both inside and outside at the same time, blurring the lines between hard bop and the avant-garde. Throughout this timeless album, Sam Rivers shows that he was a true giant, one who possessed a very individual style and the ability to create innovative music with every note. & lt;br & gt; & lt;br & gt; During the Blue Note 75th Anniversary celebration the label released 100 essential Blue Note LPs and asked New York times readers what titles they'd like to see make the list. This album was among five titles hand-selected for 2016 reissue by Blue Note President, Don Was, based on New York Times reader recommendations. & lt;br & gt; & lt;br & gt; & lt;b & gt;Features: & lt;/b & gt; & lt;br & gt; • Vinyl LP Reissue & lt;br & gt; & lt;br & gt; & lt;b & gt;Musicians: & lt;/b & gt; & lt;br & gt; Sam Rivers, tenor saxophone & lt;br & gt; Jaki Byard, piano & lt;br & gt; Ron Carter, bass & lt;br & gt; Tony Williams, drums & lt;br & gt; & lt;br & gt; & lt;b & gt;Selections: & lt;br & gt; Side A: & lt;/b & gt; & lt;br & gt; 1. Fuchsia Swing Song & lt;br & gt; 2. Downstairs Blues Upstairs & lt;br & gt; 3. Cyclic Episode & lt;br & gt; & lt;br & gt; & lt;b & gt;Side B: & lt;/b & gt; & lt;br & gt; 1. Luminous Monolith & lt;br & gt; 2. Beatrice & lt;br & gt; 3. Ellipsis

Gregory Porter Take Me To the Alley 180g 2LP (Vinyl)

& lt;font color= & quot;#FF0000 & quot; & gt; & lt;b & gt;2017 Grammy Winning Album On 180g Double LP! & lt;/b & gt; & lt;/font & gt; & lt;br & gt; & lt;br & gt; & lt;font color= & quot;#FF0000 & quot; & gt; & lt;b & gt;2017 Grammy Award: & lt;br & gt; • Best Jazz Vocal Album & lt;/b & gt; & lt;/font & gt; & lt;br & gt; & lt;br & gt; An artist whose music is at once timeless yet utterly of its time, Gregory Porter solidifies his standing as his generation’s most soulful jazz singer-songwriter with Take Me to the Alley, the follow-up to his million-selling Grammy-winning 2013 Blue Note debut Liquid Spirit. & lt;br & gt; & lt;br & gt; In the Fall of 2015 Porter finally found the time to return to the studio in New York City to record Take Me To The Alley. As he’s done on his previous three albums, Porter teamed with producer Kamau Kenyatta to craft a collection of stirring originals that juxtapose the personal and political. & lt;br & gt; & lt;br & gt; Reinforcing their well-honed rapport is the return of Porter’s core accompanying musicians – pianist and music director Chip Crawford, bassist Aaron James, drummer Emanuel Harrold, alto saxophonist Yosuke Sato, and tenor saxophonist Tivon Pennicott. Singer Alicia Olatuja, trumpeter Keyon Harrold, and organist Ondrej Pivec also make appearances throughout. & lt;br & gt; & lt;br & gt; & lt;b & gt;Features: & lt;/b & gt; & lt;br & gt; • 180g Vinyl & lt;br & gt; • Double LP & lt;br & gt; • Gatefold Jacket & lt;br & gt; & lt;br & gt; & lt;b & gt;Musicians: & lt;/b & gt; & lt;br & gt; Gregory Porter, voice & lt;br & gt; Alicia Olatuja, voice & lt;br & gt; Chip Crawford, piano & lt;br & gt; Aaron James, bass & lt;br & gt; Emanuel Harrold, drums & lt;br & gt; Keyon Harrold, trumpet & lt;br & gt; Yosuke Sato, alto sax & lt;br & gt; Tivon Pennicott, tenor sax & lt;br & gt; Ondrej Pivec, organ & lt;br & gt; & lt;br & gt; & lt;b & gt;Selections: & lt;/b & gt; & lt;br & gt; & lt;b & gt;LP 1 & lt;br & gt; Side A: & lt;br & gt; & lt;/b & gt; 1. Holding On & lt;br & gt; 2. Don't Lose Your Steam & lt;br & gt; 3. Take Me To the Alley & lt;br & gt; & lt;b & gt;Side B: & lt;/b & gt; & lt;br & gt; 4. Day Dream & lt;br & gt; 5. Consequence of Love & lt;br & gt; 6. In Fashion & lt;br & gt; & lt;br & gt; & lt;b & gt;LP 2 & lt;br & gt; Side C: & lt;br & gt; & lt;/b & gt; 7. More Than A Woman & lt;br & gt; 8. In Heaven & lt;br & gt; 9. Insanity & lt;br & gt; & lt;b & gt;Side D: & lt;/b & gt; & lt;br & gt; 10. Don't Be A Fool & lt;br & gt; 11. Fan the Flames & lt;br & gt; 12. French African Queen

Norah Jones Day Breaks LP (Vinyl)

& lt;a href=javascript:; & quot; onclick= & quot;document.location.hash='SS'; & quot; & gt; & lt;img src= & quot;/content/images/playbutton.gif & quot; hspace= & quot;10 & quot; align= & quot;left & quot; border= & quot;0 & quot; & gt; & lt;font color= & quot;0000FF & quot; & gt; & lt;b & gt;Click Here for Video Sample! & lt;/b & gt; & lt;/font & gt; & lt;/a & gt; & lt;br & gt; & lt;br & gt; & lt;b & gt; & lt;font color= & quot;#FF0000 & quot; & gt;Sixth Solo Album On Vinyl LP! Features & quot;Carry On, & quot; & quot;Flipside & quot; & amp; & quot;Tragedy! & quot; & lt;/font & gt; & lt;/b & gt; & lt;br & gt; & lt;br & gt; A kindred spirit to her Grammy winning debut Come Away With Me album, Day Breaks finds Norah Jones returning to her jazz roots! & lt;br & gt; & lt;br & gt; One of music’s most beautiful and critically acclaimed voices returns with her sixth studio album that finds her returning to her jazz roots. Day Breaks proves Norah to be this era’s quintessential American artist, the purveyor of an unmistakably unique sound that weaves together the threads of several bedrock styles of American music: jazz, soul, rock, folk and country. The album is a kindred spirit to Norah’s Grammy winning debut Come Away With Me, though it is unquestionably the work of a mature artist that has lived and grown immensely in her craft. & lt;br & gt; & lt;br & gt; The album features jazz luminaries including her Blue Note label mates saxophonist Wayne Shorter, organist Dr. Lonnie Smith, and drummer Brian Blade on a 12-song set that presents 9 new originals alongside covers of songs by Horace Silver, Duke Ellington and Neil Young. & lt;br & gt; & lt;br & gt; & lt;b & gt; & quot;This new album feels full circle because i'm going back to my early influences, & quot; & lt;/b & gt; says Norah. & lt;b & gt; & quot;After the first record I drifted away from the piano a little bit. I still played it, but was more inspired to write on gutiar. I really loved playing piano on this record. & quot; & lt;/b & gt; & lt;br & gt; & lt;br & gt; & lt;b & gt;Features: & lt;/b & gt; & lt;br & gt; • 140g Vinyl LP & lt;br & gt; • Includes Limited Time Download Card for the entire album & lt;br & gt; • Gatefold Jacket & lt;br & gt; & lt;br & gt; & lt;b & gt;Selections: & lt;br & gt; Side A: & lt;/b & gt; & lt;br & gt; 1. Burn & lt;br & gt; 2. Tragedy & lt;br & gt; 3. Flipside & lt;br & gt; 4. It's A Wonderful Time For Love & lt;br & gt; 5. And Then There Was You & lt;br & gt; 6. Don't Be Denied & lt;br & gt; & lt;b & gt;Side B: & lt;/b & gt; & lt;br & gt; 7. Day Breaks & lt;br & gt; 8. Peace & lt;br & gt; 9. Once I Had A Laugh & lt;br & gt; 10. Sleeping Wild & lt;br & gt; 11. Carry On & lt;br & gt; 12. African Flower (Fleurette Africaine)

Elvin Jones The Ultimate LP (Vinyl)

& lt;font color= & quot;#FF0000 & quot; & gt; & lt;b & gt;Newly Remastered for Blue Note 75th Anniversary Vinyl! & lt;/b & gt; & lt;/font & gt; & lt;br & gt; & lt;br & gt; The Ultimate is an album by American jazz drummer Elvin Jones recorded in 1968 and released on the Blue Note label. The Ultimate features Elvin Jones on drums, Joe Farrell on saxophones and flute, and Jimmy Garrison on bass. & lt;br & gt; & lt;br & gt; Newly remastered for vinyl as part of an overall Blue Note 75th anniversary vinyl reissue campaign spearheaded by current Blue Note Records President, Don Was. & lt;/p & gt; & lt;p & gt; & lt;b & gt; & quot;This is one of Joe Farrell's finest recordings... Farrell is in consistently creative form but Garrison's occasional solos and Jones's polyrhythmic accompaniment are also noteworthy. & quot; & lt;/b & gt; -Scott Yanow, allmusic.com & lt;br & gt; & lt;br & gt; & lt;b & gt;Features: & lt;/b & gt; & lt;br & gt; • Vinyl LP & lt;br & gt; • Remastered & amp; reissued as part of the Blue Note 75th Anniversary campaign & lt;br & gt; • Includes special Blue Note 75 vinyl sleeve that features album cover art for 75 Blue Note Titles & lt;br & gt; • First run pressings to include Blue Note 75th logo on back of package & lt;br & gt; & lt;br & gt; & lt;b & gt;Musicians: & lt;/b & gt; & lt;br & gt; Elvin Jones, drums & lt;br & gt; Joe Farrell, tenor sax, soprano sax, flute & lt;br & gt; Jimmy Garrison, bass & lt;br & gt; & lt;br & gt; & lt;b & gt;Selections: & lt;br & gt; Side One: & lt;/b & gt; & lt;br & gt; 1. In the Truth & lt;br & gt; 2. What Is This? & lt;br & gt; 3. Ascendant & lt;br & gt; & lt;b & gt;Side Two: & lt;/b & gt; & lt;br & gt; 1. Yesterdays & lt;br & gt; 2. Sometimes Joie & lt;br & gt; 3. We'll Be Together Again

Thelonious Monk Genius of Modern Music Volume Two LP (Vinyl)

& lt;font color= & quot;#FF0000 & quot; & gt; & lt;b & gt;Newly Remastered for Blue Note 75th Anniversary Vinyl! & lt;/b & gt; & lt;/font & gt; & lt;br & gt; & lt;br & gt; Genius of Modern Music Volume 2 is an album by Thelonious Monk. On this release, he is joined by a variety of talented musicians that include Art Blakey, Milt Jackson, Kenny Dorham, and more. & lt;br & gt; & lt;br & gt; This title is newly remastered for vinyl as part of an overall Blue Note 75th anniversary vinyl reissue campaign spearheaded by current Blue Note Records President, Don Was. & lt;br & gt; & lt;br & gt; & lt;b & gt; & quot;The second volume in this two-disc series displays Thelonious Monk coming into his own fully as a leader...belongs in every jazz collection. & quot; & lt;/b & gt; -Rick Anderson, allmusic.com & lt;br & gt; & lt;br & gt; & lt;b & gt;Features: & lt;/b & gt; & lt;br & gt; • Vinyl LP & lt;br & gt; • Remastered & amp; reissued as part of the Blue Note 75th Anniversary campaign & lt;br & gt; • Includes special Blue Note 75 vinyl sleeve that features album cover art for 75 Blue Note Titles & lt;br & gt; • First run pressings to include Blue Note 75th logo on back of package & lt;br & gt; & lt;br & gt; & lt;b & gt;Musicians: & lt;/b & gt; & lt;br & gt; Thelonious Monk, piano & lt;br & gt; Kenny Dorham, trumpet & lt;br & gt; Lou Donaldson, alto sax & lt;br & gt; Lucky Thompson, tenor sax & lt;br & gt; Nelson Boyd, bass & lt;br & gt; Max Roach, drums & lt;br & gt; Idresse Suliman, trumpet & lt;br & gt; Danny Quebec West, alto sax & lt;br & gt; Billy Smith, tenor sax & lt;br & gt; Gene Ramey, bass & lt;br & gt; Art Blakey, drums & lt;br & gt; Sahib Shihab, alto sax & lt;br & gt; Milt Jackson, vibes & lt;br & gt; Al McKibbon, bass & lt;br & gt; George Taitt, trumpet & lt;br & gt; Robert Paige, bass & lt;br & gt; & lt;br & gt; & lt;b & gt;Selections: & lt;/b & gt; & lt;br & gt; 1. Carolina Moon & lt;br & gt; 2. Hornin' In & lt;br & gt; 3. Skippy & lt;br & gt; 4. Let's Cool One & lt;br & gt; 5. Suburban Eyes & lt;br & gt; 6. Evonce & lt;br & gt; 7. Straight No Chaser & lt;br & gt; 8. Four In One & lt;br & gt; 9. Nice Work & lt;br & gt; 10. Monk's Mood & lt;br & gt; 11. Who Knows & lt;br & gt; 12. Ask Me Now

Sonny Rollins Newk's Time LP (Vinyl)

& lt;font color= & quot;#FF0000 & quot; & gt; & lt;b & gt;Newly Remastered for Blue Note 75th Anniversary Vinyl! & lt;/b & gt; & lt;/font & gt; & lt;br & gt; & lt;br & gt; Newk's Time is an album by Sonny Rollins. It was his third album for Blue Note Records, recorded in 1957 and released in 1958. The title of the album is a reference to Rollins' nickname & quot;Newk, & quot; which is apparently based on his resemblance to Donald Newcombe, a Major League Baseball pitcher who shared the same nickname. & quot;Namely You & quot; was taken from the Broadway show Li'l Abner. The release marked the beginning of the Blue Note 4000 series. & lt;br & gt; & lt;br & gt; Newly remastered for vinyl as part of an overall Blue Note 75th anniversary vinyl reissue campaign spearheaded by current Blue Note Records President, Don Was. & lt;br & gt; & lt;br & gt; & lt;b & gt; & quot;In his early prime and well-respected, tenor saxophonist Sonny Rollins cut this fine hard bop date as one of several late-'50s sessions for Blue Note...a must for fans of this most important of classic hard bop soloists. & quot; & lt;/b & gt;-Stephen Cook, allmusic.com & lt;br & gt; & lt;br & gt; & lt;b & gt;Features: & lt;/b & gt; & lt;br & gt; • Vinyl LP & lt;br & gt; • Remastered & amp; reissued as part of the Blue Note 75th Anniversary campaign & lt;br & gt; • Includes special Blue Note 75 vinyl sleeve that features album cover art for 75 Blue Note Titles & lt;br & gt; • First run pressings to include Blue Note 75th logo on back of package & lt;br & gt; & lt;br & gt; & lt;b & gt;Musicians: & lt;/b & gt; & lt;br & gt; Sonny Rollins, tenor saxophone & lt;br & gt; Wynton Kelly, piano & lt;br & gt; Doug Watkins, bass & lt;br & gt; Philly Joe Jones, drums & lt;br & gt; & lt;br & gt; & lt;b & gt;Selections: & lt;/b & gt; & lt;br & gt; 1. Tune Up & lt;br & gt; 2. Asiatic Raes & lt;br & gt; 3. Wonderful! Wonderful! & lt;br & gt; 4. The Surrey With the Fringe on Top & lt;br & gt; 5. Blues for Philly Joe & lt;br & gt; 6. Namely You

Wayne Shorter Night Dreamer LP (Vinyl)

& lt;font color= & quot;#FF0000 & quot; & gt; & lt;b & gt;Newly Remastered for Blue Note 75th Anniversary Vinyl! & lt;/b & gt; & lt;/font & gt; & lt;br & gt; & lt;br & gt; Night Dreamer is the fourth album by Wayne Shorter, recorded and released in 1964. It was Shorter's debut on Blue Note. With a quintet that includes trumpeter Lee Morgan, pianist McCoy Tyner, bassist Reggie Workman and drummer Elvin Jones, Shorter performed six of his originals on this April 29 session. & lt;br & gt; & lt;br & gt; Newly remastered for vinyl as part of an overall Blue Note 75th anniversary vinyl reissue campaign spearheaded by current Blue Note Records President, Don Was. & lt;br & gt; & lt;br & gt; & lt;b & gt; & quot;Tenor saxophonist Wayne Shorter's Blue Note debut found him well prepared to enter the big time...this is a memorable set of high-quality and still fresh music. & quot; & lt;/b & gt; -Scott Yanow, allmusic.com & lt;br & gt; & lt;br & gt; & lt;b & gt;Features: & lt;/b & gt; & lt;br & gt; • Vinyl LP & lt;br & gt; • Remastered & amp; reissued as part of the Blue Note 75th Anniversary campaign & lt;br & gt; • Includes special Blue Note 75 vinyl sleeve that features album cover art for 75 Blue Note Titles & lt;br & gt; • First run pressings to include Blue Note 75th logo on back of package & lt;br & gt; & lt;br & gt; & lt;b & gt;Musicians: & lt;/b & gt; & lt;br & gt; Wayne Shorter, tenor saxophone & lt;br & gt; Lee Morgan, trumpet & lt;br & gt; McCoy Tyner, piano & lt;br & gt; Reggie Workman, bass & lt;br & gt; Elvin Jones, drums & lt;br & gt; & lt;br & gt; & lt;b & gt;Selections: & lt;br & gt; Side One: & lt;/b & gt; & lt;br & gt; 1. Night Dreamer & lt;br & gt; 2. Oriental Folk Song & lt;br & gt; 3. Virgo & lt;br & gt; & lt;b & gt;Side Two: & lt;/b & gt; & lt;br & gt; 1. Black Nile & lt;br & gt; 2. Charcoal Blues & lt;br & gt; 3. Armageddon

Freddie Hubbard Blue Spirits LP (Vinyl)

& lt;font color= & quot;#FF0000 & quot; & gt; & lt;b & gt;Newly Remastered for Blue Note 75th Anniversary Vinyl! & lt;/b & gt; & lt;/font & gt; & lt;br & gt; & lt;br & gt; Blue Spirits is the tenth album by trumpeter Freddie Hubbard released on the Blue Note label in 1965. It would be his last studio album for Blue Note, only followed up by the live album the next year; The Night of the Cookers. It features performances by Hubbard, James Spaulding, Joe Henderson, Harold Mabern, Jr., Larry Ridley, Clifford Jarvis, Big Black, Kiane Zawadi, Hank Mobley, McCoy Tyner, Bob Cranshaw, Pete LaRoca. & lt;br & gt; & lt;br & gt; Newly remastered for vinyl as part of an overall Blue Note 75th anniversary vinyl reissue campaign spearheaded by current Blue Note Records President, Don Was. & lt;br & gt; & lt;br & gt; & lt;b & gt; & quot;... quite challenging and fairly memorable. & quot; & lt;/b & gt; -Scott Yanow, allmusic.com & lt;br & gt; & lt;br & gt; & lt;b & gt;Features: & lt;/b & gt; & lt;br & gt; • Vinyl LP & lt;br & gt; • Remastered & amp; reissued as part of the Blue Note 75th Anniversary campaign & lt;br & gt; • Includes special Blue Note 75 vinyl sleeve that features album cover art for 75 Blue Note Titles & lt;br & gt; • First run pressings to include Blue Note 75th logo on back of package & lt;br & gt; & lt;br & gt; & lt;b & gt;Musicians: & lt;/b & gt; & lt;br & gt; Freddie Hubbard, trumpet & lt;br & gt; James Spaulding, alto sax, flute & lt;br & gt; Joe Henderson, tenor sax & lt;br & gt; Kiane Zawadi, euphonium & lt;br & gt; Harold Mabern Jr, piano & lt;br & gt; Larry Ridley, bass & lt;br & gt; Clifford Jarvis, drums & lt;br & gt; Big Black, conga & lt;br & gt; & lt;br & gt; On & quot;Blue Spirits, & quot; & quot;Outer Forces, & quot; and & quot;Jodo & quot; & lt;br & gt; Freddie Hubbard, trumpet & lt;br & gt; James Spaulding, alto sax, flute & lt;br & gt; Hank Mobley, tenor sax & lt;br & gt; Kiane Zawadi, euphonium & lt;br & gt; McCoy Tyner, piano & lt;br & gt; Bob Cranshaw, bass & lt;br & gt; Pete La Roca, drums & lt;br & gt; & lt;br & gt; & lt;b & gt;Selections: & lt;br & gt; Side One: & lt;/b & gt; & lt;br & gt; 1. Soul Surge & lt;br & gt; 2. Blue Spirits & lt;br & gt; & lt;b & gt;Side Two: & lt;/b & gt; & lt;br & gt; 1. Outer Forces & lt;br & gt; 2. Cunga Black & lt;br & gt; 3. Jodo

Ryan Adams Baby I Love You/Was I Wrong 45rpm 7" Vinyl

& lt;font color= & quot;#FF0000 & quot; & gt; & lt;b & gt;Limited Edition 45rpm 7 & quot; Vinyl Single! & lt;/b & gt; & lt;/font & gt; & lt;br & gt; & lt;br & gt; Prolific singer/songwriter Ryan Adams released a new track titled & quot;Baby I Love You & quot; on Valentine's Day, February 14, 2018. Now available on 7 & quot; vinyl for his fan base that eats vinyl for breakfast. & lt;br & gt; & lt;br & gt; & lt;b & gt; & quot;'Baby I Love You' – which is not a cover of the Ronettes classic – is similar to Adams' lovelorn double LP Love Is Hell. But here, Adams' perspective on romance is slightly brighter. 'If I cry to you / Can you hold me still? / I don't want any more tears / I'm just broken from the years,' Adams sings. 'If I lie to you / Because the truth might sting / Is it better to know / What's worse than letting go?' 'Baby I Love You' also has hints of Tom Petty, a major influence on Adams. 'His songs, his guitar playing, his style and him just being Tom Petty were things that inspired me my entire life. This world needed him, and he did not disappoint,' Adams told Rolling Stone following Petty's death in 2017. & quot; & lt;/b & gt; - Rolling Stone & lt;br & gt; & lt;br & gt; & lt;b & gt; & quot;In contrast to the heartbreak found in his previous work, the new single is a bright and poppy rock tune that perfectly fits the occasion, conjuring images of smiling couples pulling into drive-in movie theaters, sharing a malt and driving into the sunset in a cherry-red convertible. & quot; & lt;/b & gt; - Paste Magazine & lt;br & gt; & lt;br & gt; & lt;b & gt; & quot;Ryan Adams came out with Prisoner, his last album, about a year ago. And today being Valentine's Day, he's followed it up with a quick little one-off: A swoony love song called 'Baby I Love You.' The track is full of chiming, Byrds-esque guitars and Phil Spector-style bells, and it's perfectly lovely. & quot; & lt;/b & gt; - Stereogum & lt;br & gt; & lt;br & gt; & lt;b & gt;Features: & lt;/b & gt; & lt;br & gt; & amp;bull; Limited Edition & lt;br & gt; & amp;bull; 7 & quot; Vinyl Single & lt;br & gt; & amp;bull; 45rpm & lt;br & gt; & lt;br & gt; & lt;b & gt;Selections: & lt;/b & gt; & lt;br & gt; & lt;b & gt;Side A: & lt;/b & gt; Baby I Love You & lt;br & gt; & lt;b & gt;Side B: & lt;/b & gt; Was I Wrong

Charles Lloyd & The Marvels + Lucinda Williams Vanished Gardens 180g 2LP (Vinyl)

& lt;font color= & quot;#FF0000 & quot; & gt; & lt;b & gt;Jazz Meets Americana On 180g Vinyl Double LP! & lt;br & gt; Featuring & quot;We've Come Too Far To Turn Around & quot;! & lt;/b & gt; & lt;/font & gt; & lt;br & gt; & lt;br & gt; At 80 years old, NEA Jazz Master & lt;b & gt;Charles Lloyd & lt;/b & gt; remains an intrepid musical pioneer, entering his ninth decade at a creative peak in what now stands as a mountainous and formidable career. With his newest band The Marvels—a guitar-driven group featuring & lt;b & gt;Bill Frisell & lt;/b & gt;on guitar, & lt;b & gt;Greg Leisz & lt;/b & gt; on pedal steel guitar, & lt;b & gt;Reuben Rogers & lt;/b & gt; on bass, and & lt;b & gt;Eric Harland & lt;/b & gt; on drums—Lloyd released the 2016 album I Long To See You which NPR called & quot;music that evokes an uncommon state of grace. & quot; & lt;br & gt; & lt;br & gt; Now Charles Lloyd & amp; The Marvels + Lucinda Williams release Vanished Gardens, a transcendent new album that presents the fascinating collaboration between the saxophonist/composer and acclaimed GRAMMY-winning singer and songwriter & lt;b & gt; Lucinda & lt;/b & gt; & lt;b & gt;Williams & lt;/b & gt;. Together they weave several threads of American music (Jazz, Blues, Americana, Country, and Rock) into a thrilling and uplifting new musical hybrid. The first single is & quot;We've Come Too Far To Turn Around & quot;, a new gospel-informed song written by Williams. & lt;br & gt; & lt;br & gt; & lt;b & gt; & quot;A friend had turned me on to Lucinda when Car Wheels On a Gravel Road came out, & quot; & lt;/b & gt; Lloyd recalls. & quot; & lt;b & gt;Lu has worked a lot with Bill Frisell and Greg Leisz, so a couple of years ago she came to one of my Marvels concerts at the Lobero Theater in Santa Barbara. It was our first meeting and I sensed a deep Southern crossroads connection. Not long after that meeting she invited me to guest at her UCLA concert and then I invited her to guest at one of my concerts about a year later… It was clear we had something we wanted to explore together. & quot; & lt;/b & gt; & lt;br & gt; & lt;br & gt; Williams is featured on five of the ten tracks on Vanished Gardens, including expansive new versions of her well-known songs & quot;Dust & quot;, & quot;Ventura & quot; and & quot;Unsuffer Me & quot;, as well as a full-hearted interpretation of Jimi Hendrix's & quot;Angel & quot; that closes the album. Alternating with the vocal tracks are five sublime instrumental offerings including three new Lloyd originals and versions of Thelonious Monk's & quot;Monk's Mood & quot; and the Roberta Flack popularized song & quot;Ballad of The Sad Young Men & quot;. & lt;br & gt; & lt;br & gt; & lt;b & gt; & quot;I've worked with a lot of poets, & quot; & lt;/b & gt; Lloyd says, & lt;b & gt; & quot;especially during my Big Sur days; Lawrence Ferlinghetti, Charles Bukowski, Gary Snyder, Diane diPrima, Schyleen Qualls, Michael McClure, Bob Kaufman, James Dalessandro… putting words and music together. Lu is a poet. An authentic, American voice. Her sound is like an emotional barometer. A weather vane. Sometimes it swirls around in the tempest of a storm and sometimes it is sweet and pure as a Southern breeze carrying the intoxicating perfume of magnolia to you. As a poet, her imagery knocks me out. She is a reporter of the human condition, of life on planet Earth. & quot; & lt;/b & gt; & lt;br & gt; & lt;br & gt; The Marvels have evolved since their 2016 debut I Long To See You. & lt;b & gt; & quot;We know each other better now and therefore we can travel more freely down certain paths, & quot; & lt;/b & gt; reflects Lloyd. That album featured guest vocals from both Willie Nelson and Norah Jones, but the collaborative nature the band has nurtured with Williams has led them to even greater heights of expression. & lt;b & gt; & quot;Having Lucinda on five of the tracks adds a new dimension to the overall experience, & quot; & lt;/b & gt;says Lloyd, & lt;b & gt; & quot;for my listeners and for hers. I think on the new recording we were able to let go and plunge deeply into the sound. & quot; & lt;/b & gt; & lt;br & gt; & lt;br & gt; & lt;b & gt;Features: & lt;/b & gt; & lt;br & gt; & amp;bull; 180g Vinyl & lt;br & gt; & amp;bull; Double LP & lt;br & gt; & amp;bull; Gatefold jacket & lt;br & gt; & lt;br & gt; & lt;b & gt;Musicians: & lt;/b & gt; & lt;br & gt; Charles Lloyd, tenor saxophone, flute, ghost vocals & lt;br & gt; Lucinda Williams, vocals & lt;br & gt; Bill Frisell, guitar & lt;br & gt; Greg Leisz, pedal steel guitar, dobro & lt;br & gt; Reuben Rogers, bass & lt;br & gt; Eric Harland, drums & lt;br & gt; & lt;br & gt; & lt;b & gt;Selections: & lt;br & gt; Side A: & lt;/b & gt; & lt;br & gt; 1. Defiant & lt;br & gt; 2. Dust - featuring Lucinda Williams & lt;br & gt; & lt;b & gt;Side B: & lt;/b & gt; & lt;br & gt; 1. Vanished Gardens & lt;br & gt; 2. Ventura - featuring Lucinda Williams & lt;br & gt; & lt;b & gt;Side C: & lt;/b & gt; & lt;br & gt; 1. Ballad Of The Sad Young Men & lt;br & gt; 2. We've Come Too Far To Turn Around - featuring Lucinda Williams & lt;br & gt; 3. Blues For Langston And LaRue & lt;br & gt; & lt;b & gt;Side D: & lt;/b & gt; & lt;br & gt; 1. Unsuffer Me - featuring Lucinda Williams & lt;br & gt; 2. Monk's Mood & lt;br & gt; 3. Angel - featuring Lucinda Williams

Lonnie Smith Think! 180g LP (Vinyl)

& lt;font color= & quot;#FF0000 & quot; & gt; & lt;b & gt;Blue Note 80 Vinyl Reissue Series! & lt;br & gt; Hammond B-3 Master On 180g Vinyl LP! & lt;/b & gt; & lt;/font & gt; & lt;br & gt; & lt;br & gt; & lt;b & gt;Blue Note 80 Vinyl Reissue Series! & lt;/b & gt; & lt;br & gt; In honor of Blue Note Records' 80th Anniversary, the legendary Jazz label is launching the Blue Note 80 Vinyl Reissue Series. Distinct from the Tone Poet Audiophile Vinyl Reissue Series, this 2nd series curated by Don Was and Cem Kurosman features mid-priced 180g vinyl releases in standard packaging with albums spanning the many eras of the label's history presented by themes: Blue Note Debuts, Blue Grooves, Great Reid Miles Covers, Blue Note Live, and Blue Note Drummer Leaders. & lt;br & gt; & lt;br & gt; One of the funkiest & amp; most inventive organists to ever walk the earth, Dr. Lonnie Smith made his name on Blue Note beginning with his 1968 label debut Think! Produced by Francis Wolff, the album featured trumpeter Lee Morgan, tenor saxophonist David Newman, guitarist Melvin Sparks, and drummer Marian Booker Jr., with Henry & quot;Pucho & quot; Brown, William Bivens, and Norberto Apellaniz adding percussion on two tracks. Groove is the thing on this session from the hard-driving opener & lt;br & gt; & quot;Son Of Ice Bag & quot;. & lt;br & gt; & lt;br & gt; & lt;b & gt;Features: & lt;/b & gt; & lt;br & gt; & amp;bull; Blue Note 80 Vinyl Reissue Series & lt;br & gt; & amp;bull; 180g Vinyl LP & lt;br & gt; & amp;bull; Blue Note 80: Blue Grooves, Part 1 & lt;br & gt; & amp;bull; All Analog & lt;br & gt; & amp;bull; Mastered by Kevin Gray from the original master tapes & lt;br & gt; & amp;bull; Pressed at Optimal in Germany & lt;br & gt; & lt;br & gt; & lt;b & gt;Musicians: & lt;/b & gt; & lt;br & gt; Lee Morgan, trumpet & lt;br & gt; David Newman, tenor saxophone, flute & lt;br & gt; Melvin Sparks, guitar & lt;br & gt; Lonnie Smith, organ & lt;br & gt; Marion Booker, Jr., drums & lt;br & gt; Henry (Pucho) Brown, timbales & lt;br & gt; Willie Bivins, conga & lt;br & gt; Norberto Appelaniz, conga & lt;br & gt; & lt;br & gt; & lt;b & gt;Selections: & lt;br & gt; Side A: & lt;/b & gt; & lt;br & gt; 1. Son Of Ice Bag & lt;br & gt; 2. The Call Of The Wild & lt;br & gt; & lt;b & gt;Side B: & lt;/b & gt; & lt;br & gt; 1. Think & lt;br & gt; 2. Three Blind Mice & lt;br & gt; 3. Slouchin'

Reuben Wilson Blue Mode 180g LP (Vinyl)

& lt;font color= & quot;#FF0000 & quot; & gt; & lt;b & gt;Blue Note 80 Vinyl Reissue Series! & lt;br & gt; Funky Soul Jazz On 180g Vinyl LP! & lt;/b & gt; & lt;/font & gt; & lt;br & gt; & lt;br & gt; & lt;b & gt;Blue Note 80 Vinyl Reissue Series! & lt;/b & gt; & lt;br & gt; In honor of Blue Note Records' 80th Anniversary, the legendary Jazz label is launching the Blue Note 80 Vinyl Reissue Series. Distinct from the Tone Poet Audiophile Vinyl Reissue Series, this 2nd series curated by Don Was and Cem Kurosman features mid-priced 180g vinyl releases in standard packaging with albums spanning the many eras of the label's history presented by themes: Blue Note Debuts, Blue Grooves, Great Reid Miles Covers, Blue Note Live, and Blue Note Drummer Leaders. & lt;br & gt; & lt;br & gt; For his third Blue Note album Blue Mode (1969), organist Reuben Wilson kept it right in the pocket and laid down one of the funkiest soul jazz workouts of the late-60s. Produced by Francis Wolff, the date featured Wilson at the helm of an airtight quartet with tenor saxophonist John Manning, guitarist Melvin Sparks, and drummer Tommy Derrick. Highlights of the set include Wilson's grooving originals & quot;Bus Ride & quot;, & quot;Orange Peel & quot; and & quot;Blue Mode & quot;, along with covers of Eddie Floyd and Edwin Starr. & lt;br & gt; & lt;br & gt; & lt;b & gt;Features: & lt;/b & gt; & lt;br & gt; & amp;bull; Blue Note 80 Vinyl Reissue Series & lt;br & gt; & amp;bull; 180g Vinyl LP & lt;br & gt; & amp;bull; Blue Note 80: Blue Grooves, Part 1 & lt;br & gt; & amp;bull; All Analog & lt;br & gt; & amp;bull; Mastered by Kevin Gray from the original master tapes & lt;br & gt; & amp;bull; Pressed at Optimal in Germany & lt;br & gt; & lt;br & gt; & lt;b & gt;Musicians: & lt;/b & gt; & lt;br & gt; Reuben Wilson, organ & lt;br & gt; John Manning, tenor saxophone & lt;br & gt; Melvin Sparks, guitar & lt;br & gt; Tommy Derrick, drums & lt;br & gt; & lt;br & gt; & lt;b & gt;Selections: & lt;br & gt; Side A: & lt;/b & gt; & lt;br & gt; 1. Bambu & lt;br & gt; 2. Knock On Wood & lt;br & gt; 3. Bus Ride & lt;br & gt; & lt;b & gt;Side B: & lt;/b & gt; & lt;br & gt; 1. Orange Peel & lt;br & gt; 2. Twenty-Five Miles & lt;br & gt; 3. Blue Mode

Andrew Hill Black Fire 180g LP (Vinyl)

& lt;font color= & quot;#FF0000 & quot; & gt; & lt;b & gt;All Analog 180g Vinyl LP! & lt;br & gt; Tone Poet Audiophile Vinyl Reissue Series! & lt;br & gt; Mastered by Kevin Gray at Cohearent Audio From Original Analog Tape! & lt;br & gt; Produced By Music Matters' Joe Harley! & lt;br & gt; Pressed at RTI! & lt;/b & gt; & lt;/font & gt; & lt;br & gt; & lt;br & gt; Andrew Hill’s Black Fire is both the pianist and composer’s debut and an acknowledged masterpiece of modern post-bop jazz. Featuring a sublime quartet with Joe Henderson on tenor saxophone, Richard Davis on bass, and Roy Haynes on drums, the music still sounds as fresh today as it did the day it was recorded in November 1963, the start of an astounding creative streak that also produced Hill’s great albums Smokestack, Judgment!, and Point of Departure during a period of just 4 months. & lt;br & gt; & lt;br & gt; Tone Poet Audiophile Vinyl Reissue Series: & quot;Tone Poet & quot; Joe Harley—co-founder and co-producer of the acclaimed Music Matters audiophile vinyl series—is the producer of this new series of all-analog, mastered-from-the-original-master-tape 180g audiophile vinyl reissues in deluxe gatefold packaging. Mastering was done by Kevin Gray (Cohearent Audio) and vinyl was manufactured at Record Technology Incorporated (RTI). The titles were handpicked by Harley and cover lesser-known Blue Note classics, modern era standouts, and albums from other labels under the Blue Note catalog. & lt;br & gt; & lt;br & gt; Extreme attention to detail has been paid to getting these right in every conceivable way, from the jacket graphics and printing quality to superior LP mastering (direct from the master tapes) by Kevin Gray to superb 180 gm audiophile LP pressings by Record Technology Inc. Every aspect of these Blue Note/Tone Poet releases is done to the highest possible standard. It means that you will never find a superior version. This is IT. & lt;br & gt; & lt;br & gt; The so-called Tone Poet (Joe Harley) is confident that his audiophile reissues will allow 21st-century listeners to hear what the musicians heard as the master tape was played back on the studio monitors in Rudy Van Gelder’s studio 50 or 60 years ago. He believes that, in terms of quality, Blue Note albums have never sounded or looked better. & quot;Every aspect of these Blue Note releases is done to the highest possible standard, & quot; he says. & quot;It means that you will never find a superior version. & quot; & lt;br & gt; & lt;br & gt; & lt;b & gt;Features: & lt;/b & gt; & lt;br & gt; & amp;bull; All Analog 180g Vinyl & lt;br & gt; & amp;bull; Tone Poet Audiophile Vinyl Reissue Series & lt;br & gt; & amp;bull; Mastered by Kevin Gray at Cohearent Audio & lt;br & gt; & amp;bull; Mastered From Original Master Tape & lt;br & gt; & amp;bull; Reissue supervised by Joe Harley & lt;br & gt; & amp;bull; Pressed at RTI & lt;br & gt; & amp;bull; Gatefold jacket & lt;br & gt; & lt;br & gt; & lt;b & gt;Musicians: & lt;/b & gt; & lt;br & gt; Joe Henderson, tenor saxophone & lt;br & gt; Andrew Hill, piano & lt;br & gt; Richard Davis, bass & lt;br & gt; Roy Haynes, drums & lt;br & gt; & lt;br & gt; & lt;b & gt;Selections: & lt;br & gt; Side A: & lt;/b & gt; & lt;br & gt; 1. Pumpkin & lt;br & gt; 2. Subterfuge & lt;br & gt; 3. Black Fire & lt;br & gt; & lt;b & gt;Side B: & lt;/b & gt; & lt;br & gt; 1. Cantardos & lt;br & gt; 2. Tired Trade & lt;br & gt; 3. McNeil Island & lt;br & gt; 4. Land Of Nod

Donald Byrd Ethiopian Knights 180g LP (Vinyl)

& lt;font color= & quot;#FF0000 & quot; & gt; & lt;b & gt;Blue Note 80 Vinyl Reissue Series! & lt;br & gt; Jazz/Funk Grooves On 180g Vinyl LP! & lt;/b & gt; & lt;/font & gt; & lt;br & gt; & lt;br & gt; & lt;b & gt;Blue Note 80 Vinyl Reissue Series! & lt;/b & gt; & lt;br & gt; In honor of Blue Note Records' 80th Anniversary, the legendary Jazz label is launching the Blue Note 80 Vinyl Reissue Series. Distinct from the Tone Poet Audiophile Vinyl Reissue Series, this 2nd series curated by Don Was and Cem Kurosman features mid-priced 180g vinyl releases in standard packaging with albums spanning the many eras of the label's history presented by themes: Blue Note Debuts, Blue Grooves, Great Reid Miles Covers, Blue Note Live, and Blue Note Drummer Leaders. & lt;br & gt; & lt;br & gt; Ethiopian Knights is an album by American trumpeter Donald Byrd featuring performances by Byrd with Thurman Green, Harold Land, Bobby Hutcherson, and Joe Sample released on the Blue Note label in 1972. & lt;br & gt; & lt;br & gt; & lt;b & gt; & quot;Right from the stop-start bass groove that opens 'The Emperor,' it's immediately clear that Ethiopian Knights is more indebted to funk -- not just funky jazz, but the straight-up James Brown/Sly Stone variety -- than any previous Donald Byrd project. And, like a true funk band, Byrd and his group work the same driving, polyrhythmic grooves over and over, making rhythm the focal point of the music. Although the musicians do improvise, their main objective is to keep the grooves pumping, using their solos more to create texture than harmonic complexity. That's why jazz purists began to detest Byrd with this album (though the follow-ups certainly cinched it); in truth, even though Ethiopian Knights did move Byrd closer to R & amp;B, it's still more jazz than funk, and didn't completely foreshadow his crossover. The dense arrangements and lo-o-o-ng workouts (two of the three tracks are over 15 minutes) are indicative of Byrd's continued debt to Miles Davis, in particular the bevy of live double LPs Davis issued in the early '70s. Byrd again leads a large ensemble, but with mostly different players than on his recent sessions; some come from the group assembled for Bobby Hutcherson's Head On album, others from the Jazz Crusaders. That's part of the reason there are fewer traces of hard bop here, but it's also clear from the title that Byrd's emerging Afrocentric consciousness was leading him -- like Davis -- to seek ways of renewing jazz's connection to the people who created it. Even if it isn't quite as consistent as Kofi and Electric Byrd, Ethiopian Knights is another intriguing transitional effort that deepens the portrait of Byrd the acid jazz legend. & quot; & lt;/b & gt; - AllMusic & lt;br & gt; & lt;br & gt; & lt;b & gt;Features: & lt;/b & gt; & lt;br & gt; & amp;bull; Blue Note 80 Vinyl Reissue Series & lt;br & gt; & amp;bull; 180g Vinyl LP & lt;br & gt; & amp;bull; Blue Note 80: Blue Grooves, Part 2 & lt;br & gt; & amp;bull; All Analog & lt;br & gt; & amp;bull; Mastered by Kevin Gray from the original master tapes & lt;br & gt; & amp;bull; Pressed at Optimal in Germany & lt;br & gt; & lt;br & gt; & lt;b & gt;Musicians: & lt;/b & gt; & lt;br & gt; Donald Byrd, trumpet & lt;br & gt; Harold Land, tenor sax & lt;br & gt; Thurman Green, trombone & lt;br & gt; Bobby Hutcherson, vibes & lt;br & gt; Don Peake, guitar & lt;br & gt; David Walker, guitar & lt;br & gt; Greg Poree, guitar & lt;br & gt; William Henderson III, piano & lt;br & gt; Joseph Sample, organ & lt;br & gt; Wilton Felder, bass & lt;br & gt; Edward Greene, drums & lt;br & gt; & lt;br & gt; & lt;b & gt;Selections: & lt;br & gt; Side One: & lt;/b & gt; & lt;br & gt; 1. The Emperor & lt;br & gt; 2. Jamie & lt;br & gt; & lt;b & gt;Side Two: & lt;/b & gt; & lt;br & gt; 3. The Little Rasti

Stanley Turrentine Hustlin' 180g LP (Vinyl)

& lt;font color= & quot;#FF0000 & quot; & gt; & lt;b & gt;All Analog 180g Vinyl LP! & lt;br & gt; Tone Poet Audiophile Vinyl Reissue Series! & lt;br & gt; Mastered by Kevin Gray at Cohearent Audio From Original Analog Tape! & lt;br & gt; Produced By Music Matters' Joe Harley! & lt;br & gt; Pressed at RTI! & lt;/b & gt; & lt;/font & gt; & lt;br & gt; & lt;br & gt; Stanley Turrentine’s 1960s Blue Note output was reliably excellent, but this 1964 session featuring his thick, blues-drenched tenor saxophone backed by organist Shirley Scott, guitarist Kenny Burrell, bassist Bob Cranshaw, and drummer Otis Finch, surely ranks with his very best. From the relentless groove of “Trouble (No. 2)” to the scorching dialog between Turrentine and Burrell on & quot;Ladyfingers & quot; to the deep swinging blues of the title track, Hustlin’ is must-have music for fans of Turrentine. & lt;br & gt; & lt;br & gt; Tone Poet Audiophile Vinyl Reissue Series: & quot;Tone Poet & quot; Joe Harley—co-founder and co-producer of the acclaimed Music Matters audiophile vinyl series—is the producer of this new series of all-analog, mastered-from-the-original-master-tape 180g audiophile vinyl reissues in deluxe gatefold packaging. Mastering was done by Kevin Gray (Cohearent Audio) and vinyl was manufactured at Record Technology Incorporated (RTI). The titles were handpicked by Harley and cover lesser-known Blue Note classics, modern era standouts, and albums from other labels under the Blue Note catalog. & lt;br & gt; & lt;br & gt; Extreme attention to detail has been paid to getting these right in every conceivable way, from the jacket graphics and printing quality to superior LP mastering (direct from the master tapes) by Kevin Gray to superb 180 gm audiophile LP pressings by Record Technology Inc. Every aspect of these Blue Note/Tone Poet releases is done to the highest possible standard. It means that you will never find a superior version. This is IT. & lt;br & gt; & lt;br & gt; The so-called Tone Poet (Joe Harley) is confident that his audiophile reissues will allow 21st-century listeners to hear what the musicians heard as the master tape was played back on the studio monitors in Rudy Van Gelder’s studio 50 or 60 years ago. He believes that, in terms of quality, Blue Note albums have never sounded or looked better. & quot;Every aspect of these Blue Note releases is done to the highest possible standard, & quot; he says. & quot;It means that you will never find a superior version. & quot; & lt;br & gt; & lt;br & gt; & lt;b & gt;Features: & lt;/b & gt; & lt;br & gt; & amp;bull; All Analog 180g Vinyl & lt;br & gt; & amp;bull; Tone Poet Audiophile Vinyl Reissue Series & lt;br & gt; & amp;bull; Mastered by Kevin Gray at Cohearent Audio & lt;br & gt; & amp;bull; Mastered From Original Master Tape & lt;br & gt; & amp;bull; Reissue supervised by Joe Harley & lt;br & gt; & amp;bull; Pressed at RTI & lt;br & gt; & amp;bull; Gatefold jacket & lt;br & gt; & lt;br & gt; & lt;b & gt;Musicians: & lt;/b & gt; & lt;br & gt; Stanley Turrentine, tenor saxophone & lt;br & gt; Shirley Scott, organ & lt;br & gt; Kenny Burrell, guitar & lt;br & gt; Bob Cranshaw, bass & lt;br & gt; Otis Finch, drums & lt;br & gt; & lt;br & gt; & lt;b & gt;Selections: & lt;br & gt; Side A: & lt;/b & gt; & lt;br & gt; 1. Trouble (No. 2) & lt;br & gt; 2. Love Letters & lt;br & gt; 3. The Hustler & lt;br & gt; & lt;b & gt;Side B: & lt;/b & gt; & lt;br & gt; 1. Ladyfingers & lt;br & gt; 2. Something Happens To Me & lt;br & gt; 3. Goin' Home

Donald Byrd Chant 180g LP (Vinyl)

& lt;font color= & quot;#FF0000 & quot; & gt; & lt;b & gt;All Analog 180g Vinyl LP! & lt;br & gt; Tone Poet Audiophile Vinyl Reissue Series! & lt;br & gt; Mastered by Kevin Gray at Cohearent Audio From Original Analog Tape! & lt;br & gt; Produced By Music Matters' Joe Harley! & lt;br & gt; Pressed at RTI! & lt;/b & gt; & lt;/font & gt; & lt;br & gt; & lt;br & gt; Trumpeter Donald Byrd and baritone saxophonist Pepper Adams had a formidable partnership throughout the early 1960s, making a series of highly regarded hard bop albums. Yet somehow this masterful quintet session from April 1961 (which also features Herbie Hancock, sounding exceptionally fine on his very first Blue Note recording session) remained unreleased for nearly 20 years. Of particular note are Herbie’s playing on “Great God” and the sophisticated excellence the entire ensemble brings. & lt;br & gt; & lt;br & gt; Tone Poet Audiophile Vinyl Reissue Series: & quot;Tone Poet & quot; Joe Harley—co-founder and co-producer of the acclaimed Music Matters audiophile vinyl series—is the producer of this new series of all-analog, mastered-from-the-original-master-tape 180g audiophile vinyl reissues in deluxe gatefold packaging. Mastering was done by Kevin Gray (Cohearent Audio) and vinyl was manufactured at Record Technology Incorporated (RTI). The titles were handpicked by Harley and cover lesser-known Blue Note classics, modern era standouts, and albums from other labels under the Blue Note catalog. & lt;br & gt; & lt;br & gt; Extreme attention to detail has been paid to getting these right in every conceivable way, from the jacket graphics and printing quality to superior LP mastering (direct from the master tapes) by Kevin Gray to superb 180 gm audiophile LP pressings by Record Technology Inc. Every aspect of these Blue Note/Tone Poet releases is done to the highest possible standard. It means that you will never find a superior version. This is IT. & lt;br & gt; & lt;br & gt; The so-called Tone Poet (Joe Harley) is confident that his audiophile reissues will allow 21st-century listeners to hear what the musicians heard as the master tape was played back on the studio monitors in Rudy Van Gelder’s studio 50 or 60 years ago. He believes that, in terms of quality, Blue Note albums have never sounded or looked better. & quot;Every aspect of these Blue Note releases is done to the highest possible standard, & quot; he says. & quot;It means that you will never find a superior version. & quot; & lt;br & gt; & lt;br & gt; & lt;b & gt;Features: & lt;/b & gt; & lt;br & gt; & amp;bull; All Analog 180g Vinyl & lt;br & gt; & amp;bull; Tone Poet Audiophile Vinyl Reissue Series & lt;br & gt; & amp;bull; Mastered by Kevin Gray at Cohearent Audio & lt;br & gt; & amp;bull; Mastered From Original Master Tape & lt;br & gt; & amp;bull; Reissue supervised by Joe Harley & lt;br & gt; & amp;bull; Pressed at RTI & lt;br & gt; & amp;bull; Gatefold jacket & lt;br & gt; & lt;br & gt; & lt;b & gt;Musicians: & lt;/b & gt; & lt;br & gt; Donald Byrd, trumpet & lt;br & gt; Pepper Adams, baritone saxophone & lt;br & gt; Herbie Hancock, piano & lt;br & gt; Doug Watkins, bass & lt;br & gt; Teddy Robinson, drums & lt;br & gt; & lt;br & gt; & lt;b & gt;Selections: & lt;br & gt; Side A: & lt;/b & gt; & lt;br & gt; 1. I'm An Old Cowhand & lt;br & gt; 2. You're Next & lt;br & gt; 3. Chant & lt;br & gt; & lt;b & gt;Side B: & lt;/b & gt; & lt;br & gt; 1. That's All & lt;br & gt; 2. Great God & lt;br & gt; 3. Sophisticated Lady & lt;br & gt; & lt;br & gt; Recorded at Van Gelder Studios, New Jersey, April 17, 1961

Art Blakey & The Jazz Messengers Indestructible 180g LP (Vinyl)

& lt;font color= & quot;#FF0000 & quot; & gt; & lt;b & gt;Blue Note 80 Vinyl Reissue Series! & lt;br & gt; 180g Vinyl LP! & lt;/b & gt; & lt;/font & gt; & lt;br & gt; & lt;br & gt; & lt;b & gt;Blue Note 80 Vinyl Reissue Series! & lt;/b & gt; & lt;br & gt; In honor of Blue Note Records' 80th Anniversary, the legendary Jazz label is launching the Blue Note 80 Vinyl Reissue Series. Distinct from the Tone Poet Audiophile Vinyl Reissue Series, this 2nd series curated by Don Was and Cem Kurosman features mid-priced 180g vinyl releases in standard packaging with albums spanning the many eras of the label's history presented by themes: Blue Note Debuts, Blue Grooves, Great Reid Miles Covers, Blue Note Live, and Blue Note Drummer Leaders. & lt;br & gt; & lt;br & gt; Drummer Art Blakey recorded Indestructible—his final album for Blue Note—in 1964 with a powerful sextet line-up of The Jazz Messengers featuring Wayne Shorter (tenor saxophone), Lee Morgan (trumpet), Curtis Fuller (trombone), Cedar Walton (piano), and Reggie Workman (bass). The LP presented 5 compelling original compositions by Fuller, Morgan, Walton, and Shorter, and was adorned with one of Reid Miles' most memorable album cover designs. & lt;br & gt; & lt;br & gt; & lt;b & gt;Features: & lt;/b & gt; & lt;br & gt; & amp;bull; Blue Note 80 Vinyl Reissue Series & lt;br & gt; & amp;bull; 180g Vinyl LP & lt;br & gt; & amp;bull; Blue Note 80: Great Reid Miles Covers, Part 1 & lt;br & gt; & amp;bull; All Analog & lt;br & gt; & amp;bull; Mastered by Kevin Gray from the original master tapes & lt;br & gt; & amp;bull; Pressed at Optimal in Germany & lt;br & gt; & lt;br & gt; & lt;b & gt;Musicians: & lt;/b & gt; & lt;br & gt; Lee Morgan, trumpet & lt;br & gt; Curtis Fuller, trombone & lt;br & gt; Wayne Shorter, tenor sax & lt;br & gt; Cedar Walton, piano & lt;br & gt; Reginald Workman, bass & lt;br & gt; Art Blakey, drums & lt;br & gt; & lt;br & gt; & lt;b & gt;Selections: & lt;br & gt; Side A: & lt;/b & gt; & lt;br & gt; 1. The Egyptian & lt;br & gt; 2. Sortie & lt;br & gt; & lt;b & gt;Side B: & lt;/b & gt; & lt;br & gt; 1. Calling Miss Khadija & lt;br & gt; 2. When Love Is New & lt;br & gt; 3. Mr. Jin

Kenny Dorham Una Mas 180g LP (Vinyl)

& lt;font color= & quot;#FF0000 & quot; & gt; & lt;b & gt;Blue Note 80 Vinyl Reissue Series! & lt;br & gt; 180g Vinyl LP! & lt;/b & gt; & lt;/font & gt; & lt;br & gt; & lt;br & gt; & lt;b & gt;Blue Note 80 Vinyl Reissue Series! & lt;/b & gt; & lt;br & gt; In honor of Blue Note Records' 80th Anniversary, the legendary Jazz label is launching the Blue Note 80 Vinyl Reissue Series. Distinct from the Tone Poet Audiophile Vinyl Reissue Series, this 2nd series curated by Don Was and Cem Kurosman features mid-priced 180g vinyl releases in standard packaging with albums spanning the many eras of the label's history presented by themes: Blue Note Debuts, Blue Grooves, Great Reid Miles Covers, Blue Note Live, and Blue Note Drummer Leaders. & lt;br & gt; & lt;br & gt; Recorded in 1963, Una Mas was the first album to feature the dynamic frontline of trumpeter Kenny Dorham and tenor saxophonist Joe Henderson, a potent team that would go on to collaborate on numerous classic albums under each musician’s name including Henderson’s debut album Page One which was recorded just 2 months later. Along with a tremendous rhythm section of Herbie Hancock, Butch Warren, and Tony Williams, the quintet delivers joyous performances of 3 Dorham originals. & lt;br & gt; & lt;br & gt; & lt;b & gt;Features: & lt;/b & gt; & lt;br & gt; & amp;bull; Blue Note 80 Vinyl Reissue Series & lt;br & gt; & amp;bull; 180g Vinyl LP & lt;br & gt; & amp;bull; Blue Note 80: Great Reid Miles Covers, Part 1 & lt;br & gt; & amp;bull; All Analog & lt;br & gt; & amp;bull; Mastered by Kevin Gray from the original master tapes & lt;br & gt; & amp;bull; Pressed at Optimal in Germany & lt;br & gt; & lt;br & gt; & lt;b & gt;Musicians: & lt;/b & gt; & lt;br & gt; Kenny Dorham, trumpet & lt;br & gt; Joe Henderson, tenor saxophone & lt;br & gt; Herbie Hancock, piano & lt;br & gt; Butch Warren, bass & lt;br & gt; Anthony Williams, drums & lt;br & gt; & lt;br & gt; & lt;b & gt;Selections: & lt;br & gt; Side A: & lt;/b & gt; & lt;br & gt; 1. Una Mas (One More Time) & lt;br & gt; & lt;b & gt;Side B: & lt;/b & gt; & lt;br & gt; 1. Straight Ahead & lt;br & gt; 2. Sao Paulo

Grachan Moncur III Evolution LP (Vinyl)

& lt;font color= & quot;#FF0000 & quot; & gt; & lt;b & gt;Newly Remastered for Blue Note 75th Anniversary Vinyl! & lt;/b & gt; & lt;/font & gt; & lt;br & gt; & lt;br & gt; Grachan Moncur III's Evolution is a Blue Note essential. Recorded in 1963, the album was the first by the trombonist and released on the Blue Note label. Moncur is joined by Lee Morgan, Jackie McLean, Bobby Hutcherson, Bob Cranshaw, and Anthony Williams. & lt;br & gt; & lt;br & gt; Newly remastered for vinyl as part of an overall Blue Note 75th anniversary vinyl reissue campaign spearheaded by current Blue Note Records President, Don Was. & lt;br & gt; & lt;br & gt; & lt;b & gt; & quot;With such an inventive debut, it's a shame Moncur didn't record more as a leader, which makes Evolution an even more important item for fans of Blue Note's avant-garde to track down. & quot; & lt;/b & gt; -Steve Huey, allmusic.com & lt;br & gt; & lt;br & gt; & lt;b & gt;Features: & lt;/b & gt; & lt;br & gt; • Vinyl LP & lt;br & gt; • Remastered & amp; reissued as part of the Blue Note 75th Anniversary campaign & lt;br & gt; • Includes special Blue Note 75 vinyl sleeve that features album cover art for 75 Blue Note Titles & lt;br & gt; • First run pressings to include Blue Note 75th logo on back of package & lt;br & gt; & lt;br & gt; & lt;b & gt;Musicians: & lt;/b & gt; & lt;br & gt; Grachan Moncur III, trombone & lt;br & gt; Lee Morgan, trumpet & lt;br & gt; Jackie McLean, alto saxophone & lt;br & gt; Bobby Hutcherson, vibes & lt;br & gt; Bob Cranshaw, bass & lt;br & gt; Anthony Williams, drums & lt;br & gt; & lt;br & gt; & lt;b & gt;Selections: & lt;/b & gt; & lt;br & gt; 1. Air Raid & lt;br & gt; 2. Evolution & lt;br & gt; 3. The Coaster & lt;br & gt; 4. Monk In Wonderland

Herbie Hancock The Prisoner LP (Vinyl)

& lt;font color= & quot;#FF0000 & quot; & gt; & lt;b & gt;Newly Remastered for Blue Note 75th Anniversary Vinyl! & lt;/b & gt; & lt;/font & gt; & lt;br & gt; & lt;br & gt; The Prisoner is the seventh album by Herbie Hancock, his final on the Blue Note label, released and recorded in 1969. & quot;Generally speaking, I've been able to get closer to the real me on this album than on any other previous one. & quot; This is a value judgment of Herbie Hancock, the gifted young upper echelon jazz pianist-composer who left the charismatic and nutritious aura of the Miles Davis group to venture into leading his own band in order to cultivate his imagination and to shape his own musical concepts. & lt;br & gt; & lt;br & gt; Newly remastered for vinyl as part of an overall Blue Note 75th anniversary vinyl reissue campaign spearheaded by current Blue Note Records President, Don Was. & lt;br & gt; & lt;br & gt; & lt;b & gt; & quot;...one of Hancock's most ambitious efforts...Throughout the record, Hancock, Coles, and Henderson exchange provocative, unpredictable solos that build upon the stark melodies and sober mood of the music. The tone is not of sorrow or celebration, but of reflection and contemplation, and on that level, The Prisoner succeeds handsomely... & quot; & lt;/b & gt; -Stephen Thomas Erlewine, allmusic.com & lt;br & gt; & lt;br & gt; & lt;b & gt;Features: & lt;/b & gt; & lt;br & gt; • Vinyl LP & lt;br & gt; • Remastered & amp; reissued as part of the Blue Note 75th Anniversary campaign & lt;br & gt; • Includes special Blue Note 75 vinyl sleeve that features album cover art for 75 Blue Note Titles & lt;br & gt; • First run pressings to include Blue Note 75th logo on back of package & lt;br & gt; & lt;br & gt; & lt;b & gt;Musicians: & lt;/b & gt; & lt;br & gt; Herbie Hancock, piano, electric piano & lt;br & gt; Johnny Coles, fluegelhorn & lt;br & gt; Joe Henderson, tenor saxophone, alto flute & lt;br & gt; Garnett Brown, trombone & lt;br & gt; Buster Williams, bass & lt;br & gt; Albert & quot;Tootie & quot; Heath, drums & lt;br & gt; Hubert Laws, flute & lt;br & gt; Jerome Richardson, bass clarinet, flute & lt;br & gt; Romeo Penque, bass clarinet & lt;br & gt; Tony Studd, bass trombone & lt;br & gt; Jack Jeffers, bass trombone & lt;br & gt; & lt;br & gt; & lt;b & gt;Selections: & lt;br & gt; Side One: & lt;/b & gt; & lt;br & gt; 1. I Have A Dream & lt;br & gt; 2. The Prisoner & lt;br & gt; & lt;b & gt;Side Two: & lt;/b & gt; & lt;br & gt; 1. Firewater & lt;br & gt; 2. He Who Lives In Fear & lt;br & gt; 3. Promise of The Sun

The Horace Silver Quintet The Cape Verdean Blues LP (Vinyl)

& lt;font color= & quot;#FF0000 & quot; & gt; & lt;b & gt;Newly Remastered for Blue Note 75th Anniversary Vinyl! & lt;/b & gt; & lt;/font & gt; & lt;br & gt; & lt;br & gt; Horace Silver, the influential hard bop/soul jazz pianist, songwriter, and bandleader, was riding high in 1965. His & quot;Song for My Father & quot; had become a hit, he had put together a new and brilliant quintet, and he had the opportunity to use the masterful trombonist J.J. Johnson as a guest on his new album for Blue Note Records. On the resulting album, The Cape Verdean Blues, Johnson joins one of Silver's greatest bands, a group boasting two brilliant new stars... tenor saxophonist Joe Henderson and the young trumpeter Woody Shaw. & lt;br & gt; & lt;br & gt; Henderson and Shaw push Silver to take some of his most forward looking solos, and the pianist's compositions in turn push the soloists to think melodically and play with deep soul. & quot;The Cape Verdean Blues & quot; is a tribute to the West African homeland of Silver's father. & quot;Pretty Eyes & quot; was Silvers' first original waltz. & quot;Nutville & quot; is both complex and uniquely catchy. The Cape Verdean Blues is simply one of the most inspired sessions of Horace Silver's long and outstanding career. & lt;br & gt; & lt;br & gt; Newly remastered for vinyl as part of an overall Blue Note 75th anniversary vinyl reissue campaign spearheaded by current Blue Note Records President, Don Was. & lt;br & gt; & lt;br & gt; & lt;b & gt; & quot;...there's a spirit of adventure that pervades the entire album, a sense of exploration that wouldn't have been quite the same with Silver's quintet of old...another worthwhile Silver album. & quot; & lt;/b & gt; -Steve Huey, allmusic.com & lt;br & gt; & lt;br & gt; & lt;b & gt;Features: & lt;/b & gt; & lt;br & gt; • Vinyl LP & lt;br & gt; • Remastered & amp; reissued as part of the Blue Note 75th Anniversary campaign & lt;br & gt; • Includes special Blue Note 75 vinyl sleeve that features album cover art for 75 Blue Note Titles & lt;br & gt; • First run pressings to include Blue Note 75th logo on back of package & lt;br & gt; & lt;br & gt; & lt;b & gt;Musicians: & lt;/b & gt; & lt;br & gt; Horace Silver, piano & lt;br & gt; Joe Henderson, tenor saxophone & lt;br & gt; Woody Shaw, trumpet & lt;br & gt; J.J. Johnson, trombone & lt;br & gt; Bob Cranshaw, bass & lt;br & gt; Roger Humphries, drums & lt;br & gt; & lt;br & gt; & lt;b & gt;Selections: & lt;br & gt; Side One: & lt;/b & gt; & lt;br & gt; 1. The Cape Verdean Blues & lt;br & gt; 2. The African Queen & lt;br & gt; 3. Pretty Eyes & lt;br & gt; & lt;b & gt;Side Two: & lt;/b & gt; & lt;br & gt; 1. Nutville & lt;br & gt; 2. Bonita & lt;br & gt; 3. Mo' Joe

Joe Henderson The State of the Tenor, Live at the Village Vanguard Volume 1 LP (Vinyl)

& lt;font color= & quot;#FF0000 & quot; & gt; & lt;b & gt;Newly Remastered for Blue Note 75th Anniversary Vinyl! & lt;/b & gt; & lt;/font & gt; & lt;br & gt; & lt;br & gt; From November 14 to 16 in 1985, the Joe Henderson trio held court at the Village Vanguard for a legendary 10-set engagement, some of which was recorded for Blue Note and released in 1986 as two volumes under the declarative banner The State of the Tenor. The saxophone titan was 48 at the time and sat comfortably at the top of the heap among his peers. & lt;br & gt; & lt;br & gt; The great pugilist of the instrument, his muscular approach was reflective of the brash sensibility of the '80s; the heavy hitters joining him onstage, bassist Ron Carter and drummer Al Foster, complemented Henderson's take-no-prisoners style with a sense of airy restraint, swinging big when they needed to fill in the negative space. & lt;br & gt; & lt;br & gt; Newly remastered for vinyl as part of an overall Blue Note 75th anniversary vinyl reissue campaign spearheaded by current Blue Note Records President, Don Was. & lt;br & gt; & lt;br & gt; & lt;b & gt; & quot;...features Henderson in top form...The State of the Tenor is well worth acquiring. & quot; & lt;/b & gt; -Scott Yanow, allmusic.com & lt;br & gt; & lt;br & gt; & lt;b & gt;Features: & lt;/b & gt; & lt;br & gt; • Vinyl LP & lt;br & gt; • Remastered & amp; reissued as part of the Blue Note 75th Anniversary campaign & lt;br & gt; • Includes special Blue Note 75 vinyl sleeve that features album cover art for 75 Blue Note Titles & lt;br & gt; • First run pressings to include Blue Note 75th logo on back of package & lt;br & gt; & lt;br & gt; & lt;b & gt;Musicians: & lt;/b & gt; & lt;br & gt; Joe Henderson, tenor saxophone & lt;br & gt; Ron Carter, bass & lt;br & gt; Al Foster, drums & lt;br & gt; & lt;br & gt; & lt;b & gt;Selections: & lt;br & gt; Side One: & lt;/b & gt; & lt;br & gt; 1. Beatrice & lt;br & gt; 2. Friday the Thirteenth & lt;br & gt; 3. Happy Reunion & lt;br & gt; & lt;b & gt;Side Two: & lt;/b & gt; & lt;br & gt; 1. Loose Change & lt;br & gt; 2. Ask Me Now & lt;br & gt; 3. Isotope

Wayne Shorter Adam's Apple LP (Vinyl)

& lt;font color= & quot;#FF0000 & quot; & gt; & lt;b & gt;Newly Remastered for Blue Note 75th Anniversary Vinyl! & lt;/b & gt; & lt;/font & gt; & lt;br & gt; & lt;br & gt; Recorded in 1966, & quot;Adam's Apple & quot; is Wayne Shorter’s tenth album. This album includes the first recording of Shorter’s composition “Footprints” which was later recorded by the Miles Davis Quintet. On this release, Shorter is joined by Herbie Hancock, Reginald Workman, and Joe Chambers. & lt;br & gt; & lt;br & gt; Newly remastered for vinyl as part of an overall Blue Note 75th anniversary vinyl reissue campaign spearheaded by current Blue Note Records President, Don Was. & lt;br & gt; & lt;br & gt; & lt;b & gt; & quot;...it really does rank with the best of his output from this incredibly fertile period. From the first moments when Shorter's sax soars out in the eponymous opening track, with its warmth and roundness and power, it is hard not to like this album... this is one of the great works of mid-'60s jazz. & quot; & lt;/b & gt; -Stacia Proefrock, allmusic.com & lt;br & gt; & lt;br & gt; & lt;b & gt;Features: & lt;/b & gt; & lt;br & gt; • Vinyl LP & lt;br & gt; • Remastered & amp; reissued as part of the Blue Note 75th Anniversary campaign & lt;br & gt; • Includes special Blue Note 75 vinyl sleeve that features album cover art for 75 Blue Note Titles & lt;br & gt; • First run pressings to include Blue Note 75th logo on back of package & lt;br & gt; & lt;br & gt; & lt;b & gt;Musicians: & lt;/b & gt; & lt;br & gt; Wayne Shorter, tenor sax & lt;br & gt; Herbie Hancock, piano & lt;br & gt; Reginald Workman, bass & lt;br & gt; Joe Chambers, drums & lt;br & gt; & lt;br & gt; & lt;b & gt;Selections: & lt;br & gt; Side One: & lt;/b & gt; & lt;br & gt; 1. Adam's Apple & lt;br & gt; 2. 502 Blues (Drinkin' And Drivin') & lt;br & gt; 3. El Gaucho & lt;br & gt; & lt;b & gt;Side Two: & lt;/b & gt; & lt;br & gt; 1. Footprints & lt;br & gt; 2. Teru & lt;br & gt; 3. Chief Crazy Horse

Lee Morgan Search for the New Land LP (Vinyl)

& lt;font color= & quot;#FF0000 & quot; & gt; & lt;b & gt;Newly Remastered for Blue Note 75th Anniversary Vinyl! & lt;/b & gt; & lt;/font & gt; & lt;br & gt; & lt;br & gt; Search for the New Land is an album by jazz trumpeter Lee Morgan. A hard bop set with a group of well-known jazz musicians, Search for the New Land was recorded before The Sidewinder was released and is considered more abstract than its popular predecessor. Although it was recorded in 1964, the album was shelved for two years, then issued with the original catalogue number 84169. It is described by jazz commentator Scott Yanow as & quot;one of the finest Lee Morgan records. & quot; & lt;br & gt; & lt;br & gt; Recorded in February 1964 at Van Gelder Studios in Englewood Cliffs, Search For the New Land finds Morgan leading a cast of jazz musicians including Wayne Shorter, Herbie Hancock, Grant Green, Reggie Workman, and Billy Higgins. & lt;br & gt; & lt;br & gt; Newly remastered for vinyl as part of an overall Blue Note 75th anniversary vinyl reissue campaign spearheaded by current Blue Note Records President, Don Was. & lt;br & gt; & lt;br & gt; & lt;b & gt; & quot;Morgan, tenor saxophonist Wayne Shorter, guitarist Grant Green, pianist Herbie Hancock, bassist Reggie Workman, and drummer Billy Higgins are all in particularly creative form on the fresh material, and they stretch the boundaries of hard bop (the modern mainstream jazz of the period). The result is a consistently stimulating set that rewards repeated listenings. & quot; & lt;/b & gt; -Scott Yanow, allmusic.com & lt;br & gt; & lt;br & gt; & lt;b & gt;Features: & lt;/b & gt; & lt;br & gt; • Vinyl LP & lt;br & gt; • Remastered & amp; reissued as part of the Blue Note 75th Anniversary campaign & lt;br & gt; • Includes special Blue Note 75 vinyl sleeve that features album cover art for 75 Blue Note Titles & lt;br & gt; • First run pressings to include Blue Note 75th logo on back of package & lt;br & gt; & lt;br & gt; & lt;b & gt;Musicians: & lt;/b & gt; & lt;br & gt; Lee Morgan, trumpet & lt;br & gt; Wayne Shorter, tenor sax & lt;br & gt; Grant Green, guitar & lt;br & gt; Herbie Hancock, piano & lt;br & gt; Reginald Workman, bass & lt;br & gt; Billy Higgins, drums & lt;br & gt; & lt;br & gt; & lt;b & gt;Selections: & lt;br & gt; Side One: & lt;/b & gt; & lt;br & gt; 1. Search for the New Land & lt;br & gt; 2. The Joker & lt;br & gt; & lt;b & gt;Side Two: & lt;/b & gt; & lt;br & gt; 1. Mr. Kenyatta & lt;br & gt; 2. Melancholee & lt;br & gt; 3. Morgan the Pirate

Grant Green I Want To Hold Your Hand LP (Vinyl)

& lt;font color= & quot;#FF0000 & quot; & gt; & lt;b & gt;Newly Remastered for Blue Note 75th Anniversary Vinyl! & lt;/b & gt; & lt;/font & gt; & lt;br & gt; & lt;br & gt; I Want to Hold Your Hand is an album by American jazz guitarist Grant Green featuring performances recorded in 1965 and released on the Blue Note label. Grant Green is joined by Hank Mobley, Larry Young and Elvin Jones for this 1965 recording. & lt;br & gt; & lt;br & gt; Newly remastered for vinyl as part of an overall Blue Note 75th anniversary vinyl reissue campaign spearheaded by current Blue Note Records President, Don Was. & lt;br & gt; & lt;br & gt; & lt;b & gt; & quot;Even with all the straightforward pop overtones of much of the material, the quartet's playing is still very subtly advanced, both in its rhythmic interaction and the soloists' harmonic choices. Whether augmented by an extra voice or sticking to the basic trio format, the Green/Young/Jones team produced some of the most sophisticated organ/guitar combo music ever waxed, and I Want to Hold Your Hand is the loveliest of the bunch. & quot; & lt;/b & gt; -Steve Huey, allmusic.com & lt;br & gt; & lt;br & gt; & lt;b & gt;Features: & lt;/b & gt; & lt;br & gt; • Vinyl LP & lt;br & gt; • Remastered & amp; reissued as part of the Blue Note 75th Anniversary campaign & lt;br & gt; • Includes special Blue Note 75 vinyl sleeve that features album cover art for 75 Blue Note Titles & lt;br & gt; • First run pressings to include Blue Note 75th logo on back of package & lt;br & gt; & lt;br & gt; & lt;b & gt;Musicians: & lt;/b & gt; & lt;br & gt; Grant Green, guitar & lt;br & gt; Hank Mobley, tenor sax & lt;br & gt; Larry Young, organ & lt;br & gt; Elvin Jones, drums & lt;br & gt; & lt;br & gt; & lt;b & gt;Selections: & lt;br & gt; Side One: & lt;/b & gt; & lt;br & gt; 1. I Want To Hold Your Hand & lt;br & gt; 2. Speak Low & lt;br & gt; 3. Stella By Starlight & lt;br & gt; & lt;b & gt;Side Two: & lt;/b & gt; & lt;br & gt; 1. Corcovado (Quiet Nights) & lt;br & gt; 2. This Could Be the Start of Something & lt;br & gt; 3. At Long Last Love

Art Blakey Quintet A Night at Birdland Volume 1 LP (Vinyl)

& lt;font color= & quot;#FF0000 & quot; & gt; & lt;b & gt;Newly Remastered for Blue Note 75th Anniversary Vinyl! & lt;/b & gt; & lt;/font & gt; & lt;br & gt; & lt;br & gt; A Night at Birdland Volume 1 is a 1954 release by jazz artist Art Blakey, and a quintet which featured Clifford Brown, Lou Donaldson, Horace Silver, and Curly Russell. The quintet performed at the Birdland in New York City on February 21, 1954. A Night at Birdland Volume 1 contains live music from that performance. & lt;br & gt; & lt;br & gt; Newly remastered for vinyl as part of an overall Blue Note 75th anniversary vinyl reissue campaign spearheaded by current Blue Note Records President, Don Was. & lt;br & gt; & lt;br & gt; & lt;b & gt; & quot;Perhaps the most acclaimed combo of Blakey's next to the latter-period bands with Lee Morgan and Wayne Shorter, the pre-Messengers quintet heard on this first volume of live club dates at Birdland in New York City provides solid evidence to the assertion that this ensemble was a one of a kind group the likes of which was not heard until the mid-'60s Miles Davis Quintet...This recording, as well as subsequent editions of these performances, launches an initial breakthrough for Blakey and modern jazz in general, and defines the way jazz music could be heard for decades thereafter. Everybody must own copies of all volumes of A Night at Birdland. & quot; & lt;/b & gt; -Michael G. Nastos, allmusic.com & lt;br & gt; & lt;br & gt; & lt;b & gt;Features: & lt;/b & gt; & lt;br & gt; • Vinyl LP & lt;br & gt; • Remastered & amp; reissued as part of the Blue Note 75th Anniversary campaign & lt;br & gt; • Includes special Blue Note 75 vinyl sleeve that features album cover art for 75 Blue Note Titles & lt;br & gt; • First run pressings to include Blue Note 75th logo on back of package & lt;br & gt; & lt;br & gt; & lt;b & gt;Musicians: & lt;/b & gt; & lt;br & gt; Art Blakey, drums & lt;br & gt; Clifford Brown, trumpet & lt;br & gt; Lou Donaldson, alto saxophone & lt;br & gt; Curley Russell, bass & lt;br & gt; Horace Silver, piano & lt;br & gt; & lt;br & gt; & lt;b & gt;Selections: & lt;br & gt; Side One: & lt;/b & gt; & lt;br & gt; 1. Split Kick & lt;br & gt; 2. Once In A While & lt;br & gt; 3. Quicksilver & lt;br & gt; 4. A Night In Tunisia & lt;br & gt; 5. Mayreh & lt;br & gt; & lt;b & gt;Side Two: & lt;/b & gt; & lt;br & gt; 1. Wee-Dot & lt;br & gt; 2. If I Had You & lt;br & gt; 3. Quicksilver (Alternate Master) & lt;br & gt; 4. Now's The Time & lt;br & gt; 5. Confirmation

Cassandra Wilson New Moon Daughter 2LP (Vinyl)

& lt;font color= & quot;#FF0000 & quot; & gt; & lt;b & gt;Newly Remastered For Blue Note 75th Anniversary Vinyl! & lt;/b & gt; & lt;/font & gt; & lt;br & gt; & lt;br & gt; Newly-remastered for vinyl as part of an overall Blue Note 75th anniversary vinyl reissue campaign spearheaded by current Blue Note Records President, Don Was. & lt;br & gt; & lt;br & gt; Cassandra Wilson's own excellent, jazz tinged compositions sit alongside a stunning set of ingenious covers from a highly diverse spectrum of composers. & quot;Last Train To Clarksville & quot; is transformed from a catchy pop song into a stripped-down and genuinely effective jazz vocal work-out. & quot;Harvest Moon & quot; slows down Neil Young's already wistful ballad to an almost painful level and, in so doing, takes it to an even higher level of gentle reflection. Hank Williams' & quot;I'm So Lonesome I Could Cry & quot; & amp; U2's & quot;Love Is Blindness & quot; are transformed into 3 in the morning jazz club classics. The vocals and backing to Robert Johnson's & quot;32-20 & quot; are simplified to the point where only the essence of the blues is allowed to shine and, Lewis Allan's & quot;Strange Fruit & quot; becomes as desolate and challenging as its horrific lyrics. & lt;br & gt; & lt;br & gt; This album reached No. 1 on the Billboard Top Jazz Albums chart in 1996. & lt;br & gt; & lt;br & gt; & lt;b & gt;Features: & lt;/b & gt; & lt;br & gt; • Double LP & lt;br & gt; • Remastered & amp; reissued as part of the Blue Note 75th Anniversary campaign & lt;br & gt; • Includes special Blue Note 75 vinyl sleeve that features album cover art for 75 Blue Note Titles & lt;br & gt; • First run pressings to include Blue Note 75th logo on back of package & lt;br & gt; & lt;br & gt; & lt;b & gt;Musicians: & lt;/b & gt; & lt;br & gt; Cassandra Wilson, vocals, acoustic guitar & lt;br & gt; Cyro Baptista, percussion, Jew's-Harp, shaker & lt;br & gt; Dougie Bowne, percussion, drums, whistle, vibraphone & lt;br & gt; Gary Breit, Hammond organ & lt;br & gt; Kevin Breit, acoustic & amp; electric guitar, banjo, bouzouki & lt;br & gt; Brandon Ross. acoustic & amp; electric guitar & lt;br & gt; Charles Burnham, violin & lt;br & gt; Tony Cedras, accordion & lt;br & gt; Graham Haynes, cornet & lt;br & gt; Lawrence & quot;Butch & quot; Morris, cornet & lt;br & gt; Jeff Haynes, percussion, bongos & lt;br & gt; Peepers, background vocals & lt;br & gt; Mark Peterson, bass & lt;br & gt; Lonnie Plaxico, bass & lt;br & gt; Gib Wharton, pedal steel guitar & lt;br & gt; Chris Whitley, guitar & lt;br & gt; & lt;br & gt; & lt;b & gt;Selections: & lt;br & gt; LP1 - Side A : & lt;/b & gt; & lt;br & gt; 1. Strange Fruit & lt;br & gt; 2. Love Is Blindness & lt;br & gt; 3. Solomon Sang & lt;br & gt; & lt;b & gt;LP1 - Side B: & lt;/b & gt; & lt;br & gt; 1. Death Letter & lt;br & gt; 2. Skylark & lt;br & gt; 3. Find Him & lt;br & gt; 4. I'm So Lonesome I Could Cry & lt;br & gt; & lt;b & gt;LP2 - Side C: & lt;/b & gt; & lt;br & gt; 1. Last Train To Clarksville & lt;br & gt; 2. Until & lt;br & gt; 3. A Little Warm Death & lt;br & gt; & lt;b & gt;LP2 - Side D: & lt;/b & gt; & lt;br & gt; 1. Memphis & lt;br & gt; 2. Harvest Moon & lt;br & gt; 3. 32-20

Donald Byrd A New Perspective LP (Vinyl)

& lt;font color= & quot;#FF0000 & quot; & gt; & lt;b & gt;Newly Remastered for Blue Note 75th Anniversary Vinyl! & lt;/b & gt; & lt;/font & gt; & lt;br & gt; & lt;br & gt; A New Perspective is a 1963 album by jazz trumpeter Donald Byrd released on the Blue Note label as BLP 4124 and BST 84124. The performances are mainly in a hard bop style, but the recording also features a gospel choir. On this release, Byrd is joined by Hank Mobley, Herbie Hancock, Kenny Burrell, Donald Best, Butch Warren, and Lex Humphries. & lt;br & gt; & lt;br & gt; Newly remastered for vinyl as part of an overall Blue Note 75th anniversary vinyl reissue campaign spearheaded by current Blue Note Records President, Don Was. & lt;br & gt; & lt;br & gt; & lt;b & gt; & quot;This unusual set was one of the most successful uses of a gospel choir in a jazz context... The arrangements by Duke Pearson are masterful...This is a memorable effort that is innovative in its own way, a milestone in Donald Byrd's career. & quot; & lt;/b & gt; -Scott Yanow, allmusic.com & lt;br & gt; & lt;br & gt; & lt;b & gt;Features: & lt;/b & gt; & lt;br & gt; • Vinyl LP & lt;br & gt; • Remastered & amp; reissued as part of the Blue Note 75th Anniversary campaign & lt;br & gt; • Includes special Blue Note 75 vinyl sleeve that features album cover art for 75 Blue Note Titles & lt;br & gt; • First run pressings to include Blue Note 75th logo on back of package & lt;br & gt; & lt;br & gt; & lt;b & gt;Musicians: & lt;/b & gt; & lt;br & gt; Donald Byrd, trumpet & lt;br & gt; Hank Mobley, tenor saxophone & lt;br & gt; Herbie Hancock, piano & lt;br & gt; Kenny Burrell, guitar & lt;br & gt; Donald Best, vibraphone & lt;br & gt; Butch Warren, bass & lt;br & gt; Lex Humphries, drums & lt;br & gt; & lt;br & gt; & lt;b & gt;Selections: & lt;/b & gt; & lt;br & gt; 1. Elijah & lt;br & gt; 2. Beat of Burden & lt;br & gt; 3. Cristo Redentor & lt;br & gt; 4. The Black Disciple & lt;br & gt; 5. Chant & lt;br & gt; & lt;br & gt; Recorded January 12, 1963 at Van Gelder Studio

Hank Mobley The Turnaround LP (Vinyl)

& lt;font color= & quot;#FF0000 & quot; & gt; & lt;b & gt;Newly Remastered for Blue Note 75th Anniversary Vinyl! & lt;/b & gt; & lt;/font & gt; & lt;br & gt; & lt;br & gt; The Turnaround! is an album by jazz tenor saxophonist Hank Mobley recorded on March 7, 1963 and on February 5, 1965, and released on the Blue Note label. It features performances by Mobley with Donald Byrd, Herbie Hancock, Butch Warren and Philly Joe Jones from the earlier session and Freddie Hubbard, Barry Harris, Paul Chambers and Billy Higgins from the latter. & lt;br & gt; & lt;br & gt; Newly remastered for vinyl as part of an overall Blue Note 75th anniversary vinyl reissue campaign spearheaded by current Blue Note Records President, Don Was. & lt;br & gt; & lt;br & gt; & lt;b & gt; & quot;Here is the evolution of Mobley's tone in full flower, all but gone is the rounded, warm sound, and in its place is a shorter, declarative, bluesier tone with real bite that is perfect for pianists like Harris, who were used to the deeper funk of the Detroit sound. In all this is a solid date, despite its time lapse, and one that gives us a solid picture of the two Mobleys. & quot; & lt;/b & gt; -Thom Jurek, allmusic.com & lt;br & gt; & lt;br & gt; & lt;b & gt;Features: & lt;/b & gt; & lt;br & gt; • Vinyl LP & lt;br & gt; • Remastered & amp; reissued as part of the Blue Note 75th Anniversary campaign & lt;br & gt; • Includes special Blue Note 75 vinyl sleeve that features album cover art for 75 Blue Note Titles & lt;br & gt; • First run pressings to include Blue Note 75th logo on back of package & lt;br & gt; & lt;br & gt; & lt;b & gt;Musicians: & lt;/b & gt; & lt;br & gt; Hank Mobley, tenor saxophone & lt;br & gt; Freddie Hubbard, trumpet & lt;br & gt; Barry Harris, piano & lt;br & gt; Paul Chambers, bass & lt;br & gt; Billy Higgins, drums & lt;br & gt; & lt;br & gt; Hank Mobley, tenor saxophone & lt;br & gt; Donald Byrd, trumpet & lt;br & gt; Herbie Hancock, piano & lt;br & gt; Butch Warren, bass & lt;br & gt; Philly Joe Jones, drums & lt;br & gt; & lt;br & gt; & lt;b & gt;Selections: & lt;br & gt; Side One: & lt;/b & gt; & lt;br & gt; 1. The Turnaround & lt;br & gt; 2. East of The Village & lt;br & gt; 3. The Good Life & lt;br & gt; & lt;b & gt;Side Two: & lt;/b & gt; & lt;br & gt; 1. Straight Ahead & lt;br & gt; 2. My Sin & lt;br & gt; 3. Pat 'n Chat

Dexter Gordon One Flight Up LP (Vinyl)

& lt;font color= & quot;#FF0000 & quot; & gt; & lt;b & gt;Newly Remastered for Blue Note 75th Anniversary Vinyl! & lt;/b & gt; & lt;/font & gt; & lt;br & gt; & lt;br & gt; One Flight Up is an album by American jazz saxophonist Dexter Gordon recorded in 1964 in Paris and released on the Blue Note label. Dexter Gordon is joined by Donald Byrd, Kenny Drew, Niels-Henning Orsted and Art Taylor for this set of three delicious tunes. The album's centerpieces are two extended compositions, Donald Byrd's & quot;Tanya & quot; and Kenny Drew's & quot;Coppin' The Haven. & quot; & lt;br & gt; & lt;br & gt; Newly remastered for vinyl as part of an overall Blue Note 75th anniversary vinyl reissue campaign spearheaded by current Blue Note Records President, Don Was. & lt;br & gt; & lt;br & gt; & lt;b & gt; & quot;At around 47 substantive minutes of music, One Flight Up stands as a testament to Dexter Gordon's viability as a bandleader and teammate...It's a good listen to digest all the way through, especially if you are as patient as the performers, who have a lot to say. & quot; & lt;/b & gt; -Michael G. Nastos, allmusic.com & lt;br & gt; & lt;br & gt; & lt;b & gt;Features: & lt;/b & gt; & lt;br & gt; • Vinyl LP & lt;br & gt; • Remastered & amp; reissued as part of the Blue Note 75th Anniversary campaign & lt;br & gt; • Includes special Blue Note 75 vinyl sleeve that features album cover art for 75 Blue Note Titles & lt;br & gt; • First run pressings to include Blue Note 75th logo on back of package & lt;br & gt; & lt;br & gt; & lt;b & gt;Musicians: & lt;/b & gt; & lt;br & gt; Dexter Gordon, tenor saxophone & lt;br & gt; Donald Byrd, trumpet & lt;br & gt; Kenny Drew, piano & lt;br & gt; Niels-Henning Orsted, bass & lt;br & gt; Art Taylor, drums & lt;br & gt; & lt;br & gt; & lt;b & gt;Selections: & lt;br & gt; Side A: & lt;/b & gt; & lt;br & gt; 1. Tanya & lt;br & gt; & lt;b & gt;Side B: & lt;/b & gt; & lt;br & gt; 1. Coppin' the Haven & lt;br & gt; 2. Darn That Dream

Bud Powell The Scene Changes LP (Vinyl)

& lt;font color= & quot;#FF0000 & quot; & gt; & lt;b & gt;Newly Remastered for Blue Note 75th Anniversary Vinyl! & lt;/b & gt; & lt;/font & gt; & lt;br & gt; & lt;br & gt; The Scene Changes is a studio album by jazz pianist Bud Powell, released on Blue Note Records in 1959, featuring a session Powell recorded at the Rudy Van Gelder Studio in Hackensack, New Jersey on December 28, 1958, with Paul Chambers on bass and Art Taylor on drums. This is a classic jazz trio album by one of the great jazz pianists of all time. & lt;br & gt; & lt;br & gt; Newly remastered for vinyl as part of an overall Blue Note 75th anniversary vinyl reissue campaign spearheaded by current Blue Note Records President, Don Was. & lt;br & gt; & lt;br & gt; & lt;b & gt;Features: & lt;/b & gt; & lt;br & gt; • Vinyl LP & lt;br & gt; • Remastered & amp; reissued as part of the Blue Note 75th Anniversary campaign & lt;br & gt; • Includes special Blue Note 75 vinyl sleeve that features album cover art for 75 Blue Note Titles & lt;br & gt; • First run pressings to include Blue Note 75th logo on back of package & lt;br & gt; & lt;br & gt; & lt;b & gt;Musicians: & lt;/b & gt; & lt;br & gt; Bud Powell, piano & lt;br & gt; Paul Chamber, bass & lt;br & gt; Art Taylor, drums & lt;br & gt; & lt;br & gt; & lt;b & gt;Selections: & lt;/b & gt; & lt;br & gt; 1. Cleopatra's Dream & lt;br & gt; 2. Duid Deed & lt;br & gt; 3. Down With It & lt;br & gt; 4. Danceland & lt;br & gt; 5. Borderick & lt;br & gt; 6. Crossin' The Channel & lt;br & gt; 7. Comin' Up & lt;br & gt; 8. Gettin' There & lt;br & gt; 9. The Scene Changes

Miles Davis Volume 1 LP (Vinyl)

& lt;font color= & quot;#FF0000 & quot; & gt; & lt;b & gt;Newly Remastered For Blue Note 75th Anniversary Vinyl! & lt;/b & gt; & lt;/font & gt; & lt;br & gt; & lt;br & gt; Volume 1 contains music recorded during two different sessions - April 20, 1953 and May 9, 1952. Artists joining Miles Davis include Jackie McLean, Art Blakey, Jay Jay Johnson, Kenny Clarke, Jimmy Heath, Oscar Pettiford, Percy Heath, and Gil Coggins. & lt;br & gt; & lt;br & gt; Newly-remastered for vinyl as part of an overall Blue Note 75th anniversary vinyl reissue campaign spearheaded by current Blue Note Records President, Don Was. & lt;br & gt; & lt;br & gt; & lt;b & gt;Features: & lt;/b & gt; & lt;br & gt; • Vinyl LP & lt;br & gt; • Re-mastered & amp; reissued as part of the Blue Note 75th Anniversary campaign & lt;br & gt; • Includes special Blue Note 75 vinyl sleeve that features album cover art for 75 Blue Note Titles & lt;br & gt; • First run pressings to include Blue Note 75th logo on back of package & lt;br & gt; & lt;br & gt; & lt;b & gt;Musicians: & lt;/b & gt; & lt;br & gt; Miles Davis, trumpet & lt;br & gt; Jay Jay Johnson, trombone & lt;br & gt; Jackie McLean, alto saxophone & lt;br & gt; Art Blakey, drums & lt;br & gt; Kenny Clarke, drums & lt;br & gt; Oscar Pettiford, bass & lt;br & gt; Percy Heath, bass & lt;br & gt; Gil Coggins, piano & lt;br & gt; & lt;br & gt; & lt;b & gt;Selections: & lt;br & gt; Side A: & lt;/b & gt; & lt;br & gt; 1. Tempus Fugit & lt;br & gt; 2. Kelo & lt;br & gt; 3. Enigma & lt;br & gt; 4. Ray's Idea & lt;br & gt; 5. How Deep is the Ocean & lt;br & gt; 6. C.T.A. & lt;br & gt; & lt;b & gt;Side B: & lt;/b & gt; & lt;br & gt; 1. Dear Old Stockholm & lt;br & gt; 2. Chance It & lt;br & gt; 3. Yesterdays & lt;br & gt; 4. Donna & lt;br & gt; 5. C.T.A. & lt;br & gt; 6. Would'n You & lt;br & gt; & lt;br & gt; Recorded April 20, 1953 and May 9, 1952.